Pornography: Ensuring That Women Are Never on Top
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Shaming and Suppression of Female Sexuality
THE AMERICAN ACADEMY OF CLINICAL SEXOLOGY SHAMING AND SUPPRESSION OF FEMALE SEXUALITY AN IN DEPTH LOOK AT THE EVOLUTION OF HUMAN SEXUALITY, GENDER ROLES, FEMALE LIBERATION, AND LONG TERM EFFECTS OF SHAMING OF FEMALE SEXUALITY A DISSERTATION SUBMITTED TO THE AMERICAN ACADEMY OF CLINICAL SEXOLOGY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY INGRID D.THRALL ORLANDO FLORIDA ii Copyright © 2017 by Ingrid D. Thrall All Rights Reserved iii ACKNOWLEDGEMENTS I would like to thank my committee members; Dr. Claudia Rieman, for her guidance and support, and most of all for inspiring and encouraging me to pursue my doctoral degree at The American Academy of Clinical Sexology; Dr. Julia Breur for her input and for encouraging me to enjoy the process; Dr. William Granzig for his ubiquitous reassurance, sharing of his vast knowledge, and challenging me to think outside the box. I would like to thank my husband Ed for his unwavering love and support of all my endeavors and always believing in me. I would like to thank my son Jonathan for his faith in me in my pursuit of my passion and for allowing me to inspire him to pursue his own journey in the field of Psychology. I would like to thank each and every woman who took the time to participate in the survey. Without these wonderful women this project would not have been possible. iv VITA Ingrid D. Thrall is a graduate of Nova Southeastern University where she earned a Master of Science degree in Mental Health Counseling Psychology. She is a member of AASECT. -
Is Mainstream Pornography Becoming Increasingly Violent and Do Viewers Prefer Violent Content?
The Journal of Sex Research ISSN: 0022-4499 (Print) 1559-8519 (Online) Journal homepage: http://www.tandfonline.com/loi/hjsr20 “Harder and Harder”? Is Mainstream Pornography Becoming Increasingly Violent and Do Viewers Prefer Violent Content? Eran Shor & Kimberly Seida To cite this article: Eran Shor & Kimberly Seida (2018): “Harder and Harder”? Is Mainstream Pornography Becoming Increasingly Violent and Do Viewers Prefer Violent Content?, The Journal of Sex Research, DOI: 10.1080/00224499.2018.1451476 To link to this article: https://doi.org/10.1080/00224499.2018.1451476 Published online: 18 Apr 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hjsr20 THE JOURNAL OF SEX RESEARCH,00(00), 1–13, 2018 Copyright © The Society for the Scientific Study of Sexuality ISSN: 0022-4499 print/1559-8519 online DOI: https://doi.org/10.1080/00224499.2018.1451476 “Harder and Harder”? Is Mainstream Pornography Becoming Increasingly Violent and Do Viewers Prefer Violent Content? Eran Shor and Kimberly Seida Department of Sociology, McGill University, Montreal, Quebec, Canada It is a common notion among many scholars and pundits that the pornography industry becomes “harder and harder” with every passing year. Some have suggested that porn viewers, who are mostly men, become desensitized to “soft” pornography, and producers are happy to generate videos that are more hard core, resulting in a growing demand for and supply of violent and degrading acts against women in mainstream pornographic videos. We examined this accepted wisdom by utilizing a sample of 269 popular videos uploaded to PornHub over the past decade. -
From Sexual Objectification to Sexual Subjectification? Pornography Consumption and Italian Women’S Sexual Empowerment
https://riviste.unige.it/aboutgender DOI: 10.15167/2279-5057/AG2019.8.16.1074 Vol. 8 N° 16 anno 2019 pp. 129-157 From Sexual Objectification to Sexual Subjectification? Pornography Consumption and Italian Women’s Sexual Empowerment Raffaella Ferrero Camoletto University of Turin, Italy Lorenzo Todesco University of Turin, Italy Abstract Much quantitative research has been devoted to the correlates of pornography consump- tion, often emphasizing its association with socially undesirable outcomes in the sexual domain. However, much of this research focuses on men, with women pushed into the background if not entirely ignored. The present study aims to fill this gap by exploring whether and to what extent pornography consumption among Italian women is related to two indicators of sexual empowerment: the experience of solitary sex without feelings of 129 guilt and the idea that sexuality is a way to express oneself freely and authentically. To this end, two multivariate logistic regression models were developed. The large random sample survey used here ensures that the findings are more generalizable than those of much quantitative research on pornography carried out to date, which is often based on small convenience samples. The empirical evidence indicates that pornography consump- tion is associated with higher levels of both indicators of sexual empowerment. Pornog- raphy seems to be related to an increased sexual awareness as sexual subjects and to a sense of full entitlement to seek one’s own pleasure. However, some of these results are affected by an interpretative ambiguity in terms of the actual meaning of sexual empow- erment shown by our indicators. -
The Sexual Objectification of Women in Fashion Media: a Contemporary Cultural Perspective
THE SEXUAL OBJECTIFICATION OF WOMEN IN FASHION MEDIA: A CONTEMPORARY CULTURAL PERSPECTIVE NAMATA SHERINAH Equality between women and men can never be achieved by legal change alone. How our society, our culture, our media, communities and individu- als, view women and women’s equality will make a huge difference. In other words, people – including women ourselves– have to believe in and support the idea that men and women are of equal value and worth. We need to see an end to tapered or downbeat attitudes about women and obsolete stereo- types that maintain inequality and limit both women and men. t ARISE 61 One of the most popular influencers as commodities but also as sex-awes of their personality and existence of such attitudes is media and popu- and its norm. If fashion designers as an individual, and reduced lar culture; to be more specific, the and fashion ads objectified men the to instruments of pleasure for fashion industry. The fashion industry way they do women, it could be a another person. is popular culture because it deals fair game. However, it’s not the case. with trends and vogue. The fashion Moreover mainstream media always Frivolous fashion culture adver- industry through media has forced depicts this objectification of women tises to women and girls a hurtful an unrealistic image of women on at an alarmingly higher rate than it fiction that their value lies in how society, worldwide. Fashion media is does men. sexy they appear to others. Girls constantly widening the gender gap learn at a very young age that through use of sexualised images, Society does not seem to see anything their sexuality is for others. -
Slut Pride: the Reappropriation Attempt by Slutwalk
Quercus: Linfield Journal of Undergraduate Research Volume 2 Article 3 2016 Slut Pride: The Reappropriation Attempt by SlutWalk Siena C. Noe Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/quercus Recommended Citation Noe, Siena C. (2016) "Slut Pride: The Reappropriation Attempt by SlutWalk," Quercus: Linfield Journal of Undergraduate Research: Vol. 2 , Article 3. Available at: https://digitalcommons.linfield.edu/quercus/vol2/iss1/3 This Article is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Article must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Slut Pride: The Reappropriation Attempt by SlutWalk Acknowledgements Thanks to Brenda DeVore Marshall for her perpetual patience, guidance, and enthusiasm. This article is available in Quercus: Linfield Journal of Undergraduate Research: https://digitalcommons.linfield.edu/ quercus/vol2/iss1/3 Noe: Slut Pride SLUT PRIDE: THE REAPPROPRIATION ATTEMPT BY SLUTWALK A slew of scantily clad women marching through the streets shouting obscenities like “Slut, slut! Ho, ho! Yes means yes! No means no!” may seem a little unusual especially if the women are known to hold “respectable” positions and lead otherwise “respectable” lives. So what exactly is going on? The first SlutWalk took place in Toronto, Ontario, Canada in 2011, its idea conceived from feminist ideology and ignited by a comment made by Toronto Police officer, Constable Michael Sanguinetti. -
An Extension of Objectification Theory: Examining the Roles of Racial and Cultural Factors On
An Extension of Objectification Theory: Examining the Roles of Racial and Cultural Factors on Self-Objectification and Depression Among Asian American Women Suah Kim Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 ! 2014 Suah Kim All rights reserved ABSTRACT An Extension of Objectification Theory: Examining the Roles of Racial and Cultural Factors on Self-Objectification and Depression Among Asian American Women Suah Kim Objectification theory proposed the idea that U.S. culture positions women to be viewed as physical entities foremost, typically to the fulfillment of men’s sexual desires. The most damaging aspect of this experience is women’s internalization of this perspective into their own sense of self, which has been shown to predict body image issues, eating disturbances, depression, sexual dysfunction, reduced psychological flow, and substance abuse. More recently, there have been efforts to examine how multiple layers of oppression may impact the experiences of sexual objectification and its psychological consequences. This study tested an extension of objectification theory on a sample of 618 Asian American women with the inclusion of race-related experiences, Asian American cultural values, and their relationships with the self- objectification process and depression. Findings indicate that the more participants endorsed Asian American cultural values, the more they engaged in a self-objectification process that involved internalizing mainstream ideals of beauty, monitoring their body appearance, and feeling shame and less satisfaction with race-related features and their bodies in general, which then predicted depression. -
Female Self-Objectification: Causes, Consequences and Prevention Tanjare' Mckay Eastern Michigan University, [email protected]
McNair Scholars Research Journal Volume 6 | Issue 1 Article 7 9-30-2013 Female Self-Objectification: Causes, Consequences and Prevention Tanjare' McKay Eastern Michigan University, [email protected] Follow this and additional works at: http://commons.emich.edu/mcnair Recommended Citation McKay, Tanjare' (2013) "Female Self-Objectification: Causes, Consequences and Prevention," McNair Scholars Research Journal: Vol. 6: Iss. 1, Article 7. Available at: http://commons.emich.edu/mcnair/vol6/iss1/7 This Article is brought to you for free and open access by the Graduate School at DigitalCommons@EMU. It has been accepted for inclusion in McNair Scholars Research Journal by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. McKay: Female Self-Objectification FEMALE SELF-OBJECTIFICATION: CAUSES, CONSEQUENCES AND PREVENTION Tanjaré McKay Dr. Karen Saules, Mentor ABSTRACT Traditionally, social norms have dictated certain gender roles for men and women. Men have generally been regarded as dominant, masculine, and independent, whereas women are of- ten depicted as weak, sensitive and dependent (Basow, 1986). In contemporary society, however, women are free to adopt more flexible gender roles, ranging from those traditionally regarded as “masculine,” to those considered more “androgynous,” to the more stereotypical female gender roles. Some women, nonethe- less, continue to adopt traditional gender roles in which self-ob- jectification may persist. According to Calogero (2013), “self-ob- jectification occurs when the objectifying gaze is turned inward, such that women view themselves through the perspective of an observer and engage in chronic self-surveillance” (p. 312). The literature suggests that certain factors may support women’s abil- ity to adopt more varied gender roles and avoid self-objectifica- tion. -
RUNNING HEAD: Objectification and Sexual Assault
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kent Academic Repository Running head: OBJECTIFICATION INCREASES BLAME 1 Sexual Objectification Increases Rape Victim Blame and Decreases Perceived Suffering Steve Loughnan,Afroditi Pina, Eduardo A. Vasquez, & Elisa Puvia Author Note Steve Loughnan, Department of Psychology, University of Melbourne; Afroditi Pina, Department of Psychology, University of Kent; Eduardo A. Vasquez, Department of Psychology, University of Kent; Elisa Puvia, Department of Psychology, University of Padova. Correspondence concerning this article should be addressed to Steve Loughnan, School of Psychology, University of Melbourne, Australia, 3010. Email: [email protected]. OBJECTIFICATION INCREASES BLAME 2 Abstract Sexual objectification changes the way people view women by reducing them to sexual objects—denied humanity and an internal mental life, as well as deemed unworthy of moral concern. However, the subsequent consequences of sexually objectifying others remain under- researched. In the current study, we examined the impact of objectification in the domain of sexual assault. Sixty British undergraduate students were recruited to complete an impression formation task. We manipulated objectification by presenting participants with either a sexualized or non-sexualized woman. Participants rated the woman’s mind and the extent to which they felt moral concern for her. They then learned that she was the victim of an acquaintance rape and reported victim blame and both blatant and subtle perceptions of her suffering. Consistent with prior research, sexualized women were objectified through a denial of mental states and moral concern. Further, compared with non-objectified women, the objectified were perceived to be more responsible for being raped. -
The Sex Myth
‘As entertaining as it is erudite’ Catherine Hakin, Observer ieielout & ' Praise for The Sex Myth ‘She accomplishes this heroic task with humour, skill and passion in a book that is as entertaining as it is erudite’ Katherine Hakin, Observer ‘An important book . exactly the kind of level-headed analysis that could help to dispel some of the hysteria surrounding the sex industry’ Suzi Godson, The Times ‘There is a lot to admire in The Sex Myth . should be read by anyone claiming an interest in sex and, especially, sex equality’ Katie Law, Evening Standard ‘An enlightening must-read for anyone exposed to the press’ Abby O’Reilly, Independent on Sunday Dr Brooke Magnanti studied Genetic Epidemiology and gained her PhD at the Department of Forensic Pathology, University of Sheffield. Her professional interests include population-based research, stan dards of evidence, and human biology and anthropology. In 2009 it was revealed that she is an ex-call girl and author of the bestselling Belle de Jour series of memoirs, which were adapted into the T V series Secret Diary of a Call Girl, starring Billie Piper. Follow Brooke on Twitter @bmagnanti. By Brooke Magnanti Writing as Belle de Jour The Intimate Adventures of a London Call Girl Further Adventures of a London Call Girl Playing the Game Belle de Jour’s Guide to Men Writing as Dr Brooke Magnanti The Sex Myth The Sex Myth Why everything we’re told is wrong Dr Brooke Magnanti First published in Great Britain in 2012 by Weidenfeld & Nicolson This paperback edition published in 2013 by Phoenix, an imprint of Orion Books Ltd, Orion House, 5 Upper St Martin’s Lane London WC2H 9EA An Hachette UK company 1 3 5 7 9 10 8 6 4 2 Copyright © Bizrealm Limited 2012 Bizrealm Limited has asserted Dr Brooke Magnanti’s right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. -
Effects of Sexually Objectifying Media on Self-Objectification and Body
Journal of Communication ISSN 0021-9916 RESEARCH ARTICLE Effects of Sexually Objectifying Media on Self-Objectification and Body Surveillance in Undergraduates: Results of a 2-Year Panel Study Jennifer Stevens Aubrey Department of Communication, The University of Missouri at Columbia, Columbia, MO 65211-2310 This study used objectification theory (B. L. Fredrickson & T.-A. Roberts, 1997) to pre- dict that the media’s insidious practice of objectifying bodies socializes individuals to take an outsider’s perspective on the physical self (i.e., self-objectify) and to habitually monitor their appearance (i.e., engage in body surveillance). To test these hypotheses, a 2-year panel study using an undergraduate sample was conducted. Cross-lagged path models showed that exposure to sexually objectifying television measured during Year 1 increased trait self-objectification (trait SO) during Year 2 for both women and men. At the same time, trait SO during Year 1 decreased exposure to sexually objectifying television during Year 2, suggesting that both male and female participants selectively avoided sexually objectifying television based on antecedent trait SO. Moreover, expo- sure to sexually objectifying television and magazines increased body surveillance for men only. The discussion focuses on the process by which the media create body-focused perceptions. doi:10.1111/j.1460-2466.2006.00024.x The relationship between the body and sex is unambiguously portrayed in contem- porary media. Conforming to a thin body ideal is crucial to sexual attractiveness. We see this message in a variety of ways and in a variety of media, especially in popular magazines and television programs. -
The Effects of Sexually Objectifying Music Videos on College Men's
Check That Body! The Effects of Sexually Objectifying Music Videos on College Men’s Sexual Beliefs Jennifer Stevens Aubrey, K. Megan Hopper, and Wanjiru G. Mbure The present study examined the effects of sexual objectification of female artists in music videos on male undergraduates’ sexual beliefs. Findings showed that participants who viewed music videos of highly objectified female artists reported more adversarial sexual beliefs, more acceptance of interpersonal violence,and, at a level of marginal significance,more negative attitudes about sexual harassment than participants assigned to low-sexual objectifying music videos by the same female artists. Path models indicated that adversarial sexual beliefs mediated the relationship between condition, and (1) acceptance of interpersonal violence and (2) negative attitudes regarding sexual harassment. Critics maintain that the dominant discourse in music videos reproduces distorted ideologies of women’s sexuality (Arnett, 2002; Oware, 2009). Content analyses consistently observed that music videos place a great deal of emphasis on women’s sexual appeal and reinforce the stereotype of women as sex objects, existing pri- marily for the pleasure of male spectators (Aubrey & Frisby, 2011; Seidman, 1992; Sommers-Flanagan, Sommers-Flanagan, & Davis, 1993; Vincent, 1989; Vincent, Davis, & Boruszkowsi, 1987). As Jhally (2007) argued, music videos are often constructed around the ‘‘pornographic imagination,’’ in which women are seen as sex symbols that simply must have sex and will submit to any fantasy that a man may have. Cultural and industry expectations motivate female artists to participate readily in their own sexual objectification. A recent content analysis showed that female artists were even more likely to objectify themselves than male artists were to objectify female characters in their music videos (Aubrey & Frisby, 2011). -
Pornography As a Representation of Sexual Objectification
Academic Services Journal Prince of Songkla University (2017), 28(1), 199-206 Pornography as a Representation of Sexual Objectification: The Analysis from Radical Feminist Perspective(1) Aree Tamkrong Department of Philosophy and Religion, Faculty of Humanities and Social Sciences, Prince of Songkla University, Pattani Campus Corresponding author [email protected] Received 10 February 2016 | Revised 29 March 2016 | Accepted 19 April 2016 | Published 28 March 2017 Abstract This article had the primary purpose of analyzing a problem of pornography and women sexual objectification through radical feminist perspective. According to radical feminists, such as Andrea Dworkin and Catharine MacKinnon, pornography was a main interest of feminists. This was related to concept of treating women as sexual objectification in three aspects: 1) pornography caused women sexual instruments; 2) pornography devalued women; 3) pornography degraded women. However, I realized that there were two other interesting causes that can best describe this problem. The first cause of treating women a sexual object was male gaze under patriarchal society. Another cause was women’s narcissism. In addition, it was found that pornography was, as seen by radical feminist, merely a medium used to transmit the presentation of human sexual expression. Or it can be interpreted and defended differently by other feminists. Keywords: feminist, instrumentality, narcissism, representative, objectification, patriarchy, pornography(2) (1) It is my great pressure to acknowledge and to extend my heartfelt thanks to my advisor Dr. John Jiodano at Assumption University for his invaluable advice throughout my writing of this article. (2) Books, magazines, films, etc. with no artistic value that describe or show sexual acts or naked people in a way that is intended to be sexually exciting (Cambridge University, 2016).