WWE Smackdown Vs. Raw 2008
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WWE Global Adoption Curve
WWE Forward‐Looking Statements This news release contains forward‐looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include, without limitation, risks relating to maintaining and renewing key agreements, including television distribution agreements; the need for continually developing creative and entertaining programming; the continued importance of key performers and the services of Vincen t MMhMcMahon; theconditions of themarktkets inwhic h we competeand acceptance of the Company's brands, media and merchandise within those markets; our exposure to bad debt risk; uncertainties relating to regulatory and litigation matters; risks resulting from the highly competitive nature of our markets; uncertainties associated with international markets; the importance of protecting our intellectual property and complying with the intellectual property rights of others; risks associated with producing and travelling to and from our large live events, both domestically and internationally; the risk of accidents or injuries during our physically demanding events; risks relating to our film business and any new business initiative which we may undertake; risks relating to the large number of shares of common stock controlled by members of the McMahon family and the possibility of the sale of their stock by the McMahons or the perception of the possibility of such sales; the relatively small public float of our -
Wwe Network Announces Programming
For Immediate Release WWE® NETWORK ANNOUNCES PROGRAMMING LINEUP STAMFORD, Conn., February 19, 2014 – WWE Network, the first-ever 24/7 streaming network, has unveiled its programming lineup, which is highlighted by WrestleMania® 30 on Sunday, April 6 at 7 pm ET live from the Mercedes-Benz Superdome in New Orleans. In addition, for the first time ever, the WWE Hall of Fame Induction Ceremony will air live in its entirety on Saturday, April 5 at 9 pm ET on WWE Network. This year’s current inductees include The Ultimate Warrior, Jake “The Snake” Roberts and Lita. A one-hour special will also air on USA Network on Monday, April 7, immediately following Monday Night Raw®. WWE Network will officially launch on Monday, February 24 at 9 am ET and fans will instantly have access to live programming and the most comprehensive WWE video-on- demand library upon signing up exclusively at WWE.com. WWE Network will be available through the WWE App on TV via connected devices including Roku streaming devices, Sony PlayStation® 3, Sony PlayStation® 4 and Xbox 360. WWE Network will also be available through the WWE App on iOS devices, including Apple iPad and iPhone, Amazon’s Kindle Fire devices and Android devices, as well as on desktops and laptops via WWE.com. The programming line-up on WWE Network includes: WrestleMania 30 WWE’s pop-culture extravaganza, WrestleMania 30, will air live on Sunday, April 6 at 7 pm ET from New Orleans. More than 70,000 fans from all 50 states and more than 30 countries are expected to converge on the Mercedes-Benz Superdome with millions more watching around the world. -
Wwe Smackdown Vs Raw 2008 Signature Series Guide Pdf, Epub, Ebook
WWE SMACKDOWN VS RAW 2008 SIGNATURE SERIES GUIDE PDF, EPUB, EBOOK BradyGames | 176 pages | 12 Nov 2007 | DK | 9780744009484 | English | NY, United States WWE Smackdown vs Raw 2008 Signature Series Guide PDF Book This will now display the finishers of "Undertaker". In the "Find what" text area, type the letters found in ['s and ]'s include them as well. CM Punk earned Burke's wrath when he infiltrated and tried to destroy the New Breed from within, and the two have had a heated rivalry ever since. It just didn't make sense. No, I don't think so. Every mode will be tweaked, like with the previous games, but everything should seem familiar to Smackdown fans. Your rest days will be the days your show doesn't fall at. Build 2 Answers how do I drag a downed opponents around the ring? The codes are case-sensitive. Ubisoft delays "mass multiplayer outdoor extreme sports game" Riders Republic Now due later this year. The following legends are automatically unlocked and you just have to purchase them. The way it works is that each wrestler has 2 fighting styles assigned to them. Earning cash to buy wrestlers? I'd easily rate Ric Flair as dirty, and estimate that he'll most likely be able to low blow you without referee consequences. Keep me logged in on this device Forgot your username or password? You'll get cutscenes backstage but you won't be able to roam them freely. Turn on the superstars again in the available draft the next week. Subscribe to The Eurogamer. -
“Smackdown”: a Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling Casey Brandon Hart University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Hart, Casey Brandon, "Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling" (2012). Dissertations. 550. https://aquila.usm.edu/dissertations/550 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 ABSTRACT IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart May 2012 The focus of this study is an in-depth intertextual examination of how the WWE in 2010 and by extension contemporary professional wrestling in general represents a microcosm of modern cultural ideology. The study examines three major areas in which this occurs. -
WWE: Redefining Orking-Classw Womanhood Through Commodified Eminismf
Wright State University CORE Scholar The University Honors Program Academic Affairs 4-24-2018 WWE: Redefining orking-ClassW Womanhood through Commodified eminismF Janice M. Sikon Wright State University - Main Campus Follow this and additional works at: https://corescholar.libraries.wright.edu/honors Part of the Women's Studies Commons Repository Citation Sikon, J. M. (2018). WWE: Redefining orking-ClassW Womanhood through Commodified Feminism. Wright State University, Dayton, Ohio. This Thesis is brought to you for free and open access by the Academic Affairs at CORE Scholar. It has been accepted for inclusion in The University Honors Program by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WWE: Redefining Working-Class Womanhood 1 WWE: Redefining Working-Class Womanhood through Commodified Feminism Janice M. Sikon Wright State University WWE: Redefining Working-Class Womanhood 2 Introduction World Wrestling Entertainment (WWE) is the largest professional wrestling promotion in the world (Bajaj & Banerjee, 2016). Their programs air in 20 languages in over 180 countries, and in the United States approximately 11 million people watch their programs each week (“FAQ,” n.d.). These programs include six hours of televised weekly events and 16 annual pay- per-view events (“WWE Reports,” 2017). In the first quarter of 2017 the company grossed $188.4 million (“WWE Reports,” 2017). They have close ties with the current presidential administration, as Small Business Administrator Linda McMahon was the CEO of the company from 1980 to 2009 (Reuters, 2009) and President Trump has made several appearances on WWE programming in the past (“Donald Trump,” n.d.). -
NO BOUNDARIES World Wrestling Entertainment, Inc
NO BOUNDARIES World Wrestling Entertainment, Inc. World Wrestling Entertainment, Inc. 1241 E. Main Street Annual Report 2005 Stamford, CT. 06901 Board of Directors Transfer Agent, Dividend Paying Agent and Registrar Vincent K. McMahon Chairman of the Board American Stock Transfer & Trust Company 59 Maiden Lane Linda E. McMahon New York, NY 10038 Chief Executive Officer 877.777.0800 Lowell P. Weicker, Jr. Former Governor of the State of Connecticut and Independent Auditors United States Senator Chairman of Compensation Committee Deloitte & Touche LLP Stamford Harbor Park Robert A. Bowman 333 Ludlow Street President and Chief Executive Officer of MLB Stamford, CT 06902-6982 Advanced Media, LP 203.708.4600 Chairman of Audit Committee David Kenin Corporate Headquarters Executive Vice President of Programming, Crown Media United States, LLC World Wrestling Entertainment, Inc. Member of Audit and Compensation Committees 1241 E. Main Street P.O. Box 1241 Michael B. Solomon Stamford, CT 06901 Managing Principal of Gladwyne Partners, LLC 203.352.8600 Member of Audit and Compensation Committees Joseph Perkins President, Communications Consultants, Inc. Michael Sileck Chief Financial Offi cer Management Certifications In accordance with Section 3.03A.12(a) of the New York Stock Exchange Listed Company Manual, in connection with our last annual meeting Linda McMahon submitted a certification to the NYSE stating that she was not aware of any violations by the Company of the NYSE’s Corporate Governance listing standards. The certifications required by Section 302 of the Sarbanes-Oxley Act with respect to the Company’s Annual Report on Form 10-K for the fiscal year ended April 30, 2005 have been filed with the Securities and Exchange Commission as Exhibits 31.1 through 31.4 thereto. -
2015 Buyer's Guide
Janmagazine_Layout 1 12/29/14 11:56 AM Page 1 Communications & new media Jan. 2015 II Vol. 29 No. 1 2015 BUYER’S GUIDE PRODUCTS & SERVICES IN MORE THAN 50 CATEGORIES FOR THE PR INDUSTRY BROADCAST MONITORING, SPEECH TRAINING, VIDEO, PRESS RELEASE DISTRIBUTION, CLIPPING SERVICES, COPYWRITING, PRINT SERVICES, TV PRODUCTION, RADIO, MEDIA MONITORING, MEDIA TOURS, NEWSWIRES, WEBCASTS, SOCIAL MEDIA, SATELLITE SERVICES, PSA’S & MORE! SPECIAL FEATURE: CRISIS COMMUNICATIONS Why no company is immune to a data breach Shareholder activism goes mainstream Top crisis blunders of 2014 Crisis training for campus sexual assault Crisis preparation in the digital age January 2015 | www.odwyerpr.com Nuance matters over formula in a crisis Profiles of crisis communications PR firms Janmagazine_Layout 1 12/29/14 11:56 AM Page 2 Janmagazine_Layout 1 12/29/14 11:56 AM Page 3 Janmagazine_Layout 1 12/29/14 11:56 AM Page 4 Vol. 29, No. 1 January 2015 EDITORIAL CRISIS PREPARATION IN PR, journalism jobs are stressful. THE DIGITAL AGE Favorable outcomes in today’s TRUSTEE OBJECTS TO SALE OF 6 28 crises come to those who prepare. BULLDOG ASSETS A bankruptcy trustee has objected to CIA PUBLIC AFFAIRS LEAKED Bulldog Reporter’s plans to sell assets.8 FALSE INFORMATION A Senate Intelligence Committee PR “FAILS” OF 2014 30 report reveals shocking details. Bill Cosby, the NFL, and GM top O’Dwyer’s PR “fails” of the year. THE LOST ART OF PAUSING 10 10 IN TIMES OF CRISIS Silence, reflection accompanies 2014, THE YEAR IN REVIEW 32 preparation in times of crisis. Jack O’Dwyer recounts the top PR stories of the year. -
The Full 100+ Page Pdf!
2014 was a unique year for pro-wrestling, one that will undoubtedly be viewed as historically significant in years to follow. Whether it is to be reflected upon positively or negatively is not only highly subjective, but also context-specific with major occurrences transpiring across the pro-wrestling world over the last 12 months, each with its own strong, and at times far reaching, consequences. The WWE launched its much awaited Network, New Japan continued to expand, CMLL booked lucha's biggest match in well over a decade, culminating in the country's first million dollar gate, TNA teetered more precariously on the brink of death than perhaps ever before, Daniel Bryan won the WWE's top prize, Dragon Gate and DDT saw continued success before their loyal niche audiences, Alberto Del Rio and CM Punk departed the WWE with one ending up in the most unexpected of places, a developing and divergent style produced some of the best indie matches of the year, the European scene flourished, the Shield disbanded, Batista returned, Daniel Bryan relinquished his championship, and the Undertaker's streak came to an unexpected and dramatic end. These are but some of the happenings, which made 2014 the year that it was, and it is in this year-book that we look to not only recap all of these events and more, but also contemplate their relevance to the greater pro-wrestling landscape, both for 2015 and beyond. It should be stated that this year-book was inspired by the DKP Annuals that were released in 2011 and 2012, in fact, it was the absence of a 2013 annual that inspired us to produce a year-book for 2014. -
2019 Topps WWE Smackdown
BASE BASE CARDS 1 Aiden English WWE 2 Aleister Black WWE ROOKIE 3 Ali WWE 4 Andrade WWE 5 Apollo Crews WWE 6 Asuka WWE 7 Bayley WWE 8 Becky Lynch WWE 9 Big E WWE 10 Billie Kay WWE 11 Bo Dallas WWE 12 Buddy Murphy WWE 13 Byron Saxton WWE 14 Carmella WWE 15 Cesaro WWE 16 Chad Gable WWE 17 Charlotte Flair WWE 18 Corey Graves WWE 19 Curtis Axel WWE 20 Daniel Bryan WWE 21 Elias WWE 22 Ember Moon WWE 23 Finn Bálor WWE 24 Greg Hamilton WWE 25 Jeff Hardy WWE 26 Jinder Mahal WWE 27 Kairi Sane WWE ROOKIE 28 Kevin Owens WWE 29 Kofi Kingston WWE 30 Lana WWE 31 Lars Sullivan WWE ROOKIE 32 Liv Morgan WWE 33 Mandy Rose WWE 34 Maryse WWE 35 Matt Hardy WWE 36 Mickie James WWE 37 Otis WWE ROOKIE 38 Paige WWE 39 Peyton Royce WWE 40 R-Truth WWE 41 Randy Orton WWE 42 Roman Reigns WWE 43 Rowan WWE 44 Rusev WWE 45 Samir Singh WWE 46 Sarah Schreiber WWE ROOKIE 47 Sheamus WWE 48 Shelton Benjamin WWE 49 Shinsuke Nakamura WWE 50 Sin Cara WWE 51 Sonya Deville WWE 52 Sunil Singh WWE 53 Tom Phillips WWE 54 Tucker WWE ROOKIE 55 Xavier Woods WWE 56 Zelina Vega WWE 57 Big Show WWE 58 The Rock WWE 59 Triple H WWE Legend 60 Undertaker WWE 61 Albert WWE Legend 62 Beth Phoenix WWE Legend 63 Big Boss Man WWE Legend 64 The British Bulldog WWE Legend 65 Boogeyman WWE Legend 66 King Booker WWE Legend 67 Cactus Jack WWE Legend 68 Christian WWE Legend 69 Chyna WWE Legend 70 "Cowboy" Bob Orton WWE Legend 71 D-Lo Brown WWE Legend 72 Diamond Dallas Page WWE Legend 73 Eddie Guerrero WWE Legend 74 Faarooq WWE Legend 75 Finlay WWE Legend 76 The Godfather WWE Legend 77 Goldberg WWE Legend -
Investor Presentation
Investor Presentation September 21, 2012 Compelling Investment Core Competencies: •Content creation Developing transformative •Marketing long‐term growth opportunity • Distribution based on: –WWE as one of the strongest commercial brands worldwide –The rising value of content Diversified businesses: (especially content with broad •Platform appeal) & with the • Geography proliferation of distribution alternatives Strategy focused on: – Expanding content/distribution Financial strength: – Accelerating international • Operating leverage expansion •Low capital requirements 2 Regardless of the specific measure, statistics demonstrate that WWE is among the strongest commercial brands worldwide • Audience measures Social Media Powerhouse Leader on Trendrr such as social media followers, TV ratings . 72+ million Facebook fans; added nearly 3 . RAW is consistently among the top cable / broadcast shows and internet traffic, million fans in June demonstrate WWE’s . More Facebook fans than: NFL, Pepsi, ESPN . Smackdown is the #1 cable show on Friday strong global appeal and NASCAR among others nights . John Cena has more than 12 million fans and is the #3 most followed American athlete (behind only Michael Jordan and Kobe Bryant) . 28+ million Twitter followers, more than UFC, FIFA, Discovery Channel and Coca‐Cola; added nearly 2 million in June TV Ratings Juggernaut Digital Powerhouse . RAW is consistently in the top 10 most . 13+ million unique visitors every month watched shows on cable . Over 1 billion video views on YouTube . th 1000 episode of RAW aired in July . More visitors than: Sony, Match.com, . Smackdown has been Syfy’s most watched Perezhilton.com, NASCAR, and Oprah.com show since 2010 debut 3 Sources: Facebook and Twitter counts as of June 2012. -
Releases in the Transition Period. Revenues from Our Videogame Release in 2006 Was Reported in 2007. Licensing Cost of Revenue C
releases in the transition period. Revenues from our videogame release in 2006 was reported in 2007. Licensing cost of revenue consists primarily of talent royalties and agent commissions paid to our licensing agents. The licensing profit contribution margin was 74% in both the eight month 2006 transition period and the twelve month fiscal 2006 period. In July 2006, we began publishing a new magazine titled WWE Magazine that replaced our two former magazines, Raw and SmackDown. Including magazine special issues, we published sixteen issues in the 2006 transition period as compared to thirty-two issues in fiscal 2006. The magazine publishing profit contribution margin was 20% in the eight month transition period as compared to 38% in the twelve month fiscal 2006 period. The decline in the profit contribution margin reflects our increased editorial and content costs associated with producing our new WWE Magazine. Home video revenue reflects the sale of approximately 3.3 million gross DVD units in the 2006 transition period as compared to 2.9 million gross units in fiscal 2006. Included in the successful titles released in the 2006 transition period was WrestleMania XXII, which shipped approximately 425,000 gross units, representing our largest selling DVD release in our history. The increase in home video costs is primarily due to the increased volume of home video sales in the transition period, reflecting higher duplication and distribution fees. The home video profit contribution margin was 50% in the 2006 transition period as compared to 56% in fiscal 2006, reflecting a decline in the sell- through percentage in the transition period. -
An Examination of WWE Wrestling Isamu Horiuchi Claremont Graduate University
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship 2012 Stylizing, Commodifying, and Disciplining Real Bodies: An Examination of WWE Wrestling Isamu Horiuchi Claremont Graduate University Recommended Citation Horiuchi, Isamu. (2012). Stylizing, Commodifying, and Disciplining Real Bodies: An Examination of WWE Wrestling. CGU Theses & Dissertations, 55. http://scholarship.claremont.edu/cgu_etd/55. doi: 10.5642/cguetd/55 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Stylizing, Commodifying, and Disciplining Real Bodies: An Examination of WWE Wrestling A dissertation submitted to the Faculty of Claremont Graduate University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Studies by Isamu Horiuchi Claremont Graduate University, 2012 © Copyright Isamu Horiuchi, 2012 All rights reserved. APPROVAL OF THE REVIEW COMMITTEE This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Isamu Horiuchi as fulfilling the scope and quality requirements for meriting the degree of Doctor of Philosophy in Cultural Studies. Henry Krips, Chair Claremont Graduate University Professor of Cultural Studies Andrew W. Mellon All-Claremont Chair of Humanities Alexandra Juhasz, Member Pitzer College Professor of Media Studies Kathleen Fitzpatrick, Member Pomona College Professor of Media Studies Abstract Stylizing, Commodifying, and Disciplining Real Bodies: An Examination of WWE wrestling by Isamu Horiuchi Claremont Graduate University: 2012 This dissertation examines professional wrestling in the U.S., in particular, live and television shows produced by the World Wrestling Entertainment (WWE).