St. Peters Square Park Management Plan

Total Page:16

File Type:pdf, Size:1020Kb

St. Peters Square Park Management Plan [2010-20] St. Peters Square Park Management Plan The Greek Runner, a bronze statue by Sir William Blake Richmond in St Peter’s Square 10 years Management and Maintenance Plan ■■■St Peter’s Square ■■■ Revision Date Author(s) Approved for LBHF by: V1 21/01/11 Rob Kelly Paul Bassi V1 09/12/11 Andrew Kauffman / Preeti Paul Bassi Chatwal (QSL) V2 15/02/13 Andrew Kauffman / Preeti Paul Bassi Chatwal (QSL) Picture: Local media Launch for Comic Relief ‘Sports Relief 2012’ Campaign 2 ■■■St Peter’s Square ■■■ Contents CONTENTS.......................................................................................................................................... 3 1 INTRODUCTION ........................................................................................................................ 5 2 ACTION PLAN PROGRESS SUMMARY ........................................................................................ 6 3 STRATEGIC CONTEXT................................................................................................................. 7 3.1 INTRODUCTION ......................................................................................................................... 7 3.2 HAMMERSMITH AND FULHAM COMMUNITY STRATEGY ....................................................................... 7 3.3 PARKS AND OPEN SPACES STRATEGY .............................................................................................. 7 3.4 SIGNIFICANCE OF ST PETER’S SQUARE ............................................................................................. 8 4 ST PETER’S SQUARE KEY SITE INFORMATION AND DESCRIPTION .............................................. 9 4.1 SITE DETAILS ............................................................................................................................ 9 4.2 LOCATION .............................................................................................................................. 10 4.3 SOILS .................................................................................................................................... 10 4.4 HYDROLOGY ........................................................................................................................... 10 4.5 FLORA, FAUNA AND NATURE CONSERVATION ................................................................................. 10 4.6 FACILITIES AND FEATURES .......................................................................................................... 11 4.7 RECYCLING FACILITIES ............................................................................................................... 11 4.8 CHILDREN’S FACILITIES .............................................................................................................. 11 4.9 RECENT HISTORY OF THE SQUARE ................................................................................................ 11 4.10 PRESENT USER PROFILE ........................................................................................................ 11 4.11 MANAGEMENT ................................................................................................................... 11 4.12 LEASES, COVENANTS AND LEGAL INTEREST ................................................................................ 12 5 VISION FOR ST PETER’S SQUARE ............................................................................................. 13 6 AIMS, OBJECTIVES AND MANAGEMENT ACTIONS ................................................................... 14 6.1 CREATING A WELCOMING SQUARE .............................................................................................. 15 Photograph: Quadron Staff refurbishing railings(Jan2012) / Signboard near entrance .............. 15 6.1.1 BACKGROUND AND ISSUES .................................................................................................... 15 6.1.2 OBJECTIVES ....................................................................................................................... 16 6.1.3 MANAGEMENT ACTIONS ....................................................................................................... 16 6.2 A HEALTHY, SAFE AND SECURE PARKS AND OPEN SPACES .................................................................. 17 6.2.1 BACKGROUND AND ISSUES .................................................................................................... 17 6.2.2 INSPECTION REGIME ............................................................................................................ 18 6.2.3 SIGNAGE ........................................................................................................................... 18 6.2.4 DOGS ............................................................................................................................... 18 6.2.5 ENCOURAGING HEALTHY LIFESTYLES ........................................................................................ 19 6.2.6 TREE MANAGEMENT ............................................................................................................ 20 6.2.7 PARKS CONSTABULARY ......................................................................................................... 20 6.2.8 HOW OUR CONTRACTORS MANAGE SAFETY ................................................................................ 22 6.2.9 SAFETY INFORMATION .......................................................................................................... 23 6.2.10 OBJECTIVES ................................................................................................................... 23 6.2.11 MANAGEMENT ACTIONS .................................................................................................. 23 6.3 A WELL MAINTAINED AND CLEAN SQUARE .................................................................................... 25 6.3.1 BACKGROUND AND ISSUES .................................................................................................... 25 6.3.2 INSPECTION AND MAINTENANCE OPERATIONS ............................................................................ 25 6.3.3 CONFIRM INFRASTRUCTURE MANAGEMENT SYSTEM .................................................................... 26 6.3.4 LITTER AND WASTE MANAGEMENT ......................................................................................... 26 6.3.5 GRAFFITI ........................................................................................................................... 27 6.3.6 FLYPOSTING ....................................................................................................................... 27 6.3.7 BUILDINGS AND ASSETS ........................................................................................................ 27 6.3.8 SMALL WORKS TEAM ........................................................................................................... 27 3 ■■■St Peter’s Square ■■■ 6.3.9 OBJECTIVES ....................................................................................................................... 27 6.3.10 MANAGEMENT ACTIONS .................................................................................................. 28 6.4 ACHIEVING SUSTAINABLE SPACES ................................................................................................ 29 6.4.1 BACKGROUND AND ISSUES .................................................................................................... 29 6.4.2 PESTICIDE AND PEAT USE. ..................................................................................................... 30 6.4.3 PESTS AND DISEASE.............................................................................................................. 30 6.4.4 BIOLOGICAL CONTROL .......................................................................................................... 30 6.4.5 WEED CONTROL ................................................................................................................. 30 6.4.6 ARBORICULTURE ................................................................................................................. 31 6.4.7 TREE POLICY AND MANAGEMENT ............................................................................................ 31 6.4.8 BIODIVERSITY AND ENVIRONMENTAL ISSUES .............................................................................. 32 6.4.9 AIR QUALITY ACTION PLAN ................................................................................................... 32 6.4.10 BIODIVERSITY ACTION PLAN (BAP) ..................................................................................... 32 6.4.11 LOCAL DEVELOPMENT FRAMEWORK (LDF)/UNITARY DEVELOPMENT PLAN .................................. 32 6.4.12 GREEN WASTE RECYCLING ................................................................................................ 33 6.4.13 SUSTAINABLE USE OF VEHICLES AND MACHINERY ................................................................... 33 6.4.14 ENVIRONMENTAL PROCUREMENT ....................................................................................... 33 6.4.15 WATER MANAGEMENT .................................................................................................... 33 6.4.16 OBJECTIVES ................................................................................................................... 34 6.4.17 MANAGEMENT ACTIONS .................................................................................................
Recommended publications
  • Hubert Herkomer, William Powell Frith, and the Artistic Advertisement
    Andrea Korda “The Streets as Art Galleries”: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012) Citation: Andrea Korda, “‘The Streets as Art Galleries’: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement,” Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012), http://www.19thc-artworldwide.org/spring12/korda-on-the-streets-as-art-galleries-hubert- herkomer-william-powell-frith-and-the-artistic-advertisement. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Korda: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement Nineteenth-Century Art Worldwide 11, no. 1 (Spring 2012) “The Streets as Art Galleries”: Hubert Herkomer, William Powell Frith, and the Artistic Advertisement by Andrea Korda By the second half of the nineteenth century, advertising posters that plastered the streets of London were denounced as one of the evils of modern life. In the article “The Horrors of Street Advertisements,” one writer lamented that “no one can avoid it.… It defaces the streets, and in time must debase the natural sense of colour, and destroy the natural pleasure in design.” For this observer, advertising was “grandiose in its ugliness,” and the advertiser’s only concern was with “bigness, bigness, bigness,” “crudity of colour” and “offensiveness of attitude.”[1] Another commentator added to this criticism with more specific complaints, describing the deficiencies in color, drawing, composition, and the subjects of advertisements in turn. Using adjectives such as garish, hideous, reckless, execrable and horrible, he concluded that advertisers did not aim to appeal to the intellect, but only aimed to attract the public’s attention.
    [Show full text]
  • Twıckenham Christmas Guide 2013
    Twıckenham Christmas Guide 2013 www.twickenhamthetown.co.uk WELCOME The time for Twickenham really is now. The town is showing a new confidence that is growing by the week. There was a big surge in 2011 with the influx of money from the Outer London Fund, and the birth of the Twickenham Town Business Association. Then there were accolades from Britain in Bloom, a council action plan and, hopefully, by the time you read this, Business Improvement District status. We owe grateful thanks to the traders and businesses who’ve helped to make the town so festive this year. We are hoping for a really bright Christmas with a host of great See ttba.org.uk events. For the first time, there will be an ice rink at York for more details House—a challenging venture by Twickenham Alive. on all Christmas Everyone in the TTBA wishes you a Merry Christmas. events, or phone Please join us at the traders’ carol service on December 17 0208 744 0474 at St Mary’s church. Thank you and SHOP LOCAL! Bruce R Lyons, Chairman, Twickenham Town Business Association WITH THANKS TO ALL OUR SUPPORTERS COVER ILLUSTRATIONS BY TOM PEARCE DRAWINGSOFTHINGS.COM TOM BY ILLUSTRATIONS COVER Editor: Simon Hemelryk Designer: Hugh Kyle Produced by Shona Lyons of Crusader Travel TWICKENHAM CHRISTMAS GUIDE 2013 Twickenham’s looking to the past for a great Christmas present TINSEL, TRADITION AND A Twirl with a strong sense of tradition running through many of the initiatives—even though most of them have only just been created. Not least among them will be the opening of the new Richmond Ice Rink (richmondrink.com) in the grounds of the York House council building.
    [Show full text]
  • Graves of Artists and Architects Buried There
    Graves of architects and artists in the Chiswick Churchyard and Old Burial Ground A noteworthy feature of the burial ground associated with St Nicholas, Chiswick, is the remarkable number of graves of artists and architects buried there. This article records the graves of an important eighteenth-century architect and garden designer, a respected bricklayer and site manager, two well-regarded Victorian sculptors, and no fewer than six painters and printmakers. In comparison, I know of only one literary figure who was buried there: the maverick Italian poet and patriot, Ugo Foscolo (1778–1827). But perhaps he does not count, since his bones were exhumed in 1871 and returned to Italy for re-burial in Sta Croce, Florence. The churchyard harbours the tomb of only one theatrical figure, Charles Holland (1733–1769), but – as far as I am aware – of not one single composer. Two possible reasons for this bias in favour of the visual arts may be connected with two leading figures in the British eighteenth-century art world who were associated with St Nicholas, Chiswick. Lord Burlington (1694–1753) and William Hogarth (1697–1764) were close contemporaries, although they seldom if ever saw eye to eye. Lord Burlington was the architect of his ground- breaking Chiswick Villa, and he was also a celebrated aesthete and connoisseur. During highly profitable visits to Italy in the second decade, he amassed an important collection of Italian Renaissance and Baroque paintings. Chiswick Villa was designed in part specifically to display this collection, which enhanced Burlington’s status in the British art scene. His semi-permanent residence at Chiswick in the last 20 or so years of his life, and the inheritance of his estate by the Dukes of Devonshire from 1764, perhaps attracted other artists to the area, seeking aristocratic and royal patronage.
    [Show full text]
  • William Holman Hunt's Portrait of Henry Wentworth Monk
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2017 William Holman Hunt’s Portrait of Henry Wentworth Monk Jennie Mae Runnels Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4920 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. William Holman Hunt’s Portrait of Henry Wentworth Monk A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History at Virginia Commonwealth University. Jennie Runnels Virginia Commonwealth University Department of Art History MA Thesis Spring 2017 Director: Catherine Roach Assistant Professor Department of Art History Virginia Commonwealth University Richmond, Virginia April 2017 Contents Acknowledgments Introduction Chapter 1 Holman Hunt and Henry Monk: A Chance Meeting Chapter 2 Jan van Eyck: Rediscovery and Celebrity Chapter 3 Signs, Symbols and Text Conclusion List of Images Selected Bibliography Acknowledgements In writing this thesis I have benefitted from numerous individuals who have been generous with their time and encouragement. I owe a particular debt to Dr. Catherine Roach who was the thesis director for this project and truly a guiding force. In addition, I am grateful to Dr. Eric Garberson and Dr. Kathleen Chapman who served on the panel as readers and provided valuable criticism, and Dr. Carolyn Phinizy for her insight and patience.
    [Show full text]
  • Church History 2006 Final-1
    A BRIEF HISTORY OF ST PETER’S CHURCH, HAMMERSMITH 1 ST PETER’S CHURCH “The oldest church in Hammersmith and the only loveable one, although cheaply built and shabby.” (Nikolaus Pevsner) These days it is hard to imagine, but back in 1829 St Peter’s Church stood in solitary splendour, surrounded on all sides by meadows, market gardens and smallholdings. The new church faced out upon a T-junction formed by Black Lion Lane, which ran southwards until it reached the Upper Mall by the river and an unfinished road leading west into St Peter’s Square. Residential dwellings and commercial buildings were to gradually replace the fields and farms as Hammersmith flourished during the remainder of the nineteenth century. On November 8th 1836, The London Gazette defined the boundaries of St Peter’s District as follows: “It is bounded on the west by the Parish of Chiswick; on the south by the River Thames, the Creek and the High Bridge and the Worple Way to the southern extremity of Waterloo Street; on the east northwardly Waterloo Street, including the west side of that street; then westward, by King’s Street, that is the turnpike road leading from London to Brentford, as far as Webb’s Lane, as far as Gould Hawke Road; and on the north by Gould Hawke Road until the said ancient road terminates in Chiswick parish at Stamford Brook.” Although some of the names have changed or disappeared, the parish boundaries remain the same today, 179 years after the foundation stone of St Peter’s Church was laid on 16th May 1827 The village of Hammersmith had been in existence for some hundreds of years by the seventeenth century and was steadily increasing in size and prosperity.
    [Show full text]
  • 1/137 Research Report 1997-1999 One of the Vital Activities of Any National Museum Is Research. the Myriad Public Functions of A
    Research Report 1997-1999 One of the vital activities of any national museum is research. The myriad public functions of a modern museum are dependent on sound knowledge of the objects in the museum's care. Research allows the Victoria and Albert Museum to play a role with the creative industries; it underpins education programmes that render the collections meaningful to school children, students and distance learners; it enables the giving of pleasure to a mass audience. Scholarship, alongside collections management and conservation, guarantees the continued prosperity of the nation's heritage. This report covers a three-year period in which hundreds of exhibitions, books, journal articles and electronic publications have made available a vast amount of scholarly material. Victoria and Albert Museum specialists on the art and design of the last thousand years, across all continents, have continuously published ground-breaking research in significant quantities. Apart from the individual efforts of the Museum's major scholars, perhaps a particularly impressive aspect of the research effort in this period has been the collaborative projects undertaken with universities and museums in Britain and abroad. They include topics as varied as Gothic art, historic tapestries, Anglo-Indian furniture, the Victorians, modern product design and electronic media. As research becomes more interdisciplinary, and technology becomes more central, so the methods of research progress. This report shows that a powerful and varied research culture remains one of the distinguishing characteristics of the V&A. It reports on the last years of the 20th century. I think we can all be assured that the research effort will continue and will enlighten the new century as much as it did the old one.
    [Show full text]
  • “He Hath Mingled with the Ungodly”
    ―HE HATH MINGLED WITH THE UNGODLY‖: THE LIFE OF SIMEON SOLOMON AFTER 1873, WITH A SURVEY OF THE EXTANT WORKS CAROLYN CONROY TWO VOLUMES VOLUME I PH.D. THE UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2009 2 ABSTRACT This thesis focuses on the life and work of the marginalized British Pre-Raphaelite and Aesthetic homosexual Jewish painter Simeon Solomon (1840-1905) after 1873.This year was fundamental in the artist‘s professional and personal life, because it is the year that he was arrested for attempted sodomy charges in London. The popular view that has been disseminated by the early historiography of Solomon, since before and after his death in 1905, has been to claim that, after this date, the artist led a life that was worthless, both personally and artistically. It has also asserted that this situation was self-inflicted, and that, despite the consistent efforts of his family and friends to return him to the conventions of Victorian middle-class life, he resisted, and that, this resistant was evidence of his ‗deviancy‘. Indeed, for over sixty years, the overall effect of this early historiography has been to defame the character of Solomon and reduce his importance within the Aesthetic movement and the second wave of Pre-Raphaelitism. It has also had the effect of relegating the work that he produced after 1873 to either virtual obscurity or critical censure. In fact, it is only recently that a revival of interest in the artist has gained momentum, although the latter part of his life from 1873 has still remained under- researched and unrecorded.
    [Show full text]
  • Press Release Pre-Raphaelites on Paper, Leighton House Museum
    PRESS RELEASE Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection An exhibition at Leighton House Museum organised by the National Gallery of Canada, Ottawa 12 Feb 2016 – 29 May 2016 Press Preview 11 Feb 2016 Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection will be the first exhibition opening at Leighton House Museum in 2016, presenting an exceptional, privately- assembled collection to the UK public for the first time. Featuring over 100 drawings and sketches by the Pre- Raphaelites and their contemporaries, the exhibition is organised by the National Gallery of Canada (NGC). It expresses the richness and flair of British draftsmanship during the Victorian era displayed in the unique setting of the opulent home and studio of artist and President of the Royal Academy (PRA) Frederic, Lord Leighton. From preparatory sketches to highly finished drawings intended as works of art in themselves, visitors will discover the diverse ways that Victorian artists used drawing to further their artistic practice, creating, as they did so, images of great beauty and accomplishment. Portraits, landscapes, allegories and scenes from religious and literary works are all represented in the exhibition including studies for some of the most well-known paintings of the era such as Edward Burne- Jones’ The Wheel of Fortune (1883), Holman Hunt’s Eve of St Agnes (1848) and Leighton’s Cymon and Iphigenia (1884). With the exception of Leighton’s painting studio, the permanent collection will be cleared from Leighton House and the drawings hung throughout the historic interiors. This outstanding collection, brought together over a 30-year period by Canadian Dr.
    [Show full text]
  • AFTERWORD Why a Spooky Tale?
    AFTERWORD Why a spooky tale? Charles Dickens’ ‘A Christmas Carol’ has proved an enduringly popular ghost story. It was first published on 19th December 1843 and had sold out by Christmas Eve. Another twelve editions followed within its first year and it has never been out of print since. M. R. James (1862 – 1936), former Provost of King’s College, Cambridge and Director of the Fitzwilliam Museum, was also instrumental in making ghost stories a seasonal ‘treat’. M.R. James – 1900 Illustration: James McBryde Photographer unknown – public domain M. R. James’s (1904) ‘Ghost Stories of an Antiquary’ M. R. James would read his latest tale to friends at his college - in his own words, ‘usually at the Christmas season’ - thereby establishing a Cambridge tradition. Mark Gatiss explained in his BBC television programme on M. R. James, ‘He could combine his historical expertise, his scholarly fascination for the strange and the obscure with the desire to thrill, delight, and above all to connect with his friends… What must have made the reading really compelling is the rich detail and knowledge that Monty brought to them.’ Eluding to the entities which are invoked in M. R. James’s stories, Gatiss said of the author, rather chillingly, ‘It sounded as though he knew whereof he spoke.’ In this ‘Afterword’, the David Parr House will be linked to Monty James via William Morris and Charles Fairfax but, as it is October, first some more spookiness… Last month’s submission covered William Morris’s interest in medieval manuscripts and the printing press, so I shall start with the word: ‘Ghost’.
    [Show full text]
  • Healthwatchrichmond Richmond's
    Healthwatch Richmond Care Act Consultation June-August 2014 Acknowledgements Authors: Louise Smith, Keisha Forteau, Mariangela Presti & Adeola Adeleke Contributors: Mike Derry, Rachel Kidd, Bruno Meekings, Derek Oliver, Linda Nelhams and Nadine Hassler, Amanda Brooks and Peter Hughes. A big thank you to those who supported us throughout the consultation period: Kathy Sheldon, Margaret Dangoor and Allan Lockett. We would also like to extend our thanks to the individuals at the organisations we conducted outreach sessions to: Age UK Richmond, FISH, Ethnic Minorities Action Group, Alzheimers Society and the Twickenham Wellbeing Centre. Contents Summary .......................................................................................... 3 Introduction ...................................................................................... 4 What we did ...................................................................................... 5 What we found................................................................................... 6 Prevention ..................................................................................... 6 Information and advice ...................................................................... 8 Finance ....................................................................................... 10 Deferred Payments ......................................................................... 12 Eligibility ..................................................................................... 14 What Next? ....................................................................................
    [Show full text]
  • 19Th Century European, Victorian and British Impressionist Art New Bond Street, London I 26 September 2018
    19th Century European, Victorian and British Impressionist Art New Bond Street, London I 26 September 2018 19th Century European, Victorian and British Impressionist Art Wednesday 26 September 2018 at 2pm New Bond Street, London VIEWING ENQUIRIES REGISTRATION PHYSICAL CONDITION OF Thursday 20 September Peter Rees (Head of Sale) IMPORTANT NOTICE LOTS IN THIS AUCTION 9am to 4.30pm +44 (0) 20 7468 8201 Please note that all customers, PLEASE NOTE THAT THERE IS Friday 21 September [email protected] irrespective of any previous NO REFERENCE IN THIS 9am to 4.30pm activity with Bonhams, are Sunday 23 September Charles O’Brien CATALOGUE TO THE PHYSICAL 11am to 3pm (Head of Department) required to complete the Bidder CONDITION OF ANY LOT. Monday 24 September +44 (0) 20 7468 8360 Registration Form in advance of INTENDING BIDDERS MUST 9am to 4.30pm [email protected] the sale. The form can be found SATISFY THEMSELVES AS TO Tuesday 25 September at the back of every catalogue THE CONDITION OF ANY LOT 9am to 4.30pm Emma Gordon and on our website at www. AS SPECIFIED IN CLAUSE 14 Wednesday 26 September +44 (0) 20 7468 8232 bonhams.com and should be OF THE NOTICE TO BIDDERS 9am to 12pm [email protected] returned by email or post to the CONTAINED AT THE END OF THIS CATALOGUE. specialist department or to the SALE NUMBER Alistair Laird bids department at 24742 +44 (0) 20 7468 8211 As a courtesy to intending [email protected] [email protected] bidders, Bonhams will provide a written Indication of the physical CATALOGUE To bid live online and / or leave condition of lots in this sale if a £25.00 Deborah Cliffe internet bids please go to +44 (0) 20 7468 8337 request is received up to 24 www.bonhams.com/ ILLUSTRATIONS [email protected] hours before the auction starts.
    [Show full text]
  • Arts Events in Richmond Upon Thames December 2013
    Arts events in Richmond upon Thames December 2013 A carillon of Christmas music nce again, the local concert the Wurlitzer on Saturday 7 December societies, orchestras and at 2.30 pm). Omusic groups have a musicalmuseum.co.uk spectacular programme of music in The Mayor of RuT, Cllr. Meena Bond, the weeks leading up to Christmas. is hosting an Evening of Festive Music featuring the Band of the Royal Christmas music Military School of Music (Kneller Hall). Tuesday 3 December at 7.30 pm at Clarendon Hall, York House, Cantanti Camerati has its Christmas Twickenham. Dame Jackie: carol concert at St richmond.gov.uk/mayors_charity_events artsrichmond President Mary Magdalene The Landmark Arts Centre at for 2014 Church, Richmond Teddington’s Carols by Candlelight is on Saturday 21 on Saturday 21 December at 7.30 pm. We are delighted to announce that December at 7.30 landmarkartscentre.org Dame Jacqueline Wilson FRS has pm with Carols for accepted our invitation to be The Rainbow Fund for South Africa Choir and Audience artsrichmond’s Honorary President for has The Spirit of Christmas with local (020 8898 8020); 2014, in succession to biographer and young people supporting their peers in Teddington Choral Society gives a former foreign correspondent Anne Guguletu on Saturday 30 November Christmas concert with jazz singer Sebba, our President for 2013. Becki Biggins on Saturday 14 from 3.00 to 4.00 pm in St Mary December at 7.30 pm at St James’s Magdalene Church, Richmond. Dame Jacqueline is the immensely Church, Hampton Hill [email protected]
    [Show full text]