A Great and Inspiring Institution 2014-15 President’S Report & Honor Roll of Donors a Great and Inspiring Institution

Total Page:16

File Type:pdf, Size:1020Kb

A Great and Inspiring Institution 2014-15 President’S Report & Honor Roll of Donors a Great and Inspiring Institution A Great and Inspiring Institution 2014-15 President’s Report & Honor Roll of Donors A Great and Inspiring Institution arly in my journalistic career, I sixth grade! worked in a peculiar newsroom. As I said when I disclosed my decision, two Our staff was devoted entirely years is, admittedly, a lot of notice. But I had and exclusively to producing just promised our trustees that, if Deb and I ever one product a week – a Sunday reached the point where we saw the finish line newspaper. coming more clearly into view, we would let Among other things, that made for an odd them know that. To their credit, the trustees Ework schedule. By Saturday, when the paper simply wanted as much time as possible to plan was “live,” a reporter like me might come in at 9 if and when they would need to find the eighth in the morning and work straight through, with president of St. Norbert College. little time even for meals, until the paper was I have discussed elsewhere the reasons put to bed around 1 a.m. On the other hand, on behind my decision, so no need to recap those Tuesdays and Wednesdays we might only work here. But I do wish to take the opportunity five or six hours as we eased into the week’s to acknowledge that everybody – and I ST. NORBERT COLLEGE ST. assignments. mean everybody, from our trustees to our President Tom Kunkel I recall one of those lazy, beginning-of-the- employees to our students to our alumni to our week days in particular. An editor friend of community friends – has been wonderfully mine abruptly packed up his briefcase and rose understanding and, for that, Deb and I are to leave. I glanced at the clock; it was not quite immensely grateful. 2:30. And so here we are. If this presidency were “Leaving early?” I said a little too loudly, a football game – and yes, to anticipate your hoping to get a rise out of him. question, sometimes it does feel that way! He wasn’t having it. “It’s too late to leave – we have entered the fourth quarter. Yet as early,” he said matter-of-factly as he disappeared every Packer fan knows, a game’s outcome is out the door. seldom determined by that point. I have much There is an art in knowing when to leave, remaining on my “to-do” list. That would and it’s one of those subjects the management include a renovated and expanded Schuldes textbooks don’t cover. Sports Center, more endowed academic As most of you know by now, I recently programs, more endowed faculty positions, announced that I will continue in the more scholarship dollars, the renovation of St. Norbert presidency for the current Boyle Hall and the Pennings Activity Center, academic year, as well as the next one. That the refreshing of our older residence halls, and, means when I turn out the lights one final time, and, and …. A REPORT FROM THE PRESIDENT on May 31, 2017, I will have had the honor of And … to do all that, we will continue to ask serving in this position for nine years. for your dedication and generosity. Of course, it feels as if it’s been nine weeks. Certainly we know first-hand what a The sense of time whizzing by really hit me powerful combination that makes. In the front during move-in day, when we ushered to of this issue, in the space usually occupied by campus our arriving first-year students – a my welcome, Phil Oswald, our vice president of record 617 of them. As I lugged another college advancement, discusses the successful shrink-wrapped case of Aquafina to a third- culmination of Campaign St. Norbert: Full floor dorm room, it occurred to me that when Ahead. The campaign was designed to raise $90 I welcomed my first class to St. Norbert, back million over seven years. Instead, you donated in the summer of 2008, these eager young men nearly $106 million in just six, and so we ended and women of the Class of 2019 were starting it a year early. 36 St. Norbert College Magazine | Fall/Winter 2015 Fundraising results & trends Alumni Giving Participation Percentage 2014-15 16.7% 2013-14 17.2% A REPORT FROM THE PRESIDENT 2012-13 18.3% 2011-12 18.2% Alumni Donors Individual donations 2014-15 2,556 2013-14 2,952 2012-13 3,118 2011-12 3,074 Total Donors Donations by alumni and friends 2014-15 5,831 And talk about impact – here’s just a small will do with them. 2013-14 4,947 NORBERT COLLEGE ST. sampler of the things that philanthropy made But as Phil would tell you, we have given his 2012-13 4,971 possible: the stunning Gehl-Mulva Science team all of 15 or 20 minutes to enjoy that heady Center and its South Teaching Wing; additional feeling of mission accomplished. Then it’s back 2011-12 4,916 support for faculty scholarship; Schneider to business, because we have much to do – and, Stadium; Michels Commons; a more robust at least in my case, just two more years to do it! program of undergraduate research; the St. Norbert Fund Annual Gifts After all our time together, you have come to Total dollars Cassandra Voss Center; the Mulva Studio; know me pretty well. You understand that I far Birder Hall; the Schneider School of Business & prefer the accelerator to the brake. If anything, 2014-15 $1,565,491 Economics (and its MBA degree); technology we usually have too much going on around upgrades in our classrooms and across campus; 2013-14 $1,491,201 here. But I will always prefer that to boredom, and the permanent endowing of both the complacency or, worse, self-satisfaction. 2012-13 $1,406,938 Norman Miller Center for Peace, Justice & I don’t know if I will be able to accomplish Public Understanding and the Sturzl Center 2011-12 $1,409,742 every one of my remaining goals, some of for Community Service & Learning. Not to mention nearly $20 million in endowment, which are ambitious even by our own high standards. But I commit to you that I have Gift Production generating additional scholarships and financial Total dollars aid for our deserving students – Job One for every intention of trying. any college president these days. It is an incredible privilege to be the 2014-15 $13,991,141 So thank you, thank you and thank you president of this great and inspiring institution. 2013-14 $17,114,601 again. That is a powerful legacy, one that will Our institution. ripple through the generations because of the And now you’ll have to excuse me; I have 2012-13 $22,389,040 opportunities you have provided to St. Norbert some phone calls to make. After all, it’s too late 2011-12 $27,461,816 students, and because of the great things they to leave early. snc.edu/magazine 37 HONOR ROLL OF DONORS 2014-15 Life to Date Giving Norbert Guild Pennings Guild Burke Guild $1,000,000 & above $250,000 to $999,999 $50,000 to $249,999 Mike = & Mimi Ariens Rick* & Virginia Baer Ms. Debra J. Alder & Tom & Jane Frawley Harry Macco Jim & Dona Schmitt Errico & Patrizia Auricchio Mike Boberschmidt & Dr. Jeffery G. Scherer Bob & Carmen Gallagher Jack & Marilyn Mackin Elizabeth Schroeder Dick & Kristin Bemis Nancy Gross Bob Ambrosius Lee Gentine Jim Madigan Maggie Shea John & Nancy Burgoyne Stuart & Cindy Brotz Mike & Renee Ingrassia Ariens Mike & Leanne Haddad Thomas Maher, Jr. Wayne Sigl & Carol & Bob Bush Bill & Nancy Bob & Sally Atwell Jerry Haen Harry* & Marian Maier Leesa Erickson Mary Ann Cofrin Zajkowski Burns Bill & Fiorella Auriemma Tom & Ruthann Hall Bob & Betsy Manger Mike Sir Leo = & Barbara Crowley Tom & Sandy Calaway Richard & Sara Baer Chris & Evie Hartwig Dean & Mary Martinelli Sharon Solfest Dan & Nancy Dickinson Chris Doerr Bill & Cindy Bain Jim & Jane Hayes Andrew Masterson & Ed Luisi Jeff Steagall & Paul “Tiger” Dlouhy Eliot* & Bonnie* Elfner Isaac & Marge Wally & Tricia Hilliard Margaret = McAndrews Sue Rine-Steagall Paul & Carol Gehl Earl = & Vera Finkbeiner Kachadurian Barpal Paul & Barbara Hills Rosemary McMonagle Rollie & Sue Ellen Larry & Kathy Gentine Ernest & Joan Harvey Frank & Jean Blaha Battaglia Bob* & Jean Horn Ruth Mettner Stephenson Louis & Michele Gentine Gretchen Hoffmann Keith & Mary Bednarowski Tim & Judy Howald Fred Mohr & Jane Stewart Louis & Paula Cathy & Bud = Jacobs Lois Beisel Harry & Carol Huempfner Elizabeth Charlton Steve & Lorry Stiles Hoitink Gentine Mary Johnson Bruce & Carol Bell John & Sherri Huff Mike Mooney Roy & Hallie Stumpf George & Sharon* Don Jones Dennis & Mary Bersch William Hynes* & The Rev. C.P. Mulrooney William & Mary Jo Biebel Hartmann Carol & Don Kress Dan & Penny Bollom Margie Shurgot* O.Praem.* Sulzmann Thomas & Mary Mac LaForce Robert & Leila Bradley Donald & Susan Jauquet Emma Naumann John* & Jere Sutton Bleser Hayes Fred & Kathy Lamont John & Joan Brusky Steve Kaplan & Marcie Paul* Arleen Neuman Paul & Joanne Swain Phil & Betsy = Hendrickson Glenn & Barbara William Buerschinger Patrick & Lisa Kelly Louis H. Neuville Sahil & Rupa Tak Joe Kline Madrigrano Donna Burke Bill & Marilyn Kioski Greg & Darcey Nicklaus Donald Taylor* Joanne Burns Herb Kohler & Natalie Black Dick & Cay Terry HONOR ROLL OF DONORS Jim & Julie-Anne Kress Jack & Patti Padraic & Laura Obma John Kress Brash McKeithan Tom & Karen Louie & Pat Konop Gary Paulin John & Jo Anne Touchett Darlene Long Ron O’Keefe De Groot Camilli Carmel Kosmoski Emil & Ellen Pfenninger Tim & Anise Karen McDiarmid* & Tom & Dawn Tom & Diane Campion Bernard Kubale John & Grace Phillips Baccash Traynor James Montgomery Bielmeier Olejniczak Ben & Louisa Chu Carol Kwaterski = Jim & Suzanne Piette Scott & Michelle Ed Meyer & Mary Ellen Kathryn Peot Jane LaForce & Tony Mitch & Carol Kwaterski Dave Porter Vandenhouten Troup Joan & Bob Schaupp Cinquini Patricia LaForce & Jack Tom & Joce Hair Purtell Joe Vander Zanden Kevin & Connie Michels Larry & Phyllis Wally & Rachel Cloud Gibbons Peter & Kathleen Reines Bob & Mary Van Dyck Pat & Marysue Michels Schoenberger Joe & Dawn Colwin James LaForce & Carl Reinhold & Clayton Lee & Ruth Michels Leslie Shade Nick Conlon Stephen Henderson Eileen Kehoe Norma Vannes Tim & Barbara Michels Steve & Barb Slaggie Andy & Karen Kalter Cook Andrew & Christine Dick & Sharon Resch Tony & Peggy Shirlyn Miller K.C.
Recommended publications
  • Qldvd6607 Allmusicgu
    MERLE HAGGARD In Concert 1983 http://wc08.allmusic.com/cg/amg.dll?p=amg&sql=10:3zfrxz85ldje This is a fantastic recording of {$Merle Haggard} live at the {~Cheyenne Saloon and Opera House} which is located in the Church Street Station of Orlando, Florida. {$Haggard}, of course, looks like his outlaw self playing an impressive set starting with a very nice {&"Twinkle Twinkle Lucky Star"}. To clarify the use of the word "fantastic", it's not that the filming is top notch - it's actually a bit dark and grainy - but the overall performance has spirit and a soulful appeal, not the least of which is {$Haggard}'s loose yet still commanding musicianship and presentation. It's a crowded and very busy stage playing to a packed house full of an appreciative audience. On {&"Corrine Corrina"} he pulls out the fiddle and on a charming rendition of {&"Faded Love"} his ex-wife, {$Bonnie Owens}, duets. The (also) former Mrs. {$Buck Owens} adds a nice element, beautiful harmonies on {&"That's The Way Love Goes"} and a happy presence clapping her hands and lending some vocals to {&"Okie From Muskogee"}. The horns and pedal steel guitar feel almost like orchestration behind Merle's twangy guitar, the Fender and Peavey amps creating a clear and precise edge that gives this hardcore country music a bit of a rock and roll feel. Years after it was recorded roots rockers and those fans picking up the {$Byrds} and {$Flying Burrito Brothers} catalogs will find this episode an inspiring work by a timeless entertainer. Comes with an interesting text biography on the DVD, an equally interesting discography, and the usual propaganda from {@Quantum Leap}.
    [Show full text]
  • Race Breakdown
    Race Breakdown Event Date Track Fast Qualifier First Second Third 1 4/26/1997 Anderson Speedway (IN) Biff George Brian Ross Bill Baird J.R. Roahrig 2 5/4/1997 Salem Speedway (IN) Brian Ross Kenny Tweedy Brian Rievley J.R. Roahrig 3 6/20/1997 Lucas Oil Raceway (IN) Kenny Tweedy Kenny Tweedy J.R. Roahrig Josh Clemons 4 7/18/1997 Lucas Oil Raceway (IN) Kenny Tweedy Brian Ross Chet Fillip Jim Crabtree Jr. 5 8/15/1997 Anderson Speedway (IN) Ray Skillman Brian Ross Brian Rievley Kenny Tweedy 6 9/1/1997 Winchester Speedway (IN) Todd Oliver Brian Rievley Kenny Tweedy Rick Turner 7 9/20/1997 Anderson Speedway (IN) Brian Ross Brian Ross Kenny Tweedy Chet Fillip 8 10/12/1997 Salem Speedway (IN) Kenny Tweedy Chet Fillip Ray Skillman Royce Mason 9 4/25/1998 Anderson Speedway (IN) Kenny Tweedy Ken Weaver Bobby Blount Brian Rievley 10 5/3/1998 Salem Speedway (IN) Ken Weaver Kenny Tweedy Brian Rievley Brian Ross 11 5/16/1998 Anderson Speedway (IN) Jim Cooper Jim Cooper Bobby Blount Matt Hagans 12 6/7/1998 Salem Speedway (IN) Brian Ross Dave Jackson Matt Hagans Tony Johnson 13 6/13/1998 Anderson Speedway (IN) Ray Skillman Jim Cooper Scott Neal Bobby Blount 14 6/27/1998 Winchester Speedway (IN) Chet Fillip Chet Fillip Scott Neal Kenny Tweedy 15 7/5/1998 Salem Speedway (IN) Ray Skillman Jim Cooper Matt Hagans Scott Neal 16 7/11/1998 Angola Motorsport Speedway (IN) Larry Zent Bobby Blount Scott Hantz Brian Rievley 17 8/1/1998 Anderson Speedway (IN) Jim Crabtree Jr.
    [Show full text]
  • LD3928-A23-1962-1963.Pdf
    MUSICAL PROGRAM of William Neal Reynolds Coliseum June 1. 1963 CARILLON CONCERT: 9:30 A.M. The Memorial Tower Ralph W. Daniel, Carillonneur NORTH CAROLINA STATE COLLEGE BAND CONCERT: 9:45 A.M. March King Cotton Sousa Orlando Palandrino t ___________ Haydn Farandole, from L‘Arlcsiennc Suite __________________________________________________ ................... Bizet Zueignung ‘‘‘‘‘‘ _________ R. Strauss Pictures at an Exhibition ................................................. ................ Moussorgsky The Hut of Baba-Yaga Great Gate of Kiev 10:15 AM. MarchPROCESSIONAL:Processional . Grundman RECESSIONAL: University Grand March Goldman NORTH CAROLINA STATE COLLEGE BAND J. Perry Watson, Director of Music Donald B. Adcock, Assistant Director of Music COMMENCEMENT PROGRAM Exercises of William Neal Reynolds Coliseum June 1, 1965 PROCESSIONAL 10:15 A.M. Donald B. Adcock Conductor, Carolina State College Band seatedThe audienceduring istherequestedprocessionalto remain PRESIDING John T. Caldwell Chancellor, North Carolina College WELCOME INVOCATION ...................................................................... Oscar B. Wooldridge Coordinator of Religious Aflairs North Carolina College ADDRESS David E. Bell Director, Agency for International Development United States Department of State CONFERRING OF DEGREES John T. Caldwell Chancellor, North Carolina State College Harry C. Kelly Dean of the Faculty Candidata for baccalaureate degrees presented bydegreesDeanspresentedof Schools.by theCandidatesDean of forthe advancedGraduate sentedSchool.
    [Show full text]
  • At Powell Hall
    GROUPS WELCOME AT POWELL HALL 2017 2018 GROUP SALES GUIDE SEASON slso.org/groupsI 314-286-4155 GROUPS ENJOY FIVE-STAR BENEFITS PERSONALIZED SERVICE Receive one-on-one, personalized service for all your group needs. From seat selection to performance suggestions to local restaurant recommendations, we’re ready to assist with planning your next visit to Powell Hall! SAVINGS Enjoy up to 20%* o the single ticket price when you bring 10 or more people. FREE BUS PARKING Parking, map and transportation information included with all group orders. PRIORITY SEATING Get the best seats for a great price! Group reservations can be made in advance of OUR FAMILY IS YOUR FAMILY public on-sale dates. PRE-CONCERT CONVERSATIONS Whether you’ve been part of the musical tradition or joining us for the first time, Even great music-making profits from an introduction. Enjoy FREE Pre-Concert we welcome you and your neighbors, friends, colleagues or students to experience Conversations before every SLSO classical concert. Music Director David Robertson the incomparable Musical Spirit of the second oldest orchestra in the country, and our guest artists participate in many of these conversations. your St. Louis Symphony Orchestra, in our beloved home of Powell Hall. Bring your group of 10 or more and save up to 20%. These musical oerings are just the start SPONSORED BY of making memories with us this upcoming season! THE SLSO SPECIALIZES IN HOSTING GROUPS: ENHANCE YOUR EXPERIENCE Corporations Employee Outings Schools + Universities Social + Professional Clubs SHUTTLE SERVICE Attraction + Performance Tour Groups Convenient transportation from West County is available for our Friday morning Senior + Youth Groups Coee Concerts.
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • Building the Future One Play at a Time
    College of Arts & Sciences Alumni Association · Winter 2008-09 IU Department of Theatre and Drama Lee Norvelle Theatre and Drama Center Membership matters. This publication is paid for in part by dues-paying members of the Indiana University Alumni Association. Building the future one play at a time his year, Indiana University celebrates its 75th season of plays, Ttracing its formal commitment to artistic and academic excellence back to Oct. 10, 1933, when, under the direction of Professor Lee Norvelle, the University Theatre presented The First Mrs. Frazer. Theatre has been part of campus life since the 1880s, when various student groups were performing plays on the Bloomington campus. During that period, and for years to come, theatre on the IU campus varied wildly in performance quality and produc- tion standards. In 1915, the Department of English offered the first theatre course, The Staging of The first production of the first season, The First Mrs. Fraser, opened in 1933 and Plays. featured Catherine Feltus, who went on to a professional acting career as Catherine (continued on page 2) Craig. In 1940, she married actor Robert Preston. WANTED: Your stories! Did one professor or mentor have a lasting impact on you? Did you fall into the pit at the University Theatre? Did you make it to Broadway (not just to see a show)? Did your theatre training play a part in help- ing to achieve your career goals? Got GREAT IU photos? The Department of Theatre and Drama is collecting stories and pictures from alumni, faculty, and staff. Your story will be compiled in our research archives to be treasured by students, alumni, and anyone who loves IU theatre for generations to come.
    [Show full text]
  • Mousical Trivia
    Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw.
    [Show full text]
  • Buck Owens Obituary
    Obituary of Buck Owens: March 27, 2006 By: Dave Hoekstra Buck Owens was more than a voice in country music. He was an American metaphor for the clarion of possibility after The Grapes of Wrath migration to California. Alvin Edgar "Buck" Owens was a honky-tonk singer, a TV star -- best known for his role in "Hee-Haw" -- and an entrepreneur who owned radio and television stations in Bakersfield, Calif. He was a good soul, one who would fly from Bakersfield to Portland, Ore., as he did in March 2005 to surprise compatriot Merle Haggard, who was opening for Bob Dylan. The depth of the moment was understood. With Mr. Owens standing stage right in a resplendent brown and black cowboy jacket, Dylan took a chance on Haggard's "Sing Me Back Home." Mr. Owens died Saturday at home in Bakersfield. He was 76. On Sunday, CMT.com reported the cause of death as a heart attack. He grew old, but his songs never became tired. In recent years he stopped touring outside of California, but he still managed to capture a new generation of fans that included Dwight Yoakam, Steve Earle and the Bottle Rockets. In the late 1990s, John Soss of Chicago's Jam Productions held an annual Buck Owens birthday party at Schubas that featured artists as diverse as soul singers Otis Clay and Mavis Staples, and country-rocker Jon Langford. Mr. Owens crossed borders he never would have dreamed of as a child when he headed west with his sharecropper parents from the Red River Valley near Sherman, Texas.
    [Show full text]
  • Arizona State University Commencement and Convocation Program
    TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2015 May 11–16, 2015 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program are candidates for the degrees listed, which will be conferred subject to completion of requirements.
    [Show full text]
  • 0 Hollyzvood
    the award honoring 25 years of Special Awards Highlight country music programming to the Armed Forces overseas by Country Music CMA Dinner the Armed Forces Radio and Television Service. One of the highlights of the In additiontothis award, Awards Dinner of the Countrythere will be a plaque given by Music Association in the Muni-the Country Music Association record hollyzvood cipal Auditorium in Nashvilleto the Department of Defense world 0 on Friday, Oct. 20, will be twowhichwillbeacceptedby special awards. Brigadier General Michael By BIFF COLLIE The first of these will be toPaulick, Commanding General Colonel Eby, representing theof the Army Training Center at Armed Forces Radio and Tele-Fort Campbell, Kentucky. Coast Country, 1967... visionService.Richard L. Broderick and his Co -Chair- Broderick,Chairmanoftheman, Hirsh de Laviez, also plan 1967 was ushered in with a New Year's bash by KGBS. Danc-Military Salute Committee, an-other events and surprises re- ing stars, horns and Auld Lang Syne (or something)at thenounced that Colonel Eby wouldlatingtothe special awards Shrine Auditorium, L.A.... HughCherry, for seven years all-accept the award. Colonel Eby,from the Country Music Asso- night man at K -FOX, changed hats and assignments as heOfficer in Charge, will acceptciation to the Armed Forces. joined KGBS news department as afternoon newsman ...Gordon Terry was set for Coast dates early in January by booker Al Minto... FaronYoung set for S -Cal date string in early Feb- George Richey moved into the afternoontraffic period for ruary, ditto Kitty Wells, Johnny Wright and Waylon JenningsKGBS L.A... .Arlen Sanders came back to the coast as PD ...Glen Campbell celebrated the new year with his continuingat Countrypolitan KIEV Glendale(L.A.) .
    [Show full text]
  • The Music Man the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
    Insights A Study Guide to the Utah Shakespeare Festival The Music Man The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Brian Vaughn as Professor Harold Hill in The Music Man, 2011. Contents Information on the Play Synopsis 4 CharactersThe Music Man 5 About the Playwrights 6 Scholarly Articles on the Play Making Yesterday Worth Remembering 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Music Man In July 1912, fast-talking traveling salesman “Professor” Harold Hill comes to River City, Iowa, a town hesitant of letting strangers in, especially ones trying to sell something. Harold calls himself a music professor, selling band instruments, uniforms, and the idea of starting a boy’s band with the local youth.
    [Show full text]
  • Oral History Interview: Susan Wiggins
    Susan Wiggins 2015 California State College, Bakersfield Bakersfield Sound Oral History Project Recorded History INTERVIEWEE: Susan Raye Wiggins PLACE OF BIRTH: Eugene, Oregon DATE OF BIRTH: October 8, 1944 INTERVIEWER: Curt Asher DATE OF INTERVIEW: January 15, 2014 PLACE OF INTERVIEW: home in NW Bakersfield NUMBER OF RECORDINGS: 1 TRANSCRIBER: Kaye LeFebvre FILE IDENTIFIER(S): Wiggins_001 CA: This is Curt Asher. I am interviewing Susan Raye Wiggins at her home in Northwest Bakersfield at 3:00 p.m. Tuesday/Thursday January 15, 2014 for the Bakersfield Sound Oral History Project. Could you please state and spell your name for me? SW: Yes. My name is Susan Raye Wiggins. CA: Thank you. And when and where were you born, Susan? SW: I was born on October 8, 1944 in Eugene, Oregon. CA: Can you tell me about your early life growing up? Tell me about your family, where you lived, and did you move from Portland…things like that? SW: Well, I have two brothers--one older and one younger. I was the only daughter. And my mom and dad. When I was born it was at the tail end of World War II and my father didn’t see me until I was about eighteen months old because he was overseas. We had a very happy life. We lived in Eugene, then we moved to the coast in Southern Oregon—Port Orford, Oregon, lived there up through 5th grade which was a wonderful place as a child, you know, living right there on the sand and the ocean. And then when I was in 5th grade, we moved, and moved up outside of Portland to Forest Grove, Oregon.
    [Show full text]