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TNWA01 16/11/06 11:23 AM Page i The naval war film TNWA01 16/11/06 11:23 AM Page ii TNWA01 16/11/06 11:23 AM Page iii The naval war film GENRE, HISTORY, NATIONAL CINEMA Jonathan Rayner Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave TNWA01 16/11/06 11:23 AM Page iv Copyright © Jonathan Rayner 2007 The right of Jonathan Rayner to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk Distributed exclusively in the USA by Palgrave, 175 Fifth Avenue, New York, NY 10010, USA Distributed exclusively in Canada by UBC Press, University of British Columbia, 2029 West Mall, Vancouver, BC, Canada V6T 1Z2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 7098 8 hardback EAN 978 0 7190 7098 3 First published 2007 16 15 14 13 12 11 10 09 08 07 10 9 8 7 6 5 4 3 2 1 Typeset in 10.5/12.5pt Sabon by Graphicraft Limited, Hong Kong Printed in Great Britain by CPI, Bath TNWA01 16/11/06 11:23 AM Page v For Sarah, who after fourteen years knows a pagoda mast when she sees one, and for Jake and Sam, who have Hearts of Oak but haven’t got to grips with Spanish Ladies. -
Reflections 18 2
Reflections The Magazine of the C S FORESTER SOCIETY ISSN 2042-1389 Number 18 – March 2011 http://csforester.eu Book-of-the-year: Brown on Resolution (part 1 the Book) by John Roberts, Ship’s Names during Hornblower’s Napoleonic Wars by Lawrie Brewer, Château de Graçay from “Flying Colours” discovered? by Ludwig Heuse, U97 (part 1 the Book and the Play) by Jetse Reijenga. Chairman meets Author, Correspondence, New Members. “…an ingeniously constructed, dramatic tale of devotion, duty and heroic self-sacrifice…” My children found it very hard to understand the concept C S Forester wrote “ Brown on Resolution” towards the of “best” or “favourite”. Whenever they were asked to end of the 1920s, and he must have begun writing it not choose just one, in a toyshop, or a story before bed, or a that long after he married Kathleen in 1926, it was one of cuddly toy to take to bed, they always managed to include his early books, before he had become firmly established half a dozen. When I come to choosing my favourite C S as a well known and popular writer, although he had Forester book I understand their dilemma and always end written nearly ten books by that stage. It was also his first up with half a dozen myself! Anyway “Brown on naval story, though he would have been writing his Resolution” is always included among my best biography of Nelson at the same time, which was to be favourites. In fact it was very high amongst my favourites published very shortly after “ Brown on Resolution”, but long before I saw either of the films or was aware of the both were written quite some time before he created his full stories of the German raiding cruisers in the First great naval hero, Hornblower. -
Video Reviews 5-25-07.Qxp
New On Video & DVD Bobby attempts to distill the hope, anger, and confusion that gripped the U.S. in the late 1960s. With the civil rights movement still reeling from the murder of Martin Luther King, Jr. and the country embroiled in the confusion of Vietnam, Senator Robert F. Kennedy’s campaign preached a message of peace and tolerance. In a style similar to the sprawling works of Robert Altman or Paul Thomas Anderson, Estevez uses the June 4th, 1969, assassination of Kennedy at the Ambassador Hotel in Los Angeles as the means to take a snapshot of the problems facing the country as the 1960’s came to an end. The hotel is a microcosm of class and race, with characters bouncing off each other until the vio- lent conclusion. African-American head chef Edward (Laurence Fishburne) presides over a kitchen staffed primarily by Mexican Americans who are the victims of the racist restaurant manager, Timmons (Christian Slater). Timmons is reprimanded by hotel manager Paul Ebbers (William H. Macy), who is having an affair with a switchboard operator (Heather Graham) behind the back of his beautician wife (Sharon Stone). Meanwhile, a young Diane (Lindsay Lohan) prepares to marry her classmate, William (Elijah Wood), in order to save him from going to Vietnam, and two collegiate campaigners for Senator Kennedy remove their ties to take their first LSD trip, courtesy of a resident hippie drug dealer (Ashton Kutcher). Though the sheer volume of characters--and celebrities portray- ing them--is often overwhelming, Estevez is deft at making each plot thread convincing and involv- ing. -
British World War Two Films 1945-65: Catharsis Or National Regeneration?
BRITISH WORLD WAR TWO FILMS 1945-65: CATHARSIS OR NATIONAL REGENERATION? by Esther Margaret O'Neill A thesis submitted in partial fulfilment for the requirements for the degree of Doctor of Philosophy at the University of Central Lancashire Date: October, 2006 a uclan Student Declaration Concurrent registration for two or more academic awards X I declare that while registered as a candidate for the research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution Material submitted for another award x I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work. Collaboration Where a candidate's research programme is part of a collaborative project, the thesis must indicate in addition clearly the candidate's individual contribution and the extent of the collaboration. Please state below: No collaboration. Signature of Candidate Type of Award DOCTOR OF PHILOSOPHY (PhD) Department HISTORY Abstract Major differences in British Second World War films produced in wartime 1939-45 (idealising the 'People's War') and post-war versions produced between 1945-65 (promoting the return of elite masculinity) suggest a degree of cultural re-conditioning concerning the memory of war, by Britain's middle-class film-makers attuned to national and international concerns. Therefore, the focus and main aim of this thesis is to identify and examine previously ignored or inadequately scrutinized themes within the post-war genre to explain how, and why, film-makers redefined the Second World War and its myths, tapping deeply into the national psyche, stimulating and satisfying a voracious, continuing, British appetite. -
Convert Finding Aid To
Hoblitzelle Interstate Theatre Circuit: A Container List of the Advertising Collection at the Harry Ransom Center Descriptive Summary Creator: Hoblitzelle Interstate Theatre Circuit Title: Hoblitzelle Interstate Theatre Circuit Advertising Collection Dates: 1930s-1970s Extent: 85 document boxes (35.70 linear feet) Abstract: This collection features movie stills, posters, lobby cards, and other advertising ephemera from the Hoblitzelle Interstate Theatre Circuit dating from the 1930s-1970s. Call Number: Film Collection FI-00015 Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Part or all of this collection is housed off-site and may require up to three business days’ notice for access in the Ransom Center’s Reading and Viewing Room. Please contact the Center before requesting this material: [email protected] Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Certain restrictions apply to the use of electronic files. Researchers Use: must agree to the Materials Use Policy for Electronic Files before accessing them.