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· Burt Shevelove Larry Gelbart Stephen Sondheim Rosemary Gass

From the Book by · Burt Shevelove Larry Gelbart Music and Lyrics Stephen Sondheim Director Rosemary Gass Musical Direction Tyler Driskill Choreography Kat Walsh Ann Arbor Civic Theatre Board of Directors Advisory Board Darrell W. Pierce - President Anne Bauman - Chair Paul Bianchi -Vice President Robin Barlow Fred Patterson - Treasurer JohnEman Linda Borgsdorf- Secretary Robert Green Linda Carriere David Keren Paul Cumming Ron Miller Caitlin Frankel Rowe Deanna Relyea Douglas Harris Judy Dow Rumelhart Thorn Johnson Ingrid Sheldon Nathaniel Madura Gayle Steiner Lindsay McCarthy Keith Taylor Teresa Myers Sheryl Yengera Matthew Rogers Ann Arbor Civic Theatre is proud to honor Helen Mann Andrews, Burnette Staebler, and Phyllis Wright for their years of service on the Advisory Board. Suzi Peterson Emily Rogers Cassie Mann Managing Director Volunteer Coordinator Program Director 322 WEST ANN STREET ANN ARBOR, MICHIGAN 48104 box office (734) 971-2228 office (734) 971-0605 WWW.A2CT.ORG Ann Arbor Civic Theatre Opening night June 5, 2008 Lydia Mendelssohn Theatre Book by Burt Shevelove and Larry Gelbart Music and Lyrics by Stephen Sondheim Directed by Rosemary Gass Music Direction by Choreographed by Tyler Driskill Kat Walsh Assistant Director Producer Stage Manager Kat Walsh Douglas Harris Cathy Cassar Technical Set Designer Lighting Designer Artistic Set Designer Cathy Cassar Tiff Crutchfield Katie Cook Wilcox Hair and Makeup Properties and Set Dressing Costume Designer Susie Berneis Tina Mayer Susie Berneis Graphic Designer Costume Assistant House Manager Katie Cook Wilcox Alexandra Berneis Kyle Newmeyer Publicity Photographer Tom Steppe Produced through special arrangement with Music Theatre International 421 West 54th Street, New York, NY 10019 www.mtishows.com From the Director The director's note..
Bengal Tiger

20!2 - 20IJ SEASON C T3PEOPLE C ON OTHER STAGES BOARD OF DIRECTORS AT&T PERFORMING ARTS CENTER CHAIR Marion L. Brockette, Jr. FEB 13 - 24 Anything Goes LIAISON, CITY OF DALLAS CULTURAL COMMISSION CIRCLE THEATER Lark Montgomery JAN 24- FEB 23 God of Carnage BOARD MEMBERS Jac Alder, Suzanne Burkhead, Laura V. Estrada, Sally Hansen, David G. Luther, DALLAS CHILDREN'S THEATER Victoria McGrath, David M. May, Margie J. Reese, JAN 25 - MAR 3 Goodnight Moon Dana W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D., Scott Williams DALLAS SUMMER MUSICALS FEB 12 -24 Catch Me IfYouCan D HONORARY BOARD MEMBERS Roland & Virginia TH Dykes, Gary W. Grubbs, John & Bonnie Strauss DALLAS THEATER CENTER NORMA YOUNG ARENA STAGE 2012-2013 ADMINISTRATION JAN 18- FEB 17 King Lear Cl 1- PRODUCER-DIRECTOR Jac Alder FEB 7 • MAR 24 Red PRESENT LAUGHTER MANAGING DIRECTOR Cory Norman EISEMANN CENTER FOR THE z Aug. 2 - Sept. 1 COMPANY MANAGER Terry Dobson PERFORMING ARTS z DIRECTOR OF BUSINESS AFFAIRS Joan Sleight LLJ JAN 20 IfYouGive a Mouse a Cookie 11<,Other Story c:::( a comedy by Noel Coward IN-HOUSE ACCOUNTANT Wendy Kwan Books DIRECTOR OF PUBLICATIONS «(COMMUNICATIONS FEB 6 - 10 Late Nite Catechism Las Vegas: Sister Rolls c:::: � Kimberly Richard the Dice FREUD'S LAST SESSION IT MANAGER Nick Rushing FEB 10 Romona Quimby Z Sept. 20 - Oct. 20 EXECUTIVE ADMINISTRATIVE ASSISTANT FEB 15 Broadway Love Songs lJ Adele Acrey _ a new drama by Mark St. Germain KITCHEN DOG THEATRE HOUSEKEEPING Kevin Spurrier FEB 8 - MAR 9 The Chairs - PRODUCTION c:::( PEGASUS THEATER V) CRAZY FOR YOU TECHNICAL DIRECTOR Daniel Pucul DEC 31 - JAN 20 XSR: Die/ LLJ I- Nov.
Graduate Celebration

2021 GRADUATE CELEBRATION GRADUATE CELEBRATION PROGRAM Friday, June 11, 2021 CLASS OF 2021 DEPARTMENT OF THEATER MUSICAL PERFORMANCE WHEN I GROW UP, FROM MATILDA THE MUSICAL MUSIC AND LYRICS BY TIM MINCHIN PERFORMED BY WALKER BRINSKELE, RIVA BABE BRODY, KIARAH DAVIS, TALIA GLOSTER, JOI MCCOY, CAROLINE PERNICK, HANNAH ROSE, ABE SOANE WELCOME AND RECOGNITION OF MARSHALS BRIAN KITE INTERIM DEAN, UCLA SCHOOL OF THEATER, FILM AND TELEVISION 2021 SPEECHES GENE BLOCK UCLA CHANCELLOR STEVE ANDERSON INTERIM CHAIR, DEPARTMENT OF FILM, TELEVISION AND DIGITAL MEDIA DOMINIC TAYLOR ACTING CHAIR, DEPARTMENT OF THEATER DEMI RENEE KIRKBY VALEDICTORIAN, DEPARTMENT OF THEATER TIFFANY MARGARET ROWSE VALEDICTORIAN, DEPARTMENT OF FILM, TELEVISION AND DIGITAL MEDIA LATIN HONORS RECOGNITION BRIAN KITE KEYNOTE SPEAKER NILO CRUZ PULITZER PRIZE-WINNING PLAYWRIGHT RECOGNITIONS BRIAN KITE CELEBRATION VIDEO UCLA SCHOOL OF THEATER, FILM AND TELEVISION PRESENTATION OF DEGREE CANDIDATES BRIAN KITE FINAL REMARKS UCLA SCHOOL OF THEATER, FILM AND TELEVISION ACKNOWLEDGES THE GABRIELINO/TONGVA PEOPLES AS THE TRADITIONAL LAND CARETAKERS OF THE LOS ANGELES BASIN AND SOUTHERN CHANNEL ISLANDS. AS A LAND GRANT INSTITUTION, UCLA ALSO PAYS RESPECT TO TONGVA ANCESTORS, ELDERS AND RELATIVES - PAST, PRESENT AND EMERGING. LETTER FROM THE PRESIDENT MICHAEL V. DRAKE, M.D. Congratulations, UCLA Class of 2021! It is my honor to join your family, friends, and the entire University of California community in celebrating you and your wonderful accomplishment. Amid historically challenging circumstances across the globe, you have worked hard, persisted and persevered, in pursuit of your UC education. I hope you will always take great pride in what you have achieved at the University of California, and in being a part of the UC family for life.
P E R F O R M I N G

PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie

1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20.
On the Auto Body, Inc

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Aliens” (1986) – Superior Sequel to the Original Source

“Aliens” (1986) – Superior Sequel to the Original Source Retrospective by Dr. John L. Flynn Introduction At first glance, the notion of a sequel to “Alien” (1979) must have seemed like such a forgone conclusion. Next to “Star Wars” (1977) and “Close Encounters of the Third Kind” (1977), Ridley Scott’s stylish thriller had been one of the most popular films of the decade. But in the six years since its release, the motion picture had also spawned a rash of forgettable clones. And in a period filled with sequels to almost every successful and popular Hollywood movie that rarely succeeded on their own merit as original entertainment, the new production appeared to be more of a tremendous gamble than a sure thing. Besides the challenge to bring something familiar and new under budget and on time to the screen, the project also had to deal with its share of preconceptions. The most obvious problem writer and director James Cameron faced in developing a sequel to “Alien,” he said, was, “How do you beat a classic? You really have to dig deep into the bag of tricks and come up with some good ideas. And you have to do a proper homage to the original without being a mindless fan, something which is a piece of entertainment and a story in its own right.” Spawning the Sequel In the wake of “Alien’s” success, many similar films soon began appearing at the local multi-plex. Just as it had been influenced by low budget science fiction films of the Fifties and Sixties, like “It! The Terror from Beyond Space” (1958) and “Planet of the Vampires” (1965), the critically-acclaimed motion picture inspired its own collection of imitators, including “Inseminoid” (1980), ‘The Creature Wasn’t Nice” (1981), “Galaxina” (1981), “Galaxy of Terror” (1981) and many others.
Apologia Comœdiae

1 Jay Malarcher Associate Professor of Theatre and Dramaturg West Virginia University [email protected] Apologia Comœdiae For almost as long as philosophers have questioned the metaphysics of existence and the morality of social behaviors, they have sought also to answer the cause and function of humor, specifically in the case of performed comedy.1 With such luminaries as Aristotle, Horace, Kant, Wittgenstein, Bergson, and others involved in the debate, the notion that such an inquiry might be more appropriately located in a journal of epistemology rather than one devoted to performance studies becomes more and more the expectation of those who consider comedy a serious discipline. In fact, few contemporary performance studies scholars approach comedy at all, preferring, it seems, to study the performative aspects of a dental examination or the hidden gender agenda of a nineteenth-century cross-dressing vaudevillian. I would argue that the rigor of philosophy is precisely what comedy theory has always demanded, since any writer might toss off thoughts about comedy and call it a theory; when such a presentation lacks real logic and insight, it serves only to perpetuate the idea 1 Throughout I will distinguish between the more literary “humor” and the performed “comedy” to keep my argument clear and to restrict my topic to a manageable subject set. 2 that comedy simply is not worth the time of serious scholars. As Woody Allen so famously put it, “Humorists always sit at the children‟s table.”2 Comedy deserves to be respected more for two significant advantages it has: first, it provides great exercise in critical reasoning skills, since comedy works on the reason (as opposed to tragedy, which works on the emotions); second, the best comedy allows a penetrating insight into the society that generated the satire: Thus, my assertion that comedy belongs in a conference devoted to the arts‟ role in cultural diplomacy.
Download Handbook

fromparamountpictures JANUARY, 19?9 HANDBOOK OF PRODUCTION INFOR.I{ATION ** *t(*** ******r.**t ******* ** * ****** * PARAI"IOT'N'T PICTURES PRESENTS A LAI^IRENCE GORDON PRODUCTION l *i r ry MUSIC BY BARRY DEVORZON EDITOR DAVID HOTDEN DIRECTOR OF PHOTOGRAPHYANDREW LASZLO, A.S.C. E)GCUTIVE PRODUCER FRANK MARSHAIL BASED ON THE NOVEL BY SOL YURICK SCREENPLAY BY DAVID SHASER AND WALTER HILL PRODUCED BY LAWRXNCE GORDON DIRECTED BY WAITER HILL PARAITIOUNTPICTUFES CORPORATION 1 GULF + WESTERNPLAJZA NEw YORKITY 1oo23 ''THE WARRIORS" PRELIMINARY CAST IIST SWAN..... ...,I.,IICHAELBECK AJAX..-... ...,...JAMES REI,IAR FOX...,... ......THOMAS WATTES CLEON..... ,....DORSEY WRIGHT SNOW.... ..BRIAN Tr'iER cocErsE. ,.......DAVID HARRIS COWBOY.... TOM MCKITIERICK REI,IBRANDT. .. j...MARCELINO SANCHEZ VERMIN.. ,......TERRY MICEOS MERCY..,.... .......DEBORAH VAN VAIKENBUREII CJIKU'. .. .ROGER HILL LUTHER......... .......DAVID PATRICKKELLY D.J, ,.,.. .....LyNr.I I,HTCPEN CANDY STORE GIRL..., . , . .GINN! ORTIZ GRAI.,IERCYRIFFS... , . , . .EDWARD SEIJER RON FERRELL FERNANDOCASTILI,O I{I,BERT EDI,{ARDS LARRY SEARS uI(E .tA.t4ES GREGORYCLEGHORNE GEORGE LEE I,IILES STANI,EV TT!{I.IS JOHN MAURICE JAMIE PERRY I,fINsmN YARDE ROGIJES.. ....,...JOEL WErSS HAROLD UILLER DAN BONNELL DAN BATTLES TO!,T JARUS MICHAEL GARIIELD CHRIS HARLEY MARK BAITZAR TURNBI'LLA.C.'s.. .......J.w. sl.{ITH CAI ST. JOHN JOE ZIMMARDI CARROTTE WII,I,fAM IIIILLIAI.IS MARVIN FOSTER JOIIN BARNES KEN THRET MICI{AEL JEFFREY .,...PAt'L GRECO APACIG RAMOS TONY MTCHAEL PANN NEA], GOLD JAMES MARGOLIN CHUCK MASON ANDY ENGEIS IAN COIIEN CIIARLES SERRANO CHARLES DOOIAN -3- BASEBALL FUR]ES . JERRY HEWTTT BOB RYDER JOSEPH BERGUAN RICIARD CIOTTI TONY LATHAM EUGENE BICKNEIi T. J. McNAMARA STEVEN JA}IES IANE RUOFF IiARRY MADSE]\I BILTY ANAGNOS JOHN GIBSON LIZZIES iISA MAURER KA:IE KLUGMAN DEE DEE BENREY JORDAN CAE IIARRELL DONNA RITCHIE DORAN CLARK PATTY BROWN IRIS AIAHANTI VfCTORIA VANDERKLOOT LAURA DE ],ANO SUKI ROTHCHILD HEIDI LYNCH PIJNKS CRAIG BAXLEY A.
Richard Kind

RICHARD KIND Successful on stage, screen and television, Richard Kind has recently completed a starring role in "A Serious Man" written and directed by the Cohen Brothers and “Candide” at the New York City Opera. And recently starred in “The Lady In Question” at the Bay Street Theatre in Sag Harbor, New York. He has also starred in the smash hit musical “The Producers,” as Max Bialystock at the St. James Theater in New York, and in the Sondheim musical Bounce, directed by Hal Prince. Bounce premiered at the Goodman Theatre in Chicago and was then moved to the Kennedy Center in Washington D.C. Television viewers perhaps best know Richard as “Paul Lassiter,” the irrepressible press secretary to the Mayor of New York on the ABC series Spin City. He is also known as “Mark,” Fran’s ex-husband on NBC’s Mad About You. Additional TV credits include stints as a series regular on Carol and Company with Carol Burnett, two ABC series, Blue Skies and A Whole New Ball Game, as well as Unsub. Recently, he has guest starred on Scrubs, Still Standing, The Division, Miss Match, and Curb Your Enthusiasm with Larry David. Along with television, Richard’s experience also encompasses the areas of film and theatre. He recently filmed the feature entitled The Grand directed by Zak Penn and he also completed filming a recurring role on Stargate Atlantis. Richard has appeared as “Dr. Robert Farley” in the Miramax feature Spymate, and also in the critically acclaimed “The Station Agent.” Richard has been seen in the independent film Hacks, and as the voice of the character “Molt,” the dim-witted obnoxious grasshopper in Disney’s blockbuster animated film, A Bug’s Life.
Why LAUGHTER on the 23RD FLOOR? by David Cecsarini

volume 30, issue 2 30, volume 2019 november “ Why LAUGHTER ON THE 23RD FLOOR? by David Cecsarini Twenty-one years ago, HE COULD DO ANYTHING as we were preparing our Sid Caesar was a tall, strapping, staged reading of Neil Simon’s rubber-faced acting powerhouse LAUGHTER ON THE 23RD FLOOR, whose bottomless comedic in- I was introduced to the singu- vention found expression through lar and colossal comedic genius, fluid movement and superb vocal Sid Caesar. Simon was a rookie acrobatics. Sifting through the writer for Caesar in 1953, and his many video recordings of Your play is a loving tribute to the cra- Show of Shows or Caesar’s Hour, ziest writers’ room in television. the breadth and depth of his cre- I had some vague notion of who ative talents are simply astonish- Sid Caesar was and that he did ing. Though his natural Brooklyn a 90-minute live comedy broad- accent colored many of Caesar’s cast, Your Show of Shows, back Sid Caesar characterizations, he was also a in early TV. But the immersion fokkers vas Messerschmitts!” I master of other accents, includ- course of specific study, as often can remember us watching the ing the utterance of approximate happens in our business, brought 60s TV comedy Hogan’s Heroes, foreign languages known as dou- Isaac Sidney Caesar into full fo- with wonderful actors John Ban- ble talk. French, German, Italian, cus, context and prominence ner and Werner Klemperer taking Russian, Japanese: he could carry within the pioneering world of it on the chin for the Luftwaffe.
Danger, Danger

FINAL-1 Sat, Apr 27, 2019 6:22:37 PM tvupdateYour Weekly Guide to TV Entertainment For the week of May 5 - 11, 2019 Emily Watson stars in “Chernobyl” INSIDE Danger, •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 Hollywood Q&A Page14 danger • On Monday, May 6, join Soviet scientist Valery Legasov (Jared Harris, “The Terror”), nuclear physicist Ulana Khomyuk (Emily Watson, “Genius”) and head of the Bureau for Fuel and Energy of the Soviet Union Boris Shcherbina (Stellan Skarsgård, “River”), as they seek to uncover the truth behind one of the world’s worst man-made catastrophes in the premiere of “Chernobyl,” on HBO. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS To advertise here GOLD/DIAMONDS BUY SELL please call ✦ 40 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, PARTS & ACCESSORIESBay 4 (978) 946-2375 Group Page Shell We Need: SALES & SERVICE Motorsports 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE1 x 3” We are the ORIGINAL and only AUTHENTIC INSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 1615 SHAWSHEEN ST., TEWKSBURY, MA at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Apr 27, 2019 6:22:38 PM COMCAST ADELPHIA 2 CHANNEL Kingston Sports Highlights Atkinson Londonderry 10:30 p.m. NESN Red Sox Final Live ESPN Softball NCAA ACC Tournament NESN Baseball MLB Seattle Mariners Salem Sunday Sandown Windham (60) TNT Basketball NBA Playoffs Live Women’s Championship Live at Boston Red Sox Live GUIDE Pelham, 10:55 a.m.