Slides for ICIP Plenary Talk "History and Future of Electronic Color Photography"
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BildMuseet - pressrelease the politics of place 25/01/2009 20:34 The Politics of Place 10 Feb - 28 April, 2002 BildMuseet, Umeå, Sweden Andreas Gursky Anthony Haughey Nanna H Margareta Klingberg Maria Lantz Walter Niedermayr Torbjørn Rødland Ingrid Pollard Jorma Puranen Allan Sekula Jeff Wall curator: Jan-Erik Lundström Imaging the landscape is a particularly incisive and charged practice within contemporary photographically based art. As a means towards propositions regarding space as a cultural, historical and political variable, defined by human action and imagination, photographs of landscape are instrumental not only as ways of exploring meaning or reflecting collective knowledge, but also as paths towards identity, self-recognition, transformation. This exhibition presents contemporary artists engaged in politically and historically defined notions of space. The artists examine current landscapes and landscape practices. They are equally concerned with the traditions of the landscape genre itself, with visually expressed historical notions of space, as well as with contemporary understanding and values. In their work, space is continually recognized as challenged, contested, complex, commanding and of grand currency. The Politics of Place brings together specific single works and projects. In relation to the powerful position of the landscape genre within European history the selection underlines European territory; the contested history and present of this continent as seen, imagined and perceive through the work of visual artists. A substantial catalogue accompanies the exhibition, featuring comissioned essays by Alessandra Ponte, John Taylor, Sverker Sörlin and an introduction by Jan-Erik Lundström. Separate section featuring essays by Michael T. Bravo, Lena Eskilson, Margareta Klingberg, Maria Lantz, Christer Nordlund, Klas Sandell and Bo Sundin. -
Samuel Morse's Telegraph
1 SAMUEL MORSE’S TELEGRAPH (The Start of the Communications Revolution) Steve Krar We live in the information age where more and more information is required at all times. There never seems to be a time when information is so readily available, but this has not always been the case. The today’s communications revolution includes radio, telephones, television computers, fax machines and satellites. So fast is the change in communications that we sometimes forget the machine that started it all. The Telegraph The telegraph was born at a time when few grasped even remotely what electric current was, let alone what it might do. The telegraph was a landmark in human development from which there could be no retreat. For the first time messages could routinely travel great distances faster than man or beast could carry them. Samuel Morse In October 1832 Samuel Morse, an early pioneer of the telegraph, on his way home from Europe met Dr. Charles Jackson who asked whether electricity took much time to travel over a long wire. The idea began to obsess Morse and before reaching shore, he had sketched the basic elements of a telegraph instrument and a crude version of a code based on dots and dashes. News from Europe in early 1837 told of the great strides being made in telegraphy; Morse realized that if he did not finish the invention soon, his efforts might be wasted. Finally, in February 1837 Congress directed the Secretary of the Treasury to ask for proposals for a telegraph. Morse’s Telegraph Morse thought that if he could perfect the electromagnetic telegraph that he had designed, in 1836, it would answer the government's needs. -
The Story of Subsea Telecommunications & Its
The Story of Subsea Telecommunications 02 & its Association with Enderby House By Stewart Ash INTRODUCTION The modern world of instant communications 1850 - 1950: the telegraph era began, not in the last couple of decades - but 1950 - 1986: the telephone era more than 160 years ago. Just over 150 years 1986 until today, and into the future: the optical era ago a Greenwich-based company was founded that became the dominant subsea cable system In the telegraph era, copper conductors could supplier of the telegraph era, and with its carry text only — usually short telegrams. During successors, helped to create the world we know the telephone era, technology had advanced today. enough for coaxial cables to carry up to 5,680 simultaneous telephone calls. And in today’s On 7 April 1864, the Telegraph Construction and optical era, fibres made of glass carry multi- Maintenance Company Ltd, better known for most wavelengths of laser light, providing terabits of of its life as Telcon, was incorporated and began its data for phone calls, text, internet pages, music, global communications revolution from a Thames- pictures and video. side site on the Greenwich Peninsula. Today, high capacity optic fibre subsea cables For more than 100 years, Telcon and its successors provide the arteries of the internet and are the were the world’s leading suppliers of subsea primary enablers of global electronic-commerce. telecommunications cable and, in 1950, dominated the global market, having manufactured and For over 160 years, the Greenwich peninsula has supplied 385,000 nautical miles (714,290km) of been at the heart of this technological revolution, cable, 82% of the total market. -
The Failure of Fax: When a Vision Is Not Enough
The Failure of Fax: When a Vision Is Not Enough Jonathan Coopersmith TexasA&M University In the lastdecade, fax machineshave revolutionized communications. We have becomeused to and dependentupon instantaneousinformation. Many peoplecannot conceive how theyworked without a fax machine.The question, however,arises: If the conceptis so good,why did nearlya centuryand a half elapsefrom the first patent in 1843 until rapid commercialdiffusion in the 1980s? In actuality,attempts to commercializefacsimile technology extend back to the 1860s[5]. Its promotersspanned the spectrumfrom individualinventors, suchas Thomas Edison and Arthur Korn, to massivecorporations, such as Xerox and AT&T. Their most common feature until the mid-1980s was failure. The few successesoccurred not in generalcommunications but in dedicatedniche marketsand, evenhere, failuresflourished. Perhaps the questionshould be: In view of the dismalhistory of failures,why did so manypeople and companies pressahead? What motivatedindividuals and ill-msto commitresources to createnew marketsand technology,given the dauntinghistory that lay behind them? Failure,the lack of technicaland commercial success for a productin the marketplace,is endemicto innovativetechnologies. Failure is worthyof study if only to betterunderstand success. Historians of businessand technology acceptthis, but tend to focusmore on success. This lack of coveragedistorts our knowledgeof the businessprocess because failure is an integral,if not dominant, theme in the existenceof companies. Much scholarlywriting -
Transocean and German Wireless Telegraphy, 1914-1922
"The Path to Freedom"? Transocean and German Wireless Telegraphy, 1914-1922 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Evans, Heidi Jacqueline. 2010. "The path to freedom"? Transocean and German wireless telegraphy, 1914-1922. Historical Social Research 35(1): 209-233. Published Version http://nbn-resolving.de/urn:nbn:de:0168-ssoar-285403 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11375397 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “The Path to Freedom”? Transocean and German Wireless Telegraphy, 1914-1922 Heidi J. S. Evans ∗ Abstract: »„Der Weg ins Freie”? Transocean und die deutsche drahtlose Te- legraphie, 1914-1922«. This article examines the early years of Transocean, a news agency owned and run by the German government, and its use of wire- less telegraphy from 1914 to 1922. This investigation of the infancy of wireless technology demonstrates that technology plays a constitutive role in defining news. The German government used the new possibilities innate in the medium of wireless to carve out their own sphere of operation in the seas and on conti- nents where German telegraph news had never played a major role, in particu- lar East Asia. Wireless telegraphy enabled the German government to circum- vent the British communications blockade in World War I. Afterwards, Transocean’s wireless transmissions to East Asia and ships en route caused an uproar in Britain disproportionate to its circulation. -
A Short History of Radio
Winter 2003-2004 AA ShortShort HistoryHistory ofof RadioRadio With an Inside Focus on Mobile Radio PIONEERS OF RADIO If success has many fathers, then radio • Edwin Armstrong—this WWI Army officer, Columbia is one of the world’s greatest University engineering professor, and creator of FM radio successes. Perhaps one simple way to sort out this invented the regenerative circuit, the first amplifying re- multiple parentage is to place those who have been ceiver and reliable continuous-wave transmitter; and the given credit for “fathering” superheterodyne circuit, a means of receiving, converting radio into groups. and amplifying weak, high-frequency electromagnetic waves. His inventions are considered by many to provide the foundation for cellular The Scientists: phones. • Henirich Hertz—this Clockwise from German physicist, who died of blood poisoning at bottom-Ernst age 37, was the first to Alexanderson prove that you could (1878-1975), transmit and receive Reginald Fessin- electric waves wirelessly. den (1866-1932), Although Hertz originally Heinrich Hertz thought his work had no (1857-1894), practical use, today it is Edwin Armstrong recognized as the fundamental (1890-1954), Lee building block of radio and every DeForest (1873- frequency measurement is named 1961), and Nikola after him (the Hertz). Tesla (1856-1943). • Nikola Tesla—was a Serbian- Center color American inventor who discovered photo is Gug- the basis for most alternating-current lielmo Marconi machinery. In 1884, a year after (1874-1937). coming to the United States he sold The Businessmen: the patent rights for his system of alternating- current dynamos, transformers, and motors to George • Guglielmo Marconi—this Italian crea- Westinghouse. -
Gretchen Arnold
Rochester Institute of Technology RIT Scholar Works Theses 2-1-2010 re:collection Gretchen L. Arnold Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Arnold, Gretchen L., "re:collection" (2010). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. re:collection By gretchen arnold THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Imaging Arts College of Imaging Arts and Sciences Rochester Institute of Technology School of Photographic Arts and Sciences __________________________________________________ Angela Kelly, Committee Chair Date __________________________________________________ Dan Larkin, Committee Advisor Date __________________________________________________ Alex Miokovic, Committee Advisor Date __________________________________________________ Jessica Lieberman, Committee Advisor Date February 2010 i TABLE OF CONTENTS iii. Acknowledgements iv. Abstract v. List of Figures 01. Introduction 03. Chapter 1. (Conceptualization). 17. Chapter 2. (Meaning, Influences and History). 27. Chapter 3. (Thesis Process + Realization of Exhibition/Installation). 36. Conclusion 37. Appendix A + Appendix B 39. Selected Bibliography ii ACKNOWLEDGEMENTS I am grateful for the help and wisdom of my committee - Angela Kelly, Dan Larkin, Alex Miokovic and Jessica Lieberman. I am eternally thankful to my family and friends that have stood by me and supported me through this thing called life. With a special thank you to my mother, Laura Schmidt. iii LIST OF FIGURES 1.1 Untitled. 2006. 1.2 Kodak Advertisement. 1.3 Untitled 1978. -
The New Color Exhibition
IMAGE Journal of Photography or the George Eastman House May, 1952 Vol. 1, No. 5 THE NEW COLOR EXHIBITION PERMANENT exhibition of the principles and history A of color photography has been installed at the George Eastman House. This important addition to the museum was made possible by the generosity of Leopold Godowsky and Leopold Mannes, the inventors of the Kodachrome process of color photography. Four rooms on the second floor have been completely redesigned for this purpose. The first room contains demonstration apparatus, set up to be operated by the visitor on pressing a button. Newton's classic experiment is recreated by projecting a beam of white light through a prism, thus forming a brilliant spectrum with all the colors of the rainbow. Having seen this analysis of white light, the visitor next sees how white light can be created by mixing the three primary colors. On a translucent screen, overlapping red and green circles form yellow. They are replaced by over lapping circles of green and blue, and red and blue. Finally three circles, red, green, and blue overlap to form white light. A sim ilar demonstration is arranged so that the visitor, by turning knobs, can add red, green, and blue light, in varying amounts, The meaning of spectrographic measurement of colors is to make any desired color. demonstrated by a device which projects a spectrum onto a To show that the color of objects depends upon the light which target. The beam is interrupted by a Fresnel lens, so that part they reflect, or transmit, a series of boxes are set up which con of the spectrum is collected onto a second target, forming white tain colored objects. -
VHF Bandplan
IARU Region 1 VHF band plan Effective December 2020 (VGC Novi Sad) edited by ON4AVJ (02/12/2020) FREQUENCY SEGMENT (kHz) MAX BANDWIDTH (Hz) PREFERRED MODE AND USAGE Coordinated Beacon Project 000 - 010 Region 1, 010-020 Region 2, 020-030 Region 3 50,000 - 50,100 500 Telegraphy 50,050 centre of activity 50,090 intercontinental centre of activity 50,100-50,130: intercontental.Centre of activity: 50,110 50,100 - 50,200 2700 SSB and Telegraphy 50,130-50,200: international. Centre of activity: 50,150 50,200 - 50,300 2700 SSB and Telegraphy General use. 50,285: crossband 50.305 PSK Center of activity 50,300 - 50,400 2700 Narrow band modes, MGM 50.310 - 320 EME center of activity 50.320 - 380 MS center of activity 50,400 - 50,500 1000 MGM and Telegraphy Beacons exclusive (50.401 MHz +/- 500Hz WSPR Beacons) 50.510 SSTV 50.520 - 540 Simplex FM Internet Voice Gateways 50.550 Image working frequency 50.600 RTTY (FSK) 50.620 - 750 Digital communications 50,500 - 52,000 12 KHz all mode 50.630 Digital Voice (DV) calling 51.210 - 390 FM/DV Repeater Inputs 51.410 - 590 FM/DV Simplex 51.510 FM calling frequency 51.810 - 51.990 FM repeaters output channels 50 MHz50 50.540 - 580 Simplex FM/DV Internet Voice Gateways 50,500 -50,700 none all mode 50.600-50.700 Digital communications; including 50.630 DV calling 50,700 -50,900 12 KHz FM/Digital voice 50.710 - 50.890 FM/DV repeater output channels 50,900 -51,200 none all mode For wideband digital experiments 51,200 -51,400 12 KHz FM/Digital voice 51.210 - 390 FM/DV Repeater Input channels 51.410 - 590 FM/DV -
Sending Messages Using Morse Code NATURE Sunday Academy 2012‐2013
Sending Messages Using Morse Code NATURE Sunday Academy 2012‐2013 Project Description: In this lesson we will examine the background and history of Morse code. We will utilize internet websites and computer programs to interpret Morse code. Finally, we will build our own telegraph machines to send messages using Morse code. Project Objectives: The students will learn the basics of Morse code and how it was sent. The students will build a machine that will transmit information to another machine. The students will interpret Morse code both through sound and sight. The students will learn how to encode and decode messages using Morse code. State Standards: 9‐10.1.1 Explain how models can be used to illustrate scientific principles 9‐10.2.2 Use appropriate safety equipment and precautions during investigations 9‐10.6.1 Use appropriate technologies and techniques to solve a problem 9‐10.8.3 Explain how individuals and groups, from different disciplines in and outside of science, contribute to science at different levels of complexity Session Organization: 11:00 – 11:30 Cultural Connection/Brief Introduction 11:30 – 12:00 Background/PowerPoint 12:00 – 12:45 Lunch 12:45 – 1:15 Activity 1 – Code and Decode Messages Using Morse Code 1:15 – 2:00 Activity 2 – Computer Activity with Morse Code 2:00 – 2:30 Activity 3 – Build a Telegraph Circuit 2:30 – 3:00 Activity 4 – Use Telegraph to Send Morse Code Message 1 Applications and Career Paths: An important application is signaling for help using SOS, "∙ ∙ ∙ — — — ∙ ∙ ∙". This can be sent many ways: keying a radio on and off, flashing a mirror, toggling a flashlight, and similar other methods. -
KODACHROME Especial (1935 - 2010) KODACHROME
Nº 40 Ignacio Benedeti Cinema S.L - Avda Nostián-Pardiñas Nave 3 - 15008 ( A Coruña) Tlf.: 981 25 92 47 email: [email protected] Boletín Trimestral ADIOS PARA SIEMPRE Nº 40 KODACHROME Especial (1935 - 2010) KODACHROME CITAS "¿A quién va usted a creer, a mí o a sus propios ojos?" "Citadme diciendo que me han citado mal" "Conozco a centenares de maridos que serían felices de volver al Este 31 de diciembre de 2010 se deja de fotografiada por Steve McCurry, sino hogar si no hubiese revelar para siempre la película t a m b i é n m i l l o n e s d e p e l í c u l a s una esposa Kodachrome, tras una historia gloriosa de impresionadas por aficionados en las que esperándoles" setenta y cinco años de mágicos colores se encuentra registrada en colores fotoquímicos. Dicho acontecimiento es la indelebles la historia cotidiana de nuestra causa de que “Flicker”, de forma civilización. excepcional y por primera vez en su larga "Creo que la televisión historia, en lugar de estar dedicado a Aunque I.B.Cinema es una Productora a la es muy educativa. recoger las actividades y premios de vanguardia tecnológica (fuimos, por Cuando alguien la I.B.Cinema (quienes nos siguen ya son ejemplo, los primeros en rodar una película enciende me voy a leer conocedores de nuestros mas de 400 en electrónico, en los tiempos de “El regalo un libro." galardones, que incluyen el Pilar Miró de la de Silvia”; somos los únicos que disponemos sección oficial de la SEMINCI con “Estigmas” de una Motion Control Harryhausen—no solo Groucho Marx hasta nuestras dos nominaciones -
Technology of Photography
Technology of Photography Claudia Jacques de Moraes Cardoso Based on Alex Sirota http://iosart.com/photography-art-or-science Camera Obscura Camera Obscura, Georg Friedrich Brander (1713 - 1785), 1769 Light Sensitive Materials • After the camera obscura had been invented and it’s use widely popularized, many dreamt of capturing the images obtained by the camera obscura permanently. • For hundreds of years before photography was invented, people had been aware that some colors are bleached in the sun, but they had made little distinction between heat, air and light. • In 1727, Johann Heinrich Schulze (1687-1744), a German scientist found that silver salts darkened when exposed to sunlight and published results that distinguished between the action of light and heat upon silver salts. • Even after this discovery, a method was needed to halt the chemical reaction so the image wouldn’t darken completely. A Simplified Schematic Representation of the Silver Halide Process First Permanent Picture Joseph Nicephore Niepce (1765-1833), a French inventor, was experimenting with camera obscura and silver chloride. • In 1826, he turned to bitumen of Judea, a kind of asphalt that hardened when exposed to light. • Niepce dissolved the bitumen in lavender oil and coated a sheet of pewter with the mixture. • He placed the sheet in the camera and exposed it for eight hours aimed through an open window at his courtyard. • The light forming the image on the plate hardened the bitumen in bright areas and left it soft and soluble in the dark areas. • Niepce then washed the plate with lavender oil, which removed the still-soft bitumen that hadn’t been struck by light, leaving a permanent image.