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Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
GOP Attacks Dems' $1.9T COVID-19 Relief Bill from All Angles
Taste My Aruba: Friday Sustainable, February 12, 2021 Sea-to-table T: 582-7800 Savor www.arubatoday.com facebook.com/arubatoday instagram.com/arubatoday Page 10 Aruba’s ONLY English newspaper GOP attacks Dems’ $1.9T COVID-19 relief bill from all angles By A. FRAM, R. ALONSO- Democratic leaders hope ZALDIVAR and K. FREKING for House passage later Associated Press this month, with Senate ap- WASHINGTON (AP) — Re- proval and a bill on Biden’s publicans are attacking desk by mid-March. the Democrats’ $1.9 trillion “This is the moment,” said COVID-19 relief package Ways and Means Com- as too costly, economically mittee Chairman Richard damaging and overtly par- Neal, D-Mass., citing the tisan, an all-angles attempt pandemic’s human and to derail new President economic toll. Joe Biden’s top priority as As committees worked, it starts moving through a Republicans proposed Congress his party controls amendments spotlighting only narrowly.Four House what they see as the leg- committees worked Thurs- islation’s soft spots. Their day on their pieces of themes were clear: Demo- sweeping legislation that crats are overspending, would send $1,400 pay- hurting workers and em- ments to many Americans. ployers’ job markets, being It would also provide hun- too generous to some im- dreds of billions for state migrants, inviting fraud and and local governments rewarding political allies — and to boost vaccination allegations that Democrats efforts, raise tax credits dismiss as ludicrous. In this Feb. 9, 2021, photo, President Joe Biden meets with business leaders to discuss a coronavi- for children and increase rus relief package in the Oval Office of the White House in Washington. -
Microfilmed - 1064 Information to Users
MICROFILMED - 1064 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they ari spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note wfll appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—bepnning below the first row and continuing on until complete. -
This Trans Am Has a Hidden Identity
1976 Grand Safari Loaded with Options & SMOKE History SIGNALS GR RRR The Official Publication of the Pontiac - Oakland Club International February 2017 Split Personality This Trans Am has a Hidden Identity 2017 POCI Board Election Read the Bios - Vote Now 1975 GMC Gentleman Jim Limited Edition Model Photo Feature Event Coverage • Wichita & Wisconsin First-Born Bandit This unique special edition Trans Am is the by Richard Price the early ‘70s, General Mo- tors Design Vice President Bill Mitchell was intrigued by the black-and-gold John Player Specials then racing in Formula 1. Being an avid motorcycle enthusiast, he had a pair of his personal bikes done up in this same color scheme and was pleased enough with it that he made a suggestion to Pontiac Design Stu- dio #2 Director John Schinella that he apply it to a Trans Am. Schinella requisitioned a Buccaneer Red 455 automatic ‘73 Trans Am which was deliv- ered to the Design Center paint shop, where the entire car — including the rear bumper — was painted a custom black metallic lacquer with gold metalflakes mixed in. The tailpipes, grilles and head- light bezels were painted metallic gold and the Hon- eycomb wheels were covered with a genuine gold coating. Gold pinstriping was then applied around the grille openings, wheel arches, rear bumper, the upper portion of the car, around all of the glass openings and over the roof. Finally, special one-off Trans Am decals (including the hood bird, made from a gold foil) were applied. 22 SMOKE SIGNALS • FEBRUARY 2017 has Split Personality earliest known production Y82 in existence photos - various contributors Inside, the otherwise stock Trans Am Deluxe inte- rior was redone in a light tan with a parachute-silk fabric on the horsecollar buckets. -
Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway As 1977'S
* * MEDIA ALERT * * MEDIA ALERT * * MEDIA ALERT * * May 3, 2017 Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway as 1977’s Blockbuster Action-Comedy Smokey and the Bandit Returns to U.S. Cinemas May 21 and 24 This Iconic Film Returns to Big Screens Nationwide for 40th Anniversary as Part of TCM Big Screen Classics Series WHAT: The summer of 1977 might be best known for a certain intergalactic adventure, but across the country the other summertime smash combined three things America couldn’t get enough of: Burt Reynolds, CB radio and Coors beer. Forty years later, Smokey and the Bandit makes its way back to movie screens nationwide for two days only on Sunday, May 21 and Wednesday, May 24 as part of the year-long TCM Big Screen Classics series from Turner Classic Movies and Fathom Events. This screening will also include specially- produced commentary from TCM host Ben Mankiewicz, both before and after the feature. “The Bandit” (Reynolds) has 28 hours to drive a truckload of Coors beer from Texarkana, Texas, to Atlanta – while doing everything he can to avoid the relentless pursuit of “Smokey,” aka Sheriff Buford T. Justice (Jackie Gleason), while accompanied by runaway bride “Frog” (Sally Field). But the story takes a backseat to the stunt-driven action of director Hal Needham, the still-sizzling on-screen chemistry of Reynolds and Field, and the good-ol’-boy antics of the film’s easy-going cast, including Jerry Reed, Paul Williams, Pat McCormick and Mike Henry. WHO: Fathom Events, Turner Classic Movies and Universal Pictures WHEN: Sunday, May 21, 2017; 2:00 p.m. -
'77 Pontiac ® Firebird ®
KIT 4027 85402700200 NOTE: DO NOT DIP DECAL # 28, 29 IN WATER. CAREFULLY CUT OUT AND USE WHITE GLUE TO ATTACH. REMARQUE: NE PAS IMMERGER DANS L’EAU LES DÉCALCOMANIES # 28, 29. DÉCOUPER SOIGNEUSEMENT ET UTILISER DE LA COLLE BLANCHE POUR FIXER. ® ® 13 NOTA: NO SUMERJA LAS CALCOMANÍAS NO. 28, 29 EN AGUA. RECORTE CUIDADOSAMENTE Y UTILICE COLA BLANCA PARA SUJETAR. '77 PONTIAC FIREBIRD SMOKEY AND THE BANDIT ™ 35 32 30 1 4 Before there were cell phones, the CB radio was Avant l’avènement des téléphones cellulaires, la radio CB Antes de los teléfonos celulares, la radio de banda ciudadana 29 2 33 28 (CB, por sus siglas en inglés) era el medio de comunicación. THE form of communication. While not in the credits, était LE moyen de communication. Bien qu’elle ne figure pas au générique, la radio CB était la meilleure amie de Aunque no se incluyó en los créditos, la radio CB fue la the CB radio was the Bandit’s best friend in the hit mejor amiga del Bandido (Bandit) en la taquillera película 11 Bandit dans ce film à succès réalisé par Hal Needham. movie directed by Hal Needham. The Bandit, played Bandit, que personnifiait Burt Reynolds, utilisait sa radio dirigida por Hal Needham. El Bandido, interpretado por by Burt Reynolds, used his CB radio and gleaming CB et sa rutilante Firebird noire pour éviter de manière Burt Reynolds, utilizó su radio CB y su reluciente Firebird black Firebird to skillfully avoid Smokey, played for savante Smokey, que jouait pour nous faire rire Jackie negro para evitar hábilmente a Smokey, interpretado laughs by Jackie Gleason, on one long movie chase. -
83-072283.Compressed.Pdf
HE.;:~SHE I " PRESENTS AUGUST 23, 25 & 26 2631 RICHMOND HOUSTON OVER SI,500 IN CASH AND PRIZES FOR INFORMATION TELEPHONE: (713) 850-1007 \\911 CONTENTS -. ----- Volume 9, Number 18 July 22-28, 1983 11 TWTNEWS _ Domestic Privacy Ordinance, AIDS Breakthrough, AHRC Growth 23 COMMENT-------- _ Public Forum 29 PERSPECTlVE _ Good Lesbians and Betty Butch by 0 Flores Alvarez 33 BOOKS _ In Search of God in the Sexual Underworld Reviewed by David Fields 38 MOVIES _ Stayk19 Alive Reviewed by Harry Deutsch 40 SHOWBIZ _ Jacqueline Bisset, Burt Reynolds . by Weldon Grahame 43 ENTERTAINMENT- TEXAS _ Delio Stewart at the Tower, Diona Ross by Rob Clark A Short Story by Paul Beguiristain Illustration by Randy Ruhlman 57 HOTTEA _ New Clubs Open, Cruise Camero by Chuck 63 SPORTS _ Summer Gomes by Cheryl Chamberlain 69 STARSCOPE _ July Full Moon by Milton von Stern 81 CALENDAA _ Special One-Time Only & Non-Profit Community Events 83 CLASSIFIED _ Wont Ads and Notices 91 THE GUIDE _ Texas Business I Club Directory TWT (This Week in Texas) is published weekly by Asylum Enterprises, Inc., at 2205 Montrose, Houston, Texas 77006; phone: (713) 527·9111. Opinions expressed by columnists are not necessarily those of TWT or of its staff. Publication of the name or photograph of any person or organiz ation in articles or advertising in TWT is not to be construed as any indication of the sexual orientation of said person or organization. Subscription rates: $60 per year; $40 per half-year. Rates cover cost of first-class postage. -
Star Channels, July 15-21
JULY 15 - 21, 2018 staradvertiser.com COLLISION COURSE Loyalties will be challenged as humanity sits on the brink of Earth’s potential extinction. Learn if order can continue to suppress chaos on a new episode of Salvation. Airs Monday, July 16, on CBS Let’s bring over 70 candidates into view. Watch Candidates In Focus on ¶ũe^eh<aZgg^e-2' ?hk\Zg]b]Zm^bg_h%]^[Zm^lZg]_hknfl%oblbmolelo.org/vote JULY 16AUGUST 10 olelo.org MF, 7AM & 7PM | SA & SU, 7AM, 2PM & 7PM ON THE COVER | SALVATION Impending doom Multiple threats plague Armed with this new, time-sensitive informa- narrative. The actress notes that, while “the tion, Darius and Liam head to the Pentagon show is mostly about this impeding asteroid — season 2 of ‘Salvation’ and deliver the news to the Department of the sort of scaring, impending doom of that,” Defense’s deputy secretary, Harris Edwards people are “still living [their lives],” as the truth By K.A. Taylor (Ian Anthony Dale, “Hawaii Five-0”). Harris makes it difficult for people to accept, which TV Media and DOD public affairs press secretary Grace leads them to set out a course of action that Barrows (Jennifer Finnigan, “Tyrant”) have no reveals what’s truly important to them. Now cience fiction is increasingly becoming choice but to let these two skilled scientists that “the public knows” and “the secret is out science fact. The dreams of golden era into a covert operation called Sampson, re- ... people go bananas.” An event such as this Swriters and directors, while perhaps a vealing that the government was already well will no doubt “bring out the best” or to “bring bit exaggerated, are more prevalent now than aware of the threat but had chosen to keep it out the worst [in us],” but ultimately, Finnigan ever before. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
Absence of Malice, 53 Academy Awards
Index A Absence of Malice, 53 Ain’t in It for My Health, 59, 83 the Baby, 77; Bronco Billy Academy Awards (Oscars), 3, Albee, Edward, 52, 53, 54 and the Greaser, 3; Broncho 4, 5, 7, 10, 18, 31, 38, 39, 41, Alexander, Katharine, 11, 12; Billy and the Maid, 2; 42, 43, 46, 47, 50, 53, 56, Death of a Salesman (play), Broncho Billy and the School 57, 58, 59, 60, 63, 64, 74, 12; In Name Only, 12; That Mistress, 3; Broncho Billy’s 79, 80, 81 Awful Mrs. Eaton, 12; That Christmas Deed, 2; Broncho Accomplices to the Crime, 57, 92 Certain Woman, 12 Billy’s Redemption, 2; Accountant, The, vii, viii, 74, Alfred Hitchcock Presents Broncho Billy’s Sentence, 3; 75, 85 (TV series), 42 Broncho Billy: The First Reel Action in the North Atlantic, 31 Alias Smith and Jones Cowboy, 81; The Girl from Adam at Six A.M. (TV series), (TV series), 54 Montana, 2; The Great 51 Allegiance (musical), 55 Train Robbery, 2; The Lucky Adams, Joey Lauren, viii, 66, Allen, Eric, 49 Dog, 3; Raffles, The Amateur 67, 90; Big Daddy, 66; Allen, Woody, 20 Cracksman, 2; The Son-of- Chasing Amy, 66, 67; All the President’s Men, 47 A-Gun, 3; Western Justice, 2 Come Early Morning, 66; All the Real Girls, 68 Andrews, Lloyd, 17, 29–31, 90; Coneheads, 66; Dazed and American Beauty, 66 Rhythm of the Rio Grande, Confused, 66; Mallrats, 66; American Dream, The (play), 53 30; Take Me Back to Trucker, 66; Valley Inn, 66 American Folk Blues Festival: Oklahoma, 31 Adams, Julie, 17, 27, 28, 30; The British Tours, 1963– Andy Griffith Show (TV series), Bend of the River, 30; 1966, 82 33 Creature -
INABLE. and TV Shows
Post Office Box 87 Traverse City, MI 49685 PRSRT STD US POSTAGE PAID MIDLAND MI PERMIT NO. 16 Winter 2007 You Cover WHAT? Movie Cars The 1981 DeLorean from Back to the Future. The Batmobile. Smokey and the Greetings to our Bandit’s ’77 Pontiac Firebird. Eleanor – the 1967 Shelby GT500 from Gone in Agency Partners! 60 Seconds. The General Lee. The Mirth Mobile. It’s hard to believe These movie and television cars are as iconic as for promotion sold for only $90,000. Most of the that 2007 is almost the leading men who drove them – and they’re clone or tribute cars – cars that are made to look the over. Hagerty spent a lot of time certainly collectible – but their star status can General Lee by taking a basic ’69 Charger, painting on the road this year, attending sometimes be confusing and intimidating when it orange and adding decals – sell in the $25,000 to conventions, car shows, auctions it comes time to insure them. $50,000 range. and making agency visits. For starters, their values are often unpredictable, Hopefully we saw you at one or because they’re determined by numerous factors, more of these events – but if we including relative-worth. Relative-worth is a didn’t and you’d like us to stop by, combination of the many things that make a car please give us a call! more or less valuable to a certain buyer or seller, This issue of the Agent Report including motivation, nostalgia, history and focuses on famous cars – those you time. -
The South According to Quentin Tarantino
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2015 The South According To Quentin Tarantino Michael Henley University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Henley, Michael, "The South According To Quentin Tarantino" (2015). Electronic Theses and Dissertations. 887. https://egrove.olemiss.edu/etd/887 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE SOUTH ACCORDING TO QUENTIN TARANTINO A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of the Center for the Study of Southern Culture The University of Mississippi by MICHAEL LEE HENLEY August 2015 Copyright Michael Lee Henley 2015 ALL RIGHTS RESERVED ABSTRACT This thesis explores the filmmaker Quentin Tarantino’s portrayal of the South and southerners in his films Pulp Fiction (1994), Death Proof (2007), and Django Unchained (2012). In order to do so, it explores and explains Tarantino’s mixture of genres, influences, and filmmaking styles in which he places the South and its inhabitants into current trends in southern studies which aim to examine the South as a place that is defined by cultural reproductions, lacking authenticity, and cultural distinctiveness. Like Godard before him, Tarantino’s movies are commentaries on film history itself. In short, Tarantino’s films actively reimagine the South and southerners in a way that is not nostalgic for a “southern way of life,” nor meant to exploit lower class whites.