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Dunblane Cathedral
Property in Care no: 126 Designations: Scheduled Monument (SM90109), Listed Building (LB26361) Taken into State care: 1889 (Ownership) Last reviewed: 2011 HISTORIC ENVIRONMENT SCOTLAND STATEMENT OF SIGNIFICANCE DUNBLANE CATHEDRAL We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH DUNBLANE CATHEDRAL SYNOPSIS Dunblane, on the east bank of the Allan Water and possibly named after St Blane (died c.590), is believed to have been a religious centre by the 9th century. In the 12th century the bishopric was re-established and a stone cathedral church built. Comprehensive rebuilding took place after 1237, and by the 1300s the cathedral comprised an aisled nave, incorporating the original tower, an aisle-less chancel and an adjoining north range housing sacristy, chapter house and treasury. After the Protestant Reformation (1560), parochial worship was relocated to the chancel. The neglected nave fast fell into ruin. The chancel and north range were restored by James Gillespie Graham in 1816-19. Major restoration of the nave was undertaken in 1889-93 to a design by Robert Rowand Anderson. Although the cathedral is in state care, it continues as a place of worship by the Church of Scotland. Among the fine furnishings are rare late medieval canopied stalls, considered amongst the finest in Scotland. CHARACTER OF THE MONUMENT Historical Overview: 6th century AD - St Blane (Blàthan), according to tradition, is born on Bute and buried at Kingarth monastery there (St Blane's). -
Catalogue Description and Inventory
= CATALOGUE DESCRIPTION AND INVENTORY Adv.MSS.30.5.22-3 Hutton Drawings National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © 2003 Trustees of the National Library of Scotland = Adv.MSS.30.5.22-23 HUTTON DRAWINGS. A collection consisting of sketches and drawings by Lieut.-General G.H. Hutton, supplemented by a large number of finished drawings (some in colour), a few maps, and some architectural plans and elevations, professionally drawn for him by others, or done as favours by some of his correspondents, together with a number of separately acquired prints, and engraved views cut out from contemporary printed books. The collection, which was previously bound in two large volumes, was subsequently dismounted and the items individually attached to sheets of thick cartridge paper. They are arranged by county in alphabetical order (of the old manner), followed by Orkney and Shetland, and more or less alphabetically within each county. Most of the items depict, whether in whole or in part, medieval churches and other ecclesiastical buildings, but a minority depict castles or other secular dwellings. Most are dated between 1781 and 1792 and between 1811 and 1820, with a few of earlier or later date which Hutton acquired from other sources, and a somewhat larger minority dated 1796, 1801-2, 1805 and 1807. Many, especially the engravings, are undated. For Hutton’s notebooks and sketchbooks, see Adv.MSS.30.5.1-21, 24-26 and 28. For his correspondence and associated papers, see Adv.MSS.29.4.2(i)-(xiii). -
Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
Speyside the Land of Whisky
The Land of Whisky A visitor guide to one of Scotland’s five whisky regions. Speyside Whisky The practice of distilling whisky No two are the same; each has has been lovingly perfected its own proud heritage, unique throughout Scotland for centuries setting and its own way of doing and began as a way of turning things that has evolved and been rain-soaked barley into a drinkable refined over time. Paying a visit to spirit, using the fresh water from a distillery lets you discover more Scotland’s crystal-clear springs, about the environment and the streams and burns. people who shape the taste of the Scotch whisky you enjoy. So, when To this day, distilleries across the you’re sitting back and relaxing country continue the tradition of with a dram of our most famous using pure spring water from the export at the end of your distillery same sources that have been tour, you’ll be appreciating the used for centuries. essence of Scotland as it swirls in your glass. From the source of the water and the shape of the still to the Home to the greatest wood of the cask used to mature concentration of distilleries in the the spirit, there are many factors world, Scotland is divided into five that make Scotch whisky so distinct whisky regions. These are wonderfully different and varied Highland, Lowland, Speyside, Islay from distillery to distillery. and Campbeltown. Find out more information about whisky, how it’s made, what foods to pair it with and more: www.visitscotland.com/whisky For more information on travelling in Scotland: www.visitscotland.com/travel Search and book accommodation: www.visitscotland.com/accommodation 05 15 03 06 Speyside 07 04 08 16 01 Speyside is home to some of Speyside you’re never far from a 10 Scotland’s most beautiful scenery distillery or two. -
The Old and New Towns of Edinburgh World Heritage Site Management Plan
The Old and New Towns of Edinburgh World Heritage Site Management Plan July 2005 Prepared by Edinburgh World Heritage on behalf of the Scottish Ministers, the City of Edinburgh Council and the Minister for Media and Heritage Foreword en years on from achieving World Heritage Site status we are proud to present Edinburgh’s first World Heritage Site Management Plan. The Plan provides a framework T for conservation in the heart of Scotland’s capital city. The preparation of a plan to conserve this superb ‘world’ city is an important step on a journey which began when early settlers first colonised Castle Rock in the Bronze Age, at least 3,000 years ago. Over three millennia, the city of Edinburgh has been shaped by powerful historical forces: political conflict, economic hardship, the eighteenth century Enlightenment, Victorian civic pride and twentieth century advances in science and technology. Today we have a dynamic city centre, home to 24,000 people, the work place of 50,000 people and the focus of a tourism economy valued at £1 billion per annum. At the beginning of this new millennium, communication technology allows us to send images of Edinburgh’s World Heritage Site instantly around the globe, from the broadcasted spectacle of a Festival Fireworks display to the personal message from a visitor’s camera phone. It is our responsibility to treasure the Edinburgh World Heritage Site and to do so by embracing the past and enhancing the future. The World Heritage Site is neither a museum piece, nor a random collection of monuments. It is today a complex city centre which daily absorbs the energy of human endeavour. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
Notice of Meeting and Agenda
Item 6.1 - Business Bulletin Culture and Communities Committee 10.00am, Tuesday, 12 September 2017 Dean of Guild Court Room, City Chambers, Edinburgh Culture and Communities Committee Convener: Members: Contact: Councillor Donald Wilson Councillor Wilson (Convenor), Lynne Halfpenny Director of Culture Councillor I Campbell (Vice- Tel: 0131 529 3657 Convenor) Andy Gray Councillor Brown, Head of Schools and Councillor K Campbell, Lifelong Learning Communities and Councillor Doran, Families Tel: 0131 529 2217 Councillor Graczyk, Councillor McNeese-Mechan, Health and Social Care Partnership Councillor Miller, Councillor Ian Campbell Ross Murray (Vice-Convener) Councillor Mitchell, Governance Officer Tel: Councillor Osler, 0131 469 3870 Councillor Staniforth Culture and Communities Committee – 12 September 2017 Page 2 of 24 Recent News Background For further PANTO STARS’ ACKNOWLEDGED FOR THEIR CONTRIBUTION TO information THE CITY OF EDINBURGH please contact: On Thursday 2 March at the City Chambers King’s Theatre panto stars Catherine Allan Stewart, Andy Gray and Grant Stott were invited to a special Bromley, Head of Press and reception with the Lord Provost in recognition of their contribution to the Communications City of Edinburgh. – Festival and Now one of the best-selling pantos across the UK, the King’s Theatre King’s Theatre on Edinburgh panto owes its success to the dedication of its audiences and 622 8088 the unique chemistry between ‘dame’ Allan Stewart, ‘eejit’ Andy Gray and ‘panto villain’ Grant Stott. Cinderella in 2017/18 will mark their lucky thirteenth panto together at the King’s; Grant Stott’s eighteenth consecutive King’s panto and Allan Stewart’s seventeenth. The comedy threesome’s fabulous energy, the special effects provided by The Twins FX, stunning choreography and sensational musical scores combine to make a spectacular family show to remember. -
The European Connection
Historic Scottish Churches The European Connection Prof Adam Cumming FSA Scot Adam Cumming Talk “It is often assumed that Scotland took its architectural lead from England, but this is not completely true, Scotland had its own links across Europe, and these developed and changed with time.” cotland has many medieval Glasgow Cathedral which can be churches though not all are shown to have architectural links well known. They deserve across Europe. Sgreater awareness. Many The early Scottish church, that of are ruined but many are not, and Ninian and Columba (as well as many others often survive in some form in others), was part of the early church adapted buildings. before the great schism 1054. It was It is often assumed that Scotland organised a little like the Orthodox took its architectural lead from Churches now. The church below is England, but this is not completely that of Rila Monastery in Bulgaria, an true, Scotland had its own links Orthodox community and similar in across Europe, and these developed plan to early Scottish ones with the and changed with time. The changes church in the centre of the complex. were usually a response to politics It is often described as Celtic and trade. This is of course reflected which is a later description but does in the buildings across Scotland. emphasise a common base with It can be argued that these form a Ireland and Wales etc. There was distinctive part of European culture a great deal of movement across with regional variations. Right is northern Europe and it retained close links with Ireland and elsewhere via ‘Schottenkloster’ and other mission centres. -
Stirling and Forth Valley 3 Day Itinerary
Stirling and Forth Valley Itinerary - 3 Days 01. Callendar House The Battle of Bannockburn Your clients can enjoy a taste of history with a free visit at Cared for by the National Trust for Scotland, the Battle of Callendar House on the outskirts of Falkirk. In the restored 1825 Bannockburn experience will put your clients at the heart of the Kitchen, costumed interpreters create an interactive experience action with cutting-edge 3D technology. They will take command with samples of early-19th century food providing added taste to of their own virtual battlefield to try and re-create the battle. Your stories of working life in a large household. Your clients can also clients can wander across the parkland and admire the restored experience an elegant afternoon tea in the Drawing Room, where commemorative monuments, including the iconic statue of Robert they will tuck into a sumptuous selection of sweet and savoury the Bruce and a meal in the award-wining café. treats with a stunning selection of teas. Glasgow Road Callendar Park Whins of Milton Falkirk, FK1 1YR Stirling, FK7 0LJ www.falkirkcommunitytrust.org www.nts.org.uk Link to Trade Website Link to Trade Website Distance between Callendar House and the Falkirk Wheel is Distance between The Battle of Bannockburn and Stirling Castle is 3.4 miles/5.5km 2.6 miles/4.2km Stirling Castle Stirling Castle is one of Scotland’s grandest castles due to its imposing position and impressive architecture with its superb sculptures. It was a favoured residence of the Stewart kings and queens who held grand celebrations from christenings to coronations. -
Edinburgh Responsible Itinerary
Edinburgh Itinerary - 4 days 01. Edinburgh Bus Tours Edinburgh Castle Hop-on/hop-off bus tours are a great way for your clients to Edinburgh Castle is one of quickly orientate themselves on a city visit, and to identify the the oldest fortified palaces in must-see city sights. Edinburgh Bus Tours offer visitors three Europe. Built on top of Castle fantastic hop on hop off city tours, plus a further option which Rock and dominating the will allow them to enjoy the spectacle of the iconic Forth Bridges. city’s skyline, the castle has Your clients can enjoy the views with commentary in 9 different a long rich history as a royal languages, on the company’s new fleet of environmentally friendly residence, and it is alive with tour buses. Private hires are also available. many exciting tales. When your clients climb Castle Hill, Waverley Bridge they will walk in the footsteps Edinburgh, EH1 1BQ of soldiers, kings and queens. www.edinburghtour.com The castle is now a world- Link to Trade Website famous visitor attraction and an iconic part of the Old and New Towns of Edinburgh World Heritage Site. Distance between Edinburgh bus tours and the Scottish National Gallery is 0.4miles/0.6km Castlehill Edinburgh, EH1 2NG www.edinburghcastle.scot Link to Trade Website Distance between Edinburgh Castle and the Scotch Whisky Experience is 151 feet / 50 metres The Scotch Whisky Experience A ‘must-visit’ Edinburgh attraction, The Scotch Whisky Experience has been inspiring visitors to Edinburgh about the joys of Scotch whisky for over 30 years. -
Ann Arbor Whiskies
Ashley’s Whiskey Collection Featuring a variety of 60+ Single Malts, Blends, Bourbons, Irish Whiskeys, and Cognacs Western Islands (Islay, Jura & Skye) Laphroig 10 Year Nose is thick peat with a soft, oaky Ardbeg (10) background. Continuous gentle waves of dry peat Astoundingly smoky nose with a full, robust lap upon the tastebuds but are balanced by a palate of peat smoke flavoured with turf and sweet malt middle and vanilla. Finishes long and lapsang souchong tea.Finishes salty, long and peaty, the shy vanilla now begins to show as the filled with fragrant peat reek. A punch in the oak adds a certain dryness. 9.50 chops from a stroppy Islay middleweight. An instant warming tang of smoke that Flavour-packed yet delicate. 9.50 18 Year fades into smooth floral scents and blends seam- Bowmore lessly into an oaky nuttiness, leaving a lasting 12 Year Fragrant smokiness against an oily, sweetness.Finishes full bodied, long with a earthy, background. Some seaweed. Some sherry. luxurious oily smoothness. 16.00 Smokiness is sustained all the way through and surges in the finish with lots of salt. 8.75 Talisker (10) Peat-smoke nose with sea-water saltiness and cit- 18 Year A smoothly aromatic, nutty malt rus sweetness. Full-bodied palate with a dried-fruit with an appetizing medicinal Islay character. sweetness and strong barley-malt flavours. Long, Palate is rounded, firm, malty, dry creaminess. peppery finish with sweetness. 13.00 Tightly combined flavours with a malty, smoky finish.16.00 Bruichladdich (Signatory 19yr.) Distilled 1992, Bottled 2012; Hogshead Aged Lagavulin (16) Distilled before the distillery was mothballed in Deep amber gold in appearance, with an 1995, sold and restarted in 2001. -
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THE MONUMENTAL EFFIGIES OF SCOTLAND. 329 VI. THE MONUMENTAL EFFIGIES OF SCOTLAND, FROM THE THIRTEENTH TO THE FIFTEENTH CENTURY. BY ROBERT BRYDALL, F.S.A. SOOT. The custom of carving monumental effigies in full relief does not seem to have come into vogue in Scotland till the thirteenth century—this being also the case in England. From the beginning of that period the art of the sculptor had made great progress both in Britain and on the Continent. At the close of the twelfth century, artists were beginning to depart from the servile imitation of the work of earlier carvers, to think more for themselves, and to direct their attention to nature ; more ease began to appear in rendering the human figure; form was more gracefully expressed, and drapery was treated with much greater freedom. When the fourteenth century drew towards its end, design in sculpture began to lose something of the purity of its style, more attention being given to detail than to general effect; and at the dawn of the sixteenth century, the sculptor, in Scotland, began to degenerate into a mere carver. The incised slab was the earliest form of the sculptured effigy, a treat- ment of the figure in flat relief intervening. The incised slabs, as well as those in flat relief, which were usually formed as coffin-lids, did not, however, entirely disappear on the introduction of the figure in full relief, examples of both being at Dundrennan Abbey and Aberdalgie, as well as elsewhere. An interesting example of the incised slab was discovered at Creich in Fife in 1839, while digging a grave in the old church; on this slab two figures under tabernacle-work are incised, with two shields bearing the Barclay and Douglas arms : hollows have been sunk for the faces and hands, which were probably of a different material; and the well cut inscription identifies the figures as those of David Barclay, who died in 1400, and his wife Helena Douglas, who died in 1421.