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Pérez Art Museum Miami Announces Inaugural Exhibition Schedule

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Pérez Art Museum Miami Announces Inaugural Exhibition Schedule Pérez Art Museum Miami Announces Inaugural Exhibition Schedule Pérez Art Museum Miami (PAMM) announces the inaugural exhibition lineup for its new building, opening in Museum Park in December 2013. The wide-ranging roster of exhibitions examines the interpretation and appropriation of cultural and political identities, economic structures, and commodities generated by Miami’s diverse population and its position as a cross-cultural hub. The selection and presentation of artists, collections, and commissioned projects for PAMM is guided by the Museum’s mission to create dialogues across and through local, regional, and international contexts and to emphasize artists and projects that engage with traditions from the United States, the Caribbean, and Latin America. The curatorial program is also particularly attuned to the work of local artists and designers. From focused exhibitions on the work of Cuban painter Amelia Peláez and Haitian born, Miami-based artist Edouard Duval-Carrié to thematic presentations of the Museum’s permanent collection to major retrospectives on artists Ai Weiwei and Beatriz Milhazes and group exhibitions on the exchange of ideas between the Caribbean basin, Europe, and North Africa, PAMM’s upcoming projects serve as critical frames through which larger dialogues about recent history, migration, new cultural formations, and diverse ideologies can be structured. Advance Exhibitions Schedule, 2013-2014: AMERICANA December 4, 2013 – May 2015 The collection of the Museum is displayed thematically within six Collection Galleries located throughout the two floors of the building. Collectively titled AMERICANA, these six galleries present artwork produced by artists working in North America, South America, Central America, and the Caribbean. The bilingual title evokes North American vernacular collecting traditions, as well as a hemispheric perspective that looks across national or regional borders. This focus on the Americas serves to emphasize the strengths of the collection, while additionally seeking to reflect the diverse publics of the museum, the majority of which have cultural ties to these areas of the world. The six galleries that make up AMERICANA are arranged thematically, each space developed in the form of a short essay, offering a focused view on a particular issue or set of preoccupations that have engaged artists from the Americas since the mid-twentieth century. These presentations include: Desiring Landscape, Sources of the Self, Formalizing Craft, Progressive Forms, Corporal Violence, and Commodity Culture. Rather than organized chronologically, these spaces combine artworks produced across geographies and at various historical moments over the last eight decades. The specific pieces and themes explored in AMERICANA will change over the course of eighteen months, as these galleries are periodically re-configured to showcase new acquisitions, as well as the collection's many other works. Special emphasis has been placed on the presentation of works by artists currently living in Miami as a way of highlighting the growing position of this city as an important site of art production internationally. AMERICANA additionally augments Pérez Art Museum Miami’s young collection with artworks borrowed from outstanding local collections, an organizing strategy that seeks to recognize these collections as resources for the publics of the Miami and South Florida region. Ai Weiwei: According to What? December 4, 2013 – March 16, 2014 Ai Weiwei: According to What? is the first major international survey of this vital artist’s multifaceted artistic oeuvre. This exhibition reveals Ai’s practice as emerging from an ever- questioning dialogue with the social, political, and cultural positions of his native China and the world at large. Ai (b. 1957) works in a range of media, including architecture and design, and this exhibition will feature work of the last 20 years, including photography and the large-scale sculptures for which the artist is best known. These sculptures, often made from modified found objects, suggest the irreverent nature of Ai’s project and reconfigure materials in new and evocative ways. With a broad formal range, Ai has continuously challenged possible meanings and modes of art making, most recently employing the Internet and its global reach as a platform for activism and expression. His provocative and beautiful works of art and architecture are an exploration of the transformative potential of contemporary art, which he said is “not a form but a philosophy of society.” Image Search: Photography from the Collection December 4, 2013 – July 27, 2014 This exhibition presents a varied selection of photographs drawn from the museum’s permanent collection of Pérez Art Museum Miami (PAMM), with a particular emphasis on the Cowles Collection, a gift of more than one hundred iconic works of the 20th century including photographs by Edward Steichen, Andy Warhol, and Rineke Dijkstra. Relying on contemporary strategies for organizing and understanding information, the exhibition will incorporate sequential and salon-style hangs in its installation. Within this format, new modes of visual literacy— created by the ever-growing influence of digital media and the way in which images circulate and are indexed through the Internet and by a continued interest in the form of the archive—are brought to bear on the Museum’s strong and expanding collection of photography. Allowing the viewer to see the works through visual cues and historical connections, looking at the image within the photograph as well as relationships between photographs, this exhibition seeks to engender new ‘ways of looking.’ This show will employ digital didactic labels and text on iPads as part of PAMM’s growing engagement with technology and new platforms for education in the galleries. A Human Document: Selections from the Collection of Ruth and Marvin Sackner December 4, 2013 – May 25, 2014 Pérez Art Museum Miami (PAMM) will present an extensive selection of works from the Miami- based collection of Ruth and Marvin Sackner. Founded in 1979, this "archive of archives" initially focused on concrete and visual poetry—including rare manuscripts and published works by international luminaries such as Augusto and Haroldo de Campos, Oyvind Fahlström, and Eugen Gomringer. The collection subsequently grew to encompass a broad array of historic and contemporary works that synthesize word and image. Rooted in the early to mid-20th-century European avant-garde, the collection provides a unique lens through which to examine the foundational movements of modernism, including Italian Futurism, Russian Constructivism, Bauhaus, De Stijl, Dada, and Lettrisme, among others. The Sackners’ contemporary holdings are also expansive, with special strengths in artists' books and "assemblings" (limited-edition groupings of materials by numerous contributors), as well as various subgenres such as typewriter art, performance poetry, and micrography (abstract or representational designs comprised of minuscule lettering). The exhibition begins with a rare, 1897 publication of "Un Coup de des" (A Throw of the Dice), by Stéphane Mallarmé, which is considered one of the first true examples of concrete poetry, and it includes hundreds of objects spanning more than a century of creative expression. Amelia Peláez del Casal December 4, 2013 – February 23, 2014 Pérez Art Museum Miami (PAMM) will present a focused selection of works by Amelia Peláez del Casal (b. 1896 – d. 1968), one of the most important Cuban painters of the modernist era. Alongside artists such as Carlos Enríquez, Wifredo Lam, Victor Manuel, and Fidelio Ponce de León, Peláez personifies the primera vanguardia—the first wave of Cuban artists who traveled to Europe before World War II, where they were exposed to Cubism, Surrealism, and other contemporaneous styles. When these artists subsequently returned to the island nation, they introduced the artistic innovations they had adopted abroad and transformed them by incorporating aspects of their native cultural and national identities. Peláez is best known for brightly colored, quasi-abstract compositions that feature decorative objects and ornamental architectural motifs, evoking the traditional domestic interiors of Havana. This exhibition will take a socio-historical approach, examining Peláez’s work in the context of the changing material culture and urban landscape of Havana during the first half of the 20th century. Project Gallery: Hew Locke December 4, 2013 – May 25, 2014 For Those in Peril on the Sea (2011) is an installation by Hew Locke (b. 1959), a British artist of Guyanese descent. It consists of dozens of scaled-down replicas of ships suspended from the ceiling, creating the impression of a massive exodus taking place throughout the architectural space above the viewer. It features a broad range of vessel types, from cigarette boats, catamarans, and cruise liners to ragged fishing skiffs and timeworn cargo ships. In light of Miami’s history as the site for numerous waves of immigration—particularly from the Caribbean, and specifically by sea—For Those in Peril on the Sea will have a particular resonance for the Museum’s audiences. With its significant links to the South Florida community, this installation, part of Pérez Art Museum Miami’s permanent collection, promises a powerful initial experience for visitors to the new building. Project Gallery: Monika Sosnowska December 4, 2013 – September 28, 2014 Monika Sosnowska (b. 1972)
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