Allston-Brighton
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Eat the Rude. Serielle Verfahren und die Ästhetisierung kannibalistischer Gewalt in der TV-Serie Hannibal“ verfasst von / submitted by Kristina Höch, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 582 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Theater-, Film- und Medientheorie degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. habil. Ramón Reichert 1 Für meine Eltern. Ihr habt es erst möglich gemacht. Danke für absolut alles! Ihr seid die Besten! Danke Dani, dass du all die Jahre immer für mich da warst. Für all die Zeit, die du in wirre Schachtelsätze investiert hast, für deine aufmunternden Worte und die vielen Care Pakete mit Nervenfutter. Danke Andre, dass du meine Launen ertragen hast und immer an meiner Seite warst, vor allem dann, wenn mich Laptop und Drucker fast in den Wahnsinn getrieben hätten. Danke Johnny, dass du mir bei vielen Kinobesuchen und guten Gesprächen neue Perspektiven eröffnet hast. Ein großer Dank gilt auch Herrn Mag. Dr. habil. Ramón Reichert, der mich durch den Schreibprozess begleitet und mit hilfreichen Tipps und konstruktiver Kritik unterstützt hat. 2 3 Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. -
Deleuze and the Animal
DELEUZE CONNECTIONS Series Editor: Ian Buchanan DELEUZE CONNECTIONS ‘This book offers us a variety of perspectives both on the animals that we are, and on the animals that we will never be able to know or to become. It is a timely reminder of the Deleuze many processes and relations linking us to the “buzzing, blooming confusion” around us.’ Steven Shaviro, Wayne State University Deleuze and Explores the relationship between Deleuze and the concept of and the the animal in philosophy, aesthetics and ethics This is the first volume to address the animal in Deleuze’s work, despite becoming-animal the Animal being a key concept for Deleuze and Guattari. It shows the ambiguous idea of the animal as human and nonhuman life infiltrating all of Deleuze’s work. Animal In these 16 chapters Deleuze’s entire oeuvre is used in analysing television, film, music, art, drunkenness, mourning, virtual technology, protest, activism, animal rights and abolition. Each chapter questions the premise of the animal and critiques the centrality of the human. This collection creates new questions about what the age of the anthropocene means by Edited by Colin Gardner and Patricia MacCormack ‘animal’ and analyses and explores examples of the unclear boundaries between human and animal. Colin Gardner is Professor of Critical Theory and Integrative Studies at the University of California, Santa Barbara. Patricia MacCormack is Professor of Continental Philosophy at Anglia Ruskin University. Cover design: riverdesign.co.uk ISBN 978-1-4744-2274-1 Edinburgh 9781474 422741 Edited by Colin Gardner and Patricia MacCormack Deleuze and the Animal Deleuze Connections ‘It is not the elements or the sets which define the multiplicity. -
“Potage” Written by Jennifer Schuur Directed by Peter Medak Based On
Executive Producer: Bryan Fuller Executive Producer: Martha De Laurentiis Executive Producer: Jesse Alexander Executive Producer: Chris Brancato “Potage” Written by Jennifer Schuur Directed by Peter Medak Based on the characters created by Thomas Harris Prod. #104/Unaired Final Shooting Script PROPERTY OF: GAUMONT INTERNATIONAL TELEVISION LLC ©2012 CHISWICK PRODUCTIONS LLC. ALL RIGHTS RESERVED. NO PORTIONS OF THIS SCRIPT MAY BE PERFORMED, OR REPRODUCED BY ANY MEANS, OR QUOTED, OR PUBLISHED IN ANY MEDIUM WITHOUT THE PRIOR WRITTEN CONSENT OF GAUMONT INTERNATIONAL TELEVISION LLC. HANNIBAL “Ceuf” TEASER CLOSE ON - A POT ROAST SLICED yet UNTOUCHED. Dusted with MOLD. A common HOUSEFLY BUZZES into frame. CAMERA PULLS BACK TO REVEAL we are -- 1 INT. TURNER HOME - DINING ROOM - DAY 1 1 A grim family dinner. A POT ROAST turned rancid. BUGS crawling in the POTATOES. And the TURNER FAMILY - MOTHER, FATHER, and TWO CHILDREN - pitched forward onto the table from GUNSHOT WOUNDS to their heads. Resultant poolings of DRIED BLOOD read like inky shadows on the dining table. BLOOD sprays a FAMILY PORTRAIT on the wall. At the head of the table sits WILL GRAHAM. He takes a breath, exhales, then closes his eyes. A PENDULUM It swings in the darkness of Will Graham’s mind, keeping rhythm with his heart beat. FWUM. FWUM. FWUM. ON WILL GRAHAM - WILL’S P.O.V. His eyes are closed. The PENDULUM is now outside his head. It arcs in front of the grim family dinner, that PALE DEATHLY PALLOR of those seated at the table become flush with color. The PENDULUM arcs smoothly across frame - FWUM - shooing insects from pot roast. -
Köbi Kuhn Ne Veut Plus Johann Vogel
Castella AIDE SOCIALE prolonge DAVID MARCHON Les CSP veulent épauler les jeunes qui ne savent plus se sortir de l’endettement. >>> PAGE 3 RICHARD LEUENBERGER JA 2300 LA CHAUX-DE-FONDS L’entraîneur Gérard Castella a signé un nou- veau contrat avec Neuchâtel Xamax. Celui-ci porte jusqu’au 30 juin 0 Vendredi 9 mars 2007 ● www.limpartial.ch ● N 39539 ● CHF 2.– / € 1.30 2009. >>> PAGE 23 FEMMES «Voter au lieu de gémir» Köbi Kuhn ne veut plus Johann Vogel KEYSTONE La Journée de la femme a été marquée par de nombreuses manifestations, à Berne notamment, mais aussi à Neuchâtel. Si le Conseil national a accepté l’idée d’un congé paternité, la conseillère fédérale Doris Leuthard a quant à elle appelé les femmes à s’engager en politique, «à voter et à élire au lieu de gémir». >>> PAGES 4 ET 29 KEYSTONE LA CHAUX-DE-FONDS FOOTBALL Le sélectionneur reproche à son capitaine de nuire à l’état d’esprit du groupe. La décision a été prise après une analyse des problèmes rencontrés lors Ouverture des derniers matches amicaux. L’exclusion devrait être définitive. >>> PAGE 21 d’un dépôt-vente MONTAGNES AUTOMOBILE Spécialisé dans le marché d’occasion des biens La présidente d’équipement pour l’habitat, Troc International a ouvert Les studios ne chôment pas! hier sa 175e enseigne européenne à La Chaux-de-Fonds. tient salon Cette implantation n’est pas forcément ressentie comme La démocratisation une concurrence par les commerces d’occasion complète de l’accès à neuchâtelois.Troc International ne paie les déposants l’enregistrement sur CD, par que si leurs objets trouvent preneur. -
Decreto Del Direttore Amministrativo N
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea Hannibal Lecter nell'era della convergenza: da fenomeno di genere a narrazione high concept Relatore Ch. Prof. Valentina Carla Re Correlatore Ch. Prof. Marco Dalla Gassa Laureando Alessandra Bellomo Matricola 987303 Anno Accademico 2015 / 2016 HANNIBAL LECTER NELL'ERA DELLA CONVERGENZA: DA FENOMENO DI GENERE A NARRAZIONE HIGH CONCEPT INTRODUZIONE..................................................................................................................3 1. LE ORIGINI DEL PERSONAGGIO................................................................................6 1.1Intertestualità..................................................................................................................6 1.2 Intermedialità e cinema.............................................................................................. 9 1.2.1 Intermedialità e cinema: cinema e letteratura................................................. 10 1.3 Cinema e letteratura: la nascita di Hannibal Lecter.....................................................20 1.3.1 Da Red Dragon a Manhunter..........................................................................20 1.3.2 Manhunter - Frammenti di un omicidio..........................................................26 2. IL SILENZIO DEGLI INNOCENTI...............................................................................35 2.1 Genesi del romanzo.....................................................................................................35 -
Hannibal (Série Télévisée US)
Hannibal (série télévisée US) Hannibal est une série télévisée américaine développée par Bryan Fuller, d'après les personnages créés par Thomas Harris et diffusée depuis le 4 avril 20131 sur le réseau NBC2 aux États-Unis et en simultané sur Citytv3 au Canada. La série est basée sur le début du roman Dragon Rouge et raconte la rencontre entre Will Graham, profileur de grand talent mais instable, consultant au FBI, et le psychiatre Hannibal Lecter, fin analyste qui cache un tueur en série sociopathe et cannibale. En France, la série est diffusée depuis le 25 septembre 2013 sur Canal+ Séries4 et au Québec, elle est prévue pour l'hiver 2014 sur AddikTV5. Elle reste néanmoins inédite dans tous les pays francophones. Hannibal Titre original Hannibal Genre drame policier Thomas Harris Créateur(s) Bryan Fuller Hugh Dancy Mads Mikkelsen Acteurs principaux Caroline Dhavernas Hettienne Park (en) Laurence Fishburne Pays d’origine États-Unis Chaîne d’origine NBC Nombre de saisons 1 Nombre d’épisodes 13 Durée 43 minutes Diffusion d’origine 4 avril 2013 – en production Site web www.nbc.com/hannibal/ Synopsis L'agent spécial Will Graham est recruté par le FBI en la personne de Jack Crawford pour arrêter un tueur en série cannibal. Graham possède en effet une grande capacité d'empathie, ce qui lui permet de se mettre dans la peau des meurtriers et de comprendre leur mode opératoire. Cependant ce don est très lourd à assumer psychologiquement, raison pour laquelle Crawford demande à ce que Graham soit suivit par un psychologue, choisissant pour cela le Dr Hannibal Lecter.. -
“Hail Horrors”: from the Sublime to the Grotesque and Back Danna Petersen-Deeprose Department of English Mcgill University
“Hail Horrors”: From the Sublime to the Grotesque and Back Danna Petersen-Deeprose Department of English McGill University, Montreal December 2017 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Danna Petersen-Deeprose 2017 Petersen-Deeprose 1 Table of Contents Abstract ………………….……………………………………………………….……….2 Résumé………….……………………………………………………………………...….3 Acknowledgements……………………………………………………………….…….…4 Preface……………………………………………………………………………………. 5 Introduction: A Brief History of the Sublime and the Grotesque………………….……...6 Chapter 1) “A Heav’n of Hell, a Hell of Heav’n”: The Sublime and the Grotesque in Paradise Lost……………………………………………………….……….….….20 Chapter 2) “Exquisite Extremes”: Sublime Depths and Wuthering Heights…………….41 Chapter 3) “Praise the Mutilated World”: Sublime Murder and Grotesque Love in Hannibal……………………………………………………………………………64 Conclusion………………………….…………………………………………………….85 Bibliography……………………………………………………………………………...89 Primary sources…………………………………………………………………….….89 Secondary sources………………………………………………………………….….91 Petersen-Deeprose 2 Abstract This thesis explores the complex relationship between the sublime and the grotesque in literature. While the two might at first appear to have little in common, they frequently intersect in literary theory and history. My thesis considers that convergence in Paradise Lost (1674), Wuthering Heights (1847), and Hannibal (2013-2015). Written in very different time periods and social milieus, they each approach the sublime and the grotesque from a unique perspective. Milton was foundational in early scholarship on the sublime, but the grotesque is equally important throughout his epic poem. In Wuthering Heights, both the sublime and the grotesque become more psychological as Brontë engages with the legacies of the Enlightenment, the Gothic period, and Romanticism. Finally, my discussion of the television series Hannibal examines the role of the two aesthetic categories in today’s world. -
Hannibal S01e02 Trt
Hannibal s01e02 trt Continue One television critic said of Hannibal: NBC doesn't know what he has with this show. He's absolutely right. While it has some procedural attributes (a case of the week familiar make up for quirky forensic detectives, a kind of you can't handle the truth! refren), Hannibal rises to three things. It's incredibly stylish (but not cartoonishly as CSI: Miami may be), it has two big leads (Mads Mikkelson and Hugh Dancy) and it has built-in anticipation with the development of Hannibal's character, because we know where he and Will end up, something that adds a lot of tension to the screen proceedings, even if they're not too (like that little dinner). NBC, don't screw it up. Hit the jump for more information on why you should always ask about where the loin came from. Hannibal, even in original novels, is a foil to other people, a cold and self-confident presence that nurtures dark desires. Will is still haunted by the murder of Garrett Jacob Hobbs, not because he regrets it, but because he realized maybe he liked it a little bit. While like may not be the right word - as Hannibal suggests him to close the episode: it's power. Will's talent falls into the minds of the killers, but until now he could only imagine how they feel when killed. He is confused by the fact that he can no longer present them as joyful, as he now imposes his own feelings. This tangled mental dance helps together Hannibal, who gets some of Will's confidence, rubber-stamping his mental eval, but coaxing him into another kind of session, making him everything you need to be. -
Download Date 01/10/2021 12:15:10
How Journalism Ethics are Portrayed in Recent Fictional Television Dramas Item Type text; Electronic Thesis Authors Samoy, Kayla Sabino Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 12:15:10 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/579056 Samoy&2& ABSTRACT As both journalism and the film industry have evolved, so has the portrayal of journalism ethics on television. Past research depicts an evolution in journalism film ethics, where the film industry has portrayed journalists as both good guys and bad guys. Advances in the film industry and narrative storytelling have allowed for more complicated plots to be featured on dramatic television shows which lends itself to fostering more discussion on a larger variety of ethical dilemmas with a larger variety of outcomes. Samoy&3& INTRODUCTION The image of the journalist in film and television has a long and varied history. Meet John Doe in the 1941 was comedic, All the President’s Men in 1976 was a heroic drama while 1976’s satirical Network had a more cynical take on journalism. These classic journalism movies are some of the films that mark trends in the media’s portrayal of journalists. This study aims to examine the modern portrayal of journalists on recent fictional dramatic television shows. -
Dr. Lecter Y Mr. Dexter Morgan: Mutaciones Del Héroe Postclásico En La Ficción Televisiva”
ÁREA ABIERTA. Vol. 14. Nº 2. Julio 2014 http://dx.doi.org/10.5209/rev_ARAB.2014.v35.n2.45755 “DR. LECTER Y MR. DEXTER MORGAN: MUTACIONES DEL HÉROE POSTCLÁSICO EN LA FICCIÓN TELEVISIVA” AUTORA: Raquel CRISÓSTOMO GÁLVEZ Universitat Internacional de Catalunya, España Dr. Lecter y Mr. Dexter Morgan: mutaciones del héroe postclásico en la ficción televisiva Dr. Lecter and Mr. Dexter Morgan: mutations of the postclassic hero in television fiction ÁREA ABIERTA. Vol. 14. Nº 2. Julio 2014 Crisóstomo Gálvez Dr.Lecter y Mr Dexter… RESUMEN: Este artículo pretende estudiar el héroe contemporáneo y sus transformaciones en la ficción serial televisiva, llevada en los últimos tiempos al extremo en la figura protagónica del serial killer en la ya finalizada Dexter (Showtime, 2006-2013) y en Hannibal (NBC, desde 2013). Ambas ficciones son dos ejemplos altamente relevantes para la reelaboración del héroe, a la luz de la historia arquetípica que yace en la esencia de ambas: El extraño caso del doctor Jekyll y el señor Hyde de Robert Louis Stevenson y el concepto de doppelgänger que hayamos en ella. Desde una metodología cualitativa, en este estudio abordaremos en primer lugar algunas cuestiones previas sobre la transformación del héroe clásico en la serialidad contemporánea, en su paso del héroe clásico al héroe postclásico; para pasar a centrarnos en la figura del doble que ya abordaba Stevenson en su obra; y así pasar a analizar desde este punto de vista las series de Showtime y NBC en cuanto a la mutación del arquetipo heroico en su figura contemporánea. Palabras clave: Héroe, serial killer, Hannibal, Dexter, Lecter, series de televisión. -
Les Divergences À L'onu Sur L'irak : Ce Qu'en Dit Colin Powell
www.lemonde.fr 58e ANNÉE – N 17966 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- MERCREDI 30OCTOBRE 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Abrogation Les divergences à l’ONU sur de la loi de 1948 : l’Irak: ce qu’en dit Colin Powell vers la fin des DANS UN ENTRETIEN au Mon- . / f Entretien avec Colin de, le secrétaire d’Etat américain, loyers protégés Colin Powell, estime qu’un accord Powell : « Je ne crois Europe à 25 : est possible au Conseil de sécurité de l’ONU sur l’Irak.Tout en souhaitant jamais que la guerre L’ANNONCE par le gouverne- un accord le plus large possible, il est inévitable » ment de la suppression prochaine VGE esquisse détaille les discussions en cours, de la loi de 1948, qui encadre les notamment avec la France.Domini- loyers d’environ 300 000 loge- son projet de que de Villepin, ministre des affaires f Il souhaite ments, suscite l’inquiétude des étrangères, souhaite lui aussi une locataires.Gilles de Robien, le Constitution position unanime à l’ONU. «Jene un accord très large ministre du logement, a promis que crois jamais que la guerre est inévita- les personnes âgées ou de condi- ble, explique Colin Powell. La position sur l’Irakà l’ONU tion modeste, largement majoritai- PRÉSIDENT de la Convention des Etats-Unis n’est pas conçue pour res dans ces appartements, seraient chargée de refondre le projet euro- aboutir à une guerre, mais pour faire f Voyage à Bagdad : épargnées, mais plusieurs associa- péen, Valéry Giscard d’Estaing a face à un danger qui menace la région tions redoutent une accélération de présenté, lundi 28 octobre, le canevas du golfe Persique et le monde. -
Our Monsters, Ourselves an Analysis of the Modern Monster in the Fall
Our monsters, Ourselves An analysis of the modern monster in The Fall and Hannibal By Hanne Mørch Jacobsen Master in Literary Studies 2016 FACULTY OF ARTS AND EDUCATION MASTER’S THESIS Programme of study: Spring semester, 2016 MLIMAS – Master in Literacy Studies Open Author: Hanne Mørch Jacobsen ………………………………………… (Author’s signature) Supervisor: Janne Stigen Drangsholt Thesis title: Our monsters, Ourselves – An analysis of the modern monster in The Fall and Hannibal Keywords: No. of pages: 91 Moral monster + appendices/other: 12 Monster theory Fairy tale theory Gender roles Stavanger, May 12, 2016 Otherness Abstract The monster has been a popular figure in Western society for centuries, as a notion that has both fascinated and frightened its members. The aim of this thesis is to investigate the modern, moral monster that exists within contemporary Western society, and how this is presented in two modern texts. The chosen texts for the analysis in the thesis are the TV- series The Fall and Hannibal, which both deals with the notion of the moral monster through the figure of the serial killer. The thesis sets to investigate how we use the literary presentations of the moral monster in order to create structure and maintain boundaries in society. In order to do so, monster theory, fairy tale theory, social theory and gender theory is applied. The investigation presented in this thesis is mainly grounded in the works of Jack Zipes, Jeffrey Jerome Cohen and Marina Warner. It will also include the work of theorists such as Michel Foucault and Kelly Hurley, in order to examine the notion of the moral monster thoroughly.