Spectacle Theater’S All- Is an Accidentally Dead Cat, a Lump of Clay, and a Vague Idea…
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Handbook of Religious Beliefs and Practices
STATE OF WASHINGTON DEPARTMENT OF CORRECTIONS HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES 1987 FIRST REVISION 1995 SECOND REVISION 2004 THIRD REVISION 2011 FOURTH REVISION 2012 FIFTH REVISION 2013 HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES INTRODUCTION The Department of Corrections acknowledges the inherent and constitutionally protected rights of incarcerated offenders to believe, express and exercise the religion of their choice. It is our intention that religious programs will promote positive values and moral practices to foster healthy relationships, especially within the families of those under our jurisdiction and within the communities to which they are returning. As a Department, we commit to providing religious as well as cultural opportunities for offenders within available resources, while maintaining facility security, safety, health and orderly operations. The Department will not endorse any religious faith or cultural group, but we will ensure that religious programming is consistent with the provisions of federal and state statutes, and will work hard with the Religious, Cultural and Faith Communities to ensure that the needs of the incarcerated community are fairly met. This desk manual has been prepared for use by chaplains, administrators and other staff of the Washington State Department of Corrections. It is not meant to be an exhaustive study of all religions. It does provide a brief background of most religions having participants housed in Washington prisons. This manual is intended to provide general guidelines, and define practice and procedure for Washington State Department of Corrections institutions. It is intended to be used in conjunction with Department policy. While it does not confer theological expertise, it will, provide correctional workers with the information necessary to respond too many of the religious concerns commonly encountered. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked . -
The Baphomet a Discourse Analysis of the Symbol in Three Contexts
UPPSALA UNIVERSITY Department of Theology History of Religions and Social Sciences of Religion C2, 15 credits Spring 2013 Supervisor: Eva Hellman The Baphomet A discourse analysis of the symbol in three contexts by Carl Karlson-Weimann Abstract This essay examines how the Baphomet symbol is understood in three different contexts. Firstly, the understanding of the Baphomet is analysed in the book Dogme et Rituel de la Haute Magie, written by the French 19th century occultist Éliphas Lévi. Secondly, I analyse the symbol in The Satanic Bible by Anton Szandor LaVey, the person responsible for having introduced Satanism to modernity. Thirdly, the Baphomet as understood in contemporary metal music culture is analysed. Ultimately, I find the Baphomet to be viewed as a symbol associated with Satan, but in very different ways. The reason to why these differences exist I find to be partially explained by the initial mystery surrounding the Baphomet. The understanding of the Baphomet depends also on the role of Satan in each context. Due to Satan representing different things in the three different contexts, so does the Baphomet. Keywords: Baphomet, Western esotericism, Satanism, occulture, discourse theory, Éliphas Lévi, Anton Szandor LaVey, metal music, culture, religion Table of contents 1 Introduction.....................................................................................................................................1 1.1 Introductory remarks and purpose statement.....................................................................1 -
Halaloween: a Muslim Imitation of a Christian Innovation All
Halaloween: A Muslim imitation of a Christian innovation All praises belong to Allah the Lord of all that exists, and may Allah exalt the mention of His slave and messenger Muhammad ibn Abdullah. Only Two holidays in Islam came to Madinah, he found that they had two days on which ﷺ When the Prophet they used to play. He said, “Allah has given you two days better than these, the day of al-Fitr and the day of al-Adha.”1 Halloween is a satanic holiday The wretched now deceased founder of the church of satan Anton LaVey wrote in the satanic bible in 1969: “After one’s own birthday, the two major Satanic holidays are Walpurgisnacht and Halloween.”2 He went on to mock the Christians by saying: "I am glad that Christian parents let their children worship the devil at least one night out of the year.” Forgetting they originally concocted Halloween as we know it today, some Christians try to Christianize Halloween by branding it with alternative names such as Harvest Day, and black and orange spirit day. They encourage their children to dress as Bible characters and pass out candy in the church. said: “You will surely follow the path of those who came before you step by ﷺ The Prophet step, so that even if they entered a lizard hole, you will enter it too.” They said, “O Messenger of Allah, do you mean the Jews and Christians?” He said, “Who else?”3 Some Muslims try to Islamicize Halloween by branding it with an alternative name “Halaloween. -
Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’S Magick Lantern Cycle
Doyle White, E 2016 Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle. Present Pasts, 7(1): 2, pp. 1–10, DOI: http://dx.doi.org/10.5334/pp.73 RESEARCH PAPER Lucifer Over Luxor: Archaeology, Egyptology, and Occultism in Kenneth Anger’s Magick Lantern Cycle Ethan Doyle White* One of the great figureheads of American experimental cinema, Kenneth Anger (b.1927), is internationally renowned for his pioneering work, recognisable for its blend of homoerotica, popular and classical music, and dark, symbolist imagery. A follower of Thelema, the religion of infamous British occultist Aleister Crowley (1875–1947), Anger’s work is imbued with occult themes and undercurrents rarely comprehen- sible to the non-initiated viewer. In exploring these esoteric ideas, Anger makes use of archaeology and heritage in his short filmsEaux d’Artifice (1953) and Inauguration of the Pleasure Dome (1954–66), as well as in the lost films The Love That Whirls (1949) and Thelema Abbey (1955), which utilize such disparate elements as Aztec human sacrifice and putative Renaissance Satanism. However, this theme only reaches its apex in Lucifer Rising (1980), an exploration of Thelemic theology filmed at such sites as Avebury, Luxor, and Karnak, which reflects and propagates the Thelemic view of the past—an ‘alternative archaeology’ rooted in Crowley’s own fascination with Egyptomania. This paper seeks to explore Anger’s use of the past and place it in its proper context of twentieth-century Western esotericism. Kenneth Anger (b.1927) is one of the foremost figures of through the transformation of individual consciousness American experimental cinema, an artist who produced via artistic mediums (Hughes 2011: 12). -
What Is Magic to the Laveyan-Satanist Ideal Type?: a Content-Analysis of the Satanic Bible's Descriptions of Magic
Ursinus College Digital Commons @ Ursinus College Anthropology Summer Fellows Student Research 7-22-2016 What is Magic to the LaVeyan-Satanist Ideal Type?: A Content-Analysis of the Satanic Bible’s Descriptions of Magic Carter E. Timon Ursinus College, [email protected] Follow this and additional works at: https://digitalcommons.ursinus.edu/anth_sum Part of the New Religious Movements Commons, and the Other Anthropology Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Timon, Carter E., "What is Magic to the LaVeyan-Satanist Ideal Type?: A Content-Analysis of the Satanic Bible’s Descriptions of Magic" (2016). Anthropology Summer Fellows. 1. https://digitalcommons.ursinus.edu/anth_sum/1 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Anthropology Summer Fellows by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. WHAT IS MAGIC TO THE LAVEYAN-SATANIST IDEAL TYPE? A CONTENT-ANALYSIS OF THE SATANIC BIBLE’S DESCRIPTIONS OF MAGIC Carter Timon Abstract In 1966 Anton Szandor LaVey founded the Church of Satan (CoS) in California, and by 1969 published The Satanic Bible (1969). While many believe that the use of magic has declined in the Western world, LaVeyan Satanism according to The Satanic Bible actively includes magic while embracing rationalist philosophy. Satanism is an understudied New Religious Movement (NRM) and little is understood about its core tenets and practices. This paper uses content analysis of The Satanic Bible to understand how LaVey originally presents the workings of Satanic magic to his Western audience. -
Anton Lavey, the Satanic Bible and the Satanist "Tradition"1
CORE Metadata, citation and similar papers at core.ac.uk Provided by Publikations- und Dokumentenserver der Universitätsbibliothek Marburg Marburg Journal of Religion: Volume 7, No. 1 (September 2002) Diabolical Authority: Anton LaVey, The Satanic Bible and the Satanist "Tradition"1 James R. Lewis University of Wisconsin, Stevens Point, USA Dept. of Philosophy and Religious Studies eMail: [email protected] We have a bible. We have a pro-human dogma. We have a church. We have a tradition. - From the Church of Satan's official website. The status of The Satanic Bible as an authoritative scripture-or, perhaps more accurately, as a kind of quasi-scripture-within the Satanic subculture was initially brought to my attention during my first face-to-face encounter with Satanists in the Spring of 2000. Via the internet, I had found a small Satanist group in Portage, Wisconsin, which was about an hour south of where I resided at the time. This group, the Temple of Lylyth, distinguishes itself from Anton LaVey's brand of Satanism chiefly by its emphasis on feminine nature of the Dark Power. I arranged to meet with them in Portage on a Friday evening in connection with a research project on which I was working at the time. Over the course of our conversation, the founder and then leader of the group mentioned that on Friday evenings he was usually downtown where a small group of fervent Christians regularly set up what might be called a "preaching station" to spread the Gospel. This young fellow (he was nineteen at the time) would confront them as a practicing Satanist. -
Anton Lavey's Satanic Philosophy: an Analysis
Intermountain West Journal of Religious Studies Volume 9 Number 1 Fall 2018 Article 4 2018 Anton Lavey's Satanic Philosophy: An Analysis Gabriel Andrade University of Zulia Follow this and additional works at: https://digitalcommons.usu.edu/imwjournal Recommended Citation Andrade, Gabriel "Anton Lavey's Satanic Philosophy: An Analysis." Intermountain West Journal of Religious Studies 9, no. 1 (2018): 28-42. https://digitalcommons.usu.edu/imwjournal/vol9/ iss1/4 This Article is brought to you for free and open access by the Journals at DigitalCommons@USU. It has been accepted for inclusion in Intermountain West Journal of Religious Studies by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. ANDRADE: SATANIC PHILOSOPHY 28 GABRIEL ANDRADE received his B.A., Master's and PhD degree from University of Zulia (Venezuela). He taught at that same institution for more than ten years. He has also taught in the College of the Marshall Islands (RePublic of the Marshall Islands), Xavier University School of Medicine (Aruba), and is now Assistant Professor of Ethics and Behavioral Science at St Matthew's University School of Medicine (Cayman Islands). He has written many books in SPanish- language presses, mostly focusing on PhilosoPhy and the Social Sciences. 29 INTERMOUNTAIN WEST JOURNAL OF RELIGIOUS STUDIES Gabriel Andrade ANTON LAVEY’S SATANIC PHILOSOPHY: AN ANALYSIS THE SATANIC MYSTIQUE The history of Satanism goes back to at least 2500 years. Yet, only in the seventeenth century, was -
The Picture |The Story
Joe Shere, Jayne Mansfield and Sophia Loren at Romanoff's, Beverly Hills, CA, 1958 The Picture |The Story It seems nearly everyone is familiar with this photograph of Sophia Loren and Jayne Mansfield. In many ways, this is the definition of a truly iconic, memorable image. We know the photograph so well, two Hollywood bombshells at the height of their fame, and Sophia – just for a split second looking down with scorn or contempt at Jayne’s infamous attributes. Like most iconic photographs, the story behind the image is just as incredible as the image itself. This photograph, taken by Joe Shere, ran in numerous magazines and newspapers in 1958, and continues to appear in publications even today. I first met Joe Shere in 1986 when I co-curated “Masters of Starlight”, an exhibition of Hollywood photography at LACMA. This exhibition was one of the first museum shows to recognize the formidable influence of Hollywood portraiture and Hollywood documentary photography within the larger history and evolution of Fine Art Photography. While collaborating on the exhibition, Joe Shere mentioned that he had worked as a photographer in Hollywood for well over 50 years. He said that although he took countless behind-the-scenes photographs during his career, the image of Sophia Loren and Jayne Mansfield will be the one photograph everyone will remember. This has, of course, proven to be true. Like so many memorable photographs – timing, chance, and using one’s ingenuity is critical. As always, luck can be a crucial element to catch that indelible and unpredictable moment. Joe Shere, Marilyn Monroe (in Shorts), DATE After I got to know Joe better, he told me about his brother, Sam, also a photographer who was retired in Florida at the time. -
During Lent by Drama Society February- Ma Rch .-- Calendar Attention Seniors
7k MERC1AD VOL. XXIX, No. 5 MERCYHURST COLLEGE, ERIE, PENNA. February 11, 1958 - V*" Morality Play To Be Presented DSO Holds During Lent By Drama Society "Everyman" will be presented by the Dramatic Society, on" the Open House followingfdates, March 7, 8, 9, under the direction of Miss Helen Kelly. "$S $ It ' '£ Members of the Dramatics Cluib and its pledges cast in the famous February 16 morality play fare: Jeanne Cannon as EVERYMAN; Connie Frank, DEATH; Cathy Cruise, GOOD DEEDS; Maureen Clancy,! KNOW Open house for senior students LEDGE; Elaine Curtis, FELLOWSHIP; Barb l Jakubowski, COUSIN; Miss Helen Clancy, senior, who was lately chosen Coed Colonel of T|Lois Whelan, KINDRED; Sue Mc of city and county high schools Gannon ROTC, receives military salute from cadets Al Rossi, Bill Cartney, GOODS; Del Dwyer, and their parents and guidance Filipowski, and Arthur Gunther. Helen will receive her title formally Famed iPianhl CONFESSION; Cathy Reid, directors will be held at fMercy at the Military Ball on March 15. | =? v BEAUTY; Margaret H i r s c h, hurst College on Sunday after Appears Here STRENGTH; | Lolly Lockhard, noon, February 16, from 2:30 to 5 FIVE WITS; Maureen Jones, Gannon College ROTC Hails Adding to the variety of the gDOCTOR; Judy Doehla, iANdkCi The opening session registration Hurst's cultural series, Martin OF ETERNITY; Sue* Avery and will take place in the Little Thea Canin, noted pianist, will appear Eva Paul|as MONKS. Ann Bow- tre.|. """ . 5 ... iw: Senior,*Coed Colonel Of '58 • February 12. Mr. Canin, a master iman will j act as Stage Manager a? "*<. -
Will Success Spoil Rock Hunter? and Involved an Axelrod-Like Writer, a Monroe-Like Star, and a Satanic Agent Who Collected Percentages of Souls Rather Than Salaries
The American Century Theater presents by George Axelrod Audience Guide Written and compiled by Jack Marshall January 15–February 6 Theatre II, Gunston Arts Center Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, and neglected American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
Dr. Wahlquist Disclaims Entire Grid Freedom
-"tvetwisiewirmr"Tsi,nr-139111111111111111reollell CaLtfornia State Library Sacramento 9, a CaLtfornia A I _ Fog, Winds Forecasf Serigraph Exhibif Morning fog followed by clear- RA tiitAllitliti..at of contemporary see ing this afternoon Is the 'graphs (is three of the coun- trx's leading arlktft. hlenn Alps, weatherman's prediction for the I do aril Landon and Dean Meek - Santa tiara Valley today. The .,re floss on display in the Art forecastett anticipates lit tie Deparlment %herr they 5% Iii cc- change. in temperature, %% ill] the nialli intil Der. 20. serigraphy high ranging between .57 and HS is a fine rt adaptation of a degrees, and increasing high e ttttt therein' silk sereen process. el liners in (hi' late after tiatt a The artist OH% es not for mere Ile expects gentle uinds to pre- faillifulness in reproduction, hot vail. Pa SAN JOSE STATE COLLEGE for ereatiye result. SS, -10A 411111h" SAN JOSE, CALIFORNIA, WEDNESDAY, DECEMBER II, 1957 NO. SO Dr. Wahlquist Disclaims Entire Grid Freedom Candidates ASB Court Finds Student men Given Requests Says SJS Has Right Wind Up Election Probation In Agenda Campaigns Today Three years probation and the Requests for recognition of three To Choose Conference Ad Group Thirty-nine candidates for 18 forfeit of $50 boil was the sentence Guilty student organizations lead off the student government offices wind Decision Monday by State Su. ence xx hose rules %sill be effec- given two SJS students, pleading facing the Student Coun- By LOLA SHERMAN not the essence of the law was up their campaigns today after agenda perintendent Roy E.