DOCSLIB.ORG

Event Results Log Out: Ellyses Kuan (Admin)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Event Results Log Out: Ellyses Kuan (Admin) 5/6/2021 Event Printout Event Results Log Out: Ellyses Kuan (Admin) 48th Annual Bay State Contest, Piano Division Date: May 14, 2016 Location: The Boston Conservatory, 8 The Fenway, Boston, MA 02215 Piano 6/7A (6 years - 7 years) Contestant #4: Ella Li — 1st Place (Teacher: Yee-han Wu) Stephen Heller Song of the Harp, Etude Op.45, No.22 Romantic Dmitri Kabalevsky A short story, Op.27,No.20 Contemporary Contestant #6: Eric Feng — 2nd Place (Teacher: Niva Fried) J.H. Fiocco Pieces de Clavecin op.1, E minor Baroque - Andante Eric Thiman Flood Time, A minor Contemporary Frederic Chopin Valse in A Flat Major , Op. posth. Romanticc Contestant #1: Anna Li — 3rd Place (Teacher: Marianna Rashkovetsky) Joseph Haydn Sonata Hob.XVI:33, D Major, No.34 classical - 1st mvt Frédéric Chopin Nocturne in C-Minor, No 21 (Posthumous Romantic Contestant #5: Laetitia Linzhi — 3rd Place (Teacher: Natalia Harlap) Kuhlau Sonatina in G major, OP. 55 No. 2 Classical - III Allegro Grieg Waltz in A minor, Op. 12 No. 2 Romantic 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 1/22 5/6/2021 Event Printout Contestant #2: Victor Feng — Honorable Mention (Teacher: Lina Yen) Diabelli Sonatina in B flat major, op.168 Classical - III Allegro Bartok Children's Game Contemporary - Allegretto Kabalevsky Toccatina in a minor Contemporary - Allegrtto Piano 6/7B (6 years - 7 years) Contestant #3: Claire Tong — 1st Place (Teacher: Natalia Harlap) Haydn Sonata in D major, Hob 16/4 Classical - I Shostakovich Waltz-Scherzo in D major, From Dances of the Dolls Contemporary Contestant #1: Eunha Basu — 2nd Place (Teacher: Niva Fried) Kirnberger Prelude in E MINOR Baroque Frank Hutchens Two littles Birds Contemporary Frederic Chopin Mazurka B flat Major, op.7 no.1 Romanticc Contestant #6: Alan Wang — 3rd Place (Teacher: Leah Frenkel) Johann Nepomuk Hummel Variations on Tyrolean song, E-flat major Classical Jean Lois Streabbog The Rooster's Waltz, F major Romantic Contestant #7: Lily Xing — 3rd Place (Teacher: Yu Wang) William Gillock Fountain in the Rain Contemporary Edvard Grieg Notturno, Opus 54, No. 4 Romantic 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 2/22 5/6/2021 Event Printout Contestant #2: Lillian Yang — Honorable Mention (Teacher: Yelena Zadova) R. Glier Traumerien in d-min, Opus 31 #4 Contemporary J. Haydn Sonata in D, HOB XVI #4 Classical - Allegro Contestant #4: Claire Gao — Honorable Mention (Teacher: Rachel Wu) Victor Kosenko Melody Contemporary W.Lege Butterflies, Op.59 No.2 Romantic Contestant #5: Jasmine Wang — Honorable Mention (Teacher: Lin Lin) Johann Sebastian Bach Invention No. 10 in G Major, BWV 781 Baroque Jacques Ibert The Little White Donkey Contemporary Piano 8A (8 years) Contestant #9: Yixuan (Eason) Li — 1st Place (Teacher: Yu Wang) Aaron Copland The Cat and the Mouse, D major Contemporary Luding He The Cowherd's Flute, C major Contemporary Contestant #5: William Hua — 2nd Place (Teacher: Niva Fried) Johann Sebastian Bach Invention no.2, C minor Baroque Friedrich Kuhlau Rondo "Don Juan", C major Classical Contestant #7: Julia Zhou — 2nd Place (Teacher: Ronald Kmiec) Domenico Scarlatti Sonata in B Minor, L. 263 Baroque Ludwig van Beethoven Sonate Pathetique, Op. 13 Classical 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 3/22 5/6/2021 Event Printout - III. Allegro Contestant #2: Jiayin Yu — 3rd Place (Teacher: Dorothy Shi) C. Gurlitt Buds and Blossoms, Opus 107, No. 7 Romantic - Moderato grazioso F. Chopin Valse, Opus 64, No. 1 Romantic - Molto vivace Contestant #3: Samantha Wang — Honorable Mention (Teacher: Helena Vesterman) Bohuslav Martinů Kolombina Tanci (Columbine Dances) Contemporary Joseph Haydn Sonata in E minor, Hob.XVI:34 Classical - 3rd mv. Molto vivace Contestant #6: Lydia Shen — Honorable Mention (Teacher: Dorothy Shi) J. Haydn Sonata in D Major, No. 37 Classical - I movement, Allegro con brio F. Chopin Valse, Opus 64, No. 2 Romantic - Tempo giasto Piano 8B (8 years) Contestant #9: Emily Zhou — 1st Place (Teacher: Niva Fried) Joseph Haydn Sonata Hob XVI:23 F Major , II. Adagio Classical Nikolay Stetsiun Etude Imptomptu , in A Minor Contemporary Contestant #4: David Xiong — 2nd Place (Teacher: Ronald Kmiec) Frederic Chopin Nocturne, C Minor (Op. Posth.) Romantic Bela Bartok Bear Dance 20th Century Contestant #8: Bingye Ren — 2nd Place (Teacher: Rita Mikulinsky) 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 4/22 5/6/2021 Event Printout J.S . Bach French Suite no. 6, BWV 817, E major Baroque - Polonaise, Minuet Mendelssohn Venetian Gondola Boat song, Op. 30 no. 6 Romantic Contestant #5: Hallie Lai — 3rd Place (Teacher: Dorothy Shi) J. Haydn Sonata XVI/34 Classical - III movement, Finale molto vivace F. Chopin Nocturne in C Minor (posthumous) Romantic - Andante sostenuto Contestant #7: Emily Ma — 3rd Place (Teacher: Vivian Tsang) Frederic Chopin Nocturne in C# Minor, Op. Post. Romantic William Gillock Fountain in the Rain Contemporary Contestant #1: Jessica Li — Honorable Mention (Teacher: Lina Yen) Georg Anton Benda Sonatina in a minor Baroque - Allegro Kabalevsky Sonatins in a minor Contemporary Tarenghi Dance of the Marionettes Comtempoary - Allegretto Piano 9A (9 years) Contestant #2: Angelina Cheng — 1st Place (Teacher: Lu Lu) Cornelius Gurlitt Buds and Blossoms, Op. 107, No. 4 Romantic S.D. Ding Hide and Seek Modern Contestant #6: Angela Feng — 2nd Place (Teacher: Dorothy Shi) Fr. Grutzmacher 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 5/22 5/6/2021 Event Printout Albumbleaf, Opus 66 Romantic - Andantino espressivo F.Chopin Valse, Opus 64, No. 2 Romantic - Tempo qiusto Contestant #4: Neil Nori — 3rd Place (Teacher: Natalia Harlap) Mozart Fantasy in D minor, K. 397 Classical Chopin Nocturne in C sharp minor, No. 20 Romantic Contestant #3: Victor Han — Honorable Mention (Teacher: Yelena Zadova) W. A. Mozart Fantasy, d-min K.397 Classical Tchaikovsky May, Op. 37b in D-maj Romantic Contestant #5: Calvin Yu — Honorable Mention (Teacher: Niva Fried) Adolph Gutmann Nocturne in A flat Major op.8 no.1 Romantic Joseph Haydn Sonata in E minor HobXVI:34 Classical - III,Finale: Molto Vivace Piano 9B (9 years) Contestant #7: Marena Chen — 1st Place (Teacher: Lina Yen) Hadyn Sonata in G, Hob VXI:39 Classical - I . Allegro Prokoffiev Dance of the Girls with Lilies in a minor Comtemporary Chopin 3 Ecossaises , Op.72 No.3 Romantic - Vivace Contestant #4: Julia Gendin — 2nd Place (Teacher: Tanya Schwartzman) P. Tchaikovsky April, From the Seasons Romantic 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 6/22 5/6/2021 Event Printout L.C. Daquin Cockoo bird, E-minor Baroque Contestant #1: Justin Yamaguchi — 3rd Place (Teacher: Helena Vesterman) Scarlatti Sonata , F minor Baroque - K481 Chopin Fantaisie - Impromptu, C# Minor op.66 Romantic Contestant #6: Isabella An — 3rd Place (Teacher: Valerie Henkin) Wolfgang Amadeus Mozart Viennese Sonatina No 1 , C Major Classical Period - iV. Rondo Allegretto P.I.Tchaikovsky Baba-Yaga, op.39 No 20 Romantic period Piano 10A (10 years) Contestant #6: Ben Shaar — 1st Place (Teacher: Nilly Shilo) J. S. Bach French Suite in B Minor, Sarabande, Menuet, Trio Baroque Frantz Liszt Etude Op. 1, No. 9, in Ab Major Romantic Contestant #3: Alexis Chen — 2nd Place (Teacher: Lina Yen) Dubussy Arabesque No.1 E Major Impressionism - Andantino Hadyn Sonata in F major, Hob XVI:23 Classicl - I. Allegro Gillock Preludes, Soaring , Humming Bird, A witch's Cat Contemporary Contestant #7: Anjali Dasari — 2nd Place (Teacher: Philip Feng) Peter Ilich Tchaikovsky April: Snowdrop, Op.37b No.4, Romantic Joaquin Turina Sacro-Monte, Op.55 No.5, Contemporary 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 7/22 5/6/2021 Event Printout Domenico Scarlatti Sonata, K.9, Baroque Contestant #10: Kevin Huang — 3rd Place (Teacher: Dorothy Shi) J. Haydn Sonata in D Major No. 37 Classical - I movement, Allegro con brio Fr. Grutzmacher Albumbleaf, Opus 66 Romantic - Andatino espressivo Contestant #2: Emily Cheng — Honorable Mention (Teacher: Helena Vesterman) Wolfgang Mozart Sonata , G Major K283 Allegro Classical - 1st MVT Alexander Scriabin Mazurka, F Sharp Minor Op 3 #6 Romantic Piano 10B (10 years) Contestant #2: Patrick Lu — 1st Place (Teacher: Ronald Kmiec) Johann Sebastian Bach Prelude and Fugue No. 21 (Bk. I, W.T.C.) Baroque Frederic Chopin Nocturne in E-Flat, Op. 9, No. 2 Romantic Contestant #8: Madeline Jiang — 2nd Place (Teacher: Lu Lu) Frederic Chopin Nocturne, Opus 27, No. 2 Romantic Maurice Ravel Sonatine contemporary - I. Moderate Contestant #3: Christina Xi — 3rd Place (Teacher: Niva Fried) Frederic Chopin Nocturne in G Minor , Op.37 No.1 Romantic Domenico Scarlatti Sonata in D Minor K.1 Baroque Contestant #7: Eric Zhu — 3rd Place 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 8/22 5/6/2021 Event Printout (Teacher: Helena Vesterman) Rachmanioff Elegie, Op. 3, No. 1 Romantic Mozart Sonate KV311 in D major, D major K.311 Classical - I Allegro con spirito Contestant #6: Jacqueline Zhang — Honorable Mention (Teacher: Dorothy Shi) L. Beethoven Sonata No. 8 in C Minor, Opus 13 Classical - I movement, grave F. Chopin Prelude, Opus 28, No. 23 in F Major Romantic - Moderato Piano 10C (10 years) Contestant #9: Sara Tardif — 1st Place (Teacher: Julia Bernstein) Chopin Etude Op.10 No.5 G Flat Major, Op.10 Romantic Clementi Sonata Op.25 No.2(Not Sonatina), Op.25 Classical - First mov Contestant #3: Gavin Valentino — 2nd Place (Teacher: Vivian Tsang) Aaron Copland The Cat & the Mouse Contemporary Frederic Chopin Waltz in E Minor, Op. Post. Romantic Contestant #5: Nathaniel Su — 3rd Place (Teacher: Valerie Henkin) Johann Sebasitan Bach Praeludium from Partita No 1, B Flat Major BWV 825 Baroque Period Joseph Haydn Sonata , E Minor Hob.XVI:34 Classical Period - III.Finale.Molto Vivace Mikhail Glinka La Separation, F Minor Romantic Period Contestant #7: Anna Milevskaya — 3rd Place (Teacher: Olga Milevskaya) 03c81a2.netsolhost.com/event_registration_printout.aspx?event_id=1202 9/22 5/6/2021 Event Printout Joseph Haydn Sonata in F maj., Hob.XVI:23 Classical - I Allegro Moderato F.Chopin Nocturne, C# min., op.
Load more

Recommended publications
  • Keyboard Sonatas Nos. 87–92 Levon Avagyan, Piano Antonio Soler (1729–1783) Sonatas Included in Op
    Antonio SOLER Keyboard Sonatas Nos. 87–92 Levon Avagyan, Piano Antonio Soler (1729–1783) sonatas included in Op. 4 bear the date 1779. These Sonata No. 92 in D major, numbered Op. 4, No. 2, is Keyboard Sonatas Nos. 87–92 sonatas follow classical procedure and are in several again in four movements and in a style that reflects its movements, although some of the movements had prior date, 1779, and contemporary styles and forms of Born in 1729 at Olot, Girona, Antonio Soler, like many Llave de la Modulación, a treatise explaining the art of existence as single-movement works. Sonata No. 91 in C composition, as well as newer developments in keyboard other Catalan musicians of his and later generations, had rapid modulation (‘modulación agitada’), which brought major starts with a movement that has no tempo marking, instruments. The Presto suggests similar influences – the his early musical training as a chorister at the great correspondence with Padre Martini in Bologna, the leading to a second movement, marked Allegro di molto, world of Haydn, Soler’s near contemporary. The third Benedictine monastery of Montserrat, where his teachers leading Italian composer and theorist, who vainly sought in which the bass makes considerable use of divided movement brings two minuets, the first Andante largo included the maestro di capilla Benito Esteve and the a portrait of Soler to add to his gallery of leading octaves. There is contrast in a short Andante maestoso, a and the second, which it frames, a sparer Allegro. The organist Benito Valls. Soler studied the work of earlier composers.
    [Show full text]
  • Kurt Masur | Dirigent Helen Huang | Klavier – Er- E N
    Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 1 (Schw 2009|2010 139 . SPIELZEIT DAS ORCHESTER DER LANDESHAUPTSTADT137. SPIELZEIT Sonderkonzert SCHUMANN · SCHOSTAKOWITSCH · TSCHAIKOWSKI Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 2 (Schw BmW nlssg ds ds BmW 3 Cb f f freude hat immer SaiSon. Gönnen Sie sich dieses einzigartige Fahrerlebnis – zu jeder Jahreszeit. Das neue BMW 3er Cabrio* ist Open Air Feeling pur. Und das versenkbare Hardtop garantiert Fahrfreude pur – dasganzeJahr!Ohneaufetwaszuverzichten.DennderKoffer- raum bietet überraschend viel Raum für Ihr Urlaubsgepäck, Ihre Skiausrüstung oder Ihr Golfbag. Und durch die umlegbare Rücksitzlehne lässt sich die Ladefäche zusätzlich erweitern. Genießen Sie das Erlebnis BMW Cabrio im exklusiven Design. Jetzt in Ihrer BMW Niederlassung Dresden. freude iSt daS neue BmW 3 Cb . BmW e fc dy cs Wg e ss . m f . * Kraftstoffverbrauch kombiniert 5,1 – 8,8l/100km, CO2 135 – 205 g/km.. Dohnaer Str. 99 - 101 01219 Dresden Telefon 0351 2852-600 Telefax 0351 2852-592 BmW nlssg ds www.b w-s. Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 3 (Schw 3 f Samstag, 29. Mai 2010 19.30 Uhr Sonntag, 30. Mai 2010 19.30 Uhr Festsaal im Kulturpalast Sonderkonzert IM RAHMEN DER DRESDNER MUSIKFESTSPIELE n. Kurt Masur | Dirigent Helen Huang | Klavier – er- e n. KLAVIERPFLEGE: GERT GÄBLER, KLAVIER- UND CEMBALOBAUER Die Dresdner Philharmonie ist Mitglied im Deutschen Bühnenverein Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 4 (Schw 4 Ilustration von Gustave Doré zu Lord Byrons dramatischem Gedicht »Manfred« Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 5 (Schw 5 Programm Robert Schumann (1810 –1856) Manfred-Ouvertüre op.115 Dmitri Schostakowitsch (1906 –1975) Konzert für Klavier und Orchester Nr.
    [Show full text]
  • Foundation for Chinese Performing Arts 中華表演藝術基金會
    中華表演藝術基金會 FOUNDATION FOR CHINESE PERFORMING ARTS [email protected] www.ChinesePerformingArts.net The Foundation for Chinese Performing Arts, is a non-profit organization registered in the Commonwealth of Massachusetts in January, 1989. The main objectives of the Foundation are: * To enhance the understanding and the appreciation of Eastern heritage through music and performing arts. * To promote Chinese music and performing arts through performances. * To provide opportunities and assistance to young Asian artists. The Founder and the President is Dr. Catherine Tan Chan 譚嘉陵. AWARDS AND SCHOLARSHIPS The Foundation held its official opening ceremony on September 23, 1989, at the Rivers School in Weston. Professor Chou Wen-Chung of Columbia University lectured on the late Alexander Tcherepnin and his contribution in promoting Chinese music. The Tcherepnin Society, represented by the late Madame Ming Tcherepnin, an Honorable Board Member of the Foundation, donated to the Harvard Yenching Library a set of original musical manuscripts composed by Alexander Tcherepnin and his student, Chiang Wen-Yeh. Dr. Eugene Wu, Director of the Harvard Yenching Library, was there to receive the gift that includes the original orchestra score of the National Anthem of the Republic of China commissioned in 1937 to Alexander Tcherepnin by the Chinese government. The Foundation awarded Ms. Wha Kyung Byun as the outstanding music educator. In early December 1989, the Foundation, recognized Professor Sylvia Shue-Tee Lee for her contribution in educating young violinists. The recipients of the Foundation's artist scholarship award were: 1989 Jindong Cai 蔡金冬, MM conductor ,New England Conservatory, NEC (currently conductor and Associate Professor of Music, Stanford University,) 1990: (late) Pei-Kun Xi, MM, conductor, NEC; 1991: pianists John Park and J.G.
    [Show full text]
  • June 29 to July 5.Txt
    CLASSIC CHOICES June 29 - July 5, 2020 PLAY DATE : Mon, 06/29/2020 6:02 AM Antonio Vivaldi Violin Concerto 6:11 AM Johann Nepomuk Hummel Serenade for Winds 6:31 AM Johan Helmich Roman Concerto for Violin and Strings 6:46 AM Carl Philipp Emanuel Bach Symphony 7:02 AM Johann Georg Pisendel Concerto forViolin,Oboes,Horns & Strings 7:16 AM Franz Joseph Haydn Piano Sonata No. 32 7:30 AM Jean-Marie Leclair Violin Concerto 7:48 AM Antonio Salieri La Veneziana (Chamber Symphony) 8:02 AM Heinrich Ignaz Franz Biber Mensa sonora, Part III 8:12 AM Wolfgang Amadeus Mozart Symphony No. 34 8:36 AM Johannes Brahms Violin Sonata No. 3 9:05 AM Leroy Anderson Concerto for piano and orchestra 9:25 AM Arthur Foote Piano Quartet 9:54 AM Leroy Anderson Syncopated Clock 10:00 AM Wolfgang Amadeus Mozart Requiem: Communio: Lux aeterna 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 21, K 304/300c 10:23 AM Wolfgang Amadeus Mozart DON GIOVANNI Selections 10:37 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 10:59 AM Felix Mendelssohn String Quartet No. 3 11:36 AM Mauro Giuliani Guitar Concerto No. 1 12:00 PM Danny Elfman A Brass Thing 12:10 PM Johann Strauss, Jr. Schwärmereien Concert Waltz 12:23 PM Franz Liszt Un Sospiro (A Sigh) 12:32 PM George Gershwin Rhapsody in Blue 12:48 PM John Philip Sousa Our Flirtations 1:00 PM Ludwig Van Beethoven Symphony No. 6 1:43 PM Michael Kurek Sonata for Viola and Harp 2:01 PM Paul Dukas La plainte, au loin, du faune...(The 2:07 PM Leos Janacek Sinfonietta 2:33 PM Johannes Brahms Violin Sonata No.
    [Show full text]
  • La Formació Musical Del Pare Antoni Soler · a Montserrat
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistes Catalanes amb Accés Obert LA FORMACIÓ MUSICAL DEL PARE ANTONI SOLER · A MONTSERRAT Gregori Estrada 85 El nom del pare Antoni Soler és ben conegut en el món musical d'avui. La difusió de la seva obra, difusió feta a través d'edicions, audicions i discos, presenta primordialment peces del repertori instrumental. No es pot dir encara que la figura d'Antoni Soler com a compositor sigui prou coneguda. la seva obra instrumental conservada i catalogada fins ara, és probablement inco11Jpleta. A més, Soler té una altra creació, la coral , que sobrepassa en el doble la quantitat de la instrumental. D'aquesta producció coral, avui només se n'han divulgat algunes peces, massa poques per poder-ne fer Un judici raonable. S'ha d'esperar que, amb els anys, el treball pacient dels investiga­ dors vagi posant en partitura intel·ligible les particel·les de cada una de les composicions corals sortides de la ploma d'Antoni Soler. El treball dels inves­ tigadors farà també possible una millor apreciació de l'obra de Soler a través de la interpretació viva de la seva música coral. Partitura i interpretació viva, dues condicions necessàries per poder aprofundir en el judici i la crítica dè l'obra de qualsevol compositor L'OBRA MUSICAL D'ANTONI SOLER L'obra musical del pare Soler és copiosa, cosa sorprenent si és té en compte que ell va morir prematurament als 54 anys. Com ja s'ha dit, la seva obra és coneguda sobretot en la part instrumental: més d'un centenar de Sonates per a instrument de tecla; algunes peces per a orgue; sis Concerts per a dos orgues; i sis Quintets per a corda i tecla.
    [Show full text]
  • Grado Medio Prueba De Selección Piano 1º Curso
    GRADO MEDIO PRUEBA DE SELECCIÓN PIANO 1º CURSO 1. EJERCICIOS TÉCNICOS. • 6 escalas y arpegios, en tonalidad mayor o/y menor 2. EJERCICIO DE LECTURA 1º VISTA. 3. OBRAS ORIENTATIVAS 1º CURSO. A) COMPOSITORES BARROCOS J. S. BACH Album Anna Magdalena Bach (Clavierbüchlein der Anna Magdalena Bach) Wiener Urtex Edition (editado por Naoyuki Taneda). Minueto en Sol BWV Anh.126 (Compositor desconocido) Marcha en Re BWV Anh. 122 (C. P. E. Bach) Polonesa en sol BWV Ahn. 125 (C. P. E. Bach) Marcha en Mi bemol BWV Ahn. 127 (C. P. E. Bach) Polonesa en Sol BWV Anh. 130 (J. A. Hasse) Apéndice: Suite de Clavecin en Sol (Christian Petzold) Pequeños Preludios: BWV 924, 926, 927, 930, 941, 942, 999, 933, 934. Invenciones: BWV 772 – 786, por ejemplo: No. 1 en Do, No. 4 en re. LOUIS CLAUDE DAQUIN Piezas para teclado Le Coucou (Rondeau) L ´Amusante (Rondeau) Mussette en Sol G. F. HÄNDEL Piezas para teclado. Aria en Sol HWV 441 Entrée en sol HWV 453.II (HHA IV/6) Lesson en la HWV 496 (HHA III/19) Minueto en sol HWV 434.IV (HHA II/1.4) Preludio en re HWV 564 (HHA IV/8) Toccata en sol HWV 586 (HHA IV/20) 1 1º CURSO HENRY PURCELL Piezas para teclado A Choice Collection of Lessons for the harpsichord or spinnet: Suites and Miscellaneuos : Una pieza que corresponda en extension mínima una página. JEAN PHILLIPE RAMEAU Pièces de Clavecin (1724) Tambourin (Rondeau) (de la Suite No. 2) La Villageoise (de la Suite No. 2) La Joyeuse (de la Suite No.
    [Show full text]
  • The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
    The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Chopin’s 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees A document submitted to the The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Studies Division of the College-Conservatory of Music 2008 by Andreas Boelcke B.A., Missouri Western State University in Saint Joseph, 2002 M.M., University of Cincinnati, 2005 Committee Chair: bruce d. mcclung, Ph.D. ii ABSTRACT Chopin’s twenty-four Préludes, Op. 28 stand out as revolutionary in history, for they are neither introductions to fugues, nor etude-like exercises as those preludes by other early nineteenth-century composers such as Johann Nepomuk Hummel, Johan Baptist Cramer, Friedrich Kalkbrenner, and Muzio Clementi. Instead they are the first instance of piano preludes as independent character pieces. This study shows, however, that Op. 28 is not just the beginning of the Romantic prelude tradition but forms a coherent large-scale composition unified by motion between the fifths and sixth scale degrees. After an overview of the compositional origins of Chopin’s Op. 28 and an outline of the history of keyboard preludes, the set will be compared to the contemporaneous ones by Hummel, Clementi, and Kalbrenner. The following chapter discusses previous theories of coherence in Chopin’s Préludes, including those by Jósef M.
    [Show full text]
  • Paul Huang, Violin
    Paul Huang, violin ARTIST SPOTLIGHT Recipient of the prestigious 2015 Avery Fisher Career separate tours in the U.S., Europe and the Far East. Grant and the 2017 Lincoln Center Award for Emerging His first solo CD, Intimate Inspiration, is a collection Artists, violinist Paul Huang is celebrated for his eloquent of favorite virtuoso and romantic encore pieces released music making, distinctive sound and effortless virtuosity. on the CHIMEI label. In association with Camerata Paci- The Washington Post proclaimed Mr. Huang as “an artist fica, he recorded “Four Songs of Solitude” for solo violin with the goods for a significant career” following his recital on their album of John Harbison works. The album was debut at the Kennedy Center. released on the Harmonia Mundi label in fall 2014. His recent and forthcoming engagements include his A frequent guest artist at music festivals worldwide, recital debut at the Lucerne Festival in Switzerland, Aspen he has performed at the Seattle, Music@Menlo, Caramoor, Music Festival, as well as appearances with the Mariinsky Bridgehampton, La Jolla, Santa Fe, Moritzburg, Kissinger Orchestra with Valery Gergiev (St. Petersburg’s White Sommer, Sion, Orford Musique and the PyeongChang Mu- Nights Festival), Berliner Symphoniker with Lior Sham- sic Festival in Korea. His collaborators have included Gil badal (Philharmonie Berlin debut), Detroit Symphony with Shaham, Cho-Liang Lin, Nobuko Imai, Lawrence Power, Leonard Slatkin, Houston Symphony with Andres Oroz- Maxim Rysanov, Mischa Maisky, Jian Wang, Frans Helm- co-Estrada, Orchestra of St. Luke’s with Carlos Miguel Pri- erson, Lynn Harrell, Yefim Bronfman and Marc-Andre eto, Seoul Philharmonic, Baltimore Symphony and Grant Hamelin.
    [Show full text]
  • Foundation for Chinese Performing Arts 中華表演藝術基金會
    中華表演藝術基金會 FOUNDATION FOR CHINESE PERFORMING ARTS [email protected] www.ChinesePerformingArts.net The Foundation for Chinese Performing Arts, is a non-profit organization registered in the Commonwealth of Massachusetts in January, 1989. The main objectives of the Foundation are: * To enhance the understanding and the appreciation of Eastern heritage through music and performing arts. * To promote Asian musicians and performing arts through performances. * To provide opportunities and assistance to young Asian artists. The Founder and the President is Dr. Catherine Tan Chan 譚嘉陵. AWARDS AND SCHOLARSHIPS The Foundation held its official opening ceremony on September 23, 1989, at the Rivers School in Weston. Professor Chou Wen-Chung 周文中 of Columbia University lectured on the late Alexander Tcherepnin and his contribution in promoting Chinese music. The Tcherepnin Society, represented by the late Madame Ming Tcherepnin, an Honorable Board Member of the Foundation, donated to the Harvard Yenching Library a set of original musical manuscripts composed by Alexander Tcherepnin and his student, Chiang Wen-Yeh. Dr. Eugene Wu, Director of the Harvard Yenching Library, was there to receive the gift that includes the original orchestra score of the National Anthem of the Republic of China commissioned in 1937 to Alexander Tcherepnin by the Chinese government. The Foundation awarded Ms. Wha Kyung Byun as the outstanding music educator. In early December 1989, the Foundation, recognized Professor Sylvia Shue-Tee Lee 李淑德 for her contribution in educating young violinists. The recipients of the Foundation's artist scholarship award were: 1989 Jindong Cai 蔡金冬, MM conductor ,New England Conservatory, NEC (conductor and Associate Professor of Music, Stanford University, and currently the director of the US-China Music Institute and professor of music and arts at Bard College.).
    [Show full text]
  • Luigi Boccherini (1743-1805): an Italian in Madrid
    Luigi Boccherini (1743-1805): an italian in Madrid Juan y José PLA Triosonata en Re menor - Allegro (molto) - Andante - Allegro (assai) Danzas cortesanas: Minué, Amable y Contradanzas A. SOLER (1729-1783) Sonata en Re bemol Mayor El Olé de la Curra Seguidillas Boleras P. ESTEVE (ca. 1730-ca. 1794) Jota. (“La murciana en la carcel”, 1776) D. SCARLATTI (1685-1757) Bolero. (Sonata en Mi M, K380) L. BOCCHERINI (1743-1805) Fandango. (Del “Quintetto IV en Re M”) L. BOCCHERINI Quintettino VI, Op. 30. “La musica nocturna delle strade di Madrid” - Ave Maria della Parrocchia. Ave Maria del quartiere - Minuetto dei ciechi - Rosario - Los Manolos - Variazioni sulla Ritirata Nocturna di Madrid PROGRAMME NOTES The spectacle, in homage to the figure of Boccherini, was presented in 2005 by the group of early music and dance, “Los Comediantes del Arte”, to commemorate the 200th anniversary of the composer’s death. It is a genre, called mise en scene, which is not very frequent in Spain but is very popular on the stages of the rest of Europe and is the bringing together of various stage arts such as music, dance and theatre and always based on historical criteria. This work of recuperation requires a meticulous study of documentary sources (scores, dance treatises, engravings, costume designs, etc.) in order to achieve a result which is as faithful as possible to historical reality. Our programme opens with instrumental pieces of authors from the same period, such as the Plá brothers (oboists from Valencia) and father Antonio Soler (famous pupil of Domenico Scarlatti), followed by a selection of original choreographies corresponding to court dances collected in the treatises by Minguet and Ferriol, with obvious French influences.
    [Show full text]
  • 1562 ECM 11.2 08-17 1400009-20 Reviews
    Eighteenth Century Music http://journals.cambridge.org/ECM Additional services for Eighteenth Century Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here ANTONIO ABREU (c1750–c1820), DIONISIO AGUADO (1784–1849), SALVADOR CASTRO DE GISTAU (1770–after 1831), ISIDRO DE LAPORTA (. c1790), FEDERICO MORETTI (c1765–1838) SPANISH MUSIC FOR 6-COURSE GUITAR AROUND 1800 Thomas Schmitt Centaur CRC 3277, 2012; one disc, 66 minutes KENNETH A. HARTDEGEN Eighteenth Century Music / Volume 11 / Issue 02 / September 2014, pp 314 - 316 DOI: 10.1017/S1478570614000207, Published online: 07 August 2014 Link to this article: http://journals.cambridge.org/abstract_S1478570614000207 How to cite this article: KENNETH A. HARTDEGEN (2014). Eighteenth Century Music, 11, pp 314-316 doi:10.1017/ S1478570614000207 Request Permissions : Click here Downloaded from http://journals.cambridge.org/ECM, IP address: 147.156.157.203 on 27 Aug 2014 reviews written in a galant style and based on the air ‘One evening having lost my way’, which appears in the third act of the opera. This recording succeeds in its intention to explore the neglected repertoire of public concert life in England and in doing so brings to our attention another side to a composer who has been both tarred with the brush of The Beggar’s Opera and maligned by the pen of Hawkins. The accompanying booklet notes, which contain many contemporary anecdotal references as well as an in-depth and well-supported account of the composer’s time in England, give a more balanced account of the reception of Pepusch’s works.
    [Show full text]