DOCSLIB.ORG

4.11 Excerpt]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
4.11 Excerpt] The West Wing Weekly 4:11 “Holy Night” Guest: The Whiffenpoofs, Robert Malina HRISHI: Hey West Wing Weekly listeners, for anyone who might have missed out on merch in our last round of sales, we are unveiling a brand new West Wing Weekly store thanks to our friends at Cotton Bureau. JOSH: Yes, it looks great, it feels great, and everything is once again available. HRISHI: That’s right. You can get the What’s Next Hat, as well as all the t-shirts, the newest addition—Single Cell Paramecium— plus all the old favorites: The Signal, Ok, Ok, What’s Next, and the University Sweatshirt. JOSH: You’ve got your hat, I think there are still a few signed posters, you’ve got the lapel pin, you’ve got the challenge coin, Bartlet’s Army, you’ve got it all. And remember when you buy West Wing Weekly merchandise you support the podcast, the entire endeavor, and you make it clear to the rest of the world that you are a person of integrity. HRISHI: And taste! JOSH: And taste, sure! And I love seeing Weeks-ling, as we call you, out in the world. I love seeing somebody with just a little, subtle lapel pin or the full on Single Cell Paramecium shirt. HRISHI: Go to thewestwingweekly.com/merch to check out all of the stuff we’ve got. Or, if you just want to look at the brand new fancy pretty store. JOSH: And know that new products are being developed in the creative lab even as we speak. [Ad Break] [Intro Music] HRISHI: You’re listening to The West Wing Weekly, I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. [West Wing Episode 4.11 excerpt] CJ: This is like something you’d get on the internet. [end excerpt] JOSH: Haha, awesome. It’s 2018. HRISHI: It is. You know what else it is, Josh? JOSH: No, don’t say it. It won’t be until the end. HRISHI: Ah, okay, alright, alright. [laughs] JOSH: [laughs] I blew this once, I’m not going to do it again. HRISHI: Today, we’re talking about the midway point of The West Wing. JOSH: Which is what we will reach when we’re done with this episode. HRISHI: Today, we’re talking about the episode Holy Night. It’s season 4, episode 11— it’s the Christmas episode. And I watched this over the holidays, which was nice. JOSH: It first aired on December 11, 2002; it was written by fan favorite Aaron Sorkin, directed by fan favorite Tommy Schlamme. It’s one of those episodes. HRISHI: They’re a good team. JOSH: Yeah. HRISHI: In this episode, we get a special appearance from the Yale Whiffenpoofs, and later on in this episode, we’re going to be joined by a couple of the Whiffenpoofs who were in the episode. JOSH: Boula, boula, very exciting. HRISHI: From the class of 2003. Plus, we’ll get a visit from Josh’s father, the charming and funny Mr. Bob Malina. JOSH: Woo! [musical interlude] Mr. Bob Malina, Mr. Bob Bob Malina. [end musical interlude] JOSH: This is a special episode. For a variety of reasons I remember this episode better than most. You get your cold open in Yiddish. HIRSHI: I mean, that’s just badass. JOSH: It is badass. HRISHI: At this point in the series, I was watching the show on TV every week. I had caught up on DVDs and I was excited every Wednesday to watch and I remember when this episode aired I remember watching it in L.A. and my mind was blown. This whole thing is Yiddish! That seemed very ballsy. JOSH: Yeah, a very bold choice by Aaron that pays off very well. And I think Tommy does a great job also taking us back to the, do we get a year, a specific year? HRISHI: 1954. JOSH: [cross talk] I know it’s the ‘50s. ‘54! Gotcha. The reason I asked the year is because I thought the, I thought Murder, Inc. was done by the ‘50s. HRISHI: The group was exposed in the 1940s. JOSH: There you go. HRISHI: According to Wikipedia. JOSH: I thought so. I wonder why they said ‘50s. It’s probably a question of what cars they had lying around on the lot. [laughs] HRISH: [laughs] Well I think also because Toby had to have just been born. JOSH: Oh, that’s what it was. Of course, right. Although you know I think Richard could play older. [laughs] HRISHI: [laughs] JOSH: Just kidding. They could have done 30s. You’re exactly right that’s why it is— they kind of fudged the true era a little bit to make a plausible Toby. Little Tobias. HRISHI: Which is funny because having the dates correct and knowing the history is part of the episode later. JOSH: I also learned, I’m not sure how I, “Jew-y Jew” that I am, that I didn’t know this but that Yankel, which one of the characters calls the other. I didn’t realize that Yankel was a diminutive for Jacob, which I should have known just being who I am but also I’m a Jacob. My Hebrew well I ,(יקון) but through this episode, I discovered not only am I a Yaakov ,(יקון) name is Yaakov knew that, I’m a Yankel. You could legitimately call me Yankel and I encourage you to do so. HRISHI: [laughs] Yankel, what is my Hebrew name? .I mean, sound-wise ,(הושוה) JOSH: Yours, let’s see, Hrishi, Hrishi could be a Hoshuah HRISHI: Mmhmm. JOSH: Hrrrshoah. [laughs] HRISHI: How about Hrishikesh, if you take the full thing. JOSH: Can’t be done. HRISHI: Can’t be done? There’s no Hebrew equivalent of Hrishikesh? JOSH: [laughs]. Let’s crowdsource this, let us know what you think. HRISHI: Ok. That would be cool. And then when we get our West Wing Weekly jerseys, I can have my Hebrew name on the back. JOSH: [laughs] Yeah, that’s good. HRISHI: While we’re on the subject of words that I don’t understand, the beginning of the episode, as we’re doing this crane shot getting down to the car where Jules Ziegler is sitting, the first few lines in Yiddish are not translated. The first one we get with subtitles is “You hear what I said?” I was like No, I didn’t. JOSH: [cross talk] No. Well I heard it. [laughs] HRISHI: [laughs] I heard it, I guess. So can you translate? JOSH: Oh, I’m sure I cannot and I probably should have. This is probably a good opportunity to get my dad on the horn. HRISHI: For all the goys will you explain the difference between Yiddish and Hebrew and how they relate? JOSH: Well, Yiddish, I guess, and I’m no expert in Linguistics, or anything else. [laughs] HRISHI: [laughs] JOSH: But Yiddish is, I think, a high Germanic language used by central and Eastern Europeans before the Holocaust, and less and less after, that combines elements of Hebrew, uses the Hebrew alphabet and I think also incorporates elements of other languages. There’s probably a better Wikipedia explanation than that. [laughs] HRISHI: [laughs] At this point, if you didn’t know that and you’ve been listening to this podcast and watching The West Wing, I mean, you’ve been doing a fakakte job. JOSH: This is actually a good phrase, a better way to put it. It’s the historical language of the Ashkenazic, the Ashkenazic Jews who are the Eastern and Central European Jews. HRISHI: Ok. As to the actual plot within the— JOSH: [cross talk] I was actually just going to go with the production design and directing and lighting, I think it looks great. HRISHI: Yeah. JOSH: I can also imagine it being part of the Warner Bros. backlot— HIRSHI: [cross talk] For sure. JOSH: But they dressed it beautifully. The snow works, the lighting is gorgeous. It still works for me, almost there’s a little, if they had a movie budget and much more time could they have made it more photorealistic to the time, I’m sure, but it works almost for me in the sense that it also feels a little like an idealized memory of the time. HRISHI: Hmm. Yeah. JOSH: I think they did a very good job. And also I sometimes criticize the way things look, usually in the Oval through the windows. For some reason, the snow all works for me so well this episode. It really looks like it’s snowing! We get the portico, I think, and the exterior of the White House and then we get through the windows. It all really works. HRISHI: Oh the shot at the end where the President’s just got his back to the camera and he’s looking out of the window. JOSH: Yeah. HRISHI: Yeah, that’s a great shot. JOSH: [cross talk] Lovely. HRISHI: So, we have in the cold open, Toby’s father, Jules Ziegler in 1954 he’s played by Danny Jacobs, he’s played by Jerry Adler in the present day. But before we get to the present day, I was wondering, I didn’t totally understand why Zev— JOSH: Took one to the back of the head? HRISHI: Yeah. JOSH: [cross talk] yeah. HRISHI: So we have Yaakov/Yankel, and Zev and Jules and, for some reason, they’re supposed to meet a guy, Zev has set up this meet, and he says he’s gonna be there and then they go in and Zev never comes back out, and I didn’t know, did he get killed because he screwed up? Or was the plan for him to be, this was how they were setting up killing one of their own.
Load more

Recommended publications
  • Congress in the Mass Media: How the West Wing and Traditional Journalism Frame Congressional Power ______
    CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER _______________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri – Columbia _______________________________________________________ In Partial Fulfillment Of the Requirement for the Degree Master of Arts _______________________________________________________ by CASSANDRA BELEK Dr. Lee Wilkins, Thesis Supervisor MAY 2010 1 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER presented by Cassandra Belek, a candidate for the degree of master of journalism, and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________ Professor Lee Wilkins ____________________________________________________ Professor Jennifer Rowe ____________________________________________________ Professor Sandra Davidson ____________________________________________________ Professor Marvin Overby DEDICATION To everyone who has given me an education. To my parents, Joe and Katie, who sacrificed so much to ensure that my brother and I had the best educations possible. They taught me more than I can fit on this page. To my big brother Joey, who taught me about sports and ’90s rap music. To my Belek and Lankas extended families, who taught me where I come from and support me in where I am going. To all my teachers and professors—the good, the bad, and the awesome—at Holy Spirit Catholic School, St. Thomas Aquinas High School, the University of Notre Dame, and the University of Missouri. To Professor Christine Becker of the University of Notre Dame, who taught me it is okay to love television and whose mentorship continued even after I left the Dome.
    [Show full text]
  • Television Has Long Upheld an Unspoken Rule: a Female Character May Be Beautiful Or Angry, but Never Both
    PRETTY HURTS Television has long upheld an unspoken rule: A female character may be beautiful or angry, but never both. A handful of new shows prove that rules were made to be broken BY JULIA COOKE Shapely limbs swollen and wavering under longer dependent on men to be effective.” Woodley’s Jane runs hard and fast, flashing water, lipstick wiped off a pale mouth with a These days, injustice—often linked to the back to scenes of her rape and packing a gun in yellow sponge, blonde bangs caught in the zip- tangled ramifications of a heroine’s beauty— her purse to meet with a man who might be the per of a body bag: Kristy Guevara-Flanagan’s gives women license to take all sorts of juicy perpetrator. Their anger is nuanced, caused by 2016 short film What Happened to Her collects actions that are far more interesting than a range of situations, and on-screen they strug- images of dead women in a 15-minute montage killing. On Marvel’s Jessica Jones, it’s fury at gle to tame it into something else: self-defense, culled mostly from crime-based television dra- being raped and manipulated by the evil Kil- loyalty, grudges, power, career. mas. Throughout, men stand murmuring over grave that spurs the protagonist to become the The shift in representation aligns with the beautiful young white corpses. “You ever see righteously bitchy superhero she’s meant to increasing number of women behind cameras something like this?” a voice drawls. be. When her husband dumps her for his sec- in Hollywood.
    [Show full text]
  • English, French, and Spanish Colonies: a Comparison
    COLONIZATION AND SETTLEMENT (1585–1763) English, French, and Spanish Colonies: A Comparison THE HISTORY OF COLONIAL NORTH AMERICA centers other hand, enjoyed far more freedom and were able primarily around the struggle of England, France, and to govern themselves as long as they followed English Spain to gain control of the continent. Settlers law and were loyal to the king. In addition, unlike crossed the Atlantic for different reasons, and their France and Spain, England encouraged immigration governments took different approaches to their colo- from other nations, thus boosting its colonial popula- nizing efforts. These differences created both advan- tion. By 1763 the English had established dominance tages and disadvantages that profoundly affected the in North America, having defeated France and Spain New World’s fate. France and Spain, for instance, in the French and Indian War. However, those were governed by autocratic sovereigns whose rule regions that had been colonized by the French or was absolute; their colonists went to America as ser- Spanish would retain national characteristics that vants of the Crown. The English colonists, on the linger to this day. English Colonies French Colonies Spanish Colonies Settlements/Geography Most colonies established by royal char- First colonies were trading posts in Crown-sponsored conquests gained rich- ter. Earliest settlements were in Virginia Newfoundland; others followed in wake es for Spain and expanded its empire. and Massachusetts but soon spread all of exploration of the St. Lawrence valley, Most of the southern and southwestern along the Atlantic coast, from Maine to parts of Canada, and the Mississippi regions claimed, as well as sections of Georgia, and into the continent’s interior River.
    [Show full text]
  • The Current Status and Issues Surrounding Native Title in Regional Australia
    284 Australasian Journal of Regional Studies, Vol. 24, No 3, 2018 NEW DIMENSIONS IN LAND TENURE – THE CURRENT STATUS AND ISSUES SURROUNDING NATIVE TITLE IN REGIONAL AUSTRALIA Jude Mannix PhD Candidate, Science and Engineering Faculty, School of Civil Engineering and Built Environment, Queensland University of Technology, Brisbane, Queensland, 4000, Australia. Email: [email protected]. Michael Hefferan Emeritus Professor, c/- Science and Engineering Faculty, School of Civil Engineering and Built Environment, Queensland University of Technology, Brisbane, Queensland, 4000, Australia. Email: [email protected]. ABSTRACT: The acquisition and use of real property is fundamental to practically all types of resource and infrastructure projects. The success of those activities is based, in no small way, on the reliability of the underlying tenure and land management systems operating across all Australian states and territories. Against that background, however, the historic Mabo (1992) decision gave recognition to Indigenous land rights and the subsequent enactment of the Native Title Act 1993 (Cth.) (NTA) ushered in an emerging and complex new aspect of property law. While receiving wide political and community support, these changes have had a significant effect on those long-established tenure systems. Further, it has only been over time, as diverse property dealings have been encountered, that the full implications of the new legislation and its operations have become clear. Regional areas are more likely to encounter native title issues than are urban environments due, in part, to the presence of large scale agricultural and pastoral tenures and of significant areas of un-alienated crown land, where native title may not have been extinguished.
    [Show full text]
  • “Big Block of Cheese II” [Advertisement Omitted] [Intro Music] HRISHI: You're Listening To
    The West Wing Weekly 0.03: “Big Block of Cheese II” [Advertisement omitted] [Intro Music] HRISHI: You’re listening to The West Wing Weekly, the final West Wing Weekly episode of 2016. JOSH: Woo! HRISHI: I’m Hirshikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Today we’ve got a special bonus episode. We’re gonna be taking questions and answering them. After this, we’re gonna be taking a couple weeks off for the holidays, so no episode next Wednesday or the Wednesday after that. We’ll be back January 11th, 2017 with another regular episode. JOSH: What a remarkable thing for us to do. [laughs] I mean let me just pat us on the back. We are special, special podcasters. HIRSHI: This is sort of like our version of the Big Block of Cheese Day that is featured regularly on the show. JOSH: And in a virtual fashion by the Obama Administration. He did a couple virtual Big Block of Cheese Days. HRISHI: That’s right. JOSH: Oh, I almost forgot. I’m going to have to come up with a cheese. This is your least favorite thing. [cross talk] I almost forgot your least favorite thing! HRISHI: [cross talk] I know. I wasn’t gonna mention it. I was waiting for you to do it, and then I when you didn’t I thought, oh, maybe I might be able to get away without it, [cross talk] without being subjected to a type of cheese. JOSH: [cross talk] No, you’re not so lucky. I think today, we’re going to pair our questions with a lovely Midnight Moon.
    [Show full text]
  • Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
    Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström.
    [Show full text]
  • West Wing Or Left Wing? the Pedagogy of Politics in the Masterly Series of the United States
    West Wing or Left Wing? The pedagogy of politics in the masterly series of the United States Vicent Partal . For seven seasons, American viewers have had the There are very few buildings in the world that arouse the chance to follow a series that showed, as fiction but curiosity, attention and interest generated by 1600 Penn- very meticulously, internal life at the summit of power sylvania Avenue in Washington. The White House is a key in the White House. Directed by Aaron Sorkin, The setting for world politics, one of the leading centres of intri- West Wing series has set trends. Never before had gue in any terrain, the most absolute seat of power. It must North American political life been portrayed with such be one of the few buildings that can be recognised the world meticulousness. The reactions of critics and the pu- over, one of the few houses that leaves no-one indifferent blic have been highly favourable towards this non- when they see it. Consequently it is, and must be, also a pri- humorous parody of the American presidency but vileged setting for fiction. It has all the right conditions. some right-wing groups have accused it of creating a The White House has been portrayed on many occasions "parallel reality" comparable with the country's real in film and on television. It is believed that Wilson, a film presidency, that of George Bush. from 1945 directed by Henry King, was the first to recons- truct life at the White House with detailed sets. Since then, a whole range of films and TV series have attempted to draw back a little the curtain that obscures the most secret area of the White House from the view of the public at large.
    [Show full text]
  • THE WEST WING by ANINDITA BISWAS
    UNWRAPPING THE WINGS OF THE TELEVISION SHOW: THE WEST WING By ANINDITA BISWAS A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Communication December 2008 Winston-Salem, North Carolina Approved By: Mary M. Dalton, Ph.D., Advisor ____________________________________ Examining Committee: Allan Louden, Ph.D., ____________________________________ Wanda Balzano, Ph.D., _____________________________________ Acknowledgments Whatever I have achieved till now has been possible with the efforts, guidance, and wisdom of all those who have filled my life with their presence and will continue to do so in all my future endeavors. Dr.Mary Dalton : My advisor, an excellent academician, and the best teacher I have had to date. Thank you for encouraging me when I was losing my intellectual thinking. Thanks you for those long afternoon conversations/thesis meetings in your office, which always made me, feel better. Last, but not the least, thank you for baking the most wonderful cookies I have had till now. I have no words to describe how much your encouragement and criticism has enriched my life in the last two years. Dr. Allan Louden: Thank you for helping me get rid of my I-am-scared-of-Dr.Louden feeling. I have enjoyed all the conversations we had, loved all the books you recommended me to read, and enjoyed my foray into political communication, all because of you! Dr. Wanda Balzano : Thanks for all the constructive criticism and guidance that you have provided throughout this project. Dr. Ananda Mitra and Swati Basu: Thanks for all the encouragement, support, and motivation that helped me pull through the last two years of my stay in this country.
    [Show full text]
  • The West Wing
    38/ Pere Antoni Pons The everydayness of power The West Wing If the effect is the same as what happens with me, after seeing any average-quality chapter of The West Wing (1999-2006) the reader-spectator will think he or she is witnessing an incontrovertible landmark in the latest phase of audiovisual narrative. After viewing one of the more dazzling, memorable episodes, he or she will not hesitate to believe that this is to behold one of the major, most perfect intellectual and artistic events of the early twenty-first century, comparable —not only in creative virtuosity but also in meaning, magnitude and scope— with Michelangelo’s Sistine Chapel, Shakespeare’s tragedies, Balzac’s The Human Comedy, or the complete recordings of Bob Dylan. Over the top? Even with more rotund words, it would be no exaggeration. Nowadays, nobody can ignore the fact that a colossal explosion in quality has happened over the last decade in the universe of American TV series. The old idea according to which the hapless professionals —scriptwriters, actors and directors— the ones who lack the luck or talent to carve out a niche in Hollywood or to triumph in the world of cinema, have to work in television has now been so thoroughly debunked that it even seems to have been turned on its head. Thanks to titles like The Sopranos, Capo 35 Ample front (Capo 35 Broad forehead), Miquel Barceló (2009). Ceramic, 22,5 x 19 x 25 cm 39 40/41 II The everydayness of power: The West Wing Pere Antoni Pons Lost, and The Wire, no one doubts any more that TV series can be as well filmed, as well written and as well acted as any masterpiece of the big screen.
    [Show full text]
  • 1.12: He Shall, from Time to Time
    The West Wing Weekly 1.12: He Shall, From Time to Time [Intro Music] HRISHI: You’re listening to The West Wing Weekly. I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Today we’re talking about episode 12 of season 1 of The West Wing “He Shall, From Time to Time.” JOSH: It was written by Aaron Sorkin and directed by Arlene Sanford. First female director of a West Wing episode. HRISHI: Is that right? JOSH: Yeah, I believe so. HRISHI: This is the only episode she directed of The West Wing. JOSH: It first aired on January 12th, 2000, so it’s the first episode of the new Millennium. Lot of firsts. Lots of meaningful firsts. HRISHI: Is it the new Millennium though, Josh? JOSH: Oh, here we — HRISHI: — or is it really the end of the 20th century? JOSH: Which episode was that from? HRISHI: That question was raised in “In Excelsis Deo.” [West Wing Episode 1.10 excerpt] TOBY: It’s not the new Millennium but I’ll just let it drop. SAM: It is. TOBY: It is not the new Millennium. The Year 2000 is the last year of the Millennium. It’s not the first year of the next one. SAM: But the common sensibility, to quote Stephen J. Gould... TOBY: Stephen J. Gould needs to look at a calendar. SAM: Gould says this is a largely unresolvable issue. TOBY: Yes, it’s tough to resolve so you’d have to look at a calendar. [end excerpt] JOSH: Ah, that’s right.
    [Show full text]
  • ROYAL—All but the Crown!
    The emily Dickinson inTernaTional socieTy Volume 21, Number 2 November/December 2009 “The Only News I know / Is Bulletins all Day / From Immortality.” emily dickinson in20ternation0al so9ciety general meeting EMILY DICKINSON: ROYA L — all but the Crown! Queen Without a Crown July –August , , Regina, Saskatchewan, Canada eDis 2009 annual meeTing Eleanor Heginbotham with Beefeater Guards Emily with Beefeater Guards Suzanne Juhasz, Jonnie Guerra, and Cris Miller with Beefeater Guards Cindy MacKenzie and Emily Special Tea Cake Paul Crumbley, EDIS president and Cindy MacKenzie, organizer of the 2009 Annual Meeting Georgie Strickland, former editor of the Bulletin Bill and Nancy Pridgen, EDIS members George Gleason, EDIS member and Jane Wald, executive director of the Emily Dickinson Museum Jane Eberwein, Gudrun Grabher, Vivian Pollak, Martha Ackmann and Ann Romberger at banquet Group in front of the Provincial Government House and Eleanor Heginbotham at banquet Cover Photo Courtesy of Emily Seelbinder Photos Courtesy of Eleanor Heginbotham and Georgie Strickland I n Th I s Is s u e Page 3 Page 12 Page 33 F e a T u r e s r e v I e w s 3 Queen Without a Crown: EDIS 2009 19 New Publications Annual Meeting By Barbara Kelly, Book Review Editor By Douglas Evans 24 Review of Jed Deppman, Trying to Think with Emily Dickinson 6 Playing Emily or “the welfare of my shoes” Reviewed by Marianne Noble By Barbara Dana 25 Review of Elizabeth Oakes, 9 Teaching and Learning at the The Luminescence of All Things Emily Emily Dickinson Museum Reviewed by Janet
    [Show full text]
  • Fastcap 21-30
    DeflectorTM inventor, Matt Stodola RocLocTM inventor, John Fitzsimmons Deck MasterTM inventor, Jason Lindquist dbc designed by a cabinetmaker / contractor PRO Tools VLRQDO RIHV JUDG SU H Artisan Accents TM JUHDWSULFH & Mortise Tool Turn of the century craftsmanship with the tap of a hammer. Available in three sizes: 5/16”, 3/8” and 2”, create a beautiful ebony pinned look with the Mortise ToolTM and Artisan AccentsTM. Combining the two allows you to create the look of Greene & Greene furniture in a fraction of the time. Everyone will think you spent hours using ebony pins, flush cut saws and meticulously sanding. “Stop The StruggleTM” 1. Identify where the pin needs to go and tap with the Mortise ToolTM to make the Get the “Greene & Greene” look Accent divots. 2. Install a trim screw, if using one (it is not necessary; the Accents can simply be decorative). 3. Align the Artisan AccentTM in the divots, tap with a hammer until the edge of the Artisan AccentTM is flush with the edge of the wood and you are done! Note: Apply a dab of 2P-10TM Jël under the Artisan AccentTM for a permanent hold. Fast & simple! The 2” Artisan Chisel on an air hammer leaves a perfect outline for the Accents. The Artisan Accent tools are intended for use in real wood Great for... applications. Not recommended • Furniture • Beams for use on man-made material. • Cabinets • Rafters • Trim • Decks • and more! A Pocket Chisel creates square corners for the accent 2” 5 ⁄16” A small dab of 2P-10 Jël in the corners locks the Accent in place 3 ⁄8” Patent Pending Description Part Number USD Artisan Accents (50 pc) 5/16” ARTISAN ACCENT 5/16 $5.00 Mortise Tool (5/16”) MORTISE TOOL 5/16 $20.00 Artisan Accents (50 pc) 3/8” ARTISAN ACCENT 3/8 $5.00 Mortise Tool (3/8”) MORTISE TOOL 3/8 $20.00 Inventor, Artisan Accents (10 pc) 2” ARTISAN ACCENT 2 $9.99 Jeff Marholin Artisan Chisel 2” ARTISAN CHISEL 2 $59.99 A fi nished professional look dbc designed by a cabinetmaker www.fastcap.com 21 PRO Tools TM *Four corners shown Screw the Ass.
    [Show full text]