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The Public Humanities
The Public Humanities 10-11-12 November 2016 Hosted by the ARC Centre for the History of Emotions, the ACHRC, and Flinders University in Adelaide, South Australia The ACHRC conference on the Public Humanities focuses on a core aspect of humanities research that is particularly germane to research centres in universities and collecting institutions: the integral role of engagement with publics. This is really how the impact of our sector needs to be understood: in the long and dynamic threads of dialogue between researchers and publics on issues such as justice, creativity, decolonization, and heritage. The capacity of the humanities to deal with qualitative emotion as well as the quantitative facts of history and culture is crucial here. Any understanding of a cultures past, present, and future requires an articulation of feelings as well as of facts. Our aim is to bring together speakers with practical experience of programs that work so that our discussions are grounded in the pragmatics of public humanities. In Australia and New Zealand, government-led discussions of innovation and impact are mired in metrics that traduce the real public values of the sciences almost as completely as they ignore the HASS disciplines as a whole. We know about public value – its impact over time and in the lives of individuals – so this conference will be an opportunity build our case as a sector. Keynotes from: Professor Julianne Schulz, ‘Culture in the Age of Innovation’ Professor Thomas Dixon, ‘Unfriending and Weeping in Public’ 1 PROGRAMME Thursday -
Saving the Nation's Memory Bank an Open Letter to the Prime Minister
Saving the Nation’s Memory Bank An Open Letter to the Prime Minister We write as friends and supporters of the National Archives of Australia. Some of us are historians, including multiple winners of Prime Minister’s Awards, some are independent writers and researchers, and some are former members of the National Archives Advisory Council. We have differing political viewpoints but share a deep love for the knowledge of Australia’s past embodied in its archives and libraries. We are writing to you because we fear that the integrity of the nation’s premier memory bank, the National Archives of Australia, is in jeopardy and to urge you to secure its future. As the institution created by parliament to maintain the official records of the Commonwealth, the National Archives is one of the pillars of our democracy. It makes decision-making more transparent. It holds governments, past and present, to account. And in the words of Justice Michael Kirby, it ‘holds up a mirror to the people of Australia’. In this respect, the National Archives is not like other cultural institutions, such as museums, galleries and opera houses. Its most important users have yet to be born. The value of many items in its collection may not become apparent for many years because we simply do not know what questions future inquirers may ask. Only in recent years, for example, have researchers begun to tap the riches of the National Archives’ repatriation records, the largest continuous record of the health of any people anywhere, for medical as well as historical research. -
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International Australian Studies Association (InASA) Biennial Conference 8-10 February 2021 Reinventing Australia Adnate's mural on the Collingwood Housing Estate, Melbourne. Photographed by Nicole Reed. Courtesy Juddy Roller. InASA 2021 is hosted by the School of Arts (Vic) at the Australian Catholic University ACKNOWLEDGEMENT OF COUNTRY We acknowledge the Wurundjeri People of the Kulin Nation as the Traditional Owners of the land upon which Australian Catholic University’s Melbourne campus now stands, and pay our respects to Elders past, present and emerging. We also acknowledge the Traditional Owners of all other lands on which conference participants sit as we gather virtually. Follow InASA 2020 on Facebook Use #InASA21 on Twitter Conference Convener and InASA President’s Welcome This will certainly be an InASA conference like no other, just like 2020 was a year like no other. We had grand plans to run the InASA conference in November-December 2020 on the Melbourne campus of ACU, in the heart of historic Fitzroy. Unfortunately, like so much that was upended in 2020, we had to change both the date of the conference and shift it to a virtual space. However, we also acknowledge that such changes are minor in the context of the global upheaval and the hardship experienced by so many families around the world as we have grappled with the consequences of the Covid-19 pandemic. But we are pleased that the conference is still going ahead in a virtual format, and we are so pleased to have received so many fabulous abstracts from across the globe. This is a testament to the ongoing strengths of the interdisciplinary field of Australian Studies, and we are looking forward to so many papers and the new opportunities that a virtual conference offers. -
Australian Dictionary of Biography Volume 19
AUSTRALIAN DICTIONARY OF BIOGRAPHY AUSTRALIAN DICTIONARY OF BIOGRAPHY VOLUME 19: 1991–1995 A–Z GENERAL EDITOR Melanie Nolan MANAGING EDITOR Malcolm Allbrook Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464127 ISBN (online): 9781760464134 WorldCat (print): 1232019838 WorldCat (online): 1232019992 DOI: 10.22459/ADB19 This title is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press Cover artwork: Dora Chapman, Australia, 1911–1995, Self portrait, c.1940, Adelaide, oil on canvas, 74.0 x 62.5 cm (sight), Bequest of the artist 1995, Art Gallery of South Australia, Adelaide, © Art Gallery of South Australia, 957P71 This edition © 2021 ANU Press PREFACE: REFITTING THE ADB 1 This volume of the Australian Dictionary of Biography (ADB), the largest and most successful cooperative research enterprise in the humanities and social sciences in Australia, represents the project’s continuing revision process. In 2013, Christine Fernon and I edited a history of the dictionary, The ADB’s Story, which covered its first six decades.2 The ADB going online in 2006 then seemed to be the major turning point. At the time, it was the book reproduced online with a search function. The pace of change has quickened, however, since Volume 18 was published in 2012. Above all, the ADB Online now leads the process, with the hardcopy volume being published in its wake, rather than the other way around.