The Gordon Burn Prize 2017: Winner Announced

Total Page:16

File Type:pdf, Size:1020Kb

The Gordon Burn Prize 2017: Winner Announced The Gordon Burn Prize 2017: winner announced Strictly embargoed until 22:00, Thursday 12 October 2017 The Gordon Burn Prize 2017 was awarded on Thursday evening at Durham Book Festival to a writer that turned dreadful fact into eerily engaging fiction. The selection continues the prize’s tradition of recognising brilliant and unique work, the most interesting of contemporary writing. This year it salutes the writer’s brave and daring journey into the dark heart of a notorious Glasgow crime in the service of bringing the story to the page. The winner is: • The Long Drop by Denise Mina (Harvill Secker) The Long Drop was selected from six shortlisted titles of fiction, memoir and travel writing. Mina takes us back to Glasgow in the late 1950s where a series of deeply disturbing and violent murders have shaken the city. The novel is based on the true story of William Watt, who wants answers about his family’s murders, and Peter Manuel, who has them. The reader is drawn in to this unsettling relationship and the gaping chasm between the official verdict and the story people tell each other. Novelist, broadcaster and journalist Ian Sansom, one of the judges, commented: “Denise Mina's The Long Drop is a truly startling and shocking work whose great literary ambition and inventiveness is matched by its moral complexity. In the opinion of the judges, the book upholds and continues that great tradition of literature both as a form of radical inquiry and as great pleasure, epitomised in the work of Gordon Burn.” Denise Mina has published twelve novels, as well as writing short stories, plays and graphic novels adapted from Stieg Larsson’s Millennium Trilogy books. The Long Drop was published in March 2017 and immediately garnered praise as “a masterpiece by the woman who may be Britain’s finest living crime novelist” (Daily Telegraph) and “not just a success and a thrilling read in its own right, but a game-changer for the genre” (Stuart Kelly, Scotland on Sunday). The prize was established in 2012 to celebrate the legacy of one of literature’s great innovators. Gordon Burn’s writing was precise and rigorous, and often blurred the line between fact and fiction. Over the past 18 months and since the advent of Brexit and Trump, we have seen the emergence of ideas like 'fake news and 'post-truth'. Gordon's writing often explored these murky and ambiguous territories. He grasped, intuitively, how supposedly 'fact-based' reportage can warp the truth just as fiction can aspire to reveal it. In this respect much of his writing has the ring of contemporary relevance to it. He wrote across a wide range of subjects, from celebrities to serial killers, politics to contemporary art; his works include the novels Fullalove and Born Yesterday: The News as a Novel, and non-fiction including Happy Like Murderers: The Story of Fred and Rosemary West, Best and Edwards: Football, Fame and Oblivion and Sex & Violence, Death & Silence: Encounters with Recent Art. For all media enquiries, please contact: Nikki Barrow at Mander Barrow PR Ltd [email protected]; 07813 806297 Notes for editors The Gordon Burn Prize, run in partnership by the Gordon Burn Trust, New Writing North, Faber & Faber and Durham Book Festival, seeks to celebrate the work of those who follow in his footsteps: novels which dare to enter history and interrogate the past; nonfiction adventurous enough to inhabit characters and events in order to create new and vivid realities. The prize is open to works in English by writers of any nationality or descent who, at the time of entering, are permanently resident in the United Kingdom or the United States of America. Durham Book Festival is a Durham County Council festival produced by New Writing North with funding from partners Durham University and Arts Council England. About The Long Drop: On the 19th of September 1956 Peter Manuel broke into a suburban villa in Glasgow and shot three women in their beds. Then he made himself a ham sandwich. The father of the house, William Watt, was five hours drive away, on a fly fishing holiday but police still suspected him. Watt was odd. He had taken the guard dog with him, which he never did. He established his alibi like a man trying to establish an alibi. William Watt was accused of the murders and sent to prison for three months. Released, Watt decided to investigate the murders himself and put out the word that he would pay for information. Peter Manuel came forward and the two men met for a drink in Glasgow. They spent eleven hours together, drinking, driving, talking. The next time they met was in the High Court in Glasgow, where Manuel was accused of those murders and many others.The Long Drop is a reimagining of the trial and of the drunken night the two men spent carousing in Glasgow. About the judges: Cosey Fanni Tutti is an artist and musician, known for her art, her work in the sex industry, as co-founder of Industrial Records and Throbbing Gristle, and her pioneering electronic music as half of Chris & Cosey and Carter Tutti. Her autobiography, Art, Sex, Music, was published by Faber & Faber in 2017. Petina Gappah is a Zimbabwean writer with law degrees from Cambridge, Graz University and the University of Zimbabwe. Her debut collection of short stories, An Elegy for Easterly, won the Guardian First Book Award in 2009. Her debut novel, The Book of Memory, was published in 2015. Her latest collection of short stories, Rotten Row, was published in 2016. She is published by Faber & Faber. Allan Jenkins is the award-winning editor of Observer Food Monthly. He was previously editor of the Observer Magazine and once lived in an experimental ecocommunity on Anglesey. He is the co-author of J. Sheekey: Fish, and lives in north-west London. His book Plot 29: A Memoir was published in 2017 by 4th Estate. Ian Sansom is a novelist, broadcaster and journalist, contributing to, among others, the Guardian, Times Literary Supplement and London Review of Books. He is the author of fourteen works of fiction and non-fiction and is the Director of the Oscar Wilde Centre, Trinity College Dublin. The Gordon Burn Prize 2017 shortlist: • Black Teeth and a Brilliant Smile by Adelle Stripe (Wrecking Ball Press) • Border: A Journey to the Edge of Europe by Kapka Kassabova (Granta Books) • First Love by Gwendoline Riley (Granta Books) • The Long Drop by Denise Mina (Harvill Secker) • This Is Memorial Device by David Keenan (Faber & Faber) • This Is the Place to Be by Lara Pawson (CB Editions) Previous winners: 2013 Benjamin Myers, Pig Iron 2014 Paul Kingsnorth, The Wake 2015 Dan Davies, In Plain Sight: The Life and Lies of Jimmy Savile 2016 David Szalay, All That Man Is Social media: @NewWritingNorth @durhambookfest @FaberBooks #GordonBurnPrize www.gordonburnprize.com The News as a Novel Ten years ago, the late Gordon Burn took the events of 2007 and turned them into Born Yesterday; The News as a Novel, an ambitious and experimental novel about the way news is made, and the way the media creates and manipulates the stories we see before us. In the spirit of this fine literary experiment with fact and fiction, Durham Book Festival and The Word Factory have commissioned three outstanding writers, Lionel Shriver, Alexei Sayle and Benjamin Myers to produce a piece of work in response to the extraordinary unfolding news cycle of 2017. The News as a Novel will premiere at Durham Book Festival 2017 on Friday 13 October. For all media enquiries, please contact: Nikki Barrow at Mander Barrow PR Ltd [email protected]; 07813 806297 .
Recommended publications
  • Living Entanglements and the Ecological Thought in the Works Of
    LIVING ENTANGLEMENTS AND THE ECOLOGICAL THOUGHT IN THE WORKS OF PAUL KINGSNORTH, TOM MCCARTHY, AND ALI SMITH By Garrett Joseph Peace James J. Arnett Andrew D. McCarthy Associate Professor of English Associate Professor of English (Chair) (Committee Member) Heather M. Palmer Associate Professor of English (Committee Member) LIVING ENTANGLEMENTS AND THE ECOLOGICAL THOUGHT IN THE WORKS OF PAUL KINGSNORTH, TOM MCCARTHY, AND ALI SMITH By Garrett Joseph Peace A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of Arts: English The University of Tennessee at Chattanooga Chattanooga, Tennessee May 2021 ii ABSTRACT In my thesis, I use the work of Donna Haraway, Timothy Morton, Karen Barad, and Anna Tsing to explore how three contemporary British novelists—Paul Kingsnorth, Tom McCarthy, and Ali Smith—deal with the representational and ethical challenges of writing about nature and climate change within the Anthropocene. The question of how to live and write now is a prominent thread in all their works, which show, in both form and content, the entanglements of ecology, materiality, locality, nationality, and personal identity. In doing so, their stories enable readers to engage with what Morton calls the “ecological thought,” i.e. “a practice and process of becoming fully aware of how human beings are connected with other beings,” and provoke us, as Haraway puts it, “to be truly present . as mortal critters entwined in myriad unfinished configurations of places, times, matters, meanings.” iii DEDICATION For my parents, Robin and James. iv ACKNOWLEDGEMENTS As many of the writers present in these pages show us, to be human is to exist in a state of interconnection.
    [Show full text]
  • Mina, Okojie, Owusu and Cain to Judge Gordon Burn Prize 2021 Prize Opens for Entries Until Wednesday 7 April
    Press release: Embargoed until Friday 5 March 2021 Mina, Okojie, Owusu and Cain to judge Gordon Burn Prize 2021 Prize opens for entries until Wednesday 7 April Denise Mina has been appointed as the new chair of the judges of the Gordon Burn Prize. Along with literary journalist and editor Sian Cain, novelist and short story writer Irenosen Okojie, and writer and poet Derek Owusu, she will judge the Gordon Burn Prize 2021. The prize is run in partnership by the Gordon Burn Trust, New Writing North, Faber & Faber and Durham Book Festival, a Durham County Council festival. It is now open for entry until Wednesday 7 April 2021. The Gordon Burn Prize, founded in 2012, remembers the late author of novels including Fullalove and Born Yesterday: The News as a Novel, and non-fiction including Happy Like Murderers: The Story of Fred and Rosemary West and Best and Edwards: Football, Fame and Oblivion. The prize seeks to celebrate the writing of those whose work follows in Burn’s footsteps. It recognises literature that is forward-thinking and fearless in its ambition and execution, often playing with style, pushing boundaries, crossing genres or challenging readers’ expectations. Like Gordon’s own work, the Gordon Burn Prize is open to a diverse range of themes and perspectives drawn from the breadth of today’s cultural and social concerns. It welcomes books by writers emerging from backgrounds underrepresented in the mainstream literary culture. The judges seek work that shows an affinity with the spirit and sensibility of Gordon's literary methods: novels which dare to enter history and interrogate the past; writers of non-fiction brave enough to recast characters and historical events to create a new and vivid reality.
    [Show full text]
  • 2020 Spring Adult Rights Guide
    Incorporating Gregory & company Highlights London Book Fair 2020 Highlights Welcome to our 2020 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary Fiction 4 to 11 Upmarket Fiction 12 to 17 Commercial Fiction 18 to 19 Crime and Thriller 20 to 31 Non-Fiction Politics, Current Affairs, International Relations 32 to 39 History and Philosophy 40 to 43 Nature and Science 44 to 47 Biography and Memoir 48 to 54 Practical, How-To and Self-Care 55 to 57 Upcoming Publications 58 to 59 Recent Highlights 60 Prizes 61 Film and TV News 62 to 64 DHA Co-Agents 65 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh; Laura West; Jessica Woollard Film & TV Rights: Clare Israel; Penelope Killick; Nicky Lund; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Margaux Vialleron: [email protected] Direct: Denmark; Finland; Iceland; Italy, the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Co-agented: Poland Lucy Talbot: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Co-agented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Imogen Bovill: [email protected] Direct: Arabic; Albania; Bulgaria; Greece; Israel; Italy; Macedonia, Vietnam, all other markets. Co-agented: Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk General translation rights enquiries: Sam Norman: [email protected] THE PALE WITNESS Patricia Duncker A tour de force of historical fiction from the acclaimed novelist Patricia Duncker According to the Gospel of Matthew, the wife of Pontius Pilate interceded on Jesus’ behalf as Pilate was contemplating the prophet’s fate.
    [Show full text]
  • The Prize for the New Novelist of the Year #Discoveradebut Desmondelliottprize.Org
    The Prize for the New Novelist of the Year #DiscoverADebut DesmondElliottPrize.org “The most prestigious award for first-time novelists” - Daily Telegraph About the Prize About Desmond Elliott The Desmond Elliott Prize was founded to celebrate the best first novel by a new author and In life, Desmond Elliott incurred the wrath of Dame Edith Sitwell and the love of innumerable authors and colleagues to support writers just starting what will be long and glittering careers. It has succeeded who regarded him as simply “the best”. Jilly Cooper, Sam in its mission in a manner that would make Elliott proud. Llewelyn, Penny Vincenzi, Leslie Thomas and Candida Lycett Green are among the writers forever in his debt. So, too, Tim Rice and Andrew Lloyd Webber: if Elliott In the years since its inception, it has managed to stand Every winner since the first in 2008 has gone on to be had not introduced the aspirant lyricist and composer, the out from other prizes due to the quality of its selections, the shortlisted for, and in many cases win, other high-profile West End—and Broadway—would have been the poorer. prestige of its judges and its unusually focused shortlist— literary awards, among them the Baileys Women’s Prize only three titles make it to that stage. With judges of the for Fiction, the Man Booker Prize and the Costa First In death, Desmond Elliott continues to launch careers for calibre of Geordie Grieg, Edward Stourton, Joanne Harris, Novel Award. In less than a decade, the words ‘Winner he stipulated that the proceeds of his estate be invested in a Chris Cleave, Elizabeth Buchan and Viv Groskop, to of the Desmond Elliott Prize’ have become synonymous charitable trust that would fund a literary award “to enrich name just a few, fantastic winners have been chosen year with original, compelling writing by the most exciting the careers of new writers”, launching them on a path on after year.
    [Show full text]
  • Gordon Burn Prize 2018: 13-Strong Longlist Highlights Fearless Works of Fiction and Non-Fiction
    Gordon Burn Prize 2018: 13-strong longlist highlights fearless works of fiction and non-fiction News release for release 00:00 18 May 2018 The longlist is announced today for the Gordon Burn Prize 2018, which seeks to reward some of the boldest and most fearless new books published in the United Kingdom and the United States. Denise Mina won the prize in 2017 for her true crime novel The Long Drop. Previous winners have included David Szalay’s linked collection of short stories, All That Man Is, and In Plain Sight: The Life and Lies of Jimmy Savile by Dan Davies. Gordon Burn’s writing was precise and rigorous, and often blurred the line Between fact and fiction. He wrote across a wide range of suBjects, from celeBrities to serial killers, politics to contemporary art; his works include the novels Fullalove and Born Yesterday: The News as a Novel and non-fiction Happy Like Murderers: The Story of Fred and Rosemary West, Best and Edwards: Football, Fame and Oblivion and Sex & Violence, Death & Silence: Encounters with Recent Art. The Gordon Burn Prize, founded in 2012 and run in partnership By the Gordon Burn Trust, New Writing North, FaBer & FaBer and Durham Book Festival, seeks to celebrate the work of those who follow in his footsteps: novels that dare to enter history and interrogate the past; non-fiction adventurous enough to inhaBit characters and events to create new and vivid realities. The prize is open to works in English published between 1 July 2017 and 1 July 2018, by writers of any nationality or descent who are resident in the United Kingdom or the United States of America.
    [Show full text]
  • Highlights Frankfurt Book Fair 2018 Highlights
    Highlights Frankfurt Book Fair 2018 Highlights Welcome to our 2018 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary/Upmarket Fiction 1 - 10 Crime, Suspense, Thriller 11 - 24 Historical Fiction 25 - 26 Women’s Fiction 27 - 32 Non-Fiction Philosophy 33 - 36 Memoir 37 - 38 History 39 - 44 Science and Nature 45 - 47 Upcoming Publications 48 - 49 Reissues 50 Prize News 51 Film & TV news 52 Sub-agents 53 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh Film & TV Rights: Clare Israel; Nicky Lund; Penelope Killick; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Claire Morris: [email protected] Direct: Denmark; Finland; Iceland; Italy; the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Sub-agented: Poland Emily Randle: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Subagented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Margaux Vialleron: [email protected] Direct: Arabic; Albania; Greece; Israel; Macedonia, Vietnam plus miscellaneous requests. Audio in France and Germany Sub-agented: Bulgaria; Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk The Black Prince Anthony Burgess & Adam Roberts A novel by Adam Roberts, adapted from an original script by Anthony Burgess ‘I’m working on a novel intended to express the feel of England in Edward II’s time ..
    [Show full text]
  • New Nature Writing’, Collective Politics and the Environmental Crisis
    This is a repository copy of Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/121524/ Version: Updated Version Article: Oakley, K orcid.org/0000-0002-5225-0410, Ward, J orcid.org/0000-0003-3726-9217 and Christie, I (2018) Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis. Environmental Values, 27 (6). pp. 687-705. ISSN 0963-2719 https://doi.org/10.3197/096327118X15343388356383 © 2017 The White Horse Press. This is a pre-copy-editing, author-produced PDF of an article accepted following peer review for publication in Environmental Values. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Forthcoming in Environmental Values ©The White Horse Press http://www.whpress.co.uk Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis Kate Oakley1 Jonathan Ward2 Ian Christie3 This work was supported by the ESRC under grant number ES/M010163/1.
    [Show full text]
  • One Earth One Humanity One Future
    ONE EARTH ONE HUMANITY ONE FUTURE pROGRAMME 50TH Anniversary Event 22–25 September 2016 Worcester College, Oxford ONE EARTH • ONE HUMANITY • ONE FUTURE 1 “before we are American, or Russian, or Chinese, or Japanese, Christian or Muslim, or hindu or buddhist, or black or white, we are members of one human tribe and one Earth community” – Satish Kumar Front cover photo © Yann Arthus-bertrand / Getty Images WITH THANKS TO OUR SUPPORTING PARTNERS 2 REsURGENCE 50 WELCOME TO R50 Inspiring speakers, cutting-edge thinkers and thought-provoking conversations e are delighted to invite you to par- Century, Oxfam and WWF are coming together to ticipate in the 50th anniversary of proclaim the integrity of our shared humanity, our WResurgence magazine. Resurgence common home the Earth, and our common future. is the longest running publication of its kind. The purpose of this gathering is to celebrate The Guardian described it as “the spiritual and the accomplishments of the past 50 years and artistic flagship of the green movement”. also to develop a new vision for the next 50 It is heartening that Resurgence has blossomed years and beyond. We come together to build and flourished for the past five decades, thanks a strong movement of ecological sustainability, to our readers, writers, artists, friends, funders social justice and spiritual renewal, the three and supporters. We are grateful to them all, as dimensions of a holistic vision. The values and without their help and contribution this accom- the ideas of a society based on a sustainable plishment would not have been possible. and harmonious relationship between human- It gives us great pleasure to offer you three kind and Nature are more urgent and pertinent days of dialogue, discussion, talks, perform- than ever.
    [Show full text]
  • Grassroots Narratives in an Age of Transition
    Transforming Sustainabilities: Grassroots Narratives in an Age of Transition. An Ethnography of the Dark Mountain Project Jeppe Dyrendom Graugaard A thesis submitted to the School of Environmental Sciences of the University of East Anglia for the degree of Doctor of Philosophy July 2014 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract The framing of sustainability as a goal of aligning human needs with protection of the environment has been pursued through various definitions and frameworks in policies and programmes across a wide range of contexts. And yet, unsustainable modes of production and consumption are accelerating the global destruction of natural habitats, depletion of resources, release of greenhouse gasses and other forms of pollution. Thus, the nature and scale of the changes that the earth is undergoing is bringing conventional approaches to, and understandings of, the sustainability challenge into question. This thesis re-examines the framing of the sustainability challenge instead as one of un- derstanding the relations between humans and nature implied by dominant cultural nar- ratives. Through building a theoretical understanding of how human-nature relationships can be understood and studied, and devising a methodology for examining individual and collective ontologies and epistemologies, it investigates how alternative worldviews are imagined and embodied in grassroots innovations. Specifically, it provides an in- depth ethnographic study of the Dark Mountain Project – a network of writers, artists and thinkers who explore cultural narratives that move beyond the meta-narrative of progress.
    [Show full text]
  • Fictive Institutions: Contemporary British Literature and the Arbiters of Value
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Samantha Purvis Fictive Institutions: Contemporary British Literature and the Arbiters of Value PhD – Literature University of East Anglia Literature, Drama and Creative Writing April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 ABSTRACT My thesis assesses the relationship between contemporary British literature and institutions. Literary culture is currently rife with anxieties that some institutions, such as prizes, exert too much influence over authors, while others, such as literary criticism, are losing their cultural power. As authors are increasingly caught up in complex, ambivalent relationships with institutions, I examine how recent British novels, short stories and ‘creative-critical’ texts thematise these engagements. My thesis mobilises Derrida’s term ‘fictive institution’, which marks the fact that institutions are self-authorising; they are grounded in fictitious or invented origins. Institutions, then, share with literary texts a certain fictionality. My project considers how Rachel Cusk, Olivia Laing, Gordon Burn, Alan Hollinghurst, and— most prominently—Ali Smith, have used the instituting or inventive power of fiction to reflect on the fictionality of institutions. Each chapter assesses how a different institution—academic criticism, public criticism, the book award and publishing— reproduces aesthetic discourses and values which my corpus of literary texts shows to be grounded in an institutional fiction.
    [Show full text]
  • Breaking up Britain.Qxd
    Breaking up Britain 14/04/2009 15:56 Page 222 More than one English question Michael Kenny and Guy Lodge he so-called ‘English question’ remains one of the most difficult Tissues to calibrate in British politics. It is most commonly explained as a by-product of the anomalies bequeathed by the unfin- ished business of devolution undertaken by Tony Blair’s first Labour administration. Englishness is widely held to have emerged as a stronger and more independent force in reaction to the inequities resulting from devolution. For many observers it is axiomatic that this shift in national self-awareness can be headed off or rewarded through the achievement of a radically new constitutional settlement. But it is premature to assume that a rising sense of Englishness implies and requires either the creation of new English political insti- tutions or the end of the Union, though both may become a possibility at some point in the future. Conventional interpretations of the new Englishness overlook its fragmentary, politically ambiguous and febrile character. It should be regarded not just as an independent force, but also as a symptom of deep-lying changes in the experiences and economic position of different social groups. The history, causes and political implications of the resurgence of Englishness indicate the need for greater comprehension of the range of cultural drivers, social changes and political problems that are at stake in relation to this ‘ques- tion’. This broader-angled approach suggests a different kind of policy framework and a greater sense of when public interventions are likely to be most timely and effective.
    [Show full text]
  • DHA Green Highlights 2020 Ecological and Climate-Minded Projects
    Incorporating Gregory & company DHA Green Highlights 2020 Ecological and Climate-Minded Projects For more information please go to our website to browse our shelves and find out more about what we do and who we represent. DHA Sustainability Action Group The need for change to help prevent further environmental decline is urgent. As a company DHA has been working to facilitate change in our workplace and to reach sustainability in our business since setting up a Sustainable Action Group in 2019. In addition to making practical changes to reduce the carbon impact of our day-to-day work, including greening our energy usage, recycling and waste and office supplies, we are keen to celebrate our clients who are passionately campaigning to tackle climate change and those writing books which explore sustainability, climate change and the impact of the Anthropocene. We hope that you will enjoy exploring this selection of titles in this short guide which span genres and age ranges. In its pages, there are books here that look at practical ways we can change our behaviour - from making our investments work to supporting climate action to engaging with nature to protect our mental health to looking at our clothing habits to changing our diets. There are novels that imagine the impact of climate change on our relationships, and the impact that climate disaster could have on our lives. There are science titles that answers questions about global warming and look at pressing issues such as water supply and drought. Among our clients we count activists, campaigners, naturalists, biologists, anthropologists and many more whose unique perspectives and knowledge of the world can help lead us back to a greater connection with the natural world, our place within it and what steps we might take to reverse a climate crisis.
    [Show full text]