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Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Design Patterns and Analysis of Player Behavior in First-Person Shooter Levels
UNIVERSITY OF CALIFORNIA SANTA CRUZ THE SCIENCE OF LEVEL DESIGN: DESIGN PATTERNS AND ANALYSIS OF PLAYER BEHAVIOR IN FIRST-PERSON SHOOTER LEVELS A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in COMPUTER SCIENCE by Kenneth M. Hullett September 2012 The Dissertation of Kenneth M. Hullett is approved: _______________________________ Professor E. James Whitehead, Chair _______________________________ Associate Professor Travis Seymour _______________________________ Assistant Professor Arnav Jhala _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Kenneth M. Hullett 2012 TABLE OF CONTENTS Table of Contents ......................................................................................................... iii List of Figures ............................................................................................................ xiii List of Tables ............................................................................................................ xvii ABSTRACT ................................................................................................................ xx Dedication .................................................................................................................. xxi Acknowledgments..................................................................................................... xxii Chapter 1: Introduction ............................................................................................... -
A History of Holbrook and the Little Colorado Country (1540-1962)
A history of Holbrook and the Little Colorado Country (1540-1962) Item Type text; Thesis-Reproduction (electronic) Authors Wayte, Harold Columbus, 1926- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 18:31:37 Link to Item http://hdl.handle.net/10150/551586 A HISTORY OF HOLBROOK AND THE LITTLE COLORADO COUNTRY . (1540-1962) A Thesis Submitted to the Faculty of the Department of History in Partial Fulfillment'of the Requirements for the Degree of M aster of Arts b y Harold C. Wayte, Jr. In the Graduate College UNIVERSITY OF ARIZONA 1962 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of require ments for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the m aterial is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. -
Charles Frohman: Manager and Man, by Isaac 1
Charles Frohman: Manager and Man, by Isaac 1 Charles Frohman: Manager and Man, by Isaac The Project Gutenberg eBook, Charles Frohman: Manager and Man, by Isaac Frederick Marcosson and Daniel Frohman, et al This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Charles Frohman: Manager and Man Author: Isaac Frederick Marcosson and Daniel Frohman Release Date: July 29, 2008 [eBook #26146] Charles Frohman: Manager and Man, by Isaac 2 Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK CHARLES FROHMAN: MANAGER AND MAN*** E-text prepared by Robert Cicconetti, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 26146-h.htm or 26146-h.zip: (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h/26146-h.htm) or (http://www.gutenberg.net/dirs/2/6/1/4/26146/26146-h.zip) CHARLES FROHMAN: MANAGER AND MAN by ISAAC F. MARCOSSON and DANIEL FROHMAN With an Appreciation by James M. Barrie Illustrated with Portraits New York and London Harper & Brothers M.C.M.X.V.I Charles Frohman: Manager and Man Copyright, 1916, by Harper & Brothers Copyright, 1915, 1916, by International Magazine Company (Cosmopolitan Magazine) Printed in the United States of America Published October, 1916 To The Theater Charles Frohman: Manager and Man, by Isaac 3 That Charles Frohman Loved and Served Nought I did in hate but all in honor! HAMLET Contents CHARLES FROHMAN: AN APPRECIATION I. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
HIDDEN in PLAIN SIGHT Musical Subtext in Drama BRIGITTE BOGAR a DISSERTATION SUBMITTED to the FACULTY of GRADUATE STUDIES IN
HIDDEN IN PLAIN SIGHT Musical subtext in drama BRIGITTE BOGAR A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO September 2018 © Brigitte Bogar, 2018 Abstract This dissertation explores the manner in which music (songs, instrumental underscoring, and sound cues) support, reflect, and advance dramatic action. The dramaturgical analysis, employing Freytag’s model, is applied to selected dramatic repertoire to reveal the impact and influence of music on the dramatic structure of these works. The analysis considers how the musical nature of works by William Shakespeare, August Strindberg, George Bernard Shaw, Tom Stoppard and Simon Stephens also contributes to them becoming major sources for adaptations and for musicals on the modern stage. The importance of looking at authors, function, intended effects, production, context, message, and transmission modes must be stressed, as well as how to code/decode music and how musical meanings are generated through effective stimulation or through semiotics. The argument maintains that text and music cannot be separated without causing serious damage to the author’s creative vision and that the total structure of a play exists as an expression of artistic unity similar to Wagner’s concept of Gesamtkunstwerk. The text and music exist in a symbiotic relationship, sometimes as leitmotifs, with the non-diegetic music supporting emotions to reflect the inner world of their characters. The use of musical leitmotifs or music as thematic material clearly contributes in driving forward the dramatic action. Among the main findings are how the musical references made by any of the five playwrights determines the dramaturgical interpretation of their plays. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
The Science of Level Design: Design Patterns and Analysis of Player Behavior in First-Person Shooter Levels
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title The Science of Level Design: Design Patterns and Analysis of Player Behavior in First-person Shooter Levels Permalink https://escholarship.org/uc/item/1m25b5j5 Author Hullett, Kenneth Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ THE SCIENCE OF LEVEL DESIGN: DESIGN PATTERNS AND ANALYSIS OF PLAYER BEHAVIOR IN FIRST-PERSON SHOOTER LEVELS A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in COMPUTER SCIENCE by Kenneth M. Hullett September 2012 The Dissertation of Kenneth M. Hullett is approved: _______________________________ Professor E. James Whitehead, Chair _______________________________ Associate Professor Travis Seymour _______________________________ Assistant Professor Arnav Jhala _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Kenneth M. Hullett 2012 TABLE OF CONTENTS Table of Contents ......................................................................................................... iii List of Figures ............................................................................................................ xiii List of Tables ............................................................................................................ xvii ABSTRACT ............................................................................................................... -
Fashion Behind the Footlights: the Influence of Stage
FASHION BEHIND THE FOOTLIGHTS: THE INFLUENCE OF STAGE COSTUMES ON WOMEN'S FASHIONS IN ENGLAND FROM 1878-1914 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Karen Adele Recklies, B.A., M.A. * * * * * The Ohio State University 1982 Reading Committee: Approved By Alan Woods George Crepeau Firman Brown, Jr. Advisor Department of Theatre Copyright Karen Adele Recklies 1982 I I I l I ~ ACKNOWLEDGMENTS I would like to thank the following, people for their help in preparing the dissertation: my advisor Alan Woods, George Crepeau, Firman Brown, Jr., Mary Millican, and my husband Don for his preparation of the illustrations. ii VITA 1971 ...................... B.A., Kent State University, Kent, Ohio 1971-72................... Teaching Assistant, Department of Theatre, Kent State Univer sity, Kent, Ohio 1974 ............... M.A., Kent State University, Kent, Ohio 1976-80 ................. Graduate Teaching Associate, Graduate Administrative Associ ate, Department of Theatre, The Ohio State University, Columbus, Ohio 1981-82 ................. Graduate Administrative Associ ate, Center for Medieval and Renaissance Studies, The Ohio State University, Columbus, Ohio PUBLICATIONS AND PRESENTATIONS "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Part of the Competitive Costume Panel at the American Theatre Association National Convention, August 1981. "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Accepted for publication in Theatre Studies. FIELDS OF STUDY Major Field; Theatre Studies in Costume Design and Costume History. Professor Michelle Guillot Studies in Literature and Criticism. Professor John Morrow Studies in History. -
Mira & Stella Disc Catalog (PDF)
Mira & Stella Tune List 7/25/2020 NOTE: Numbering is identical for all sizes of Mira & Stella discs, with some sizes of Stella discs having a prefix to these numbers. No. Title Song Type Composer 1 My Queen Waltz Waltz Coote, Jr. 2 Blue Danube Waltz Joh Strauss, Jr 3 Waves of the Danube Waltz Ivanovici 4 Faust Waltz Gounod 5 Wine Spirits Waltz (Le Petit Bleu) Lecocq 6 After the Ball Waltz Kiefert 7 Estudiantina Waltz Waldteufel 8 Wine, Women and Song Waltz Joh Strauss, Jr 9 I Am a Rover (from Chimes of Normandy or les Cloches de Corneville) Waltz Planquette 10 Nanon, valse d' Anne Genee 11 Invitation to the Dance Waltz Weber 12 Roses from the South Waltz Joh Strauss, Jr 13 The Daughter of Madame Angot Waltz Lecocq 14 The Wave Waltz Metra 15 Do I Love You? Waltz Rosenzweig 16 Jumping-Jack Waltz Foerster 17 Espana Waltz Waldteufel 18 Wiener Blut Waltz Joh Strauss, Jr 19 A Night in Venice Waltz Joh Strauss, Jr 20 Violetta Polka Joh Strauss, Jr 21 Carmen Polka Bizet 22 Polka des Fleurs Ziehrer 23 Always Gay Polka Faust 24 From Heart to Heart Mazurka Andree 25 Excelsior Mazurka Marenco 26 My Sweetheart Mazurka Komzak 27 La Czarina Mazurka L Ganne 28 A Life for the Czar Mazurka Glinka 29 Don Cesar March Dellinger 30 Boccaccio March Suppe 31 Gasparonne March Millocker 32 Under the Double Eagle March Wagner 33 Prayer (from William Tell) Rossini 34 Standchen Serenade (from Boccaccio) Suppe 35 Serenade (from Don Juan) Mozart 36 In unserer Heimat (from ll Troratore) Duet Verdi 37 The Last Rose of Summer (from Martha) Flotow 38 Bridal Chorus (from -
Admin Mod Version 2.50E Documentation and Online Help
Admin Mod Version 2.50e Documentation and Online Help June 15, 2001 v2.50e.150601 Please visit our web site at http://www.adminmod.org/ Admin Mod works alongside Metamod Check out Metamod at http://metamod.org/ The latest version of the Admin Mod documentation can always be found online, at the Admin Mod web site: http://www.adminmod.org/help Visit the Admin Mod web forums to discuss Admin Mod with others and to get help when you can't find answers to your questions in the manual. Documentation Revision Information: v2.50e.150601 v2.50d.060601 Revision information for recent release is available in the Reference Section 1 Table of Contents ADMIN MOD VERSION 2.50E..............................................................................1 WHAT'S NEW?.....................................................................................................4 ABOUT ADMIN MOD ...........................................................................................8 Introducing Admin Mod.................................................................................................8 What this document covers (and what it doesn’t)........................................................10 IMPORTANT INFORMATION FOR BEFORE YOU START...............................11 Introductory Information (or, Read Me First)...............................................................11 READ THIS DOCUMENTATION BEFORE YOU START.............................................................. 11 IMPORTANT NOTE ABOUT EDITING CONFIGURATION FILES............................................... -
SETTING the SCENE: DIRECTORIAL USE of ANALOGY in TWENTIETH-CENTURY AMERICAN SHAKESPEARE PRODUCTIONS by LAWRENCE RONALD TATOM B
SETTING THE SCENE: DIRECTORIAL USE OF ANALOGY IN TWENTIETH-CENTURY AMERICAN SHAKESPEARE PRODUCTIONS by LAWRENCE RONALD TATOM B.A., California State University Sacramento, 1993 M.F.A., University of North Carolina – Greensboro, 1996 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre 2011 This thesis entitled: Setting the Scene: Directorial Use of Analogy in Twentieth-Century American Shakespeare written by Lawrence Ronald Tatom has been approved for the Department of Theatre. _________________________________ Oliver Gerland, Associate Professor __________________________________ James Symons, Professor Date___________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of the scholarly work in the above mentioned discipline. IRC protocol # 0902.28 Tatom, Lawrence Ronald (Ph.D., Theatre) Setting the Scene: Directorial Use of Analogy in Twentieth-Century American Shakespeare Productions. Thesis directed by Associate Professor Oliver Gerland This dissertation charts the historical development of the use of analogy by stage directors in twentieth-century American Shakespeare productions. Directorial analogy, the technique of resetting a play into a new time, place or culture that resembles or echoes the time, place or culture specified by the playwright, enables directors to emphasize particular themes in a play while pointing out its contemporary relevance. As the nineteenth century ended, William Poel and Harley Granville-Barker rejected the pictorial realism of the Victorian era, seeking ways to recreate the actors-audience relationship of the Elizabethan stage.