DOCSLIB.ORG

Devotion and Devotionals

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Devotion and Devotionals Thursday, March 1, 2012 AROUNDFE THEATURE DIOCESE Southern Cross, Page 5 Devotion and devotionals: a Sister of Mercy’s contribution ister Mary Clarice Millet, RSM liked dogs the Apostles, 19: 11-12 relates: “So extraordinary Germany or France, often signed them, as did Sand she liked watching movies. Born in were the mighty deeds God accomplished at the Sisters Felix, Viola and Raphael. One card was Dallas, Texas to Swiss immigrant John J. Millet hands of Paul that when face cloths or aprons awarded “To Agnes from Sr. Rosemary”. and his wife Adele Louvard, she became a that touched his skin were applied to the sick, Interestingly, another holy card pictures Saint Religious Sister of Mercy (RSM) in 1943. their diseases left them and the evil spirits Joseph, the carpenter, returning home to Jesus After receiving certification as a licensed came out of them.” and Mary, and bears the inscription: “Back from practical nurse in 1970, she began her Other relics stored in the box of devo- work, a kiss from Jesus was Saint Joseph’s ministry in healthcare. In retirement, she tionals at the Archives pertain to Saint reward for a day’s work.” A much older Saint particularly enjoyed visiting the sick at Anne, mother of the Blessed Virgin; Saint Joseph holding the Christ Child appears on Saint Joseph’s Hospital in Savannah. After Teresa of the Child Jesus, Saint Clare, Saint a card inscribed: “Saint Joseph, the Faithful her death last December, several saints’ rel- Cecilia, and Saint Maria Goretti. There are Guardian of the Holy Family.” ics Sister Clarice owned joined other Rita H. DeLorme several relics of Pope Saint Pius X Some fortunate school boy probably received a devotionals kept in a special box in the and Saint John holy card that pictured Jesus and featured a copy Diocesan Archives. of “A Boy’s Creed”. This card, dated June 25, “Devotionals”, religious items that 1929, could have come from a company like the enhance the devotion of those who Benziger Brothers of New York, Illinois & Ohio own them, have a long history in that offered “4 Assorted Subjects per pack of the Catholic Church. Falling 100 cards, $.75 per pack”. off in favor over the years, A September 19, 2010 article in The they now appear to be Catholic Miscellany of the Catholic making a comeback. Diocese of Charleston terms devo- When Hazlehurst’s tionals such as relics “conduits of Good Shepherd prayer” and notes: “Ultimately, Catholic Church a relic’s purpose is to remind was dedicated Christians of what they rep- last month, rel- resent.” ics of Saint Devotionals, including Gemma and relics of Saint Clare and of Pope Saint of Saint John Neumann Pius X were that came from Sister placed in the Mary Clarice Millet, are church’s altar reminders of the holy stone. lives of saints and encour- Similarly, age emulating them, even the December as Sister did herself. 18, 2010 dedication of Columnist Rita H. DeLorme Resurrection of is a volunteer in the Our Lord Catholic Diocesan Archives. She can Church, Savannah be reached at featured a careful [email protected]. procedure that included placing the relic intended Photography by Ormonde E. Lewis for the church’s altar stone in a suitable part of the sanctu- ary between lighted torches, bringing the relic to the bishop, and the bishop’s placing it in an aperture beneath the altar, after which the aperture was sealed. The relic of Saint Neumann, both Charles Lwanga, martyr of Uganda, in the altar of whom were canonized in the mid-twentieth stone of Resurrection of Our Lord has special century. Such relics may be classified as First significance for the church’s pastor, Father Class: something directly associated with the Robert E. Chaney, because it was given to him individual; Second Class: something owned by at the time of his ordination by Father Michael J. a saint; Third Class: anything that has come in Cerrone. contact with a First or Second Class relic, such Relics such as those used in church altar stones as a wrapping or box that held it. date back to biblical times when merely touch- Besides relics, other devotionals rest in the ing the cloth of the saintly could heal. Acts of archival box. Among these are scapulars – light- weight pieces of material fastened to a cord or string and worn around the neck. Scapulars in the box encourage devotion to the Immaculate Heart of Mary, the Sacred Heart of Jesus, Our Lady of Mount Carmel and Saint Simon Stock. A white scapular explains the practice of wearing a scapular: “Whomever dies wearing this scapular shall not suffer eternal fire.” Next come the holy cards. Frequently given as rewards for accomplishment, especially in the study of religion, they may commemorate special events and remember certain individuals. Teachers who gave these cards, many printed in .
Load more

Recommended publications
  • Did You Know? Facts About Our Faith & Our Church a Series By: Kevin Mathieu - Director of Liturgical Music & Parish Communications January, 2021 Issue Number: 2
    Did you know? Facts about our Faith & our Church a series by: Kevin Mathieu - Director of Liturgical Music & Parish Communications January, 2021 Issue Number: 2 Sacred Vessels & Altar Appointments What are all those things called? - The Catholic Church has a long tradition of beautiful well appointed items used in the Sacred Liturgy, each having a special name and function. In this issue I will just scratch the surface to identify and explain most of the common items we see each week, and a few of the “special occasion” items that only appear a few times, or even only once a year. Please bear with me as I try not to get to “in depth” with the following descriptions. We can begin with one of the most recognized liturgical items, the Chalice. From the Roman word calix, a chalice is a tall, footed goblet for holding drink. In the Catholic Church, the chalice holds the blessed, then consecrated wine, the Precious Blood of Jesus Christ. Usually made of precious metals and sometimes richly ornamented, they show just how special what they contain is. The Catholic Church sets forth guidelines on construction and materials for chalices, one of those being, the cup that will contain the Precious Blood must be lined with precious metal (usually gold) if it is not constructed of it. While we all get to see the beautiful silver of Father Lizewski’s chalice, not many see the gold interior. Blessed by a Bishop (usually at a priests ordination) the chalice is truly the most important of the sacred vessels used at MASS every day.
    [Show full text]
  • “Introibo Ad Altare Dei” the Consecration of the Seminary’S Main Altar + a Photo Essay +
    ISSUE No. 52 WINTER, 1994 Saint Thomas Aquinas Seminary Winona, Minnesota Stockton Hill 55987 U.S.A. “Introibo Ad Altare Dei” The Consecration of the Seminary’s Main Altar + A Photo Essay + Although it had been six years since the Society of St. Pius X acquired the former Dominican Novitiate in Winona as the site of our North American seminary, it was only in November of this past year that the altar in the Main Chapel was at last consecrated. Or, more precisely, re-consecrated. This consecration was necessary because, when the building was sold by the Dominicans in 1970 due to a lack of vocations, they properly removed the relics from the main altar, and thus the altar lost its consecration. The ceremony for the consecration of an altar is unlike anything most people have ever seen, lasting five hours when combined with the Pontifical High Mass which follows it. For most Traditional Catholics today, it is a once-in-a- lifetime experience. Many, indeed, will probably never witness such a magnificent event. And it is to those that we present this “photo essay” of our altar consecration. On this page are shown the two patrons of our Seminary, memorialized in the original stained glass windows that, appropriately enough, stand side-by-side in the Main Chapel. On the left, St. Peter Martyr, a Dominican from the 1200’s killed by the Albigensians and from whom this former Dominican Novitiate was originally named; and St. Thomas Aquinas, the great Dominican “Angelic Doctor” whose teachings are closely adhered to by the Society of St.
    [Show full text]
  • Deconsecration Rites of Roman Catholic Church Buildings
    religions Article Ritual Void or Ritual Muddle? Deconsecration Rites of Roman Catholic Church Buildings Kim de Wildt Transformation of Sacred Space: Function and Use of Religious Places in Germany (FOR 2733), University of Bonn, 53113 Bonn, Germany; [email protected] Received: 29 August 2020; Accepted: 6 October 2020; Published: 10 October 2020 Abstract: The decrease in people who regularly celebrate liturgy in western Europe has led to the question of what to do with so-called obsolete church buildings. This question not only refers to whether or not a church building will be converted, reused or demolished, but also to the question of whether or not such a building needs to be deconsecrated, and if so, what does deconsecration of a church building actually entail? In this contribution, I will consider the role deconsecration rites play in the Roman Catholic church when a church building is taken out of liturgical use. In Roman Catholic liturgy, there are no prescribed, official deconsecration rites that are mandatory for a church building that is to be taken out of liturgical use. The actual deconsecration of a church building is, according to canon law, established by a decree that is issued by the responsible diocesan bishop. In the case of a church being taken out of liturgical use, however, there seems to be a shift from having a ritual void with regard to deconsecration rites, and also a focus on the “legitimate” way (in the sense of canon law) to deconsecrate a church building (object orientation), towards, in recent decades, paying more attention to a growing pastoral need (subject orientation) for deconsecration rites.
    [Show full text]
  • The Sanctuary and the Altar
    THE SANCTUARY AND THE ALTAR GLOSSARY OF TERMS ALTAR CANOPY Required by liturgical law to cover at least the altar and predella (to denote the dignity of the altar and the priest, which represent) there are several names that refer to distinct types: • Baldacino (baldachinum and in English, baldaquin): a canopy made of textile suspended from the ceiling. The word comes from the Italian word for “Baghdad” where the type of textile (made from silk woof and metallic warp) once came from This term is often mistakenly used in reference to a ciborium or civory. • Ciborium, civory: a canopy borne by columns. • Tester: a canopy suspended from the ceiling, or even attached directly to the ceiling. This is a particular favorite of English- style churches AMBO A pulpit-like lectern, from which the Epistle and Gospel were once read. Some churches had two, located on either side of the sanctuary, while other churches had only one. Often the ambo(s) was located on the rood screen and had to be ascended by a stairway, whence came the name, Gradual (steps) referring to the proper chanted before the Gospel, for it would be chanted while the deacon (often with the subdeacon, thurifer and acolytes) would ascend the steps while it was sung. St. Clement’s Basilica in Rome still has matching ambos. ANTEPENDIUM [altar frontal] A rectangular vestment used to cover the front of the altar. The term comes from the fact that it is often hung in front of the altar either from a suspending rod just under the mensa or from the middle altar cloth.
    [Show full text]
  • Introductory Rites: Part 1
    Explaining the Mass with Fr. Mark Bentz, STL Part 3: Introductory rites: Part 1 We now begin to look at the structure of the Mass and its parts. The Mass is made up of two principle parts, the Liturgy of the Word, and the Liturgy of the Eucharist. Today we’ll talk about the introductory rites which prepare us for the Liturgy of the Word. Most people think that mass begins with the sign of the cross. Actually it begins with the entrance chant and procession into the Church. After the people have gathered, the procession of priest and ministers begins and the Entrance chant is recited or sung. If you go to daily mass, we recite the text of this ‘entrance antiphon’ during the procession. Most people don’t realize this, but every mass has its own specific entrance chant that comes from the Scriptures and is set to music. The book that contains these chants is called the Graduale Romanum which is the official music book of the Roman Catholic Church—it actually has all of the music for every mass of the year in it! There is also a version of the book with simpler melodies for smaller parishes called the Graduale Simplex. Unfortunately, most people don’t even know of these books’ existence. In the USA, there are 4 options given in the General Instruction of the Roman Missal for music in the beginning of mass which are as follows: “(1) the antiphon from the Missal or the antiphon with its Psalm from the Graduale Romanum, as set to music there or in another setting; (2) the antiphon and Psalm of the Graduale Simplex for the liturgical time; (3)
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Descending from the Throne: Byzantine Bishops, Ritual and Spaces of Authority Permalink https://escholarship.org/uc/item/5q80k7ct Author Rose, Justin Richard Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Descending from the Throne: Byzantine Bishops, Ritual and Spaces of Authority A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Religious Studies by Justin Richard Rose December 2017 Dissertation Committee: Dr. Michael Alexander, Co-Chairperson Dr. Sherri Franks Johnson, Co-Chairperson Dr. Sharon E. J. Gerstel Dr. Muhammad Ali Copyright by Justin Richard Rose 2017 The Dissertation of Justin Richard Rose is approved: Committee Co-Chairperson ____________________________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgements Before all else, I give thanks to Almighty God, Father, Son and Holy Spirit. Here on earth, I am grateful to my mother, friends and parishioners who have encouraged and supported me throughout this last round of graduate study. And, yes, Mother, this is the last round of graduate study. My experience at the University of California Riverside has been extraordinary. I am especially grateful to Dr. Sherri Franks Johnson for her support and guidance over the last six years. Sherri made my qualifying exam defense a truly positive experience. I am grateful for her continued support even after leaving the UCR faculty for Louisiana State University at Baton Rouge. Thanks to the Religious Studies department for the opportunities I have had during my academic study.
    [Show full text]
  • Built of Living Stones: Art, Architecture, and Worship
    U.S. Catholic Bishops - Committee on the Liturgy Page 1 of 82 Issued by NCCB/USCC (Now USCCB), November 16, 2000. Copyright © 2000, United States Conference of Catholic Bishops, Inc. All rights reserved. Order Copies of This Statement Built of Living Stones: Art, Architecture, and Worship Guidelines of the National Conference of Catholic Bishops Table of Contents n Preface n Key to Reference Abbreviations n Chapter One: The Living Church The Living Church: God's Building The Church Building Worship in Time and Space Christ's Presence in Sign and Symbol Liturgical Principles for Building and Renovating Churches n Chapter Two: The Church Building and the Sacred Rites Celebrated There The Eucharist The Building: The Place for the Liturgical Assembly Gathered as One Body in Christ The Congregation's Area The Sanctuary Area The Altar The Ambo The Chair for the Priest Celebrant The Baptistry The Reservation of the Eucharist The Location of the Tabernacle The Chapel of Reservation The Tabernacle in the Sanctuary Holy Week and the Paschal Triduum The Altar of Reposition The Veneration of the Cross on Good Friday file://C:\U_S_%20Catholic%20Bishops%20-%20Committee%20on%20the%20Liturgy.htm 8/11/03 U.S. Catholic Bishops - Committee on the Liturgy Page 2 of 82 The Blessing of the Fire at the Vigil Service Accommodating the Liturgical Postures of the Congregation Seating The Place for the Pastoral Musicians Other Ritual Furnishings The Cross Candles The Paschal Candle The Gathering Space or Narthex The Area Surrounding the Church Building The Role
    [Show full text]
  • Dictionary of Byzantine Catholic Terms
    ~.~~~~- '! 11 GREEK CATHOLIC -reek DICTIONARY atholic • • By 'Ictionary Rev. Basil Shereghy, S.T.D. and f Rev. Vladimir Vancik, S.T.D. ~. J " Pittsburgh Byzantine Diocesan Press by Rev. Basil Pittsburgh, Pennsylvania Shereghy, S.T.D. 1951 • Nihil obstat: To Very Rev. John K. Powell Censor. The Most Reverend Daniel Ivancho, D.D. Imprimatur: t Daniel Ivancho, D.D. Titular Bishop of Europus, Apostolic Exarch. Ordinary of the Pittsburgh Exarchate Pittsburgh, Pennsylvania of the Byzantine.•"Slavonic" Rite October 18, 1951 on the occasion of the solemn blessing of the first Byzantine Catholic Seminary in America this DoaRIer is resf1'eCtfUflY .diditateit Copyright 1952 First Printing, March, 1952 Printed by J. S. Paluch Co•• Inc .• Chicago Greek Catholic Dictionary ~ A Ablution-The cleansing of the Because of abuses, the Agape chalice and the fin,ers of the was suppressed in the Fifth cen• PREFACE celebrant at the DiVIne Liturgy tury. after communion in order to re• As an initial attempt to assemble in dictionary form the more move any particles of the Bless• Akathistnik-A Church book con• common words, usages and expressions of the Byzantine Catholic ed Sacrament that may be ad• taining a collection of akathists. Church, this booklet sets forth to explain in a graphic way the termin• hering thereto. The Ablution Akathistos (i.e., hymns)-A Greek ology of Eastern rite and worship. of the Deacon is performed by term designating a service dur• washmg the palm of the right ing which no one is seated. This Across the seas in the natural home setting of the Byzantine• hand, into .••••.hich the Body of service was originally perform• Slavonic Rite, there was no apparent need to explain the whats, whys Jesus Christ was placed by the ed exclusively in honor of and wherefores of rite and custom.
    [Show full text]
  • Rockford Observer
    ISSN: 0029-7739 $ 1.00 per copy THE BSERVER OOfficial Newspaper of the Catholic Diocese of Rockford Volume 85 | No. 16 http://observer.rockforddiocese.org FRIDAY MARCH 27, 2020 Stay updated For the latest information on how virus, bookmark the diocesan website the Rockford Diocese is responding at https://www.rockforddiocese.org/ the threats of COVID-19 corona- and look for this banner there (left). Holy Week Alone: A Cross We Bear Under the threat of COVID-19 spreading, Bishop Malloy and Pope Francis cancel public Holy Week services. BY OBSERVER STAFF DIOCESE—As orders from the federal and state governments changed al- most daily, Bishop David Malloy of the Rockford Diocese, changed his guid- ance to parishes to comply. Both he and Pope Francis have cancelled public Holy Week services. In a letter he sent March 20 to priests of the diocese he explained changes through Holy Week. It reads, in part: I write to you once more given more guidance that has come to us about how to respond to the coronavirus outbreak and its rapid spread. (Observer screen grab) At this time, health authorities have an- Bishop David Malloy offers Mass for the 4th Sunday of Lent live tinue the practice through the Illinois Stay at Home orders. As of nounced the need for a strict limit of ten online at the diocesan website and on Facebook. He plans to con- this printing, the order extends until April 7. persons maximum for any gathering. ... Given this guidance, all parish ful for the time being. Do not gather an priests except for the cathedral rector ing present.
    [Show full text]
  • Portable Altar of Countess Gertrude
    Conversations: An Online Journal of the Center for the Study of Material and Visual Cultures of Religion (mavcor.yale.edu) Portable Altar of Countess Gertrude Crispin Paine Portable Altar of Countess Gertrude, ca. 1045. Germany, Lower Saxony? The Cleveland Museum of Art This Christian portable altar, made in Germany, likely lower Saxony ca. 1045, typifies the splendid craftsmanship of Romanesque goldsmiths. A portable altar is a wooden or stone tablet, or a cloth, on which Mass is celebrated.1 It is required in most of the older Christian traditions (the Catholic, Orthodox, and some of the Oriental Orthodox and other Eastern churches) when no permanent altar is available. The portable altar seems to have developed in the missionary world of the seventh century, to meet the Church’s requirement that Mass be celebrated only on a consecrated altar—a requirement that strengthened the position of bishops, who alone could consecrate them. The oldest surviving portable altars are from St Cuthbert’s shrine in Durham (ca. 660) and from Takrit in Iraq (709-10). In all the churches that use them, the portable altar has been considered sacred—in some intensely so. Examining the different ways by which portable altars gain this sanctity helps expose their history, function, and significance. Every portable altar has to be consecrated by a bishop through the application of holy oil. In the Orthodox Church each antimension is signed by the consecrating bishop.2 Through this consecration the portable altar becomes a “sacred place,” and like many Conversations: An Online Journal of the Center for the Study of Material and Visual Cultures of Religion (mavcor.yale.edu) a sacred place it is often the focus of power-struggles and politics.
    [Show full text]
  • THE CATHOLIC UNIVERSITY of AMERICA Christ and the Triumphant Victims: Relics and the Altar in the Ordo Dedicationis Ecclesiae E
    THE CATHOLIC UNIVERSITY OF AMERICA Christ and the Triumphant Victims: Relics and the Altar in the Ordo dedicationis ecclesiae et altaris A DISSERTATION Submitted to the Faculty of the School of Theology and Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Suzanne Sarah Herold Washington, DC 2016 Christ and the Triumphant Victims: Relics and the Altar in the Ordo dedicationis ecclesiae et altaris Suzanne Sarah Herold, Ph.D. Director: Michael G. Witczak, S.L.D. This dissertation examines the use of relics in the Ordo dedicationis ecclesiae et altaris in light of the Second Vatican Council’s liturgical theology. The dissertation utilizes the method described by Kevin Irwin in Context and Text. The dissertation begins with a historical study of the extant rites of dedication of a church. It studies how the rite of dedication developed and how relics became a required element of the ritual, including the translation, vigil and deposition of relics. The work looks at the meanings associated with relics as well as the perceived relationship between relics and the altar. Beginning with the Medieval period, relics were understood to be necessary for dedication, with the celebration of Mass a festive completion of the rite. Rites of dedication include the deposition of relics as a central ritual moment from the fourth century through the middle of the twentieth century. Through historical study, the use of Conciliar documents, and the examination of the role of relics in the schemata of the Consilium, this dissertation presents an analysis of the shifts in the understanding regarding the dedication of a church.
    [Show full text]
  • Built of Living Stones: Art, Architecture, and Worship Issued by NCCB/USCC (Now USCCB), November 16, 2000
    Built of Living Stones: Art, Architecture, and Worship Issued by NCCB/USCC (Now USCCB), November 16, 2000. Copyright © 2000, United States Conference of Catholic Bishops, Inc. All rights reserved. " The Baptistry § 66 § The rites of baptism, the first of the sacraments of initiation, require a prominent place for celebration.89 Initiation into the Church is entrance into a eucharistic community united in Jesus Christ. Because the rites of initiation of the Church begin with baptism and are completed by the reception of the Eucharist, the baptismal font and its location reflect the Christian's journey through the waters of baptism to the altar. This integral relationship between the baptismal font and the altar can be demonstrated in a variety of ways, such as placing the font and altar on the same architectural axis, using natural or artificial lighting, using the same floor patterns, and using common or similar materials and elements of design. § 67 § The location of the baptismal font, its design, and the materials used for its construction are important considerations in the planning and design of the building. It is customary to locate the baptismal font either in a special area within the main body of the church or in a separate baptistry. Through the waters of baptism the faithful enter the life of Christ.90 For this reason the font should be visible and accessible to all who enter the church building. While the baptistry is proportioned to the building itself and should be able to hold a good number of people, its actual size will be determined by the needs of the local community.
    [Show full text]