Bars the MIKE SCHIELL INTERVIEW 3

Total Page:16

File Type:pdf, Size:1020Kb

Bars the MIKE SCHIELL INTERVIEW 3 co©c©c©ee©cooco0ce)®©cc'€>€>i)ftR€n THE GREAT ONE IS GREAT under th e HOW SWEET IT IS Hollywood sign Iqf Ken Dickmann >©'©©©©©©©©©©©©©©©©©©©©©©©©©©© VENUS OF MENSCHEN FALLS own, Venus would be­ How could there be a Venus come the town's only in such a small town like prostitute, and even­ Menschen Falls, whose only tually, backed by funds claim-to-fame is that it from various citizens, was a great tourist town the new Hollywood until an epidenic of Porno Movie Queen. Ex­ typhoid struck. The cept Venus doesn't want Venus is now at the Los fame, fortune and their Angeles Actor's Theatre idea of freedom, which, and under the direction like every'good Amer­ and pen of Richard ican knows, is the use Jordan (Captains and of Power. Kings), she brings hoirc Jordan exercises all JACKIE GLEASON IN SLY FOX a new reality to the thoughts on'the various The Great One opened that in its self makes general citizens of the subjects, perhaps too Falls. at the Orpheum Thursday the play worth seeing. many subjects, and night in a play written The character was In th's 3 act courtroom then on a stage within especially for him by created by Ben Johnson’s drama/c.onedy/i-a cire, the courtroom has our the creator of M.A.S.H, and called Volpone, which Jordan places our lovely participants recreate, Venus ;/i trial nefcre Larry Gelbart. He is means SIy Fox. the reality of the something else. Gleason's delivery was the -iocncpeople Cor talked-about incidence suppaseJly killing Jackie Gleason, thru pure Gleason...with all by acting out what real­ her brother. In­ his personal majesty the right intonations ly happened. it is on vited is a journalist has added yet another to make the character this smaller stage from tJie Big City wbc "well rounded" char­ come alive-perfect. that what really happen­ they hope will write acter to his repertory Cleavon Little, per­ ed to Venus's brother up Menschen Falls so of alter-ego; that of haps because of nervous­ is shown and once you the tourists will re­ Foxwcll J. Sly, a ness or whatever, began are committed to re­ turn (Max Knoe). But rich man, a leech, the play, delivering create any scene, those before the shattering a con-man, par ex­ each line likb he was involved cannot bluff climax, Jordan digs cellant. Since the playing to an audience reality. Some of our into the judical sys­ role was written es­ in San Jose, but by citizens find them­ tem, the original Amer­ pecially for Gleason, the time of the second selves in rather em­ ican pioneer spirit, it was no surprise that act, his control had barrassing situations, fame, movies and mer­ all of the Gleason trade­ returned and his per­ and caught in lies. chandising. marks were there; the formance was as polished The Judge, who con­ Seems that Venus and booze, the cigarette, as that in Blazing trols everything (splen­ her brother were made an the vocal intonations, Saddles. In fact, his didly played by Richard offer, that to bring even an occasional Venture) lusts for the town back into its How Sweet It Is. But Con't on Page 16 Con't On Page 21 SAN FRANCISCO»S GAY WEEKLY MAGAZINE o 9 9 9 9 GAY SOFTBALL IS BACK 9 9 9 9 9 9 ’OPENING DAY- April 2nd -Noon-HaywardField 9 LEATHERi^lECK 9 9 9 9 9 9 278 11th St. at Folsom 9 WIN A TRIP TO AMSTERDAM for $1 9 9 9 9 9 9 9 9 MUSIC-ENTERTAINMENT-CELEBRITIES 9 9 Se>©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©©oog)g>€>g>g>^^^^^^^^? Alone they act like God's Proud1y,"Ten years." EASTER- gift to the sexual world, These people are often openly cruising anything jealous of their mates,-and on two legs with a nice die nine deaths when the A TIM E ass or basket. Within the other one goes out. The marriage, it becomes a game partner is usually the one to see who can get the new to call it quits, no longer OF RENEW AL face in the crowd first. able to put up with the Fairly common as a life­ martyr syndrome inherent with the coming of style, the major cause of within this personality. spring and the advent of failure is the sudden need The final group is the Easter, some basic urge in to enter into a monogamous monogamous-polygamist, the human animal call upon relationship. perhaps the most common of him to renew himself with The next two groups are all persons. This individ­ the Universe and within married under false preten­ ual preaches fidelity, but There arc only four himself. ses, perhaps the strangest is found practicing the art types of ¡ ■■rriage person­ As a gay male or female is the one I call the poly­ of playing around at any alities within our society, we are continually confron­ gamous-monogamist. This is opportune moment, (which is and I shall endeavor to ex­ ted with such advocates of -a person who outwardly just about any time). plain how they function. religion as Anita Bryant speaks in favor of an open Everyone in town knows about The first is the monog­ and more rabid members of relationship, his playing around, except amous relationship, consis­ the Catholic Church and his mate, to whom he whisp­ ting of two people who be­ claiming that variety is more conservative religious ers sweet notions of love lieve themselves to be the the spice of life, but ask sects that tell us that and eternal faithfulness. entire world, or at least him how many times he's being gay is against God’s This personality is all that matters in it. gone to bed with someone order of things. How can easily spotted, seen cruis­ They tend to function only else and you’ll probably this be true. If one is to ing the streets with fre­ as one unit, and are hardly get the answer, "Once or believe in the teaching of quent glances to be sure no ever seen separately. A twice." Christ, one must believe one knows who he is or what rare type of marriage with "How long have^ you that we are all created in been tc Con't On Page 16 God's own image and are all' a poor survival rate, his children and that he couples who are able to maintain the relationship loves us a l l . LIGHT LIGHT ^ If we believe these tend to feel superior. things, then it is only Friendships tend to be with SHOW SHOW natural that everything other pairs, and most of thi else that is handed out by old tricks are completely these religious leaders and cut out and forgotten, sects is nothing but the (except for those occasional] doctrines of the religious twinges for the former, mor< founding fathers. open manner of living). No doubt each sect and The most common cause of religion claims divine breakup for the true monog­ guidance but most religious amous relationship is doctrine is based on man's' nerves, once again proving interpretation of the word that too much of a good or teachings of Christ. thing can be bad for you. If Christ died for the Next is the polygamous sins of man as we are told, personality. Here the adage] then we can accept the fact "What I give, I give freely that we are forgiven our and frequently" applies. sins and busy ourselves Everyone in town knows this 853 Valencia 285-7911 with the living of good, couple, over half because gay, Christian lives. We they've been to bed with must renew our efforts to ' them at one time or another, love our brothers; renew the rest because they've our efforts to understand been propositioned. Extra­ marital relationships as a the feelings and fears and couple are three- or more- emotions of those who attack with bigotry; we must ways, and sometimes consist renew our faith that man, of orgy parties thrown on A DANCE BAR convenient weekends, (every in the long-run, will have SATURDAYS: Open Pool Tournament weekend if possible). The goodness prevail; we must couple who go to the baths renew our faith and liking COCKTAIL HOUR PRICES together either get a room for ourselves, for without with a double bed or spend most of the time comparing SUNDAYS: Western Beer Bash Con't On Page 6 Sat. Night ALIVE! 9pm - 2am tricks they've turned. cc ______ _ __ Well Drinks 65c Beer 50c MONDAYS: Free Pool Featuring at our Piano Bar Live D.J. Saturday Nights JOHNNY EARL with DENIS MOREEN Tues. Night BEER BUST! Serving Dinner Nightly 6-11 p.m.- ■ Sunday Brunch 11:30 - 3:30 with the Western Electric Band San Francisco's most unique Dinner House S42 Valencia St. btw 19th. & 20th, 50c Bottle Beer 826-3373 Reservations Suggested provinces in a produc­ feeling of a moment, the script is not. While ELIZABETH TAYLOR.... tion of "Our Lady of like the good old MGM the first act generally is SnAinmiLfMafriBiL The Camellies”, tra­ .... you know, a clever, witty, and at times, veling by train from stage little extra Schlag. sparkling, the second act IN WORTHY VEHICLE to stage, from bed(not The script is nicely is a long, slow dud. The neccessarily always literate with bouncy, setting is the living room, by Mike Grove Camile's death bed, zingy lyrics. It's a and the staging is just too either).
Recommended publications
  • FBI Kilis Hijacker at Portland Airport
    Daily Weather Partly cloudy with a chance of foggy brains. Barometric "finals" pressure above normal. Highs, not until next week. Lows, in the gutter. Chance of Teen Soviet satellites falling, 100 percent. Chance of grades falling, 95 percent. Chance of snow falling, unlikely. Pullman, Washington Vol. LXXXIX No. 74 Established 1894 Friday, January 21,1983 FBI ki lis hijacker at Portland airport by Bob Baum freeze. Associated Press Writer ., At that time the suspect made a sudden motion with the box as if to throw it at the agent (who) fired one shot." Baker said. PORTLAND, Ore. (AP - A man claiming to FBI agents here would not identify the hijacker. have a bomb and saying he wanted to go to Afgha- But Dick Paulson. spokesman for the Washington nistan was shot and killed Thursday after he hi- Department of Corrections. said the FBI told him jacked a Northwest Orient jetliner carrying 41 they found identification on the body saying he people from Seattle to Portland, authorities said. was Glenn Kurt Tripp. 20. of Arlington. Wash .. He was identified as a man arrested 21/2years ago who attempted to hijack a Northwest Orient flight for attempting to hijack a jetliner. In July 1980. Paulson said Tripp was on 20 years' "The passengers and crew are safe." said Brent probation for first-degree extortion and first- Baskfield, a Northwest Orient official. degree kidnapping in that incident. FBI agents stormed the Boeing 727-200 about In the earlier hijack attempt. Tripp. then 17. 21/2 hours after the plane landed. shooting the claimed to have a bomb in a briefcase and deman- hijacker once with a .38-caliber revolver as pas- ded $100.000, authorities said at the time.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • We Are One June 16, 2018
    We Are One June 16, 2018 Julie Desbordes, Artistic Director Molly Pope, Host and Special Guest Ian Shafer, Assistant Conductor La Gazza Ladra Overture Gioacchino Rossini Blood Moon Elizabeth Lain WORLD PREMIERE Sixth Fanfare for the Uncommon Woman Joan Tower Intermission Blue Danube Waltz Johann Strausse Selections from Man of La Mancha Mitch Leigh Conducted by Ian Shafer Ballad of the Sad Young Men Fran Landesman and Tommy Wolf The Best of Times Jerry Herman Special Guest Molly Pope The Carousel Waltz (Concert Version) Richard Rodgers Orchestrations by Don Walker Queer Urban Orchestra Violin I Bass Trumpet Brian Harrington Roger Herr Gilbert Galindo Andrew Holland Adrienne Lloyd •§ Erin Kulick § Nick Johnson George Nicholson Ron Nahass • Jennifer Rich Bryan Wang Farzaneh Sarafraz Harp Navida Stein Stephanie Babirak Trombone Phong Ta †§ Kevin Schmitt • Liann Wadewitz Flute/Piccolo Simon Morales Craig Devereaux •§ Violin II Scott Oaks Bass Trombone Alva Bostick § Ashley Williams Alex Arellano Jonathan Chang • Laura Flanagan Oboe Tuba Andre Gillard Alan Hyde Andrew Madej Suzanne Lipkin Rishi Magia Cory Pitts Percussion Seyed Safavynia Clarinet Andrew Berman •§ Ligia Sakurai Travis Fraser § Paul Robertson Vasanth Subramaniam Fran Novak • Álvaro Rodas James Teal Timothy Soldani Viola Bassoon Darcy Leon • Emily Bayer Nick Pulito James Di Meglio •§ William Jones Matthew Overberg Contrabassoon Nicholas Singletary Norma Kerlin Horn Cello Lynn Caron Bjorn Berkhout •§ Noah Dopkins Alex Humesky Steven Petrucelli § Todd Porter Marshall Sealy Brittany Taylor † concertmaster § section leader • principal Julie Desbordes, Artistic Director Originally from Limoges, France, Julie Desbordes is a fast-rising conductor known for her engaging style, energetic interpretations and emotional communication with her musicians and audiences.
    [Show full text]
  • · Burt Shevelove Larry Gelbart Stephen Sondheim Rosemary Gass
    From the Book by · Burt Shevelove Larry Gelbart Music and Lyrics Stephen Sondheim Director Rosemary Gass Musical Direction Tyler Driskill Choreography Kat Walsh Ann Arbor Civic Theatre Board of Directors Advisory Board Darrell W. Pierce - President Anne Bauman - Chair Paul Bianchi -Vice President Robin Barlow Fred Patterson - Treasurer JohnEman Linda Borgsdorf- Secretary Robert Green Linda Carriere David Keren Paul Cumming Ron Miller Caitlin Frankel Rowe Deanna Relyea Douglas Harris Judy Dow Rumelhart Thorn Johnson Ingrid Sheldon Nathaniel Madura Gayle Steiner Lindsay McCarthy Keith Taylor Teresa Myers Sheryl Yengera Matthew Rogers Ann Arbor Civic Theatre is proud to honor Helen Mann Andrews, Burnette Staebler, and Phyllis Wright for their years of service on the Advisory Board. Suzi Peterson Emily Rogers Cassie Mann Managing Director Volunteer Coordinator Program Director 322 WEST ANN STREET ANN ARBOR, MICHIGAN 48104 box office (734) 971-2228 office (734) 971-0605 WWW.A2CT.ORG Ann Arbor Civic Theatre Opening night June 5, 2008 Lydia Mendelssohn Theatre Book by Burt Shevelove and Larry Gelbart Music and Lyrics by Stephen Sondheim Directed by Rosemary Gass Music Direction by Choreographed by Tyler Driskill Kat Walsh Assistant Director Producer Stage Manager Kat Walsh Douglas Harris Cathy Cassar Technical Set Designer Lighting Designer Artistic Set Designer Cathy Cassar Tiff Crutchfield Katie Cook Wilcox Hair and Makeup Properties and Set Dressing Costume Designer Susie Berneis Tina Mayer Susie Berneis Graphic Designer Costume Assistant House Manager Katie Cook Wilcox Alexandra Berneis Kyle Newmeyer Publicity Photographer Tom Steppe Produced through special arrangement with Music Theatre International 421 West 54th Street, New York, NY 10019 www.mtishows.com From the Director The director's note..
    [Show full text]
  • Hifi/Stereo Review July 1959
    • 99 BEST BUYS IN STEREO DISCS DAS RHEINGOLD - FINALLY I REVIEW July 1959 35¢ 1 2 . 3 ALL-IN-ONE STEREO RECEIVERS A N II' v:)ll.n EASY OUTDOOR HI-FI lAY 'ON W1HQI H 6 1 ~Z SltnOH l. ) b OC: 1 9~99 1 1 :1 HIS I THE AR THE HARMAN-KARDON STERE [ Available in three finishes: copper, brass and chrome satin the new STEREO FESTIVAL, model TA230 Once again Harman-Kardon has made the creative leap which distinguishes engineering leadership. The new Stereo Festival represents the successful crystallization of all stereo know-how in a single superb instrument. Picture a complete stereophonic electronic center: dual preamplifiers with input facility and control for every stereo function including the awaited FM multiplex service. Separate sensitive AM and FM tuners for simulcast reception. A great new thirty watt power amplifier (60 watts peak) . This is the new Stereo Festival. The many fine new Stereo Festival features include: new H-K Friction-Clutch tone controls to adjust bass and treble separately for each channel. Once used to correct system imbalance, they may be operated as conventionally ganged controls. Silicon power supply provides excellent regulation for improved transient response and stable tuner performance. D.C. heated preamplifier filaments insure freedom from hum. Speaker phasing switch corrects for improperly recorded program material. Four new 7408 output tubes deliver distortion-free power from two highly conservative power amplifier circuits. Additional Features: Separate electronic tuning bars for AM and FM; new swivel high Q ferrite loopstick for increased AM sensitivity; Automatic Frequency Control, Contour Selector, Rumble Filter, Scratch Filter, Mode Switch, Record-Tape Equalization Switch, two high gain magnetic inputs for each channel and dramatic new copper escutcheon.
    [Show full text]
  • Bengal Tiger
    20!2 - 20IJ SEASON C T3PEOPLE C ON OTHER STAGES BOARD OF DIRECTORS AT&T PERFORMING ARTS CENTER CHAIR Marion L. Brockette, Jr. FEB 13 - 24 Anything Goes LIAISON, CITY OF DALLAS CULTURAL COMMISSION CIRCLE THEATER Lark Montgomery JAN 24- FEB 23 God of Carnage BOARD MEMBERS Jac Alder, Suzanne Burkhead, Laura V. Estrada, Sally Hansen, David G. Luther, DALLAS CHILDREN'S THEATER Victoria McGrath, David M. May, Margie J. Reese, JAN 25 - MAR 3 Goodnight Moon Dana W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D., Scott Williams DALLAS SUMMER MUSICALS FEB 12 -24 Catch Me IfYouCan D HONORARY BOARD MEMBERS Roland & Virginia TH Dykes, Gary W. Grubbs, John & Bonnie Strauss DALLAS THEATER CENTER NORMA YOUNG ARENA STAGE 2012-2013 ADMINISTRATION JAN 18- FEB 17 King Lear Cl 1- PRODUCER-DIRECTOR Jac Alder FEB 7 • MAR 24 Red PRESENT LAUGHTER MANAGING DIRECTOR Cory Norman EISEMANN CENTER FOR THE z Aug. 2 - Sept. 1 COMPANY MANAGER Terry Dobson PERFORMING ARTS z DIRECTOR OF BUSINESS AFFAIRS Joan Sleight LLJ JAN 20 IfYouGive a Mouse a Cookie 11<,Other Story c:::( a comedy by Noel Coward IN-HOUSE ACCOUNTANT Wendy Kwan Books DIRECTOR OF PUBLICATIONS «(COMMUNICATIONS FEB 6 - 10 Late Nite Catechism Las Vegas: Sister Rolls c:::: � Kimberly Richard the Dice FREUD'S LAST SESSION IT MANAGER Nick Rushing FEB 10 Romona Quimby Z Sept. 20 - Oct. 20 EXECUTIVE ADMINISTRATIVE ASSISTANT FEB 15 Broadway Love Songs lJ Adele Acrey _ a new drama by Mark St. Germain KITCHEN DOG THEATRE HOUSEKEEPING Kevin Spurrier FEB 8 - MAR 9 The Chairs - PRODUCTION c:::( PEGASUS THEATER V) CRAZY FOR YOU TECHNICAL DIRECTOR Daniel Pucul DEC 31 - JAN 20 XSR: Die/ LLJ I- Nov.
    [Show full text]
  • Graduate Celebration
    2021 GRADUATE CELEBRATION GRADUATE CELEBRATION PROGRAM Friday, June 11, 2021 CLASS OF 2021 DEPARTMENT OF THEATER MUSICAL PERFORMANCE WHEN I GROW UP, FROM MATILDA THE MUSICAL MUSIC AND LYRICS BY TIM MINCHIN PERFORMED BY WALKER BRINSKELE, RIVA BABE BRODY, KIARAH DAVIS, TALIA GLOSTER, JOI MCCOY, CAROLINE PERNICK, HANNAH ROSE, ABE SOANE WELCOME AND RECOGNITION OF MARSHALS BRIAN KITE INTERIM DEAN, UCLA SCHOOL OF THEATER, FILM AND TELEVISION 2021 SPEECHES GENE BLOCK UCLA CHANCELLOR STEVE ANDERSON INTERIM CHAIR, DEPARTMENT OF FILM, TELEVISION AND DIGITAL MEDIA DOMINIC TAYLOR ACTING CHAIR, DEPARTMENT OF THEATER DEMI RENEE KIRKBY VALEDICTORIAN, DEPARTMENT OF THEATER TIFFANY MARGARET ROWSE VALEDICTORIAN, DEPARTMENT OF FILM, TELEVISION AND DIGITAL MEDIA LATIN HONORS RECOGNITION BRIAN KITE KEYNOTE SPEAKER NILO CRUZ PULITZER PRIZE-WINNING PLAYWRIGHT RECOGNITIONS BRIAN KITE CELEBRATION VIDEO UCLA SCHOOL OF THEATER, FILM AND TELEVISION PRESENTATION OF DEGREE CANDIDATES BRIAN KITE FINAL REMARKS UCLA SCHOOL OF THEATER, FILM AND TELEVISION ACKNOWLEDGES THE GABRIELINO/TONGVA PEOPLES AS THE TRADITIONAL LAND CARETAKERS OF THE LOS ANGELES BASIN AND SOUTHERN CHANNEL ISLANDS. AS A LAND GRANT INSTITUTION, UCLA ALSO PAYS RESPECT TO TONGVA ANCESTORS, ELDERS AND RELATIVES - PAST, PRESENT AND EMERGING. LETTER FROM THE PRESIDENT MICHAEL V. DRAKE, M.D. Congratulations, UCLA Class of 2021! It is my honor to join your family, friends, and the entire University of California community in celebrating you and your wonderful accomplishment. Amid historically challenging circumstances across the globe, you have worked hard, persisted and persevered, in pursuit of your UC education. I hope you will always take great pride in what you have achieved at the University of California, and in being a part of the UC family for life.
    [Show full text]
  • (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released.
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]
  • P E R F O R M I N G
    PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
    [Show full text]
  • 3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
    1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20.
    [Show full text]
  • Customizable • Ease of Access • Cost Effective • Large Film Library
    CUSTOMIZABLE • EASE OF ACCESS • COST EFFECTIVE • LARGE FILM LIBRARY A division of www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically for organizations such as Public Libraries, Recreation Centres, Schools and many more A Licence with Criterion-on-Demand includes 24/7 Access If you already have an annual Public Performance Licence from Criterion Pictures, you can add Criterion-on-Demand. Inquire Today 1-800-565-1996 or [email protected] A division of LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Children’s Films • Fox National Geographic • Animated Favourites • Warner Brothers • Classics • Paramount Pictures • Blockbuster Films • eOne • Documentaries • Elevation Pictures • Biographies • Mongrel Media • Literary Adaptations • MK2-Mile End • Academy Award Winners, and many more... etc. KEY FEATURES • Over 3,300 Feature Films and Documentaries, many available in French • Unlimited 24/7 Access with No Hidden Fees • Complete with Public Performance Rights for Communal Screenings • Huge Selection of Animated and Family Films • Access via IP Authentication • Features both “Current” and Hard-to-Find” Titles • “Easy to Use” Search Engine CUSTOMIZATION • Criterion Pictures has the rights to over 15,000 titles • Criterion-on-Demand Updates Titles Quarterly • *Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the
    [Show full text]