The Changing Identity of Feminism in the Third Wave: a Critical Analysis Jillian Marie Klean Eastern Illinois University
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MIAMI UNIVERSITY the Graduate School Certificate for Approving The
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Susan Pelle Candidate for the Degree: Doctor of Philosophy _____________________________________ Director Dr. Stefanie Kyle Dunning _____________________________________ Reader Dr. Madelyn M. Detloff _____________________________________ Reader Dr. Kathleen N. Johnson _____________________________________ Graduate School Representative Dr. Emily A. Zakin ABSTRACT (DIS)ARTICULATING BODIES AND GENDERS: PUSSY POLITICS AND PERFORMING VAGINAS by Susan Pelle The vagina has metaphorically and metonymically been the body part that stands in for the category “woman” and it is this emphatic and fabricated link that imposes itself on bodies, psyches, and lives with often horrifying consequences. My goals in exploring performative and performing vaginas are many. I not only lay out how, why, and in what ways the “normal” and “abled” female body established in both dominant and mainstream discourses is, simply put, one with a specific type of vagina, but I also confront the “truth” that vaginas purport to tell about women and femininity. Ultimately, I maintain that representations of vaginas and the debates and discourses that surround them tell us something about our culture’s fears, anxieties, and hopes. Living life as abject can be painful, even unbearable, yet as individuals negotiate this life they can experience pleasure, assert agency, and express ethical and just visions of the world. The artists, writers, and performers explored in this dissertation strategically perform vaginas in multiple and disparate ways. As they trouble, resist, and negotiate “normative” understandings of vaginas, they simultaneously declare that the “problem” is not about bodies at all. The problem is not the vagina. -
THEATRICAL PERFORMANCE, MORMON WOMEN's SEXUALITY, and the VAGINA MONOLOGUES Jill Marie Peterfeso A
GIVING FAITHFUL TESTIMONY: THEATRICAL PERFORMANCE, MORMON WOMEN’S SEXUALITY, AND THE VAGINA MONOLOGUES Jill Marie Peterfeso A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment for the requirements for the degree of Master in the Department of Religious Studies. Chapel Hill 2008 Approved by: Laurie Maffly-Kipp Randall Styers Thomas Tweed ABSTRACT JILL PETERFESO: Giving Faithful Testimony: Theatrical Performance, Mormon Women’s Sexuality, and The Vagina Monologues (Under the direction of Thomas A. Tweed) This thesis rests at the intersection of women’s studies, performance studies, and Mormon studies. Using two case studies—a performance of Eve Ensler’s The Vagina Monologues at Utah Valley State College and a Sunstone magazine conference session known as The Mormon Vagina Monologues—this thesis explores how Mormon women have used the theatrical medium to explore their sexuality. By staging or scripting their sexual lives within a community of actors or playwrights, and for a public audience, these women give faithful testimony—not about their religious faith, but about their sexual selves. This public testimony has generated, but it also has enabled the women to find healing, foster empowerment, and reconstitute community. ii TABLE OF CONTENTS Chapter I. INTRODUCTION:SETTINGTHESTAGE........................1 Staging and Scripting: Different Uses of the Theatrical Medium . 6 A Need for Healing and Empowered Community: The Vagina Monologues and the V-Day Movement ......................12 Mormon Patriarchy: Restricting Women’s Voices .....................14 A Need for Healing and Empowered Community: Mormons and Sexual Abuse ...................................... 20 II. “THE VAGINA DIALOGUES”: STAGING MORMON WOMEN’S SEXUALITYATUVSC................................... -
Vagina Monologues in Belgrade
5Djordjevic37.5.qxd 02/11/2006 16:09 Page 127 Vagina Sisters, Crying Men, Soap Opera Stars and Sushi: The Story of the Vagina Monologues in Belgrade Jelena Djordjevic* 1 Introduction of the possibility for bringing performance one day before the V-Day is a global movement to peace and coexistence of different Orthodox Easter. In a country stop violence against women and cultures and religions. It was where the church is gaining girls. Through the promotion of aimed at strengthening women’s power each day, it was interesting creative events that celebrate solidarity and support and sending to see how only a few days before women’s sexuality, like the Vagina a strong political message Easter the whole town talked Monologues,1 V-Day increases demanding an end to violence about vaginas and women’s awareness, raises money and against women. The performance orgasms. This was stirred by two ‘revitalises’ the energy of existing of Vagina Monologues in different television clips with which we organisations working to stop Slavic languages enabled women introduced the whole idea of violence against women. The across regional borders to Vagina Monologues to Serbian V-Day movement has spread understand each other through society one week before the play. widely around the world. Last the universal language of their Both clips were taken from Abby year there were 2,300 events and bodies. Each of these Epstein’s documentary Until the celebrations, in over 1,100 cities, performances empowered Violence Stops, which captures the villages and towns. Since 2000, participation of women in public, impact of V-Day in five different several V-Day events have been strengthened solidarity among international communities. -
The Vagina Monologues by Eve Ensler
The Vagina Monologues by Eve Ensler Official guidelines and script for the V-Day 2004 College Campaign Available by special arrangement with Dramatists Play Service, Inc. To order copies of the beautiful, bound acting edition of the script of “The Vagina Monologues” (the original – slightly different from the V-Day version of the script) for memento purposes, to sell at your event, or for use in theatre or other classes or workshops, please contact: Customer Service DRAMATISTS PLAY SERVICE, INC. 440 Park Avenue South, New York, NY 10016 Telephone: 212-683-8960, Fax: 212-213-1539 You may also order the acting edition online at www.dramatists.com. Ask for: Book title: The Vagina Monologues ISBN: 0-8222-1772-4 Price: $5.95 Be sure to mention that you represent the V-Day College Campaign. DRAMATISTS PLAY SERVICE, INC. Representing the American theatre by publishing and licensing the works of new and established playwrights. For more than 65 years Dramatists Play Service, Inc. has provided the finest plays by both established writers and new playwrights of exceptional promise. Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Dramatists Play Service, Inc. has grown steadily to become one of the premier play-licensing agencies in the English speaking theatre. Offering an extensive list of titles, including a preponderance of the most significant American plays of the past half-century, Dramatists Play Service, Inc. -
Clarence Williams
MUNI 2017-2 – Flute 1-2 Shooting the Pistol (Clarence Williams) 1:26 / 1:17 Clarence Williams Orchestra: Ed Allen-co; Charlie Irvis-tb; possibly Arville Harris-cl, as; Alberto Socarras-fl; Clarence Williams-p; Cyrus St. Clair-tu New York, July 1927 78 Paramount 12517, matrix number 2837-2 / CD Frog DGF37 3 I’ll Take Romance (Ben Oakland) 2:39 Bud Shank-fl; Len Mercer and His Strings Bud Shank With Len Mercer Strings: Giulio Libano (trumpet) Appio Squajella (flute, French horn) Glauco Masetti (alto sax) Bud Shank (alto sax, flute) Eraldo Volonte (tenor sax) Fausto Pepetti (baritone sax) Bruno De Filippi (guitar) Don Prell (bass) Jimmy Pratt (drums) with unidentified harp and strings, Len Mercer (arranger, conductor) Milan, Italy, April 4 & 5, 1958 LP World Pacific WP-1251, Music (It) EPM 20096, LPM 2052 4-5 What’ll I Do (Irving Berlin) 1:26 / 1:23 Bud Shank-fl; Bob Cooper-ob; Bud Shank - Bob Cooper Quintet: Bud Shank (alto sax, flute) Bob Cooper (tenor sax, oboe) Howard Roberts (guitar) Don Prell (bass) Chuck Flores (drums) Capitol Studios, Hollywood, CA, first session, November 29, 1956 LP Pacific Jazz X-634, PJ 1226, matr. ST-1894 / CD Mosaic MS-010 6-7 Flute Bag (Rufus Harley) 2:06 / 2:15 Herbie Mann.fl; Rufus Harley-bagpipes; Roy Ayers (vibes) Oliver Collins (piano) James Glenn (bass) Billy Abner (drums) "Village Theatre", NYC, 2nd show, June 3, 1967 LP Atlantic SD 1497, matr. 12589 8-10 Moment’s Notice (John Coltrane) 4:58 / 1:04 / 0:52 Hubert Laws-fl; Ronnie Laws-ts; Bob James-p, elp, arranger; Gene Bertoncini-g; Ron Carter-b; Steve -
Do Atheism and Feminism Go Hand-In-Hand?: a Qualitative Investigation of Atheist Men’S Perspectives About Gender Equality
Do Atheism and Feminism Go Hand-in-Hand?: A Qualitative Investigation of Atheist Men’s Perspectives about Gender Equality Rebecca D. Stinson1 The University of Iowa Kathleen M. Goodman Miami University Charles Bermingham The University of Iowa Saba R. Ali The University of Iowa ABSTRACT: Drawing upon semi-structured interviews with 10 self-identified atheist men in the American Midwest, this qualitative study explored their perspectives regarding atheism, gender, and feminism. The data was analyzed using consensual qualitative research methodology (Hill, Thompson, & Williams, 1997). Results indicated these men had a proclivity for freethought—a commitment to questioning things and prioritizing reason over all else. They believed gender differences were primarily due to cultural and social influence in society. Gender inequality was highlighted as a problem within the U.S. and throughout the world, however this belief did not necessarily lead to being feminist-identified. There appeared to be a pathway linking their intellectual orientation, atheism, and belief in gender equality. KEYWORDS: ATHEISTS, MEN, GENDER EQUITY, FEMINISM 1 Correspondence concerning this article should be addressed to: Rebecca D. Stinson, The University of Iowa, Department of Psychological and Quantitative Foundations, 361 Lindquist Center North, Iowa City, IA 52242, email: [email protected]. Secularism and Nonreligion, 2, 39-60 (2013). © Rebecca D. Stinson. This article is licensed under a Creative Commons Attribution License. Published at: www.secularismandnonreligion.org. DO ATHEISM AND FEMINISM GO HAND-IN-HAND? STINSON Introduction Atheists are individuals who do not believe in a god2 or gods. It is difficult to calculate the number of atheists in the United States because of the various terms atheists use to identify themselves (e.g., humanist, skeptic, non-believer; see Zuckerman, 2009), and because atheists may hesitate to self-identify as atheists due to the negative consequences associated with the label (Arcaro, 2010). -
(Re)Constituting Power and Audience in the Vagina Monologues Ashley
Putting Women Back on Top?: (Re)constituting Power and Audience in The Vagina Monologues Ashley Elizabeth Gellert Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In Communication Beth M. Waggenspack, Chair Rachel L. Holloway Jim A. Kuypers April 29, 2011 Blacksburg, Virginia Keywords: constitutive rhetoric, second persona, third persona, bell hooks, The Vagina Monologues ABSTRACT Eve Ensler’s goal in writing The Vagina Monologues was to generate a dialogue regarding women’s sexuality to counter the silence that pervades the patriarchal culture that they inhabit. To achieve this goal, Ensler constructs two ideologies—one grounded in patriarchy and another supposedly grounded in female agency and dialogue—to reveal the problems within the current ideology in hopes that her audience will adopt her new ideology and resolve the detrimental silence women endure. To evaluate its success, this study utilizes an eclectic approach— comprised of constitutive rhetoric, second persona, third persona, and bell hooks’ rhetorical options—to determine if the play’s content encourages the dialogue Ensler desires. iii ACKNOWLEDGMENTS This project would not have been the wonderful experience that it was without several faculty members from the Communication Department, my family, and friends. Dr. Waggenspack, thank you for guiding me through this project with meetings during most of your on-campus days, good discussions, and tough questions that challenged me to think in new ways. Your availability, support, and enthusiasm have been invaluable since I started here last fall but especially so with this thesis. -
Budget Cuts Spare School Programs W Here the Beaches
MAY 25, 1994 40 CENTS VOLUME 24, NUMBER 21 Budget cuts spare school programs assessed at BY LAUREN JAEGER $ 1 20,000 Staff W riter would see an total of $810,000 was cut increase of from the defeated 1994-95 $156, to a A Matawan-Aberdeen proposed total tax of school budget. $2,402. As required by law, the councils of Before the Matawan and Aberdeen met last week, Cuts were along with the regional board of educa made, the rate tion, to amend the defeated budget, was $2 .10 for which originally proposed $33,532,113 A b e r d e e n ; in current expense and $28,926 in capital 2.05 for outlay. M ataw an — The new school tax rate will be $2.05 translating to a Brian Murphy per $100 assessed value for Aberdeen yearly tax rate residents, and $2.01 per $100 of assessed on a $120,000 property of $2,530 for an home value for Matawan residents. Aberdeen homeowner and $2,460 for In other words, this means that an M atawan homeowner. Marlboro High School’s Amy Feaster (gold jersey) and Middletown North’s Aberdeen resident with a home assessed Matawan’s Mayor Robert Shuey was Ann Marie Sacco hook up in a battle for the ball during a Shore at $ 120,00 would see an increase in the pleased by what he said was a smooth Conference A North Division soccer match won by the Mustangs, 2-1, on school tax rate of $95, bringing the bill meeting between the three parties and May 18 in Marlboro. -
For, By, and About Lesbians: a Qualitative Analysis of the Lesbian Connection
For, By, and About Lesbians: A Qualitative Analysis of the Lesbian Connection Discussion Forum 1974-2004 A dissertation presented to the faculty of the College of Education of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Terry McVannel Erwin August 2007 © 2007 Terry McVannel Erwin All Rights Reserved This dissertation titled For, By, and About Lesbians: A Qualitative Analysis of the Lesbian Connection Discussion Forum 1974-2004 by TERRY MCVANNEL ERWIN has been approved for the Department of Counseling and Higher Education and the College of Education by ____________________________________________ Tracy C. Leinbaugh Associate Professor of Counseling and Higher Education ____________________________________________ Renée A. Middleton Dean, College of Education ABSTRACT ERWIN, TERRY MCVANNEL, PH.D. August 2007. Counselor Education For, By, and About Lesbians: A Qualitative Analysis of the Lesbian Connection Discussion Forum 1974-2004 (652 pp.) Director of Dissertation: Tracy C. Leinbaugh This study analyzed 170 issues of Lesbian Connection (LC) over a period of 30 years between October 1974 and November/December 2004 to determine what issues appeared to be of importance to subscribers participating in the discussion forum. The study sought to determine whether those issues were related to sociopolitical activities within and outside the cultural discourse of the time; whether those issues had changed over time; and the meanings, contradictions, and effects of those changes. The analysis was comprised of 4,633 items and letters that fell into eleven categories. These categories, listed from most discussed category to least discussed category over the 30 years of analysis were: Health and Mental Health; Discrimination and Fear; Relationships and Sexuality; Defining Lesbian; Growing Pains; Isolation; Separatism; Networking; Minority Lesbians; Children, Families, and Parenting; and Religion and Spirituality. -
Remembering Liberal Feminism in Radical Ways: Locating Conservative Strategies in the Narratives of Dr
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2009 Remembering Liberal Feminism in Radical Ways: Locating Conservative Strategies in the Narratives of Dr. Christina Hoff Sommers, Tammy Bruce, and Dr. Laura Schlessinger Jenni Marie Simon University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Communication Commons Recommended Citation Simon, Jenni Marie, "Remembering Liberal Feminism in Radical Ways: Locating Conservative Strategies in the Narratives of Dr. Christina Hoff Sommers, Tammy Bruce, and Dr. Laura Schlessinger" (2009). Electronic Theses and Dissertations. 929. https://digitalcommons.du.edu/etd/929 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. REMEMBERING LIBERAL FEMINISM IN RADICAL WAYS: LOCATING CONSERVATIVE STRATEGIES IN THE NARRATIVES OF DR. CHRISTINA HOFF SOMMERS, TAMMY BRUCE, AND DR. LAURA SCHLESSINGER __________ A Dissertation Presented to the Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Jenni M. Simon November 2009 Advisor: Dr. Christina Foust Author: Jenni M. Simon Title: REMEMBERING LIBERAL FEMINISM IN RADICAL WAYS: LOCATING CONSERVATIVE STRATEGIES IN THE NARRATIVES OF DR. CHRISTINA HOFF SOMMERS, TAMMY BRUCE, AND DR. LAURA SCHLESSINGER Advisor: Dr. Christina R. Foust Degree Date: November, 2009 ABSTRACT This dissertation identifies and challenges post-feminist narratives that remember the second wave or 1960s and 1970s liberal feminism as a radical form of activism. -
Three Waves of Feminism
01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women. -
Sisters at Odds
REVIEW Sisters at odds DIANA SCHAUB hadUST itsas Jacobinsthe movement, so too forthe"Libertyfeminist, Equality,movement, Fraternity"with its parallel call for women's liberation, the equality of the sexes, and politically conceived sisterhood. According to Christina Hoff Sommers, it is the final term of the triad that has in- spired dangerous radicalism in the feminist camp and led to something on the order of feminism's own Reign of Terror. Liberty and equality, yes--those are the hallmarks of what Sommers terms "equity" or "First Wave" feminism: "the tradi- tional, classically liberal, humanistic feminism that was initi- ated more than 150 years ago." Original feminism demanded and won fundamental political rights for women and opened up educational and economic opportunity. Sommers considers herself and most Americans to be feminists of this sort--heirs to the Enlightenment and its principles of individual justice. Her quarrel is with the "Second Wave" or "gender" feminists who have abandoned universalism for gynocentrism and traded enfranchisement for seemingly permanent victim status. Soli- darity with women has come to mean hostility to men, and particularly to that alleged system of male dominance: the "heteropatriarchy." Who Stole Feminism? How Women Have Betrayed Women _ is an attempt to reclaim feminism from these female Jacobins (prominent among them, Catherine MacKinnon, Naomi Wolf, Andrea Dworkin, Alison Jaggar, Susan Faludi, and Catherine Stimpson). In her Girondist dissent, Sommers joins a growing number of women, from Katie Roiphe to Camille Paglia, trying to wrest power from the radical Montagnards. Sommers claims that "misandrism [man-hating] ... was not a notable feature of the women's movement until our own times"; indeed, she finds that "the idea that women are in a gender _Simon and Schuster.