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FEATURING LULOREINHARDT,MIKEDAWES, ANDREKRENGEL&BRIANGORE INTERNATIONAL NIGHT Mike Dawes, Andre Krengel and and Krengel Andre Reinhardt, Dawes, Mike Lulo featuring Hall WOW the to (IGN) Night Guitar International KLCC welcome and the proudly Arts for Performing Center Community K K On Thursday, January 28, the the 28, January Thursday, On INSIDE THISISSUE Community Center for the Nonprofit Organization THE BRIGHTLIGHTSOCIALHOUR LADYSMITH BLACK MAMBAZO BLACK LADYSMITH Performing Arts U.S. Postage AUSTIN JONES WOW HALLAWARDS BALLOT

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Mike in man axe hand right a acquired Blues Moody The of Hayward whilst Justin studio, the in Mike worked with have and Faulkner Gotye Newton as diverse globally as Artists acclaim. critical tional eu snl wt Candyrat with interna his 2012, June in Records single debut 2012. in Django Of Footsteps The In of tour Project U.S. inaugural the Swing headlined Latin His 2011. and 2009 in troupe Night Guitar International the with performed CONTINUED ONPAGE6 sounds amazing blaring out of car car of out blaring amazing sounds is a versatile versatile a is Andre Krengel been has show stage Mike’s Since H H WOWHALL.ORG released his his released Mike Dawes Such Things Dark Dark Such Such feels feels k k k k ------WOW HALL NOTES The Community Center for the Performing Arts is located in the Historic Woodmen of the World Hall (W.O.W. Hall), 291 W 8th, Eugene, Or 97401, (541)687-2746, [email protected], www.wowhall.org, Box office hours Mon-Fri 12:00-6:00 PM. Printed monthly by Western Oregon Webpress, Circulation 3,800, General Support made possible by a grant from Lane Arts Council with support from City of Eugene Cultural Services Division, Copyright 2016 All rights reserved Notes Staff: Copy Editor & Advertising THE BRIGHT LIGHT SOCIAL HOUR Representative - Bob Fennessy, Layout & Design - James Bateman CCPA Staff: Program Coordinator - Calyn Kelly, Membership On Wednesday, January 27, Coordinator & Publicist - Bob Fennessy, Stage Manager - Selena Frame, Asst Stage Managers - Jason Bailey, Chris Evans, Davis the CCPA and KRVM proudly Koier, Lighting Director - Sam Hitchcock, Office Managers - Donna Carbone, Ross Shuber, Bookkeeper - Melissa Swan, Volunteer welcome The Bright Light Social Coordinator - Laura Farrelly, House Manager - Sam Harmon, Concessions Manager - Angela Lees, Shawn Lynch Custodian - Jona Waterstone Volunteer Staff: Zac Townsend, Dan Wathen, Art Gallery Director - Sam Harmon, Poster Distribution - WOW Hour along with James Supercave. Hall Poster Crew, CCPA Board of Directors: Chair: Aaron Dietrich, Vice Chair: Mike Janes, Secretary: Mysti Rose Frost, Treasurer: Questions bring art to life. McKenzie Goodwin, Members: Jacqueline Hamer, Robert Kelsey, Steve Lasky, Terri Wilson Songs can still ponder socio-polit- ical issues, the fragility and isola- tion of the human condition, and what lies ahead for earth. Moreover, music possesses the potential and gravitas to incite change, while reflecting the world’s faults and follies. The Bright Light Social Hour contemplates a “Future South” on their second full-length album, Space Is Still the Place [Frenchkiss Records]. The Austin artists — Curtis Roush [guitar, vocals, synths], Jack O’Brien [bass, vocals, synths] and Joseph Mirasole [drums, synths] — offer a different interpretation of the space around them throughout ten thematically connected songs. “It was shocking,” adds Curtis. assumes the pop idiom while con- The album will pose a few ques- “We realized how few individuals tinually charting its fringes. The tions, but you may leave with an were working jobs they felt self- result: a sound that is cerebral in answer or two as well. actualized by to some extent. lyric and muscular in command of The Bright Light Social Hour They’re pedaling for survival. beat and groove. Whether in convened while Curtis and Jack Our generation has grown up in winking jabs at corporations, or attended graduate school at the continuous financial crises, a lot of in frustration anthems angled at University of Texas in Austin. unemployment, a lack of opportu- the internet native, James They released their self-titled nity, widening inequality, and per- Supercave offers an uncompro- debut in 2010 and scored six vasive issues of race, gender, and mising mirror to life’s edges: the awards at SXSW 2011 Austin class. We’re taking a lens to some smooth, the rough-hewn, the odd- Music Awards. On the road, they of these gritty realities and espous- angled. James Supercave offers experienced the ins and outs of ing an optimistic, frontier-looking urgency to preserve the human in America, and that voyage ignited gaze into the future.” it all. a perspective shift. Ultimately, The Bright Light After sharing stages with “The new album’s themes and Social Hour will unite people. Future Islands, Warpaint, Chet inspirations came from touring, “We’re all together, but we Faker, and Jungle, James particularly the southern part of have a lot of individual power,” Supercave partnered with Fairfax the country,” explains Jack. “We concludes Jack. “We want every Recordings for their debut couldn’t afford to stay in hotels listener in the audience to have his LP, Better Strange -- set to release most nights so we were staying or her own experience — but in February 2016. with a lot of people. We got to together.” Tickets are $12 in advance, $15 see how average young Americans To know James Supercave is at the door. Doors open at 7:00 lived. We felt a lot of struggle.” to listen to the music. Supercave pm and showtime is 8:00. H

even sound distribution, with keys and guitar sharing lead duties and keys, bass and guitar driving grooves at different times. The Chronicle of Three con- cept series is split into several chapters based around three char- acters that all believe they are the reincarnation of Christ. Through totally different circumstances they are all placed in a mental hospital and studied together. Each one is challenged by the realities that surround them including each other. How will it all end, how does a man’s reality change when confronted with another claiming the same and is anyone really telling the truth? Hyding Jekyll will be playing THE NEW HYDING JEKYLL songs from every release since the On Saturday, January 23, the board player (Nick) mid 2015. bands inception, including several Community Center for the The band also recorded Chapter brand new Final Chapter songs. Performing Arts proudly wel- 3 and have written most of the Lojia (pronounced: Low-jah) comes back Hyding Jekyll along final chapter of their Chronicle of is a three-member hard rock/ with special guests Lojia and Three concept series. metal band in the style of Primus Dead Kingmaker. The new Hyding Jekyll sound and Tool. They play heavy, The New Year has a lot to wanders from the older heavy, angular rock riffs, and write lyrics offer and Hyding Jekyll is excited funky grooves into very progres- that celebrate the beautiful absur- to once again hit the WOW Hall sive territory, which allows for a dity of the universe. The band stage – the band’s home for the more dynamic form of story tell- has been hard at work on new past six years. This time the new ing. New influences, ideas and material and is excited to share it. lineup has new sounds and new structure have widened the band’s Tickets are just $7 in advance energy. The former trio added a musical palette. The bass still or at the door. Doors open at new (Erek) and key- drives at times but there is a more 8:00 pm and showtime is 9:00. H

2 JANUARY 2016 WOW HALL NOTES FIND US ONLINE: WWW.WOWHALL.ORG music and make it completely and soulfully their own,” says LA See what you’ve been missing! CAMPUS Weekly. “If there’s a better 343-3333 superpower for a band to have, I 732 E. 13th CHICANO BATMAN can’t think of it.” WESTSIDE Haunted Summer consists of 343-5555 Bridgette Eliza Moody and John 1740 W.18th Seasons. The songs of Haunted Summer are dreamy and hypnotic, SHELDON rich with orchestral strings, wood- 484-9999 winds and sultry electronic tex- 2540 Willakenzie tures, and with their EP, Something in the Water, the group crafted a captivatingly-ethe- real musical journey through a On Friday, January 29, the Tropicalia and samba, to slow- nostalgic world of young love and CCPA and KRVM proudly wel- jam soul with a pinch of surf-rock long-forgotten memories. come Chicano Batman along with cumbia. In homage to their The husband-and-wife team special guests Haunted Summer. favorite classic soul groups, the share songwriting duties in a true From , Chicano quartet uniforms their act in ruf- collaboration. Having completed Batman is your sonic outlet from fled-tuxedo shirts from a thrift tour dates with Islands, David J monotony back into the soul. store near you. of Bauhaus, Geographer and They are students of rhythm, Chicano Batman is a musically countless headlining tours across globe trotting on a quest to adventurous and opinionated the country, Haunted Summer is reclaim and represent the musical group on a mission to bring the poised to bring their psychedelic roots of past generations. The overlooked to the forefront. sound to the world. band’s sound draws from a broad “Like Thee Midniters, Os Tickets are $10 in advance, $12 spectrum of influences ranging Mutantes, and Love, Chicano at the door. Doors open at 8:00 from spacey psychedelia, 60s Batman can take from any kind of pm and showtime is 9:00. H “Chicano Batman is the sound of local Latino music in the 21st century.” – KCET

sounds, vibrations unfettered. It’s a dope-hex thrown from the com- partments that have artificially contained us all and hindered our sublime collusion. These reveries were sent to Palaceer Lazaro and Fly Guy ‘Dai in the year of gun beat battles in excess; in a succession of days, whilst walking in dreams and in varied transcendental states. Songs are committed and gathered by robots at Protect and Exalt Labs, a Black Space in . SassyBlack is a space aged singer/songwriter and producer based in Seattle. You may know Black from her group ​ THEESatisfaction and her appear- ances on both Shabazz Palaces , and Lese Majesty, all released on SHABAZZ PALACES Records. The Goddess of “elec- On Saturday, January 30, the musical soundscape. Lese Majes- tronic psychedelic soul” and University of Oregon Cultural ty is a beatific war cry, born of a “hologram funk” explores the con- Forum proudly welcomes Shabazz spell, acknowledging that cepts of sound on her debut solo Palaces along with special guests sophistication and the instinctual album ​No More Lame Dates​ -- SassyBlack (of THEESatisfaction) are not at odds; indeed an undoing set to premiere in the spring of and Porter Ray. of the lie of their disparate natures. 2016. Her voice is often compared Herein bumps and soars Lese Lese Majesty is not a launching to Ella Fitzgerald, Sarah Vaughan, Majesty, the new sonic action of pad for the group’s fan base Erykah Badu and Georgia Anne Shabazz Palaces. This release is increasing propaganda. It is a Muldrow. honed and primal, chromed and series of astral suites, recorded Tickets are $12 in advance, $15 primo; it’s a unique and glorified happenings, being shared. A dare at the door. Doors open at 8:00 offering into our ever-uniforming to dive deep into Shabazz Palaces pm and showtime is 8:30. H

FIND US ONLINE: WWW.FACEBOOK.COM/THEWOWHALL WOW HALL NOTES JANUARY 2016 3 WOW HALL AWARDS BALLOT WOW HALL 40TH ANNIVERSARY Here’s your ballot for the 21st Annual WOW Hall Awards--designed to honor your favorite CCPA/ WOW Hall performers for the year 2015. Just fill it out and return the ballot (or a photocopy) to the Hall by February 17, 2016. Winners will be published in March and receive a certificate from MEMBERSHIP PARTY the WOW Hall suitable for framing. Write-ins are eligible (must have performed at the WOW Hall By Bob Fennessy in 2015). Just one ballot per person, please. Once again, there will be a prize awarded to one lucky The 40th Anniversary WOW Hall Membership Party held on person who submits a complete ballot. Please be sure to include your name and phone number and Saturday, December 12, was a smashing success. This organizational you could win a gift certificate good for $30 worth of shows at the WOW Hall! Complete ballots milestone broke the record for attendance, money raised and memberships will consist of one (and only one) checkmark in each category. generated. Thank you to our entertainers, all of whom donated their services: Favorite Local Band: ____ Megan James (Purity Ring) Best Nonmusical or Variety Event: Glenn Falkenberg & Brooks Blanchard, The Radar Angels, Olive ____ AKA White Devil ____ Meg Myers ____ 50 Shades of Kink Delsol, Steve Ibach, Laura Kemp, John Shipe, Peter Wilde, Dave Hicks ____ Black Bell ____ Mixi (Stitched Up Heart) ____ Andrea Gibson & Matt Keenan, CaraVan (Marty Chilla, Paul Biondi, Jenny Getty, ____ Nikki Lane ____ Black Hare ____ Bass Camp Megan Bassett, Tim Shaw, Bobby Stevens, Connor Hopkins, Rick & ____ Blue Lotus ____ Olive Delsol ____ Bend Burlesque Company ____ Shilpa Ray Van Cobian) and Steel Wool (Tim Mueller, TR Kelley, Nel Applegate, ____ Bustin’ Jieber ____ Coalessence Randy Hamme). WOW! ____ Cherry Poppin’ Daddies ____ Susan Lucia ____ Dance Empowered Thank you to our business donors. Eighty-six businesses donated ____ Dirty Dandelions ____ Syd tha Kid (The Internet) ____ David Liebe Hart food, beverages and gift certificates! Those attending were given the ____ Hemlock Lane ____ Tristen ____ Doug Benson ____ Great Hiatum ______Downward Dog For Dogs opportunity to sample some of the best food and drinks Eugene has to ____ Green Garter Band ____ Edison Elementary Talent Show offer, including two special brews created especially for the occasion by ____ Gumbo Groove Best Instrumentalist: ____ Free People Hop Valley and Plank Town. Donating businesses were announced from ____ Henry’s Child ____ Andy Page (sax) ____ GRRRLZ Rock the stage and applauded by the audience. ____ Hyding Jekyll ____ Adrian Conner (guitar) ____ Hard Knock Skin This annual event is put on to thank the members and supporters of ____ Human Ottoman ____ (guitar) ____ James Adomian the Community Center for the Performing Arts. The CCPA is a non- ____ Danny Barnes (banjo) ____ Ichele & the Circle of Light ____ Music’s Edge Rock Camp profit, tax-exempt arts organization (501C-3; federal tax identification ____ Matura & Freinds ____ Doug Martsch (guitar) ____ OCF Spring Fling ____ Ewan Dobson (guitar) number 51-0191790) that enjoys the financial support of over 700 indi- ____ Northwest Royale ____ OLCS Comedy Reunion viduals, families and businesses in maintaining and operating the historic ____ Pluto the Planet ____ Felix Blades (guitar) ____ Shane Koyczan Woodmen of the World Hall as an all-ages community arts venue. In ____ Sokko & Lyons ____ Fiddlin’ Big Sue (fiddle) ____ Square Dance addition, the organization benefits from the time donated by of hundreds ____ Steel Wool ____ Glenn Falkenberg (harp) ____ W. Kamau Bell ____ This Patch of Sky ____ Grayson Fiske (vibraphone) ____ West African Dance Class of people who are active volunteers. ____ Wade Graham ____ Jeff Austin (mandolin) ____ WOW Hall Membership Party A complete list of this year’s contributors follows. ____ Yama Yama ____ Jeff LaBar (guitar) ____ Ya Mon Birthday Party Abby’s Legendary Pizza Fisherman’s Market New Odyssey ____ Zendeavors ____ Mark Karan (guitar) ______Matthew Cartmill (cello) Alpine Catering Free People Juice & Java ____ Melvin Seals (keyboards) Best New Act: Anatolia Friendly Street Cafe Off the Waffle Favorite Male Performer: ____ Paul Biondi (sax) ____ ARCO PDX Bagel Sphere Get Fried Rice / Ruby Oregon Country Fair ____ Pete Sears (bass) ____ Andre Nickatina ____ Arstridir The Barn Light Brew Papa John’s Pizza ____ Susan Lucia (drums) ____ Carl Verheyan ____ Bachaco Barry’s Espresso Glenwood Restaurants Pegasus Pizza ____ Dan Deacon ____ Steve Ibach (guitar) ____ Bustin’ Jieber ____ Dale Watson ____ That 1 Guy (magic pipe) ____ CaraVan BJ’s Pizza & Grill Great Harvest P. F. Chang’s China Bistro ____ David Nelson ____ Tommy Hogan (guitar) ____ Common Kings Bob’s Donuts The Healthy Pet Pizza Hut ____ Doug Benson ____ Will Brown (guitar) ____ Frontier Ruckus The Bread Stop Hop Valley Brewery Pizza Research Institute ______Doug Martsch ____ Goldfish Bruno’s Chef’s Kitchen The Horsehead Bar Plank Town Brewery ____ E-40 ____ Human Ottoman Café 440 Hot Mama’s Wings Puckler’s ____ Fashawn Best Show/ ____ Joseph Café Mam Humble Bagel Red Wagon Creamery ____ Immortal Technique Musical Performance: ____ Kitty, Daisy & Lewis ____ J Boog ____ Agalloch/YOB ____ Las Cafeteras Café Soriah Izakaya Meija Ron’s Island Grill ____ Jeff Austin ____ Beat Connection ____ Lex Café Yumm! Company Royal Blueberries ____ Joey Bada$$ ____ Blackalicious ____ Lila Rose Cafeto Coffee Co. The Jade Palace Sam Bond’s Garage ____ Lil’ Dicky ____ Bowling For Soup/Dollyrots ____ Lucius Capella Market Jiffy Market Sizzle Pie ____ Built To Spill ____ Martin Sexton ____ Meg Myers Carmen’s Chips Wine & Deli Springfield Creamery ____ Melvin Seals ____ Cherry Poppin’ Daddies/ ____ Moon Taxi ____ Michael Menert Rob Wynia ____ Oh Hellos Chapala Mexican Jimmy John’s Gourmet Sundance Natural Foods ____ Peter Wilde ____ Cherub ____ Pop Evil Restaurant Sandwiches Surata Soyfoods ____ Rob Wynia ____ Dan Deacon ____ RED Chipotle Mexican Grill Keystone Cafe The Sweet Life ____ Robyn Hitchcock ____ Dandy Warhols ____ Reptar Coconut Bliss Kona Café Sy’s Pizza ____ David Nelson Band/Moonalice ____ Ron Sexsmith ____ Stitched Up Heart Cornbread Café Laughing Planet Tacovore ____ Sammy Adams ____ E-40 ____ Sonny Knight & the Lakers Cornucopia Le Café Maison Taste of India ____ Steve Perry ____ Expendables ____ Steel Wool ____ Talib Kweli ____ Giraffage ____ The Internet Countryside Lotus Garden Tasty Thai ____ The Grouch ____ Glass Animals ____ The Werks Pizza & Grill Mazzi’s Toby’s Family Foods ____ That 1 Guy ____ Hillstomp ____ Twiddle Crumb Together McMenamin’s Pubs & Track Town Pizza ____ Yukmouth ____ Jeff Austin Band ____ Unknown Mortal Orchestra De Casa Fine Foods Breweries Trader Joe’s ____ /Nikki Lane ______Weld Elk Horn Brewery Membrillo Latin Kitchen The Vintage ____ Jon Spencer Blues Explosion ____ Wild Child Eugene Hilton Mezza Luna Pizzeria Voodoo Doughnut Favorite Female Performer: ____ Las Cafeteras ______th ____ Adrian Conner ____ Mad Caddies/The Aggrolites Euphoria Chocolate Morning Glory Cafe Westtown on 8 ____ Andrea Gibson ____ Man Man Best Band Name: The Excelsior Natural Grocers Whirled Pies ____ Brandelyn Rose (Blue Lotus) ____ Pigs on the Wing/Weld ____ Blackalicious Falling Sky Brewery New Day Bakery The Wild Duck ____ Chhom Nimol (Dengue Fever) ____ Robyn Hitchcock ____ Cherry Poppin’ Daddies ____ Emma Swift ____ Sammy Adams ____ Con Bro Chill ____ Kelsey Wilson (Wild Child) ____ Shellac ____ Dandy Warhols ____ I-chele ____ Super Intergalactic Electro Swing ____ Dengue Fever ____ Janet W. Hardy Spectacular ____ Face For Radio ____ Jenny Lewis ____ Talib Kweli/Immortal Technique ____ Guantanamo Baywatch ____ Kelly Ogden (The Dollyrots) ____ Terrapin Flyer ____ Gumbo Groove ____ Kimya Dawson ____ ____ Hyding Jekyll ____ Laura Kemp ____ Underachievers ____ Jucifer ____ Leilani Wolfgramm ____ Yo La Tengo ____ Katastro ____ Lindsay Lou ______Natural Vibrations ____ Marina V ____ Particle ____ Megan Bassett (CaraVan) ____ Patchy Sanders ____ Sidewalk Chalk ____ The Dirty Dandelions Your Name: ______Phone: ______The Dollyrots ____ The Underachievers Address: ______Ufomammut Are you a CCPA (WOW Hall) Member? ❑ Yes ❑ No ____ Wade Graham ______I ❑ am ❑ am not interested in becoming a supporting member of the CCPA.

4 JANUARY 2016 WOW HALL NOTES FIND US ONLINE: WWW.WOWHALL.ORG LADYSMITH BLACK MAMBAZO On Tuesday, January 26, Swarm, the Community Center for the Performing Arts and KRVM proudly welcome Ladysmith Black Mambazo to the WOW Hall. Ladysmith Black Mambazo will return to Eugene for the first time in three years. In 2014, Ladysmith Black Mambazo – a South African a cappella group formed by Joseph Shabalala in the 60’s – received its fourth Grammy Award for their album, for Peace Around the World. The album title is a KEITH statement of the group’s career Parton, Sarah McLachlan, Josh The group sings from a mission. Inspired by the peaceful Groban, , traditional music called protests of civil rights leaders like Melissa Etheridge and many isicathamiya (is-cot-a-ME-Ya), Martin Luther King Jr., Shabalala more. They have provided vocals which developed in the mines of ANDERSON and Ladysmith Black Mambazo and songs for film soundtracks South Africa. Poorly housed and On Friday, January 22, the Community Center for the Performing have always written songs of including The Lion King, Eddie paid worse, the mine workers Arts and KRVM proudly welcome Keith Anderson to the WOW Hall. hope about a better tomorrow. Murphy’s Coming to America would entertain themselves after This is a seated concert. For its work and importance, and more. a six-day week by singing songs Singer/Songwriter Keith Anderson’s latest song “I’ll Bring The Music” Nelson Mandela designated the Ladysmith Black Mambazo into the wee hours on Sunday sums up Anderson to a T. That is one thing that you can always say group “South Africa’s Cultural was founded in the early 1960s by morning. about this academic athlete from Miami, OK, who has always excelled Ambassadors to the world.” Joseph Shabalala, then a young A radio broadcast in 1970 at anything he has put his mind to, is that he WILL bring the Music. Ladysmith Black Mambazo farm boy turned factory worker. opened the door to their first Although he has co-written hits for other artists, most notably “Lost accompanied Mandela to Oslo, Ladysmith is the name of Joseph’s record contract – the beginning of In This Moment”, the No. 1 smash for Big & Rich which garnered him Norway in 1993 when he accepted hometown, a small farming area an ambitious discography that a CMA and ACM Song of the Year nomination, Anderson does not write his Noble Peace Prize. between Durban and currently includes more than fifty with other artists in mind. Back in 1986, Paul Simon Johannesburg; Black being a recordings, fifteen Grammy “I think I’ll always write about what I know and feel – and typically incorporated Ladysmith Black reference to the oxen, the Award nominations and those with myself in mind,” says Keith. “However, I write a lot and I keep Mambazo’s rich tenor/alto/bass strongest of all farm animals; four Grammy Award statues. the songs that are really speaking to me when I’m recording, and pitch harmonies into his landmark and Mambazo, the Zulu word for Limited seating is available. everything else to other artists.” Graceland album. Since then, chopping axe, a symbol of the Seated tickets are $29 in advance; Anderson also co-wrote the Grammy-nominated, “Beer Run (B the group has recorded with the group’s ability to “chop down” general admission is $19 advance. Double E Double Are You In?)” for and , biggest artists in the world, any singing rival who might Doors open at 6:30 pm and “The Bed” for and “Barn Burner” for Jason Michael including Stevie Wonder, Dolly challenge them. showtime is 7:30. H Carroll. His debut CD, Three Chord Country and American Rock & Roll, was certified Gold and garnered two Top 10 hits (accompanied by two No. 1 music videos), “Pickin’ Wildflowers” and “Every Time I Hear between — and his fans-first com- Your Name”, along with two Top 30 hits “XXL” and “Podunk”. mitment, make him a worldwide This success prompted music trades Billboard and Radio & Records ambassador for a new era in to name him ’s No. 1 New Male Artist of 2005 and the acoustic virtuosity. top new solo country artist of the year. And it wasn’t just his music that In December 2008 Andy was was getting attention. Anderson was named one of People Magazine’s awarded “50 Hottest Bachelors”, and Men’s Fitness Magazine’s “Ultimate Magazine’s esteemed worldwide Country Star”. silver medal award for his finger- Anderson’s sophomore CD garnered the biggest hit of his career, “I style approach. But most fans first Still Miss You”, which peaked at #2 and another Top 25 hit, “Sunday exposure to Andy’s guitaristry has Morning In America”. been through his YouTube pres- Tickets are $15 in advance, $18 at the door. Seating is “First Come, ence. That a guy with just an First Served”. Doors open at 8:00 pm and showtime is 9:00. H acoustic guitar and no fancy cam- era work or special effects could resonate with that many people showed there is a powerful and widespread hunger for pure and IN THE GALLERY progressive musicianship. ME AND ANDY McKEE Andy is a self-taught musician On Thursday, February 4, the England, Austria, Germany, who grew up studying artists like Community Center for the Switzerland, China, Japan, South , , Billy Performing Arts and KRVM Korea, Southeast Asia, Greece, McLaughlin, , proudly welcome Andy McKee Spain, Portugal, and Russia – and and . back to the WOW Hall. This is a recently garnered plum exposure His slap and pop technique is seated concert. playing with Prince at sold out inspired by Earth Wind & Fire Andy McKee is among the arena shows in Australia as a fea- Verdine White. He also world’s finest acoustic guitarists tured soloist and special guest absorbed the sophisticatedly and his 200 million+ YouTube member of Prince’s extraordinary accessible work of 1980s icons like views underscore his emergence as live band. Toto and Tears For Fears. His one of today’s most unique and Andy McKee’s acoustic guitar vision extends beyond standard influential artists. To fans of vir- can approximate the polyrhythmic instrumentation and Andy has For the month of January, the Community Center for the Performing tuoso musicianship, it is Andy’s interplay of a percussion ensem- been fortunate enough to have a Arts will proudly display Paintings by Larry Hurst in the Lobby Art attention to song structure and ble, the harmonic sweep of a number of forward-thinking Gallery of the WOW Hall. melodic content that elevates him string section, the dazzling runs of luthiers build him instruments to Larry Hurst is a prolific and detailed painter living in Eugene. His above the rest. To fans of popular a bluegrass doghouse bass-and- help him realize his exotic and paintings depict scenes of nature inspired by photographs that range music, Andy entertains both the banjo duo, and virtually anything complex musicality. from realistic to surrealist interpretations. He is also a very talented eye and the ear as he magically else his pastoral compositions and Andy takes the tour dates day model house builder and has produced scale models of several houses transforms the steel string guitar tasteful covers require. Over five by day, with nose-to-the-grind- that he has lived in, in addition to the historical Shelton-McMurphy- into a full orchestra via his use of records he’s written an oeuvre that stone D.I.Y. ethos like hauling his Johnson house. Larry has been making art for over ten years and altered tunings, tapping, partial globally inspires and intrigues own gear, maintaining his own learned to paint while living in Texarkana, TX. Larry has exhibited capos, percussive hits and a signa- music fans. His robust 200 dates- equipment, and always being artwork throughout Eugene and at Arts Unbound in New Jersey. ture two-handed technique. a-year tour itinerary — often accessible after shows. This exhibition is facilitated through the OSLP Arts & Culture In the past two years, the spanning domestic rural to the Tickets are $20 in advance, $25 Program. To find out more, please visit www.artsandcultureeugene.org. Topeka Kansas native has toured exotically remote, from Arizona to at the door. Doors open at 7:00 The WOW Hall Lobby Art Gallery is open for viewing during box North America, Brazil, France, Zimbabwe and everything in pm and showtime is 8:00. H office hours, noon to 6:00 pm Monday through Friday. H

FIND US ONLINE: WWW.FACEBOOK.COM/THEWOWHALL WOW HALL NOTES JANUARY 2016 5 UNLOCKING VANESSA CARLTON On Sunday, January 17, the Community Center for the Per- forming Arts and University of Oregon Campus Radio 88.1 FM KWVA proudly welcome Vanessa Carlton to the WOW Hall along with special guest Skye Steele. This is a seated concert. An unusual light shines through Liberman, Vanessa Carl- ton’s fifth album. Its ten songs, built on ethereal melodies and lush orchestration, seem to climb out of the shadows, each resonat- ing with a sense of haunting positivity. “It’s a calm record,” Carlton says. “I didn’t want any angst in there. I thought, ‘What would make me feel better in my darker times?’ This album leans toward seeing the good in humans and in the world.” Carlton began writing in the summer of 2012, beginning with “Unlock The Lock”, an evocative -driven track that set the THE STU HAMM BAND tone for the songs to come. She’d On Thursday, January 14, the Community Center for the Performing recently finished touring 2011’s Arts proudly welcomes The Stu Hamm Band. , an album Renowned bass player Stu Hamm is touring in support of his new conceived through inspiration solo album, The Book of Lies. from Stephen Hawking’s A Brief Having stunned audiences across the world with his innovative play- History of Time and Richard storied career, revealing new tion. The quartet of multi-instru- ing, Stu Hamm has made a name as the go-to bass player for the Adam’s Watership Down. Carl- facets of her musical skill and mentalist-improvisers spent the world’s great musicians. Time spent playing with and Joe ton found herself in the desert instigating fresh inspirations. spring and summer refining the Satriani has cemented his place among the greats and gave Hamm the when the song emerged. Stagnancy, she knows, is the raw materials from the woods, platform to display his pioneering bass techniques to adoring crowds “It was the first time I ever antithesis to creativity. finally entering the studio in early worldwide. Now, promoting the release of his newest solo album, The wanted to make something like fall and recording basic tracks for Book Of Lies, Hamm takes to the road with new music and will also séance music – something that SKYE STEELE an entire album live in two days. debut his petite suite for solo bass. would make a human brain feel Embroiled in an unraveling The son of an army officer and A gut rumbling mix of new and old hits, mixed with Hamm’s trade- at ease, something that would feel marriage and a crisis of direc- a classical violinist, Steele arrived mark humor, make for a unique show like no other. Joining Stu in right in an everyday ritual,” she tion, Skye Steele fled New York in New York at seventeen to pur- The Stu Hamm Band are (Testament) on guitar and Joel states. City to spend a January writing sue a creative writing degree. He Taylor (, Al DiMeola) on drums. The musician followed that in a cabin deep in the woods of soon took to playing his fiddle in The breadth of Hamm’s range is legendary and is what is at the thread as she continued writing, Montana’s Bitterroot Valley. the subways for grocery money. heart of The Book Of Lies. The title track introduces a fine style, this time inspired by books like “I was either hiding out or From there the fiddler’s wind- complete with a subtle blues bass-line, later evolving into a funk jam Joseph Campbell’s The Power of clearing my head,” he claims. ing path twined on. A chance with horns and guitar. “Back To Shabalalla” owes a debt to the loping, Myth and Aldous Huxley’s The Painted upon the wild and sur- meeting with Vanessa Carlton at infectious rhythms of Afrobeat, while “Etude” is a classical piece of the Doors of Perception. Carlton’s real backdrop of the Rockies in the Bitter End led to an ongoing type that made Hamm famous. The amazing final piece, a seven- primary influence, however, was winter, Up From The Bitterroot is seven-year collaboration. Gigs in minute epic titled “L.S.D.”, ranges from a Beatles homage to a fully- a colorful oil painting by her a startling document of personal 2014 added Deer Tick, Jolie leaded bass shredfest. grandfather Alan J. Lee, who was reflection and transformation. Holland, and jazz legends Lee Extending the non-traditional function of the electric bass previ- originally named Liberman. Steele set about a monk-like daily Konitz and Henry Butler to Skye’s ously revolutionized by Jaco Pastorius and Stanley Clarke in the 1970s, “The swirly colors of that ritual that included collecting resume. Hamm helped to reshape the contemporary concept of the bass guitar painting reminded me of the dream-journals at dawn, writing “I’ve gone from playing in the as an unaccompanied instrument with the utilization of polyphonic, music and the music reminds me a song each morning, studying subways to playing at Carnegie two-handed tapping, slapping and popping techniques, chords, and of those colors,” Carlton notes. Bach’s sonatas for solo in Hall—and loved them both.” harmonics. Although Hamm certainly wasn’t the first bass player to “Then I looked up what Liber- the afternoon, and taking nightly Through a decade of paying debut during the 1980s and employ an unorthodox approach to playing man means and it’s ‘honorable runs by flashlight up the icy dues, a restless spirit was gleaning the electric bass, he was undoubtedly at the forefront of his generation man’ and ‘my beloved’ – all these mountain road. grist for its mill, and on Up From who effectively fused the application of these unconventional tech- things that just felt right to me. Returning home to New York The Bitterroot Skye Steele steps niques. It’s a strong family name that, in in mid-winter, Steele gathered an forward with an unmistakable As one of today’s leading , Hamm has released four criti- a weird way, describes the music idiosyncratic band whose mem- voice as singer, poet and fiddler. cally acclaimed studio recordings. On Radio Free Albemuth (1988), to me.” bership was dictated by deep per- Tickets are $25 in advance, $28 Kings Of Sleep (1989), The Urge (1991), and Outbound (2000), Hamm As a whole, Liberman feels sonal trust rather than conven- at the door. Doors open at 7:00 showcased his unique style of playing the bass as a lead instrument both like a new chapter in Carlton’s tional concerns of instrumenta- pm and showtime is 8:00. H within a solo environment and various ensemble formats on a genre- spanning spectrum of repertoire that merged rock, jazz, fusion, classi- cal, country and urban sounds. His long-time associations with Vai and Satriani garnered Hamm award-winning recognition on a global INTERNATIONAL GUITAR NIGHT FROM PAGE 1 scale, and as a result, Hamm has received an extensive list of accolades Germany. He is influenced by classical composers ers of “the next generation” in . such as being voted “Best Jazz Bassist” and “Best Rock Bassist” mul- like J.S. Bach, but is also inspired by modern artists His works draw inspiration from myth and modern tiple times in magazine polls conducted by several major print publica- -- especially by the jazzy blues-rock style of Mark literature. His lyrical, understated compositions tions. Knopfler and Dire Straits. integrate classical and percussive techniques that For the past two decades, Hamm has toured as one of the world’s While living in Spain, Andre met and performed display what the Los Angeles Times calls, “a char- premier bass clinicians. He has also demonstrated his signature tech- with Gypsy-jazz masters Robin Nolan and Biel acterful bounce and spaciousness all his own.” niques and methodologies to avid students through his best-selling Ballester. Andre also spent three years in Miami Gore’s most recent CD/DVD releases are; Santa instructional videos, Slap, Pop & Tap For The Bass and Deeper Inside touring with the Ft. Lauderdale based band The Cruz in Song and Image, and Wine Country Tales, The Bass, and a book of transcriptions, Stuart Hamm – The Bass Orphans. During that time, he performed with Leon a CD/DVD with illustrator featuring music and art Book, which contains a collection of Hamm’s greatest hits from his Wilkinson and the new line up of Lynyrd Skynyrd. inspired by the wine country. He has two first three solo releases. He has also created an introductory course to All of these influences -- jazz, flamenco, gypsy-jazz, additional solo releases, Legacy and Path of Least bass guitar called Bass Basics with the folks at TrueFire.com. rhythm and blues and good old fashioned rock and Resistance. Tickets are $20 in advance, $25 at the door. Partial seating is avail- roll -- are woven into his unique style. Tickets are $25 in advance, $30 at the door, with able on a first come, first served basis. Doors open at 8:30 pm and guitar poet Brian Gore is gaining seating on a first come, first served basis. Doors showtime is 9:00. H a reputation as one of the most influential perform- open at 7:00 pm and showtime is 8:00. H

6 JANUARY 2016 WOW HALL NOTES FIND US ONLINE: WWW.WOWHALL.ORG AUSTIN JONES & RUN 2 COVER On Friday, January 15, the on the Billboard heatseekers allowed them to create music they Community Center for the Per- chart. The year also saw Austin feel has a more relevant presence forming Arts and University of playing to hundreds of fans in and reach an audience with a mes- SUPER DUPER KYLE Oregon Campus Radio 88.1 FM support of various acts from Ryan sage that relates to their peers. On Wednesday, February 3, Dead Nation Presents welcomes Super KWVA proudly welcome Austin Beatty to SayWeCanFly, to fan They have played numerous ven- Duper Kyle to the WOW Hall. Jones and Run 2 Cover to the meet and greets with lines out the ues and have shared the stage Ventura’s hip-hop sensation Super Duper Kyle is on a North WOW Hall. doors. with national bands such as, American Tour in support of his sophomore album SMYLE, released “Internet introduction certainly Consisting of band members Escape The Fate, Metro Station, in October on Indie Pop records. At the ripe age of 21, Kyle has has become a path to musical Christian Iverson (bass/lead The Ready Set, This Wild Life, already performed in front of thousands of people and collaborated stardom,” reports Jon J. Moser vocals), his younger brother Against The Current, Jacob Whi- with a number of musical icons, including a feature on Martin Solveig’s (The Morning Call). Case in Brandon Iverson (drums/vocals) tesides, IM5, Austin Jones and summer hit “Hey Now” and G-Eazy’s “Last Night”. Kyle’s video for point is YouTube sensation Aus- and Colin Shaw (lead guitar/ various others. “Raining Love” was featured on BET’s 106 + Park, where he also tin Jones. Without a record deal vocals), Arizona’s Run 2 Cover Run 2 Cover released their appeared as a guest on the show’s ‘Young Stars Week’. or radio play, the 20-something is a pop/alternative band whose sophomore EP, Someday, in 2014. Formerly known as K.i.D, rapper Kyle Harvey first got into hip-hop made a big impact on YouTube, commitment to being exception- It was produced and recorded by at the age of ten when he heard an Ol’ Dirty Bastard song on the radio. getting a half-million to a million al musicians and performing art- Matt Good (guitarist in From Ten years later and with four mixtapes under his belt, the Cali-raised plays for songs and drawing “loud ists have afforded them much First to Last and D.R.U.G.S). A entertainer was best known for his guest spot on Martin Solveig & The – mostly female fans” to shows. attention. debut full-length album, Love- Cataracs song “Hey Now”. In 2013 the young emcee released his fresh- The Chicago-based singer/ Established in 2010, the band sick, was released in mid-2015. man LP Beautiful Loser, led by the single “Keep It Real”. songwriter Austin Jones makes began playing metal music but Tickets are $12 in advance, $15 “His style is fun, expressive, very Ventura-ish, and you can tell he is earnest, emo-influenced melodic slowly evolved into the pop/alter- at the door. Doors open at 8:30 being 100% him and just having fun with the music he makes,” reports pop music. In 2010, he began native genre. This transition has pm and showtime is 9:00. H Hive Society. “His selection of beats is phenomenally awesome! They uploading videos of his own songs fit his lyrics and personality too well and you can tell, again, Kyle has and cover tunes to various social an undeniably amount of fun with his music.” networking sites, including You- Beautiful Loser featured guest spots from G-Eazy and was released Tube and Vine. He quickly gar- by the vanity label Hey Kyle. A year later, the album was picked up nered a strong following and in by Indie Pop. Filled with positive songs and video game samples, the 2011 released the covers collection album cracked the albums chart. From Under the Covers. A year “Hearing the kid’s cartoon-esque flow for the first time can be jar- later, he returned with Out of ring — the influence of the Valley on his speech is unmistakable and Character 2.0. In 2013 Austin he approaches his music with a sense of silliness that can at a glance released his third full-length undercut the resourcefulness he displays when he skillfully strides over album, We’ll Fall Together. a beat,” writes Pranav Trewn in Coming to the Bay. “He doesn’t take The year 2014 saw Austin’s any steps to wave away criticisms of his unconventional style either, first major charting appearance instead doubling down by delivering an endless buffet of cheese and corn through his constantly squawking voice. Kyle doesn’t seem inter- ested in noticing what any tastemaker is doing. His music isn’t a breaking DJ’s talent for fusing rap hooks and dubstep conversation – it’s a full frontal blitz of his undeniably rare-in-rap voice bass with multiple music genres has earned him the rep that he wears so proudly it’s difficult not to live vicariously through as a creative renegade carving his own path. The him.” Canadian-bred San Francisco DJ is showing no sign of Kyle has recorded with Chance the Rapper, Big Sean and IAMSU!, backing down from the innovative stylism that has and toured with G-Eazy. With his newest release, SMYLE, Kyle is earned him well over a million SoundCloud plays to prime to escape the orbit of his more famous peers. date. Tickets are $15 in advance, $20 at the door. Doors open at 7:00 pm In a interview for MusicYouNeed.net, this stereo- and showtime is 8:00. H phonic chameleon explains the method to his madness, “My goal is to make timeless bass music: I try to make every track an epic melodic adventure through many different genres.” With unabashed rebellion and seamless finesse, Stylust Beats captains this musical trip through uncharted waters on his most recent album, R.Y.F.S.O., released on the formidable bass label Play Me Free Records. Weaving genres of trap, hip-hop, larger-than- life dubstep and sonic chill with stupefying synth work, R.Y.F.S.O. boasts a kaleidoscope of sound not far removed from his award-nominated Soundbwoy EP. Inspired by his older brother who was in a band, Stylust Beats began testing his musical mettle on the wheels of steel in 1998. His imaginative spins of coun- terintuitive genres were new territory back then, and he quickly gained fame as a fearless, party-rocking DJ STYLUST BEATS reinventing the game. Within a couple of years, he On Saturday, January 16, Headspace Productions took on the daunting challenge of producing and man- proudly welcomes Stylust Beats to the WOW Hall aging his own recording house, All-In Studios, which along with special guests Suma, LSV, Chris Undermind he ran successfully for ten years. This was the labora- and Dimitri. tory within which Stylust evolved from bass DJ to mad Known for his sleeveless, whimsical synergy with scientist, cutting his own brand of sonic mixology and the fans, Geoff “Stylust Beats” Reich has been creating perfecting his craft as prime-time producer. his own counterculture since he was a teenager. Stylust Beats is poised to rip the sleeves off the Blending classic turntablism with cutting edge tech dubstep status quo, blazing a new trail of sound that prowess, Geoff has headlined major festivals, including will redefine the industry norms. Shambala, Envision and Burning Man, to name a few. Tickets are $12 in advance, $15 day of show. A skate punk and hip-hop devotee, this ground- Doors open at 8:00 pm. H

FIND US ONLINE: WWW.FACEBOOK.COM/THEWOWHALL WOW HALL NOTES JANUARY 2016 7 TICKET H JANUARY H SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY OUTLETS 1-11 Project Volunteer Stu Hamm Band Austin Jones Stylust Beats (HPP Hooks rental) Orientation 8:30 PM Run 2 Cover Suma WOW HALL BOX OFFICE Private Event 7:00 PM $20 Advance 8:30 PM LSV $25 Door $12 Advance Chris Undermind PHONE: (541) 687-2746 Bass Master $15 Door Dimitri www.stuarthamm.net/ Alternative Pop (Headspace LCC CD & GAME EXCHANGE www.facebook.com/ www.bandsintown.com/ rental) StuHammBass 30 E. 11th (541) 302-3045 AustinJones 8:00 PM www.facebook.com/ AustinJonesMusic/ $12 Advance HOUSE OF RECORDS $15 Day of Show 258 E. 13th (541) 342-7975 DJ Dance / SKIPS CD WORLD 10 11 12 13 14 15 Electronica 16 3215 W. 11th (541) 683-6902 Vanessa Carlton Classes and Workshops: Keith Anderson Hyding Jekyll Skye Steele 8:00 PM Lojia Saturdays: Dance Empowered with Cynthia Healey 9:00 - 10:00 am TICKETWEB 7:00 PM West African Drum with Fode Sylla (downstairs) 9:45 am - 10:45 am $15 Advance Dead Kingmaker www.ticketweb.com $25 Advance West African Dance with Alseny Yansane 11:00 am - 12:30 pm $18 Door 8:00 PM $28 Door Sundays: Coalessence: Community Ecstatic Dance: 10:00 am - noon Country $7 Advance U of O TICKET OFFICE Alterna-Pop Eugene Community Ecstatic Dance: 1:00 - 3:00 pm Seated Show $7 Door U of O Campus - (541) 346-4363 Seated Show Mondays (except 1/11): Dance Empowered with Cynthia Healey 5:30 - 6:30 pm keithanderson.com/wired/ Rock www.vanessacarlton.com/ Wednesdays (except 1/27): Dance Empowered with Cynthia Healey 5:30 - 6:30 pm www.facebook.com/ www.facebook.com/ www.facebook.com/ officialkeithanderson/ HydingJekyll/ vanessacarlton/timeline

UPCOMING 17 18 19 20 21 22 23 2/17 STRFKR & Com Truise Meetings for December: Ladysmith Black The Bright Light International Chicano Batman Shabazz Palaces Mambazo Social Hour Guitar Night Haunted Summer SassyBlack (of Thursday, January 14: (SWARM rental) James Supercave 7:00 PM Snow White THEESatisfaction) 2/21 Kneebody & Daedelus Facilities Committee Meeting 5:15 pm Fundraising Committee Meeting 6:30 pm 6:30 PM 7:00 PM $25 Advance 8:00 PM Porter Ray 2/24 Jeff Austin Band Both meet at Perugino, 767 Willamette St. $29 Advance $12 Advance $30 Door $10 Advance (UO Cultural Forum Thursday, January 21: Seated $15 Door Master Guitarists $12 Door rental) 2/29 Freakwater Board of Directors Meeting 6:30 pm $19 Advance Future Southern Seated Show Surf Rock 8:00 PM 3/10 Pell Meets at Growers Market, 454 Willamette St. Standing Psychedelic internationalguitarnight.com/ www.chicanobatman.com/ $12 Advance African tblsh.com/ www.facebook.com/ $15 Door theinternationalguitarnight www.mambazo.com/ www.facebook.com/ Hip-Hop thebrightlightsocialhour/ www.subpop.com/artists/ THANKS TO OUR 24 25 26 27 28 29 shabazz_palaces 30 MAJOR SUPPORTERS Saintseneca Super Duper Kyle Andy McKee CVSKET Lettuce Agrarian Ales • Bagel Sphere • Cafe Mam Des Ark (Dead Nation 7:00 PM (rental) ProbCause City of Eugenel • Craig Latham Remodel 7:30 PM Presents rental) $20 Advance 8:00 PM 8:00 PM Custom Engineering Solutions • Deep Sea Delights $12 Advance 7:00 PM $25 Door $10 Advance $20 Advance Don Ross Productions • Doug Wilson Sound $14 Door $15 Advance Acoustic Guitarist $10 Door $25 Door Emge & Whyte • Eugene Weekly • Falling Sky Rock $20 Door Seated show Hip-Hop Funk Floater • Gratefulweb • GRRRLZ Rock www.saintseneca.com/ Hip-Hop www.andymckee.com/ www.facebook.com/ www.lettucefunk.com/ Guardian Event Security Services www.facebook.com/ www.facebook.com/ .com/ AuAgeMusic/timeline www.facebook.com/ Gung Ho Productions • Hop Valley • House of Records Saintseneca/ superduperkylemusic/ TheRealMcKee?ref_src=tws LettuceFunk/ John Bonzer Insurance • KLCC • KRVM • KWVA desark.org/ timeline rc%5Egoogle%7Ctwcamp% Lane Arts Council • Lane County Cultural Coalition www.facebook.com/desark/ 5Eserp%7Ctwgr%5Eauthor Law Offices of Lourdes Sanchez www.facebook.com andymckeemusic/ Leung Martial Arts Academy • Levi Strauss & Co 31 1 2 3 4 5 6 Metro Affordable Housing • Novax Built To Spill Mickey Avalon Edison Terrapin Flyer ARCO-PDX Does Off The Waffle • Oregon Arts Commission 7:00 PM Oregon Community Foundation Dirt Nasty Elementary feat. Melvin the B’s Oregon Country Fair • Oregon Cultural Trust $20 Advance 8:00 PM Talent Show Seals & Mark 7:30 PM Organicaly Grown Company $25 Door $13 Advance (rental) Karan Students: Pro Sound & Video • Rainbow Optics Rock $15 Door (Grateful Web rental) $5 Advance, RD Olsen Construction • Rennie’s Landing www.builttospill.com/ Hip-Hop 8:00 PM $7 Door Sam Adato’s Drum Shop untetheredmoon www.mickeyavalon.com/ $20 Advance Public: Saturday Market • Smartlites • Springfield Creamery dirtnastymusic.com/tour/ $25 Door $10 Advance, Sundance Natural Foods • The Bier Stein A Tribute to The $12 Door The Kiva • Taco Bell • TicketWeb Waldport Realty Co. Grateful Dead Neo-Classical terrapinflyer.net www.arcopdx.com West African Cultural Arts • Wright Lumber 7 8 9 10 11 12 13

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