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Morgenstern, Dan. [Record Review: Dave Frishberg: Oklahoma Toad
Records ore reviewed by Chris Albertson, Mike Bourne, Don DeMicheol , Alon Heineman, Wayne Jones, Lorry Kort, John Litweiler, John McDonough, Don Morgenstern, Don Nelsen, Harvey Pekar, Doug Ramsey, Harvey Siders, Carol Sloane, and Jim Szontor. Reviews ore signed by the writers. recurRatings ore: * * * * * excellent, * * * * very good, * * * good, * * fair, * poor. Most recordings reviewed ore ovailoble for purchase through the down beat/RECORD CLUB. ( For membership information see details elsewhere in this issue or write to AEVIEIIWS down beat/RECORD CLUB, 222 W. Adams, Chicago, IL 60606) play rock. A high camp crowdpleaser. a unique story in Jess than three minutes, DON ELLIS Antea, another fine Levy original, pre while the equally unexpected slow tempo DON ELLIS AT FILLMORE-Columbia cedes the album's highlight, Old Man's applied to Exactly yields equally warm, G30243: Tina/ Analysis; Excursion II; Tb • Magic Bus At• M;, Dougbr111t; Th, B/uu; Sahatort Tear, a melancholy ballad portraying "an affecting results. On the third ballad, What S,m; Rork Odyss-,; H,y Jud •: Anua: Old Mar1·s old man's life--his joys and sorrows Is There To Say?, Bud gives himself Tear; Great Vivid,; Pussy Wigg/, Stomp. Personnel: Ellis, trumpet, drums; Glenn Stn· ... " Though Klemmer's composition and more room to stretc h, and the result is art, Stu Blumberg, John Rosenberg, Jack Coan, arrangement are excellent, Ellis steals his a small masterpiece, reflective and more trumpets; Ernie Carlson. Glenn Ferris . trombones; Don Switzer, bass trombone; Doug Bixby , contra• thunder with stunning virtuosity. Great introspecti ve than is his custom, and rem bus, tuba; Fred Selden, Lonnie Shetter, Sam Divide, in 13/4, is a pulsating vehicle iniscent in mood of later Lester Young Falzone, John Klemmer, Jon Clarke, reeds; Jay Graydon, gu irar; Tom Garvio, piano; Dennis highlighted by Shelter's alto, more dazzling a rare groove to capture. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
The Passage,” We Make ‘The Passage’ Premiering Monday Customizing on Fox
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Saturday Night Marquee Every Saturday Hdnet Movies Rolls out the Red Carpet and Shines the Spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies
August 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Follow us on Twitter: @HDNetMovies and on Facebook. Saturday Night Marquee Every Saturday HDNet Movies rolls out the red carpet and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies Saturday, August 1st Saturday, August 15th Who Ya Gonna Call? Laugh Out Loud Saturday Ghostbusters Down Periscope Starring Bill Murray, Dan Aykroyd, Sigourney Starring Kelsey Grammer, Lauren Holly, Rob Weaver Directed by Ivan Reitman Schneider. Directed by David Ward Ghostbusters II Tootsie Starring Bill Murray, Dan Aykroyd, Sigourney Starring Dustin Hoffman, Jessica Lange, Teri Garr Weaver Directed by Sydney Pollack Directed by Ivan Reitman Roxanne Saturday, August 8th Starring Steve Martin, Daryl Hannah, Rick Rossovich Leading Ladies Directed by Fred Schepisi Courage Under Fire Starring Meg Ryan, Denzel Washington, Matt Raising Arizona Damon Starring Nicolas Cage, Holly Hunter, John Goodman Directed by Edward Zwick Directed by Joel Coen Silence of the Lambs Saturday, August 22nd Starring Jodie Foster, Anthony Hopkins, Scott Glenn Adventure Time Directed by Jonathan Demme Romancing the Stone Starring Michael Douglas, Kathleen Turner, Danny Devito. Directed by Robert Zemeckis The River Wild Starring Meryl Streep, Kevin Bacon, David Strathairn Directed by Curtis Hanson 1 Make kidScene your destination every day and Make kidScene Friday Night your family’s weekly movie night. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer Is An
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer is an enigma to many. He seems to be a "different artist" to "different people" depending on which musical direction & time period of Klemmer's music they are attached to, are aware of & prefer. John Klemmer began playing guitar at age 5. After interests in graphics and visual art studying at The Art Institute of Chicago & with ambitions of being Dancer, Puppeteer, Painter, Sculptor, Writer, & Poet. He began Alto Sax at age 11, switching to Tenor Sax when entering High School. He spent years of extensive private lessons in Piano, Conducting, Harmony & Theory, Composition, Arranging, Clarinet, Flute, & Classical & Jazz Saxophone that continued through all his years in Chicago. He also attended Interlochen's National Music Camp immersed in the study of Classical Music & "Legitimate Classical" Saxophone etc. He turned down an offer of a four scholarship there to return to "study" in the jazz clubs etc. of Chicago. Immediately upon graduating from High School, noted jazz producer, Esmond Edwards, signed Klemmer to Cadet/Chess Records for five plus albums, his first 2 recordings being "straight ahead jazz", and then, abruptly & surprisingly if not confusing to many, of which would eventually become a trademark of his career, changed musical directions, recording the innovative hit album of the first, slightly preceding the release of Miles Davis "Bitches Brew", of the "jazz/rock fusion" genre, "Blowin Gold", co-produced by ex Rolling Stones Records producer, Marshall Chess, for the new Cadet Concept label on Chess Records. Here John introduced his use with electronics, primarily the "delay effect", which would become his life long "trademark sound", as well as, uses of the "wah wah" pedal & "ring modulator" etc. -
Download Magazine
MAGAZINE UCONNSUMMER 2021 finally! They commenced. The classes of 2020 and 2021 gathered at The Rent and made UConn history. In This Issue: FEEDING THE WORLD TURNING YOUR BECOMING THE FIRST AND WINNING THE CHILDHOOD OBSESSION BLACK AMERICAN TO CLIMB NOBEL PEACE PRIZE INTO A HIT PODCAST THE SEVEN SUMMITS SUMMER 2021 SNAP! Husky Home Base The new Husky Athletic Village and Rizza Performance Center includes from right: Elliot Ballpark, home of UConn baseball; Joseph J. Morrone Stadium, home of UConn soccer and lacrosse; Burrill Family Field, home of UConn softball; and shared practice fields. All were in good use this spring, along with indoor facilities, as pandemic rescheduling meant that all 18 UConn sports were actively practicing at the same time. UCONN MAGAZINE | MAGAZINE.UCONN.EDU SUMMER 2021 CONTENTS | SUMMER 2021 SUMMER 2021 | CONTENTS UConn Magazine FROM THE EDITOR VOL. 22 NO. 2 UConn Magazine is produced three times a year (Spring, Summer, and Fall) by University Communications, University of Connecticut. Editor Lisa Stiepock Art Director Christa Yung Photographer Peter Morenus Class Notes Grace Merritt Copy Editors Gregory Lauzon, Elizabeth Omara-Otunnu Designers Yesenia Carrero, Christa Yung UConn Magazine’s art director Christa Yung with her Kirsten doll, circa 2000 (left), and writer Julie Bartucca with her Samantha doll, circa 2021. University Communications 16 20 24 30 Vice President for Communications Tysen Kendig Acting Vice President for ALL DOLLED UP Communications Michael Kirk The pictures above are testament to the truth behind the answer art director Associate Vice President for Creative Christa Yung gave me when I asked her why she was so excited to work with Strategy & Brand Management writer, colleague, and friend Julie Bartucca ’10 (BUS, CLAS), ’19 MBA on the FEATURES SECTIONS Patricia Fazio ’90 (CLAS), ’92 MA American Girls podcast story that begins on page 26. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Combined Guide for Web.Pdf
2015-16 American Preseason Player of the Year Nic Moore, SMU 2015-16 Preseason Coaches Poll Preseason All-Conference First Team (First-place votes in parenthesis) Octavius Ellis, Sr., F, Cincinnati Daniel Hamilton, So., G/F, UConn 1. SMU (8) 98 *Markus Kennedy, R-Sr., F, SMU 2. UConn (2) 87 *Nic Moore, R-Sr., G, SMU 3. Cincinnati (1) 84 James Woodard, Sr., G, Tulsa 4. Tulsa 76 5. Memphis 59 Preseason All-Conference Second Team 6. Temple 54 7. Houston 48 Troy Caupain, Jr., G, Cincinnati Amida Brimah, Jr., C, UConn 8. East Carolina 31 Sterling Gibbs, GS, G, UConn 9. UCF 30 Shaq Goodwin, Sr., F, Memphis 10. USF 20 Shaquille Harrison, Sr., G, Tulsa 11. Tulane 11 [*] denotes unanimous selection Preseason Player of the Year: Nic Moore, SMU Preseason Rookie of the Year: Jalen Adams, UConn THE AMERICAN ATHLETIC CONFERENCE Table Of Contents American Athletic Conference ...............................................2-3 Commissioner Mike Aresco ....................................................4-5 Conference Staff .......................................................................6-9 15 Park Row West • Providence, Rhode Island 02903 Conference Headquarters ........................................................10 Switchboard - 401.244-3278 • Communications - 401.453.0660 www.TheAmerican.org American Digital Network ........................................................11 Officiating ....................................................................................12 American Athletic Conference Staff American Athletic Conference Notebook -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Daily Campus Serving the Starrs Community Since 1896
The Daily Campus Serving the Starrs Community Since 1896 Ma\ 22, IW) The University of Connecticut Graduation issue Graduation ceremonies for the University of Connecticut's 106th Commencement held Sunday in Jorgensen Auditorium (Kyle Dalpe photo). Class of 89 'charged' with finding creative solutions By Shawn Cochran justices still being carried out class of 89. He also placed the tion, will allow us to achieve mayor and was elected state Daily Campus Staff in the world today. responsibilities with those still our common human dreams." treasure in 1986. "In too many places, and in at UConn, its continuing stu- There were more than 4,500 Borges received his bache- "Today, I want to express the too many ways, racial, ethnic dents and administration. degrees awarded to the class of lor's degree in political science hope, as you leave your college and sex differences are dividing "If there is anyplace where 1989, including the schools of from Trinity College in 1974. days behind you, that you will us again/This is not only a liberal, humanitarian values Law, Medicine, and Dental In 1981 he was elected to the never cease to be eager, that crime, it is a human tragedy, should flourish, where brother- Medicine. Hartford City Council, and in you will keep your youthful and it is the ultimate foolish- hood and sisterhood should be UConn confers degrees three 1987 he was awarded the Israel enthusiasm to the end of your ness." nourished, where the spirit of times a year: Aug. 31, Dec. 31, Peace Medal and was Trinity days, and that you will never Borges related that the racial tolerance and intellectual free- and the traditional commence- College's 1987 person of the lose the capacity - which problems faced by UConn arc dom should have room to ment ceremonies in May. -
Larry Cohen, Drehbuchautor Und Regisseur
Meister des B-Films : Larry Cohen, Drehbuchautor und Regisseur Autor(en): Arnold, Frank Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 55 (2013) Heft 331 PDF erstellt am: 23.09.2021 Persistenter Link: http://doi.org/10.5169/seals-864124 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch FILMBULLETIN 4.13 TRIBUTE DES B-FILMS 1 I Larry Cohen, Drehbuchautor und Regisseur In François Truffauts la sirène du Mississippi Wer ist Larry Cohen? Zunächst einmal ein Titeln und Werbekampagnen herausgebrachte ter anderem in bone). Auch Altstars wie Sylvia hatte nichts dagegen, ich lud ihn zu den kommen Catherine Deneuve und Jean-Paul Filmemacher, dessen ungeheure Produktivität - Film knüpft ähnlich wie andere Arbeiten von Sidney (god told me to) oder Broderick Crawford Dreharbeiten ein.