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Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
The Catalogue Announcing the Spanning from 1960 to the Present Work’S Sale
Sponsored by: ART TORONTO 2008 Toronto International Art Fair (TIAF) TIAF 2008 Advisory Committee René Blouin, Galerie René Blouin 602-1788 West Broadway Jane Corkin, Corkin Gallery Vancouver BC V6J 1Y1 Michael Gibson, Michael Gibson Gallery Tel: 604 730 2065 Grita Insam, Fax: 604 730 2049 Galerie Grita Insam Toll Free: 1 800 663 4173 Olga Korper, Olga Korper Gallery Bernd Lausberg, Lausberg Contemporary 10 Alcorn Ave, Suite 100 Begoña Malone, Galería Begoña Malone Toronto ON M4V 3A9 Tel: 416 960 4525 Nicholas Metivier, Nicholas Metivier Gallery Johann Nowak, DNA Email: [email protected] Miriam Shiell, Miriam Shiell Fine Art Website: www.tiafair.com President Christopher G. Kennedy Senior Vice-President Steven Levy Director Linel Rebenchuk Director of Marketing and Communications Victoria Miachika Production Coordinator Rachel Boguski Administration and Marketing Assistant Sarah Close Graphic Design Brady Dahmer Design Sponsorship Arts & Communications Public Relations Applause Communications Construction Manager Bob Mitchell Printing Friesens Corporation, Altona Huber Printing, North Vancouver Foreword The recognition of culture and art as an integral component in creating livable and sustainable communities is well established. They are primary vehicles for public dialogue about emotional, intellectual and aesthetic values, providing a subjective platform for human connection in our global society. An International art fair plays an important role in the building and sharing of cultural values. It creates opportunities for global connections and highlights the diverse interests of artists, collectors, dealers, museums, scholars and the public. It is with great excitement and pride that I am presenting the 9th annual Toronto International Art Fair - Art Toronto 2008. With an impressive line up of national and international galleries alongside an exciting roster of cultural partners and participants, TIAF has become an important and vital event on the Canadian cultural calendar. -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
Proquest Dissertations
LingitX Haa Sateeyi, We Who Are Tlingit: Contemporary Tlingit Identity And The Ancestral Relationship To The Landscape Item Type Thesis Authors Martindale, Vivian F. Download date 11/10/2021 05:50:12 Link to Item http://hdl.handle.net/11122/8961 NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were scanned as received. 217 This reproduction is the best copy available. UIY1I LINGITX HAA SATEEYI, WE WHO ARE TLINGIT: CONTEMPORARY TLINGIT IDENTITY AND THE ANCESTRAL RELATIONSHIP TO THE LANDSCAPE A Dissertation Present to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY By Vivian F. Martindale, M.A. Fairbanks, Alaska May 2008 UMI Number: 3337644 Copyright 2009 by Martindale, Vivian F. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3337644 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 Abstract Divergent views on the Tlingit ancestral relationship to the landscape of Southeast Alaska often leads to conflicts between Western-orientated government agencies, public entities, and the Tlingit people themselves. -
Yehouda Chaki Yehouda Chaki New Works
YEHOUDA CHAKI YEHOUDA CHAKI NEW WORKS 196-198 Davenport Road I Toronto ON M5R 1J2 Canada I 416.962.0438 odonwagnergallery.com LONG DISTANCE RUNNER New Works By Yehouda Chaki By Donald Brackett “I wonder if I’m the only one in the running business with this system of forgetting that I’m running because I’m too busy thinking. You should think about nobody and go your own way, not on a course marked out for you by people holding water and bottles of iodine in case you fall, and to get you moving again. All I knew was that you had to run, run, run without knowing why you were running.” Alan Sillitoe Chaki is a well seasoned artist in the mature phase It strikes me that there is a quaternity operating of his long career, a poet of the visual image in in many of the aspects of his life and work, a four his prime so to speak. During his many laps in the cornered vector commencing with those four marathon race of modern painting, his skills have pivotal cities and subsequently branching out into been honed the way a warrior’s are: forged in the the four key themes in art and the four principal intense heat of those fresh challenges faced with formats in aesthetics. Like most artists, he has a each new canvas. But he also knows well why he is creative menu available to him comprising the running. And it’s not to win anything as simple as four themes of self, nature, society and spirituality, a race. -
The Ontario Curriculum, Grades 11 and 12: the Arts, 2010
2010 REVISED The Ontario Curriculum Grades 11 and 12 The Arts CONTENTS INTRODUCTION 3 Secondary Schools for the Twenty-First Century . 3 The Importance of the Arts Curriculum . 3 Ideas Underlying the Arts Curriculum . 5 Roles and Responsibilities in the Arts Program . 5 Attitudes in the Arts . 7 THE PROGRAM IN THE ARTS 9 Overview of the Program . 9 Curriculum Expectations . 13 Strands in the Arts Curriculum . 15 The Creative Process . 15 The Critical Analysis Process . 17 ASSESSMENT AND EVALUATION OF STUDENT ACHIEVEMENT 23 Basic Considerations . 23 The Achievement Chart for the Arts: Grades 9–12 . 26 Information on the Achievement Chart . 28 SOME CONSIDERATIONS FOR PROGRAM PLANNING IN THE ARTS 31 Instructional Approaches . 31 Planning Arts Programs for Students With Special Education Needs . 32 Program Considerations for English Language Learners . 34 Environmental Education and the Arts . 37 Healthy Relationships and the Arts . 38 Equity and Inclusive Education in the Arts Program . 38 Multiple Literacies in the Arts . 40 Literacy, Mathematical Literacy, and Inquiry/Research Skills . 41 Critical Thinking and Critical Literacy in the Arts . 42 The Role of the School Library in the Arts Program . 43 The Role of Information and Communications Technology in the Arts Program . 44 The Ontario Skills Passport and Essential Skills . 45 Career Education . 45 Une publication équivalente est disponible en français sous le titre suivant : Le curriculum de l’Ontario, 11e et 12e année – Éducation artistique, 2010 This publication is available on the Ministry of Education’s website, at http://www.edu.gov.on.ca. Cooperative Education and Other Forms of Experiential Learning . 45 Planning Program Pathways and Programs Leading to a Specialist High Skills Major . -
Acrylic Paint and Montreal Hard-Edge Painting Jessica Veevers a Thesis in the De
The Intersection of Materiality and Mattering: Acrylic Paint and Montreal Hard-Edge Painting Jessica Veevers A Thesis In the Department Of Art History Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Art History) at Concordia University Montreal, Quebec, Canada January 2020 ©Jessica Veevers, 2020 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Jessica Veevers Entitled: The Intersection of Materiality and Mattering: Acrylic Paint and Montreal Hard-Edge Painting and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Art History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Haidee Wasson External Examiner Dr. Mark Cheetham External to Program Dr. Mark Sussman Examiner Dr. Steven Stowell Examiner Dr. Edith-Anne Pageot Thesis Supervisor Dr. Anne Whitelaw Approved by Dr. Kristina Huneault, Graduate Program Director January 10, 2020 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts iii ABSTRACT The Intersection of Materiality and Mattering: Acrylic Paint and Montreal’s Hard-Edge Painting Jessica Veevers, Ph.D. Concordia University, 2020 Set in Montreal with the advent of Hard-Edge painting and the invention of acrylic paint, this thesis takes a critical look at the relationship between materiality and mattering. The Hard-Edge painters, Guido Molinari, Claude Tousignant and Yves Gaucher undertook a new medium to express their new way of seeing and encountering the world and they did so in a way that was unique from other contemporaneous abstract painters. -
Post-War & Contemporary
heffel f ine Art Auction Auction ine Art h ouse post-war & contemporary art & contemporary post-war post-wAr & contemporAry Art Sale Wednesday, july 15, 2020 · 5 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, July 15, 2020 5 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Vancouver 2247 Granville Street Saturday, June 20 through Tuesday, June 23, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, July 2 through Saturday, July 4, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Friday, July 10 through Tuesday, July 14, 10 am to 6 pm Wednesday, July 15, 10 am to 1 pm Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-6505 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. An Annual Subscription entitles Vancouver you to receive our Auction Catalogues and Auction Result Sheets. -
H Odginsauction.Com
FALL 2019 HODGINSAUCTION.COM FALL 2019 AUCTION LIVE SESSION Lots # 1 - 98 Sunday, December 1 @ 2 p.m. MT (with webcast and real-time bidding) ONLINE SESSION Lots # 100 - 269 Monday, December 2 @ 7 p.m. MT (staggered soft close) SHOWROOM VIEWING Friday, November 29 Noon - 4 p.m. Saturday, November 30 Noon - 4 p.m. Sunday, December 1 10 a.m. - sale time Preview and Auction to be held at: Hodgins Art Auctions Ltd. 4115-7005 Fairmount Drive SE Calgary AB T2H 0J1 Tel: 403-252-4362 Fax: 403-259-3682 Email: [email protected] HODGINSAUCTION.COM TERMS AND CONDITIONS OF SALE 1. A buyer’s premium of 17% (20% for credit card payments) which date the purchaser shall be responsible for all storage will be charged on the hammer price on all lots, subject to charges until the date the lot is removed from the offices of invoice deadline. Hodgins Art Auctions Ltd. 2. Goods and Services Tax (GST) of 5% will be charged on the 10. Payment in full must be made within three days by cash, hammer price and buyer’s premium on all lots. Harmonized Sales certified cheque, Visa, Mastercard, bank draft or wire/email Tax (HST) in rates applicable to the purchasing province will transfer unless other arrangements have been made with the apply unless the purchaser takes legal possession of auctioneer. Credit card transactions may be limited to $ 5,000. purchases within Alberta. If a purchaser from an HST eligible If the purchaser fails to pay for any lot within seven (7) days province arranges their own shipping, then the legal delivery from the date of the auction sale, Hodgins Art Auctions Ltd. -
New Paintings
NEW PAINTINGS 198 Davenport Rd, Toronto ON M5R 1J2 Canada I 416.962.0438 or 800.551.2465 I [email protected] odonwagnergallery.com PERCEPTUAL STRATEGIES: NEW WORKS FROM YEHOUDA CHAKI We are the bees of the invisible world. We perpetually gather the honey of the visible “Tree with a Yellow Sky” is especially Beckett-esque or Artaud- thing about this endeavour is that you don’t realize you’re doing world in order to store it in the great golden hive of the invisible one.” like in this theatrical stage set respect, with its jagged singularity the same thing, but in fact, “it keeps returning to you wearing and its seeming reference to the universal world-tree motif the original blue gown…” In the same mysterious way, Yehouda Rainer Maria Rilke known as yggdrasil, the immense mythical tree that binds the Chaki keeps returning to us wearing the same original visions, nine worlds together in the mythologies of multiple cultures. yet each time infused with a fresh new energy, with fresh honey riginally studying art in Tel Aviv, Israel and then in Paris, a shift in scale just as easily as a shift in perspective: the human This stage set motif however can also shift to the smaller zone from the invisible world. France, before settling in Montreal, Canada, Yehouda and larger than human scales of his bigger landscapes permit of a still life format with equal ease, “Flowers on the Blue” and By Donald Brackett OChaki has absorbed the light and energy of many him an even more operatic stage upon which to unleash the “Window” being excellent examples of this artist’s flexible locales around the world in his lengthy career as an observer emotional calculus of his images. -
At a Glance 2016
At a glance 2016 At a Glance 2016 16308 (04-17) Service des communications, Ville de Montréal de Montréal Ville 16308 (04-17) Service des communications, Denis Coderre Mayor of Montréal Alexandre Taillefer Managing Partner, XPND Capital and President of the Steering Committee Luc Fortin Minister of Culture and Communications, Minister responsible for the Protection and Promotion of the French Language Manon Gauthier Member of the Montréal Executive Committee, responsible for Culture, Heritage, Design, Space for Life and the Status of Women Diane Giard Executive Vice-President, Personal and Commercial Banking, National Bank of Canada Michel Leblanc President and CEO of the Chamber of Commerce of Metropolitan Montreal 4 Artistic, cultural, digital, technological: for her 375th anniversary, Montréal is determined to display her colours proudly. A vector of social identity and cohesion, culture displays and asserts itself as one of the pillars of development for our city, through an abundance of projects and accomplishments, each more fascinating than the last, showcased in this edition of At a Glance 2016, Montréal, Cultural Metropolis. By remembering remarkable stories of history and heritage, new technologies, literature, film and Montréal, Liza Frulla live arts, Montréal stands as an open book on the President, a metropolis Culture Montréal world, whose colourful images convey its relentless that beats to pursuit of excellence. A metropolis that beats to the the energy of energy of its artists, visionaries and entrepreneurs its artists. heartily striving to make it live and grow. In this anniversary year, Montréal is experiencing an extraordinary effervescence. Here we present a sample of majestic and spectacular projects that will enliven, embellish, enchant and transform the city. -
Miniaturisation: a Study of a Material Culture Practice Among the Indigenous Peoples of the Pacific Northwest
Miniaturisation: a study of a material culture practice among the indigenous peoples of the Pacific Northwest John William Davy Thesis submitted for the degree of Doctor of Philosophy (PhD), Department of Anthropology, University College London (UCL), through a Collaborative Doctoral Award partnership with The British Museum. Submitted December, 2016 Corrected May, 2017 94,297 words Declaration I, John William Davy, confirm that the work presented in this thesis is my own. Where material has been derived from other sources I confirm that this has been indicated in the thesis. John William Davy, December 2016 i ii Table of Contents Abstract 1 Introduction 3 Research questions 4 Thesis structure 6 Chapter 1: Theoretical frameworks 9 Theories of miniaturisation 13 Semiotics of miniaturisation 17 Elements of miniaturisation 21 Mimesis 22 Scaling 27 Simplification 31 Miniatures in circulation 34 Authenticity and Northwest Coast art 37 Summary 42 Chapter 2: Methodology 43 Museum ethnography 44 Documentary research 51 Indigenous ethnography 53 Assessment of fieldwork 64 Summary 73 Chapter 3: The Northwest Coast 75 History 75 Peoples 81 Social structures 84 Environment 86 iii Material Culture 90 Material culture typologies 95 Summary 104 Chapter 4: Pedagogy and process: Miniaturisation among the Makah 105 The Makah 107 Whaling 109 Nineteenth-century miniaturisation 113 Commercial imperatives 117 Cultural continuity and the Makah 121 Analysing Makah miniatures 123 Miniatures as pedagogical and communicative actors 129 Chapter 5: The Haida string: