Extensions of Remarks E2047 EXTENSIONS of REMARKS
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Cloud Fonts in Microsoft Office
APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ -
Suitcase Fusion 8 Getting Started
Copyright © 2014–2018 Celartem, Inc., doing business as Extensis. This document and the software described in it are copyrighted with all rights reserved. This document or the software described may not be copied, in whole or part, without the written consent of Extensis, except in the normal use of the software, or to make a backup copy of the software. This exception does not allow copies to be made for others. Licensed under U.S. patents issued and pending. Celartem, Extensis, LizardTech, MrSID, NetPublish, Portfolio, Portfolio Flow, Portfolio NetPublish, Portfolio Server, Suitcase Fusion, Type Server, TurboSync, TeamSync, and Universal Type Server are registered trademarks of Celartem, Inc. The Celartem logo, Extensis logos, LizardTech logos, Extensis Portfolio, Font Sense, Font Vault, FontLink, QuickComp, QuickFind, QuickMatch, QuickType, Suitcase, Suitcase Attaché, Universal Type, Universal Type Client, and Universal Type Core are trademarks of Celartem, Inc. Adobe, Acrobat, After Effects, Creative Cloud, Creative Suite, Illustrator, InCopy, InDesign, Photoshop, PostScript, Typekit and XMP are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apache Tika, Apache Tomcat and Tomcat are trademarks of the Apache Software Foundation. Apple, Bonjour, the Bonjour logo, Finder, iBooks, iPhone, Mac, the Mac logo, Mac OS, OS X, Safari, and TrueType are trademarks of Apple Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc. App Store is a service mark of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. Elasticsearch is a trademark of Elasticsearch BV, registered in the U.S. -
Administración De Fuentes De Windows Guía De Mejores Prácticas Administración De Fuentes De Windows: Guía De Mejores Prácticas
PRIMERA EDICIÓN ADMINISTRACIÓN DE FUENTES DE WINDOWS GUÍA DE MEJORES PRÁCTICAS ADMINISTRACIÓN DE FUENTES DE WINDOWS: GUÍA DE MEJORES PRÁCTICAS Contenido ¿Por qué necesita administrar sus fuentes? ....................................................................1 ¿A quiénes va dirigido este libro? ....................................................................................1 Notas sobre Windows .......................................................................................................................2 Convenciones utilizadas en esta Guía ............................................................................ 2 Mejores prácticas de la administración de fuentes ....................................................... 3 Utilice una aplicación de administración de fuentes .....................................................................4 Separe las fuentes de terceros de las fuentes del sistema ..............................................................4 Elabore un plan para agregar fuentes nuevas .................................................................................4 Actualice las fuentes obsoletas.........................................................................................................4 Mantenimiento de fuentes ...............................................................................................................4 Antes de seguir ...............................................................................................................4 Muestre las extensiones ....................................................................................................................5 -
System Profile
Steve Sample’s Power Mac G5 6/16/08 9:13 AM Hardware: Hardware Overview: Model Name: Power Mac G5 Model Identifier: PowerMac11,2 Processor Name: PowerPC G5 (1.1) Processor Speed: 2.3 GHz Number Of CPUs: 2 L2 Cache (per CPU): 1 MB Memory: 12 GB Bus Speed: 1.15 GHz Boot ROM Version: 5.2.7f1 Serial Number: G86032WBUUZ Network: Built-in Ethernet 1: Type: Ethernet Hardware: Ethernet BSD Device Name: en0 IPv4 Addresses: 192.168.1.3 IPv4: Addresses: 192.168.1.3 Configuration Method: DHCP Interface Name: en0 NetworkSignature: IPv4.Router=192.168.1.1;IPv4.RouterHardwareAddress=00:0f:b5:5b:8d:a4 Router: 192.168.1.1 Subnet Masks: 255.255.255.0 IPv6: Configuration Method: Automatic DNS: Server Addresses: 192.168.1.1 DHCP Server Responses: Domain Name Servers: 192.168.1.1 Lease Duration (seconds): 0 DHCP Message Type: 0x05 Routers: 192.168.1.1 Server Identifier: 192.168.1.1 Subnet Mask: 255.255.255.0 Proxies: Proxy Configuration Method: Manual Exclude Simple Hostnames: 0 FTP Passive Mode: Yes Auto Discovery Enabled: No Ethernet: MAC Address: 00:14:51:67:fa:04 Media Options: Full Duplex, flow-control Media Subtype: 100baseTX Built-in Ethernet 2: Type: Ethernet Hardware: Ethernet BSD Device Name: en1 IPv4 Addresses: 169.254.39.164 IPv4: Addresses: 169.254.39.164 Configuration Method: DHCP Interface Name: en1 Subnet Masks: 255.255.0.0 IPv6: Configuration Method: Automatic AppleTalk: Configuration Method: Node Default Zone: * Interface Name: en1 Network ID: 65460 Node ID: 139 Proxies: Proxy Configuration Method: Manual Exclude Simple Hostnames: 0 FTP Passive Mode: -
Nunavut Utilities Technical Guide, Version 2.1, June 2, 2005 1 CONTENTS
Nunavut Utilities Technical Guide Prepared by Multilingual E-Data Solutions For the Nunavut Department of Culture, Language, Elders and Youth Nunavut Utilities Technical Guide, Version 2.1, June 2, 2005 1 CONTENTS 1. Introduction................................................................................................................... 4 2. Syllabic Font Conversions............................................................................................ 4 2.1 Using Unicode as a Pivot Font.................................................................................. 5 2.2 Conversions to Unicode............................................................................................ 6 2.3 Conversions back to “Legacy” fonts......................................................................... 6 2.4 Special Processing Routines ................................................................................. 6 2.4.1 Placement of Long vowel markers .................................................................... 6 2.4.2 Extra Long vowel markers................................................................................. 7 2.4.3 Typing variations and collapsing characters...................................................... 7 3. Roman/Syllabic Transliteration Conversions ............................................................ 8 3.1 Introduction............................................................................................................... 8 3.2 Inuit Cultural Institute (ICI) Writing System........................................................... -
Cree Syllabic Fonts: Development, Compatibility, and Usage in the Digital World
Cree Syllabic Fonts: Development, Compatibility, and Usage in the Digital World BILL JANCEWICZ AND MARIE-ODILE JUNKER SIL International and Carleton University INTRODUCTION Like other minority languages, but maybe even more so, Aboriginal languages are facing challenges in encountering information technology (henceforth IT). Our experience in helping develop resources for typing in Cree syllabics in the IT area (see also Jancewicz and Junker 2002) has led us to explore the following questions: How do changes in IT affect languages such as Cree? • What are the best IT tools for promoting and preserving the language? • Can these tools be understood and accessed by the people who need them? • To what extent are minority languages vulnerable with respect to IT? We will start by discussing the recent history of character encodings and the effect it has had on Cree users. We then examine current issues pertaining to display of fonts, keyboarding, conversions, and distribution. Finally, we discuss some current collaborative IT applications and practices involving the Cree language within the East Cree community of speakers.1 1. We wish to thank all the Cree writers, speakers, and linguists who have participated in our dialogue about Cree fonts over the year, as well as the audience at the 40th Algonquian Conference, Minneapolis, MN, October, 2008. Special thanks to Timothy di Leo Browne for editorial comments, and to Delasie Torkornoo for technical support. Research for this paper was partially funded by a SSHRC grant (# 856-2004-1028). 151 152 BILL JANCEWICZ AND MARIE-ODILE JUNKER FROM LEGACY (8-BIT) ENCODINGS TO UNICODE The history of the development of computer technology in the 1980s and 1990s provides the reasons for some of the hurdles that needed to be overcome in order to provide efficient usability of Cree syllabics on computers. -
Fontexplorer® X Pro
FontExplorer X Pro User Guide FontExplorer® X Pro User Guide January 2010 by Linotype, a Monotype Imaging Company FontExplorer X Pro User Guide FontExplorer X Pro User Guide Copyright and Trademark Information This document is protected by international and US copyright law and may not be reproduced or distributed either in part or in total without prior written consent of Linotype GmbH. This includes the storing of the information in electronic formats, in databases for information retrieval as well as translation into other languages. The licensee is only allowed to transfer the software or pass on the accompanying written materials to third parties under the conditions set forth in the applicable License Agreement. This Copyright and Trademark Information does not constitute any rights, obligations, warranties or liabilities other than those set forth in the applicable License Agreement. Information in this manual that refers to possible product extensions or to available accessories is not legally binding, especially because the product is subject to continuous adaptation and because the information may also relate to future development. The contents of this manual can change without prior notice and do not represent any legal obligation on the part of Linotype GmbH. Linotype GmbH can neither be made liable for the correctness of information in this manual nor for damages resulting from the use of this information or the impossibility of using this information. FontExplorer is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and which may be registered in certain other jurisdictions. All other product and company names mentioned in this manual are trademarks of the respective companies. -
44 Fonts for Powerpoint
PRESENTITUDE THE PERIODIC TABLE OF POWERPOINT FONTS An overview and guide to the 44 most common fonts on different OS and in different versions of PowerPoint, to be used for PowerPoints distributed in .ppt/.pptx-format. WWW.PRESENTITUDE.COM | [email protected] | @PRESENTITUDE | +1 (916) 256 ©2000 PRESENTITUDE WHAT FONTS SHOULD I USE? Fonts are not just text. A font is a visual of PowerPoint cannot use embedded statement just like a carefully chosen fonts at all. image and other graphic elements. So when creating a presentation or a However, when designing corporate template for a large group of users you presentations that need to travel outside can keep your presentation safe by the organization, using a unique font is choosing any of these 44 fonts that are risky, no matter how beautiful it is. most commonly installed* in different Most fonts can’t be embedded in a PowerPoint versions. template so they must be installed locally This Presentitude™ guide gives you an for anyone to use and see these fonts overview over these fonts, divided in when opening up your PowerPoint three groups: sans serifs, serifs and document. Or you might not have the script/display fonts. rights to distribute the font. Mac versions Johanna Rehnvall Founder, Presentitude * Based on the list of recommended fonts in Building PowerPoint Templates (2012, Que Publishing), by Echo Swinford & Julie Terberg. © PRESENTITUDE ABOUT THE FONT SHEETS Each of the 44 fonts are displayed in the same way, using the same font sizes, same spacing and the same pangrams on each font sheet. The bold and the italics are the “false” bold and italics as this is the most common way the average user of a PowerPoint will generate bold/italics. -
Macintosh OS X 10.6.4 - Hawaiian Font Support Fonts Highlighted in Light Green Contain All of Vowel-Macron Combinations and the ‘Okina in Its Preferred Location
Macintosh OS X 10.6.4 - Hawaiian Font Support Fonts highlighted in light green contain all of vowel-macron combinations and the ‘okina in its preferred location. Those highlighted in yellow have all vowel-macron combinations but lack the ‘okina in its preferred location. All others have missing vowel-macron combinations. 02BB 0100 0101 0112 0113 012A 012B 014C 014D 016A 016B (ʻ) (Ā) (ā) (Ē) (ē) (Ī) (ī) (Ō) (ō) (Ū) (ū) .Helvetica LT MM no no no no no no no no no no no .Keyboard no no no no no no no no no no no .Times LT MM no no no no no no no no no no no Abadi MT Condensed Extra Bold no no no no no no no no no no no Abadi MT Condensed Light no no no no no no no no no no no Academy Engraved LET YES YES YES YES YES YES YES YES YES YES YES Al Bayan Bold no no no no no no no no no no no Al Bayan Plain no no no no no no no no no no no American Typewriter YES YES YES YES YES YES YES YES YES YES YES American Typewriter Bold YES YES YES YES YES YES YES YES YES YES YES American Typewriter Condensed YES YES YES YES YES YES YES YES YES YES YES American Typewriter Condensed Bold YES YES YES YES YES YES YES YES YES YES YES American Typewriter Condensed Light YES YES YES YES YES YES YES YES YES YES YES American Typewriter Light YES YES YES YES YES YES YES YES YES YES YES Andale Mono no YES YES YES YES YES YES YES YES YES YES Apple Braille no no no no no no no no no no no Apple Braille Outline 6 Dot no no no no no no no no no no no Apple Braille Outline 8 Dot no no no no no no no no no no no Apple Braille Pinpoint 6 Dot no no no no no no no no no no -
Suitcase Fusion 7 Guide
Copyright © 2014–2017 Celartem, Inc., doing business as Extensis. This document and the software described in it are copyrighted with all rights reserved. This document or the software described may not be copied, in whole or part, without the written consent of Extensis, except in the normal use of the software, or to make a backup copy of the software. This exception does not allow copies to be made for others. Licensed under U.S. patents issued and pending. Extensis is a registered trademark of Celartem, Inc. The Extensis logos, Extensis Portfolio, Font Sense, Font Vault, FontLink, QuickComp, QuickFind, QuickMatch, QuickType, Suitcase, Suitcase Attaché, TurboSync, Universal Type, Universal Type Client, and Universal Type Core are trademarks of Extensis. Portfolio Flow, Portfolio NetPublish, Suitcase Fusion, Type Server, and Universal Type Server are registered trademarks of Extensis. Celartem, Celartem, Inc., and the Celartem logo are trademarks of Celartem, Inc. Adobe, Acrobat, After Effects, Creative Cloud, Creative Suite, Illustrator, InCopy, InDesign, Photoshop, PostScript, Typekit and XMP are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apple, Bonjour, the Bonjour logo, Finder, iBooks, iPhone, Mac, the Mac logo, Mac OS, OS X, Safari, and TrueType are trademarks of Apple Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc. App Store is a service mark of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. Microsoft, Excel, Internet Explorer, PowerPoint, SQL Server, and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. -
Windows Embedded Compact 7 Components SKU Comparison
Windows Embedded Compact 7 Components SKU Comparison Column and SKU listing Descriptions "C7NR" SKU: Offers key foundational operating system components targeted towards portable navigation devices. "C7E" SKU: Provides OEMs with a comprehensive package of operating components to develop a wide variety of general embedded devices. "C7G" SKU: Provides Consumer Internet Device (CID) OEMs a competitive package that includes web browsing, media playback and messaging as well as foundational and connectivity technologies necessary for internet devices. These SKUs are ideal for set top boxes, portable media players, mobile internet devices, digital picture frames, digital media adapters, and eLearning devices. C7G SKU is available on Windows Embedded Compact 7. "C7P" SKU: Offers the richest set of components and applications to enable complex consumer and enterprise class devices. C7P SKU can satisfy complex scenarios such as remote desktop connectivity, data sync via Active Sync, web browsing, media playback, email, contact management, and voice communication. It also includes a software development kit to allow devices to be customized and extended by end customers. C7P SKU is ideal for many device categories including thin clients, mobile handheld terminals, and industrial automation controllers. "C7T" SKU: C7T provides RemoteFX out of the box as well as security technology like Kerberos, CredSSP and NTML technology so that your thin clients are enterprise ready. OS Components Table Key Indicates that the corresponding catalog item is included -
The Myth of the Design Saviour Design and Philosophy Society Journal 01 Term 01 2020 Royal College of Art
The myth of the Design Saviour Design and Philosophy Society Journal 01 Term 01 2020 Royal College of Art SO ILO PH H Y P S & O C N I E G I T S Y E D&PD 01 INTRO POEM The Myth of the Design Saviour VALESKA NOEMI 02 On the Persuasive Power of Objects FANN XU 03 Crafting Sustainable Futures WOOJIN JOO EUPHEMIA FRANKLIN AND 04 Graphic Designers Won’t Save the Day RIONA MENEZES 05 Design Cripistemologies Remix KAIYA WAEREA 06 Comic HANNAH BRINKMANN 07 Human, Sexuality & Design, our daily menu BENEDETTA LOCATELLI 08 Utopian Objects IRINA STARKOVA 09 The role of the design saviour & our cities KRISTOF VAN DER FLUIT 10 Author(ity) for trust and transparency JOÃO ALVES MARRUCHO VALESKA NOEMI 11 Responsibilities & Opportunities of Design in the Economy MANGEL 12 Design can save us, but not through ‘problem solving’ LAURA DUDEK 13 The Importance of Boredom for the Design Saviour VIVIEN REINERT 14 Disclaimer, Acknowledgements and Sponsorship 01 the fetish of the doom hanging above their heads the ultimate drug in a rush to live a rebellion of a lust to last what’s not imaginable is not real the truth is outsourced to less promised lands The while they’re still dreaming it is all in their minds and elsewhere their dreams won’t sprout hours keep on turning darker their thoughts shall bring the light Myth like the last moth sunbathing in their deserts recalling their own gods carving bright ideas into their history undoing the world, made in 7 days – for decades or erasing their mistakes before dawn? of the bibles full of Futuras and Universes heads