CSU Chico Seld-Study 2009

Total Page:16

File Type:pdf, Size:1020Kb

CSU Chico Seld-Study 2009 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC CALIFORNIA STATE UNIVERSITY, CHICO SELF-STUDY 2009 TABLE OF CONTENTS NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC CALIFORNIA STATE UNIVERSITY, CHICO SELF-STUDY Section I: Purpose and Operations Purpose of the Institution and Music Unit ......................................................................................................... 1 Mission of California State University, Chico ..............................................................................................1 Mission of the Department of Music .............................................................................................................1 Goals of the Department of Music ................................................................................................................1 Size and Scope...................................................................................................................................................... 2 University Definitions ...................................................................................................................................2 Degrees and Option Offered by the Department of Music............................................................................ 2 Ensemble Opportunities ................................................................................................................................3 Faculty for the Department of Music ............................................................................................................3 Finances................................................................................................................................................................ 3 Analysis: Purpose, Size, Scope, and Finances .....................................................................................................4 Governance and Administration ...........................................................................................................................4 Music Department Chair ...............................................................................................................................5 Staff Support .................................................................................................................................................6 Jointly Administered Programs .....................................................................................................................6 Faculty & Staff...................................................................................................................................................... 7 Facilities, Equipment, Health, and Safety ..........................................................................................................12 The Facilities ...............................................................................................................................................12 Equipment ...................................................................................................................................................13 Maintenance of Facilities and Equipment ...................................................................................................14 Safety and Security...................................................................................................................................... 14 Areas for Improvement ...............................................................................................................................15 Floor Plans ..................................................................................................................................................16 Library and Learning Resources ........................................................................................................................18 Governance.................................................................................................................................................. 18 Collections ..................................................................................................................................................18 Personnel .....................................................................................................................................................19 Services . ......................................................................................................................................................19 Facilities ......................................................................................................................................................20 Finance .. ......................................................................................................................................................20 Expenditures for Music Acquisitions ..........................................................................................................21 Evaluation.................................................................................................................................................... 22 Recruitment, Admission, Retention, Record Keeping, and Advisement............................................................ 22 Recruitment .................................................................................................................................................22 Admission.................................................................................................................................................... 23 Retention .....................................................................................................................................................24 Advisement .................................................................................................................................................25 Record Keeping ...........................................................................................................................................25 Evaluation.................................................................................................................................................... 25 TABLE OF CONTENTS Credit and Time Requirements ...........................................................................................................................26 Program Lengths .........................................................................................................................................26 Classification of Students by Class Level ...................................................................................................26 Credit Hours ................................................................................................................................................27 Transfer Credit ............................................................................................................................................27 Evaluation.................................................................................................................................................... 27 Published Materials and Web Sites ....................................................................................................................28 Branch Campuses and External Programs .........................................................................................................28 Community Involvement.................................................................................................................................... 29 Articulation with other Schools.......................................................................................................................... 29 Section II: Instructional Programs Competencies Common to All Baccalaureate Degrees in Music .......................................................................31 Purpose ...............................................................................................................................................................31 General Studies ..................................................................................................................................................32 Musicianship ......................................................................................................................................................33 Specific Undergraduate Programs and Procedures ............................................................................................34 BA in Music: Option in General Music (Renewal of Final Approval) .......................................................34 BA in Music: Option in Music Education (Renewal of Final Approval) ....................................................35 BA in Music: Option in Music Composition (Renewal of Final Approval) ...............................................35 BA in Music: Option in Performance (Renewal of Final Approval) ...........................................................36 BA in Music Industry & Technology: Option in Recording Arts (Renewal of Final Approval) ................37 BA in Music Industry & Technology: Option in Music Industry (Renewal of Final Approval) ................37 BA in Music: Option in Jazz Studies (Plan Approval) ................................................................................38 Teacher Preparation Programs...........................................................................................................................
Recommended publications
  • The Flutist Quarterly Volume Xxxv, N O
    VOLUME XXXV , NO . 2 W INTER 2010 THE LUTI ST QUARTERLY Music From Within: Peter Bacchus Interviews Robert Dick Remembering Frances Blaisdell Running a Chamber Ensemble The Inner Flute: Lea Pearson THE OFFICIAL MAGAZINE OF THE NATIONAL FLUTE ASSOCIATION , INC :ME:G>:C8: I=: 7DA9 C:L =:69?D>CI ;GDB E:6GA 6 8ji 6WdkZ i]Z GZhi### I]Z cZl 8Vadg ^h EZVgaÉh bdhi gZhedch^kZ VcY ÓZm^WaZ ]ZVY_d^ci ZkZg XgZViZY# Djg XgV[ihbZc ^c ?VeVc ]VkZ YZh^\cZY V eZg[ZXi WaZcY d[ edlZg[ja idcZ! Z[[dgiaZhh Vgi^XjaVi^dc VcY ZmXZei^dcVa YncVb^X gVc\Z ^c dcZ ]ZVY_d^ci i]Vi ^h h^bean V _dn id eaVn# LZ ^ck^iZ ndj id ign EZVgaÉh cZl 8Vadg ]ZVY_d^ci VcY ZmeZg^ZcXZ V cZl aZkZa d[ jcbViX]ZY eZg[dgbVcXZ# EZVga 8dgedgVi^dc *). BZigdeaZm 9g^kZ CVh]k^aaZ! IC (,'&& -%%".),"(',* l l l # e Z V g a [ a j i Z h # X d b Table of CONTENTS THE FLUTIST QUARTERLY VOLUME XXXV, N O. 2 W INTER 2010 DEPARTMENTS 5 From the Chair 51 Notes from Around the World 7 From the Editor 53 From the Program Chair 10 High Notes 54 New Products 56 Reviews 14 Flute Shots 64 NFA Office, Coordinators, 39 The Inner Flute Committee Chairs 47 Across the Miles 66 Index of Advertisers 16 FEATURES 16 Music From Within: An Interview with Robert Dick by Peter Bacchus This year the composer/musician/teacher celebrates his 60th birthday. Here he discusses his training and the nature of pedagogy and improvisation with composer and flutist Peter Bacchus.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Daf Leaether Strip Project Pitchfork
    edition October - December 2015 free of charge, not for sale 19 quarterly published music magazine DAF LEAETHER STRIP PROJECT PITCHFORK BETTINA KÖSTER + POSIMONOVA DECODED FEEDBACK + KINEX KINEX THE ARCH + NO MORE + ONMENS - 1 - WOOL-E TOP 10 WOOL-E TAPES Wool-E Tapes is a spin-off of Wool-E Best Selling Releases Shop to release everything its owner (July/Aug/Sept 2015) likes, on tape INTERNATIONAL CASSETTE 1. SHE PAST AWAY STORE DAY (October 17th) Narin Yalnizlik (LP/CD) For the 3d instalment of International Cassette Store Day we will be 2. PURE GROUND releasing 4 tapes (see below). Sound Standard Of Living (LP/CD) & Vision and Charnier will promote 3. VOLKOVA their tape by means of a short gig Sangre (CD) in the shop. Check the website or 4. QUAL facebook for the exact timing. Sable (LP/CD) Upcoming: 5. DADA POGROM WET020 Unidentified Man - Dissociative Identity C50 Kolophonium (CD) WET021 Klankdal - Nachtkarkassen C85 6. VARIOUS WET022 Sound & Vision – Golden Years C26 Another Cold World (LP/CD) WET023 BARST (released on 1st 7. KVB November) Mirror Being (LP/CD) WET024 Charnier C25 8. MONNIK / ONRUST Still hot: Split Tape (MC) WET016 - MAYZ – The Void C67 WET017 - Howling Larsons - Midnight 9. L’AVENIR Folk C49 Etoiles (LP) WET018 - Kinex Kinex - Polytheistic 10. BLEIB MODERN Christmas C31 All Is Fair In Love And War(LP/CD) http://wool-e-tapes.bandcamp.com The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654 - [email protected] - 32(0)476.81.87.64 www.peek-a-boo-magazine.be - 2 - contents 04 CD reviews
    [Show full text]
  • Subseries 6.2: Dallas Times Herald Work, Circa 1961-1989 Extent: 30 Boxes (126 Film and 35 Mm) (Approximately 85,000 Negatives)
    Subseries 6.2: Dallas Times Herald Work, circa 1961-1989 Extent: 30 Boxes (126 film and 35 mm) (approximately 85,000 negatives) Celebrities; stage, screen and TV stars; events, concerts, portraits and parties. Filed alphabetically by subject’s last name. Primarily black and white 35 mm roll film; some 126-roll film. Roll film is cut in strips and sleeved in polyethylene sheet protectors. Box 8 Last Name Beginning with “A” negatives (76 rolls, approximately 1,450 negatives) Rolls Able Will 1979 July 7 2 Adams Tom 1983 April 15 2 Adams Edie 1970 April 28 1 DSM June 1975 Alberghetti Anna Maria 1975 1 1975 June 4 Albert Eddie 2003 July 4 2 also 1977 Mar 22 Alda Robert 1971 Aug 11 1 Alda Alan 1981 April 3 7 USA Film Festival, SMU Alder Joe 1983 June 1 5 with James Drury Aleskovsky Ruth 2 Allen Marty 1971 Nov 1 3 @ the Fairmont, with Steve Rossi, @ Stoneleigh Allen Steve 1975 Nov 1 1 Fairmont Hotel Allred Libby Hunt 1 1988 Feb Alpert Hollis 1 @ SMU Alred Libby Hunt 1 Ameche Don 1972 Oct 10 1 With Jeb Stuart Ames Ed 1970 March 26 1 @ T Bar M, with Warren Jacques, Interview Ames Nancy 1 @ the Fairmont Chick 1964 May 28 1 With Mike Rogers at Stoneleigh Anderson Anderson Lynn 1979 March 21 7 and 1977; Venetian Room @ 1980 May 12 Fairmont Andrews Sisters 1 Ann-Margaret 1982 Aug 1 8 In “Tommy” Anspach Susan 1979 Nov 1 2 @ the Fairmont Applewhite Charlie 1961 Sept 14 1 Arden Eve 1982 July 2 1 With Donald O'Connor @DSM Ashley Elizabeth 1984 Feb 1 1 Manheim Asner Ed 1981 June 27 2 Golden Plate dinner awards Atkins Chet 1969 Jan 24 5 August Marie 1982
    [Show full text]
  • December 1946) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1946 Volume 64, Number 12 (December 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 12 (December 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/65 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. /frtvw in thy dark- sheets shm-ethTtis O lit-tle town of B«tti-U-hem! H hopes and fears of all the /ears bove thy deep and dream-less alvepTh arc met in thee to -ni PHILLIPS BROOKS Jlvihor* . merly of the New Friends of Music; Louis DR. SERGE KOUSSEVITZKY’S programs Fourestier, of the Paris Opera; and An- for the current season of the Boston tonio Votto, formerly assistant to Tos- Symphony Orchestra include five new canini at La Scala in Milan. which were com- symphonies, three of COMPANY, missioned by the Koussevitzky Music THE AMERICAN OPERA operatic venture, Foundation. One of these is by Oliver Philadelphia’s newest October 24 Messiaen, contemporary French com- had an auspicious opening on RUCTION Mozart’s comic opera, poser; another is Walter Piston’s Third when it presented the Harem,” under PIANO Symphony; the third is Aaron Copland’s “The Abduction from MODERN direction of Vernon Hammond, mu- NOTE Third Symphony.
    [Show full text]
  • THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
    THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra.
    [Show full text]
  • 156 Winning Song Titles Radio Station WQEW-AM, 1560 on The
    156 Winning Song Titles Radio Station WQEW-AM, 1560 on the dial, a New York City station, recently held a listener’s contest to determine the songs that were most popular with it’s listeners. Here are ”The 156 Winners on Radio Station WQEW-AM, 1650KC, Contest.” 1. I Can’t Get Started Bunny Berigan 2. Stardust Nat King Cole 3. Stardust Artie Shaw 4. Begin the Beguine Artie Shaw 5. Moonlight Serenade Glenn Miller 6. Green Eyes J. Dorsey/B., Eberly/H. O’Connell 7. In the Mood Glenn Miller 8. Sing, Sing, Sing Benny Goodman 9. My Way Frank Sinatra 10. You Belong to Me Jo Stafford 11. I’ve Got You Under My Skin Frank Sinatra 12. Because of You Tony Bennett 13. Unforgettable Nat King Cole 14. I Left My Heart in San Francisco Tony Bennett 15. Theme from: New York, New York Frank Sinatra 16. When Your Old Wedding Ring Was New Jimmy Roselli 17. Over the Rainbow Judy Garland 18. Tangerine J. Dorsey/B. Eberly/H. O’Connell 19. Mack the Knife Bobby Darin 20. Night and Day Frank Sinatra 21. I’ll Never Smile Again T. Dorsey/Pied Pipers/F Sinatra 22. I Understand Jimmy Dorsey 23. Summer Wind Frank Sinatra 24. White Christmas Bing Crosby 25. On the Sunny Side of the Street T Dorsey/Sentimentalists 26. A String of Pearls Glenn Miller 27. All the Things You Are Artie Shaw/Helen Forest 28. Mona Lisa Nat King Cole 29. Mala Femmena Jimmy Roselli 30. Wind Beneath My Wings Bette Midler 31.
    [Show full text]
  • Music from the Bob Hope Collection
    Music from the Bob Hope Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2012 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: http://lccn.loc.gov/2006560672 Finding aid encoded by Library of Congress Music Division, 2012 Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu012018 Collection Summary Title: Music from the Bob Hope Collection Span Dates: 1932-1997 Bulk Dates: (bulk 1979-1990) Call No.: ML31.H67 Creator: Hope, Bob, 1903-2003 Extent: 15,000 items ; 122 containers ; 35.0 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: In a career that spanned nearly seventy years, American comedian and entertainer Bob Hope performed in theater, radio, film, and television, and in numerous public appearances, including his tours in support of the U.S. armed forces. Music from the Bob Hope Collection contains manuscript scores, instrumental parts, and lyrics for nearly 500 works used in Hope's films, television programs and personal appearances. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Alberti, Bob, pianist. Comstock, Frank. Harmon, Manny. Hill, J. (James L.), 1928- Hope, Bob, 1903-2003. Hope, Bob, 1903-2003. Myers, Pete. Perito, Nick. Rogers, Shorty, 1924-1994. Wolpe, Dave. Organizations Hope (Bob) Collection (Library of Congress) Subjects Motion picture music, Arranged.
    [Show full text]
  • Coronet 1956-1962
    AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA
    [Show full text]
  • “Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Cary O’Dell
    “Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, piano (1926) Added to the National Registry: 2004 Essay by Cary O’Dell George Gerswhin Fred Astaire Adele Astaire For an artist so synonymous with dance, Fred Astaire is also certainly associated with a wide selection of musical standards—“Cheek to Cheek,” “Top Hat,” “Funny Face” and “Night and Day,” to name just a few. And for a man forever partnered with Ginger Rogers within popular culture, Astaire got his first taste of stardom while still teamed with his talented elder sister and longtime stage co-star, Adele. Both natural-born dancers with unbelievable technique and an innate sense of rhythm, the Astaires began performing as a brother-sister team in vaudeville in the 1900’s. Eventually, they worked their way up to the Orpheum Circuit. Filling their act with songs, sibling teasing and, of course, dance, the duo first appeared on Broadway, in the show “Over the Top,” in 1917. Meanwhile, though the brothers Gershwin, George and Ira, were each having some individual success as Tin Pan Alley tunesmiths in the early 1920’s, they achieved their greatest success when they teamed up together for the Broadway stage and wrote the musical “Lady, Be Good” in 1924. Along with composing that show’s long-enduring title tune, the Gerswhins also wrote “Fascinating Rhythm,” a bouncy duet that Fred and Adele would perform in the show in New York and in London’s West End. They would commit it to record, on Columbia, with George Gerswhin on piano, in 1926. This recording was named to the Library of Congress’ National Registry in 2004.
    [Show full text]
  • National Flute Association Convention Marriott Marquis Hotel, New York City August 13 – 16, 2009
    National Flute Association Convention Marriott Marquis Hotel, New York City August 13 – 16, 2009 The following is a list of concerts and other event highlights that are open to the public during the NFA Convention. For a complete listing, please visit www.nfaonline.org/convention . Thursday, August 13: 9–10 am American Composers Concert: O’Neil Flutists John Bailey, Virginia Broffitt, April Clayton, Yvonne Chavez Hansbrough, and Lisamarie McGrath perform works of Katherine Hoover, Jennifer Higdon, Randall Snyder, Eric Sessler, and Keith Gates. 10–10:45 am Concerti Redux: Brad Garner performs a new concerto by Glen Cortese and Tadeu Coelho performs Mark Engebretson’s Deliriade-Flute Concerto with Saxophone Quartet with the Red Clay Saxophone Quartet. 2:15–3:30 pm Gotham Gathering: Chamber Music for Mixed Ensembles: Performances by The Indånde Duo, Don Bailey with the Attacca String Quartet, Montpelier Wind Quintet, Barbara Hopkins, and Judith Handler as well as a performance of Jindrich Feld’s newly transcribed Trio for flute, clarinet, and bassoon by Dennette McDermott, Malena McLaren, 2:30–3:30 pm Celebrating Carol Wincenc’s Ruby Anniversary: Gems from New York Composers: Carol Wincenc in recital performing works of Leonard Bernstein, Paul Schoenfield, David Del Tredici, Joan Tower, Edgard Varese, Jonathan Berger, Henry Cowell, Arnold Black, Lukas Foss 4:30–5:30 pm Remembering Frances Blaisdell, Cantor/Jolson First Lady of the Flute: Friends and students celebrate the life of Frances Blaisdell (1912–2009), pioneering flutist and inspirational teacher, with stories, recordings, and video of her historic career. 4:30–5:30 pm Billy Kerr in Concert: Jazz flutist Billy Kerr plays original 4:30–5:45 pm Headliner Concert: Carlo Jans, Marya Martin, and Gergely Ittzés in recital.
    [Show full text]
  • NEW RELEASE GUIDE March 19 March 26 ORDERS DUE FEBRUARY 12 ORDERS DUE FEBRUARY 19
    ada–music.com @ada_music NEW RELEASE GUIDE March 19 March 26 ORDERS DUE FEBRUARY 12 ORDERS DUE FEBRUARY 19 2021 ISSUE 7 March 19 ORDERS DUE FEBRUARY 12 NEW EP ELASTICITY FROM SERJ TANKIAN TRACKLISTING 1. ELASTICITY 2. YOUR MOM 3. HOW MANY TIMES? 4. RUMI 5.ELECTRIC YEREVAN • New EP “ELASTICITY” from Serj Tankian (System Of A Down) out on 3/19/21. UPC: 4050538653694 Returnable: Yes CAT: 538653692 Explicit: Yes • First Instant Grat track “ELASTICITY” out Box Lot: 30 CD File Under: Rock SRP: $9.98 on 2/5/21 together with a video and EP Packaging: Digipack Release Date: 3/19/21 4 050538 653694 pre-order. • “ELECTRIC YEREVAN” will be the focus track and comes out alongside the EP on 3/19/21. It’s will also be featured in a trailer and end credits for the upcoming Serj Tankian directed documentary TRUTH IS POWER out on 4/27/21. Artist: Saxon Release date: 19th March 2021 Title: Inspirations Territory: World Ex. Japan Genre: Metal FORMAT 1: CD Album (Digipack) Cat no: SLM106P01 / UPC: 190296800504 SPR: $13.99 - 3% Discount applicable till Street Date FORMAT 2: Vinyl Album Cat no: SLM106P42 / UPC: 190296800481 SPR: $34.98 SAXON PROUDLY DISPLAY THEIR “INSPIRATIONS” WITH NEW CLASSIC COVERS RELEASE British Heavy Metal legends Saxon will deliver a full-roar-fun-down set of covers on March 19th 2021 (Silver Lining Music), with their latest album Inspirations, which drops a brand new 11 track release featuring some of the superb classic rock songs that influenced Biff Byford & the band. From the crunching take on The Rolling Stones’ ‘Paint It Black’ and the super-charged melodic romp of The Beatles’ ‘Paperback Writer’ to their freeway mad take on Jimi Hendrix’s ‘Stone Free’, Saxon show their love and appreciation with a series of faithful, raw and ready tributes.
    [Show full text]