µ µ˙ The Museum of Fine Arts, Houston

˙ Annual Report 2005–2006 T h e M u s e u m o f F i n e A

Thank You r t s , H o u

The Museum of Fine Arts, Houston, s t o is deeply grateful to everyone n who contributed to the success of 2005–2006. A n n u a l R e p o r t 2 0 0 5 – 2 0 0 6 Cover: Jean-Léon Gérôme Mary Cassatt The Expiring Eagle of Waterloo, c. 1902 Under the Horse-Chestnut Tree, 1896–97 Gilt bronze mounted on worked granite Drypoint and aquatint in colors Museum purchase with funds provided by Gift of The Brown Foundation, Inc. “One Great Night in November, 2005” 2005.974 2005.1066

The Museum of Fine Arts, Houston, is dedicated to excellence in collecting, exhibiting, preserving, conserving, and interpreting art for all people. Leon Polk Smith Open Composition, 1946 Oil on canvas Bequest of Edward B. Mayo 2006.146

2 µ˙ The Museum of Fine Arts, Houston

Annual Report for the Fiscal Year July 1, 2005, to June 30, 2006

Juan Gris The White Tablecloth (La Nappe blanche), 1912–16 Oil on panel Museum purchase with funds provided by the Caroline Wiess Law Accessions Endowment Fund 2006.389

3 Attendance July 1, 2005–June 30, 2006 Total Visits 4,294,315

Museum of Art 1,117,477 The Caroline Wiess Law Building provides an ideal space to exhibit the museum’s collection of twentieth- and twenty-first-century artworks, as well as installations of Oceanic art, Asian art, Indonesian gold artifacts, and Pre-Columbian and sub-Saharan African artworks. Of special interest is the Glassell Collection of African Gold, the greatest assemblage of gold objects in the world.

The Audrey Jones Beck Building features selections from the museum’s collection of prints, drawings, photographs, and American art, as well as a sculpture court and extensive galleries designated for exhibitions on its first floor. Antiquities and European art are presented in twenty-eight classically designed galleries on the second floor. A tunnel featuring James Turrell’s art installation The Light Inside joins the Beck and Law Buildings at the lower level.

Sculpture Garden 215,031 The Lillie and Hugh Roy Cullen Sculpture Garden houses more than twenty masterworks by some of the most acclaimed artists from the nineteenth and twentieth centuries from the MFAH and other major collections. Created by sculptor Isamu Noguchi, the Cullen Sculpture Garden also unites the pathways between the Caroline Wiess Law Building and the Glassell School of Art.

Bayou Bend (House 40,447; Gardens 19,494) 59,941 Bayou Bend Collection and Gardens, the former home of philanthropist Ima Hogg, opened to the public in 1966. Miss Hogg donated her house and her acclaimed collection of American decorative arts to the MFAH, and the collection now contains several thousand objects installed in twenty-eight period room settings that showcase American decorative arts from 1620 through 1876.

Top to bottom: The Caroline Wiess Law Building, designed in 1924 by architect William Ward Watkin, and later expanded upon by architect Ludwig Mies van der Rohe with the addition of Cullinan Hall in 1958 and Brown Pavilion in 1974. The Audrey Jones Beck Building, designed by architect Rafael Moneo and opened in 2000. The Lillie and Hugh Roy Cullen Sculpture Garden, created by sculptor Isamu Noguchi and opened in 1986. Bayou Bend Collection and Gardens, designed by architect John F. Staub and constructed in 1928. 4 Rienzi 18,266 Rienzi is the center for European decorative arts at the MFAH. Comprising a remarkable art collection, a house, and gardens, Rienzi was given to the museum by arts patrons Carroll Sterling Masterson and Harris Masterson III and opened to the public in 1999.

Glassell School (Junior School 51,056; Studio School 45,024) 96,080 The Glassell School of Art serves as the teaching wing of the MFAH, with a variety of classes, work- shops, and educational opportunities for students diverse in age, interests, experience, and needs. The school offers classes at the Studio School for Adults and the Glassell Junior School, as well as Community Outreach Programs, special programs for youths, and the Core Artist-in-Residence Program.

Off-site 737,141 Off-site Exhibitions and Programs enable the MFAH to reach out into the community, bringing a variety of art-based experiences to diverse audiences in the Houston metropolitan area.

Web Site 2,050,379 The Web Site, www.mfah.org, provides access to the museum through the Internet, with information provided in both English and Spanish. The MFAH’s Web site is a convenient on-line portal to the museum’s buildings, exhibitions, collections, programs, and services.

Top to bottom: Rienzi, designed by architect John F. Staub and constructed in 1952. The Glassell School (illustrated) was designed by S. I. Morris Associates and opened in 1976. The Junior School Building was designed by Carlos Jimenez Architectural Studio and opened in 1994.

5 Dan, Ivory Coast/Liberia Female Mask, early 20th century Wood Gift of Isabel B. and Wallace S. Wilson

6 Contents

Museum of Art 8 Board of Trustees 9 Officers and Committee Chairmen 10 Report of the Director and the Chairman of the Museum of Fine Arts, Houston 12 Highlights of Accessions 38 Exhibitions 44 Accessions Paintings, 44 Sculpture, 46 Drawings, 46 Prints, 49 Photography, 52 Film and Video, 74 Antiquities, 74 African Art, 74 Pre-Columbian Art, 74 Latin American Art, 74 Asian Art, 75 Decorative Arts, 76 Bayou Bend, 89 Rienzi, 91 100 Education Department 106 Conservation Department 108 Film Department 109 Publications Department 110 Museum Collectors 1 1 1 African American Art Advisory Association 112 Photo Forum 112 Design Council 1 1 3 The Garden Club of Houston 114 International Center for the Arts of the Americas

Sarah Campbell Blaffer 116 Report of the Director Foundation of the Sarah Campbell Blaffer Foundation

Bayou Bend Collection 117 Report of the Director of Bayou Bend and Gardens 121 River Oaks Garden Club

Rienzi 122 Report of the Director of Rienzi

The Glassell School of Art 124 Report of the Director of the Glassell School of Art

The Museum of Fine Arts, 128 Development Department Houston 141 Independent Auditors’ Report 143 Financial Statements 152 Staff

7 Board of Trustees

Life Trustees Mrs. James L. Ketelsen In Memoriam, S. I. Morris tions were serving as president of Miss Carla Knobloch the Board twice (1960–62, 1967–68) Mr. Isaac Arnold, Jr. Ms. Martha Katherine Long and chairing the capital campaign Mrs. Charles W. Duncan, Jr. Mrs. Rodney H. Margolis for building the Brown Pavilion in Mr. Alfred C. Glassell, Jr. Mr. William N. Mathis the Caroline Wiess Law Building Mr. Frank J. Hevrdejs Ms. Sara Scholes Morgan (1970–71). He also served on many Dr. Marjorie G. Horning Mr. Charles J. O’Connell Trustee committees. Mrs. Joseph D. Jamail Mrs. David A. Ott Mrs. William S. Kilroy Mrs. George A. Peterkin Morris was a founding member Mr. Richard D. Kinder Mrs. Karen Pulaski of the museum’s Photography Mrs. Meredith J. Long Mrs. Harry M. Reasoner Accessions Subcommittee. He Mrs. Thomas R. Reckling III Mr. H. John Riley, Jr. also established the SI Morris Mrs. Wesley West Mr. Thomas Allen Roupe Photography Endowment, which Mrs. Wallace S. Wilson Mrs. Courtney Lanier Sarofim has enabled the museum to acquire Mr. Richard W. Wortham III Mrs. Richard P. Schissler ninety-two important works by Mr. Milton L. Scott artists such as Robert Adams, Elected Trustees Ms. Alice C. Simkins Eugène Atget, Brassaï, Richard Mr. Matthew R. Simmons The prominent Houston architect Misrach, Irving Penn, and W. Mrs. Nancy O’Connor Mr. Gerald B. Smith Seth Irwin “SI” Morris (1914–2006) Eugene Smith. Morris and his Abendshein Mrs. Stuart West Stedman was born in Madisonville, Texas, wife, Susie, also provided funds to Mr. Mark W. Albers Mrs. Charles W. Tate and moved to Houston when he help the museum acquire an addi- Mrs. Joan G. Alexander Mrs. Ann Trammell was two years old. He graduated as tional sixty-four photographs, Mrs. Robert H. Allen Mrs. Willie Trotty an architect from the Rice Institute including an important collection Mrs. Prabha Bala Mrs. W. Temple Webber, Jr. in 1935, and three years later he of photographs by teachers and Mr. Jack S. Blanton, Jr. Mrs. Margaret Alkek Williams founded his own firm with Talbott students at the renowned Bauhaus Mrs. John F. Bookout III Mr. William A. Wise Wilson. Morris continued practic- school of architecture and design Mrs. Celina Hellmund Brener Mrs. Melvyn L. Wolff ing architecture in Houston under in Germany. Mr. Charles Butt Mrs. Nina Zilkha various successor firms until his Mr. Paul W. Carlisle, Jr. retirement in 1984. These firms Morris was known as a man who Mrs. Bobby Smith Cohn Honorary Trustees designed residential, educational, made things happen. When he Mr. Peter R. Coneway and commercial buildings that received a long-distance call from Mrs. Franci Crane Mr. Raphael Bernstein have changed the face of Houston Europe, asking him to help raise Mrs. Harry H. Cullen Dr. Renato Bertani and have won many awards for funds to acquire the Bauhaus Mrs. Roy H. Cullen Mr. Philip J. Carroll architectural distinction. Morris’s photography collection for the Ms. Roxanne Decyk Mrs. Linnet F. Deily most well-known project is the museum, he responded in his typ- Mrs. Sara Paschall Dodd- Mrs. Diane M. Halle Astrodome (1965). Other projects ically terse fashion, “I’ll either give Spickelmier Dr. George S. Heyer, Jr. include the Houston Country Club it or get it.” He made decisions Mrs. John H. Duncan, Sr. Mr. A. Clark Johnson (1956), First City National Bank quickly and urged others to get to Mrs. Sheldon R. Erikson Mr. Thomas V. McMahan (1960), the Houston Public Library the point, leading to his legendary Mr. Tilman J. Fertitta Mr. Robert C. McNair downtown (1975), and the reputation for conducting short Mrs. Linda K. Finger Mr. S. I. Morris* Prudential Insurance Company meetings. His skills as a problem Mrs. Cherie Flores Mr. Randell C. Thomas Building (1977). His firm also solver and as a person who pre- Mr. Alfred C. Glassell III designed the Alfred C. Glassell, Jr. ferred looking at what might be Mr. John B. Goodman Ex-Officio Trustees School of Art for the MFAH in rather than accepting the status Mr. Samuel F. Gorman 1976. Morris and his numerous quo made him a facilitator of many Ms. Licia A. Green-Ellis Mrs. W. Tucker Blaine, Jr. partners trained two generations of civic and charitable projects and Mrs. Windi Grimes Ms. Jacqueline Baly Chaumette successful architects, and there is organizations in Houston. Mr. Anthony W. Hall, Jr. Mrs. Cynthia S. Cook not a prominent firm in Houston Mr. William C. Helms Mrs. D. Michael Dalton today that does not employ some- Morris left an indelible mark on the Ms. Cecily E. Horton Mr. Mark Goldberg one who once worked for Morris. Museum of Fine Arts, Houston, and Mr. Edward Joseph Hudson Ms. William E. Penland, Jr. he will be sorely missed. Mrs. Ira J. Jackson Mrs. William H. White Morris was first elected to the Board Mrs. Nancy Glanville Jewell of Trustees of the Museum of Fine Mrs. Richard J.V. Johnson *Deceased August 2006 Arts, Houston, in 1957, and he Mrs. Dennis N. Johnston served the institution in numerous Mr. Lenoir Moody Josey, II capacities for the next five decades. Ms. Carolyn Frost Keenan Among his most notable contribu- 8 Officers and Committee Chairmen

Officers Committee Chairmen Mr. Richard D. Kinder Ms. Cecily E. Horton Long-Range Planning Committee Modern and Contemporary Art Mr. Alfred C. Glassell, Jr. Mr. Jack S. Blanton, Jr. Subcommittee Chairman Emeritus Audit Committee Mrs. Wallace S. Wilson Nominating Committee Mr. Jack S. Blanton, Jr. Mrs. Wallace S. Wilson Mrs. David A. Ott (Cochairman) Chairman Bayou Bend Committee Mrs. Chaille C. Kelly Modern and Contemporary Art Rienzi Committee Subcommittee Mrs. Meredith J. Long Mrs. Joseph D. Jamail Vice-chairman Buildings and Grounds Committee Mrs. Meredith J. Long Mr. Clinton T. Willour Africa, Oceania, and the Americas Photography Subcommittee Mr. Frank J. Hevrdejs Mr. Frank J. Hevrdejs Subcommittee Vice-chairman Collections Committee Ms. Joan Morgenstern Mrs. William S. Kilroy (Cochairman) Mrs. William S. Kilroy Mrs. Robert H. Allen American Painting and Sculpture Photography Subcommittee Treasurer Development Committee Subcommittee Dr. Marjorie G. Horning Mr. Edward Joseph Hudson Mrs. James L. Ketelsen Mrs. Nina Zilkha Prints and Drawings Subcommittee Secretary Education Committee Antiquities Subcommittee Mrs. William S. Kilroy Dr. Marjorie G. Horning Mrs. Wallace S. Wilson Dr. Marjorie Horning Textiles and Costume Subcommittee Assistant Secretary Executive Committee Asian Art Subcommittee

Mrs. Charles W. Duncan, Jr. Mrs. William S. Kilroy Exhibitions Committee Bayou Bend Building Subcommittee

Mr. Michael S. Zilkha Mr. Randell C. Thomas Film Committee Compensation Subcommittee

Mrs. Franci Crane (Cochairman) Mr. Jeffrey A. Shankman Film Committee Decorative Arts Subcommittee

Mr. H. John Riley, Jr. Mr. Edward Joseph Hudson Finance Committee European Art Subcommittee

Ms. Roxanne Decyk Mr. Brad Bucher (Cochairman) (Cochairman) Glassell Core Program Subcommittee Glassell School Committee Ms. Cecily E. Horton Mr. Jacque Passino (Cochairman) (Cochairman) Glassell School Committee Glassell Core Program Subcommittee

Ms. Roxanne Decyk Mrs. Timothy J. Unger (Cochairman) Glassell Junior Glassell School Executive Committee School/Outreach/Discovery Subcommittee Mr. Jacque Passino (Cochairman) Glassell School Executive Committee Ms. Diana Brown Glassell Studio School Subcommittee Mr. Peter R. Coneway Investment Committee Mr. Richard W. Wortham III Latin American Art Subcommittee Dr. Marjorie G. Horning Library Committee

9 Report of the Director and the Chairman of the Museum of Fine Arts, Houston

The Museum of Fine Arts, Houston, collects, conserves, and exhibits art from around the world. The MFAH is a major research institution that sponsors and publishes primary information about global cultures and the artistic interactions they have sparked. The museum’s educational commitment ranges from organizing symposia for specialists and establishing studios for postgraduate students to presenting popular lectures, tours, and curriculum programs for preschool through college. Students can earn credits for a bachelor’s degree in art at the museum’s Glassell School of Art, and numerous open-enrollment courses provide studio art classes geared toward general audiences. Throughout the year, the museum hosts musical performances, films, and interactive art experiences that encourage dynamic audience participation. All of these activities occur regularly at the MFAH. Day in and day out, 475 full-time employees are committed to making the institution an accessible, friendly place that welcomes everyone, giving visitors the opportunity to encounter the creativity and genius of world art. This commitment requires an operating budget of $39 million. Two percent comes from the government; the remaining 98 percent comes from contributions and earned income. Thanks to a generous citizenry, the MFAH has enjoyed twenty-four consecutive years of balanced budgets. The MFAH owes its success not only to financial contributions, but also to the more than 1,100 volunteers who serve so selflessly. The 97 trustees and 286 committee consultants are joined by volunteer mem- bers of the following organizations. Their collective dedication to excellence in the arts, and their exemplary standards of service, make this institution a “place for all people.”

African American Art The Guild Advisory Association (Five-A) The Junior League of Houston, Inc. American Art and Wine Latin Maecenas Corporate Partners Museum Collectors Design Council Photo Forum Film Buffs The Rienzi Society Friends of Asian Art Rienzi Sterling Set The Garden Club of Houston River Oaks Garden Club

There are fifteen curators and twelve curatorial assistants/assistant curators; seventeen librarians, archivists, and registrars; seven conservators; fifteen educators, fifty-seven Glassell School studio instructors; five editors; four designers; fourteen art handlers and photographers; and more than fifty professionals in finance, investment, public relations, marketing, development, and membership services and other key staff functions. Caring for works of art requires two broad areas of responsibility: (1) The protection against theft and damage, and (2) The creation of a stable environment of constant humidity and temperature, and the insurance against the ravages of violent weather. The requirements for protecting fine art can often be at odds with the museum’s democratic mission of openness and wide-ranging educational opportunities. Balancing these responsibilities requires an intelligent, well-trained staff, and this museum is blessed with an excellent crew of 178 security professionals, engineers, and building and grounds specialists whose judgment contributes to a positive museum experience for visitors.

10 As we noted in the 2004–2005 Annual Report, the MFAH Trustees are planning to erect a new storage and conservation facility to replace the current building in Houston. The addition of more than fifteen thousand works of art during the past six years has placed enormous stress on the museum. A major objective in this coming fiscal year is to complete the plans, to launch a funding campaign, and to establish a construction schedule. During this fiscal year, 2,315 works of art were accessioned. As the report on pages 44–99 indicates, every curatorial department participated in the acquisition process. Of special note are the Pre-Columbian ceramics; the Roman mosaic panels and marble sarcophagus; the sculptures by American artists William Rush and William Edmondson; the Chinese Avalokitesvara; the drawings by Robert Motherwell, Anne Truitt, and Grant Wood; the prints by Mary Cassatt, Albrecht Dürer, Jasper Johns, Ellsworth Kelly, and László Moholy-Nagy; and the paintings The White Tablecloth (La Nappe blanche) (1912–16) by Juan Gris; Four Dark Mirrors (2002) by Sean Scully; Open Composition (1946) by Leon Polk Smith; Valentine Waterfall (2004) by Pat Steir; Nighttime, Enigma and Nostalgia (c. 1933–34) by Arshile Gorky; and Aeroplane (1928) by Elsie Driggs. Once again this year, the museum presented a broad range of exhibitions featuring art from antiquity to the present. Exhibitions drawn exclusively from the MFAH’s permanent collection totaled fourteen. The MFAH organized thirty-four exhibitions and presented twelve traveling exhibitions organized by other museums. This ambitious exhibition program was supported by seven MFAH publications. Furthermore, numerous lectures and films complemented the content of the exhibitions. The MFAH also celebrated a special anniversary: the Lillie and Hugh Roy Cullen Sculpture Garden is now twenty years old. Numerous educational programs and festive events served to commemorate this milestone. In the coming fiscal year, the MFAH Trustees plan to establish a digital photography system for recording the permanent collection, as well as a state-of-the-art ticketing system that will address the diverse needs of MFAH visitors. Both are expensive commitments that will make the institution ultimately a stronger educational force, available to more audiences and aligned with the latest com- munication and retail technologies. The Museum of Fine Arts, Houston, has remained steady financially. The twenty-fourth year of balanced budgets is proof of that achievement. In addition, four new funds were established in support of the accessions endowment of the institution, and donors to the MFAH continued to make generous contri- butions to existing operating and accessions endowment funds. This faith in the institution’s endowment is a testament to the visionary and disciplined work of the MFAH’s Investment Committee. Backed by a twenty-year annualized return on investments of 11.87 percent, the committee has proven to donors that their money has been and will continue to be invested wisely and prudently, following the invest- ment guidelines of the MFAH and respecting each donor’s intent. Why is this philosophy so critical? The reason is simple: philanthropy is based on trust. “Will future generations respect my gift?” asks any intelligent donor. The MFAH Trustees do everything possible to ensure that the answer is a resounding “Yes.” The reports that follow are the substance of this publication. They reflect a year of good work, inspiring moments, solid growth, and, lest we forget, fun.

Peter C. Marzio Director Isabel B. Wilson Chairman, Board of Trustees

11 Highlights of Accessions

William Rush Benjamin Rush, c. 1813 Plaster Museum purchase with funds provided by the Long Endowment for American Art, with additional gifts from the following generous donors: Ann H. Bookout; the Robert & Janice McNair Foundation; Lenoir Josey and various others in honor of the 10th anniversary of the American Painting and Sculpture Department, and in memory of Bernice Hevrdejs; Bettie Cartwright and Colin Kennedy; Frank J. Hevrdejs; Flo and Bill McGee; Mr. and Mrs. Richard P. Schissler; the Ann G. Trammell Fund; Kelley Trammell; bequest of Edward B. Mayo; and various donors in memory of Edward B. Mayo and in honor of Emily Ballew Neff 2006.272

12 Highlights of Accessions

Ogden Pleissner Netting the Salmon at Soldiers Gulch, 1936 Watercolor on paper Museum purchase with funds provided by “One Great Night in November, 2005” 2005.1065 William Bradford Coastal Rocks, Nahant: A Sketch, c. 1855–65 Oil on panel Gift of Charles Butt, Frank J. Hevrdejs, Mr. and Mrs. Meredith Long, Maconda B. O’Connor, Fayez Sarofim, Ann Trammell, the James W. Glanville Family Foundation, Mr. and Mrs. Melbern G. Glasscock, Mr. and Mrs. E. J. Hudson, Jr., Kathryn and Jim Ketelsen, Mrs. William S. Kilroy, Mr. and Mrs. John H. Lindsey, Dr. and Mrs. John P. McGovern, Mr. and Mrs. John F. Bookout III, Bettie Cartwright and Colin Kennedy, Rose and Harry H. Cullen, John R. Eckel, Jr., Mrs. Daniel R. Japhet, Mr. and Mrs. A. Clark Johnson, Carla Knobloch, Flo and Bill McGee, Pamela and David A. Ott, Mr. and Mrs. Richard P. Schissler, Martha and Trey Lipsitz, Lynne Campbell, and Mrs. Paul Elliott Van Hook in honor of the 10th anniversary of the American Painting and Sculpture Department 2005.1209 13 Highlights of Accessions

14 Highlights of Accessions

Elsie Driggs William Henry Jackson Brett Weston Aeroplane, 1928 Cathedral Spires, Garden of the Gods, High Sierra, c. 1970 Oil on canvas Colorado, c. 1874 Gelatin silver photograph Museum purchase with funds provided by Albumen photograph Gift of Christian K. Keesee and the the Brown Foundation Accessions Museum purchase with funds provided by Brett Weston Archive Endowment Fund “One Great Night in November, 2005,” 2005.1986 2006.297 The Manfred Heiting Collection 2004.531

15 Highlights of Accessions

Clockwise from top right: Jim Love Figure without Brassiere, c. 1963 Bronze It Is Never Known What Will/Might Happen Next, from the series Tomorrow Is No Solution, 1984 Cast bronze Hideaway Bunker for Lovers’ Quarrels, 1968 Welded steel, cotton, and sand Gifts of friends of Jim Love, in honor of Isabel B. Wilson 2006.13, 2006.17, 2006.15 16 Highlights of Accessions

William Edmondson Eagle, c. 1930s Limestone Gift of Charles Tate, Mac Dunwoody, Robin Gibbs, and Lee Godfrey in honor of James A. Elkins, Jr., at “One Great Night in November, 2005” 2005.1068

17 Highlights of Accessions

18 Highlights of Accessions

Arshile Gorky Nighttime, Enigma and Nostalgia, c. 1933–34 Oil on canvas mounted onto panel Museum purchase with funds provided by the Caroline Wiess Law Accessions Endowment Fund 2005.1157

19 Highlights of Accessions

Top left: Top right: Albrecht Dürer László Moholy-Nagy The Betrothal of the Virgin, from The Life of Composition, 1922 the Virgin, c. 1504–05 Woodcut Woodcut Museum purchase with funds provided by Museum purchase with funds provided by the Alvin S. Romansky Prints and the Marjorie G. and Evan C. Horning Drawings Accessions Endowment Fund Print Fund 2005.1833 2005.1184

20 Highlights of Accessions

Pat Steir Valentine Waterfall, 2004 Oil on canvas Gift of The Brown Foundation, Inc. 2006.184

21 Highlights of Accessions

22 Highlights of Accessions

Sean Scully Four Dark Mirrors, 2002 Oil on linen, four diptychs Museum purchase with funds provided by the Caroline Wiess Law Accessions Endowment Fund 2005.364.1–.4

23 Highlights of Accessions

24

Highlights of Accessions

Sherrie Levine Joost van Oss Sculpture II and Sculpture III, 1999 Rolled steel: 24 chairs and 24 tables Gift of Jeanne and Mickey Klein 2005.1401

25 Highlights of Accessions

Marcos Raya The Anguish of Being and the Nothingness of the Universe, 2000 Acrylic on canvas Gift of Roy Cullen in honor of Mary Cullen at “One Great Night in November, 2005” 2005.1070

26 Highlights of Accessions

Beatriz González Mutis por el foro (cama) (Exit stage rear [a bed]), 1973 Enamel on metal sheet joint on metal furniture Museum purchase with funds provided by the Caroline Wiess Law Accessions Endowment Fund, with additional gifts of Leslie and Brad Bucher, Karol Kreymer and Robert Card, M.D., Anne and John C. Moriniere, and the Latin Maecenas 2005.1728 27 Highlights of Accessions

Scythian Egyptian Scabbard, 6th century B.C. Falcon-form Coffin with Corn Mummy, Hammered gold 332–32 B.C. Gift of Isabel B. and Wallace S. Wilson Painted and gilded wood, grain, earth, in honor of Alfred C. Glassell, Jr. linen, and wax Museum purchase with funds provided by the Museum Collectors

28 Highlights of Accessions

Cypriot Amphora, 700–600 B.C. Ceramic with bicolor slip painting Gift of Meredith J. Long and Fayez Sarofim in honor of Frances Marzio at “One Great Night in November, 2005”

29 Highlights of Accessions

30 Highlights of Accessions

Roman Mosaic Panels, The Musical Contest between Apollo and Marsyas, A.D. c. 2nd–3rd centuries Stone and glass Gift of Lee and Joe Jamail with additional museum funding

31 Highlights of Accessions

32 Highlights of Accessions

Roman Sarcophagus Depicting a Battle between Soldiers and Amazons, A.D. 140–170 Marble Museum purchase

33 Highlights of Accessions

Akan, Ghana Executioner’s Knife with Sheath, 19th century Gold, iron, leather The Glassell Collection of African Gold, gift of Alfred C. Glassell, Jr. Probably Akan, Ghana Counselor’s Staff (okyeame poma) with Finial in the Form of a Crown, 19th century Carved ivory and turned ebony and ivory The Glassell Collection of African Gold, gift of Alfred C. Glassell, Jr. 34 Highlights of Accessions

Clockwise from top left: Moché, Peru Fox Vessel, A.D. 100–700 Terracotta Gift of Arthur T. McDannald, by exchange; Ellen L. Luby and Sterling A. Minor; and of Samuel and Edward Merrin in honor of Alfred C. Glassell, Jr. Calima, Colombia Seated Figure Vessel (Canastero) with Snakes, A.D. 400–1000 Ceramic Museum purchase with funds provided by “One Great Night in November, 2005” Moché, Peru Stirrup Spout Feline Vessel, A.D. 100–700 Ceramic The Glassell Collection, gift of Alfred C. Glassell, Jr. Paracas, Peru Vessel with Oculate Being, 300–100 B.C. Ceramic Gift of Susan and Mac Dunwoody in honor of Judy and Charles Tate at “One Great Night in November, 2005”

35 Highlights of Accessions

Chinese Avalokitesvara, Guan-Yin, A.D. 557–581 Limestone Gift of T.T. & W.F. Chao Global Foundation in honor of Mr. and Mrs. Ting Tsung Chao, with additional funds provided by the Director’s Accessions Fund 2006.37

36 Highlights of Accessions

Gandharan Bodhisattva, A.D. 2nd–3rd century Carved schist 43 5/16 (110) Museum purchase with funds provided by the Friends of Asian Art 2006.370

37 Exhibitions

Exhibitions organized by the MFAH Selections from the Edward R. Broida Collection Through September 25, 2005 Notes from a Child’s Odyssey: Andrews Gallery The Art of Kermit Oliver The Caroline Wiess Law Building Through July 4, 2005 Lower Jones, Masterson, and Lovett Galleries The Museum as Model The Caroline Wiess Law Building July 27, 2005–March 26, 2006 The exhibition received generous funding from the Kinder Foundation Teacher Resource Center Gallery Vivian L. Smith Foundation. Major corporate sponsor- The Caroline Wiess Law Building ship was provided by Hermès, with additional support from an anonymous donor; Sara Dodd-Spickelmier and Outreach Exhibition Keith Spickelmier; H. Fort Flowers Foundation; Anne August 29–October 14, 2005 Lamkin Kinder; Texas Commission on the Arts; and Norma R. Ory Gallery Friends of Kermit Oliver. The exhibition catalogue The Glassell School of Art was funded by the Bob and Vivian Smith Foundation. This exhibition received generous funding from Mr. and Mrs. Timothy J. Unger and the JBD Annual Junior School Exhibition Foundation. Through July 29, 2005 Norma R. Ory Gallery Restless The Glassell School of Art September 23–November 27, 2005 This exhibition received generous funding from Norma R. Ory Gallery Thornton Dial, Sr., Stars of Everything, Mr. and Mrs. Timothy J. Unger and the JBD The Glassell School of Art and Millennium Corridor 2004, tin cans, carpet, found clothing, and Foundation. The Audrey Jones Beck Building house paint, on canvas, mounted on wood, courtesy of the artist and Tinwood Media, This exhibition received generous funding from Sara Atlanta. Bringing It Home: Baseball in Houston Paschall Dodd-Spickelmier and Keith Spickelmier, Through August 14, 2005 Pamela and Jacque Passino, Carol and Les Ballard, [Thornton Dial’s] massive Brown Foundation Galleries Diana and Steve Brown, Cindy and Larry Burns, and The Audrey Jones Beck Building Friends of Claire and Doug Ankenman. Additional sculptures, made of scrap support was provided by Claire and Doug Ankenman, metal, appliances, paint The Latino Baseball Story: Bettie Cartwright and Colin Kennedy, Beverly and Photographs by José Luis Villegas Howard Robinson, Pauline and Stephen Smith, Jane cans, toys, soaked carpet Through August 21, 2005 and Gus Eifler, Judy and Henry Sauer, Carey C. and anything else lying Cameron Foundation Gallery Shuart, and Marcy Taub Wessel and Tom Wessel. The Audrey Jones Beck Building around Bessemer, Ala., As part of “Gateway to Art/De Puertas al Arte,” Thornton Dial in the 21st Century largely reflect the struggles The Latino Baseball Story: Photographs by José Luis September 25, 2005–January 8, 2006 Villegas received generous funding from the Wallace Brown Foundation Galleries, Cameron Foundation of living in poverty—and Foundation. Gallery, and Enron Gallery the extra struggles endured The Audrey Jones Beck Building Cy Twombly: Lepanto This exhibition was organized by the Museum of by those who grew up poor Through September 11, 2005 Fine Arts, Houston, and Tinwood Alliance, Atlanta. and black in the rural Cullinan Hall Major corporate sponsorship was provided by The Caroline Wiess Law Building Continental Airlines. Additional generous support South of 77-year-old Dial’s Generous funding was provided by Merrill Lynch. was provided by Marilyn Oshman, Stephanie generation. Additional support was provided by Charles Butt, Smither, Texas Commission on the Arts, Anita and Sara Dodd-Spickelmier and Keith Spickelmier, and Gerald Smith, and the members of the MFAH –Associated Press H. Fort Flowers Foundation. African American Art Advisory Association.

Gego, Between Transparency and the Invisible Eye on Third Ward: Through September 25, 2005 Jack Yates High School Photography Millennium Gallery and Corridor October 1, 2005–June 25, 2006 The Audrey Jones Beck Building Masterson Junior Gallery Generous funding for the exhibition was provided by The Caroline Wiess Law Building the Bruce T. Halle Family Foundation, Fulbright & This exhibition received generous funding from Jaworski L.L.P., KPMG LLP, and Marathon Oil JPMorgan Chase, the CFP Foundation, the Junior Company. League of Houston, Inc., and the Trull Foundation.

38 Wesley Heiss: Suburban October 5–November 22, 2005 Upstairs Project Space The Glassell School of Art

Restless: Interaction of Core Program Artists Two Women Look West: Photographs of Indelible Images (trafficking and Houston Artists in the Early 1990s King Ranch by Helen C. Kleberg and Toni Frissell October 14–November 27, 2005 February 11–May 7, 2006 between life and death) is a Laura Lee Blanton Gallery Andrews Gallery well-chosen and provocative The Glassell School of Art The Caroline Wiess Law Building Generous funding for this exhibition was provided show featuring politically Indelible Images by Continental Airlines. Additional support was charged, often poignant (trafficking between life and death) provided by Luther King Capital Management, November 5, 2005–April 23, 2006 Deloitte & Touche LLP, the Boeing Company, Sara works by Latin American Millennium Gallery Paschall Dodd-Spickelmier and Keith Spickelmier, and Latino artists. . . . The Audrey Jones Beck Building H. Fort Flowers Foundation, Lisa and Will Mathis, This exhibition received generous funding from Sarah and Stephen Pitt, and the Wortham True to its name, this tight Nicholson Construction. Foundation, Inc. exhibition is filled with ruminations on life and Junior School Holiday Exhibition Museum Kids Exhibition November 21–December 31, 2005 February 13–March 10, 2006 death. . . . This is an Norma R. Ory Gallery Norma R. Ory Gallery The Glassell School of Art The Glassell School of Art extremely well curated show built around intriguing Uta Kogelsberger: Dark Light Carver High School Senior Show December 7, 2005–January 8, 2006 March 6–17, 2006 ideas and interesting artists. Upstairs Project Space Norma R. Ory Gallery —Houston Press The Glassell School of Art The Glassell School of Art

Andrea Bowers: Letters to an Army of Three 2006 Core Artists in Residence Felix Gonzalez-Torres, Untitled (Para un Hombre in Uniforme [For a Man in January 6–March 5, 2006 March 17–April 21, 2006 Uniform]), 1991, red, white, and blue Astro Laura Lee Blanton Gallery Laura Lee Blanton Gallery Patriot Pops, Marieluise Hessel Collection on permanent loan to the Center for The Glassell School of Art The Glassell School of Art Curatorial Studies, Bard Collection, This exhibition received generous funding from Sara The 2006 Core Program and exhibition were made Annandale-on-Hudson, New York. Paschall Dodd-Spickelmier and Keith Spickelmier, possible through the generous support of the Vivian Pamela and Jacque Passino, Carol and Les Ballard, L. Smith Foundation, Nimoy Foundation, Leslie and Diana and Steve Brown, Cindy and Larry Burns, and Brad Bucher, the Raymond Dickson Foundation, Friends of Claire and Doug Ankenman. Additional the Powell Foundation, the Arch and Stella Rowan support was provided by Claire and Doug Ankenman, Foundation, Karen and Eric Pulaski, Chris and Don Bettie Cartwright and Colin Kennedy, Beverly and Sanders, Anna L. Martin, Texas Commission on the Howard Robinson, Pauline and Stephen Smith, Jane Arts, and the Meyer Levy Charitable Foundation. and Gus Eifler, Judy and Henry Sauer, Carey C. Additional funding was provided by Karen and Harry Shuart, and Marcy Taub Wessel and Tom Wessel. Susman, Karen and David Sobotka, G2 Graphics, Heidi and David Gerger, Milton and Sally Avery Arts Harris County Department of Education Foundation, Inc., Toni and Jeff Beauchamp, Kelli and Gold Key Exhibition Eddy Blanton, Jereann and Robert Chaney, Richard January 10–February 9, 2006 B. Finger, Edward Folse, Kerry Inman and Denby Norma R. Ory Gallery Auble, Jill and Dunham Jewett, Karol Kreymer and The Glassell School of Art Robert Card, Lester Marks, Cynthia and Robert McClain, Gail Merel and Chris Dack, Judy and Scott A Parliament of Owls Nyquist, Edna and J. A. Robins, Emily and Alton February 1–March 11, 2006 Steiner, Cynthia Toles, Glen Gonzalez and Blake Upstairs Project Space Callaway, Janet and Richard Caldwell, Kay and Al The Glassell School of Art Ebert, Erica and Richard Goldman, Belinda L. Hall, Cecily E. Horton, Catherine A. Lamboley, Victoria and Marshal Lightman, Raymond Stainback, Fabene J. Welch, and Herbert C. Wells. 39 Exhibitions

Joseph Havel: A Decade of Sculpture 1996–2006 March 26–June 18, 2006 Upper Brown Pavilion The Caroline Wiess Law Building Major corporate sponsorship for this exhibition was provided by Chubb Group of Insurance Companies. Additional generous funding was provided by Mr. and Mrs. Meredith J. Long, Nona and Richard Barrett, The Carruth Foundation, Inc., Nancy and Tim Hanley, Leslie and Brad Bucher, Eliza Lovett Randall, Isla and Tommy Reckling, Nina and Michael Zilkha, Annual Junior School Exhibition Stanford and Joan Alexander Foundation, Claire and From April 20, 2006 Doug Ankenman, Carol and Les Ballard, Toni and Norma R. Ory Gallery Jeff Beauchamp, Blake Byrne, Sara Paschall Dodd- The Glassell School of Art Spickelmier and Keith Spickelmier, Kay and Al Ebert, This exhibition received generous funding from Sam Gorman, Diana and Russell Hawkins, Janet and Mr. and Mrs. Timothy J. Unger and the JBD Paul Hobby, Karen and Eric Pulaski, Alice C. Foundation. Simkins, Emily and Alton Steiner, Herbert C. Wells, Isabel B. and Wallace S. Wilson, Jean L. Karotkin/ Annual Studio School Student Exhibition 2006 The Meyer Levy Charitable Foundation, Jill and From May 19, 2006 Dunham Jewett, Karol Howard and George Morton, Laura Lee Blanton Gallery Jan Diesel, and Randee and Howard Berman. The Glassell School of Art Above: Joseph Havel, To Bring, 2004, bronze with patina, The Barrett Collection, Dallas. Take One Out of the Life of Bert L. Long, Jr. March 29–May 7, 2006 From June 3, 2006 Top right: Gearldine Westbrook, “Housetop” variation, Upstairs Project Space Lovett Gallery 1982, corduroy and cotton, Collection of The Glassell School of Art The Caroline Wiess Law Building the Tinwood Alliance. Bottom: Impressions of Basquiat Gee’s Bend: The Architecture of the Quilt Gustave Courbet, The Rock of Hautepierre, c. 1869, oil on canvas, the Art Institute of April 1–June 25, 2006 From June 4, 2006 Chicago, Emily Crane Chadbourne Fund, Kinder Foundation Teacher Resource Center Gallery Brown Foundation Galleries 1967.140. The Caroline Wiess Law Building The Audrey Jones Beck Building This exhibition was organized by the Museum of Reading the Roman Portrait Bust Fine Arts, Houston, and Tinwood Alliance, Atlanta. From February 18, 2006 Generous funding in Houston was provided by Enron Gallery H-E-B, The James R. Crane Foundation, Fulbright The Audrey Jones Beck Building & Jaworski L.L.P., Beth Robertson, and Yava and Milton Scott. Transportation for Gee’s Bend: The Tom Wesselmann and Roy Lichtenstein: Architecture of the Quilt was provided by EGL American Pop Eagle Global Logistics. From March 12, 2006 Alice Pratt Brown Gallery and Garden Courbet and the Modern Landscape The Caroline Wiess Law Building From June 18, 2006 Beck Galleries 219–221 This targeted investigation The Audrey Jones Beck Building of one part of a prominent Courbet and the Modern Landscape was organized by the J. Paul Getty Museum, the Museum of Fine artist’s [Courbet’s] oeuvre Arts, Houston, and the Walters Art Museum. offers a privileged perspec- Generous funding in Houston was provided by Continental Airlines, the Hamill Foundation, the tive in the best sense, a Sarah Campbell Blaffer Foundation, Cynthia and show for an audience that Tony Petrello, the Scaler Foundation, the Albert and Margaret Alkek Foundation, Mr. and Mrs. John H. cares about art rather than Duncan, Sr., and Mr. and Mrs. William A. Wise. spectacle. —ArtNews 40 Exhibitions

Exhibitions Received by the MFAH The Splendor of Ruins in French Landscape Painting, 1630–1800 July 17–October 16, 2005 Greek Bronze Vessels from the Collection of The Audrey Jones Beck Building Shelby White and Leon Levy Through July 10, 2005 This exhibition was organized by the Allen Enron Gallery Memorial Art Museum, Oberlin College, Oberlin, The Audrey Jones Beck Building Ohio, and was sponsored by the National Endowment for the Arts, the Samuel H. Kress Foundation, the Ohio Arts Council, and Mr. John Stern. Generous From Myth to Life: funding in Houston was provided by the Hamill Images of Women from the Classical World Foundation. Additional support was provided by from the Celia and Walter Gilbert Collection Through July 31, 2005 Linda K. Finger, Technip, and Margaret C. and Alice Pratt Brown Gallery and Garden Louis H. Skidmore, Jr., in honor of Isabel B. Wilson. The Caroline Wiess Law Building The exhibition was organized by the Smith College Treasures from Olana: Museum of Art, Northampton, Massachusetts. Landscapes by Frederic Edwin Church Generous funding was provided by Isabel B. and October 9, 2005–January 8, 2006 Wallace S. Wilson, Frances and Peter Marzio, and Kilroy Gallery Friends of Smith College. The Audrey Jones Beck Building This exhibition was organized by the Olana Partnership, Hudson, New York, and New York State Baseball As America Through August 14, 2005 Office of Parks, Recreation and Historic Preservation, Brown Foundation Galleries Albany, New York. In Houston, this exhibition The Audrey Jones Beck Building received generous funding from Wells Fargo and This exhibition was organized by the National AXA Financial. Baseball Hall of Fame and Museum, Cooperstown, New York. The national tour of Baseball As America Basquiat was sponsored by Ernst & Young. Baseball As November 20, 2005–February 12, 2006 America at the Museum of Fine Arts, Houston, was Upper Brown Pavilion sponsored by the Hamill Foundation; Lee and Joe The Caroline Wiess Law Building Jamail; Landry’s Restaurants, Inc. & Sanders Morris This exhibition was organized by the Brooklyn Harris Group; Continental Airlines; Cooper Cameron Museum. The national tour of Basquiat was sponsored Corporation; Mr. and Mrs. Alfred C. Glassell, Jr.; by JPMorgan Chase. Additional generous support was the William S. and Lora Jean Kilroy Foundation; provided by Fernwood Art Foundation. The Federal Isla and Tommy Reckling; Burlington Resources; Council on the Arts and the Humanities granted an John L. Wortham & Son, L.P.; and Alfred C. indemnity for this exhibition. In Houston, Basquiat Glassell III and Marli Andrade. received generous funding from Jeff Fort and Marion Barthelme, Karen and Eric Pulaski, and Locke Liddell & Sapp LLP.

Xul Solar: Visions and Revelations January 29–April 16, 2006 Top to bottom: Lower Jones/Masterson and Lovett Galleries Hubert Robert, Roman Ruins, c. 1759, oil on canvas, Worcester Art Museum, The Caroline Wiess Law Building Theodore T. and Mary G. Ellis Bequest, This exhibition was organized by Malba–Colección 40.102. Costantini in partnership with Pinacoteca do Estado Jean-Michel Basquiat, Untitled (Head), de São Paulo (Brazil). Generous funding was provided 1981, acrylic and mixed media on canvas, the Eli and Edythe L. Broad Collection, by Eduardo and Eugenia Grüneisen. Los Angeles. Alejandro Xul Solar, Jefa honra/Honored Patroness, 1923, watercolor on paper, Private Collection.

41 Exhibitions

Encouraging American Genius: Master Paintings from the Corcoran Gallery of Art February 9–May 7, 2006 Brown Foundation Galleries The Audrey Jones Beck Building This exhibition was organized and circulated by the Corcoran Gallery of Art, Washington, D.C. Related educational materials were made possible by The Brown Foundation, Inc., of Houston. The exhibition received generous funding from Mr. and Mrs. Meredith J. Long, Mr. Fayez Sarofim, Mr. Frank J. Hevrdejs, Sotheby’s, Altria Group, Inc., Fulbright & Jaworski L.L.P., Nancy Hart Glanville, and Ann G. Trammell. In Houston, all education programs received generous funding from the Favrot Fund.

Mark Seliger: In My Stairwell February 21–June 4, 2006 John Szarkowski, Winesap from Barn, 1997, gelatin silver photograph, Lower Brown Corridor courtesy of the photographer and Pace/MacGill Gallery, New York. The Caroline Wiess Law Building

Woman of Many Faces: Isabelle Huppert In the annals of American photography, From May 2, 2006 Lower Brown Corridor there are two names without which John Singer Sargent, Marie Buloz Pailleron The Caroline Wiess Law Building (Madame Édouard Pailleron), 1879, oil on American photography, as we know it, canvas, Corcoran Gallery of Art, Washington, D.C., Museum Purchase and would not exist. One is Alfred Stieglitz. . . . gifts of Katherine McCook Knox, John A. The Spirit of Ancient Colombian Gold Nevius and Mr. and Mrs. Lansdell K. From May 14, 2006 The second name is John Szarkowski. Christie, 64.2. Lower Jones/Masterson and Lovett Galleries The Caroline Wiess Law Building —Houston Chronicle This exhibition was organized by el Museo del Oro del Banco de la República de Colombia, Bogotá. Encouraging American Genius: Corporate sponsorship was provided by Sterling Permanent-Collection Exhibitions Bank. Additional generous funding was provided by Organized by the MFAH Master Paintings from the Mr. and Mrs. Alfred C. Glassell, Jr., The West Foundation, and Mr. and Mrs. T.R. Reckling III in Corcoran Gallery of Art at Landmark Art Publications from the Hirsch honor of Alfred C. Glassell, Jr. the Museum of Fine Arts, Library Collection at the Museum of Fine Arts, Houston Houston, features 74 John Szarkowski: Photographs Through July 17, 2005 From June 18, 2006 American gems. . . . The Law Building Coat Room Millennium Gallery The Caroline Wiess Law Building broad sweep of this exhibit The Audrey Jones Beck Building This exhibition was organized by the San Francisco goes beyond the shifts in Ariel Guzick: Arachnid Percussions Museum of Modern Art. Generous funding was pro- Through September 5, 2005 painting’s modes and styles vided by Pace/MacGill Gallery, Manfred Heiting, Masterson Junior Gallery and Hans P. Kraus, Jr. and alludes to the politics The Caroline Wiess Law Building and social issues of their Acquisitions of the Last Five Years: time . . . the changing Texas Art Highlights Through September 11, 2005 character and priorities of a The Audrey Jones Beck Building nation as well as artists’ Photographs by Jim Dow: Baseball Stadiums, growing independence from 1980–1982 European models. Through September 11, 2005 The Caroline Wiess Law Building —Houston Chronicle 42 Exhibitions

Sports Photography from the Singular Multiples: Museum of Fine Arts, Houston The Peter Blum Edition Archive, 1980–1994 Through October 2, 2005 From April 23, 2006 The Caroline Wiess Law Building Cullinan Hall The Caroline Wiess Law Building Acquisitions of the Last Five Years: From May 21, 2006 Texas Art Highlights (Part Two) Andrews Gallery July 16–October 9, 2005 The Caroline Wiess Law Building The Audrey Jones Beck Building Generous funding for this exhibition was provided by Deutsche Bank, the National Endowment for the Highlights from the Hirsch Library: Arts, and the Fifth Floor Foundation. Bauhaus Books July 22–November 6, 2005 Traveling Exhibitions Organized by the The Caroline Wiess Law Building Museum of Fine Arts, Houston

Brought to Light: The Quilts of Gee’s Bend Recent Acquisitions in Latin American Art The MFAH organized this exhibition with August 13, 2005–January 2, 2006 Tinwood Alliance, Atlanta. Lower Jones/Masterson and Lovett Galleries The Caroline Wiess Law Building Through August 21, 2005 Museum of Fine Arts, Boston Recent Accessions in Modern Boston, Massachusetts and Contemporary Design August 27, 2005–March 5, 2006 September 11–December 4, 2005 Sherrie Levine, After Kirchner, from the Alice Pratt Brown Gallery and Garden series Meltdown, 1989, woodblock in colors, The Jule Collins Smith Museum of Fine Art at Auburn printed by James Miller and Maurice The Caroline Wiess Law Building University Sánchez at Derrière L’Etoile Studios, New York Auburn, Alabama Published by Peter Blum Yuletide at Bayou Bend Edition/Blumarts, Inc., New York, the November 17–December 31, 2005 Museum of Fine Arts, Houston, the Peter March 25–June 18, 2006 Blum Edition Archive, 1980–1994, museum Bayou Bend Collection and Gardens High Museum of Art purchase with funds provided by the Atlanta, Georgia Alice Pratt Brown Museum Fund. Provocative Publications: Postwar Japanese Photography Books African Gold from the Glassell Collection, “Singular Multiples: November 23, 2005–March 19, 2006 the Museum of Fine Arts, Houston The Caroline Wiess Law Building The Peter Blum Edition November 2, 2005–March 26, 2006 Archive, 1980–1994” [is] one Nineteenth- and Twentieth-Century Museum of Fine Arts, Boston of the largest museum Etchings and Engravings from the Boston, Massachusetts MFAH Permanent Collection shows ever devoted to the January 21–April 16, 2006 From May 26, 2006 graphic arts of the late 20th Cameron Foundation Gallery National Museum of African Art The Audrey Jones Beck Building Smithsonian Institution century. Washington, D.C. Furniture by the Book: —New York Times British and Early American Cabinetmakers’ Books African Art Now: From March 21, 2006 Masterpieces from the Jean Pigozzi Collection The Caroline Wiess Law Building November 16, 2005–February 26, 2006 National Museum of African Art Smithsonian Institution Washington, D.C.

Gego, Between Transparency and the Invisible March 15–May 15, 2006 Malba-Colección Costantini Buenos Aires, Argentina

43 Accessions

All dimensions for accessions are given in inches, height preceding width and depth. Centimeters follow in parentheses. Whenever possible, the nationality and lifespan dates of the artist or maker are provided.

Paintings

The following works are museum purchases with funds provided by the Caroline Wiess Law Accessions Endowment Fund:

Sean Scully, American, b. Ireland, 1945 Four Dark Mirrors, 2002 Oil on linen, four diptychs Each canvas: 114 x 48 (289.6 x 121.9) 2005.364.1–.4

Arshile Gorky, American, b. Armenia, 1904–1948 Nighttime, Enigma and Nostalgia, c. 1933–34 Oil on canvas mounted onto panel 36 x 47 7/8 (91.4 x 121.6) 2005.1157

Juan Gris, Spanish, 1887–1927 The White Tablecloth (La Nappe blanche), 1912–16 Oil on panel 19 3/4 x 23 3/4 (50.2 x 60.3) 2006.389

* * *

Frank Stella, American, b. 1936 Lunna Wola I, from the series Polish Village, 1972 Cloth, acrylic, canvas, cardboard, and felt on wood relief 108 x 95 x 3 1/4 (274.3 x 241.3 x 8.3) The Joseph and Sylvia Slifka Collection 2005.1199

Francesca Fuchs, British/German, b. 1965 Baby 6, from the series Baby, 2005 Acrylic on canvas 86 x 127 (218.4 x 322.6) Gift of Nina and Michael Zilkha 2005.1200

Scott Barber, American, 1963–2005 Scott Barber Untitled, 2004 Untitled, 2004 Urethane on aluminum Urethane on aluminum Gift of Cecily E. Horton and 60 x 42 (152.4 x 106.7) Andrea Rosenberg in memory of the artist Gift of Cecily E. Horton and Andrea 2005.1201 Rosenberg in memory of the artist 2005.1201

44 Accessions

William Bradford, American, 1823–1892 Marlene McCarty, American David Aylsworth, American, b. 1966 Larry Poons, American, b. 1937 Coastal Rocks, Nahant: A Sketch, Untitled (Gash), 1993 A Little Tune from Così Fan Tutte, 2006 Untitled, c. 1970 c. 1855–65 Heat transfer on canvas Oil on canvas Acrylic on canvas Oil on panel 83 3/4 x 83 3/4 (212.7 x 212.7) 48 1/4 x 108 1/4 (122.6 x 275) 105 x 74 1/4 (266.7 x 188.6) 13 3/4 x 19 3/4 (34.9 x 50.2) Untitled, 1993 2006.386 2006.203 Gift of Charles Butt, Frank J. Hevrdejs, Heat transfer on canvas Mr. and Mrs. Meredith Long, Maconda 79 x 96 (200.7 x 243.8) * * * Gael Stack, American, b. 1941 B. O’Connor, Fayez Sarofim, Ann Untitled (She’s got what guys want — St. Clare Saving a Child Being Mauled by Trammell, the James W. Glanville a moustache), 1993 Pat Steir, American, b. 1940 a Wolf, after Giovanni di Paolo, 1980 Family Foundation, Mr. and Mrs. Heat transfer on canvas Valentine Waterfall, 2004 Oil on canvas Melbern G. Glasscock, Mr. and Mrs. E. 120 x 12 (304.8 x 30.5) Oil on canvas 41 x 53 (104.1 x 134.6) J. Hudson, Jr., Kathryn and Jim 2005.1854–2005.1856 84 3/16 x 108 (213.8 x 274.3) 2006.204 Ketelsen, Mrs. William S. Kilroy, Mr. Gift of The Brown Foundation, Inc. and Mrs. John H. Lindsey, Dr. and Mrs. David McGee, American, b. 1962 2006.184 Maudee Lilyan Carron, American, John P. McGovern, Mr. and Mrs. John F. Untitled, 1994 b. 1912 Bookout III, Bettie Cartwright and Oil on canvas Ray Parker, American, 1922–1990 Graven Image, 1989 Colin Kennedy, Rose and Harry H. 70 x 67 (177.8 x 170.2) Untitled #525, 1961 Concrete and mixed media on painted Cullen, John R. Eckel, Jr., Mrs. Daniel 2005.1857 Oil on canvas door R. Japhet, Mr. and Mrs. A. Clark 87 1/2 x 69 (222.3 x 175.3) 51 x 19 3/4 (129.5 x 50.2) Johnson, Carla Knobloch, Flo and Bill Bert L. Long, Jr., American, b. 1940 Gift of Frances and Peter C. Marzio 2006.206 McGee, Pamela and David A. Ott, Mr. Trek, 1986 2006.185 and Mrs. Richard P. Schissler, Martha Oil, acrylic, and wood * * * and Trey Lipsitz, Lynne Campbell, and 41 1/4 x 35 x 5 (104.8 x 88.9 x 12.7) The following works are bequests of Mrs. Paul Elliott Van Hook in honor of 2006.142 Robert H. Wilson, Jr.: Angela Fraleigh, American, b. 1976 the 10th anniversary of the American restless, 2005 Painting and Sculpture Department * * * Julian Schnabel, American, b. 1951 Oil on panel 2005.1209 Family Tree, 1982 72 x 96 (182.9 x 243.8) Joe Mancuso, American, b. 1954 Acrylic on wood Gift of Yvonne and William Betts John Alexander, American, b. 1945 Screen, 2003 117 x 71 (297.2 x 180.3) 2006.268 Untitled, 1979 Encaustic on newspaper mounted on 2006.189 Oil on canvas canvas Gilad Efrat, Israeli, b. 1969 68 x 78 (172.7 x 198.1) 96 1/4 x 96 1/4 (244.5 x 244.5) Joe Mancuso, American, b. 1954 Untitled, 2006 Gift of the El Paso Corporation Gift of Michael and Amy Cosgrove Untitled, c. 1994 Oil on canvas 2005.1554 2005.1870 Acrylic on canvas 69 x 98 x 2 9/16 (175.3 x 248.9 x 6.5) 31 (78.7) diam. Gift of Sara Paschall Dodd-Spickelmier, The following works are gifts of Robert Motherwell, American, 2006.195 Dr. and Mrs. John P. McGovern, and Michael A. Caddell and Cynthia 1915–1991 Leslie and Jack S. Blanton, Jr. Chapman: Iberia #11, 1958 Hassel Smith, American, b. 1915 2006.277 Oil on paperboard Four Minute Mile, 1954 Rachel Hecker, American, b. 1958 10 5/8 x 13 3/4 (27.0 x 34.9) Oil on canvas Cornelia Foss, American, b. Germany Ann Richards, 1995 Museum purchase and gift of the 70 x 39 1/2 (177.8 x 100.3) Bill’s Yellow (with Admiration), 2005 Acrylic on canvas Dedalus Foundation 2006.197 Oil on canvas 54 x 37 1/2 (137.2 x 95.3) 2005.2157 52 x 52 (132.1 x 132.1) See, 1995 Joseph Glasco, American, 1925–1996 Gift of Emilie S. Kilgore in honor of Acrylic on canvas Terrell James, American, b. 1955 Untitled, c. 1983 Lukas Foss 70 x 70 1/2 (177.8 x 179.1) Summons, 1997/2005 Acrylic on canvas, collaged 2006.281 2005.1851, 2005.1852 Oil and acrylic on canvas 54 x 42 (137.2 x 106.7) 62 x 52 (157.5 x 132.1) 2006.199 Robin Utterback, American, b. 1949 Mark Kostabi, American Gift of Bettie Cartwright and Colin Untitled (#1074), 2003 150 Wooster, 1989 Kennedy in honor of Marion Barthelme Rachel Hecker, American, b. 1958 Acrylic on canvas Oil on canvas and Jeff Fort Untitled, c. 1995 68 1/2 x 50 1/2 (174 x 128.3) 23 1/2 x 35 1/2 (59.7 x 90.2) 2006.34 Acrylic on canvas Gift of Michael and Amy Cosgrove 2005.1853 36 x 36 1/4 (91.4 x 92.1) 2006.282 The following works are bequests of 2006.201 Edward B. Mayo: Elsie Driggs, American, 1898–1992 Mel Casas, American, b. 1929 Aeroplane, 1928 Leon Polk Smith, American, 1906–1996 Auto-Erotic, 1969 Oil on canvas Open Composition, 1946 Acrylic on canvas 44 x 38 (111.8 x 96.5) Oil on canvas 73 x 97 (185.4 x 246.4) Museum purchase with funds provided 52 x 28 (132.1 x 71.1) 2006.202 by the Brown Foundation Accessions 2006.146 Endowment Fund 2006.297 45 Accessions

Sculpture William Edmondson, American, The following works are gifts of Donald Lipski, American, b. 1947 1874–1951 friends of Jim Love, in honor of Flags, c. 1994 Hiram Powers, American, 1805–1873 Eagle, c. 1930s Isabel B. Wilson: American flags wrapped around a Faith, c. 1868 Limestone sphere Marble 23 3/4 x 6 3/4 x 14 1/2 (60.3 x 17.1 x 36.8) Jim Love, American, 1927–2005 30 (76.2) diam. 28 3/8 x 20 1/2 x 11 3/4 (72.1 x 52.1 x 29.8) Gift of Charles Tate, Mac Dunwoody, Fig., 1958 Bequest of Robert H. Wilson, Jr. Museum purchase with funds provided Robin Gibbs, and Lee Godfrey in honor Welded steel 2006.196 by the Long Endowment for American of James A. Elkins, Jr., at “One Great 12 x 4 x 4 1/4 (30.5 x 10.2 x 10.8) Art and gift of Phil P. and Anastasia Night in November, 2005” Figure without Brassiere, c. 1963 William Rush, American, 1756–1833 Moss 2005.1068 Bronze Benjamin Rush, c. 1813 2005.976 14 1/8 x 6 x 6 (35.9 x 15.2 x 15.2) Plaster Brad Tucker, American, b. 1965 Postcard from Greece with Plowed Girl, 24 x 15 1/4 x 11 3/4 (61 x 38.7 x 29.8) Joseph Havel, American, b. 1954 Obscene Magnet, 2005 1967 Museum purchase with funds provided Torn and Twisted Curtain, 2004–05 Acrylic and enamel on wood Welded steel and, painted plaster by the Long Endowment for American Bronze with patina 14 3/8 x 17 x 1 5/8 (36.5 x 43.2 x 4.1) 4 1/2 x 5 x 2 (11.4 x 12.7 x 5.1) Art, with additional gifts from the fol- 192 x 24 x 28 (487.7 x 61 x 71.1) Urban Ivy, 2005 Hideaway Bunker for Lovers’ Quarrels, lowing generous donors: Ann H. Museum commission, gift of Mr. and Acrylic on wood 1968 Bookout; the Robert & Janice McNair Mrs. Meredith Long, the Chubb Group 4 1/8 x 20 7/8 x 2 3/4 (10.5 x 53 x 7) Welded steel, cotton, and sand Foundation; Lenoir Josey and various of Insurance Companies, Nona and Gifts of Steven J. Snook 4 1/4 x 7 3/4 x 4 3/4 (10.8 x 19.7 x 12.1) others in honor of the 10th anniversary Richard Barrett, the Carruth 2005.1205, 2005.1206 Jack, 1970–95 of the American Painting and Sculpture Foundation, Inc., Bryant M. and Nancy Welded steel Department, and in memory of Bernice C. Hanley, Jr., Leslie and Brad Bucher, Sherrie Levine, American, b. 1947 32 x 37 x 43 1/2 (81.3 x 94 x 110.5) Hevrdejs; Bettie Cartwright and Colin Eliza Lovett Randall, Isla and Tommy Joost van Oss, Dutch, b. 1956 It Is Never Known What Will/Might Kennedy; Frank J. Hevrdejs; Flo and Reckling, Nina and Michael Zilkha, the Sculpture II and Sculpture III, 1999 Happen Next, from the series Tomorrow Bill McGee; Mr. and Mrs. Richard P. Stanford and Joan Alexander Rolled steel: 24 chairs and 24 tables Is No Solution, 1984 Schissler; the Ann G. Trammell Fund; Foundation, Claire and Doug Each chair: 42 x 30 x 23 Cast bronze Kelley Trammell; bequest of Edward B. Ankenman, Jr., Carol C. and A. Leslie (106.7 x 76.2 x 58.4) 2 x 8 1/2 x 14 (5.1 x 21.6 x 35.6) Mayo; and various donors in memory of Ballard, Jr., Jeffery and Toni Each table: 24 x 20 x 20 Surely Goodness and Mercy Shall Edward B. Mayo and in honor of Emily Beauchamp, Blake Byrne, Sara Paschall (61 x 50.8 x 50.8) Follow..., 1988 Ballew Neff Dodd-Spickelmier and Keith Gift of Jeanne and Mickey Klein Welded steel and scrap pipe 2006.272 Spickelmier, Kay and Al Ebert, Samuel 2005.1401 18 1/2 x 12 1/2 x 10 (47 x 31.8 x 25.4) F. Gorman, Diana and Russell Hawkins, Untitled (Model for Bird House), c. 1990 Jesús Bautista Moroles, American, Janet and Paul Hobby, the Eric and James Surls, American, b. 1943 Welded steel b. 1950 Karen Pulaski Philanthropic Fund of Two People Dancing, 1978–79 10 x 6 1/4 x 6 1/4 (25.4 x 15.9 x 15.9) Untitled the Houston Jewish Community Wo o d Photograph from St. Louis, 1993 Texas granite Foundation, Alice C. Simkins, Alton 21 x 47 x 21 (53.3 x 119.4 x 53.3) Steel 20 x 19 3/4 x 6 7/8 (50.8 x 50.2 x 17.5) and Emily Steiner, Herbert Wells, Gift of Michael A. Caddell and 5 1/2 x 8 x 3 1/2 (14 x 20.3 x 8.9) Gift of Frances and Peter C. Marzio Isabel B. and Wallace S. Wilson, the Cynthia Chapman Short Short Story, 2000 2006.279 Meyer Levy Charitable Foundation on 2005.1858 Steel, acrylic on wood behalf of Jean Karotkin, Jill and 7 3/4 x 5 3/4 x 1 1/2 (19.7 x 14.6 x 3.8) Dunham Jewett, Frank Ribelin, Karol Joseph Havel, American, b. 1954 Portable Hill for Jack and Jill, 2000 Drawings Howard and George Morton, Jan The We ight, 1991 Steel Diesel, and Randee and Howard Bronze 6 x 18 x 14 (15.2 x 45.7 x 35.6) The following works are museum Berman 69 x 15 x 17 (175.3 x 38.1 x 43.2) Love Letter from Ignatz to Krazy Kat, purchases with funds provided by 2005.1051 Gift of Michael A. Caddell and 2001 the Alvin S. Romansky Prints and Cynthia Chapman Brick, ink Drawings Accessions Endowment Jean-Léon Gérôme, French, 1824–1904 2005.1863 3 1/8 x 1 5/8 x 1 1/8 (7.9 x 4.1 x 2.9) Fund: The Expiring Eagle of Waterloo, c. 1902 2006.12–2006.21, 2006.31, 2006.32 Gilt bronze mounted on worked granite David Ireland, American, b. 1930 Anne Truitt, American, 1921–2004 27 1/4 x 26 x 17 (69.2 x 66 x 43.2) Untitled, 2000 * * * 26 Dec ‘62, 1962 Museum purchase with funds provided Foam insulation, wire, and cement Acrylic on paper by “One Great Night in November, 17 1/2 x 7 x 6 3/4 (44.5 x 17.8 x 17.1) Christian Marclay, American, b. 1955 22 x 30 (55.9 x 76.2) 2005” Gift of Marc and Judy Herzstein in Tinsel, 2005 2005.417 2005.1066 memory of Isabell Smith Herzstein and Wooden music box, Peter Norton Dr. Samuel Simkin Family Christmas Edition Robert Motherwell, American, 2006.9 2 3/4 x 5 1/8 x 3 7/8 (7 x 13 x 9.8) 1915–1991 Gift of Peter C. Marzio Untitled, 1944 2006.33 Ink and watercolor on paper 13 3/8 x 9 7/8 (34 x 25.1) and gift of the Dedalus Foundation 2005.418

46 Accessions

Dylan Stone Barbara and David Stone’s Bookshelf, 2005 Watercolor and acrylic on 38 sheets of watercolor paper Museum purchase with funds provided by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund 2006.298.A–.LL

Renato Orara, American, b. Ewan Gibbs, English, b. 1973 The following works are gifts of Eric Schnell, American, b. 1968 Philippines, 1961 London, 2006 Clinton T. Willour: The Builder, 2005 Untitled, from Ten Thousand Things That Pencil on paper Graphite on paper on board Breathe, 1999 16 1/2 x 23 1/2 (41.9 x 59.7) Tommy Fitzpatrick, American, b. 1969 5 x 6 7/8 (12.7 x 17.5) Ballpoint pen on paper 2006.299 Study for 610, 2000 Given in honor of Hiram Butler and 8 x 5 1/2 (20.3 x 14) Watercolor on paper Devin Borden 2005.1183 * * * 13 1/2 x 22 3/4 (34.3 x 57.8) 2005.1837 Given in honor of the 15th anniversary Erich Heckel, German, 1883–1970 Annette Cone-Skelton, American of Inman Gallery * * * Badende an der Alster (Bathers in the Untitled #38, 1998 2005.423 Alster), 1913 Acrylic spray paint and pastel on paper Joseph Havel, American, b. 1954 Graphite on paper 10 1/4 x 10 (26 x 25.4) Robin Utterback, American, b. 1949 Study for Torn and Twisted Curtain, 2004 15 3/4 x 19 7/8 (40 x 50.5) Gift of Wynn and Sally Kramarsky #56, 1981 Graphite and ink on rag paper 2005.1832 2005.420 Acrylic on paper 19 1/2 x 25 (49.5 x 63.5) 10 1/4 x 7 7/8 (26 x 20.1) Study for Torn and Twisted Curtain, 2004 Linda Lynch, American, b. 1958 Emma Dewing, English, b. 1973 Given in memory of Edward B. Mayo Graphite, ink and wash Camel Thorn Triptych, from The Namib Untitled #15, 2001 2005.424 19 5/16 x 25 (49.1 x 63.5) Desert Series, 2002 Black ink on paper Study for Torn and Twisted Curtain, 2004 Pastel on paper 22 1/2 x 35 (57.2 x 88.9) Angela Fraleigh, American, b. 1976 Ink and wash Each sheet: 22 1/2 x 29 1/2 (57.2 x 74.9) Untitled #2, 2001 Untitled Study, 2005 18 3/8 x 25 (46.7 x 63.5) 2006.8.A–.C Black ink on paper Watercolor on Mylar Study for Torn and Twisted Curtain, 2004 22 1/2 x 35 (57.2 x 88.9) Sheet: 8 1/2 x 10 7/8 (21.6 x 27.6) Ballpoint pen Dylan Stone, American, b. 1967 Gifts of Wynn and Sally Kramarsky Given in honor of Isabel B. Wilson 11 x 8 1/2 (27.9 x 21.6) Barbara and David Stone’s Bookshelf, 2005.421, 2005.422 2005.1204 Gifts of the artist 2005 2005.425–2005.428 Watercolor and acrylic on 38 sheets of watercolor paper Dean Ruck, American, b. 1962 Overall: 132 x 210 (335.3 x 533.4) Drawing after Inversion, 2005 2006.298.A–.LL Soot on paper 46 1/2 x 84 (118.1 x 213.4) Gift of Alice C. Simkins 47 2005.429 Accessions

Right: Opposite page left to right: Ewan Gibbs Grant Wood London, 2006 March, 1940 Pencil on paper Charcoal on paper Museum purchase with funds provided by Gift of Dr. Jack Tausend in memory of the Alvin S. Romansky Prints and Mary Nesbit Tausend Drawings Accessions Endowment Fund 2005.972 2006.299 Grant Wood March, 1941 Lithograph Gift of the Prints and Drawings Subcommittee in memory of Mary Nesbit Tausend and in honor of Jack Tausend 2006.301

Michael G. Golden, American, b. 1959 Renato Orara, American, Lucas Johnson, American, 1940–2002 Kermit Oliver, American, b. 1943 Untitled (Moons), No. 4, 1998 b. Philippines, 1961 Marie Laveaux at the Jetty, 1987 Madonna, 1967 Powdered charcoal, gouache, and adhe- Untitled, from Ten Thousand Things That Graphite on paper Conté crayon on paperboard sive on Braille paper Breathe, 1999 12 x 9 (30.5 x 22.9) 52 1/4 x 38 (132.7 x 96.5) 11 1/4 x 23 1/8 (28.6 x 58.7) Ballpoint pen on paper Gift of Mary and Thomas W. Rollins Museum purchase with funds provided Bequest of Mary Pat Golden 8 x 5 1/2 (20.3 x 14) 2005.1202 by the African American Art Advisory 2005.430 Gift of an anonymous donor in honor of Association Nancy Crow Allen Michael Tracy, American, b. 1943 2006.7 Grant Wood, American, 1891–1942 2005.1073 Illusion divina VI, to Shoshtakovich, 1991 March, 1940 Watercolor, gouache, and oilstick on paper David Ireland, American, b. 1930 Charcoal on paper Dan Fischer, American, b. 1977 40 x 60 (101.6 x 152.4) The Ears Have It, 1993 25 1/2 x 30 7/8 (64.8 x 78.4) Vincent Van Gogh: Wheat Fields with Gift of Mary and Thomas W. Rollins Enamel on gelatin silver photograph Gift of Dr. Jack Tausend in memory of Cypresses, 2004 2005.1203 23 3/8 x 16 (59.4 x 40.6) Mary Nesbit Tausend Graphite on paper Gift of Dr. and Mrs. John P. McGovern, 2005.972 17 3/4 x 22 1/4 (45.1 x 56.5) Alan Saret, American, b. 1944 Betty Moody, and Paule Anglim Bruce Nauman, 2000 Orala Spirals Ensoulment, 1989 2006.10 Jamie Bennett, American, b. 1948 Graphite on paper Graphite and colored pencil Studies for “The Rose,” from Rocaille, 14 x 10 1/2 (35.6 x 26.7) 22 3/4 x 31 (57.8 x 78.7) David Ireland, American, b. 1930 1994 Gifts of Lee Godfrey Gift of Susan Lorence Basement Studio with Brown Panel, 1993 Gouache, watercolor, and pencil on paper 2005.1079, 2005.1080 2005.1835 Enamel on gelatin silver photograph 6 x 7 3/4 (15.2 x 19.7) 16 x 23 1/4 (40.6 x 59.1) Helen Williams Drutt Collection, gift D-L Alvarez, American, b. 1962 Frank X. Tolbert 2, American, b. 1945 Gift of Marc and Judy Herzstein in of the artist and Helen Williams Drutt Ghost, 1999 Self-Portrait, 2005 memory of Isabell Smith Herzstein and English in honor of the Helen Williams Graphite on paper Graphite and watercolor on paper Dr. Samuel Simkin Drutt Collection 13 7/8 x 13 7/8 (35.2 x 35.2) 60 x 44 1/8 (152.4 x 112.1) 2006.11 2005.975.A,.B Gift of Edward Gregg Wallace, Jr., Gift of Linda Broocks and Jim Hall in honor of his son, Cole B. Wallace 2005.1861 The following works are gifts of The following works were funded at 2005.1081 friends of Jim Love, in honor of “One Great Night in November, 2005”: James Bettison, American, 1957–1997 Isabel B. Wilson: * * * Macbeth, 1983 Ogden Pleissner, American, 1905–1983 Mixed media on paper Jim Love, American, 1927–2005 Netting the Salmon at Soldiers Gulch, 1936 Kenneth Price, American, b. 1935 13 3/4 x 11 (34.9 x 27.9) Untitled, 2000 Watercolor on paper Broken Chinese Rock Cup, 1971 Gift of Michael A. Caddell and Ink on paper 16 x 27 3/8 (40.6 x 69.6) Colored pencil and gouache on paper Cynthia Chapman 6 x 3 1/2 (15.2 x 8.9) Museum purchase with funds provided 23 x 17 (58.4 x 43.2) 2005.1862 Untitled, 2000 by “One Great Night in November, 2005” Gift of the El Paso Corporation Ink on paper 2005.1065 2005.1194 Richard Lippold, American, 1915–2002 7 x 4 1/2 (17.8 x 11.4) Drawing Proposal for Jesse Jones Hall, Untitled, 2000 Paul Wonner, American, b. 1920 1965 Ink on paper Still Life with Cubist Postcard and Graphite on paper 10 x 8 (25.4 x 20.3) Artificial Rose, 1979 18 x 26 3/4 (45.7 x 67.9) Untitled, 2000 Acrylic and charcoal on paper Gift of Paule Anglim Ink on paper 39 x 27 (99.1 x 68.6) 2005.1871 10 x 8 (25.4 x 20.3) Gift of the El Paso Corporation 2005.1195 48 Accessions

Untitled, 2000 Michael Tracy, American, b. 1943 Andrea Bowers, American, b. 1965 Prints Ink on paper Untitled [Sugar Project Documentation], Design of Choice (Pro-Child, Pro-Choice), 9 x 6 (22.9 x 15.2) 1975 2005 Richard Tuttle, American, b. 1941 Untitled, 2000 Mixed media on paper Colored pencil on paper Dawn, Noon, Dusk: Paper (1), Paper (2), Ink on paper 29 3/4 x 34 3/4 (75.6 x 88.3) 26 x 19 (66 x 48.3) Paper (3), 2002 9 x 6 (22.9 x 15.2) Flor de Guatemala, 1986–1992 Gift of Michael Zilkha and Franci Pigment on abaca/linen paper mounted Untitled, 2000 Pigment on paper Neely Crane in honor of Alison de on pigmented cotton, in artist-designed Ink on paper 22 1/2 x 30 (57.2 x 76.2) Lima Greene hand-painted frames 9 x 6 (22.9 x 15.2) Untitled, c. 1977 2006.209 Each sheet: 11 x 13 1/2 (27.9 x 34.3) Untitled, 2000 Four sheets of tar on paper Each frame: 13 5/8 x 15 11/16 x 1 Ink on paper Each sheet: 22 x 28 (55.9 x 71.1) David McGee, American, b. 1962 (34.6 x 39.8 x 2.5) 9 x 6 (22.9 x 15.2) 2006.192–2006.194.A–.D M. Cunningham, 2005 Gift of Lynn Bradshaw and Michael Untitled, 2000 Balzac, 2005 Kaeske, William J. and Mary C. Ink on paper Roberto Juarez, American, b. 1952 Genet, 2005 Mossay, Edgar and Teresa Acosta, Julie 9 x 6 (22.9 x 15.2) Changeful Reflection, 1988 Ezra Pound, 2005 Barry and David Waddell, John B. and 2006.22–2006.30 Mixed media on paper All from Scenes from the Mardi Gras Anne U. Clutterbuck, John and Julie 47 3/4 x 31 5/8 (121.3 x 80.3) Watercolor on paper Cohn Connor, Groundwater Services, * ** 2006.198 Each: 30 x 22 (76.2 x 55.9) Inc., Phillip H. Watts and Sheryl A. Gifts of Fredericka Hunter and Gussett, Dena Rafte and Bob Brown, Dario Robleto, American, b. 1972 Joseph Glasco, American, 1925–1996 Ian Glennie Spencer Management Company, LLC, Micro, Mini and Tiny, 1996 Head, 1968 2006.273–2006.276 Cecily E. Horton, Theodore J. Lee and Ballpoint pen on paper Pastel on paper Marc A. Sekula, Jerry S. Baiamonte, Each sheet: 11 x 8 1/2 (27.9 x 21.6) 60 x 40 (152.4 x 101.6) Jake Berthot, American, b. 1939 Joan and Daniel Cohen, Laura M. and Gift of Chris Mattsson and John 2006.200 Untitled, 2002–03 Robert S. Lee, Thomas E. and Michelle McHale, Nancy and Stanley Singer, and Graphite on paper Karpman McHugh, Susan Brownlee John Roberson and John Blackmon Jesse Amado, American, b. 1951 22 1/2 x 27 1/2 (57.2 x 69.9) Miller and James K. Miller, James and 2006.144.A–.C Untitled, 1998 Gift of the artist in honor of Stephen Wendy Petruzzi, and John M. Ramsay Charcoal, graphite, and pigment on Greene, Sigrid de Lima, and Alison de 2005.416.A–.C The following works are bequests of paper in artist metal frame Lima Greene Robert H. Wilson, Jr.: 29 9/16 x 29 1/2 (75.1 x 74.9) 2006.278 Stas Orlovski, Moldovan, b. 1969 2006.205 Cactus, 2004 Julian Schnabel, American, b. 1951 Etching Self-Portrait, 1976 George Condo, American, b. 1957 Plate: 11 7/8 x 10 3/8 (30.2 x 26.4) Graphite and photographic collage Untitled, April, 1992 Sheet: 29 5/8 x 22 1/8 (75.2 x 56.2) on paper Pastel, crayon, colored pencil, and Gift of Aldis and Maria Browne 22 1/4 x 30 1/16 (56.6 x 76.4) ballpoint ink on paper 2005.419 Lonely, 1976 24 1/8 x 18 (61.3 x 45.7) Crayon, ink, graphite and putty on paper Untitled, May, 1992 22 x 30 (55.9 x 76.2) Pastel, crayon, and colored pencil on 2006.190, 2006.191 paper 24 x 18 (61 x 45.7) 2006.207, 2006.208

* * *

49 Accessions

The following works are museum Edmond-François Aman-Jean, French, LLC, Denver Integrated Imaging LLC, William Kentridge, South African, purchases with funds provided by the 1858–c. 1935/6 Westside Open MRI & Diagnostic b. 1955 Alvin S. Romansky Prints and Drawings Woman Smelling a Rose, Mme Aman-Jean, Center LLC, Mr. Don Ballard, North Atlas Procession 1 (Variation) Accessions Endowment Fund: 1893 Denver Integrated Imaging LLC and Etching, aquatint, and drypoint with Lithograph South Denver Integrated Imaging LLC handpainting by artist Julie Mehretu, American, Image: 9 x 13 5/8 (22.9 x 34.6) 2005.1182.1–.5 Plate: 58 5/16 x 38 9/16 (148.1 x 97.9) b. Ethiopia, 1970 Sheet: 12 1/4 x 17 5/8 (31.1 x 44.8) Sheet: 61 3/4 x 42 (156.8 x 106.7) Entropia: Construction, 2005 2005.1053 Albrecht Dürer, German, 1471–1528 2005.1192 Lithograph with Gampi chine collé on The Betrothal of the Virgin, from The Life Somerset Satin paper Henri-Gabriel Ibels, French, 1867–1936 of the Virgin, c. 1504–05 Claes Oldenburg, American, Image: 29 1/2 x 39 3/4 (74.9 x 101) Le Théâtre Libre: Le Devoir, 1892 Woodcut b. Sweden, 1929 Sheet: 40 1/8 x 49 7/8 (101.9 x 126.7) Lithograph in colors Block/Sheet: 11 1/2 x 8 1/8 (29.2 x 20.6) Postcard of The Spoon in The Isle St. Louis, 2005.973 Image: 6 x 8 1/8 (15.2 x 20.6) Museum purchase with funds provided with Needles, 1979 Sheet: 9 3/4 x 12 7/8 (24.8 x 32.7) by the Marjorie G. and Evan C. Horning Aquatint and etching in colors Erich Heckel, German, 1883–1970 Le Théâtre Libre: Les Tisserands, 1892 Print Fund Plate: 12 5/8 x 10 1/2 (32.1 x 26.7) Badende an der Alster (Bathers in the Lithograph in colors 2005.1184 Sheet: 26 1/2 x 21 5/8 (67.3 x 54.9) Alster), 1913 Image: 9 x 9 3/4 (22.9 x 24.8) 2005.1193 Drypoint Sheet: 11 3/8 x 16 1/8 (28.9 x 41) The following works are gifts of the Plate: 5 13/16 x 7 7/8 (14.8 x 20) 2005.1054, 2005.1055 El Paso Corporation: * * * Sheet: 13 3/8 x 16 1/4 (34 x 41.3) 2005.1831 Ker-Xavier Roussel, French, 1867–1944 William Bailey, American, b. 1930 Kermit Oliver, American, b. 1943 Album de Paysage: La Source, 1900 Still Life #5, 1978 Young Arcadian, 1998 László Moholy-Nagy, American, Lithograph in colors Lithograph Etching in colors b. Austria-Hungary, 1895–1946 Image: 12 1/2 x 16 1/8 (31.8 x 41) Image: 18 x 22 1/2 (45.7 x 57.2) Plate: 8 7/8 x 5 7/8 (22.5 x 14.9) Composition, 1922 Sheet: 14 1/8 x 19 3/8 (35.9 x 49.2) Sheet: 26 x 30 5/8 (66 x 77.8) Sheet: 13 x 9 3/4 (33 x 24.8) Woodcut 2005.1056 2005.1185 Gift of Joan Morgenstern Sheet: 11 x 8 1/4 (27.9 x 21) 2005.1196 2005.1833 Édouard Vuillard, French, 1868–1940 Jim Dine, American, b. 1935 Théâtre Libre: The Sower, 1890 Tinsnips, 1973 Katie Oliver, American Jasper Johns, American, b. 1930 Lithograph in colors Lithograph Paper Wrap, 1998 Untitled, 2005 Image: 7 5/8 x 6 1/2 (19.4 x 16.5) Image: 17 7/8 x 23 5/8 (45.4 x 60) Etching in colors Diptych; drypoint, sugar-lift and Sheet (closed): 8 1/2 x 7 5/8 (21.6 x 19.4) Sheet: 22 3/8 x 27 7/8 (56.8 x 70.8) Plate: 3 1/4 x 4 (8.3 x 10.2) spit-bite aquatint on Fred Siegenthaler Théâtre de l’Oeuvre: Les Soutiens de la Wire Stripper, from Ten Winter Tools, 1973 Sheet: 13 x 10 1/4 (33 x 26) handmade leather paper société, 1895 Lithograph Grass Plain —Serengeti, 1998 Each sheet: 18 1/2 x 11 1/2 (47 x 29.2) Lithograph Image/Sheet: 27 3/4 x 21 3/4 (70.5 x 55.2) Etching in colors 2005.1834.A,.B Sheet: 12 7/8 x 19 3/4 (32.7 x 50.2) 2005.1186, 2005.1187 Plate: 5 7/8 x 9 (14.9 x 22.9) Becane, 1894 Sheet: 10 1/8 x 12 7/8 (25.7 x 32.7) * * * Lithograph in colors Jean Dubuffet, French, 1901–1985 Gifts of Joan Morgenstern Sheet: 31 1/8 x 23 1/4 (79.1 x 59.1) Lion héraldique, from Fables, 1976 2005.1197, 2005.1198 Mary Cassatt, American, active in 2005.1057–2005.1059 Screenprint in colors France, 1844–1926 Image: 23 1/8 x 29 1/2 (58.7 x 74.9) S.M.S. Nos. 1–6 Under the Horse-Chestnut Tree, 1896–97 * * * Sheet: 27 1/2 x 34 3/4 (69.9 x 88.3) The complete portfolio comprising 73 Drypoint and aquatint in color 2005.1188 original multiples by various artists Plate: 15 7/8 x 11 3/8 (40.4 x 29) Glenn Ligon, American, b. 1960 presented in 6 volumes, 1968, published Sheet: 19 3/4 x 15 3/8 (50.2 x 39.1) Condition Report, 2000 Howard Hodgkin, British, b. 1932 by The Letter Edged in Black Press Gift of The Brown Foundation, Inc. Inkjet print and screenprint over Moroccan Door, 1991 Incorporated 2005.974 inkjet print Hand-colored etching The collaborating artists are: Each sheet: 31 7/8 x 22 5/8 (81 x 57.5) Image/Sheet: 29 1/2 x 43 3/4 (74.9 x 111.1) Aftograf, Richard Artschwager, Enrico The following works are partial gifts Gift of Stephen Crain, Greg Looser, and 2005.1189 Baj, The Barber’s Shop, Wall Batterton, from the Virginia and Ira Jackson Tony Visage, in honor of David Schwab at Ed Bereal, Paul Bergtold, Su Braden, Collection: “One Great Night in November, 2005” Jasper Johns, American, b. 1930 William Bryant, James Byars, John Cage, 2005.1082.A,.B Ale Cans, 1967–69 Nicolas Calas, Christo, Bruce Conner, Pierre Bonnard, French, 1867–1947 Etching and aquatint Walter De Maria, Betty Dodson, Arman Les Boulevards, 1900 Sherrie Levine, American, b. 1947 Plate: 11 x 11 1/8 (27.9 x 28.3) Fernandez, Ronoldo Ferri, Edward Lithograph in colors After Edgar Degas, 1987 Sheet: 25 5/8 x 19 3/4 (65.1 x 50.2) Fitzgerald, John Giorno, Richard Image: 10 1/2 x 13 1/8 (26.7 x 33.3) Lithographs 2005.1190 Hamilton, Marcia Herscovitz, Dick Sheet: 10 7/8 x 14 (27.6 x 35.6) Each sheet: 26 x 21 (66 x 53.3) Higgins, Alain Jacquet, Neil Jenney, 2005.1052 Gift of Ms. Despina Papafote, Arkansas Ellsworth Kelly, American, b. 1923 Ray Johnson, On Kawara, Kasper Konig, Open MRI LLC, Diagnostic MRI Central, Cyclamen IV, 1964 Joseph Kosuth, Ronnie Landfield, Julien LLC, Rocky Mountain Orthotic & Lithograph Levy, Roy Lichtenstein, Lee Lozano, Prosthetic Center LLC, Diagnostic MRI Image/Sheet: 35 1/4 x 24 (89.5 x 61) Angus MacLise, Sol Mednick, Toby 2005.1191 Mussman, Bruce Nauman, Adrian 50 Accessions

Jasper Johns Untitled, 2005 Diptych; drypoint, sugar-lift, and spit-bite aquatint on Fred Siegenthaler handmade leather paper Museum purchase with funds provided by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund 2005.1834.A,.B

Nutbeam, Claes Oldenburg, Yoko Ono, Peter Voulkos, American, 1924–2002 Grant Wood, American, 1891–1942 Ellsworth Kelly, American, b. 1923 Meret Oppenheim, Sir Roland Penrose, Untitled, 1997 March, 1941 Colored Paper Image II, 1976 Mischa Petrow, Bernard Pfriem, Lil Monotype Lithograph Pulp print Picard, Mel Ramos, Jean Reavy, Nancy Image: 11 7/8 x 9 (30.2 x 22.9) Image: 8 7/8 x 11 7/8 (22.5 x 30.2) Sheet: 45 1/2 x 32 (115.6 x 81.3) Reitkopf, Terry Riley, Robert Rohm, Sheet: 19 3/4 x 15 (50.2 x 38.1) Sheet: 12 x 15 15/16 (30.5 x 40.5) 2006.306 Dominico Rotella, Dieter Roth, William Untitled, 1994 Gift of the Prints and Drawings Schwedler, Paul Steiner, Clovis Trouille, Monotype Subcommittee in memory of Mary Nesbit * * * Bernar Venet, Diane Wakoski, Robert Image: 11 7/8 x 9 (30.2 x 22.9) Tausend and in honor of Jack Tausend Watts, H. C. Westermann, Hannah Sheet: 20 1/8 x 15 1/16 (51.1 x 38.3) 2006.301 Samuel Chamberlain, American, Wiener, Larry Wiener, Princess Winifred, Gifts of Sara S. Morgan 1895–1975 La Monte Young, and Marian Zazeela 2005.1878, 2005.1879 The following works are bequests of Salamanca Cathedral, c. 1920s Mixed media Robert H. Wilson, Jr.: Etching Dimensions vary Terrell James, American, b. 1955 Plate: 10 7/8 x 7 1/8 (27.6 x 18.1) Gift of Susan Lorence Tellus 2, from Guadalupe Mountains, 2004 Lawrence Calcagno, American, Sheet: 12 3/4 x 9 7/8 (32.4 x 25.1) 2005.1836.1–.6 Monotype 1913–1993 Bequest of Edward B. Mayo Image: 43 1/4 x 29 1/8 (109.9 x 74) Untitled, 1949 2006.369 Victor Vasarely, French, b. Hungary, Sheet: 50 1/2 x 36 1/8 (128.3 x 91.8) Lithograph 1908–1997 Gift of the artist in honor of Bettie Image: 14 7/8 x 10 3/4 (37.8 x 27.3) Pablo Picasso, Spanish, 1881–1973 Planetary Folklore Participations No. 1, Cartwright and Colin Kennedy Sheet: 19 1/8 x 12 3/4 (48.6 x 32.4) L’Autruche, from Buffon’s Histoire c. 1969 Tellus 3, from Guadalupe Mountains, 2004 2006.302 Naturelle, 1936 Mixed media with polystyrene and steel Monotype Aquatint and etching, proof before 20 x 20 x 1 (50.8 x 50.8 x 2.5) Image: 43 1/8 x 29 1/8 (109.5 x 74) Jean Dubuffet, French, 1901–1985 steel facing Gift of Manfred Heiting Sheet: 50 3/8 x 36 (128 x 91.4) Exaltador, from Présences fugaces, 1973 Plate: 16 1/2 x 13 1/2 (41.9 x 34.3) 2005.1838 Gift of the artist in honor of Alison Lithograph in colors Sheet: 17 3/8 x 14 1/4 (44.1 x 36.2) de Lima Greene Image: 19 3/4 x 13 3/8 (50.2 x 34) Gift of Frances and Peter C. Marzio Marylyn Dintenfass, American, b. 1943 2006.186, 2006.187 Sheet: 30 x 22 7/8 (76.2 x 58.1) 2006.373 Good & Plenty Solo 14, 2003 2006.303 Monotype Sherrie Levine, American, b. 1947 Trenton Doyle Hancock, Plate: 23 7/8 x 23 3/4 (60.6 x 60.3) Cathedral I, from Cathedrals, 1996 Robert Rauschenberg, American, b. 1925 American, b. 1974 Sheet: 31 5/8 x 31 7/8 (80.3 x 81) Inkjet print Untitled, c. 1960s The Ossified Theosophied Gift of John Driscoll Image: 24 x 17 15/16 (61 x 45.6) Lithograph in colors The complete portfolio comprising 2005.1867 Sheet: 33 7/8 x 27 3/4 (86 x 70.5) Sheet: 38 x 34 (96.5 x 86.4) 8 etchings in colors, 2005 Gift of Devin Borden and Hiram Butler 2006.304 Plate and sheet sizes vary in honor of Theodore J. Lee and Marc Gifts of Michael A. Caddell and A. Sekula Michael Ray Charles, American, b. 1967 Cynthia Chapman 2006.300 Join the Band, from Forever Free, 1995 2006.387.1–.8 Screenprint Sheet: 46 1/2 x 30 (118.1 x 76.2) 2006.305 51 Accessions

Man Ray (b. Emmanuel Rudnitzky), Jeff R. Dunas, American, b. 1954 American, 1890–1976 Checkerboard Lounge, Chicago, Illinois, André Breton, 1930 1997 Rayograph, 1927 Given in honor of Lynda Transier, Kiki, Noire et Blanche, 1926 The Manfred Heiting Collection Nancy Cunard, 1926 2002.3020 2002.270, 2002.1576, 2002.1577, 2002.1579 Rodney Smith, American, b. 1947 Daniel in Live Oak Tree with Fog No 1, André Kertész, American, b. Hungary, Pebble Beach, 1998 1894–1985 Given in honor of her husband, Fork, 1928 James R. Crane Distortion #40, Paris, 1933 2006.60 2002.1423, 2002.1425 The following works are gifts of the El Lissitzky, Russian, 1890–1941 estate of Caroline Wiess Law, Dziga Vertov-Kino Auge, 1929 The Manfred Heiting Collection: Pelikan Tinte, 1924 2002.1549, 2002.1550 Berenice Abbott, American, 1898–1991 Fifth Avenue, # 4, 6, 8, Manhattan, from László Moholy-Nagy, American, the series Changing New Yo r k , 1936 b. Austria-Hungary, 1895–1946 2002.507 Fotogramm, 1926 Kameraloses Fotogramm, 1926 Helen Levitt, American, b. 1918 2002.1691, 2002.2886 Street Urchins, New York, 1942 2002.1537 Albert Renger-Patzsch, German, 1897–1966 Alfred Stieglitz, American, 1864–1946 Das Bäumchen, c. 1927 From the Shelton Building, Looking West, 2002.1924 1935–36 2002.2366 Alexander Rodchenko, Russian, 1891–1956 Edward Weston, American, 1886–1958 Mother, 1924 Armco Steel, 1922 Mother, 1924 Palladium photograph Photography Vladimir Vladimirovitch Mayakovski, 2002.2635 1924 The works listed here are of various sizes. 2002.1987, 2002.1986, 2002.1989 The following works are gifts of Unless otherwise stated, all are gelatin silver James Edward Maloney, photographs. Names of Japanese photogra- August Sander, German, 1876–1964 The Manfred Heiting Collection: phers are published according to Japanese Painter [Heinrich Hoerle], from Group 5, convention, with the surname listed first. The Artists; Portfolio 33, The Painter, Bill Brandt, British, b. Germany, People of the 20th Century, 1928 1904–1983 The following works are museum 2002.2098 March, 1952, 1952 purchases with funds provided by Given in honor of Joan Morgenstern the Caroline Wiess Law Accessions Paul Outerbridge, American, 1896–1958 and Clinton T. Willour Endowment Fund, The Manfred Images de Deauville, c. 1936 2002.696 Heiting Collection: Carbro photograph 2002.3165 Helen Levitt, American, b. 1918 Eugène Atget, French, 1857–1927 New York, 1940 Coin du Quai Bourbon, 1923 The following works are gifts of 2002.1538 Versailles —l’hiver, 1922 Franci Neely Crane: Gold-toned printing-out paper The following works are from the Julia Margaret Cameron photographs Brassaï, French, b. Hungary, 1899–1984 Target Collection of American Sir John Frederick William Herschel, 1867 2002.223, 2002.230 L’Armoire à Glace, Rue Quincampoix, Photography, gift of Target Stores, Albumen photograph Gift of the Stanford and Joan Alexander Paris, c. 1932 The Manfred Heiting Collection: Foundation in honor of Ben and Margaret Dora Maar, French, 1907–1997 The Manfred Heiting Collection Love, The Manfred Heiting Collection Le Guitariste aveugle, c. 1932 2002.237 Philip-Lorca diCorcia, American, b. 1953 2004.337 2002.265 Los Angeles, 1998 Chromogenic photograph 2002.887

52 Accessions

William Eggleston, American, b. 1939 Duane Michals, American, b. 1932 Robert Bourdeau, Canadian, b. 1931 August Sander, German, 1876–1964 Untitled, from the series Graceland, 1983 Art Dealer without a Gallery, 1970 Pennsylvania, U.S.A., 1996 High School Student, from Group 6, The Dye transfer photograph Robert Duval, 1966 2002.2989 City; Portfolio 40, City Youth, People of 2002.924 Tennessee Williams, 1966 the 20th Century, 1926 Henri Cluzot, 1968 Liza Ryan, American, b. 1965 Given in honor of Clinton T. Willour, Lynn Davis, American, b. 1944 Robert Rauschenberg, 1963 Solar Eclipse, 1936 The Manfred Heiting Collection Sun Set / Ocean, 1990s Claes Oldenburg, 1971 Chromogenic photographic triptych 2002.2096 2002.3017 Andy Warhol, 1958 2002.3033.A–.C Joe Dellasandro, 1971 Julia Margaret Cameron, English, Vera Lutter, German, b. 1960 Rene Magritte, 1965 Terry Braunstein, American, b. 1942 b. India, 1815–1879 Gramercy Park, New York, 1997 Self-Portrait as a Devil, 1972 Censored Dreams, 1994 Sir John Frederick William Herschel, 1867 2002.3099 All from the portfolio Mixed media Albumen photograph Duane Michals —10 Fotografien 2002.3173 Given in honor of Ben and Margaret Herb Ritts, American, 1952–2002 2002.2017.1–.10 Love, The Manfred Heiting Collection Earvin “Magic” Johnson, Hollywood, 1992 The following works are gifts of 2004.337 2002.3184 Holger Trülzsch, German, b. 1939 Sara Morgan, The Manfred Heiting and Vera von Lehndorff (Veruschka), Collection: * * * * * * German, b. 1942 Abgebröckelte Mauer, 1978 Josef Sudek, Czech, 1896–1976 Josef Sudek, Czech, 1896–1976 Walker Evans, American, 1903–1975 Eisenpfeiler mit Abflussrohr I, 1978 Untitled, from the cycle Labryrinths of White Rose Bud, 1954 Terra Cotta Head, Nigeria, Court of Eisenpfeiler mit Abflussrohr II, 1978 Glass, 1963–72 Gift of Howard Maisel, The Manfred Benin, Ife Peoples, 1936 Installationrohr durch einen Kopf Bread, Egg, and Glass, 1950 Heiting Collection Bequest of Molly Kay Brooks and gift geschlagen, 1978 Untitled, from the cycle The Window of 2002.2021.1 of Manfred Heiting, The Manfred Eisentor verriegelt, Mennige I, 1978 My Atelier, 1940–54 Heiting Collection Eisentor verriegelt, zur Elbeseite, 1978 Untitled, from the cycle A Walk in the Josef Sudek, Czech, 1896–1976 2002.1004 Abgeschlagene Mauerstelle über Magic Garden, 1954–59 My Studio, 1951–54 Elektrizitätskasten, 1978 Walk on Kampa Island, 1947 Gift of Mr. and Mrs. W. Temple The following works are gifts of Eisenträger mit Steckkontakt und Walk on the Bank of the Elbe, 1960 Webber III in honor of their children, Bill and Sara Morgan in honor of Lichtschalter I, 1978 Landscape in Middle Bohemia, 1964 Will, Sarah Chase, and John; The Catherine Asher Morgan, Eisenträger mit Steckkontakt und Untitled, from the cycle Labyrinths of Manfred Heiting Collection The Manfred Heiting Collection: Lichtschalter II, 1978 Glass, 1963–72 2002.2398 Eisenträger mit Wasserrohr und 2002.2021.2–5. 7–.10 Christine Felton, American Elektrokabeln, 1978 Reinhart Wolf, German, b. 1930 Self-Portrait, 1996 Eisentor verriegelt, Mennige, 1978 Frederick Sommer, American, China, 1984 Chromogenic photograph Dye transfer photographs b. Italy, 1905–1999 Chromogenic photograph 2002.1038 2002.2022.1–.11 Paracelsus, 1959 Gift of W. Burt Nelson, The Manfred Cut Paper, 1981 Heiting Collection David Hockney, English, b. 1937 Sandy Skoglund, American, b. 1946 2002.2311, 2002.2323 2002.2723 Nude, 17th of June, Los Angeles, 1984 Breathing Glass, 2000 Chromogenic photographic collage, in Chromogenic photograph * * * Attributed to Anatoly Zhivago, Russian artist frame 2002.2286 Dance Study at Studio Inna 2002.1308 Mario Giacomelli, Italian, 1925–2000 Chernevskaya, 1922–28 Thomas Struth, German, b. 1954 Io non ho mani che mi accarezzino il viso Gift of Margot D. Leonard, Michael Kenna, British, b. 1953 House on Weissenburg Street/Geisberg Way (I don’t have hands that stroke my face), The Manfred Heiting Collection The Rouge, Study 90, Dearborn, Michigan, (Haus an der Weissenburgstrasse/ 1962–63 2002.2920 1995 Geisbergweg), from the series Gift of Mark L. Tompkins, 2002.1412 A Projection for Münster, 1987 The Manfred Heiting Collection Anatoly Zhivago, Russian Highrise Goerdeler Street/Rothenburg 2002.1142 Dance Study at Studio Inna Annette Messager, French, b. 1943 (Hochhaus Goerdelerstrasse/Rothenburg), Chernevskaya, 1922–28 Untitled, from the series My Trophies from the series A Projection for Münster, The following works are gifts of Gift of Margaret Cooke Skidmore in (Mes trophées), 1986–88 1987 the Stanford and Joan Alexander honor of the Museum Guild, 2002.1651 Garten Street (landscape organization)/ Foundation, The Manfred Heiting The Manfred Heiting Collection Old Stone Way (City Library) Collection: 2002.2940 László Moholy-Nagy, American, b. (Gartenstrasse (Landschaftsverband)/ Austria-Hungary, 1895–1946 Alter Steinweg (Stadtbibliothek)), from Paul Outerbridge, American, 1896–1958 Marseilles Pont, 1920s the series A Projection for Münster, 1987 Standing Nude, c. 1935 2002.1688 Wolbecker Street/Harsteberg (Wolbecker Carbro photograph Strasse/Harsteberg), from the series A 2002.1779 Sarkis, French Projection for Münster, 1987 Four untitled images from the 2002.2379.1, .2, .5, and .6 portfolio Studio 666, 1978–82 2002.2012.9–.12 53 Accessions

The following works are gifts of The View of the Roman Forum from the David Octavius Hill, Scottish, 1802–1870 Jeanie Wilson and Annie Linton, Brown Foundation, Inc., The Manfred Capitoline Hill, Looking East, 1860–69 and Robert Adamson, Scottish, 1821–1847 Newhaven, c. 1843 Heiting Collection: Albumen photograph David Octavius Hill, R.S.A., 1840–49 Salted paper photograph Arch of Constantine and the Meta Sudans Photogravure The Porthole (Seargeant and Private of the Count Olympe-Clemente Aguado de Fountain, 1860s Master Miller (Jimmy Miller, Son of 42nd Gordon Highlanders, Edinburg Las Marismas, French, 1827–1894 Albumen photograph Professor James (or Hugh) Miller, Castle), 1846 Paysage à l’Étang, after 1856 Fleurs photographiées d’après nature Geologist), 1843 Salted paper photograph Albumen photograph [roses], 1854 Salted paper photograph Dr. Alexander Munro, Professor of L’Île des Ravageurs, Meudon, c. 1855 Albumen photograph Group of Three —(The Sculptor) James Anatomy at Edinburgh University, 1843–44 Photolithograph Still Life with Wild Fowl, 1865 Fillan and Family, 1840–49 Salted paper photograph 2004.207, 2004.208 Carbon photograph Photogravure Sir Francis Grant, P.R.A., 1840–49 2004.320–2004.323, 2004.325, 2004.328, Untitled (woman with eyeglasses), 1840–49 Photogravure Thomas Annan, British, 1829–1887 2004.329 Photogravure Miss Matilda Rigby, 1843 Close, No. 136, Saltmarket, 1868 Newhavens Fishwives, 1840–49 Salted paper photograph Albumen photograph Napoleon Sarony, American, Photogravure Robert Stephan Rintoul, 1840–49 2004.224 b. Canada, 1821–1896 Miss Matilda Rigby, 1843 Photogravure Sarah Bernhardt, c. 1898 Salted paper photograph John Gibson, R.A., 1840–49 Charles Aubry, French, 1811–1877 Albumen photograph The Bird Cage, 1840–49 Photogravure Flower Study, 1860 2004.331 Photogravure Robert Haldane, 1840–49 Flower Study, 1860 William Henning and Alexander Photogravure Albumen photographs Étienne Carjat, French, 1828–1906 (Handyside) Ritchie, 1840–49 Anna Brownell Jameson, 1840–1849 2004.231, 2004.232 Charles Baudelaire, 1862 Photogravure Photogravure Albumen photograph Dr. Alexander Munro, 1840–49 Mrs. Rigby (Mother of Lady Eastlake), Hippolyte Bayard, French, 1801–1887 2004.344 Photogravure 1840–49 Paris, the Louvre, 1849 Girl in Straw Hat —Miss McCandlish, Photogravure Salted paper photograph Jean-Louis-Marie-Eugène Durieu, French, 1840–49 Summer Afternoon, Master John Hope 2004.289 1800–1874, and Photogravure Finlay, c. 1845 Eugène Delacroix, French, 1798–1863 The Minnow Pool—The Findley Children, Salted paper photograph Felice Beato, British, 1825–1903 Nude Study of a Girl, 1854 1840–49 Miss Rigby, 1840–49 Untitled, c. 1868 Albumen photograph Photogravure Photogravure The Captured Fort and Cavalier Showing 2004.430 The Letter (Marion Finlay, Mrs. Margaret Rev. Dr. James John Julius Wood, 1843 the Sea Face, Fort Taku, China, c. 1860 (Dryburgh) Lyall and Mrs. Grace Salted paper photograph Satsuma’s Palace, Yedo (now Tokyo), 1865 Roger Fenton, English, 1819–1869 (Finlay) Ramsay), 1843–47 Spencer Josua Aleyne Compton —2nd Temple of Kamakura, c. 1868 Head of the Harbor, Balaklava, 1855 Salted paper photograph Marquis of Northampton, 1840–49 Group of Japanese Customs House Officers, Salted paper photograph John Ban MacKenzie (1796–1858), Piper to Photogravure 1865 Tiberius, from the series The British the Marquis of Breadalbane and the Fisherlassies, Mrs. Logan and Two Albumen photographs Museum, 1857 Highland Society, 1844 Unknown Women, Newhaven, 1843–44 2004.295–2004.299 Salted paper photograph Salted paper photograph Salted paper photograph Cattle and Carts, Leaving Balaklava, 1855 Greyfriars’ Churchyard, Mylne’s 2004.484–2004.506, 2004.508–2004.521 August Belloc, French, 1801–c. 1868 Salted paper photograph Monument, c. 1846 Untitled, c. 1855 Portico Lindisfarne Abbey, c. 1856 Salted paper photograph Victor Hugo, French, 1802–1885 Salted paper photograph Salted paper photograph Bonaly Towers (Group includes John and Auguste Vacquerie, French, 1819–1895 Nude Study, 1865 Entrance Tower, Haddon Hall, 1858 Henning, Mrs. Cockborn, Lord Cockborn, Madame Victor Hugo, c. 1853 Albumen photograph Albumen photograph Mrs. Cleghorn, and D. O. Hill), c. 1846 Count Teleki, c. 1853 2004.304, 2004.305 Haddon Hall, the South Court, 1857–58 Salted paper photograph Auguste Vacquerie, c. 1853 Albumen photograph Finlay of Colosay (Deerstalker in the Salted paper prints from paper negatives Amélia Bergner, American General Bosquet’s Quarters Looking employ of Campbell of Islay), 1843–44 2004.528–2004.530 Photogram, 1860s Towards Mackenzie Farm, 1855 Salted paper photograph Albumen photograph Salted paper photograph David Octavius Hill at the Gate of Robert Andrey Osipovich Karelin, Russian, 2004.307 2004.448–2004.454 Adamson’s Studio, the Rock House, 1843 1837–1906 Salted paper photograph A Boy Studying, from the album Adolphe Braun, French, 1812–1877 André Giroux, French, 1801–1879 Lady Ruthven (Woman from Rear), Real Life Photographs, 1870 Flower Study, 1854–55 Roman Theater, Arles, 1856 1840–49 Albumen photograph Carbon photograph Albumen photograph Photogravure 2004.533 Temple of Mars Ultor and Arco Dei Patini 2004.466 Lady in Flowered Dress, 1840–49 Seen from the Forum of Augustus, c. 1858 Photogravure Gertrude Käsebier, American, 1852– 1934 Albumen photograph Nicholaas Henneman, Dutch, 1813–1898 Lady in Black, 1840–49 Cornelia Montgomery, 1896 “Le Colonnacce” in the Forum of Nerva, The West Facade of Westminster Abbey, Photogravure Platinum photograph c. 1858 The Pencil of Nature, 1843 Miss Jane Binney (Later Mrs. James 2004.534 Albumen photograph Salted paper photograph We bste r), 1843 2004.482 Salted paper photograph

54 Accessions

August Kotzsch, German, 1836–1910 Sir William John Newton, British, Apples, 1870 1785–1869 Albumen photograph Burnham Beeches (Version II), c. 1853 2004.543 Salted paper print 2004.627 Jean Baptiste Gustave Le Gray, French, 1820–1884 Timothy H. O’Sullivan, American, Colonnade sur la façade nord du temple de b. Ireland, 1840–1882 Philae, c. 1860 Black Canyon, Colorado River, Looking Albumen photograph Below from Big Horn, from the portfolio Chapel Tent, Imperial Quarters, from the Wheeler Explorations in Nevada and series Souvenirs du Camp de Chalons, 1857 Arizona, 1871 Albumenized salted paper photograph Wall in the Grand Canyon, Colorado Hôtel des Invalides, c. 1857 River, 1871 Albumenized salted paper photograph Albumen photographs Cavalry Maneuvers, from the series 2004.628, 2004.629 Souvenirs du Camp de Chalons, 1857 Albumenized salted paper photograph William H. Rau, American, 1855–1920 Zouave Dancing, from the series Shawanese Lake, Lehigh Valley Railroad, Souvenirs du Camp de Chalons, 1857 Pennsylvania, 1885 Albumenized salted paper photograph Albumen photograph Zouave at Card Play, from the series 2004.634 Souvenirs du Camp de Chalons, 1857 Albumenized salted paper photograph Henri-Victor Regnault, French, 1810–1878 Cavalry Maneuvers, from the series Sèvres, la Seine à Meudon, from the Souvenirs de Camp Chalons, 1857 portfolio Études et Paysages, 1852–53 Albumenized salted paper photograph Salted paper photograph Carleton Emmons Watkins, American, Peninsula near Naples, 1849–50 2004.635 1829–1916 Salted paper photograph Down the Valley, Yosemite, Cathedral La Flotte Hollandaise au Helder, 1857 Oscar Gustave Rejlander, British, Rocks, El Capitan, Yosemite, 1865–66 Albumen photograph b. Sweden, 1813–1875 Amablis, Mariposa Grove, 1865 The Obelisk, 1857 Young Boy, 1854 Albumen photographs Albumenized salted paper photograph Albumen photograph 2004.789, 2004.790 Le Pavé de Chailly, 1856–57 Apley, near Bridgeworth, 1854 Salted paper photograph Salted paper photograph Anna Atkins, British, 1799–1871 2004.562, 2004.566, 2004.567, 2004.636, 2004.637 Pteris Aquiline, 1851 2004.569–2004.572.A,.B, Cyanotype 2004.574–2004.576, 2004.578 William Henry Fox Talbot, British, 2004.2133 1800–1877 Jean-Louis-Henri Le Secq des An Aged Evergreen Tree at Mont Edgcumbe, * * * Tournelles, French, 1818–1882 1843 Vièrges Folles, Cathédrale de Strasbourg, 1851 West Front, York Minster, from Lendal Gioacchino Altobelli, Italian, 1814–c. 1878 Salted paper photograph Street, c. 1844 The Castle and Bridge of St. Angelo, View 2004.579 The Bridge of Sighs, St. John’s College, from the Tiber, c. 1865 Cambridge, 1840–44 Albumen photograph Étienne-Jules Marey, French, 1830–1904 Articles of Glass, from the series Gift of Giorgio and Cathy Borlenghi, Arab Horse Gallop, 1887 The Pencil of Nature, 1844 The Manfred Heiting Collection 2004.587 A Hydrangea Bush in Flower, 1843 2004.218 The Bridge of Orleans, 1843 Nadar (b. Gaspard Félix Tournachon), The Bridge of Orleans, 1843 French, 1820–1910 with Nicholaas Henneman, British, Gustave Doré, 1860–61 b. Netherlands, 1813–1898 Salted paper photograph The Fruit Sellers, A Group at Lacock Abbey, 2004.611 1843 Maripol Salted paper photographs M [Madonna, c. 1983; Grace Jones, 1984; Anna Shroeder, 1980; Teri Toye, 1982; Charles Nègre, French, 1820–1880/81 2004.687–2004.690, Maripol, 1978; Keith Haring & Debi Mazar, Marseille, 1851 2004.692–2004.695 1985; Lisa Rosen, 1980; Jean-Michel Salted paper photograph Basquiat, 1980; Deborah Harry, 1981], 1978–85 2004.622 Inkjet photograph Gift of Nina and Michael Zilkha 2005.1049

55 Accessions

The following works are museum Tommaso Cuccioni, Italian, c. 1790–1864 André-Adolphe-Eugène Disdéri, French, Aerial View, Camp de Chalons, from the purchases with funds provided by Arch of the Silversmiths, 1856 1819–1889 series Souvenirs du Camp de Chalons, 1857 the Brown Foundation Accessions East Frieze, Temple of Antoninus and Marquis Arconati, 1860 Albumenized salted paper photograph Endowment Fund, The Manfred Faustina, c. 1858 Albumen photograph Mediterranean with Mountain Adge, Heiting Collection: Arch of Septimius Severus Seen from the 2004.400 1856–59 Roman Forum, c. 1859 Albumen photograph James Anderson (pseudonym of Isaac Trajan’s Column in the Forum of Trajan, Maxime Du Camp, French, 1822–1894 La Vague Brisée —Mer Méditerranée, No. 15, Atkinson), British, 1813–1877 c. 1855 Printed by Blanquart-Evrard, French, 1856–59 Forum Trajanum with Trajan’s Column, Baths of Caracalla, c. 1855 1802–1872 Albumenized salted paper photograph Rome, c. 1855 View of the Roman Forum towards the Thèbes–Palais de Karnak, from the port- Tree, Forest of Fontainebleau, c. 1856 Albumenized salted paper photograph Capitoline Hill, Looking West, 1855 folio Egypte, Nubie, Palestine et Syrie, 1850 Albumenized salted paper photographs Laocoön, 1855 Albumen photographs Maison et Jardin dans le Quartier Frank, 2004.563–2004.565.A–.C, 2004.568, Salted paper photograph 2004.364–2004.369 from the portfolio Égypte, Nubie, 2004.573, 2004.577 The Forum of Trajan, with Trajan’s Palestine et Syrie, 1850 Column and the Church of Santa Maria Louis-Alphonse Davanne, French, Thèbes. Medinet Habou, Façade Robert Macpherson, English, 1811–1872 di Lareto, c. 1865 1824–1912 Septentrionale du Gynécée de Ramsès Palace of the Caesars on the Palatine Hill, Albumenized salted paper photograph Tre e Study, 1862 Meiamoun, 1850 c. 1855 2004.219–2004.221 Albumen photograph Salted paper photographs Villa Borghese, 1860s 2004.380 2004.425–2004.427 Piazza del Popolo, Rome, 1854 Edouard-Denis Baldus, French, 1815–1882 Road to Tivoli, 1857 Palais Royal, c. 1856 Gustave de Beaucorps, French, 1825–1906 Peter Henry Emerson, English, The Falls of Terni, Tivoli, c. 1867 Salted paper photograph Ruines de Mansourah près de Tlemcen, 1857 b. Cuba, 1856–1936 Albumen photographs 2004.253 L’Escurial, 1859 The Fringe of the Marsh, from the series 2004.580–2004.584 Paestum —Temple de Céres ou de Vesta, 1857 Life and Landscape on the Norfolk Broads, Julia Margaret Cameron, English, Albumen photographs c. 1885 Étienne-Jules Marey, French, 1830–1904 b. India, 1815–1879 2004.381–2004.383 Platinum photograph Movements in Pole Vaulting, c. 1890 Rosalba (Cyllene Wilson), 1867 2004.432 2004.586 Joseph Joachim, 1868 Louis-Constantin-Henri François Xavier Alfred Tennyson, The Dirty Monk, 1865 De Clercq, French, 1836–1901 Frederick H. Evans, English, 1853–1943 Eadweard Muybridge, English, 1830–1904 William Michael Rosetti, 1865 Kalaat-El-Markab (Margat), Salles des Tithe Barn at Great Cockeswell Cap of the Liberty —Valley of Yosemite, 1872 Matthew Arnold, 1868 Chevaliers, 1859 (Coxwell), 1896 Albumen photograph Alfred Tennyson, 1865 Karnac —Deux Obélisques, from the Platinum photograph 2004.608 Mrs. Herbert, 1867 album Voyage en Orient, 1859–60 2004.441 Joseph Joachim, with Violin, 1868 Karnac —Grande Porte d’Entrée devant Nadar (b. Gaspard Félix Tournachon), Albumen photographs laquelle se trouve la Grande Allée de Francis Frith, English, 1822–1898 French, 1820–1910 2004.335, 2004.336, 2004.338–2004.343 Sphinxes, from the album Voyage en The Pyramids of Dahshoor, from the East, George Sand, 1864 Orient, 1859–60 1857 Albumen photograph Alvin Langdon Coburn, British, Medinet-Abou, Restes d’un temple Albumen photograph Alexandre Dumas père, 1855 b. United States, 1882–1966 nouvellement déblayé, from the album 2004.458 Salted paper photograph Untitled, 1902 Voyage en Orient, 1859–60 2004.612, 2004.613 Photogravure Baalbeck (Heliopolis)—Intérieur du Attributed to Jean-Jacques Heilmann, 2004.353 Temple de Jupiter, from the album French, 1822–1859 Louis-Rémy Robert, French, 1811–1882 Voyage en Orient, 1859–60 Village Road, French Pyrenees, 1852 Tree Study at Saint-Cloud, 1851 Eugene Colliau, French, active 1850s–1860s Madrid —Musée de Peinture, 1859 Salted paper photograph Waxed paper negative Marine instantanée: rentrée au port de Séville —Façade Latérale de la 2004.481 Tree Study at Saint-Cloud, 1851 Boulogne, 1859 Cathédrale, from the album Voyage en Salted paper photograph Marine instantanée: Le voilier, 1859 Orient, 1859–60 David Octavius Hill, Scottish, 1802–1870 2004.640, 2004.641 Albumen photographs Edfou—Colonnade Intérieure, from the Robert Adamson, Scottish, 1821–1847 2004.355, 2004.356 album Voyage en Orient, 1859–60 Byrne, the Blind Irish Harper, 1845 Tripoli, from the album Voyage en Orient, Salted paper photograph 1859–60 2004.507 Albumenized salted paper photographs 2004.384–2004.392 Jean Baptiste Gustave Le Gray, French, 1820–1884 Robert (Leon) Demachy, French, L’Escaut, c. 1860 1859–1936 Albumenized salted paper photograph Nude Study, 1880 Guards behind Breastwork, Cavalry Albumen photograph Maneuvers, from the series Souvenirs du 2004.399 Camp du Chalons, 1857 Albumenized salted paper photograph

56 Accessions

James Robertson, British, 1813–1888 Photography on the Common, Waiting for a Carleton Emmons Watkins, American, Henri Cartier-Bresson, French, British Army Huts, from the series Hire, 1876 1829–1916 1908–2004 Crimea, 1855 Public Disinfectors, 1876 Cape Horn, Columbia River, Oregon, 1867 In a Déportée Camp, a Gestapo Informer Is Albumen photograph Street Doctor, 1876 Albumen photograph Recognized by a Woman She Has Valley of the Shadow of Death, from the Covent Garden Flower Women, 1876 2004.788 Denounced: Dessau, Germany, 1945 series Crimea, 1855 The “Wall Worker,” 1876 Gift of The Michael and Patti Morgan Albumen photograph The Seller of Shell-Fish, 1876 * * * Philanthropic Fund of the Greater Temple of Theseus, Athens, 1854 Street Advertising, 1876 Houston Community Foundation, Salted paper photograph Italian Street Musician, 1876 Hippolyte Bayard, French, 1801–1887 Leland and Carolyn Putterman, Howard H.M.S. Queen’s Quarterdeck, from the Tickets, The Card Dealer, 1876 Untitled, c. 1847, print c. 1979 and Beverly Robinson, Russ and Leslie series Crimea, 1855 Mush Fakers and Ginger Beer Makers, 1876 Gift of Laurie and Dale Smith in honor Robinson, and Stuart and Jane Weil Albumen photograph The Dramatic Shoe-Black, 1876 of the 25th wedding anniversary of 2005.363 Scene in Bulgaria near Baltshik, 1855 London Cabman, 1876 David and Lynette Pate, The Manfred Albumen photograph with applied color Sufferers from the Floods, 1876 Heiting Collection The following works are gifts of 2004.645–2004.647, 2004.649, 2004.651 The Independent Shoe-Black, 1876 2004.273 Joan Morgenstern: Recruiting Sergeants at Westminster, 1876 Albert Rudomine, French, b. Russia, Woodburytypes from the series Street Hippolyte Bayard, French, 1801–1887 Ralph Eugene Meatyard, American, 1892–1975 Life in London Untitled, c. 1845, print c. 1979 1925–1972 Untitled, 1910s 2004.699–2004.734 Gift of Frances Carter Stephens in Lexington, Kentucky, 1955 Untitled, 1910s honor of Nicholas C. Stephens, Given in memory of Martin Luther Untitled, 1910s John Thomson, Scottish, 1837–1921 The Manfred Heiting Collection King, Jr., The Manfred Heiting Collection 2004.656–2004.658 The Slope of the Hill, Westward, Hong 2004.274 2002.1644 Kong, from the portfolio China and Its Scherer & Nabholz, Austrian, People, 1868 The following works are gifts of Beth Block, American, b. 1968 active 1870s Albumen photograph Anne H. Bushman: Rippled Sky, Brooklyn, 2001 Bridge and Path through the Woods, 2004.735 Wonder Wheel, Brooklyn, 2001 Private Estate, Russia, 1870 Auguste-Rosalie Bisson, French, Golf Course, Staten Island, 2002 Varnished albumen photograph Adrien Tournachon, French, 1825–1903 1826–1900 Chromogenic photographs 2004.662 Meg-Merrillies, 1856 View of the Roman Forum towards the All given in honor of Daphne Scarbrough Salted paper photograph Capitoline Hill, Looking West, 1860 2005.367, 2005.368, 2005.1488 William Henry Fox Talbot, British, 2004.739 Albumen photograph 1800–1877 Given in honor of Sue and Rob Bushman, Toni Frissell, American, 1907–1988 Trees and Reflections, The Lake, Lacock Attributed to Adrien Tournachon, The Manfred Heiting Collection Branding, King Ranch, 1939–44 Abbey, 1842 French, 1825–1903 2004.315 Given in honor of Ike and Esther Hirsch The Nelson Column in Trafalgar Square and Dr. Guillaume-Benjamin-Amand 2005.369 under Construction, 1843 Duchenne de Boulogne, French, Chen Changfen, Chinese, b. 1941 Salted paper photographs 1806–1875 Beijing Jie, Beijing, 1999 Kevin Kwan, Singaporean, b. 1973 2004.686, 2004.691 Untitled, from the series Photographies Inkjet photograph on rice paper Rubicon No. 14, 2005 Pathologiques, 1854 Beijing Jie, Beijing, 2003 Rubicon No. 15, 2005 John Thomson, Scottish, 1837–1921 Albumen photograph 2006.371, 2006.372 Chromogenic photographs The Water-Cart, 1876 2004.740 Both given in honor of Edward Osowski The Cheap Fish of St. Giles’s, 1876 * * * 2005.370, 2005.371 A Convict’s Home, 1876 Unknown Photographer The Temperence Sweep, 1876 The Painter Charles Jelly, 1870 Adolphe Braun, French, 1812–1877 Anderson & Low, British, active Cast Iron Billy, 1876 Albumen photograph Steps Leading up to the Piazza del 1990–present Old Furniture, 1876 2004.769 Campidoglio on the Capitoline Hill, (Jonathan Anderson, British, b. 1961, London Nomads, 1876 1860–69 and Edwin Low, British, b. 1957) Workers on the Silent Highway, 1876 Julien Vallou-de-Villeneuve, French, Albumen photograph Aaron Jackson, Gymnast, USAFA, #1 / The London Boardmen, 1876 1795–1866 Gift of Dolores Russell Goble in honor Gymnastic Squad, USMA #2 Gymnastic Caney the Clown, 1876 Nude Study, c. 1853 of her son Michael McMillan Goble, Squad, USAFA #2, from the series An Old Clothes Shop, Seven Dials, 1876 Burnished salted paper photograph The Manfred Heiting Collection Athlete/Warrior, 2001 Hooky alf—of Whitechapel, 1876 Nude Study, c. 1853 2004.324 2005.372.A,.B Flying Dustmen, 1876 Varnished salted paper photograph Black Jack, 1876 Étude d’après nature, 1853 Eugène Druet, French, 1868–1917 Wyatt Gallery, American, b. 1975 Halfpenny Ices, 1876 Varnished salted paper photograph Eva, Bronze Sculpture by Rodin, 1881, 1898 Courtyard, La Basilica de la Virgenita — Dealers in Fancy Ware, 1876 2004.78–32004.785 Gift of Alice C. Simkins in memory of Higuey, Dominican Republic, 1997 The Street Locksmith, 1876 Alice N. Hanszen, The Manfred Chromogenic photograph, print 2004 The Crawlers, 1876 Heiting Collection Given in honor of the artist Strawberries. All Ripe!, All Ripe!, 1876 2004.424 2005.374 Covent Garden Labourers, 1876 November Effigies, 1876

57 Accessions

Thomas Allen, American, b. 1963 Ray K. Metzker, American, b. 1931 Vojtech V. Slama, Czech, b. 1974 Ranée Palone-Flynn, American Bookend, 2004 Leapin’ zzz, 1982 Untitled, 2004 Dinner Chromogenic photograph Given in honor of Laurence Miller Given in honor of Libby Marvins Chromogenic photograph 2005.1483 2005.1500 2006.216 Given in honor of Peter Hay Halpert 2006.70 Sara Terry, American, b. 1955 Josef Sudek, Czech, 1896–1976 Vojtech V. Slama, Czech, b. 1974 Goldfish for Sale, Capljina, Bosnia- and Ladislov Sutnar, Czech, 1897–1976 Untitled, 2001 Aaron Kamelhaar, American, b. 1962 Herzegovina, March 2004 Untitled, c. 1930 Given in honor of Buz Marvins Untitled, 1996 Serb Cemetery, Visegrad, Bosnia- Given in honor of Ron Shaich 2006.217 Given in honor of Manfred Heiting Herzegovina, May 2003 2005.1501 Untitled, 1992 Inkjet photographs Ken Rosenthal, American, b. 1964 Given in honor of Clinton T. Willour Both given in honor of Simon Norfolk Simon Norfolk, British, b. 1963 Missing #FTN-1, 2006 2006.71, 2006.72 2005.1485, 2005.1487 Untitled Chromogenic photograph Chromogenic photograph Given in honor of Clinton T. Willour Richard Gordon, American, b. 1945 Tracey Snelling, American, b. 1970 Given in honor of the artist 2006.218 Satanic Reverses, 1989–1993 Berta’s Quick Stop, 2003 2006.69 Handmade book with gelatin silver Chromogenic photograph James Hill, English, b. 1967 photographs Given in honor of Robert Borlenghi and Gregory Crewdson, American, b. 1962 Pope John Paul II’s body is brought to the Given in honor of Robert Frank Pan American Art Gallery Beneath the Roses: Production Stills Basilica of St. Peter’s, Rome, April 4, 2005 San Francisco, from the series American 2005.1489 (Brightview #2), 2003 Chromogenic photograph Surveillance, 2004 Chromogenic photograph Given in honor of Denise Fredette Given in honor of Robert Morris Raymond Meeks, American, b. 1963 Given in honor of Jean Caslin 2006.316 2006.73, 2006.74 Insle Lake #2, Burma, 1993 2006.148 Given in honor of Kevin Longino Bastienne Schmidt, German, b. 1961 John Sparagana, American, b. 1958 2005.1490 Benno Friedman, American, b. 1945 Sitting on a Red Daybed, Bridgehampton, Sleeping Beauty No. 16, 2004 Untitled, 2005 NY, from the series Home Still Life, 2004 Hand-fatigued mazagine pages Burt Barr, American, b. 1938 Inkjet photograph Chromogenic photograph Given in honor of Harlow Tighe Rain Piece #3, 1998 Given in honor of James Edward Maloney Given in honor of Edward Osowski 2006.75 Given in honor of Brian Clamp 2006.149 2006.317 2005.1494 Robert C. Bishop, American Siri S. Kaur Keith Calhoun, American, b. 1955 Photographers at Conference, Jerome Hotel, Ruth Bernhard, American, Jane, Berkeley, CA, May 2005 Mother with Child, St. Luke’s Baptist Aspen, CO, 1951 b. Germany 1905 Chromogenic photograph Church, Moonshine Village, 1987 Given in honor of Beaumont Newhall Metropolis, 1934 Given in honor of Pauline Lechenger Given in memory of Charity Lewis 2006.154 Given in honor of Jean Karotkin Morgenstern 2006.319 2005.1495 2006.150 Annette Fournet, American, b. 1953 The following works are gifts of an Cesky Krumlov, Czech Republic, 1994 Robert Doisneau, French, 1912–1994 Michael Kenna, British, b. 1953 anonymous donor: Given in honor of Annette Fournet’s Cour Carrée du Louvre, 1969 Radcliffe Power Station, Study 40, Prague Summer Program Given in honor of Liz Cohen Nottinghamshire, England, 2003 Wyatt Gallery, American, b. 1975 2006.155 2005.1496 Given in honor of Chris Pichler Ansari Mosque, 1998 2006.151 Chromogenic photograph, printed 2004 Unknown Photographer Louis Faurer, American, 1916–2001 Given in honor of Sam Gibson Mugshot Page, 1914 Montage, 1947 Carlos Sanchez, Canadian, b. 1976 2005.373 Given in honor of Nathan and Joan Lyons Given in honor of Howard Greenberg and Jason Sanchez, Canadian, b. 1981 2006.156.A,.B 2005.1497 After the Fire, 2005 Byrd Williams IV, American, b. 1951 Chromogenic photograph Untitled Patricia Sandler, American, b. 1952 Robert Frank, American, 2006.152 Given in honor of Will Michels Family Outcomes; Harry, from the series b. Switzerland, 1924 2005.375 Family Outcomes, 2000 Man on Park Bench, Paris, 1949 Philippe Dollo, French, b. 1965 Inkjet photograph Given in honor of Christian Keesee Untitled Satoru Eguchi, Japanese Given in honor of Wanda Hammerbeck 2005.1498 Given in honor of Jake and Betty Mooney Untitled (Brugge), 2004 2006.165 2006.214 Chromogenic photograph André Kertész, American, Given in honor of Joan and Stanford Unknown Photographer b. Hungary, 1894–1985 Michelle Sank, British, Alexander Untitled, c. 1880s Paris, 1973 b. South Africa, 1953 2005.453 Gelatin silver stereograph Given in honor of Carol Johnston Untitled, from the series Young Careers Given in honor of Clinton T. Willour, 2005.1499 Chromogenic photograph John Dowell, American, b. 1941 Reid Mitchell, and Joan Morgenstern Given in honor of Jackie Fredette 6 Million, 2005 2006.166 2006.215 Inkjet photograph Given in honor of Robert Morris 2005.1478 58 Accessions

Katherine Turczan, American, b. 1965 The following works are gifts of Eugène Atget, French, 1857–1927 Dima, Kiev, Ukraine, 1991 Byrd Williams IV in honor of Parc de Saint-Cloud, c. 1904 Given in honor of Yossi Milo Doris Stiles Williams: Sarcelles Saint-Brice: Eglise, (Val d’Oise), 2006.167 l’Eglise Saint-Pierre, 1904 Byrd Williams I, American, 1848–1932 Ancien Hôtel Masson de Merlay —Rue du Léon Crémière, French, 1831–1913 Young Engineer, Gainsville, TX, 1906 Sentier 32 [Deal & Cie], 1905–10 Pilote, Chien de Saintonge, 1881 2005.1470 Versailles —Un Coin Bassin du Nord, Albumen photograph c. 1901 Given in honor of Edgar Peters Bowron Byrd Williams II, American, 1883–1951 Versailles —Le Parc, c. 1901 2006.168 Printed by Byrd Williams IV, Versailles —Le Parc, c. 1901 American, b. 1951 Gold-toned printing-out paper Louis C. Smith, American Hunters with Kill, 1918 photographs Untitled, October 28, 2005 2005.1472 The Manfred Heiting Collection Given in honor of Will Michels 2004.225–2004.230 2006.211 Byrd Williams III, American, 1913–1986 Intersection, Houston Edouard-Denis Baldus, French, 1815–1882 Vadim Gushchin, Russian, b. 1963 Untitled Tarasco. Viaduct, 1855–56 Books of Leo Tolstoy, from the series 2005.376, 2005.1474 Albumen photograph Library, 2000 Le Nouveau Louvre, Place Napoléon Given in memory of Joe Wheeler Byrd Williams IV, American, b. 1951 [Violet], 1855–56 2006.220 Train Station Salted paper photograph 2005.1476 Palais de Justice, Paris, c. 1856 Rosanna Salonia, Italian, b. 1971 Albumen photograph Puerto Lobos, me, from the series * * * Louvre —Bibliothèque Impériale, Paris, Universi, 2000 1855–56 Gelatin silver photograph coated in Don Donaghy, American, b. 1936 Albumen photograph beeswax Group at President John Kennedy’s Speech, Le Palais du Luxembourg, c. 1856 Given in honor of Sanford and Philadelphia, 1963 Albumen photograph Susie Criner Museum purchase The Tuileries, Paris, 1852–53 Puerto Lobos, she, from the series 2005.377 Albumen photograph Universi, 2000–2006 Gare de Boulogne, Côté de Paris, rom Gelatin silver photograph coated in Amy Blakemore, American, b. 1958 Chemin de fer du Nord Ligne de Paris à beeswax Jude, 2004 Boulogne Vues Photographiques, 1856–59 Given in honor of Joan Morgenstern Chromogenic photograph Salted paper photograph 2006.221, 2006.222 Gift of Steven J. Snook in honor of Gare de Boulogne, Côté de Paris, 1855 Clinton T. Willour Albumen photograph John Szarkowski, American, b. 1925 2005.379 Befroi d’Amiens, Paris, 1855 Winesap from Barn, 1997 Salted paper photograph Given in honor of Mr. and Mrs. The following works are gifts of Aigues-Mortes, 1855–56 S. I. Morris Manfred Heiting: Albumen photograph 2006.308 Chapelle de Saint-Michel d’Aiguilhe, Leopold Ahrendts, German, le Puy, 1854 Rania Matar, Lebanese, b. 1964 active c. 1860s–1870s Salted paper photograph The Dead Mother, Beirut, from the series Königliche Bibliothek, Berlin, c. 1857 Georges d’Ollioules, near Toulon, from the The Veil: Modesty, Fashion, Religion or Salted paper photograph series Paris-Lyon-Méditerranée, 1860 Political Statement?, 2005 Langebruck, Statue Equeitre du Grand Albumen photograph 2006.309 Electeur, Berlin, c. 1860 Château de Polignac, 1853 Albumen photograph Salted paper photograph Camille Solyagua, American, b. 1959 The Manfred Heiting Collection Cour Visconti, Louvre [horizontal], 1855–56 Photogram # 032, 2003 2004.209, 2004.210 Albumen photograph Photogram Louvre —Front toward the Seine, Paris, Given in honor of Annalisa Palmieri 1855–56 2006.353 Albumen photograph Maison Carrée à Nîmes, from the series James Balog Milan Fano Blatny, Czech, b. 1972 Paris-Lyon-Méditerranée, c. 1855 Sequoia “Stagg,” from the series Tree: A New Vision of American Forests Photomandala Zen, 2006 Albumen photograph Chromogenic photograph 2006.354 Pavillon Denon, Louvre, 1855–56 Museum purchase with funds provided by Salted paper photograph Photo Forum 2005 2005.1467 Tour Magne à Nîmes, from the series Paris-Lyon-Méditerranée, 1853 Salted paper photograph

59 Accessions

Cathédrale d’Amiens, Portail principal, 1855 Charles Clifford, English, 1819/1820–1863 Louis-Adolphe-Humbert de Molard, Franz Hanfstaengl, German, 1804–1877 Salted paper photograph Granada. La Alhambra, Sala de Justicea, French, 1800–1874 Der Bildhauer Christian Daniel Rauch, La Ciotat Rucher du Bec de l’Aigle, c. 1860 1862 Farm Hands at Work, 1851 1855 Albumen photograph Glazentra Estremadeon Cattudrue, c. 1860 Salted paper negative Der Maler Johann Friedrich Overbeck, 1855 Le Cloître Saint Trophime, Arles, c. 1861 Burgos Cathedral, 1862 The Manfred Heiting Collection Die Glyptothek in München, 1852–54 Albumen photograph Montserrat, 1856 2004.393 Salted paper photographs Dôme des Invalides, c. 1855 Salamanca, Nord Thor, Galleie Sud, The Manfred Heiting Collection Salted paper photograph 1855–60 Gabriel de Rumine, Russian 2004.476–2004.478 Bateaux à Marée Basse, Boulogne, 1855 Salamanca. Puerta en el Convento de las Stabian Baths, Pompeii, 1858–59 Albumenized salted paper photograph Duenas, 1853 Forum and Basilica, Pompeii, 1858–59 Paul Burty Haviland, American, The Manfred Heiting Collection Albumen photographs Jerusalem. Tombeau de la Vièrge Marie, 1880–1950 2004.233–2004.252, 2004.254–2004.256 The Manfred Heiting Collection 1855–58 Eduard J. Steichen, 1914 2004.346–2004.351 Jerusalem, Portail de l’Église du Saint New York at Night, 1914 Auguste-Rosalie Bisson, French, Sépulcre, 1855–58 Platinum photographs 1826–1900 Alvin Langdon Coburn, British, Jerusalem. Vallée de Josaphat, Tombeaux The Manfred Heiting Collection and Louis-Auguste Bisson, French, b. United States, 1882–1966 de Zacharie et de Josaphat, 1855–58 2004.479, 2004.480 1814–1876 The Dragon, 1903 Albumen photographs Untitled, c. 1855 Gum platinum photograph The Manfred Heiting Collection Rudolf Duhrkoop, German, 1848–1918 Cathedral Entrance, c. 1855 The Manfred Heiting Collection 2004.394–2004.398 Self-Portrait, Berlin, 1912 Monte Rosa, 1860 2004.352 Platinum photograph Ascent of Mont Blanc, from the series Frantiˇsek Drtikol, Czech, 1883–1961 The Manfred Heiting Collection Le Mont Blanc et ses Glaciers, c. 1860 Fannie E. Coburn, American, Augustín Skarda, Czech, 1871–1937 2004.428 Albumen photographs active 1900–1910s Untitled, from Courtyards and Secluded The Manfred Heiting Collection Alvin Langdon Coburn, 1907 Places in Old Prague, 1911 Hugo Erfurth, German, 1874–1948 2004.309–2004.312 Waxed platinum photograph Bromoil transfer photograph Philosopher Hermann Graf Keyserling, 1910 The Manfred Heiting Collection The Manfred Heiting Collection Oil pigment photograph Louis-Auguste Bisson, French, 1814–1876 2004.354 2004.422 The Manfred Heiting Collection Cloister de Moissac, 1859 2004.434 Albumen photograph Eugène Constant, French, active Eugène Druet, French, 1868–1917 The Manfred Heiting Collection 1840s–1870s The Acrobat, 1898 Frank Eugene, American, 1865–1936 2004.313 Temple of Vesta and Fountain in the The Manfred Heiting Collection The Conductor Siegmund von Hausegger, Piazza di Bocca della Verità, 1855–56 2004.423 c. 1908 Auguste-Rosalie Bisson, French, Statue of Marcus Aurelius on the Piazza Gift of Manfred Heiting, The Manfred 1826–1900 del Campidoglio, 1855–56 Léon Gérard, French, active 1850s–1860s Heiting Collection The Temple of Saturn and the Senators’ Piazza Santa Maria Maggiore, 1855–56 Nuremberg —Fontaine en face de L’Église Dr. Emanuel Lasker and Dr. Berthold Palace, c. 1860 View of the Roman Forum towards the St. Laurent, 1857 Lasker, Munich, 1908 Interior of the Cathedral of Saint Ouen, Capitoline Hill, Looking West, 1853 Nuremberg—Maison des Comtes de Platinum photographs Rouen, c. 1855 Arch of Titus, Relief of the Triumph of the Nassau, 1857 The Manfred Heiting Collection Albumen photographs Roman Legion, 1853 Nuremberg, 1857 2004.435, 2004.436 The Manfred Heiting Collection Arch of Titus, Relief of the Triumph of the Nuremberg—Église St. Sebald, Porche 2004.314, 2004.316 Roman Legion, 1853 du Nord, 1857 Frederick H. Evans, English, 1853–1943 Albumen photographs Nuremberg—Place de Marche, 1857 Aubrey Vincent Beardsley, 1894 The Rev. Calvert Richard Jones, Jr., The Manfred Heiting Collection Albumen photographs Photogravure British, 1804–1877 2004.357–2004.362 The Manfred Heiting Collection St. Bartholomew the Great, Smithfield, House of Sallust, Pompeii, 1846 2004.460–2004.464 c. 1912 House of Sallust, Pompeii, 1846 Eugène Cuvelier, French, 1837–1900 Platinum photograph House of Sallust, Pompeii, 1846 Windmill, 1858 John Beasley Greene, American, Steps into Chapter House, Wells Cathedral, Salted paper photographs Salted paper photograph b. France, 1832–1856 1903 The Manfred Heiting Collection Winter Forest, Trees and Rocks, 1860 Montagne et Temple Glusihe, 1853–54 Platinum photograph 2004.332–2004.334 Salted paper photograph Île de Phylae —Temple Hypaetrale, c. 1854 Aubrey Vincent Beardsley, 1894 Church Tower, Arras, 1860 Palais de Medinet Habou, Seconde Cour Photogravure Claude-Joseph-Désiré Charnay, French, Salted paper photograph Foulet, c. 1854 Aubrey Vincent Beardsley, 1894 1828–1915 Untitled, 1863 View of Constantine, Algeria, 1855–56 Platinum photograph La Reine de Mohely, 1863 Albumen photograph Temple Debour, 1854–55 Aubrey Vincent Beardsley, 1894 Albumen photograph Trees and Rocks, 1860 Abu Simbel, 1854–55 Photogravure The Manfred Heiting Collection Albumen photograph Village Ouadi Eaffats, 1854–55 Crépuscule au Printemps, 1900 2004.345 Arras, Les Fortifications, c. 1860 River Bank, North Africa, 1855–56 Platinum photograph Salted paper photograph Vue du Village et du Temple de Kalabuthe, Walter Churchev, 1912 Apple Tree with Barn, 1860 1854–55 Platinum photograph Albumen photograph Salted paper photographs The Manfred Heiting Collection The Manfred Heiting Collection The Manfred Heiting Collection 2004.438–2004.440, 2004.373–2004.379 2004.467–2004.475 2004.442–2004.446 60 Accessions

Paul Henry, French, 1849–1901 A Summer Day (Ein Sommertag), 1898 and Prospère Henry, French, 1848–1902 Gum bichromate photograph Photographie d’une partie de la Lyre, Sun in the Studio (Sonnenbild im Atelier), June 20, 1887 1907 The Manfred Heiting Collection Multiple bromoil transfer photograph 2004.483 Nude in Morning Sun, 1912 Multiple bromoil transfer photograph Jacob Hilsdorf, German, 1872–1916 Morgentoilette (Miss Mary Warner), 1907 Cosima Wagner, 1911 Gum bichromate photograph Self-portrait with Cello, 1908 Lady in Biedermeier Costume (Miss Mary Gerhart Hauptmann, c. 1910 Warner), 1910 Untitled, 1912 Platinum and gum bichromate The Manfred Heiting Collection photograph 2004.522–2004.525 Nude Couple, c. 1908 Gum bichromate photograph Theodor Hilsdorf, German Hans (Artist’s son), c. 1908 Untitled, 1910s Gum bichromate and platinum Platinum photograph photograph The Manfred Heiting Collection Der Bildhauer Professor Hans Perathoner, 2004.526 c. 1910 Platinum and pigment photograph Leopold Hugo, American, 1866–1933 Dame im Reitdress, 1910 Untitled, c. 1912 Gum bichromate photograph Platinum photograph Walther (Artist’s son), c. 1905 The Manfred Heiting Collection Gum bichromate and platinum 2004.527 photograph Hans (Artist’s son), c. 1908 Gertrude Käsebier, American, 1852–1934 Gum bichromate and platinum Mrs. O. E. Davies, 1902 photograph Platinum photograph Karaffe mit Blumen, 1907 The Manfred Heiting Collection Bromoil photograph 2004.535 The Manfred Heiting Collection 2004.545–2004.551, 2004.553–2004.559 Atelier of Georg Koopmann, German, active c. 1910s–1920s Kwonghwa Studio, Chinese, Rue Boucher de la Rue du Rivoli, 1862–65 Volksschule Tieloh, Hofansicht rechte Seite, active c. 1910s Albumen silver photograph 1909 Tchiang Kai Tchek, c. 1910 Uranie. Galerie de L’École des Beaux-arts Volksschule Tieloh, Hofansicht, The Manfred Heiting Collection à Pa ris, 1853 Mitteltrakt, 1912 2004.560 Salted paper photograph Volksschule Tieloh, Seitenansicht, La Forteresse d’Ehrenbreitstein, 1853 Habichtstrasse, 1912 Man Ray (b. Emmanuel Rudnitzky), Salted paper photograph Volksschule Tieloh, Hofansicht, Ruckentrakt, American, 1890–1976 Maison de la Rue de la Tannerie à 1912 Marcel Duchamp, New York, 1916 Abbeville, Habitée par François 1er en 1540, Volksschule Tieloh, Vorderansicht, The Manfred Heiting Collection 1853–54 Teilansicht des Einganges, 1912 2004.585 Salted paper photograph The Manfred Heiting Collection Palais de L’École des Beaux-arts, Paris, 1851 2004.537–2004.541 Charles Marville, French, 1816–1879 Salted paper photograph Le Beau Dieu. Sculpture du Portail The Manfred Heiting Collection Hermann Krone, German, 1827–1916 Septentrional de la Cathédrale de Reims, 2004.588–2004.598 Dresden, 1855 1853–54 Albumen photograph Salted paper photograph Attributed to Charles Marville, French, The Manfred Heiting Collection Cathédrale de Reims, 1853–54 1816–1879 2004.544 Salted paper photograph Façade du Château d’Heidelberg, c. 1853 Rue du Cloître-Notre Dame, 1862–65 Albumen photograph Eugène Druet Heinrich Kühn, Austrian, 1866–1944 Albumen silver photograph Sous-bois en automne, 1852 Eva, Bronze Sculpture by Rodin, 1881, 1898 Gelatin silver photograph Vier Kinder, sonnensehen, 1912 Impasse des Provençaux, Vue prise de la rue Salted paper photograph Gift of Alice C. Simkins in memory of Gum bichromate and pigment de l’Arbre-Sec vers l’est, 1858–65 The Manfred Heiting Collection Alice N. Hanszen, The Manfred Heiting photograph Albumen silver photograph 2004.599, 2004.600 Collection 2004.424 Walther (Artist’s son), 1912 Bois de Bologne, c. 1856 Gum bichromate and pigment Albumenized salt photograph photograph Untitled, c. 1855 Albumenized salt photograph 61 Accessions

Alexej Sergejewitsch Masurin, Russian, Louis-Rémy Robert, French, 1811–1882 Edward Steichen, American, Charles Thurston Thompson, British, active 1890s Terrace of the Château de Saint-Cloud, b. Luxembourg, 1879–1973 1816–1868 Untitled, Bauernhof Scene, c. 1896 c. 1854 Alphonse Maria Mucha, 1915 Tree Study with Two Uniformed Figures, The Manfred Heiting Collection Waxed paper negative John Woodruff Simpson, 1903 c. 1860 2004.602 Terrace of the Château de Saint-Cloud, Platinum photographs Albumen photograph c. 1854 The Manfred Heiting Collection The Manfred Heiting Collection Alphonse Maria Mucha, Czech, 1860–1939 Salted paper photograph 2004.668, 2004.669 2004.698 Study of a Model, 1900 The Manfred Heiting Collection Albumen photograph 2004.642, 2004.643 Alfred Stieglitz, American, 1864–1946 Waldemar Titzenthaler, German, The Manfred Heiting Collection Spring Showers, 1902 1869–1937 2004.605 James Robertson, British, b. Scotland, Paul Burty Haviland, 1910 Unter den Linden, 1897 1813–1888 Waxed platinum/palladium photograph Leipziger Strasse, 1899 Charles Nègre, French, 1820–1880/1881 Roumeli Hissar or Janissary’s Towers on Spring Showers, 1902 Leipziger Strasse, 1901 Still Life, 1857 the Bosphorus, from the series Crimea, 1855 Photogravure Albumen photographs Heliogravure Albumen photograph with applied color The Steerage, 1907 The Manfred Heiting Collection Pifférari Assis, Italian Street Musicians On the Bosphorus. Fishing Huts on Poles, Photogravure 2004.736–2004.738 (in the Courtyard, 21 Quai de Bourbon), 1853 from the series Crimea, 1855 The Manfred Heiting Collection Salted paper photograph Albumen photograph with applied color 2004.672–2004.675 von Baldi & Wurtle, Austrian Pifférari Assis, Italian Street Musicians, 1853 H.M.S. Queen in Dock, 1855 St. Bartholoma am Königsee, c. 1865 Heliogravure Albumen photograph Paul Strand, American, 1890–1976 Albumen photograph Pifférari Assis, Italian Street Musicians The Manfred Heiting Collection Kurt Baasch, New York, 1913 The Manfred Heiting Collection (in the Courtyard, 21 Quai de Bourbon), 1853 2004.652–2004.654 Platinum photograph 2004.786 Albumen photograph Blind Woman, New York, 1916 Pifférari Assis, Italian Street Musicians Horatio Ross, British, 1801–1866 The Manfred Heiting Collection Clarence Hudson White, American, (in the Courtyard, 21 Quai de Bourbon), 1853 Bonar Bridge, 1858 2004.676, 2004.677 1873–1925 Heliogravure Albumen photograph Karl Fischer Struss, 1912 Le Nil, Jardin des Tuileries, 1859 The Manfred Heiting Collection Karl Fischer Struss, American, 1886–1981 Nude in Forest (Mabel Cramer), 1909 Albumen photograph 2004.655 The Porch, Barnard College, 1910 Platinum photographs The Manfred Heiting Collection Platinum photograph The Manfred Heiting Collection 2004.620, 2004.621, 2004.623–2004.626 Auguste Salzmann, French, 1824–1872 Hamilton, Moonlite, 1912 2004.793, 2004.794 Printed by Blanquart-Evrard, French, Platinum photograph Émile Joachim Constant Puyo, French, 1802–1872 East Side, 2nd Ave. “L”, 1911 Henry White, British, 1819–1903 1857–1933 Street in the Arab Quarter, Jerusalem, 1854 Platinum photograph Mill at Weybridge, 1856 Young Woman at the Pond, Jerusalem. Église Sainte Anne, 1853 Chester, Nova Scotia, 1911 Albumen photograph c. 1905 Salted paper photographs Platinum photograph The Manfred Heiting Collection Gum bichromate photograph The Manfred Heiting Collection Bridge, Venice Canal, 1909 2004.796 Untitled, 1900 2004.659, 2004.660 Platinum photograph Gum bichromate photograph Sunlight, 1925 Stanislaw Ignacy Witkiewiez, Polish, The Manfred Heiting Collection Napoleon Sarony, American, Platinum photograph 1885–1939 2004.632, 2004.633 b. Canada, 1821–1896 Hat, Shawl, Gloves and Coat on Chair, 1912 Narzeczony Ksiezniczki Kociello p. Stefan Sarah Bernhardt, c. 1880 Platinum photograph Jawarski (Der verlobte der Prinzessin, Ambroise Richebourg, French, Albumen photograph The Cliff, Sorrento, 1909 Kociello, Herr Stefan Jaworski), 1912 active 1850s–1870s The Manfred Heiting Collection Platinum photograph The Manfred Heiting Collection Saint-Isaac, Grande Coupole, St. Petersburg, 2004.661 The Manfred Heiting Collection 2004.797 plate 10, 1859 2004.678–2004.685 Albumen photograph Anselm Schmitz, German, 1839–1903 Frank Lloyd Wright, American, 1867–1959 The Manfred Heiting Collection Cologne Cathedral, c. 1883 Felix Teynard, French, 1817–1892 Thomas Ridge, 1900 2004.638 Albumen photograph Nubie-Kalabsheh (Talmis). Ruines du Collotype The Manfred Heiting Collection Temple —Vue intérieure du naos, from the The Manfred Heiting Collection Louis-Rémy Robert, French, 1811–1882 2004.663 series Égypte et Nubie, 1851–52 2004.798 Casting of the Head of a Bull, 1854 Medinet-Abou (Thèbes), Constructions Waxed paper negative George Henry Seeley, American, Antérieures —Vue Générale, from the Eugène Cuvelier, French, 1837–1900 The Manfred Heiting Collection 1880–1955 portfolio Égypte et Nubie, 1851–52 Still Life with Game, 1855 2004.639 Autumn, 1908 Salted paper photographs Salted paper photograph Platinum photograph The Manfred Heiting Collection The Manfred Heiting Collection The Manfred Heiting Collection 2004.696, 2004.697 2004.2561 2004.666 Tona Stano, Czech, b. 1960 Untitled, 1986 2005.380

62 Accessions

Jesper Haynes, Scottish, b. 1962 Jane Alden Stevens, American, b. 1952 Don Eddy, American, b. 1939 Thomas Allen, American, b. 1963 Untitled, 1985 Fort Douaumont, France, 2001 New Ensign at University of Rochester, NY, Recover, 2003 2005.381 Breitenbach German Military Cemetery, 1965 Chromogenic photograph France, 2001 Inkjet photograph Given with Foley Gallery, New York Horst P. Horst, American, b. Germany, Shell Hole, Near Verdun, France, 2001 2005.1168 2005.1484 1906–1999 Municipal War Memorial, Ypres, Untitled Belgium, 2001 Carl Mydans, American, 1907–2004 Sara Terry, American, b. 1955 Untitled Achiet-Le-Petit, German Military Luzon PI Landing, January 9, 1945 Muslim Widow Examines Body Bags, Platinum photographs Cemetery, France, 2001 Erskine Caldwell, Houston, Texas, 1962 Sanski Most, Bosnia-Herzegovina, July 2001 2005.382, 2005.383 Figures, Langemarck German Military The Law, Oil Boom Town, Freer, Texas, 1937 Inkjet photograph Cemetery, Belgium, 2001 “Sandhog,” Calling out thrust measure- 2005.1486 H. G. Ponting, English, 1870–1935 Inkjet photographs ments in Queens, N.Y.C. midtown tunnel, Untitled 2005.403–2005.408 1939 Ralph Gibson, American, b. 1939 Bromoil photograph Pengpu, 1948 Untitled, 1975 2005.384 Ryan Zoghlin, American, b. 1967 Oil Boom Town, Freer, Texas, 1937 2005.1556 Airshow #4, from the series Airshow, 2001 White face charging, 1937 Unknown Photographer 2005.409 U.S. Mexican Border Crossing, 1938 Jackie Brenner, American, b. 1948 Star Coordinate, 1995 Surrender on the USS Missouri, 1945 Friday Night Grind #25, 2001 2005.385 Jonathan Moller, American, b. 1963 Texans at play, 1939 Friday Night Grind #32, 2001 A Community Health Promoter Examines Sand Hogs, New York, 1939 Friday Night Grind #44, 2001 AES&F, Russian an Infant in the Clinic, from the series Korea, 1950 Friday Night Grind #45, 2001 Action AALF, UFE, Episode 3, from the Our Culture is Our Resistance: Repression, Bequests of the artist Given in gratitude to the city of series Action Half Life2, Episode 3-2, 2003 Refuge and Healing in Guatemala, 1993 2005.1169–2005.1180 Houston for the kindness extended Chromogenic photograph on canvas 2005.410 toward the people of New Orleans after 2005.386 Anderson & Low, British, Hurricane Katrina in 2005 James Bidgood, American, b. 1933 active 1990–present 2006.88–2006.91 * * * Untitled, mid 1960s (Jonathan Anderson, British, b. 1961 Chromogenic photograph and Edwin Low, British, b. 1957) Brian Finke, American, b. 1976 Frank Majore, American, b. 1948 Given with ClampArt, New York City Abstraction #12, from the series Untitled, 2005 Room Service, 1988 2005.436 Abstraction Images, 2003 Chromogenic photograph Silver dye bleach photograph, ed. # 2/4 Given in honor of Joan Morgenstern Given in honor of Joan Morgenstern on Gift of William J. Hill Howard G. Castleberry, American, b. 1961 2005.1462 the occasion of her 60th birthday 2005.387 Mother Cradles Dying Baby, September 2006.92 1992 Owen Kanzler, American, b. 1949 The following works are gifts of Gathering the Night’s Dead, August 1992 Beach Bungalows 2, Ocean Beach, New Gus Powell, American, b. 1974 the artists: Fighter in No Man’s Land, August 1992 Jersey, 1995 Times Square, NYC, 11AM, Sept. 11th, Father Buries Daughter, September 1992 Chromogenic photograph 2001, from the series here is new york, 2001 Joseph Chanin, American All from the series Somalia: A Nation at Given with Afterimage Gallery, Texas Chromogenic photograph Keyhole Club, Port Arthur, Texas, 1991 the Abyss 2005.1464 2006.118 Silver dye bleach photograph Chromogenic photographs Man Sitting on Airplane, 2004 Courtesy of the Houston Chronicle Todd Hido, American, b. 1968 Aaron Kamelhaar, American, b. 1962 Inkjet photograph 2005.454–2005.457 Untitled #3242-b, 2005 Untitled, 1996 2005.390, 2005.391 Chromogenic photograph 2006.119 Chuck Henningsen, American, b. 1935 Given with Inman Gallery, Houston, in Jen Davis, American, b. 1978 Ansel Adams and the Range of Light, honor of Anne Wilkes Tucker Kevin Kwan, Singaporean, b. 1973 Untitled No. 4, 2004 Yosemite, CA, 1976 2005.1466 Rubicon No. 6, 2005 Chromogenic photograph Platinum photograph Chromogenic photograph Given in honor of Joan Morgenstern 2005.467 James Balog, American, b. 1952 Given in honor of Joan Morgenstern on 2005.400 Polar Bear, from the series Animal, 1994 the occasion of her 60th birthday Nicholas McCalip, American, b. 1973 Platinum/palladium photograph 2006.120 Psalmody Triptych, April 2002 2005.1468 Untitled 275, March 2004 Vincent Cianni, American, b. 1952 Untitled 279, March 2004 Jonathan Gitelson, American, b. 1975 Girls Gymnast Team, Youth Sports Camp, 2005.1166.A–.C, 2006.259, 2006.260 The Oceanographer, from the series JCC, Houston, TX, 2000 Dream Job, Fall, 2003 Given in honor of Joan Morgenstern on Marty Carden, American, b. 1954 Inkjet photograph the occasion of her 60th birthday Equestrian Landscape, #17, 2001 2005.1481 2006.121 2005.1167 Richard Gordon, American, b. 1945 From Robert Frank’s Window —Bleeker Street, 1984 2006.122 63 Accessions

Geoff Winningham, American, b. 1943 Bill Irwin, born 1950, Actor, Clown, July 2, Bastienne Schmidt, German, b. 1961 Daniel Kramer, American, b. 1964 Tag Team Action, 1971 2002 House Visit, Shelter Island, NY, from the Ration Card, 2000 Johnny Valentine, 1971 Eiko and Koma Otake; Eiko, born 1952; series Home Still Life, 2005 Inkjet photograph Tanaka in the Ropes, 1971 Koma, born 1948, Postmodern, Post- Chromogenic photograph Given in honor of his father, Jerry Kramer Shane in Trouble, 1971 Hiroshima Dancers, October 5, 2004 2006.318 2006.355 Mascaras’ Flying Body Press, 1971 Laurie Anderson, born 1947, Performance Ramirez vs. Markoff, 1971 Artist, June 18, 2004 Harlow Tighe, American, b. 1966 The following works are gifts of Battle Royal, 1971 Jerry Seinfeld, born 1954, Comedian, Falling Deer, 2005 Joseph Mills: Valentine vs. McDaniel, 1971 Actor, February 1, 2005 Kallitype Mil Mascaras in Defeat, 1971 Philip Glass, born 1937, Musician, Given in honor of Cindi Strauss Joseph Mills, American, b. 1951 Woods Dropkicks Gorgeous George, 1971 Composer, July 21, 2003 Untitled [Octopus], 2004 Accidental Self, 2005 Scott vs. Gomez, 1971 Cindy Sherman, born 1954, Photographer, Cyanotype Wood, paper, metal, hair Ringside —Houston Coliseum, 1971 February 7, 2005 Given in honor of Eleanor Williams 13 untitled images from the series Wahoo McDaniel, 1971 Julia Roberts, born 1967, Actress, 2006.322, 2006.323 Women of the Bible Ernie Ladd in the Flying Cloud, 1971 February 2, 2000 Untitled, 1971 Kozak vs. Singh, 1971 All from the series In My Stairwell Frank Yamrus, American, b. 1958 Varnished digital photograph, printed The Spoiler, 1971 Platinum/palladium photographs Untitled (Paul), from the series Rapture, and mounted to antique page Dory Funk, Jr., 1971 2006.223–2006.238 1999 Strange Devices to Build Winning Teams, Mr. Houston, 1971 Given in honor of Joan Morgenstern from the series Women of the Bible, 1986 Reviving Valentine, 1971 Vladimír Birgus, Czech, b. 1954 2006.325 Gelatin silver photomontage mounted Thunderbolt Patterson, 1971 Berlin, 1993 on found book page and varnished All from the series Friday Night in Kirghizia, 1981 Ken Rosenthal, American, b. 1964 2005.392, 2005.1508–2005.1520, the Coliseum Barcelona, 2002 Untitled (# 001-A-1), from the series 2006.117, 2006.169 2006.164.1–.20 Rhodos, 2005 Seen and Not Seen, 2001 Pa ris, 1990 Given in honor of Joan Morgenstern Don Donaghy, American, b. 1936 Jen Davis, American, b. 1978 Chromogenic photographs Untitled (# 1732-1), from the series Seen Philadelphia, 1961 Fantasy no. 2, 2005 2006.240–2006.244 and Not Seen, 2001 Untitled Chromogenic photograph Given in honor of Anne Wilkes Tucker Inkjet photograph Given in honor of Joan Morgenstern Luis Delgado Qualtrough, American Untitled, from the series Seen and Not Untitled 2006.170 and Mexican, b. 1951 Seen, #1370-3, 2001 Inkjet photograph Untitled, 2004 Given in honor of Clinton T. Willour 2005.393–2005.395 Jay Stock, American, b. 1923 Inkjet photograph 2006.326–2006.328 6 untitled images from the series To ba c c o Given in memory of Jane E. Francesca Danieli, American, 1954–2006 2006.171–2006.176 Qualtrough (1919–2002), a true Texan Rania Matar, Lebanese, b. 1964 Three untitled images, from the series who rode “Daisy” through this field Ghost Girl, Bourj El Barajneh Camp, Room Full of Mirrors Mark L. Tompkins, American, b. 1960 2006.248 Beirut, from the series A Forgotten Chromogenic photographs Watching, 2006 People, 2004 2005.396–2005.398 2006.177 Candace Gaudiani, American 2006.336 Conversation 27, 2002 * * * Mark Seliger, American, b. 1959 Inkjet photograph Walt Bistline, American, b. 1950 Susan Sarandon, born Susan Abigail 2006.250 Seip Mound, 2004 Jason Salavon, American, b. 1970 Tomalin, born 1946, Actress, Activist, Inkjet photograph Emblem (2001: A Space Odyssey), 2004 December 7, 2004 Susan E. Evans, American, b. 1956 Given in honor of Rabun Huff Bistline Chromogenic photograph Peter Dinklage, born 1969, Actor, Kansas 2006.338 Gift of Steven Parker January 18, 2005 Co. Pine Forest 2005.399 Willie Nelson, born 1933, Musician, July 23, Daytona Beach, Florida Annette Fournet, American, b. 1953 2001 Maine Pond From Jindrich ˇStreit’s Garden, Slavonice, The following are gifts of Muhammed Ali (born Cassius Marcellus NYC 1993 Will Michels: Clay, 1942), Boxer and Michael J. Fox Lancaster County, PA Given in honor of Anne Wilkes Tucker (b. 1961), Actor, September 23, 2004 Untitled 2006.342 Will Michels, American, b. 1968 Mick Jagger, born 1943, Musician, May 11, WY Prairie Jose Ortiz—08.01.1996—Study No. 5, 1996 2005 Inkjet photographs David H. Gibson, American, b. 1939 Bleached and toned gelatin silver pho- Robert Wilson, born 1941, Designer, 2006.251–2006.257, 2006.271 Cypress Creek, 7:19 AM, November 7, tograph, printed 1997 Theatrical Director, September 27, 2003 1996, from the series Wimberly, Texas Given in honor of the birth of his niece, Matthew Barney, born 1967, Artist, Watanabe Hiroshi, Japanese, b. 1951 Given with Betty Moody in honor of Avery Joanna Michels March 30, 2004 Yoroboshi, Naito Clan, from the series Clinton T. Willour 2005.401 Tom Wolfe, born 1931, Writer, June 25, 2004 Noh Masks of Naito Clan, 2004 2006.343 Mel Brooks, born Melvin Kaminsky 1926, Musume’s Head, from the series Ena Unknown Photographer Writer, Director, Comedian, May 4, 2005 Bunraku, 2004 Marine and His Victim, 1943 2006.261, 2006.262 2005.402

64 Accessions

Unknown Photographer Toni Frissell, American, 1907–1988 Sailors at Naval Air Station Ford Island Moving the Remuda, King Ranch, Texas, Watch as U.S.S. SHAW Explodes, Pearl 1939–44 Harbor, 7 December 1941 Vaqueros, Herculano García and Manuel Given in honor of Rocky Haggard and García, Jr., Spoon Feeding Phosphorous to his shipmates who survived the terrorist Cow, Encino Division, King Ranch, bombing of the U.S.S. Cole 1939–44 2005.1552 Vaqueros Driving Cattle through Gate, King Ranch, 1939–44 J. Ryan Stoddart, American, b. 1978 Gifts of Shane and Amy Burden Untitled, from the series Mirage, 2005 2005.431–2005.433 Chromogenic photograph Given in honor of Annalisa Palmieri Russell Lee, American, 1903–1986 2006.339 Cattle Auction, San Angelo, Texas, 1940 Gift of Shane and Amy Burden * * * 2005.434

Jonathan Moller, American, b. 1963 The following works are gifts of Communities of Population in Resistance David and Stephanie Mundy: T. Harmon Parkhurst, American, (CPR) of the Sierra, Quiché Department, 1883–1952 Guatemala, from the series Our Culture Larry Burrows, British, 1926–1971 H. Sulier, R.N., with patient Ginny is Our Resistance: Repression, Refuge and Reaching Out (Operation Prairie, Mutter Whitney (15), 1941 Healing in Guatemala, 1993 Ridge, Nui Cay Tri), October 5, 1966 Pueblo of Laguna Gift of Martha Pierce in honor of the Dye transfer photograph, printed c. 1997 Fiesta Days at Laguna people of Chaculá, in the Department Given in memory of Joe Mundy, who Pottery Makers, San Ildefonso of Huehuetenango, Guatemala served in the U.S. Armed Forces in Deer Dance, San Juan 2005.411 Vietnam Baking Day at Taos 2005.435 Graduation Fiesta (The boys ride by) Jonathan Moller, American, b. 1963 Untitled, 1941 During an Exhumation, Doña Clara Jonathan Gitelson, American, b. 1975 Among the Aspens at Camp May Holds a Photograph of Her Husband Bat Boy, from the series Dream Job, The Trading Post from Fuller Lodge Whose Remains Were Being Unearthed, fall 2003 Gifts of Dale and Deborah Robertson from the series Our Culture is Our Inkjet photograph in honor of Helen Sulier and Helen Resistance: Repression, Refuge and Healing 2005.1480 Sulier Robertson in Guatemala, 2000 2005.438–2005.447 Gift of Flavia Robinson Satô Tokihiro, Japanese, b. 1957 2005.412 #388 Yura, 1999 Laura Gilpin, American, 1891–1979 2005.1482 Untitled Jonathan Moller, American, b. 1963 Ashley Pond; Jimmy Wolmesduff’s House The Trajectory of a Bullet Through the Sebastião Salgado, Brazilian, b. 1944 (Foreman), 1937 Skull, from the series Our Culture is Our Province of Havana, Cuba, 1988 The Guest Cottage and Fuller Lodge, 1937 Resistance: Repression, Refuge and Healing 2006.321 Cecil Wirth, 1937 in Guatemala, 2000 The Staff, 1936–37 Gift of Anna Davis Rudd and Kaaren * * * Gifts of Dale and Deborah Robertson in Johnson honor of Helen Sulier and Helen Sulier 2005.413 Lefkowsky & Co., Beaumont, Texas Robertson Portrait of Clytie Carroll (Mrs. Dugal 2005.448–2005.452 Victor Shifreen, American, b. 1920 Angus Allen), c. 1915–18 Portrait of Samoan Fita Fita (National Gift of Frank Nelson Carroll, Jr. in The following works are gifts of Guard) and Victor Shifreen, Navy loving memory of his great aunt, Clinton T. Willour: Photographer, c. 1943–44 Clytie Carroll Gift of Victor and Beatrice Shifreen and 2005.437 Sharon Seligman, American, active Family 1990s 2005.414 Baby Owl, from the series Bird People, Larry Burrows 2002 Reaching Out (Operation Prairie, Mutter Ridge, Nui Cay Tri), October 5, 1966 2005.458 Dye transfer photograph, printed c. 1997 Gift of David and Stephanie Mundy in memory of Joe Mundy, who served in the U.S. Armed Forces in Vietnam 2005.435

65 Accessions

Alison B. Smith, American Barbra Riley, American, b. 1949 Zhang Dali, Chinese, b. 1963 Idrissa Guiro, Matt Gunther, David Side Street, October, 2003, Marfa, Texas Untitled, c. 2000 Untitled, 1998 Goldemberg, Jason Goodman, Doug Chromogenic photograph 2006.161 Chromogenic photograph on fabric Goodstein, Andrew Haagen, Meg Given in celebration of the 20th Gift of Zeit-Foto, courtesy of Handler, Hazel Hankin, Tracey Haynes, anniversary of Barry Whistler Gallery Sage Sohier, American, b. 1954 Etsuro Ishihara Jonathan Hayon, Sean Hemmerle, 2005.459 Vincenzo, Paris, and Peter, Cambridge, 2005.462 Charles Herbstreith, Thomas Hinton, Mass., 1992 Steven Hirsch, Thomas Hoepker, Andrew Borowiec, American, b. 1956 2006.162 Chuck Henningsen, American, b. 1935 Samuel Hollenshead, Chanda Hopkins, McDuffie Island Coal Terminal, Mobile, Venus #10, 2004 James Hopkins, Sabrina Howell, Lee Alabama, 2001 Unknown Photographer Venus #78, 2004 Huber, Brad Hunter, Nathaniel Hupert, 2005.460 Two Dobermans, 1994 Out of the Chrysalis, 2004 Nunzio Iaquilino, Hatice-Nazan Isik, 2006.163 Transmutation I, 2004 Michael Jacobson, Ellen K. Jaffe, Shan Patsy Cravens, American, b. 1936 Inkjet photographs Jayakumar, Linda Johnson, Bronston Untitled, 1986 Suzy Lee, Korean Gifts of Sharon and Gus Kopriva Jones, Clark Jones, Chuck Jugans, Steve 2005.1162 Falling into Piero della Francesca, from 2005.463–2005.466 Kahn, Joel Kaplan, Ellen Kaplowitz, the series Alice in Wonderland Heera Kapoor, Holger Keifel, Brian Kelly, O. Rufus Lovett, American, b. 1952 Inkjet photograph Photographs by the following artists Lisa Kereszi, J. Mickey Kerr, Tammy Bicycle, Weeping Mary, Texas, c. 2000 Given in honor of the birth of were taken on or just after September 11, Klein, Beth Kraimer, Hugh Kretschmer, 2005.1163 Meredith Mundy 2001, from the series here is new york: Andy Kropa, David Kuhl, Jeffrey Ladd, 2006.258 Ron Agam, Christophe Agou, William Salim Langatta, Imke Lass, Jin Lee, Andy Taylor, American, b. 1979 Alatriste, David Allee, Lisa Allen, Richard LeFande, Phyllis Leibowitz, Untitled (Monsters), 2004 Patricia Sandler, American, b. 1952 Frank Andolino, Christopher C. Arnold, Emilie Lemakis, James Leritz, Henry Inkjet photograph Family Outcomes: Leslie, 2003 Heide Lee Alexander, Roy Anderson, Leutwyler, Rachel Leventhal, Janis Lewin, 2005.1164 Inkjet photograph Eric Andrus, Jerry Arcieri, Melissa Charles Libin, Andrew Lichtenstein, 2006.329 Arden-Wong, Leandro Artigala, Andrea Gregory Lipinski, Yujian Liu, Benjamin Paul Hester, American, b. 1948 Artz, Michael Bailey, Tom Barlow, Megan Locke, Steven Lopez, Vincente LoPreto, Versailles, 1979 Hana Jakrlova, Czech, b. 1969 Barron, Ananda Bates, Sihan Bazzy, Bill Luis Lujan, Ken Luymes, Amanda Lynch, Given in memory of Edward B. Mayo Reykjavík, Iceland, from the series Beatty, Maureen Beitler, Csaba Bereczky, Mary Lyon, Don MacLeod, Lee Malecki, 2005.1165 Europeans, 1999 Mellissa Berger, David Berkwitz, Robby Paul Manes, Jay Manis, Anna Manuel, Given in honor of James Edward Berman, Nancy Bernhaut, Todd Bigelow, Greg Martin, Paul Matulis, Patrick Burton Pritzker, American, b. 1941 Maloney on the occasion of his birthday James Blanchard, Jacob Blickenstaff, McCafferty, Kevin McCawley, Darren Feather #3, c. 2000 2006.330 Sandra Boer, Andrea Booher, Stephen McCollester, Kevin McCrary, Randolph Inkjet photograph Boyle, Damon Brandt, Louis Briendel, McGathey, Iain McInnes, Tom Given in honor of Joan Morgenstern on Robert Bruce Langham III, Kyle R. Brooks, Paulette Brooks, Jay McKitterick, Lara McPherson, Felicia the occasion of her 60th birthday American, b. 1952 Bruff, Pete Burke, Chris Callis, Andrew Megginson, Ron Meisel, Susan Meiselas, 2006.93 White Shiprock, New Mexico, 2000 J. Camacho, Marie-Helene Carleton, Steven Meltzer, Jeff Mermelstein, Michel Given in honor of Len Kowitz Ellisa Cassuto, Dan Chatman, Edward Mery, Scott Meserve, Peter Millard, Kipton C. Kumler, American, b. 1940 2006.331 Cheng, Stephanie Chernikowski, Richard George Miller, Neil Miller, Tetsuro Mise, Wellesley, Massachusetts, 1972 Cohen, John A. Colon, Cynthia Colwell, Patricia Mitchell, Lori Montagna, Jean The Anthony G. Cronin Memorial Byron Brauchli, American, b. 1960 Paul Constantine, Kevin Cooggin, Josef Ann Morgan, Laura Mozes, Robert Collection Fiesta Para Padre Jesus, Jalacingo Ver., 2006 Corso, Anthony Cotsifas, Nigel Cox, Jane Murphy, Sam Myers, Sally Narkis, Eric 2006.94 Given in honor of Sandria Hu Hanstein Cunniffe, Bruce Cunningham, Nederlander, Roger Newton, Thomas 2006.332 Kevin N. Daley, Peter Daniti, Sally Nilsson, John Noonan, William D. Janice Rubin, American, b. 1955 Davies, Jeff Day, Michael Dekker, Nunez, James O’Brien, Beth O’Donnell, Portrait of Edward B. Mayo, from the Keith Sharp Giovanni Del Brenna, Robert Derek, Per-Olof Odman, Adria M. Olender, series Ouisies, 1979 Trunk, 2005 Allison Diana, Benjamin Donaldson, Suzanne Opton, Diana Haskell Paff, Earle Given in honor of Wm. F. Lassiter Kitchen, 2005 Wendy Doremus, Simon P. Ferraro Dove, Palmer, Stefano Paltero, Philip Parker, 2006.95 Picture and Wallpaper, 2006 Rod Dubitsky, Gary Dunkin, Michael Pamela Parlapiano, Christopher Patsos, 2006.333–2006.335 Dwyer, James Eberly, Aristide Pascal Perich, Syndi Pilar, Enid Pinsker, Barbara Cole, Canadian, b. 1953 Economopoulos, Thom Eichinger, Johan Joseph Pisciotta, Gina Plaitakis, Niko Tomorrow, 1984 * * * Esbenhan, Guy Evans, Gary Fabiano, Plaitakis, Spencer Platt, Michelle Poire, Given with Reid Mitchell in memory of Lisa Fain, Richard Falco, Daniel Fanelli, Gus Powell, Richard Press, Kelly Price, Molly Darsey Wang Jun, Chinese, b. 1974 George Farinacci, David Fein, Abigail Igor Pusenjak, Roberto Rabanne, Joe 2006.96 Untitled Feldman, Brian Finke, Alan Finkel, Raedle, Brandon Remler, Jaime Reyes, Gift of Zeit-Foto, courtesy of Robert Fisch, Peter Foley, Ronald Force, Brandon Remler, Roberto Ricci, Yamamoto Masao, Japanese, b. 1957 Etsuro Ishihara Adam Forgash, Glenn Foster, Frank Michael Rieger, Alexander Roche, Untitled 2005.461 Fournier, Harald Franzen, Mark Gilman, Antonio Rodriguez, Joseph Rodriguez, Given in honor of Betty Moody Lori Grinker, Fred George, Linda Gerlach, Fajardo Roland, Jose Rosario, Dany Rose, 2006.160 Hilary Geronemus, Carolyn Glickstein, Debra L. Rothenberg, Diane Rudnick, Wendy Gordon, Jason Gould, Geoff Richard Rutkowski, Tom Ryan, Gulnara Green, Joel Greenberg, Pamela Griffiths, Samoilova, Charlie Samuels, James Paul Grossman, John Jonas Gruen, Sampson, Tony Savino, Daniel Schindler, 66 Accessions

Ken Schles, Fred Scholl, Lowell Schulman, Nicholas Nixon, American, b. 1947 Elliot Schwartz, Frank Schwere, David The Brown Sisters, Cataumet, Shaman, Beowulf Sheehan, Savid Massachusetts, 2005 Seccombe, Amy Seibert, Maki Sekine, 2005.1160 Mark Seliger, Helene Seligman, Andrew Serban, Rachel Shaw,Michael Shulan, The following works were funded at Jeffrey Silverthorne, Gianluca Simoni, “One Great Night in November, 2005”: Donald Simpson, Jr., Joel Simpson, Maxeen Smart, Sharon Smith, Tom Christo, American, b. Bulgaria, b. 1935 Sperduto, Joel Sternfeld, Robert Stolarik, Running Fence, c. September 1976 Carrie Strauch, Kristina Strobel, Gabrielle Chromogenic photograph Stubbert, Richard Sullivan, Dierdre Gift of Jerry E. Finger, Jonathan S. Summerbell, David Surowiecki, Phoebe Finger, David Leebron, James Ketelsen, W. Szatmari, Ramin Talaie, Mario Tama, Stuart Yudofsky, Frank Lorenzo, Fred R. Tannery, Michael Tapes, Bart Rodney H. Margolis, and Peter Way in Tarulli, Joseph R. Tavitas, Beverly honor of Alexander K. McLanahan, Thompson, Denton Tillman, Eric The Manfred Heiting Collection Tischler, Jonathan C. Torgovnik, Larry 2002.790 Henri Meurisse, French, 1872–1935 Towell, Quyen Tran, Charles H. Traub, Racing Car, 1910 Ana Traversa, Danielle Troy, Carson Vera Lutter, German, b. 1960 Gift of Bobby Tudor in honor of Tsang, Linda Tseng, David Turnley, The Bridge, Fulton Landing, 1996 Peter R. Coneway, the Godfather of Peter Turnley, Lesket Unruh, Dennis Gift of Scott Clearman in honor of his Goldman, Sachs & Co., in Houston, Van Tine, David Vega, Ekasit Kaz wife, Jennifer Clearman, The Manfred The Manfred Heiting Collection Vichitlakakarn, Tanya Villanueva, Enzo Heiting Collection 2004.604 Vollmer, Sacha Waldman, Alex Webb, 2002.3098 Katie Weisberger, James Wentzy, Lee E. Unknown Photographer Wexler, James Wheeldon, Susan Wides, Robert W. Fichter, American, b. 1939 Charleston, South Carolina —after the war, Alfred Will, Patrick Witty, Adam Time, 1985 c. 1865 Woodward, Tony Wurman, Xax Xax, Gift of Ken Marks and Max Tribble in Albumen photograph Christopher Yasiejko, Yoshi, Mark honor of Lee Godfrey, The Manfred Gift of Ron Brandt and Gregg Steffen Youngberg, Sheldon Shi Chi Yuan, Evan Heiting Collection in honor of Lee Godfrey, Yurman, Jaroslaw Zajac, Harry Zernike, 2002.3188 The Manfred Heiting Collection Douglas Zimmerman 2004.765 Inkjet photographs George N. Barnard, American, 1819–1902 Gifts of the New York Historical Ruins in Columbia, South Carolina, from Morris Berman, American, 1910–2002 Society and the September 11th Digital the series Photographic Views of Sherman’s Y. A. Tittle Toppled, 1964 Archive of the Library of Congress on Campaign, 1865 Gift of Robert H. Allen, M. Robert behalf of the exhibition Here is New York: Albumen photograph Dussler, Harry Gee, Javier Loya, D. Cal A Democracy of Photographs and its board Gift of Jack Blanton, Jr., in honor of McNair, Wm. P. O’Connell, Corbin J. of directors in honor of Houston FotoFest Leslie Blanton, The Manfred Heiting Robertson, Jr., Scott Schwinger, and and its directors, Wendy Watriss and Collection Michael Stevens, in honor of Robert C. Fred Baldwin 2004.262 McNair and the Houston Texans 2005.474–2005.967 2005.1071 Dimitris Constantine, Greek, The following works are gifts of active 1850s–1860s David Levinthal, American, b. 1949 Nina and Michael Zilkha: The Erectheum on the Acropolis, Athens, 1865 Nolan Ryan #34, from the series Albumenized salted paper photograph Baseball, 2004 Maripol, French Gift of Compass Bank in honor of Mayor Dye diffusion transfer photograph, M [Madonna, c. 1983; Grace Jones, 1984; Bill White, The Manfred Heiting artist’s proof Anna Shroeder, 1980; Teri Toye, 1982; Collection Gift of James R. Crane in honor of the Maripol, 1978; Keith Haring & Debi Mazar, 2004.363 Central Missouri State Mules 1985; Lisa Rosen, 1980; Jean-Michel Basquiat, 2005.1072 Alan Finkel 1980; Deborah Harry, 1981], 1978–85 William Henry Jackson, American, Untitled, from the series here is new york, Downtown [Nina Huang, 1983; James 1843–1942 Wesley David Archer on and after 11 September 2001 White, 1982; Ann Carlisle, 1981; Glenn Cathedral Spires, Garden of the Gods, His Last Loop, c. 1933 Inkjet photograph Image: 9 7/16 x 14 in. (24 x 35.5 cm) O’Brien and Robert Fripp, 1979; Madonna, Colorado, c. 1874 A Crash in Midair, c. 1933 Sheet: 11 11/16 x 16 1/2 in. (29.7 x 41.9 cm) 1984; Diego Cortez And Patti Astor, 1981; Albumen photograph A Dog Fight, c. 1933 Gifts of the New York Historical Society Deborah Harry and Roberta Bayley, 1981; The Manfred Heiting Collection Untitled, c. 1933 and the September 11th Digital Archive of the Library of Congress on behalf of the Vincent Gallo, 1984; Anya Philips, 1982], 2004.531 from Death in the Air: The War Diary exhibition Here is New York: A Democracy 1979–84 and Photographs of a Flying Corps Pilot of Photographs and its board of directors in Gifts of Bob Cavnar, Michael F. Curran, honor of Houston FotoFest and its directors, Inkjet photographs Wendy Watriss and Fred Baldwin 2005.1049, 2005.1050 Frank J. Hevrdejs, and Bill Porter 2005.604 2005.1075–2005.1078 67 Accessions

The following works are gifts of Anomaly (Estimated mid-21st Century), Woman in Water, after De la Roche, 2001 Simon Norfolk, British, b. 1963 Ron Shaich: Blackwater Draw, Clovis, New Mexico, Architectural Study-San Francisco, 2002 Untitled U.S.A., 1998 Branch and Leaves #2, 2002 Chromogenic photograph Thomas F. Barrow, American, b. 1938 Unexcavated Last Location Site, Uluru Pea Pods #1, 2002 Funded in honor of Untitled, from the series Product News, 1971 (Ayers Rock), Central Australia, May 17, Shed #2, 2001 Christopher Rauschenberg Verifax photograph 1999 Portrait of M, 2002 2006.67 Chip Nouveau, from the series Trivia, 1973 Chromogenic photograph with text Pod #1, 2002 Verifax photograph Ryoichi’s Journal: Heisei 1, February 19, Fence and Yard, 2002 Del Zogg, American, b. 1947 V. Schrager, N.Y.C., from the series Italy, Rome, 1999 2005.1137–2005.1154 Namsan Park, Seoul, 1970 Libraries, 1976 Chromogenic photograph Silver dye bleach photograph Santa Paula VI, from the series Ryoichi’s Journal: Albuquerque, New Doris Ulmann, American, 1882–1934 Funded in honor of Sharon Zogg Libraries, 1976 Mexico, November 22, 1998, November 22, Man with Hand-made Stringed 2006.147 UCR Special Collections, from the series 1998 Instrument, c. 1920s–30s Libraries, 1976 Chromogenic photograph Worker Chopping Wood, c. 1920s–30s Daniel Kramer, American, b. 1964 Machine, from the series Cancellations, Ryoichi’s Journal: Uluru Rock, Australia, Platinum photographs Tania & Che, from the portfolio Cuba, 1975 May 17, 1999, May 17, 1999 2005.1155, 2005.1156 c. 2004 Field Star, from the series Cancellations, Chromogenic photograph Inkjet photograph 1975 Copper Plate Artifact Found at Moche, The following works are museum 2006.157 Surrealist Note, from the series Pink Stuff, Peru, Excavation, 1986 purchases with funds provided by 1971 Chromogenic photograph Clinton T. Willour: Bill Armstrong, American, Fence Pole (Irondequoit Bay), from the Carburetor Artifact, 1999 b. Canada 1952 series Pink Dualities, 1971 Chromogenic photograph Joan Fontcuberta, Spanish, b. 1955 Untitled 903, 2005 2005.1085–2005.1093 Artifact 17:8 and Artifact 13:3, 1990/1992 Erectus Pseufo-Spenosis, from the series Chromogenic photograph Artifact 15:8 and Artifact 8:4, 1988/1991 Herbarium, 1982 Funded with an anonymous donor Larry Fink, American, b. 1941 Artifact 20:2 and Artifact 21:5, 1994 The Manfred Heiting Collection 2006.212 Pat Sabatine and Big Stuff, August 1977 2005.1108–2005.1122 2002.1073 Washington D.C., Corcoran, 1975 Oliver Wasow, American, b. 1960 Russian Orthodox Fund, N.Y.C., 1975 Sonya Noskowiak, American, Martin Pudenz, German, b. 1948 Azerbaijan, 2005 N.Y.C., Russian Ball, November, 1977 b. Germany, 1900–1975 Untitled, 1987 Inkjet photograph Gasparetti Baptism, Martins Creek, Old Stove Bromoil photograph 2006.213 Pennsylvania, 1979 San Francisco Backyards The Manfred Heiting Collection All from the series Social Graces Portrait of Maudell, 1939 2002.1873 Susan E. Evans, American, b. 1956 2005.1094–2005.1098 2005.1123–2005.1125 North Rim Grand Canyon Dusan Simánec, Czech, b. 1948 Inkjet photograph Jeannette Klute, American, b. 1918 Michael A. Smith, American, b. 1942 Wall Patches, 1980s Funded with an anonymous donor in Woodland Portrait, c. 1950s Near Frenchtown, New Jersey, 1974 Silver dye bleach photograph honor of Gary Hesse Tide Pool, c. 1950s Canyon de Chelly, Arizona, 1978 The Manfred Heiting Collection 2006.219 Woodland Portrait, c. 1950s Great Smokies National Park, Tennessee, 2002.2271 Skunk Cabbage, c. 1950s 1973 Rania Matar, Lebanese, b. 1964 Tide Pool, Kelp, c. 1950s New Orleans, 1986 Giovanni Zevano, Italian The Dead Fighter, Bourj El Barajneh Maple Leaves, c. 1950s Princeton, 1985 Untitled, 1984 Camp, Beirut, from the series Royal Fern, c. 1953 Blue Mesa, Arizona, 1978 The Manfred Heiting Collection A Forgotten People, 2004 Azalea, c. 1950s Toroweap Overlook, Grand Canyon, 2002.2772 Funded in honor of Will Michels Grape Leaves, c. 1950s Arizona, 1978 2006.310 Dye transfer photographs Cedar Breaks, Utah, 1975 David Scheinbaum, American, b. 1951 2005.1099–2005.1107 Mummy Ruins, Canyon del Muerto, Garden of the Gods, Colorado Springs, Delilah Montoya, American, b. 1955 Arizona, 1975 Colorado, 1994 Audrey in Her Corner, 2005 Patrick Nagatani, American, b. 1945 Blue Mesa, Arizona, 1978 Funded in honor of Dortha Willour, Inkjet photograph Infiniti, Jemez Pueblo, New Mexico, Philadelphia, 1975 The Manfred Heiting Collection Funded in honor of Annalisa Palmieri U.S.A., 1996 2005.1126–2005.1136 2002.3025 2006.311 Cadillac Eldorado, Sandy Point Site, Albuquerque International Sunport, New Robert Neal Stivers, American, b. 1953 Unai San Martin, Spanish, b. 1964 Alison Carey, American Mexico, U.S.A., 1996 BIC—Man Seated, 1999 The Owl, 2001 Untitled Model A Woody, National Radio Cloud #1, 2002 Photogravure Ambrotype Astronomy Observatory (VLA), Plains of Water #2, 2000 2005.1158 Funded in honor of Mary Virginia St. Agustin, New Mexico, U.S.A., 1997 Woman with Face Covered, 1999 Swanson BMW, Chetro Ketlkiva, Chaco Canyon, Ballet Shoes #1, 2000 Dana Harper, American, b. 1972 2006.312 New Mexico, U.S.A., 1997 Landscape #3, 2000 Untitled #36, from the series Plymouth, Bisti Wilderness, New Mexico, Old Woman, 2000 Regenerations, 2004–05 * * * U.S.A., 1997 Pastoral Landscape #1, 2000 Funded in honor of Mary and Roy Cullen Portrait of Woman, 2000 2005.1491 Trees #1, 2000 68 Accessions

John Bernhard, American, b. 1957 Emmet Gowin, American, b. 1941 Nudewood, from the series Metamorphs, Orvieto, Italy, 1978 1994 Chromogenic photograph Untitled, from the series Metamorphs, 1994 Given in honor of the artist Plate #12, from the series Evanescence, 1998 2005.1215 Plate #17, from the series Evanescence, 1999 Plate #1, from the series Rick McKee Hock, American, b. 1947 Transformations, 2004 Gertrude, 1975 Plate #1, from the series Given in honor of Joan Morgenstern Transformations, 2003 Field, Webster, New York, 1978 Plate #1, from the series Male, 2002 Given in honor of the artist Plate #5, from the series Male, 2003 2005.1216, 2005.1217 Inkjet photographs Gift of Tom and Barbara Solis Jerry N. Uelsmann, American, b. 1934 2005.1159.1–.8 Double portrait of Ralph Hattersley, 1966 Given in honor of Jerry N. Uelsmann Raymond Meeks, American, b. 1963 and Maggie Taylor Untitled, Irrawaddy River Burma, 1993 2005.1218 Gift of Kevin Longino 2005.1161 Unknown Photographer Figure Study, c. 1910 Andrew Burmeister, American, b. 1969 Platinum/palladium photograph AW 05/06 Menswear, 2005 Given in honor of Dr. David Jacobs Chromogenic photographs 2005.1219 Gift of Edward Osowski in honor of the artist Unknown Photographer 2005.1181.1–.12 Brooklyn Bridge Rail Tracks and Tower, c.1889 The following works are gifts of Gelatin silver printing-out paper Del and Sharon Zogg: photograph Given in honor of David Aylsworth Alberto Caputo, American, 2005.1220 b. Argentina 1947 Continental Divide, Argentina, 1992 Unknown Photographer Given in honor of Anthony Bannon and Square in Münich, c.1890 Sandra Fisher, 1990 the staff of the George Eastman House Albumen photograph Dan Flavin, 1992 2005.1210 Given in honor of Marie Peukert Matthew Flowers, 1990 2005.1221 Caio Fonseca, 1995 Alvin Langdon Coburn, British, Yvonne Force, 1999 b. United States, 1882–1966 * * * Hal Foster, 1982 The Dome of St. Peter’s, c. 1907 Raymond Foye, 1991 The Curiosity Shop, c. 1907 Del Zogg, American, b. 1947 David Fraenkel, 1998 Photogravures Fruit vendor, Seoul, Korea, 1971 Stephen Frailey, 1986 Both given in honor of William S. Shoe repair, Seoul, Korea, 1970 Luis Frangella, 1985 Johnson and Susie Cohen Gifts of Sean Corcoran in honor of Mary Frank, 1998 2005.1211, 2005.1212 the artist Peter Frank, 1981 2005.1222, 2005.1223 Helen Frankenthaler, 1981 Arnold Gassan, American, 1930–2001 Andrea Fraser, 1993 New York, 1969 Timothy Greenfield-Sanders, Jane Freilicher, 1983 Inkjet photograph American, b. 1952 Aki Fujiyoshi, 1996 Given in memory of the artist The following portraits are from the Adam Fuss, 1991 2005.1213 series The Art World Futura 2000, 1985 Gus Falk, 1980 Larry Gagosian, 1989 David Goldes, American, b. 1947 Helmut Federle, 1987 Peter Galassi, 1992 Timothy Greenfield-Sanders Mardi Gras, New Orleans, 1978 Herbert Ferber, 1981 Jed Garett, 1990 Jasper Johns, from the series The Art World, 1989 Given in honor of the artist Bruce Ferguson, 1994 Gary Garrels, 1993 Gelatin silver photograph 2005.1214 Perle Fine, 1980 David Geffen, 1994 Gift of Neil and Carol Kelley Karen Finley, 1990 Henry Geldzahler, 1991 2005.1348 R. M. Fischer, 1980 Daniel Gendron, 1989 Eric Fischl, 1986 George, 1987 Donald Fisher, 1992 Sandra Gering, 1993 Emily Fisher Landau, 1992 Rimma & Valeriy Gerlovin, 1989 69 Accessions

Ilse Getz, 1980 Paulo Herkenhoff, 1999 Hilton Kramer, 1982 Real Estate Photograph, No. 912715, from Gilbert, 1987 Marieluise Hessel, 1993 Lee Krasner, 1980 the series Real Estate Photographs, 1991 Gilbert & George, 1987 Dave Hickey, 1995 Rosalind Krauss, 1982 Chromogenic photograph Jeremy Gilbert-Rolfe, 1987 Damien Hirst, 1996 Barbara Kruger, 1990 Real Estate Photograph, No. 912315, from Francoise Gilot, 1996 Damien Hirst, 1990 Barbara Kruger, 1997 the series Real Estate Photographs, 1991 Peter Gimpel, 1990 Howard Hodgkin, 1990 Guillermo Kuitca, 1994 Chromogenic photograph Judy Glantzman, 1983 Richard Hofmann, 1985 Milan Kunc, 1986 Las Vegas #15, 2002 Arne Glimcher, 1993 Jenny Holzer, 1986 Donald Kuspit, 1982 Chromogenic photograph Grace Glueck, 1982 Antonio Homem, 1986 Catherine Lampert, 1990 2005.1403–2005.1419 Michael Goldberg, 1980 Rebecca Horn, 1991 Sean Landers, 1999 Neil Goldberg, 1996 Roni Horn, 1993 Michael Landy, 1990 Garry Winogrand, American, RoseLee Goldberg, 1998 Thomas Hoving, 1991 Jack Lane, 1993 1928–1984 Nan Goldin, 1997 Tishan Hsu, 1987 Greer Lankton, 1984 23 untitled images from the series Zvi Goldstein, 1987 Robert Hughes, 1982 Gifts of Neil and Carol Kelley Women Are Beautiful, 1980 Guillermo Gomez-Pena, 1998 Gary Hume, 1990 2005.1224–2005.1398 2005.1420–2005.1442 Manuel Gonzales, 1993 Bryan Hunt, 1986 Wayne Gonzales, 1998 Gary Indiana, 1987 Leonard Nimoy, American, b. 1931 * * * Thyrza Goodeve, 1995 Robert Indiana, 1990 202-21A, 202-20, 2001 Brian Goodfellow, 1979 Mark Innerst, 1990 Gift of Paul Johnson Jeanne Ebstel, American, Marian Goodman, 1991 Rafael Jablonka, 1994 2005.1399.A,.B b. England, 1905–2000 Robert Goodnough, 1981 Nicola Jacobs, 1990 Untitled, c. 1935 Adam Gopnik, 1990 Bernard Jacobson, 1990 The following works are gifts of Untitled, c. 1935 Sidney Gordin, 1979 Barbara Jakobson, 1988 Jeanne and Mickey Klein: Gifts of Stephen Daiter Gallery Jay Gorney, 1987 Bill Jensen, 1994 2005.1443, 2005.1444 April Gornik, 1987 Jasper Johns, 1989 Tony Hooker, American Gracie Mansion Gallery Group, 1985 Miani Johnson, 1983 X-ray, from the series The Greater John Ebstel, American, b. 1922 Nancy Graves, 1986 Philip Johnson, 1987 Good, 2000 Untitled, c. 1935 Cleve Gray, 1991 Ray Johnson, 1983 Inkjet photograph Untitled, c. 1945 Tim Greathouse, 1984 Alan Jones, 1987 2005.1400 Untitled, c. 1945 Clement Greenberg, 1981 Ronald Jones, 1990 Untitled, c. 1945 Clement Greenberg, 1981 Annely & David Juda, 1990 Bill Owens, American, b. 1938 Untitled, c. 1945 Robert Greene, 1991 Ilya Kabakov, 1995 Banana Split Girl, from the series Untitled, c. 1935 Stephen Greene, 1983 Ruben Kadish, 1981 Working: I Do It for the Money, Gifts of Stephen Daiter Gallery Nigel Greenwood, 1990 Gerald Kamataki, 1987 c. 1974 – 76 2005.1445–2005.1450 Toland Grinnell, 1998 Jane Kaplowitz, 1999 2005.1402 Peter Grippe, 1981 Pepe Karmel, 1995 Diane Arbus, American, 1923–1971 Benito-Immanuel Grosser, 1996 John Kasmin, 1990 Henry Wessel, Jr., American, b. 1942 Printed by Neil Selkirk, English, resides Andy Grundberg, 1983 Alex Katz, 1983 Walapai, Arizona, 1971 in USA, b. 1947 Thomas Grunfeld, 1994 Bill Katz, 1994 Tucson, Arizona, 1974 A Family One Evening in a Nudist Camp, Agnes Gund, 1991 Mindy Katzman Dupille, 1982 San Francisco, California, 1973 PA, 1965 Mimi Haas, 1993 Robert Kaye, 1988 Albuquerque, New Mexico, 1968 A Husband and Wife in the Woods at a Dimitri Hadzi, 1996 Mike Kelley, 1991 Santa Barbara, California, 1977 Nudist Camp, NJ, 1963 Roland Hagenberg, 1986 John Kelly, 1992 San Francisco, California, 1993 A Young Man and His Girlfriend with Peter Halley, 1986 Sean Kelly, 1999 Tucson, Arizona, 1976 Hot Dogs in the Park, NYC, 1971 Richard Hambleton, 1983 Sherry Kerlin, 1996 Vista del Mar, California, 1995 Couple on Pier, NYC, 1963 Maria Morris Hambourg, 1992 Klaus Kertess, 1994 Night Walk, No. 28, from the series Malora, Gramorrer, Gay —By Christmas Patricia Hambrecht, 1995 Andre Kertesz, 1982 Night Walk, 1995–98 Tre e, 1969–1970 Ann Hamilton, 1999 John Kessler, 1992 Night Walk, No. 41, from the series Man and a Boy on a Bench in Central Richard Hamilton, 1990 Alain Kirili, 1983 Night Walk, 1996 Park, NYC, 1962 David Hammons, 1980 James Kirkman, 1990 Real Estate Photograph, No. 91137, from Man from World War Zero and his Wife, Freya Hansell, 1985 R.B. Kitaj, 1990 the series Real Estate Photographs, 1991 the Leopard Skin Lady, NJ, 1964 Haring Group, 1988 Ruth Kligman, 1987 Chromogenic photograph Two Friends at Home, NYC, 1965 Keith Haring, 1985 Win Knowlton, 1993 Real Estate Photograph, No. 90912, from Woman and Her Son, 1965 Grace Hartigan, 1981 Stephanie Koepelson, 1999 the series Real Estate Photographs, 1990 Two Girls in Matching Bathing Suits, Christian Haub, 1989 Wayne Koestenbaum, 1998 Chromogenic photograph Coney Island, NY, 1967 Nancy Haynes, 1998 Helen Kohen, 1987 Real Estate Photograph, No. 90602, from Girl in a Shiny Dress Thomas Healy, 1999 Bill Komoski, 1982 the series Real Estate Photographs, 1990 The Gay Block Collection, gifts of Pa t He a r n, 1987 Jeff Koons, 1986 Chromogenic photograph Gay Block Alanna Heiss, 1983 Richard Koshalek, February 20, 1987 Real Estate Photograph, No. 907914, from 2005.1451–2005.1459, 2005.1868, Al Held, 1996 Leon Kossoff, 1990 the series Real Estate Photographs, 1990 2005.1869 John Heliker, 1993 Mark Kostabi, 1987 Chromogenic photograph Lynn Herbert, 1995 Joseph Kosuth, 1987 70 Accessions

The following works are museum Naia del Castillo, Spanish, b. 1975 purchases with funds provided by Seductor, 2002 Photo Forum 2005: Chromogenic photograph With additional gifts from Jane Tran, Jeff R. Dunas, American, b. 1954 Stephanie and Nils Normann, and Keb Mo, from the series State of the Don A. Sanders Blues, 1996 2006.158 The Manfred Heiting Collection 2002.3021 * * *

Simon Norfolk, British, b. 1963 Ernesto Bazan, Italian, b. 1959 Victory Arch Built by the Northern Our Lady of Mount Carmel Procession, Alliance at the Entrance to a Local NY, 1983 Commander’s Headquarters in Bamiyan, Gift of Stephanie and Nils Normann 2001–02 and an anonymous donor Chromogenic photograph 2005.1477 2005.1460 Byung-Hun Min, Korean, b. 1955 Anderson & Low, British, active Untitled, from the series Snow Land, 1990–present 2005 (Jonathan Anderson, British, b. 1961 Gift of Morris and Ann Weiner and Edwin Low, British, b. 1957) 2005.1479 Battersea Power Station, from the series Architecture, 1997 Will Michels, American, b. 1968 2005.1461 Aftermath on Mt. Suribachi (Homage to Timothy O’Sullivan), From Iwo Jima + 60, Owen Kanzler, American, b. 1949 Doss, Texas, 2005, from the series Living Self-Portrait, Seaside Heights, New Jersey, History 1985 Forward Assault No. 7, Iwo Jima +60, Kristin Capp, American, b. 1964 Chromogenic photograph Doss, Texas, 2005, from the series Living Light Grid, Rio de Janeiro, 2003 2005.1463 History Under Niemeyer, Niteroi, Brazil, 2003 Gifts of Robert C. Gulley Building, Itaparica, Brazil, 2004 Todd Hido, American, b. 1968 2005.1492, 2005.1493 Flamengo Window, Rio de Janeiro, 2003 #2312-a, from the series House Hunting Corner Bar, Itaparica, Brazil, 2004 Chromogenic photograph Tracey Snelling, American, b. 1970 Man in White, Rio de Janeiro, 2003 2005.1465 Flag Sale, 2005 Elevator, Rio de Janeiro, 2004 Fireside Motel, 2005 Fish Rack, Baicul, Itaparica, Brazil, 2004 James Balog, American, b. 1952 Willie’s Place, 2005 Leme, Rio de Janeiro, 2003 Sequoia “Stagg,” from the series Tree: A Sunset Boulevard, 2005 Auto-Retrato, Quinta Pitanga, Itaparica, New Vision of American Forests Blue Swallow Motel, 2005 Brazil, 2004 Chromogenic photograph Fireside Motel Vacancy, 2005 Corbusier Column, Rio de Janeiro, 2003 2005.1467 Chromogenic photographs World Cup, “2002,” Rio de Janeiro, 2003 Gifts of Robert Borlenghi and The Great Zimbabwe, 2000 Byrd Williams I, American, 1848–1932 Pan American Art Gallery Brother & Sister in Afternoon Light, Johnson Williams and Byrd Williams, Jr., 2005.1502–2005.1507 Harare, Zimbabwe, 1999 at the University of Texas Boy in Masvingo, Zimbabwe, 2000 2005.1469 Michael Meads, American Woman with Sticks, Harare, Zimbabwe, Love and Peace, from the series 1999 Byrd Williams II, American, 1883–1951 Carondelet, 2003 Dancing Men, Harare, Zimbabwe, 1999 Texas Engineers, University of Texas, 1905 Silver dye bleach photograph Balancing Rock, Domboshawa, Zimbabwe, 2005.1471 Gift of Charles Canada 1999 2005.1530 Gweru Breakfast, Zimbabwe, 2000 Byrd Williams III, American, 1913–1986 Domboshawa Girl in White, Zimbabwe, Waitress at Ernie’s Café, 1955 Unknown Photographer 2000 Diane Arbus 2005.1473 Untitled, c. 1930 Gifts of Ralph Gibson Printed by Neil Selkirk Man and a Boy on a Bench in Central Park, Gift of Keith Douglas de Lellis 2005.1532–2005.1551 NYC, 1962 Byrd Williams IV, American, b. 1951 2005.1531 Gelatin silver photograph Gross Bakery The Gay Block Collection, gift of Gay Block 2005.1456 2005.1475

71 Accessions

J. John Priola, American, b. 1960 Elisabeth Sunday, American, b. 1958 Simon Norfolk, British, b. 1963 The following gelatin silver stereo- Moon, 2004 Basket of Millet, 1987 Untitled graphs are gifts of Richard S. and Gift of Betty Moody in honor of Masai Groom, 1987 Chromogenic photograph Dodie Otey Jackson in memory of Clinton T. Willour Conversation, 1988 Gift of the Meyer Levy Charitable Carole Mann Camerlin: 2005.1553 Dreamchild, 1988 Foundation on behalf of Jean Karotkin Self-Portrait with Pygmy Children, 1989 2006.68 H. C. White Co., American, active Tammy Cromer-Campbell, American, Mythmaker, 1990 1874–1915 b. 1960 Laughter, 1990 The following works are gifts of The Wreck of the Maine, Havana Harbor, Deon, Denise, and Reginal, from the Cocoon, 2000–01 Carey C. Shuart: Cuba, 1901 series Fruit of the Orchard, 1997 The Ancients, 2000–01 Preparing for War —On the Parade Gift of Cindi Blakely in honor of The Step, 2005 Thelma Rasmus, American Ground, Tokio, the Week the Hostilities Anne Wilkes Tucker The Hidden, 2005 Hide Me, 2004 Began, 1904 2005.1555 Reclaiming, 2005 2006.76 2006.97, 2006.112 All from the series Saharan Desert Abby Robinson Gifts of the Marjorie and Leonard Felicia Hayes, American George W. Griffith, American Restaurant, from the series Here and Vernon Collection Friends ‘til the End, 2004 United States Battleship Maine, 1904 There, 2005 2005.1839–2005.1850 2006.77 2006.98 Blue Room, from the series Here and There, 2005 Geoff Winningham, American, b. 1943 April Mark, American Keystone View Company, American, Silver dye bleach photographs Untitled All Purpose, 2003 1890s–1940s Gifts of Max and Theo Carol Bequest of Edward B. Mayo 2006.78 United States Battleship Maine 2005.1557, 2005.1558 2005.1872 The Embarkation of Spanish Troops, Linzy Lewis III, American Santiago Harbor, Cuba, 1898 Abby Robinson Sigismund Blumann, American Keep the Dream Alive, 2002 Reinforcements for Dewey, leaving San Shorts, from the series Here and There, Morning Sequoia National Park, 1930s 2006.79 Francisco, Cal., U.S.A., copyright 1898 2005 Morning Sequoia National Park, 1930s Pace Cathedral, Demolished Feb. 5, ’99 by Map, from the series In Camera, 2005 A Bit of the Faculty Club, University of Antoine Ford, American U.S. Artillery, Manila, 1899 Trio, from the series In Camera, 2005 California, 1930s Spotting a Hero, 2001 A Part of the Great Army with which Mosque, from the series In Camera, 2005 Nevada Falls, Yosemite, 1930s 2006.80 Russia Hopes to Drive the Japanese from Silver dye bleach photographs Lithobrome photographs the Asiatic Mainland, Port Arthur, Gifts of David Carol Gifts of Fred and Penny Abrams Joseph Palmore, American Manchuria, 1904 2005.1559–2005.1562 2005.1874–2005.1877 God’s Child, 2000 The Mikado’s Infantry Fighting behind 2006.81 Entrenchments —Load and Fire at Will, Peter Riesett, American, b. 1975 Brett Weston, American, 1911–1993 1904 WWII, from the series Testament, 2003 260 images, various titles, 1927–79 Kendra Ramsey, American Japanese Soldiers Going into Action — Chromogenic photograph Gifts of Christian K. Keesee and Street Prophet, 1999 Reinforcing the Left Wing, 1904 Gift of Kevin Longino in honor of his the Brett Weston Archive 2006.82 Falling into Line —Troops of the Imperial grandfather, Camille Lelong 2005.1880–2005.2130 Army, Japan, 1904 2005.1563 Heidi Torres, American Russian Infantry Preparing for Parade, Aldo Sessa, Argentinean, b. 1939 Mom’s Glasses, 1998 Port Arthur, Manchuria, 1904 Chris Jordan, American, b. 1963 Having a Break, 1996 2006.83 Military Review, Emperor’s Birthday, Recycling Yard #6, Seattle, 2004 Rawhide Boot, 1993 Nov. 3, 1904, Tokyo, Japan, 1905 Inkjet photograph Knife with a Silver Belt and Whip, 1998 Angela Lockhart, American 2006.99–2006.101, 2006.104, 2006.106, Gift of Mr. and Mrs. Walter Gifts of Carlos and Huldah de la Torre Untitled, 1997 2006.107, 2006.113–2006.116 Scarborough 2006.1–2006.3 2006.84 2005.1564 J. F. Jarvis Publishers, American, Ralph Gibson, American, b. 1939 Cornelia Williams, American active 1870s–1900s Garry Winogrand, American, Untitled, 1964 A Hard Worker, 1997 The Dewey Arch of Triumph —New York’s 1928–1984 Untitled, 1964 2006.85 Welcome of the Heroes of Manila Bay, 1899 Dallas, 1964 Untitled, 1968 2006.102 Gift of Paul Brauchle Untitled, 1968 Mario Torres, American 2005.1565 Untitled, 1968 The Houses, 1996 Strohmeyer & Wyman, American, Untitled, from the series Deus Ex 2006.86 active 1890s Machina #2, 1968 American and Spanish Soldiers in front of The Somnambulist, 1968 Jennifer Booth, American the Captain-General’s Palace, Havana, Gifts of Don A. Sanders Sad Face on Porch, 1995 Jan. 1, 1899 2006.61–2006.66, 2006.159 2006.87 2006.103

72 Accessions

American Stereoscopic Company, Jeff R. Dunas, American, b. 1954 American, active 1890s–1900s Good Hope Baptist Church, Saulnier & After the siege was over —Russian Wilson, Houston, Texas, March 1996 Prisoners at Port Arthur, 1905 Gift of Donald J. Kelly Some Valient Japanese Heroes in front of 2006.249 Gen. Nogi’s Headquarters, 1905 An 11-in. Siege Gun for Throwing Shells Nils-Udo, German into Port Arthur, Three Miles Distant, 1905 Nest 1, 2005 Japanese Battery Bombarding Russian Chromogenic photograph Stronghold at Port Arthur, 1905 Gift of Wendy and Mavis P. Kelsey, Jr. 2006.105, 2006.109–2006.111 2006.263

Underwood & Underwood, American, Esteban Pastorino Díaz, active 1880s–1940s Argentinean, b. 1972 Enormous 11-inch Shell from Japanese FFRR Los Hornos, from the series Siege Gun, Beginning Its Deadly Flight Aerial, 2003 into Port Arthur, 1905 Chromogenic photograph 2006.108 Gift of Wendy and Mavis P. Kelsey, Jr. 2006.264 * * * John Szarkowski, American, b. 1925 Catherine Wagner, American, b. 1953 Graft, 2005 Shark’s Teeth, from the series Cross Museum purchase with funds provided by Sections and Annotations, 2001 the S. I. Morris Photography Endowment Inkjet photographic triptych 2006.307.A–.L Gift of T. Fuller Pentecost 2006.143.A–.C Walt Bistline, American, b. 1950 Frozen Trees, No. 2, 2005 Darryl J. Curran, American, b. 1935 Inkjet photograph The Point and the Pointer, 1975 Gift of Dr. Malcolm and Jackie Wolens Gift of Sanford and Susie Criner Mazow Earlie Hudnall, Jr., American, b. 1946 2006.153 2006.313 Lady in Black Hat with Feathers, 1990 Gift of Reid Mitchell in memory of Victoria Crayhon, American Keith Calhoun, American, b. 1955 Roger Gilford Untitled, from the series Thoughts on Bring Him Down, 1986 2006.337 Romance from the Road, 2005 Gift of Tom and Barbara Solis Chromogenic photograph 2006.314 Ingrid Pollard, British, b. Guyana Gift of Charles Butt Untitled, 2004 2006.239 Chandra McCormick, American, b. 1958 Chromogenic photograph Joyce Priestly, “Sugar Cane Scraper,” Gift of Hiram Butler in honor of Mark Klett, American, b. 1952 Bessie K. Plantation, Vacherie, Louisiana, Clinton T. Willour Viewing Thomas Moran at the Source, 1986 2006.340 Artist’s Point, Yellowstone, August 30, 2000 The Sonia and Kaye Marvins Portrait Chromogenic photograph Collection, gift of Mike and Mickey Helen Zout, Argentinean, b. 1957 Gift of Bob and Cindi Blakely in honor Marvins Interior de avión, Museuo Aeronáutico de of Colin Blakely 2006.315 Morón (Interior of an Airplane, 2006.245 Aeronautical Museum of Moron), 2000 Lalla Essaydi, Moroccan, b. 1956 Gift of Dave Wilson Sian Bonnell, English, b. 1956 Converging Territories, 2006 2006.341 House Beautiful #9, from the series Chromogenic photograph Everyday Dada, 2003 Gift of Charles Butt Dana Harper, American, b. 1972 Chromogenic photograph 2006.320 Untitled #047, 2004 Gift of Bob and Cindi Blakely in honor Untitled #007, 2004 of R. Ian Blakely Paul Hester, American, b. 1948 Untitled #019, 2004 Ray K. Metzker 2006.246 Exxon Refinery. Baytown, Texas. West of Untitled #040, 2005 Leapin’ zzz, 1982 Gelatin silver photograph Fluid Catalytic Cracking Unit #3. 12:30 p.m., Untitled #045, 2005 Gift of Joan Morgenstern in honor of Martin Stupich, American, b. 1949 December 21, 1982 Untitled #052, 2005 Laurence Miller Theodore Roosevelt Dam, Arizona, 1989 Gift of Edward Osowski and Timothy Untitled #060, 2005 2005.1500 Gift of Sanford and Susie Criner S. Robbins in honor of Joan Morgenstern Gifts of Mary and Roy Cullen 2006.247 on the occasion of her birthday, with 2006.344–2006.350 matching funds provided by ExxonMobil 2006.324 73 Accessions

Dana Harper, American, b. 1972 Roman Akan, Ghana Calima, Colombia Untitled #025, 2004 Mosaic Panels, The Musical Contest Linguist Staff with a Hand Holding Seated Shaman Jar, A.D. 400–1000 Gift of Devin Borden in memory of between Apollo and Marsyas, a Heart, c. 1930s Incised earthenware Edward B. Mayo A.D. c. 2nd–3rd centuries Carved wood and gold leaf 6 1/4 x 3 5/8 x 4 (15.9 x 9.2 x 10.2) 2006.351 Stone and glass .A, Finial: 8 1/2 x 4 1/2 x 2 1/2 Museum purchase 87 x 135 (221.0 x 342.9) (21.6 x 11.4 x 6.4) Dana Harper, American, b. 1972 Gift of Lee and Joe Jamail with .B, Staff: 53 x 2 (134.6 x 5.1) Moché, Peru Untitled #044, 2005 additional museum funding Fox Vessel, A.D. 100–700 Gift of Alison de Lima Greene in honor * * * Ceramic of the Cullen Family on the Roman 9 3/8 x 4 1/2 x 7 1/2 (23.8 x 11.4 x 19.1) 20th anniversary of the Lillie and Sarcophagus Depicting a Battle between Dan, Ivory Coast/Liberia Gift of Arthur T. McDannald, by Hugh Roy Cullen Sculpture Garden Soldiers and Amazons, A.D. 140–170 Female Mask, early 20th century exchange; Ellen L. Luby and Sterling A. 2006.352 Marble Wo o d Minor; and of Samuel and Edward 40 1/2 x 91 1/2 x 50 1/2 Gift of Isabel B. and Wallace S. Wilson Merrin in honor of Alfred C. Glassell, Jr. Chandra McCormick, American, b. 1958 (102.9 x 232.4 x 128.3) The Prayer: River Baptism, Phoenix, Museum purchase Louisiana, 1986 Pre-Columbian Art Latin American Art Museum purchase Scythian 2006.367 Scabbard, 6th century B.C. The following works are from the Waldemar Cordeiro, Brazilian, b. Italy, Hammered gold Glassell Collection, gifts of 1925–1973 Chen Changfen, Chinese, b. 1941 10 3/8 x 2 1/8 x 7/16 (26.4 x 5.5 x 1.1) Alfred C. Glassell, Jr.: Texto aberto (Open Text), 1966 Xi Da Lou, Beijing, 1998 Gift of Isabel B. and Wallace S. Wilson Movable photo-characters on a wood Da Zhen Yu, Beijing, 1998 in honor of Alfred C. Glassell, Jr. Veracruz sliding base Jian Kou, Beijing, 2000 Iguana, A.D. c. 600–900 12 3/16 x 77 3/4 x 1 (31 x 197.5 x 2.5) Museum purchases with funds provided Egyptian Terracotta Museum purchase by the S. I. Morris Photography Falcon-form Coffin with Corn Mummy, 10 11/16 x 22 1/4 x 7 7/16 (27.1 x 56.5 x 18.9) 2005.358 Endowment 332–32 B.C. 2006.382–2006.384 Painted and gilded wood, grain, earth, Moché, Peru Thomas Glassford, American, b. 1963 linen, and wax Reclining Feline Vessel, A.D. 100–700 Aster 350 T12/5000K, from the Aster 19 1/4 x 6 1/2 x 5 1/2 (48.9 x 16.5 x 14) Ceramic series, 2001 Film and Video Museum purchase with funds provided 8 x 4 x 10 (20.3 x 10.2 x 25.4) Fluorescent light, acrylic, ballasts, and by the Museum Collectors wiring Tamra Davis, American, b. 1962 Moché, Peru 138 (350.5) diam. Conservation with Basquiat, 2005 Stirrup Spout Feline Vessel, A.D. 100–700 Museum purchase 21-minute DVD African Art Ceramic 2005.360 Gift of the director 7 1/8 x 5 1/2 (18.1 x 14) 2006.188 The following works are from the Marcos Raya, American, b. Mexico, 1950 Glassell Collection of African Gold, * * * The Anguish of Being and the Nothingness Josef Felix Müller, Swiss, b. 1955 gifts of Alfred C. Glassell, Jr.: of the Universe, 2000 Cameraman: Peter Liechti Calima, Colombia Acrylic on canvas Groping through the Fine Mist of Akan, Ghana Seated Figure Vessel (Canastero) with 82 (208.3) diam. Sensuousness (Tasten durch den Feinen Executioner’s Knife with Sheath, Snakes, A.D. 400–1000 Gift of Roy Cullen in honor of Nebel der Sinnlichkeit), 1986–87 19th century Ceramic Mary Cullen at “One Great Night in 21-min. PAL tape Gold, iron, leather 6 x 3 1/8 x 3 7/8 (15.2 x 8 x 9.9) November, 2005” Gift of the artist Museum purchase with funds provided 2005.1070 2006.265 Probably Akan, Ghana by “One Great Night in November, 2005” Counselor’s Staff (okyeame poma) with Beatriz González, Colombian, b. 1938 Finial in the Form of a Crown, Paracas, Peru Mutis por el foro (cama) (Exit stage rear Antiquities 19th century Vessel with Oculate Being, 300–100 B.C. [a bed]), 1973 Carved ivory and turned ebony and Ceramic Enamel on metal sheet joint on metal Cypriot ivory 4 1/4 x 5 1/2 (10.8 x 14) furniture Amphora, 700–600 B.C. .A, Finial: 11 1/2 x 4 (29.2 x 10.2) Gift of Susan and Mac Dunwoody in 47 1/4 x 96 1/2 x 35 1/2 (120 x 245 x 90) Ceramic with bicolor slip painting .B, Staff: 53 1/2 x 1 1/2 (135.9 x 3.8) honor of Judy and Charles Tate at Museum purchase with funds provided 34 x 20 1/2 (86.4 x 52.1) “One Great Night in November, 2005” by the Caroline Wiess Law Accessions Gift of Meredith J. Long and Fayez Probably Akan, Ghana Endowment Fund, with additional gifts Sarofim in honor of Frances Marzio at Counselor’s Staff (okyeame poma) with of Leslie and Brad Bucher, Karol “One Great Night in November, 2005” Finial in the Form of a Griffin, Kreymer and Robert Card, M.D., 19th century Anne and John C. Moriniere, and the Sterling silver and turned ebony Latin Maecenas .A, Finial: 8 1/4 x 5 x 3 1/4 (21 x 12.7 x 8.3) 2005.1728 .B, Staff: 59 1/2 x 1 1/2 (151.1 x 3.8)

74 Accessions

Julio Alpuy, Uruguayan, b. 1919 Park Ki-won, Korean, b. 1964 Utagawa Kunisada (Toyokuni III), Utagawa Kuniyoshi, Japanese, Genesis, 1964 [Drawing 8], 2005 Japanese, 1786–1865 1797/98–1861 Incised wood, paint, and ink Oil color and colored pencil on paper Nana-o Holding an Incense Burner and Published by Muratetsu 63 x 75 1/2 (160 x 191.7) 30 1/8 x 23 1/4 (76.5 x 59) Stretching Out into the Night Luring the Uneme of Atsuta Exorcising a Monstrous Gift of Susan and Mac Dunwoody, [Drawing 12], 2005 Moths, from the series 36 Famous and Serpent from a Lake, from the series 24 Mr. and Mrs. George B. Kelly, Oil color and colored pencil on paper Fine Courtesans (Meigi Sanju Rokka Sen), Examples of Filial Piety in Our Country Mr. and Mrs. Charles W. Tate, and a 30 1/8 x 23 1/4 (76.5 x 59) c. 1860 (Honcho Nijushiko), printed c. 1842–43 gift in honor of Hugo V. Neuhaus, Jr. [Drawing 19], 2005 Color woodblock print on paper Color woodblock print 2006.52 Oil color and colored pencil on paper 14 x 9 3/4 (35.6 x 24.8) 9 5/8 x 7 (24.4 x 17.8) 30 1/8 x 23 1/4 (76.5 x 59) Given in honor of Christine Starkman 2006.293 Oscar Muñoz, Colombian, b. 1951 Gifts of Mrs. Chong-Ok Matthews 2006.57 Pixels, 2003 2005.2159–2005.2161 Utagawa Kuniyoshi, Japanese, Sugar cubes and coffee Taiso Yoshitoshi (Tsukioka), Japanese, 1797/98–1861 Each: 13 3/4 x 13 3/4 x 1 (34.9 x 34.9 x 2.5) The following works are gifts of 1839–1892 Published by Yamamoto-ya Heikichi Gift of the artist in honor of Stephen Hamilton: Block carved by Takimoto Zensaku (known as Eikyudo), Japanese, active Mari Carmen Ramírez (Chokuzan), Japanese, 1860–1925 c. 1818–1830s 2006.270.A–.L Utagawa Yoshifuji, Japanese, 1828–1887 Published by Matsui Eikichi, Tokyo Written text by Ryukatei Tanekazu, Published by Higuchi Gintaro, Oshichi Climbing the Fire Watch Tower to Japanese, 1807–1858 Japanese, 19th century Look at Her Burning House “Pine, bamboo, Sasai (Sakai) Kyuzo Masayasu Asian Art Kato Kiyomasa on the Shore in Korea, 1887 and plum; the framed painting at Disintegrating Before a Volley of Color woodblock triptych Yushima” (Shochikubai yushima no Musketry, from the series Heroic Stories Park Young Sook, Korean, b. 1947 14 9/16 x 29 1/2 (37 x 75) kakegaku), 1885 of the Taiheiki, also known as Buncheong Seating Arrangement, 2006.36.A–.C Color woodblock print on paper The Chronicle of Nobunaga and Taiko c. 2000–05 28 x 9 (71.1 x 22.9) Hideyoshi (Taiheki Eiyuden), 1848–49 Ceramic Ando Hiroshige, Japanese, 1797–1858 Given in honor of Christine Starkman Color woodblock print .A–.D, “L-shaped” sections: 37 x 60 x 38 Published by Heisuke Koshimuraya, 2006.58.A,.B 14 x 9 5/8 (35.5 x 24.5) (94 x 152.4 x 96.5) Japanese 2006.294 .E–.F, upright “L’s”: 60 x 37 x 38 The Kannon Temple at Cape Abuto in Utagawa Kuniyoshi, Japanese, (152.4 x 94 x 96.5) Bingo Province, Bingo Abuto Kannondõ, 1797/98–1861 Utagawa Kuniyoshi, Japanese, .G–.H, square stools: 27 x 27 x 37 from the series The Famous Places in the Published by Izumiya Ichibei, Japanese 1797/98–1861 (68.6 x 68.6 x 94) Sixty-Odd Provinces, 1853 Hakkenden no uchi: Hôryû-kaku; On the Published by Yamamoto-ya Heikichi Gift of Tomio Taki Color woodblock print Roof at Hôryû-kaku, from the series (known as Eikyudo), Japanese, active 2005.366.A–.H 14 9/16 x 10 1/4 (37 x 26) Hakkenden, 1836–37 c. 1818–1830s Given in memory of his grandmother, Color woodblock print Written text by Ryukatei Tanekazu, Ogata Gekko, Japanese, 1859–1920 Frances Eleanor Dixon 14 15/16 x 30 (38 x 76.2) Japanese, 1807–1858 Published by Matsuki Heikichi, Japanese, 2006.54 Given in honor of Charles Tanner Saito Toshimoto Nyudo Ruhon and a est. 1763 2006.290.A–.C Chinese General Struggling Underwater, The 47 Ronin, c. 1903 Utagawa Kunisada (Toyokuni III), from the series Heroic Stories of the Woodblock album, paper Japanese, 1786–1865 Hiroshi Yoshida, Japanese, 1876–1950 Taiheiki, also known as The Chronicle of 14 x 10 1/8 x 5/8 (35.6 x 25.7 x 1.6) The Actor Iwai Kumesaburo III Making Printed by Hiroshi Yoshida, Japanese, Nobunaga and Taiko Hideyoshi (Taiheki Gift of the Japan Business Association Up Before a Mirror in His Dressing Room, 1876–1950 Eiyuden), 1848–49 of Houston from the series Eight Parodies of Beauty Travelers Resting at the Nigatsudo Temple, Color woodblock print 2005.1060 and Speech, 1856 1926 14 x 9 5/8 (35.5 x 24.5) Color fan print with black lacquer Color woodblock print with mica 2006.295 Unknown Artist 9 1/8 x 11 3/4 (23.2 x 29.8) 15 3/4 x 10 3/4 (40 x 27.3) Three Untitled Buddhist Paintings, Given in honor of Jeffrey C. Mackey Given in honor of Barry Cooper Toyohara Chikanobu, Japanese, 1838–1912 14th–15th centuries 2006.55 2006.291 Published by Hashimoto, Japanese Hanging scroll, ink and color on silk, A Poetry Reading in the Interior of the silk mount Hiroshige II, Japanese, 1829–1869 Shunzan Katsukawa, Japanese, active Imperial Palace After a Peaceful Snowfall, Each: 50 1/2 x 22 1/8 (128.3 x 56.1) Published by Uoya Eikichi, Japanese 1782–1798 1886 Gifts of Dr. and Mrs. Edward A. Hunting for Mushrooms at Kumano in Ki-i Children Having a Light Meal, c. 1786 Color woodblock print on paper Wilkerson Province, from the series One-Hundred Sumi ink drawing on paper 14 1/8 x 28 (35.9 x 71.1) 2005.1061–2005.1063 Views of Famous Places in the Provinces, 10 3/4 x 7 7/16 (27.3 x 18.9) Given in honor of Stephanie Harris 1860 Given in honor of Marjorie G. Horning 2006.375.A–.C Color woodblock print on paper 2006.292 14 5/16 x 9 9/16 (36.4 x 24.3) Given in honor of Ann Robinson and in memory of Norma Lee 2006.56

75 Accessions

Toyohara Kunichika, Japanese, Shibata Zeshin, Japanese, 1807–1891 Utagawa Kunisada (Toyokuni III), Claus Bury, German, b. 1946 1835–1900 Still Life of Vegetables on the Ground, Japanese, 1786–1865 Ring, 1972 Published by Matsuki Heikichi, probably printed c. 1890–1910 Published by Uoya Eikichi, Japanese Gold and perspex acrylic Japanese, est. 1763 Color woodblock print on paper Ono no Komachi, One of the Famous Six 1 1/8 x 1 1/2 x 1 3/4 (2.9 x 3.8 x 4.4) A Tale for the Ages (Korewa Mandai no 9 3/8 x 9 3/4 (23.8 x 24.8) Poets, from the series Kokon Meifu Den Brooch, 1977 hanashigusa): A Magic Lantern Picture of 2006.381 (The Stories of Loyal Women in All Times), Silver, gold, and copper alloys the Eruption of Mount Asama c. 1855 2 1/2 x 1 3/4 x 3/4 (6.4 x 4.4 x 1.9) (Asamayama no utsushi-e) The Kabuki * * * Color woodblock print on paper 2002.3663, 2002.3668 Actor Onoe Kikujiro (II?) in the Role of a 14 1/8 x 9 3/4 (35.9 x 24.8) Street Worker, 1888 Chinese 2006.43 Peter Chang, British, b. 1944 Color woodblock print on paper Avalokitesvara, Guan-Yin, A.D. 557–581 Brooch, 1996 14 7/16 x 29 1/4 (36.7 x 74.3) Limestone Utagawa Kunisada (Toyokuni III), Acrylic and resin Given in honor of Jeffrey Harris 25 3/16 x 7 7/8 x 7 7/8 (64 x 20 x 20) Japanese, 1786–1865 5 1/16 x 1 3/8 x 3/4 (12.9 x 3.5 x 1.9) 2006.376.A–.C Gift of T. T. & W. F. Chao Global Published by Sanoya Kihei, Japanese 2002.3690 Foundation in honor of Mr. and Mrs. Untitled, from the series One Hundred Utagawa Kuniyoshi, Japanese, Ting Tsung Chao, with additional funds Poets, 1844–46 Toni Goessler-Snyder, German, 1942–1982 1797/98–1861 provided by the Director’s Accessions Color woodblock print on paper Brooch or Pendant, 1974 Published by Ibaya Kyubei Fund 14 1/8 x 9 1/4 (35.9 x 23.5) Gold, sterling silver, and Lucite Block carved by Sugawa Renkichi, 2006.37 2006.44 3 1/2 x 2 3/4 x 5/8 (8.9 x 7 x 1.6) Japanese, active 1840–85 Brooch or Pendant, 1979 Goshaku Somegoro Playing the The following works are museum Toyohara Chikanobu, Japanese, 1838–1912 18k gold, mother-of-pearl, ivory, Shakuhachi, from the series Kuniyoshi purchases: Published by Kobayashi Tetsujiro diamond, and Lucite moyo shofuda tsuketari genkin otoko Untitled, from the series Azuma Nishi-ga 2 3/4 x 2 1/8 x 3/8 (7 x 5.4 x 1) (Typical Types of Manly Fellows in Utagawa Kunisada (Toyokuni III), Yokurabe (A Collection of Night Tales), Bracelet, 1979 Kuniyoshi’s Style), 1845 Japanese, 1786–1865 1886 24k gold, sterling silver, chalcedony, Color woodblock print on paper Published by Sanoya Kihei, Japanese Color woodblock print on paper and garnet 14 9/16 x 9 11/16 (37 x 24.6) A Woman at Her Dressing Table, from 14 1/16 x 9 1/2 (35.7 x 24.1) 1 5/8 x 7 15/16 x 3/16 (4.1 x 20.2 x .5) 2006.377 the series Combined Pictures of the 2006.45 2002.3775, 2002.3780, 2002.3782 Chushingura Story, 1859 Utagawa Toyokuni I, Japanese, Color woodblock print on paper * * * Yasuki Hiramatsu, Japanese, b. 1926 1769–1825, active c. 1795–1820 15 1/16 x 10 5/16 (38.3 x 26.2) “Five Continents” Brooch, 1998 Published by Tsuruya 2006.39 Gandharan 18k gold The Actors Seki Sanjuro (II) as Obiya Bodhisattva, A.D. 2nd–3rd century 1 x 2 x 1 1/2 (2.5 x 5.1 x 3.8) Choemon and Ichikawa Denzo as Ohan of Utagawa Kuniyoshi, Japanese, Carved schist 2002.3825 the Shinonoya in the Kabuki Drama 1797/98–1861 43 5/16 (110) Katsuragawa Renri no Shigarami (Love Published by Ebiya Rinnosuke Museum purchase with funds provided Hermann Jünger, German, 1928–2005 Suicide of Ohan and Choemon at the Bijin, Ueshima Monya Raising a Sleeve to by the Friends of Asian Art Ring, 1995 Katsura River), c. 1810 Chin, Wearing One Sword, from the series 2006.370 Gold, opal, tourmaline, hematite, ruby, Color woodblock print on paper Seichu gishi den (The 47 Ronin), 1847 emerald, and chrysoprase 14 3/8 x 9 3/4 (36.5 x 24.8) Color woodblock print on paper 1 1/4 x 1 3/16 x 1 1/4 (3.2 x 3 x 3.2) 2006.378 14 1/8 x 9 1/2 (35.9 x 24.1) Decorative Arts 2002.3843 2006.40 Ohara Koson, Japanese, 1877–1945 The following works are from the Nel Linssen, Dutch, b. 1935 Published by Daikokuya Heikichi Utagawa Kunisada (Toyokuni III), Helen Williams Drutt Collection, Necklace, 1992 Praying Mantis on Willow, Full Moon, Japanese, 1786–1865 museum purchases with funds Paper and elastic c. 1910–23 Published by Sanoya Kihei, Japanese provided by the Mary Kathryn Lynch 2 1/2 x 7 diam. (6.4 x 17.8) Color woodblock print on paper Untitled, from the series Women Kurtz Charitable Lead Trust: 2002.3920 9 3/8 x 10 1/8 (24.4 x 25.7) Comparing to the One Hundred Poets, Given in honor of the Murrin Family 1844–46 Klaus Arck, German, b. 1956 Janna Syvänoja, Finnish, b. 1960 2006.379 Color woodblock print on paper “Fermall” Brooch, 1985 Brooch 13 3/4 x 9 5/8 (34.9 x 24.4) Paper and wood Coated paper, plastic, and silver Kikugawa Eizan, Japanese, 1787–1867 2006.41 2 x 5 x 1 (5.1 x 12.7 x 2.5) 1 1/2 x 8 1/4 x 1/2 (3.8 x 21 x 1.3) Geishas of the Green Houses Feeding Brooch, 1987 2002.4121 Peacocks, c. 1810–20 Utagawa Kunisada (Toyokuni III), Paper and wood Sumi ink on paper Japanese, 1786–1865 3 1/2 x 4 1/4 x 1 5/8 (8.9 x 10.8 x 4.1) 15 x 30 (38.1 x 76.2) Published by Sanoki 2002.3584, 2002.3585 Given in honor of Marjorie G. Horning Koshikibu-no-naishi, Woman Making Up 2006.380.A–.C in Front of a Mirror, from the series Women and 100 Famous Poets, 1844–46 Color woodblock print on paper 14 1/16 x 9 5/8 (35.7 x 24.4) 2006.42 76 Accessions

The Kalo Shop Chafing Dish with Matching Tray, 1905–14 Sterling silver and ebony Museum purchase with funds provided by the Mary Kathryn Lynch Kurtz Charitable Lead Trust 2005.1208

The following works are from the Martha Banyas, American, b. 1944 “Black Petrossa” Brooch, 1991 “Yo, Metteur en Scène” (I Am the Director) Helen Williams Drutt Collection, gifts Brooch, 1984 Enamel, copper, and 20k gold Brooch, 1992 of the Caroline Wiess Law Foundation: Copper, enamel, and silver 3/4 x 5 x 3/4 (1.9 x 12.7 x 1.9) Gold, silver, coral, and diamonds 2 1/2 x 3 3/16 x 1/4 (6.4 x 8.1 x .6) “Rocaille #13” Brooch, 1992 3 1/2 x 3 3/4 x 1/2 (8.9 x 9.5 x 1.3) Giampaolo Babetto, Italian, b. 1947 2002.3617 Enamel, copper, 22k and 14k gold “God in Ruins” Brooch, 1993 Brooch, 1982 5 x 2 x 1/2 (12.7 x 5.1 x 1.3) Gold and coral Epoxy resin and 18k gold Rebecca Batal, American, b. 1967 2002.3621–2002.3625 4 x 4 1/2 x 1 (10.2 x 11.4 x 2.5) 1/2 x 4 7/16 x 1/2 (1.3 x 11.3 x 1.3) “Chopin” Necklace, 1989 “Engelsprovisorium” Brooch (“Provisional Brooch, 1984 Crystal beads, hematite, plaster, and Joan Fraerman Binkley, American, Angel Arrangement” Brooch), 1996 Nickel silver and epoxy resin found objects 1927–2000 Gold, silver, and jade 1 x 6 7/8 x 1/2 (2.5 x 17.5 x 1.3) 15 x 2 x 5/8 (38.1 x 5.1 x 1.6) Necklace, 1983 4 1/4 x 3 1/2 x 1/2 (10.8 x 8.9 x 1.3) Pair of Earrings, 1987 “Mickey Mouse Crucifix” Necklace, 1989 Porcelain, gold, and silver luster glazes 2002.3628–2002.3633 Epoxy resin and 18k gold Plastic, wood, and steel wire 10 1/2 x 5 3/4 x 1 1/4 (26.7 x 14.6 x 3.2) 2002.3635–2002.3637 .A: 1/2 x 1 x 1 1/2 (1.3 x 2.5 x 3.8) 40 x 2 x 1 (101.6 x 5.1 x 2.5) 2002.3626 .B: 3/4 x 1/2 x 15/16 (1.9 x 1.3 x 2.4) 2002.3618, 2002.3619 Marta Breis, Spanish, b. 1953 Brooch, 1992 Manfred Bischoff, German, b. 1947 Brooch, 1989 18k gold and pigment Michael Becker, German, b. 1958 “Il Mio Casa” Brooch, 1986 Plastics, copper alloy, steel, thread, 3/4 x 2 x 3 (1.9 x 5.1 x 7.6) Barcelona I, 1988 Gold, silver, coral, and bone natural silk, paint, and bamboo Pair of Earrings, 1992 750 gold and hematite 3 3/4 x 2 x 1/2 (9.5 x 5.1 x 1.3) 18 x 6 x 5/8 (45.7 x 15.2 x 1.6) 18k gold and pigment 1 x 2 3/16 x 1/4 (2.5 x 5.6 x .6) “Kraft-Versus-Host-Reaction” Brooch, 1986 Brooch, 1989 .A: 1 x 1 x 1 (2.5 x 2.5 x 2.5) 2002.3620 Gold, silver, and South Sea coral Plastics, copper alloy, steel, thread, .B: 1 x 1 1/16 x 1 1/16 (2.5 x 2.7 x 2.7) 3 5/8 x 6 x 1/2 (9.2 x 15.2 x 1.3) natural silk, paint, and bamboo 2002.3586–2002.3590.A,.B Jamie Bennett, American, b. 1948 Study for “Kraft-Versus-Host-Reaction” 5 1/2 x 8 5/8 x 1/2 (14 x 21.9 x 1.3) “Pattern Fragment #3” Brooch, 1978 Brooch, 1986 2002.3646, 2002.3647 Gijs Bakker, Dutch, b. 1942 Silver and enamel Ink and pencil on paper “Bouquet” Brooch, 1988 1 3/4 x 1 11/16 x 1/2 (4.4 x 4.3 x 1.3) 8 1/2 x 11 1/2 (21.6 x 29.2) Amy Buckingham-Flammang, PVC, print, and yellow sapphires “Black Basilica #4” Brooch, 1982 “Taugenichts” Brooch, 1987 American, b. 1943 4 x 3 3/4 x 3/4 (10.2 x 9.5 x 1.9) Silver and enamel Gold-plated silver and metal Brooch #6, 1973 2002.3605 1 3/8 x 2 1/2 x 5/16 (3.5 x 6.4 x .8) 3 1/2 x 3 1/2 x 5/8 (8.9 x 8.9 x 1.6) Gold-plated bronze and Lexan “Palermo” Brooch, from the series Study for “Taugenichts” Brooch, 1987 2 3/4 x 4 7/8 x 2 3/4 (7 x 12.4 x 7) Otto Künzli, Swiss, b. 1948 Coloratura, 1985 Ink and pencil on paper 2002.3652 “Tyskland 1” Wallpaper Brooch, 1982 Silver, enamel, and copper Sheet: 11 1/2 x 8 3/16 (29.2 x 20.8) Paper and hardfoam 1 1/8 x 4 1/4 x 1/4 (2.9 x 10.8 x .6) “Guerilla” Brooch, 1988 2 3/4 x 2 3/4 x 13/16 (7 x 7 x 2.1) Gold-plated silver and coral 2002.3608 3 3/8 x 4 7/8 x 3/8 (8.6 x 12.4 x 1)

77 Accessions

Stuart M. Buehler, American, b. 1945 “Calibre” Brooch, c. 1986 “Idea” Brooch with Box, 1996 Paul Derrez, Dutch, b. 1950 “Love Object” Necklace, 1982 Silver .A, brooch: Silver, steel, acrylic paint, Necklace, 1982 Cow bone, wax linen string, and dye 3 x 3 x 1/4 (7.6 x 7.6 x .6) and colorcore Plastic and steel resist “Sound” Brooch, 1980 2 5/8 x 2 1/2 x 5/8 (6.7 x 6.4 x 1.6) 10 3/8 x 11 x 2 (26.4 x 27.9 x 5.1) 21 1/2 x 1 1/8 x 1/4 (54.6 x 2.9 x .6) Silver .B, box: Wood and paint 2002.3714 “Nine Grains” Necklace, 1982 1 1/8 x 4 1/16 x 1/2 (2.9 x 10.3 x 1.3) 1 5/8 x 2 1/2 x 5 3/8 (4.1 x 6.4 x 13.7) Cow bone, wax linen string, store Brooch, 1988 2002.3693, 2002.3795, 2002.3694- Claire Dinsmore, American, b. 1961 beads, and dye resist Silver 2002.3697 “Kokov” Bracelet, 1987 16 x 2 3/4 x 1/4 (40.6 x 7 x .6) 5 1/8 x 5 1/8 x 2 1/8 (13 x 13 x 5.4) Sterling, anodized aluminum, plated Collier, 1983 2002.3675–2002.3679 Johanna Dahm, Swiss, b. 1947 tubing, and brass Cow bone, wax linen string, and Bewegte Linie (Moving Line), 1983 3 5/16 x 3 3/8 x 1/2 (8.4 x 8.6 x 1.3) soapstone Peter Chang, British, b. 1944 Anodized aluminum and steel wire 2002.3717 16 x 2 1/2 x 1/2 (40.6 x 6.4 x 1.3) Bracelet, 1986 (with wooden box) 2002.3653–2002.3655 Acrylic and PVC 14 3/16 x 14 3/16 x 1 3/16 (36 x 36 x 3) Breon O’Casey, British, b. 1928 5 1/2 x 5 1/2 x 2 1/2 (14 x 14 x 6.4) “Perspex” Brooch, 1983 Brooch, 1990 Nancy Worden, American, b. 1954 Brooch, 1991 Perspex and steel wire Gold and silver “Conventional Weapons” Necklace, 1997 Acrylic, polyester, and PVC 3 x 12 3/8 x 3/8 (7.6 x 31.4 x 1) 3 x 2 1/4 (7.6 x 5.7) Silver, brass, copper, onyx, glass, vin- 6 x 3 x 2 (15.2 x 7.6 x 5.1) “Rod” Brooch, 1983 2002.3718 tage plastics, and paper Earrings, 1991 Anodized aluminum and steel wire 15 x 8 1/4 x 3/4 (38.1 x 21 x 1.9) Acrylic and PVC 3 x 12 3/8 x 3/8 (7.6 x 31.4 x 1) Georg Dobler, German, b. 1952 2002.3657 Each: 1 1/4 x 1 x 1/4 (3.2 x 2.5 x .6) “Rod” Brooch, 1983 Brooch, 1982 Bracelet, 1995 Anodized aluminum and steel wire New silver, steel, and lacquer Pierre Cavalan, French, b. 1954 Acrylic and silver 12 1/2 x 1 1/2 x 1 (31.8 x 3.8 x 2.5) 3 3/8 x 4 1/8 x 3/4 (8.6 x 10.5 x 1.9) “Canberra” Brooch, 1990 5 x 4 3/4 x 2 3/8 (12.7 x 12.1 x 6) Neck Object, 1985 “Salvatore” Brooch, 1985 Silver, imitation stones, enamel, and Ring, 1996 Chrome-plated brass and rubber cord Steel wire and acrylic lacquer found objects Acrylic and silver 13 x 13 x 3/16 (33 x 33 x .5) 5 x 6 1/2 x 1/4 (12.7 x 16.5 x .6) 6 1/4 x 3 x 1/2 (15.9 x 7.6 x 1.3) 2 x 2 3/8 x 1 1/4 (5.1 x 6 x 3.2) “Reflection and Projection” Brooch, 1993 Neckpiece, 1996 “I Am Not a Tourist, Collar of Sydney” 2002.3681–2002.3683.A,.B, 2002.3688, Silver and acrylic Rock crystal and silver oxide Necklace, 1992 2002.3689 5 7/8 x 7/8 x 1 (14.9 x 2.2 x 2.5) 13 5/8 x 1 5/8 x 3/4 (34.6 x 4.1 x 1.9) Silver and found objects 2002.3698.A–.H–2002.3703 Brooch, 1999 8 1/4 x 7 5/16 x 3/8 (21 x 18.6 x 1) Ros Conway, British, b. 1951 Amethyst and silver “Order of Darwin” Brooch, 1992 and Hugh O’Donnell, British, b. 1951 Edward De Large, British, b. 1949 3 3/8 x 3 1/2 x 3/8 (8.6 x 8.9 x 1) Enamel badges and found objects Brooch, 1987 Brooch, 1981 2002.3719, 2002.3720, 2002.3727, 5 7/8 x 2 7/8 x 1/2 (14.9 x 7.3 x 1.3) Silver, enamel, and white gold Silver and titanium 2002.3728 “Pigs Might Fly” Brooch, 1991 2 3/4 x 3 1/2 x 1/4 (7 x 8.9 x .6) 2 1/4 x 2 1/4 x 1/16 (5.7 x 5.7 x .2) Silver, imitation stones, and found 2002.3691 Brooch, 1982 Margaret West, Australian, b. 1936 objects Silver and titanium “Three Stones with Steel” Necklace, 1985 8 1/2 x 5 x 1/2 (21.6 x 12.7 x 1.3) Ken Cory, American, 1943–1994 2 1/4 x 2 1/4 x 1/4 (5.7 x 5.7 x .6) Stone and stainless steel cable “Air” Neckpiece, 1993 and Les LePere, American, b. 1946 Brooch, 1982 9 1/2 x 7 x 1 1/4 (24.1 x 17.8 x 3.2) Enamel, souvenir tacks, and mixed “Blimp” Wall Piece, 1971 Silver and, titanium 2002.3729 media Enamel on copper, Plexiglas, colored 7 7/8 x 2 3/16 x 3/16 (20 x 5.6 x .5) 15 1/4 x 10 x 3/8 (38.7 x 25.4 x 1) pencil, and ink 2002.3704–2002.3706 Robert Ebendorf, American, b. 1938 “Fin de Siècle” Brooch, 1995 4 1/4 x 4 7/16 x 1 (10.8 x 11.3 x 2.5) Brooch, from the series Colored Smoke Found objects, silver, enamel, and 2002.3692 Peter de Wit, Dutch, b. 1952 Machine Brooches, 1974 mixed media Brooch, 1983 Silver, Plexiglas, gold-plated bronze, 6 1/2 x 4 x 3/4 (16.5 x 10.2 x 1.9) Ramón Puig Cuyàs, Spanish, b. 1953 Silver and anodized aluminum and baroque pearl “Fin de Siècle” Brooch, 1995 Brooch, 1983 3/4 x 7 1/4 x 1/2 (1.9 x 18.4 x 1.3) 3 3/4 x 2 9/16 x 9/16 (9.5 x 6.5 x 1.4) Found objects, enamel, and mixed Silver, steel, and PVC 2002.3707 2002.3730 media 3 7/8 x 4 1/2 x 7/16 (9.9 x 11.4 x 1.1) 7 x 4 x 1/2 (17.8 x 10.2 x 1.3) Study for Brooch, 1983 Lam De Wolf, Dutch, b. 1949 Eva Eisler, Czech, b. 1952 “Fin de Siècle” Brooch, 1995 Graphite on paper Necklace/Shoulderpiece, from the series Brooch, from the series Bridge, 1988 Found objects and mixed media 4 9/16 x 3 1/4 (11.6 x 8.3 cm) Wearable Objects, 1981 Slate, steel wire, and sterling silver 6 x 3 3/4 x 1/4 (15.2 x 9.5 x .6) “Sirena” Brooch, 1987 Cotton, willow, and paint 1 1/8 x 5 3/8 x 1 1/8 (2.9 x 13.7 x 2.9) 2002.3669–2002.3674.1–.3 Silver, steel, acrylic, and acrylic paint 64 x 17 1/2 x 1 1/8 (162.6 x 44.5 x 2.9) Brooch, from the series Bridge, 1988 2 x 5 3/8 x 1/4 (5.1 x 13.7 x .6) Headdress, 1984 Sterling silver Anton Cepka, Slovakian, b. 1936 “L’Ambraçada” Brooch, 1989 Cotton, wood, and paint 1 1/2 x 5 x 1/2 (3.8 x 12.7 x 1.3) Brooch, 1963 Silver, steel, acrylic, and acrylic paint 11 x 16 x 17 3/4 (27.9 x 40.6 x 45.1) Brooch, from the series Construction, Silver 4 x 3 7/8 x 1/2 (10.2 x 9.8 x 1.3) 2002.3711, 2002.3724 1984–85 1 11/16 x 2 5/16 x 1/4 (4.3 x 5.9 x .6) “Mermaid” Brooch, 1989 Slate, ivory, ebony, and silver Brooch, 1975 Silver, acrylic paint, and colorcore 1 x 6 x 1/2 (2.5 x 15.2 x 1.3) Metal, slate, plastic, glass, and paint 3 x 5 7/8 x 1 1/2 (7.6 x 14.9 x 3.8) 2002.3735, 2002.3736, 2002.4133 3 x 5 1/2 x 1/2 (7.6 x 14 x 1.3) 78 Accessions

Donald H. Colflesh Manufactured by Gorham Manufacturing Company “Circa ’70” Pattern Coffee Service, 1960 Sterling silver and ebony Bequest of Mary Beth Baird, by exchange 2005.1864.1–.5

Sima Farjadi, Iranian, b. 1952 Donald Friedlich, American, b. 1954 Fukuchi Kyoko, Japanese, b. 1946 Thomas Gentille, American, b. 1936 Necklace, 1992 “Interference Series” Brooch, 1983 Brooch, 2001 Untitled Brooch, c. 1977–79 Textile and found wood object 18k gold, sterling silver, slate, titanium, Japanese lacquer (urushi), lead, wood, Bronze, ebony, and 14k and 18k yellow 8 x 8 1/2 x 1 (20.3 x 21.6 x 2.5) and nickel and silver gold 2002.3739 1 x 1 1/2 x 1/2 (2.5 x 3.8 x 1.3) 2 1/4 x 4 3/8 x 5/8 (5.7 x 11.1 x 1.6) 1/2 x 2 3/4 (1.3 x 7) diam. “Erosion Series” Brooch, 1984 2002.3763 2002.3772 Ida Forss, Swedish, b. 1971 18k gold, sterling silver, titanium, slate, “Sugarfree” Necklace, c. 1999–2000 and nickel Elizabeth Garrison, American, b. 1952 Toni Goessler-Snyder, German, 1942–1982 Porcelain 1 5/16 x 1 13/16 x 1/4 (3.3 x 4.6 x .6) Brooch, 1982 Brooch/Pendant, 1974 3/4 x 9 1/2 (1.9 x 24.1) diam. 2002.3751, 2002.3752 Silver, bronze, copper, mother-of-pearl, 18k and 24k gold, silver, and amine- 2002.3745 enamel, and found objects catalyzed resin Max Fröhlich, Swiss, 1908–1997 1 1/2 x 2 x 1/2 (3.8 x 5.1 x 1.3) 2 7/8 x 2 5/8 x 1/4 (7.3 x 6.7 x .6) Warwick Freeman, New Zealand, b. Ring, 1982 “Volcano Dream #1” Brooch, 1985 Brooch or Pendant, 1975 1953 Silver Fine and sterling silver, copper, enamel, 18k gold, silver, and amine-catalyzed resin “Paua Bead and Star” Necklace, 1989 1 1/4 x 1 x 3/4 (3.2 x 2.5 x 1.9) and found objects 3 1/4 x 3 3/16 x 1/2 (8.3 x 8.1 x 1.3) Abalone (Paua) Brooch, 1983 2 x 2 1/8 x 1/4 (5.1 x 5.4 x .6) Bracelet, 1975 15 1/2 x 5 1/2 x 1 (39.4 x 14 x 2.5) Silver Moon #4 Brooch, 1987 24k gold leaf, and Lucite “Lure” Brooch, 1989 1 x 2 1/4 (2.5 x 5.7) diam. Silver, copper, altered found objects, 2 1/4 x 1 3/4 x 2 (5.7 x 4.4 x 5.1) Abalone, stone, and plastic “Bijou Barbare” Ring, 1984 mother-of-pearl, and enamel Brooch or Pendant, 1979 3 x 4 3/4 x 1/2 (7.6 x 12.1 x 1.3) Silver alloy 2 7/8 x 1 1/4 x 1/4 (7.3 x 3.2 x .6) Gold, silver, and ebony resin “Paua Layer” Bracelet, 1989 1 5/16 x 1 3/8 x 1 1/8 (3.3 x 3.5 x 2.9) The Swimmer of Dreams Brooch, 1988 2 7/8 x 3 1/2 x 1/2 (7.3 x 8.9 x 1.3) Abalone (Paua) “Bijou Barbare” Bracelet, 1984 Fine and sterling silver, enamel, copper, 2002.3776–2002.3779 1 3/4 x 3 3/4 (4.4 x 9.5) diam. Silver alloy 14k gold, ebony, and fossil ivory “Star Heart” Brooch, 1989 1 1/4 x 3 3/8 (3.2 x 8.6) diam. 3 3/4 x 1 1/4 x 1/4 (9.5 x 3.2 x .6) Lisa Gralnick, American, b. 1956 Abalone, volcanic rock, silver, gold, and Ring, 1992 2002.3766, 2002.3768, 2002.3769, Brooch, 1988 paint Silver 2002.3771 Acrylic 2 1/2 x 1 1/2 x 1/4 (6.4 x 3.8 x .6) 15/16 x 7/8 (2.4 x 2.2) diam. 1 1/4 x 5 x 3/4 (3.2 x 12.7 x 1.9) “4 Square” Brooch, 1997 Belt Buckle, 1979–80 Friedrick Knupper, German, 1947–1987 Brooch, 1989–90 Silver and cow bone Silver Brooch, 1981 Acrylic and gold 1 5/8 x 1 5/8 x 1/4 (4.1 x 4.1 x .6) 2 1/4 x 2 1/4 x 1/4 (5.7 x 5.7 x .6) Steel and paint 1/2 x 3 1/2 (1.3 x 8.9) diam. 2002.3746–2002.3750 2002.3755–2002.3759, 2002.3761 2 5/16 x 2 3/8 x 1/2 (5.9 x 6 x 1.3) Anti-Gravity Neckpiece #6, c.1992–93 2002.3770 Sterling silver and, 18k gold 17 7/8 x 2 1/2 x 1 (45.4 x 6.4 x 2.5) Brooch #7, 1999–2000 18k gold 3/16 x 1 7/8 (.5 x 4.8) diam. 79 Accessions

Brooch, 1988 Amuletic Neckpiece #2, 1980 Yasuki Hiramatsu, Japanese, b. 1926 Hermann Jünger, German, 1928–2005 Acrylic 24k gold, silver, cloisonné and Crown, 1993 Brooch, 1989 5 1/2 x 3 x 2 1/2 (14 x 7.6 x 6.4) champlevé enamel on copper and fine Gilded metal Gold and silver Brooch, c. 1988 silver, 14k gold, and sterling silver 6 3/4 x 15 3/4 x 4 5/8 (17.1 x 40 x 11.7) 1/4 x 2 1/16 (.6 x 5.2) diam. Acrylic 8 3/4 x 4 3/4 x 1 (22.2 x 12.1 x 2.5) 2002.3823 Ivory Pendant, 1999 1 1/2 x 3 x 5/16 (3.8 x 7.6 x .8) Barbarian Bracelet #2, 1980 Ivory, wire, and black enamel Brooch, 1988 Sterling silver, 24k gold, cloisonné Ron Ho, American, b. 1936 12 1/2 x 2 1/8 x 5/16 (31.8 x 5.4 x .8) Acrylic enamel, and mercury gilding “Dog Stars” Pendant, 1985 2002.3841, 2002.3845 1 x 6 1/2 x 1 1/2 (2.5 x 16.5 x 3.8) 1 1/8 x 6 (2.9 x 15.2) diam. African gold weight, bronze Afghan 2002.3783–2002.3789 2002.3799–2002.3805 fragment, sterling silver, and 1930 repro- Daniella Kerner, American, duction of Pre-Columbian dog beads b. Israel, 1952 Laurie Hall, American, b. 1944 Petra Hartman, Dutch, b. 1960 10 1/2 x 6 x 1 (26.7 x 15.2 x 2.5) Neckpiece #114, 1975 “Sled” Brooch, 1992 Puzzle Brooch 2002.3826 Vinyl, acrylic, and silver Sterling silver, Plexiglas, and copper Puzzle pieces, glass, cloth, and metal 10 1/2 x 8 3/4 x 2 (26.7 x 22.2 x 5.1) 2 1/2 x 5 x 2 1/4 (6.4 x 12.7 x 5.7) 4 1/2 x 4 1/2 x 1 (11.4 x 11.4 x 2.5) Victoria Howe, American, 1953–1994 2002.3848 2002.3792 2002.3807 Necklace, c. 1983 Anodized aluminum and silk cord Betsy King, American, b. 1953 Susan Hamlet, American, b. 1954 Maria Hees, Dutch, b. 1948 1 x 22 1/2 (2.5 x 57.2) “Caught in a Trap” Brooch, 1990 Shim Bracelet #1, 1983 Brush Brooch, designed 1978, made 1983 2002.3827 Silver, Plexiglas, brass, and photograph Stainless steel, sterling silver, plastic, Plastic 3 3/8 x 3 3/4 x 1/2 (8.6 x 9.5 x 1.3) and rubber 2 1/8 x 2 1/8 x 1/2 (5.4 x 5.4 x 1.3) Victoria Howe, American, 1953–1994 “Trouble in Paradise” Brooch, 1989 1/2 x 3 3/4 (1.3 x 9.5) diam. 2002.3808 Necklace, c. 1983 Silver, brass, photograph, copper, Shim Neckpiece, 1984 Anodized aluminum, 24k gold-plated Plexiglas, and plastic Stainless steel, sterling silver, plastic, Anna Heindl, Austrian, b. 1950 bronze, and silk cord 4 x 3 5/8 x 1/2 (10.2 x 9.2 x 1.3) and rubber “Garden Fence” Brooch, 1989 9 x 3 1/2 x 1 1/2 (22.9 x 8.9 x 3.8) “Raised on Promises” Brooch, 1990 1/2 x 7 1/4 (1.3 x 18.4) diam. Silver and carneolstone 2002.4132 Copper, silver, etched brass, and 2002.3796, 2002.3797 1 1/8 x 4 x 1/2 (2.9 x 10.2 x 1.3) photograph 2002.3812 Itoh Kazuhiro, Japanese, 1948–c. 2002 3 3/4 x 4 1/2 x 1/2 (9.5 x 11.4 x 1.3) Sophie Hanagarth, Swiss, b. 1968 Brooch, 1979 Hat Pin, 1990 “Exkremente” Necklace, 1999 Marion Herbst, Dutch, 1944–1995 Stone Brass, pearl, silver, glass, postcard Iron and tin Brooch, 1982 2 1/4 x 2 5/8 x 1 1/8 (5.7 x 6.7 x 2.9) fragments, and water 13 x 11 x 1 1/4 (33 x 27.9 x 3.2) Embroidered thread and aluminum Brooch, 1979 1 5/8 x 11 5/16 (4.1 x 28.7) 2002.3798 7 1/8 x 4 x 5/8 (18.1 x 10.2 x 1.6) Gold and white marble “Bound to Be Back” Brooch, 1992 Necklace, 1991 3/16 x 2 7/16 (.5 x 6.2) diam. Sterling silver, paper, and brass William Harper, American, b. 1944 Silver, lacquer, and string Brooch, 1979 3 x 5 1/8 x 3/4 (7.6 x 13 x 1.9) “Pagan Baby #4: The Serpent” Brooch, 1977 19 x 3 x 1 (48.3 x 7.6 x 2.5) Stone 2002.3849–2002.3853 14k and 18k gold, silver, fresh and salt- Ring, 1991 2 5/8 x 2 3/8 x 1/2 (6.7 x 6 x 1.3) water pearls, snake rattle, shell, cloisonné Silver Brooch, 1982 Alice H. Klein, American, b. 1956 enamel, and copper 1 5/8 x 1 1/4 (4.1 x 3.2) diam. Stone “After Five” Necklace, 1982 5 5/8 x 3 x 1 (14.3 x 7.6 x 2.5) Pendant, 1991 1/2 x 5 1/4 x 1/2 (1.3 x 13.3 x 1.3) Acrylic, silver, nickel silver, cubic “Pagan Baby #6: The Scarab” Brooch, 1977 Iron and string Brooch zirconia, baroque pearl, gold-filled 14k, 18k, and 24k gold, silver, shell, 14 x 2 x 13/16 (35.6 x 5.1 x 2.1) 24k gold and stone wire, and staples freshwater pearl, cloisonné enamel, and 2002.3814–2002.3817 2 3/4 x 15 x 13/16 (7 x 38.1 x 2.1) 8 1/4 x 6 x 1 1/4 (21 x 15.2 x 3.2) fine silver 2002.3831–2002.3835 “Luminescence” Necklace, 1983 2 11/16 x 3 5/16 x 1/2 (6.8 x 8.4 x 1.3) Therese Hilbert, Swiss, b. 1948 Silver, acrylic, and gold “Pagan Baby #12: The Green Scarab” Brooch, 1978 Daniel Jocz, American, b. 1943 10 1/4 x 7 x 1/2 (26 x 17.8 x 1.3) Brooch, 1978 Silver and gold “Work” Ring, from the series Ceremonies “Haru” Necklace, 1984 14k and 24k gold, silver, bronze, scarab 3/4 x 3 (1.9 x 7.6) diam. of the City, 1988 Acrylic, gold-filled wire, sterling silver, shell, pearls, bone, glass, cloisonné Pendant, 1985 Sterling silver and 14k yellow and pink mother-of-pearl, and cultured pearl enamel, fine gold, and fine silver Silver and cord gold 8 7/16 x 13 x 11/16 (21.5 x 33 x 1.8) 1 1/16 x 4 x 5/8 (2.7 x 10.2 x 1.6) 17 1/4 x 3 3/4 x 1 (43.8 x 9.5 x 2.5) 1 1/2 x 1 x 1 1/2 (3.8 x 2.5 x 3.8) “Half-moon Silver” Necklace, 1982 Small Landscape Pin, 1979 Brooch, 1985 “Rain Makes Wheat Makes Bread” Acrylic, epoxy, and assembled elements 14k gold, silver, jade, agate, baroque Chrome-plated brass Brooch, 1994 5 x 10 x 7/8 (12.7 x 25.4 x 2.2) pearls, cloisonné enamel, and copper 7 x 2 3/4 x 3/4 (17.8 x 7 x 1.9) Sterling silver and polymer clay 2002.3854, 2002.3856–2002.3858 3 x 2 3/4 x 3/8 (7.6 x 7 x 1) Brooch, 1985 1 7/8 x 2 3/8 x 3/4 (4.8 x 6 x 1.9) “Unrequited Valentine #3” Brooch, 1979 Silver and steel 2002.3837, 2002.3840 Esther Knobel, Israeli, b. Poland, 1949 14k gold, silver, baroque pearl, pearl, 5 x 5 3/4 x 1 1/4 (12.7 x 14.6 x 3.2) Necklace, 1983 cloisonné, enamel, and copper 2002.3818, 2002.3819, 2002.3821, Tin, plastic, paint, and elastic 2 1/8 x 2 1/2 x 1/2 (5.4 x 6.4 x 1.3) 2002.3822 1/4 x 10 3/4 (.6 x 27.3) diam. Necklace (Collier aus 23 Teilen), 1983 Tin, paint, and elastic 3/4 x 14 1/4 (1.9 x 36.2) diam. 80 Accessions

Verner Panton Manufactured by J. Lüber AG Prototype UFO Lamp, 1975 Metal and plastic Museum purchase with funds provided by the Design Council, 2006, and additional gifts of Cecily E. Horton, John and Jan Bebout, Kerry Inman, Barbara and Tom Solis, John and Jean Geresi, Karin and Leo Shipman, and various other donors 2006.284

“Immigrants” Brooch, 1991 Robin Kranitzky, American, b. 1956 “Profile of a Woman” Brooch #1681, 1997 “Tyskland 2” Wallpaper brooch, 1982 Nickel, silver, recycled tin can, alloy, Kim Overstreet, American, b. 1955 Micarta, polymer clay, copper leaf, faux Paper and hardfoam and elastic rubber band “Pressures of Life” Brooch #1506, 1989 gold leaf, glass beads, brass, copper, sil- 4 11/16 x 3 5/16 x 1/2 (11.9 x 8.4 x 1.3) 4 x 5 1/8 x 5/8 (10.2 x 13 x 1.6) Silver, nickel silver, copper, micarta, ver, postcard fragments, found objects, “Nr. 2208” Wallpaper Brooch, 1982 Brooch, 1991 glass beads, postcard fragments, found Mylar, and balsa wood Paper, hardfoam, and steel Anodized aluminum and flower objects, Mylar, and balsa wood 4 3/8 x 3 x 1 (11.1 x 7.6 x 2.5) 9 7/8 x 2 x 3/8 (25.1 x 5.1 x 1) 4 x 3/4 x 3/4 (10.2 x 1.9 x 1.9) 3 1/2 x 2 1/2 x 1/2 (8.9 x 6.4 x 1.3) 2002.3871, 2002.3873, “House” Brooch, 1983 2002.3859, 2002.3860, 2002.3862, “All for You” Brooch #1544, 1990 2002.3874–2002.3877, 2002.3881 Paper, hardfoam 2002.3863 Silver, copper, glass beads, acrylic, lead 2 7/8 x 2 7/16 x 3 1/8 (7.3 x 6.2 x 7.9) foil, cotton, brass, micarta, postcard Daniel Kruger, South African, b. 1951 Wallpaper Brooch, 1983 Friedrick Knupper, German, 1947–1987 fragments, found objects, Mylar, and Necklace, 1983 Paper and hardfoam Brooch, 1985 balsa wood Silver 2 3/4 x 2 3/4 x 1 1/8 (7 x 7 x 2.8) Steel and paint 3 1/4 x 2 3/4 x 1 1/4 (8.3 x 7 x 3.2) 9 1/2 x 7 1/4 x 1 1/8 (24.1 x 18.4 x 2.9) “Brockat” Wallpaper Brooch, c. 1983 7 1/2 x 2 1/2 x 1/4 (19.1 x 6.4 x .6) “Notions” Brooch #1560, 1990 2002.3882 Paper and hardfoam Brooch, 1985 Copper, brass, micarta, polymer clay, 2 1/4 x 5 x 2 13/16 (5.7 x 12.7 x 7.1) Steel and paint silver, lead foil, scratch-board, postcard Carol Kumata, American, b. 1949 “California” Wallpaper Brooch, 1983 4 1/2 x 1 7/8 x 1 1/4 (11.4 x 4.8 x 3.2) fragments, found objects, Mylar, and “Katsura Dreams” Brooch, 1981 Paper and hardfoam Brooch, 1985 balsa wood Copper, bronze, silver, straw, and acrylic 3 15/16 x 4 1/2 x 1 1/4 (10 x 11.4 x 3.2) Steel and paint 2 3/4 x 2 3/4 x 1 1/4 (7 x 7 x 3.2) 2 1/2 x 3 3/4 x 1 1/2 (6.4 x 9.5 x 3.8) “Crown” Brooch and Box, 1988 1 1/2 x 6 1/8 x 7/8 (3.8 x 15.6 x 2.2) “Roots” Brooch #1549, 1990 “Glimpses of Muraski” Brooch, 1981 Gold, stainless steel, paper, and silk Neckpiece, 1985 Copper, brass, micarta, acrylic, polymer Copper, bronze, paper, and acrylic .A, Crown: 3/8 x 3/8 x 3/8 (1 x 1 x 1) Steel and paint clay, postcard fragments, found objects, 4 x 3 x 1 3/4 (10.2 x 7.6 x 4.4) .B, Box: 2 1/8 x 3 1/8 x 3 1/8 (5.4 x 7.9 x 7.9) 9 1/2 x 9 x 1 1/8 (24.1 x 22.9 x 2.9) Mylar, and balsa wood 2002.3885, 2002.3886 2002.3887–2002.3895, 2002.3897.A,.B 2002.3864–2002.3867 4 x 2 5/8 x 3/4 (10.2 x 6.7 x 1.9) “Suppressed Thoughts” Brooch #1546, 1990 Otto Künzli, Swiss, b. 1948 Birgit Laken, Dutch, b. 1948 Rena Koopman, American, b. 1945 Copper, micarta, brass, cotton, postcard “Gold Makes Blind” Armpiece, designed Spiralbrooch (Spiral Brooch), 1985 Pair of Earrings, 1988 fragments, found objects, Mylar, and 1980, made 2002 Steel and gold leaf 18k pink gold, 18k yellow gold, balsa wood Rubber and gold 6 x 5 3/4 x 1/16 (15.2 x 14.6 x .2) shibuchi, silver, shakudo, and 24k gold 3 7/8 x 2 1/2 x 1 1/8 (9.8 x 6.4 x 2.9) 1/2 x 3 1/8 (1.3 x 7.9) diam. “Gaatjesbroches” (Perforated Brooch), 1986 .A: 1/2 x 1 3/16 x 1 3/16 (1.3 x 3 x 3) “Thorax” Brooch #1533, 1990 “Thumbtack Pin” Brooches, 1980 Steel .B: 1/2 x 1 1/4 (1.3 x 3.2) diam. Silver, copper, brass, glass stones, post- Rubber, steel, and plastic 5 x 4 1/2 x 1/8 (12.7 x 11.4 x .3) 2002.3870.A,.B card fragments, found objects, Mylar, Each: 3/8 x 3/8 (1 x 1) diam. 2002.3898, 2002.3899 and balsa wood “Postcard Brooch,” 1981 2 1/4 x 2 3/4 x 1 1/8 (5.7 x 7 x 2.9) Paper, plastic, elastic, and metal 5 13/16 x 4 1/8 x 1/4 (14.8 x 10.5 x .6)

81 Accessions

Rebekah Laskin, American, b. 1955 Bruno Martinazzi, Italian, b. 1923 Brooch, from the series Building “Wood Pin #7” Brooch, 1987 Brooch, 1983 I cieli e la terra e tutte le tue creature, 1988 Brooches, 1989 23k gold leaf, maple wood, and padouk Silver and enamel Artist’s made book Stainless steel, papier-mâché, and 18k wood 2 x 2 x 1/16 (5.1 x 5.1 x .2) 1 3/8 x 10 x 14 1/16 (3.5 x 25.4 x 35.7) gold 4 3/4 x 3 x 3/4 (12.1 x 7.6 x 1.9) Brooch, 1984 “Berkeley” Brooch, 1967 2 3/8 x 2 1/4 x 1 1/2 (6 x 5.7 x 3.8) “Wood Pin #3” Brooch, 1987 Silver and enamel 24k gold 2002.3936–2002.3940 23k gold leaf, oak wood, and maple wood 2 5/16 x 2 3/16 x 1/2 (5.9 x 5.6 x 1.3) 1 3/8 x 1 1/8 x 1/4 (3.5 x 2.9 x .6) 5 x 2 x 1 (12.7 x 5.1 x 2.5) Brooch, 1984 “Energy” Brooch, 1979 Falko Marx, German, b. 1941 Wood Brooch #109, 1999 Silver and enamel 18k white gold and serpentine marble “La Belle et la Bête” Necklace, 1976 23k gold leaf, paint, maple wood, copper, 1 5/8 x 1 5/8 x 1/4 (4.1 x 4.1 x .6) 1 x 2 1/8 x 1/4 (2.5 x 5.4 x .6) Porcelain, 18k and 22k gold, sapphire, and brass Brooch, 1989 “Energy” Brooch, 1989 and rubies 4 3/8 x 2 x 3/4 (11.1 x 5.1 x 1.9) Sterling silver, copper, and enamel 18k white gold and sterling silver 14 3/4 x 1 1/2 x 7/8 (3.8 x 37.5 x 2.2) 2002.3953–2002.3955.A,.B, 2 1/4 x 2 1/2 x 1/4 (5.7 x 6.4 x .6) 2 1/4 x 2 1/4 x 3/16 (5.7 x 5.7 x .5) 2002.3946 2002.3957–2002.3962, 2002.3964 2002.3900–2002.3903 “Aquila” Brooch, 1990 20k yellow gold, 18k pink gold, and Matsukata Miyé, Japanese, 1922–1981 Roger Morris, British, b. 1946 Stanley Lechtzin, American, b. 1936 marble Pendant and Chain, 1971 Bracelet, 1981 Brooch 96-B, 1967 1 1/8 x 1 1/4 x 1/2 (2.9 x 3.2 x 1.3) 24k gold, sterling silver, and Mayan Acrylic, silver, and 18k gold Sterling silver and rhodochrosite quartz “Metamorfosi” Ring, 1996 bone artifact 1/2 x 3 3/4 (1.3 x 9.5) diam. 2 1/2 x 3 1/2 x 1 1/4 (6.4 x 8.9 x 3.2) 20k yellow gold and 18k pink gold 14 1/2 x 1 5/8 x 7/16 (36.8 x 4.1 x 1.1) Brooch, 1977 Brooch 46C-1, 1969 1/2 x 1/2 x 9/16 (1.3 x 1.3 x 1.5) 2002.3948.A,.B Acrylic and 18k gold Silver-gilt, mica, and pearls 2002.3928.A,.B, 2002.3941–2002.3945 1/2 x 1 1/4 x 2 1/8 (1.3 x 3.2 x 5.4) 6 x 4 1/2 x 2 1/4 (15.2 x 11.4 x 5.7) Richard Mawdsley, American, b. 1945 2002.3968, 2002.3969 Pair of Earrings 71-B, 1967 Fritz Maierhofer, Austrian, b. 1941 “Headdress #5” Pendant and Necklace, 1984 Gold and silver Brooch, 1972 18k gold, titanium, and garnet Walter Kelley Morris, American, b. 1945 Each: 3 x 1 x 1 (7.6 x 2.5 x 2.5) Acrylic, silver, and oil pencil 15 x 4 1/2 x 5/8 (38.1 x 11.4 x 1.6) “Flasher” Brooch, 1975–76 Bracelet 39-C, 1968 3 1/2 x 3 1/2 x 3/8 (8.9 x 8.9 x 1) 2002.3952 Sterling silver, acrylic, and copper Amethyst quartz and silver-gilt Brooch, 1972 6 3/4 x 3 x 1 1/4 (17.1 x 7.6 x 3.2) 4 7/8 x 4 1/4 x 1 1/8 (12.4 x 10.8 x 2.9) Acrylic, silver, and oil pencil Bruce Metcalf, American, b. 1949 “Menlo Park Extra” Brooch, 1974 Torque 16-D, 1971 3 1/2 x 3 1/2 x 3/8 (8.9 x 8.9 x 1) “Three Naked Ladies” Brooch, 1975 Sterling silver and acrylic Silver-gilt and polyester resin Brooch, 1972 Commercial white metal castings, 5 3/4 x 2 1/8 x 1 3/8 (14.6 x 5.4 x 3.5) 6 1/2 x 8 1/4 x 2 5/8 (16.5 x 21 x 6.7) Acrylic, silver, and oil pencil Plexiglas, silver, and stainless steel 2002.3970, 2002.3971 Ring 44-C, 1974 3 1/2 x 3 1/2 x 3/8 (8.9 x 8.9 x 1) 2 7/8 x 2 1/2 x 11/16 (7.3 x 6.4 x 1.7) 14k gold and topaz Brooch 15, 1974 “Self-Portrait with Structure and Straight Eleanor H. Moty, American, b. 1945 1 1/4 x 7/8 x 1 1/8 (3.2 x 2.2 x 2.9) Acrylic, gold, and Letraset numbers Jacket” Brooch, 1976 “Cameo” Brooch, 1970 Brooch 99-C, 1971 2 11/16 x 2 11/16 x 7/16 (6.8 x 6.8 x 1.1) Brass, copper, acrylic, Delrin, enamel, Sterling silver, 14k gold, photo-electro- Silver-gilt and agate crystal “Crumblestone Farm” Brooch, 1976 and Plexiglas plated copper image, copper electrode- 3 7/8 x 5 3/4 x 1 3/4 (9.8 x 14.6 x 4.4) Aluminum printing foil, acrylic, silver, 7 x 3 1/4 x 5/8 (17.8 x 8.3 x 1.6) position, and agate 2002.3908–2002.3911, 2002.3915, and gold Brooch with Stand, 1977 2 3/4 x 4 x 15/16 (7 x 10.2 x 2.4) 2002.3917, 2002.3918 3 3/16 x 2 3/16 x 7/16 (8.1 x 5.5 x 1.1) Silver, Plexiglas, brass, pen and ink, Tourmalinated Crystal II, 1987 Brooch, 1977 paint, and commercial chain Sterling silver, 18k gold, and tourmali- Keith Lewis, American, b. 1959 Silver, white gold, and yellow gold .A, brooch: 4 1/2 x 4 x 1 1/2 nated quartz crystal “Another Haruspex” Brooch, c. 1995 1/2 x 2 1/4 (1.3 x 5.7) diam. (11.4 x 10.2 x 3.8) 2 1/2 x 2 1/2 x 1/2 (6.4 x 6.4 x 1.3) Sterling silver, gold plate, liver-of- 2002.3929–2002.3934 .B, stand: 6 3/4 x 2 1/8 (17.1 x 5.4) “Interrupted Vertical” Brooch, 1990 sulphur, and plastic “Missing the Point” Pin, 1979 Sterling silver, 22k and 18k gold, and 3 3/8 x 2 1/4 x 1 1/8 (8.6 x 5.7 x 2.9) Carlier Makigawa, Australian, b. 1952 Sterling silver, brass, paint, and Plexiglas rutilated quartz 2002.3919 Brooch, 1989 2 1/4 x 3 1/4 x 1/8 (5.7 x 8.3 x .3) 4 x 1 3/4 x 1/2 (10.2 x 4.4 x 1.3) Papier-mâché, stainless steel, sterling “Missing the Point” Pin, 1979 2002.3973–2002.3975 Susan S. Lloyd, American, b. 1951 silver, fine silver, balsa wood, and Sterling silver, brass, paint, and Plexiglas “Tree” Brooch, c. 1974–75 graphite 3 7/16 x 2 1/8 x 1/2 (8.7 x 5.4 x 1.3) Louis Mueller, American, b. 1943 Sterling silver and acrylic 2 x 4 x 1 1/4 (5.1 x 10.2 x 3.2) “Protected X Pin” Brooch and Stand, 1980 Brooch, 1983 3 1/2 x 4 1/4 x 1 (8.9 x 10.8 x 2.5) Brooch, from the series Building .A, brooch: Plexiglas, brass, copper Sterling silver and 18k gold 2002.3925 Brooches, 1989 wire, and papyrus reeds 1 3/4 x 2 3/8 x 1/2 (4.4 x 6 x 1.3) 9k gold, stainless steel, fine silver wire, 2 5/8 x 2 5/8 x 5/8 (6.7 x 6.7 x 1.6) Brooch, 1985 and papier-mâché .B, stand: wood and brass Sterling silver, jade, rose quartz, and 2 x 2 x 1 1/2 (5.1 x 5.1 x 3.8) 6 1/2 x 8 x 3 1/2 (16.5 x 20.3 x 8.9) crystal “Burning Building” Brooch, 1989 “Bagman” Brooch, 1987 2 x 2 x 1/4 (5.1 x 5.1 x .6) Stainless steel, papier-mâché, lacquer, Sterling silver, Plexiglas, Prismacolor 2002.3977, 2002.3979 graphite, 23k gold leaf, and silver pencil, and Mylar 4 1/2 x 1 15/16 x 1 (11.5 x 5 x 2.5) 3 x 2 3/8 x 3/4 (7.6 x 6 x 1.9) Brooch, 1993 Monel, sterling silver, and 18k gold 5 x 1 7/8 x 1 3/16 (12.7 x 4.8 x 3) 82 Accessions

Marcel Breuer Manufactured by Gebrüder Thonet AG, German, established 1830 Lounge Chair, Model no. B35 and Stool, Model no. B37 Designed 1928–29, made c. 1930–35 Chrome-plated tubular steel, eisengarn, and lacquered wood The American Institute of Architects Houston Design Collection, gift of friends of S. I. Morris 2005.1866.1,.2

Peter Niczewski, British, b. 1948 Bracelet, 1994 Francesco Pavan, Italian, b. 1937 Watermelon Pin #2, 1977 Brooch, 1981 Seed beads and glass beads Brooch, 1986 Sterling silver, 14k gold, gold leaf, and Colored woods 1 x 4 (2.5 x 10.2) diam. Gold, silver, copper, and alpaca epoxy resin 1 15/16 x 1 9/16 x 1/16 (5 x 4 x .2) Bracelet, 1993 2 1/4 x 2 1/8 x 3/4 (5.7 x 5.4 x 1.9) 1 7/8 x 1 7/8 x 1/2 (4.7 x 4.8 x 1.3) 2002.3980 Seed beads and glass beads Brooch, 1985 Triangular Pin / Pendant #1, 1978 1 x 5 (2.5 x 12.7) diam. Gold, silver, copper, and alpaca 14k gold, sterling silver, acrylic, epoxy Breon O’Casey, British, b. 1928 2002.3990–2002.3994 2 x 1 7/8 x 1 3/8 (5.1 x 4.8 x 3.5) resin, and gold leaf Bracelet, 1981 2002.4008, 2002.4009 10 x 4 3/4 x 1 3/8 (25.4 x 12.1 x 3.5) Silver Pavel Opocensky, Czech, b. 1954 Bracelet, 1982 1 5/8 x 3 5/8 (4.1 x 9.2) diam. Brooch, 1986 Ronald Pearson, American, 1924–c. 2004 Sterling silver and acrylic Necklace, 1982 Ivory and ebony Necklace, c. 1979 3/4 x 3 1/8 (1.9 x 7.9) diam. Granite, silver, and silk thread 2 1/8 x 3 3/8 x 1 (5.4 x 8.6 x 2.5) Silver Brooch, 1982 8 1/2 x 6 x 1 7/8 (21.6 x 15.2 x 4.8) Brooch, 1989 1 x 5 1/2 (2.5 x 14) diam. Sterling silver, 14k gold, tourmaline, Necklace, 1989 Colorcore 2002.4010 and carnelian Silver and granite 3 5/8 x 3 5/8 x 5/8 (9.2 x 9.2 x 1.6) 2 3/8 x 2 1/8 x 1/2 (6 x 5.4 x 1.3) 4 1/4 x 1 1/2 x 1 1/8 (10.8 x 3.8 x 2.9) Brooch, 1989 Ruudt Peters, Dutch, b. 1950 Brooch, 1982 Necklace, 1985 Sorell Bracelet, 1983 Sterling silver and epoxy resin Silver, stone, and silk 3 1/4 x 3 1/4 x 1/2 (8.3 x 8.3 x 1.3) Acrylic and photograph 2 1/4 x 2 7/16 x 1/4 (5.7 x 6.2 x .6) 23 x 8 1/2 x 7/8 (58.4 x 21.6 x 2.2) 2002.3995, 2002.3997, 2002.4073 4 1/4 x 4 1/4 x 1/16 (10.8 x 10.8 x .2) Fringe Bracelet, 1983 2002.3981, 2002.3983, 2002.3985, Bracelet, 1983 Pewter, copper, and brass alloys 2002.3987 Anthony Papp, American, 1961–1991 Acrylic and photograph 1 1/2 x 4 (3.8 x 10.2) diam. Brooch, 1988 4 1/4 x 4 1/2 x 1/16 (10.8 x 11.4 x .2) Earrings, 1985 Judy Onofrio, American, b. 1939 Slate and sterling silver Brooch, 1983 14k gold, sterling silver, and acrylic Brooch, 1989 2 1/4 x 2 3/4 x 3/4 (5.7 x 7 x 1.9) Acrylic, wire, and photograph Each: 1 5/8 x 1 1/4 x 1/2 (4.1 x 3.2 x 1.3) Recycled costume jewelry, shell, brass, Brooch, 1988 9 3/4 x 2 x 1/16 (24.8 x 5.1 x .2) Fringe Necklace, 1985 and filigree Slate and sterling silver Brooch, 1983 Gold-plated sterling silver 6 x 3 1/2 x 1 1/4 (15.2 x 8.9 x 3.2) 2 1/2 x 2 1/2 x 3/4 (6.4 x 6.4 x 1.9) Acrylic, wire, and photograph 12 x 2 1/4 x 1/2 (30.5 x 5.7 x 1.3) “Hear No Evil, See No Evil, Speak No 2002.4002, 2002.4003 9 3/4 x 2 1/16 x 1/16 (24.7 x 5.3 x .2) 2002.4023–2002.4031 Evil” Brooch, 1989 2002.4011–2002.4014 Recycled costume jewelry, celluloid Earl Pardon, American, 1926–1991 Debra Rapoport, American, b. 1945 monkeys, and filigree Brooch #1365, c. 1988 Robin Quigley, American, b. 1947 Pendant, 1979 4 1/4 x 3 x 1 (10.8 x 7.6 x 2.5) Sterling silver, 14k and 22k gold, Knotted Heart Brooch #1, 1977 Found metal objects, 3-M tape, acrylic “Jefferson” Brooch, 2000 enamel, pure silver, abalone shell, Sterling silver, 14k gold, gold leaf, paint, colored pencil, graphite, and Recycled costume jewelry, tin, glass, ebony, amethyst, and peridot copper, acrylic, and epoxy resin brass bead chain and filigree 3/4 x 5 1/4 x 1/2 (1.9 x 13.3 x 1.3) 1 3/4 x 1 3/4 x 1/2 (4.5 x 4.4 x 1.3) 15 x 6 1/8 x 5/8 (38.1 x 15.6 x 1.6) 5 3/4 x 4 x 1 1/4 (14.6 x 10.2 x 3.2) 2002.4005 83 Accessions

Collar, 1983 Necklace, 1994 Helen Shirk, American, b. 1942 “Requiem for a President” Brooch, 1973 Papier-mâché, acrylic paint, paper cord, Tin, quartz, iron, gold, copper wire, Brooch, 1978 Brass glitter, plastic, aquarelle crayon metal sheet from steel, paint, and ink Sterling silver and onyx 2 3/4 x 1 5/8 x 1/4 (7 x 4.1 x .6) 11 13/16 x 12 11/16 x 1 5/16 (30 x 32.3 x 3.3) 13 x 6 1/2 x 1 3/8 (33 x 16.5 x 3.4) 7/8 x 7 x 1 15/16 (2.2 x 17.8 x 4.9) “West of Jersey” Neckpiece, 1986 Pendant, 1981–82 “Schlange spielt mit Perle”(“Snake Plays Brooch TB5, 1981 Brass, sterling silver, copper, and Found metal objects, 3-M tape, acrylic with Pearl”) Armpiece, 1995 Sterling silver and titanium leather paint, colored pencil, graphite, and Gold, cultured pearl, black diamonds, 1 7/8 x 5 x 1/2 (4.8 x 12.7 x 1.3) 11 1/2 x 4 1/2 x 1/4 (29.2 x 11.4 x .6) brass bead chain malachite, and cinober fragments Brooch TB12TR, 1982 2002.4094, 2002.4098, 2002.4099, 18 3/4 x 3 x 5/8 (47.6 x 7.6 x 1.6) 3 x 2 7/8 x 3/8 (7.6 x 7.3 x 1) Sterling silver, titanium, and 14k gold 2002.4152 2002.4039, 2002.4040, 2002.4042.A,.B “Gekrönte Häupter und Vajra” Bracelet 1 x 4 1/2 x 1/4 (2.5 x 11.4 x .6) and Box, 1999 Brooch TB11TR, 1982 Peter Skubic, Yugoslavian, b. 1935 Reinhold Reiling, German, 1922–1984 .A, bracelet: 750 white and yellow gold, Sterling silver and titanium Hat Pin, 1990 Brooch #8, c. 1970 glass, turquoise, lapus lazuli, and 1 1/2 x 4 x 5/8 (3.8 x 10.2 x 1.6) Iron wire, plastic, and stone Silver and gold 15 diamonds Bracelet T2, 1981 13 x 4 1/2 x 3 1/2 (33 x 11.4 x 8.9) 2 7/8 x 2 7/8 x 1/4 (7.3 x 7.3 x .6) 3/4 x 2 7/16 x 1/4 (1.9 x 6.2 x .6) Silver and titanium “Peeping Tom” Brooch, 1993 Brooch, c. 1970 .B, box: Paper and silk 2 5/8 x 3 1/8 x 1 (6.7 x 7.9 x 2.5) Wood, plastic, mirror, photograph, Silver and gold 2 x 9 11/16 x 4 1/2 (5.1 x 24.6 x 11.4) 2002.4083–2002.4087 and paint 2 1/2 x 1 5/8 x 3/16 (6.4 x 4.1 x .5) 2002.4063–2002.4067.A,.B 3 x 2 3/8 x 1 3/4 (7.6 x 6.1 x 4.4) 2002.4043, 2002.4044 Olaf Skoogfors, American, b. Sweden, 2002.4102, 2002.4103 Deganit Schocken, Israeli, b. 1947 1930–1975 Richard H. Reinhardt, American, Brooch, 1982 Brooch, 1966 Kiff Slemmons, American, b. 1944 1921–1998 Silver and nylon Gold-plated sterling silver, round “Zig Zag” Pendant, from the series Bracelet, 1978 2 1/4 x 2 7/8 x 3/8 (5.7 x 7.3 x 1) pearls, and Biwa pearls The Allies, 1994 Sterling silver Necklace, 1984 2 x 2 x 1/2 (5.1 x 5.1 x 1.3) Silver and wooden ruler 1 1/8 x 3 1/16 (2.9 x 7.8) diam. Gold, porcelain, and pearl Brooch, 1970 26 x 2 5/8 x 1/4 (66 x 6.7 x .6) “Torque” Necklace, 1980 14 3/4 x 2 3/4 x 3/4 (37.5 x 7 x 1.9) Gold-plated sterling silver and ivory 2002.4104 Sterling silver Necklace, 1984 3 5/8 x 2 3/16 x 1 (9.2 x 5.6 x 2.5) 1 3/8 x 7 1/2 (3.5 x 19) diam. 14k gold, silver, and porcelain Brooch, 1970 Robert Smit, Dutch, b. 1941 2002.4045, 2002.4046 13 x 2 3/4 x 9/16 (33 x 7 x 1.4) Gold-plated sterling silver and baroque “Bello’s Sister with Black Hat” Brooch, 1993 Brooch, 1993 and Biwa pearls Gold, paint, and metal Suzan Rezac, Swiss, Silver and silk 2 1/2 x 2 7/16 x 1/2 (6.4 x 6.2 x 1.3) 5 5/8 x 3 1/8 x 13/16 (14.3 x 7.9 x 2.1) b. Czechoslovakia, 1958 1 3/8 x 4 1/4 x 1 (3.5 x 10.8 x 2.5) Necklace, 1970 2002.4106 Brooch, 1983 Neckpiece, c. 1989–90 Gold-plated sterling silver 18k gold and silver Gold and silver 6 x 6 x 1 3/4 (15.2 x 15.2 x 4.4) Emile Souply, Belgian, b. 1933 1/2 x 2 1/16 (1.3 x 5.3) diam. 34 x 6 x 1/4 (86.4 x 15.2 x .6) Pendant, 1972 Necklace, 1985 2002.4051 2002.4068–2002.4072 Bronze, brass, sterling silver, and ivory Rubber and brass 9 1/2 x 5 x 1 1/4 (24.1 x 12.7 x 3.2) 3/4 x 6 3/4 (1.9 x 17.1) diam. Gerd Rothmann, German, b. 1941 Ann Scott, American, b. 1959 Brooch, 1973 2002.4110 Siegelring, 1987 Necklace, 1982 Gold-plated sterling silver and blue Silver and gold Acrylic, stainless steel, and silver baroque pearl Eric Spiller, British, b. 1946 15/16 x 1 1/16 x 5/8 (2.4 x 2.7 x 1.6) 8 5/8 x 9 1/8 x 1 1/2 (21.9 x 23.2 x 3.8) 2 3/8 x 2 1/8 x 3/4 (6 x 5.4 x 1.9) Brooch, 1978 “Kaugummikette” Necklace, 1991 2002.4074 Belt Buckle, 1974 Anodized aluminum, polyester resin, Gold-plated silver Sterling silver, copper, brass, and bronze and acrylic 18 x 3/4 x 3/8 (45.7 x 1.9 x 1) Joyce J. Scott, American, b. 1948 2 1/16 x 2 7/8 x 1 3/16 (5.2 x 7.3 x 3) 1/4 x 1 7/8 (.6 x 4.8) diam. “Index Finger,”, 2000 “The Sneak” Necklace, 1989 Ring, 1974 Brooch, 1980 Gold Beads and thread Sterling silver Anodized aluminum 1 x 1 x 3 3/8 (2.5 x 2.5 x 8.6) 13 1/2 x 11 x 2 1/4 (34.3 x 27.9 x 5.7) 1 5/16 x 1 5/16 x 1 1/8 (3.3 x 3.3 x 2.9) 1/4 x 1 7/8 (.6 x 4.8) diam. 2002.4052, 2002.4053, 2002.4055 2002.4077 2002.4089–2002.4092, 2002.4095, Brooch, 1977 2002.4096, 2002.4100, 2002.4101 Aluminum, acrylic, and polyester resin Bernhard Schobinger, Swiss, b. 1946 Stephan Seyffert, German, b. 1960 1/2 x 1 1/2 x 2 (1.3 x 3.8 x 5.1) “Edelstein mit Stacheldraht”(“Jewels with “Für Mutter” (“For Mother”) Brooch, 1991 J. Fred Woell (James Frederick Woell), 2002.4111–2002.4113 Barbed Wire”) Necklace, 1990 Silver, zirconia, and glass paint American, b. 1934 Amethyst, rose quartz, hematite, and 1 x 4 15/16 x 1/2 (2.5 x 12.5 x 1.3) “Training Fetish” Brooch, 1971–73 Caroline Streep Strieb, American, b. 1948 copper 2002.4080 Brass Belt Buckle, 1975 11 x 5 1/4 x 1 1/4 (27.9 x 13.3 x 3.2) 1 7/16 x 1 7/8 x 1/2 (3.7 x 4.8 x 1.3) Sterling silver, bronze, and Derlin “Lippenstift für Neandertalerin” Ring, Miriam Sharlin, American, b. 1952 “Everyday a Race Is” Pendant, 1974 2 1/4 x 3 1/8 x 5/8 (5.7 x 7.9 x 1.6) 1991 Brooch, 1977 Brass, sterling silver, pearl, and 2002.4115 Copper, carborundum, silver, and gold 18k and 24k gold and silver commercial chain 1 1/4 x 1 3/16 (3.2 x 3) diam. 1/4 x 1 3/4 (.6 x 4.4) diam. 13 1/4 x 1 1/2 x 5/16 (33.7 x 3.8 x .8) 2002.4081

84 Accessions

Vaughn Stubbs, American, b. 1946 “Broken Lines” Earrings, 1982 Tone Vigeland, Norwegian, b. 1938 “Cherub Boys” Brooch, from the series Brass and paint Neckpiece, 1981 Pictures Under Glass, 1990 Each: 1/2 x 5 1/2 x 1/4 (1.3 x 14 x .6) Steel, 14k gold, and mother-of-pearl Amber glass, photograph, plastic beads, “Broken Lines” Earrings, 1982 1/4 x 8 (.6 x 20.3) diam. acrylic, mother-of-pearl, and felt PVC and ink 2002.4163 3 1/4 x 11/16 x 1/2 (8.3 x 1.7 x 1.3) Each: 1 1/2 x 1 7/8 x 1 3/8 (3.8 x 4.8 x 3.5) Hat Pin, 1993 “Broken Lines” Necklace, 1982 David Walker, Australian, Bugle beads, red glass beads, and metal Nylon b. England, 1941 10 x 3 x 1 1/4 (25.4 x 7.6 x 3.2) 9 3/4 x 5 3/4 x 1 3/8 (24.8 x 14.6 x 3.5) “Scar Tissue I” Brooch, 1989 2002.4116, 2002.4117 “Broken Lines” Armband, c. 1982–84 Silver and stainless steel PVC and ink 1 9/16 x 3 1/8 x 3/16 (4 x 8 x .5) Janna Syvänoja, Finnish, b. 1960 2 1/2 x 3 1/2 x 2 1/4 (6.4 x 8.9 x 5.7) “Twisting the Knife II” Brooch, 1989 Brooch Armband, 1983 Patinated copper and stainless steel Telephone book pages and metal Tissue paper and PVC 2 3/16 x 4 1/2 x 3/8 (5.5 x 11.5 x 1) 1 1/4 x 6 1/8 x 1/2 (3.2 x 15.6 x 1.3) 2 11/16 x 2 1/4 (6.8 x 5.7) diam. “Urbane Fragment II” Brooch #17, 1989 2002.4120 Armband, 1983 Paper and steel Tissue paper and PVC 4 x 3 1/2 (10.2 x 8.9) David Tisdale, American, b. 1956 2 11/16 x 2 1/2 (6.8 x 6.4) diam. Brooch #9 Necklace, 1981 Armband, 1983 Painted copper and stainless steel Anodized aluminum, silver, and Tissue paper and PVC 2 1/8 x 4 1/2 x 1/4 (5.4 x 11.4 x .6) diamonds 2 3/4 x 2 7/16 (7 x 6.2) diam. Brooch 5 1/4 x 6 7/8 x 1 1/2 (13.3 x 17.5 x 3.8) “Broken Lines” Earrings, 1982 Painted copper and steel Bracelet, 1984 PVC and ink 1 1/2 x 6 x 3/4 (3.8 x 15.2 x 1.9) Anodized aluminum, 18k gold, onyx, .A: 1 3/4 x 1 3/8 x 1 1/2 (4.4 x 3.5 x 3.8) 2002.4169–2002.4171, 2002.4173, tiger eye, and mosaic stone .B: 1 5/8 x 1 1/2 x 1 1/2 (4.1 x 3.8 x 3.8) 2002.4175 2 9/16 x 3 3/8 x 1 5/16 (6.5 x 8.6 x 3.3) 2002.4136–2002.4139, 2002.4125, 2002.4126 2002.4142–2002.4149, 2002.4151.A,.B Sylvia Walz, German, b. 1965 “Bridge of Stone” Brooch and Box, 1995 Don Tompkins, American, 1933–1982 Frans van Nieuwenborg, Dutch, b. 1945 Brass, copper, paper, silver, wood, Dog Ring, 1972 Martijn Wegman, Dutch, b. 1955 string, and paint Silver “Closed Neck-Pipe” Necklace and Box, 1972 .A, brooch: Brass, copper, paper, silver, 1 1/4 x 1 1/8 x 2 (3.2 x 2.9 x 5.1) Aluminum, elastic, and leather case wood, string, and paint 2002.4128 6 5/16 (16) diam. 3 1/2 x 2 1/2 (8.9 x 6.4) “Zipper” Necklace, 1973 .B–.D, box: Wood, paint, and string Merrily Tompkins, American, b. 1947 Steel, plastic, and cotton 6 1/2 x 7 1/2 x 1 1/2 (16.5 x 19.1 x 3.8) “No Pun Intended” Pendant, 1976 14 1/2 x 1/2 x 1/4 (36.8 x 1.3 x .6) 2002.4176.A–.D Enamels, copper, sterling silver, brass, Belt wood rocks, and found objects Plastic and metal David Watkins, British, b. 1940 15 1/2 x 3 1/4 x 1/2 (39.4 x 8.3 x 1.3) 1 x 32 5/8 (2.5 x 82.9) diam. Bracelet, 1972 “Thank You, Hide” Pendant, 1976 2002.4153.A–.D, 2002.4154, 2002.4156 Silver and acrylic Copper, brass, sterling silver, enamels, 2 1/2 x 3 1/8 x 1/2 (6.4 x 7.9 x 1.3) wood, leather, and found objects Joke van Ommen, Dutch, 1948–1988 Bracelet, 1977 15 1/2 x 5 1/4 x 3/4 (39.4 x 13.3 x 1.9) Brooch, 1980 Gold and acrylic 2002.4129, 2002.4130 Silver and titanium 7/16 x 3 1/4 (1.1 x 8.3) diam. 1/16 x 2 1/4 (.2 x 5.7) diam. Hinged Loop Neckpiece with Three Bars, Emmy van Leersum, Dutch, 1930–1984 Brooch, 1984 1974 Armband, from the series Vertical Plastic and stainless steel Acrylic and sterling silver Sawcuts, 1974 1 13/16 x 1 13/16 x 1/4 (4.6 x 4.6 x .6) 10 1/2 x 5 1/4 x 1/2 (26.7 x 13.3 x 1.3) Stainless steel Necklace, 1981 Neckpiece, 1976–77 2 9/16 x 2 3/8 (6.5 x 6) diam. Silver Steel and gold Armband, 1977 15 1/2 x 1 x 1/2 (39.4 x 2.5 x 1.3) 10 x 9 5/16 x 1 (25.4 x 23.7 x 2.5) Tissue paper and PVC Necklace, c. 1979–80 “Land Line” Neckpiece, 1980 2 3/4 x 2 1/2 (7 x 6.4) diam. Colored steel, rubber, and Velcro Steel and neoprene “Broken Lines” Neckpiece, 1980 6 5/16 (16) diam. 7 1/2 x 10 1/2 x 2 (19.1 x 26.7 x 5.1) Olga de Amaral Nylon Brooch, 1981 Bracelet, 1977 Lienzo Ceremonia 6, 1989 Fiber, gold leaf, and paint 1 x 7 1/8 (2.5 x 18.2) diam. Silver Gold and acrylic Gift of Carol Straus “Broken Lines” Necklace, 1981 1 1/2 x 1 1/2 (3.8 x 3.8) 1/4 x 3 1/4 (.6 x 8.3) diam. 2006.5 Nylon 2002.4157–2002.4159, 2002.4161, “Wing Wave 3” Combination Neckpiece, 1983 9 3/4 x 7 x 2 1/2 (24.8 x 17.8 x 6.4) 2002.4165 Neoprene-coated steel and wood Armband, 1982 11 x 10 1/2 x 1/4 (27.9 x 26.6 x .7) Tissue paper and PVC 2002.4177–2002.4179, 2 11/16 x 2 1/2 (6.8 x 6.4) diam. 2002.4181–2002.4184.A–.C 85 Accessions

Margaret West, Australian, b. 1936 “Botticelli Project” Neckpiece, 1990 Georg Dobler, German, b. 1952 Emmy van Leersum, Dutch, 1930–1984 “Splash” Brooch, 1999 PVC, print, gilded brass, and 18k gold Earrings, c. 1999 Drawing for Armband #56, 1975 Stone, paint, and sterling silver 11 1/8 x 12 5/8 x 5/16 (28.3 x 32.1 x .8) Silver Gelamineerd and PVC, edition of 3 1 1/2 x 2 x 3/4 (3.8 x 5.1 x 1.9) “Borghese” Brooch, 1998 .A: 2 x 1 1/4 x 1 (5.1 x 3.2 x 2.5) 7 5/8 x 7 5/8 (19.3 x 19.3) 2002.4188 Silver, print, and Plexiglas .B: 2 1/8 x 1 1/4 x 1 1/4 (5.3 x 3.2 x 3.2) 2005.2144 2 7/8 x 3 1/16 x 3/8 (7.3 x 7.8 x 1) Brooch, 1997 Othmar Zschaler, Swiss, b. 1930 “Münster da Vinci” Brooch, 1998 Silver and amethyst Robin Quigley, American, b. 1947 “Oval Relief” Ring, 1994 Silver, gold leaf, and photograph 3 x 1 3/4 x 1 1/4 (7.6 x 4.4 x 3.2) Pair of Earrings, 1982 Gold 4 1/8 x 4 1/8 x 3/8 (10.5 x 10.5 x 1) Given with the artist Sterling silver and acrylic 1 1/4 x 1 3/16 (3.2 x 3) diam. “Munster with Stars” Brooch, 1998 2005.2133, 2005.2135 Each: 1 1/4 x 3/4 x 3/8 (3.2 x 1.9 x 1) 2002.4189 Gold-plated silver, photograph, 2005.2146 Plexiglas, and white gold Max Fröhlich, Swiss, 1908–1997 The following works are from the 3 3/4 x 4 x 3/16 (9.5 x 10.2 x .5) Earrings, 1985 Margaret West, Australian, b. 1936 Helen Williams Drutt Collection, gifts “Liberty” Brooch, designed 1997, Silver Brooch, c. 1970 of Helen Williams Drutt English: made 2002 Each: 1/2 x 7/8 (1.3 x 2.3) diam. Stainless steel and titanium Silver and commercial watches 2005.2134 2 x 2 1/8 x 1/2 (5.1 x 5.3 x 1.3) Gijs Bakker, Dutch, b. 1942 3 7/8 x 4 1/2 x 1/4 (9.8 x 11.4 x .6) Transient Image Brooch, c. 1970 Gerbera neckpiece, 1985 2002.3592, 2002.3594–2002.3597, Jaroslav Kodejˇs, Czech, b. 1938 Stainless steel PVC and natural petals 2002.3599–2002.3604, 2002.3606, Brooch, 1969–70 2 x 2 1/2 x 1/2 (5.1 x 6.4 x 1.3) 1/16 x 11 1/4 (.2 x 28.6) diam. 2002.3607.1–.3, 2002.3611–2002.3614 Glass and silver Transient Image Brooch, c. 1970 “Zoetemelk” Brooch, 1985 2 3/16 x 2 3/16 x 3/4 (5.6 x 5.6 x 1.9) Stainless steel PVC, newsprint, and gold Manfred Bischoff, German, b. 1947 2005.2136 2 1/16 x 2 1/4 x 1/2 (5.2 x 5.7 x 1.3) 6 1/2 x 4 7/8 x 1/4 (16.5 x 12.4 x .6) “Workingman Hero” Brooch, 1989 2005.2149–2005.2151 Dahlia Neckpiece, 1985 Gold, silver, and coral Terri Lee Foltz-Fox, American, b. 1955 PVC and flower petals 3 3/4 x 2 7/8 x 1/4 (9.5 x 7.3 x .6) Pair of Earrings, 1981 Ramón Puig Cuyàs, Spanish, b. 1953 13 x 11 7/8 x 1/16 (33 x 30.2 x .2) Given in memory of Edna S. Beron Sterling silver and mokume Brooch, 1999 Torn Gold Neckpiece, 1986 2002.3634 Each: 1/2 x 1 1/2 (1.3 x 3.8) diam. Silver, bronze, pebble, plastic, glass, PVC and gold leaf Pair of Earrings, 1981 shell, and mother-of-pearl 11 x 12 x 1/8 (27.9 x 30.5 x .3) Walter Kelley Morris, American, b. 1945 Silver and mokume 2 7/8 x 2 3/4 x 1/2 (7.4 x 7 x 1.3) Newspaper Neckpiece, 1986 “Origins” Brooch, 1973 Pair of Earrings, 1981 2005.2152 PVC and newsprint Sterling silver, acrylic, tintype, and Silver and mokume 20 x 19 x 1/16 (50.8 x 48.3 x .2) fiber optics 2005.2137, 2005.2147, 2005.2148 Daniel Kruger, South African, b. 1951 “Gullit + Richardson” Brooch, 1986 3 1/2 x 2 1/8 x 1/2 (8.9 x 5.4 x 1.3) Neckpiece, c. 1980 PVC, newsprint, gilded brass, and Given in honor of Anne Wilkes Tucker Arline Fisch, American, b. 1931 Silver unidentified stone 2002.3976 Brooch, 1982 5 1/2 x 5 x 1 1/2 (14 x 12.7 x 3.8) 5 1/4 x 3 5/8 x 1/2 (13.3 x 9.2 x 1.3) Aluminum 2005.2153 “Hoyningen Huené” Neckpiece, 1986 Olaf Skoogfors, American, b. Sweden, 3/4 x 4 3/4 (1.9 x 12.1) PVC, print, and gilded brass 1930–1975 2005.2138 The following works are from the 12 1/4 x 12 1/4 x 1/4 (31.1 x 31.1 x .6) Belt Buckle, 1972 Helen Williams Drutt Collection, gifts “Jonas” Neckpiece, 1988 Silver, copper, and brass Carlier Makigawa, Australian, b. 1952 of the Morgan Foundation: PVC, print, and gilded brass 1 1/4 x 3 x 2 1/8 (3.2 x 7.6 x 5.4) Brooch, 1997 12 1/2 x 11 3/16 x 1/4 (31.8 x 28.4 x .6) 2002.4093 Sterling silver and monel Gijs Bakker, Dutch, b. 1942 Jongeling Neckpiece, 1987 6 7/8 x 2 1/2 x 1 1/2 (17.5 x 6.4 x 3.8) Torn Paper Neckpiece, 1985 PVC, print, and gilded brass Jiri Sibor, Czech, b. 1966 2005.2139 PVC and torn paper 11 3/4 x 11 1/4 x 5/16 (29.8 x 28.6 x .8) Untitled Brooch, from the series 11 1/2 x 13 1/2 x 1/16 (29.2 x 34.3 x .2) “Moses” Brooch, 1987 Artificial Matter Peter Skubic, Yugoslavian, b. 1935 2002.3598 PVC, photograph, and gold Stainless steel and acrylic Brooch, 2000 3 1/4 x 5 3/4 x 3/8 (8.3 x 14.6 x 1) 2 5/8 x 2 1/2 x 3/4 (6.6 x 6.4 x 1.9) Stainless steel and photo print J. Fred Woell (James Frederick Woell), “Sonor” Brooch, 1989 Untitled Brooch, from the series 4 3/4 x 3 1/16 x 1 (12.1 x 7.7 x 2.5) American, b. 1934 Gold, spinel, and newsprint From Outside In 2005.2140 “Love Object” Brooch, 1968 5 3/8 x 3 x 5/8 (13.7 x 7.6 x 1.6) Stainless steel Steel end of a soda pop can, gold leaf, “The Tongue” Brooch, 1989 3 3/8 x 7/8 x 5/8 (8.6 x 2.3 x 1.5) Erico Nagai, Japanese, b. 1947 paint, bottle glass, photograph, glass PVC, photograph, diamond, and gold 2005.2131, 2005.2141 Brooch, 1988 mirror, and japan gold size 4 3/8 x 3 3/8 x 1/4 (11.1 x 8.6 x .6) Silver and lacquer 1/2 x 3 5/8 (1.3 x 9.2) diam. “Botticelli Project” Neckpiece, 1990 Debra Rapoport, American, b. 1945 1 1/8 x 1 x 3/4 (2.8 x 2.5 x 1.9) 2002.3609 PVC, print, gilded brass, and 18k gold Necklace, 1981–82 2005.2142 11 3/4 x 12 1/16 x 5/16 (29.8 x 30.6 x .7) Metal, paint, and paper Manfred Bischoff, German, b. 1947 “Botticelli Project” Neckpiece, 1990 15 x 7 x 1 1/2 (38.1 x 17.8 x 3.8) Janna Syvänoja, Finnish, b. 1960 Brooch, c. 1982 PVC, print, gilded brass, 18k gold, and 2005.2132 Brooch, 1996 Sheet metal and paint Plexiglas Tar paper 3 3/4 x 4 3/4 x 1/2 (9.5 x 12.1 x 1.3) 13 1/2 x 11 15/16 x 3/8 (34.3 x 30.3 x 1) 5 1/2 x 5 x 1/2 (14 x 12.7 x 1.3) 2002.3627 2005.2143 86 Accessions

Claus Bury, German, b. 1946 Falko Marx, German, b. 1941 Gry Eide, Norwegian, b. 1956 Kyoko Fukuchi, Japanese, b. 1946 Brooch, from the Container Series, 1974 Sardine Brooch, 1988 “Decorated Flower” Bracelet, 1989 Brooch, 2001 Silver, brass, gold, and copper alloys Sapphires, diamonds, found objects, Wood, cane, plastic, and paint Japanese lacquer (urushi), lead, wood, 3/4 x 3 1/4 x 2 1/4 (1.9 x 8.3 x 5.7) and gold 1 1/2 x 6 1/2 (3.8 x 16.5) diam. and silver Study for Brooch, 1974 1 1/2 x 2 1/4 x 1/4 (3.8 x 5.7 x .6) 2002.3732 1 x 2 3/4 (2.5 x 7) diam. Pencil and colored pencil on paper 2002.3947 Helen Williams Drutt Collection, gift 11 13/16 x 8 1/4 (30 x 21) Petra Hartman, Dutch, b. 1960 of Conrad and Dede Weil Study for Brooch, 1974 Don Tompkins, American, 1933–1982 Bull Bracelet; Expo. ‘92 Seville, 1992 2002.3762 Pencil, colored pencil, and paper “Minnesota Fats” Medal, 1971 Papier-mâché and found objects cutouts on paper Sterling silver, pearl, half-tone photo- 2 1/2 x 8 (6.4 x 20.3) diam. Toni Goessler-Snyder, German, 13 3/4 x 8 1/4 (34.9 x 21) mechanical reproduction, Plexiglas, 2002.3806 1942–1982 Metal Experiments for Brooch, 1974 and flocking Brooch, 1974 Metal experiments and pencil on paper 3 5/8 x 3 13/16 x 5/8 (9.2 x 9.7 x 1.6) Victoria Howe, American, 1953–1994 18k and 24k gold, sterling silver, amine- 11 3/4 x 8 1/4 (29.8 x 21) 2002.4127 Stackable Bracelets, c. 1983 catalized resin, and ivory 2002.3664–2002.3667 Anodized aluminum 2 5/16 x 2 x 3/4 (5.9 x 5.1 x 1.9) David Watkins, British, b. 1940 1 7/16 x 4 (3.7 x 10.2) diam. Helen Williams Drutt Collection, gift Peter Chang, British, b. 1944 “Samurai Square” Neckpiece, 1980–81 2002.3829.A–.D of the estate of Jack T. McCann Bracelet, 1991 Steel and neoprene 2002.3774 Acrylic, gold leaf, resin, and PVC 11 x 11 x 1/16 (28 x 28 x .2) * * * 2 1/2 x 6 1/2 (6.4 x 16.5) diam. 2002.4186 The following works are from the Bracelet, 1992 Marta Breis, Spanish, b. 1953 Helen Williams Drutt Collection, Acrylic, PVC, and found objects * * * Bracelet, 1983 gifts of Jeffrey A. Shankman: 8 1/2 x 8 1/2 x 2 1/2 (21.6 x 21.6 x 6.4) Silver, steel, and cotton Bracelet, 1991 Gijs Bakker, Dutch, b. 1942 2 3/4 x 7 x 3 (7 x 17.8 x 7.6) Gary S. Griffin, American, b. 1945 Acrylic, resin, and PVC “Holes Project” Bracelet, 1993 Helen Williams Drutt Collection, gift Collar in Progressive Base .1875 and .3125, 2 1/8 x 6 (5.4 x 15.2) diam. Silver of Mimi Lloyd Wheless 1976 2002.3684, 2002.3685, 2002.3687 1/2 x 3 7/16 (1.3 x 8.7) diam. 2002.3645 Aluminum, brass, acrylic, and nylon Helen Williams Drutt Collection, gift 14 3/4 x 9 1/2 x 3/4 (37.5 x 24.1 x 1.9) Robin Kranitzky, American, b. 1956 of Herbert Wells Karl Bungerz, American, b. 1954 2002.3790.A,.B Kim Overstreet, American, b. 1955 2002.3610 Earrings, 1980 “Threshold” Brooch #1569, 1991 Anodized aluminum and 14k gold Pavel Opocensky, Czech, b. 1954 Copper, micarta, polymer clay, wood Liv Blåvarp, Norwegian, b. 1956 Each: 1 1/2 x 1 1/2 x 3/16 (3.8 x 3.8 x .5) Frank Gehry, American, b. Canada, putty, lead foil, silver, Mylar, postcard Neckpiece, 1993 Helen Williams Drutt Collection, gift 1929 fragments, found objects, and balsa wood Birchwood, wood stain, and nylon cord of Joan H. Fleming Brooch, 1990 3 5/8 x 2 7/8 x 3/4 (9.2 x 7.3 x 1.9) 5 x 2 x 2 1/2 (12.7 x 5.1 x 6.4) 2002.3660.A,.B Colorcore and ink “Sustain” Brooch #1613, 1992 Helen Williams Drutt Collection, gift 1/4 x 4 (.6 x 10.2) diam. Brass, polymer clay, silver, acrylic, of the Art Colony Association, Inc. Peter Chang, British, b. 1944 2002.3998 micarta, sand, postcard fragments, 2002.3640 Bracelet, 1992 found objects, Mylar, and balsa wood Resin, acrylic, and PVC David Watkins, British, b. 1940 3 x 2 1/4 x 1 3/8 (7.6 x 5.7 x 3.5) The following works are from the 6 3/8 x 6 1/4 x 2 3/4 (16.2 x 15.9 x 7) Gyro Bangle, 1976 “Starmaker” Brooch #1626, 1993 Helen Williams Drutt Collection, gifts Helen Williams Drutt Collection, gift Aluminum Nickel silver, acrylic, brass, paper, of friends of Sandie Zilker in honor of of Cecily E. Horton and the Omena 1/2 x 5 (1.3 x 12.7) diam. eggshell, postcard fragments, found her 30 years of teaching at the Fund in honor of Heather Horton Flynn 2002.4180 objects, Mylar, and balsa wood Glassell School of Art: 2002.3686 4 1/2 x 1 3/4 x 1 (11.4 x 4.4 x 2.5) Claude Wesel, Belgian, b. 1942 2002.3878–2002.3880 Peter Blodgett, American, Margaret West, Australian, b. 1936 Necklace 1935–2000/2001 “One Stone with Black Steel Rings” Silver, steel wire, acrylic, and liquid Stanley Lechtzin, American, b. 1936 Bracelet, 1976 Necklace, 1984 7 x 3 3/8 x 3/4 (17.8 x 8.6 x 1.9) Brooch 57-C, 1969 Black-plated nickel silver, nickel-plated Granite, blackened steel, and stainless 2002.4187.A,.B Silver-gilt, quartz, and watermelon brass, and acrylic steel tourmaline quartz 1 1/8 x 2 5/8 x 2 1/4 (2.9 x 6.7 x 5.7) 11 1/2 x 8 x 1 (29.2 x 20.3 x 2.5) * * * 5 x 3 7/8 x 2 (12.7 x 9.8 x 5.1) Bracelet, 1976 Helen Williams Drutt Collection, gift Brooch 90-B, 1967 Black-plated nickel silver, silver-plated of Nana Booker and M. David Lowe Victoria Howe, American, 1953–1994 14k gold, quartz, baroque pearls, and brass, and acrylic 2002.3726 Stackable Bracelets, c. 1983 silver 2 5/8 x 2 x 2 1/2 (6.7 x 5.1 x 6.4) Anodized aluminum 3 1/4 x 2 1/2 x 1 3/8 (8.3 x 6.4 x 3.5) 2002.3641, 2002.3642 Max Fröhlich, Swiss, 1908–1997 1 1/16 x 3 5/8 (2.7 x 9.2) diam. “Torque 22-D” Neckpiece, 1971 Brooch, 1997 Helen Williams Drutt Collection, gift Sterling silver and polyester resin Caroline Broadhead, British, b. 1950 Gold of Margaret C. and Louis Skidmore, Jr. 9 x 9 1/2 x 2 1/2 (22.9 x 24.1 x 6.4) Sleeve, 1983 2 1/2 x 2 1/2 x 1/4 (6.4 x 6.4 x .6) 2002.3828.A–.F 2002.3906, 2002.3907, 2002.3916 Nylon monofilament and dye Helen Williams Drutt Collection, gift 4 x 4 x 8 (10.2 x 10.2 x 20.3) of Julia and Russell Frankel 2002.3649 2002.3760 87 Accessions

Mary Lee Hu, American, b. 1943 Yonezawa Jiro, Japanese, b. 1956 Eva Zeisel, American, b. Hungary, 1906 Donald H. Colflesh, American, b. 1932 Ring, 1986 Untitled, 2000 for Castleton China Company, Manufactured by Gorham 18k and 22k gold Bamboo American, established 1936 Manufacturing Company, American, 1 x 15/16 x 13/16 (2.5 x 2.4 x 2.1) 8 3/8 x 39 x 6 (21.3 x 99.1 x 15.2) Manufactured by Shenago China, established 1831 Helen Williams Drutt Collection, gift 2005.1580 American, active 1901–1991 “Circa ’70” Pattern Coffee Service, 1960 of Bailey, Banks, and Biddle “Museum pattern” Coffee Pot, designed Sterling silver and ebony 2002.3830 Gyöngy Laky, American, b. Hungary 1944 c. 1942–43, made c. 1946–50 .1, coffee pot: 11 3/4 x 7 1/4 x 5 3/4 Branch Sphere, c. 1996 10 3/8 x 7 3/8 x 5 (26.4 x 18.7 x 12.7) (29.8 x 18.4 x 14.6) Carlier Makigawa, Australian, b. 1952 Wood and wire “Museum pattern” Teapot, designed .2, teapot: 9 1/4 x 6 3/4 x 6 Brooch, 1983 26 x 26 (66 x 66) diam. c. 1942–43, made c. 1946–50 (23.5 x 17.1 x 15.2) Mild steel pebble, brass, lacquered 2005.1581 5 5/8 x 10 x 6 1/2 (14.3 x 25.4 x 16.5) .3, creamer: 6 1/2 x 6 3/4 x 6 copper wire, and leather Porcelain (16.5 x 17.1 x 15.2) 5/8 x 2 1/2 x 1 1/4 (1.6 x 6.4 x 3.2) Ueno Masao, Japanese, b. 1949 Gift of Kevin DiGiammarino in honor .4, sugar bowl: 4 1/2 x 6 1/2 x 4 3/4 Helen Williams Drutt Collection, gift Inside Out, 2000 of Elizabeth Retort (11.4 x 16.5 x 12.1) of Rolaine Abramson Bamboo 2005.968.1, .2 .5. tray: 2 1/2 x 26 3/4 x 22 1/2 2002.3935 22 x 22 x 17 (55.9 x 55.9 x 43.2) (6.4 x 67.9 x 57.2) 2005.1582 Ruth Laird, American, b. 1921 Bequest of Mary Beth Baird, by exchange The following works are gifts of Untitled Vessel, c. 1958–65 2005.1864.1–.5 Carol Straus: Ed Rossbach, American, 1914–2002 11 1/4 x 4 1/2 x 4 1/2 (28.6 x 11.4 x 11.4) The Scythians, 1992 Untitled Vessel, c. 1958–65 Unknown Designer Hiroko Sato Pijanowski, Japanese, b. 1942 Split, bark, paint, and rice paper 9 x 6 x 6 (22.9 x 15.2 x 15.2) Manufactured by E.H. Hotchkiss Co., Eugene Pijanowski, American, b. 1938 5 1/4 x 11 1/2 x 11 (13.3 x 29.2 x 27.9) Untitled Vessel, c. 1958–65 American, est. 1897 Belt Buckle, c. 1978–79 2006.4 7 1/2 x 5 x 4 (19.1 x 12.7 x 10.2) Stapling Pliers and Box, No. H54-B. G., Silver Ceramic c. 1935 11/16 x 2 9/16 (1.7 x 6.5) diam. Olga de Amaral, Colombian, b. 1932 Bequest of Edward B. Mayo Chromium-plated metal and paper Helen Williams Drutt Collection Lienzo Ceremonia 6, 1989 2005.969–2005.971 2 3/4 x 5 11/16 x 1/2 (7 x 14.4 x 1.3) 2002.4015 Fiber, gold leaf, and paint Gift of the Art Colony Association, Inc., 76 1/2 x 20 3/4 x 1 3/4 (194.3 x 52.7 x 4.4) Theodore R. Davis, American, 1840–1894 and Cecily E. Horton Dorothy Gill Barnes, American, b. 1927 2006.5 Manufactured by Haviland & Co., 2005.1865.A,.B Mica Road Hemlock Basket, 1988 French, est. 1841 Hemlock * * * “The Shad” Fish Platter, from the Marcel Breuer, Hungarian, 1902–1981 22 x 13 (55.9 x 33) diam. Rutherford B. Hayes Service, 1879 Manufactured by Gebrüder Thonet AG, 2005.1574 Suzan Rezac, Swiss, b. Czechoslovakia, Porcelain, enamel, and gilding German, established 1830 1958 9 3/4 x 24 1/2 x 2 3/4 (24.8 x 62.2 x 7) Lounge Chair, Model no. B35 and Stool, Iwata Kiyomi, Japanese, b. 1941 Necklace, 1981 Gift of E. J. Hudson, Jr., and Peter R. Model no. B37 Green Box, 1988 Gold-plated brass, silver-plated brass, Coneway in honor of Christopher Designed 1928–29, made c. 1930–35 Silk organza, copper leaf, and copper wire steel, pewter, and soapstone Sarofim and Tom Roupe at Chrome-plated tubular steel, eisengarn, 7 x 7 x 7 (17.8 x 17.8 x 17.8) 1 x 6 3/4 (2.5 x 17.1) diam. “One Great Night in November, 2005” and lacquered wood Green Fungus One, 1991 Helen Williams Drutt Collection, 2005.1083 .1, Lounge Chair: 33 x 24 x 31 3/4 Silk organza wire and silver-leaf paint gift of the Schissler Foundation (83.8 x 61 x 80.6) 13 1/2 x 11 x 5 (34.3 x 27.9 x 12.7) 2002.4049 The Kalo Shop, American, active .2, Stool: 18 x 17 3/4 x 19 1/4 2005.1575, 2005.1576 1900–1970 (45.7 x 45.1 x 48.9) Vicki Ambery-Smith, British, b. 1955 Chafing Dish with Matching Tray, 1905–14 The American Institute of Architects John McQueen, American, b. 1943 San Spirito Brooch, 1989 Sterling silver and ebony Houston Design Collection, gift of Untitled, c. 1978 Silver, rose gold, and yellow gold 9 3/4 x 24 x 20 (24.8 x 61 x 50.8) friends of S. I. Morris Wickerwork ash and grapevine 2 x 2 x 1/2 (5.1 x 5.1 x 1.3) Museum purchase with funds provided 2005.1866.1,.2 17 x 16 1/2 (43.2 x 41.9) diam. Helen Williams Drutt Collection, gift by the Mary Kathryn Lynch Kurtz Untitled #125, 1985 of Henry and Judy Sauer in honor of Charitable Lead Trust Rudolf Staffel, American, 1911–2002 Ash bark Betsy Sauer 2005.1208 Light-Gatherer Vase 17 x 22 (43.2 x 55.9) diam. 2002.4107 Porcelain 2005.1577, 2005.1578 William Morris, American, b. 1957 6 1/4 x 5 3/16 (15.9 x 13.2) diam. Helen Shirk, American, b. 1942 Flying Pipes Artifact Panel, 2000 Gift of Matthew and Claudia Drutt Mary Merkel-Hess, American, b. 1949 Bowl, 1986 Blown glass and metal 2005.1873 Blue Fan, 2000 Copper Dimensions variable Reeds and paper 7 x 23 3/4 x 9 3/4 (17.8 x 60.3 x 24.8) Gift of the El Paso Corporation Rudolf Staffel, American, 1911–2002 32 x 36 x 17 (81.3 x 91.4 x 43.2) Gift of Helen Williams Drutt English 2005.1583 Plate, 1937–38 2005.1579 2005.359 Earthenware Bruce Goff, American, 1904–1982 3 x 11 1/2 (7.6 x 29.2) diam. Coffee Table, c. 1956 Gift of Helen Williams Drutt English Wo o d in memory of the artist 16 x 36 3/4 x 42 1/2 (40.6 x 93.3 x 108) 2005.2145 Gift of Charles Worth Ward 2005.1859 88 Accessions

The following works are gifts of Jan Eisenlöffel, Dutch, 1876–1957 Helen Bershad in honor of the Manufactured by Eisenlöffel Workshop, Helen Williams Drutt Collection: Dutch Kettle on Stand, 1876–1957 Tone Vigeland, Norwegian, b. 1938 Brass, iron, wicker, and wood Pair of Earrings 34 3/4 x 13 x 13 (88.3 x 33 x 33) Silver and gold Museum purchase with funds provided Each: 1/4 x 1 7/8 (.6 x 4.8) diam. by the Mary Kathryn Lynch Kurtz 2005.2154 Charitable Lead Trust and the Decorative Arts Endowment, David Watkins, British, b. 1940 with an additional gift from the Neckpiece, 1983 Lynch Foundation Neoprene-coated steel 2006.286 14 x 10 1/4 x 1/8 (35.6 x 26 x .3) 2005.2155 Lino Sabbatini, Italian, b. 1923 Fenice Tea Service, c. 1992 Terri Lee Foltz-Fox, American, b. 1955 Silver and glass Pair of Earrings, 1981 .1, tray: 1 3/4 x 19 1/4 x 14 1/4 Silver (4.4 x 48.9 x 36.2) Each: 2 1/2 x 1 7/8 x 3/4 (6.4 x 4.8 x 1.9) .2, coffee pot: 9 1/4 x 10 1/2 x 3 1/2 2005.2156 (23.5 x 26.7 x 8.9) .3, teapot: 6 3/4 x 12 1/4 x 4 1/2 Bayou Bend * * * (17.1 x 31.1 x 11.4) .4, creamer: 4 3/4 x 5 3/4 x 3 1/4 Samuel Bell, American, 1798–1882 Tiffany & Co., American, est. 1837 (12.1 x 14.6 x 8.3) Cup, c. 1854 Pair of Ladles, c. 1870 .5, sugar bowl: 3 1/2 x 5 1/4 x 2 3/4 San Antonio, Texas Sterling silver and baleen (8.9 x 13.3 x 7) Silver Each: 1 1/8 x 9 7/8 x 1 3/4 (2.9 x 25.1 x 4.4) Gift of Jeffrey A. Shankman 4 x 4 3/4 x 3 1/4 (10.2 x 12.1 x 8.3) Bequest of Mary Beth Baird 2006.287.1–.5 The Bayou Bend Collection, gift of 2006.59.1,.2 Alice C. Simkins in memory of Alice Hans Es, German and Mike Hogg Robert Lallemant, French, 1902–1954 and Paulus van Leeuwen, Dutch B.2005.16 Vase, c. 1925–30 Manufactured by HP Design, Dutch, Faience founded 1984 American 7 x 10 1/2 x 10 1/2 (17.8 x 26.7 x 26.7) Large Calculator 00100, designed 1984, Pair of Finished Berlin Work Canvases for Gift of Julia Anderson Frankel manufactured 1986 Men’s Slippers, 1850–60 2006.283 Corian and electronic works Wool, silk, and canvas 5 13/16 x 5 13/16 x 9/16 (14.8 x 14.8 x 1.4) Each: 13 x 11 x 1/4 (33 x 27.9 x 0.6) Verner Panton, Danish, 1926–1998 Gift of Will Michels in honor of The Bayou Bend Collection, gift of Manufactured by J. Lüber AG, Swiss Josef Albers Phyllis and Charles Tucker Prototype UFO Lamp, 1975 2006.288 B.2005.17.1 Metal and plastic 19 x 18 1/2 (48.3 x 47) Ogura Ritsuko, Japanese, b. 1951 Lithographed by C. Parson Museum purchase with funds provided Brooch, c. 2001 After Lieutenant-Colonel Daniel Powers by the Design Council, 2006, and addi- Corrugated cardboard and silver Whiting, American, 1808–1892 tional gifts of Cecily E. Horton, John 3 3/4 x 3 1/4 x 1 1/4 (9.5 x 8.3 x 3.2) Bird’s-Eye View of the Camp of the Army and Jan Bebout, Kerry Inman, Barbara Gift of Anne Wilkes Tucker of Occupation, Commanded by Genl. and Tom Solis, John and Jean Geresi, 2006.289 Taylor. Near Corpus Christi, Texas, Karin and Leo Shipman, and various from the Army Portfolio, 1847 other donors Ott and Brewer, American, active Lithograph 2006.284 1863–1893 Image: 13 x 18 11/16 (33 x 47.5) Salt Bowl and Pepper Shaker, c. 1882–90 Sheet: 18 7/8 x 23 7/8 (48 x 60.7) Hiroshi Suzuki, British, b. Japan 1961 Porcelain, enamel and gilding The Bayou Bend Collection, gift of John Aqua Poesy V, 2005 .1, footed salt bowl: 1 1/2 x 2 3/4 (3.8 x 7) Blocker, Jr., and Alfred C. Glassell III at Manufactured by John R. Wendt Fine silver .2, pepper shaker: 3 1/16 x 2 1/8 (7.8 x 5.4) “One Great Night in November, 2005” Fish Set, 1862–71 New York, New York 12 3/4 x 8 5/8 (32.4 x 21.9) Gift of the Ladies of the Decorative B.2005.18.1 Silver Museum purchase with funds provided Arts Subcommittee in honor of ladies The Bayou Bend Collection, gift of by the Design Council, 2006 everywhere Dr. William P. Hood, Jr. B.2005.21.1,.2 2006.285 2006.368.1,.2

89 Accessions

Lithographed by F. Swinton Lithographed by F. Swinton Edwards (1971), Richard E. Graf (1971), After Lieutenant-Colonel Daniel Powers After Lieutenant-Colonel Daniel Powers H. David Ramm (1973), William G. Whiting, American, 1808–1892 Whiting, American, 1808–1892 Higgs (1974), and Jack E. McGehee (1974) Heights of Monterey, From the Saltillo Monterey, from Independence Hill, in the B.2005.18.5 Road Looking towards the City, from the Rear of the Bishop’s Palace, from the Army Portfolio, 1847 Army Portfolio, 1847 Attributed to Bakewell, Page, and Lithograph Lithograph Bakewell, American, active 1813–27 Image: 13 x 18 11/16 (33 x 47.5) Image: 13 x 18 11/16 (33 x 47.5) or Boston Glass Manufactory, American, Sheet: 18 15/16 x 23 15/16 (48.1 x 60.8) Sheet: 18 15/16 x 23 7/8 (48.1 x 60.7) active 1812–27 The Bayou Bend Collection, gift of The Bayou Bend Collection, gift of Finger Bowl, 1812–27 Mr. and Mrs. Ronald E. Huebsch Danny Breen, Craig Massey, Chris Pittsburgh, Pennsylvania, or South B.2005.18.2 O’Sullivan, John Strawn, Edward R. Boston, Massachusetts Allen III, Randy Allen, and Eagle Colorless lead glass Lithographed by C. Parson Global Advisors at “One Great Night 3 3/8 x 4 7/8 (8.6 x 12.4) After Lieutenant-Colonel Daniel Powers in November, 2005,” in honor of the The Bayou Bend Collection, gift of Whiting, American, 1808–1892 troops in Iraq Jas A. Gundry Valley towards Saltillo, from Near the B.2005.18.4 B.2005.19 Base of “Palace Hill,” at Monterey, from Above: the Army Portfolio, 1847 Lithographed by Charles Fendrich Spode Pottery and Porcelain Factory, American Lithograph After Lieutenant-Colonel Daniel Powers English, founded 1776 Music Stand, 1845–60 Image: 13 x 18 11/16 (33 x 47.5) Whiting, American, 1808–1892 Pair of Match Pots, 1799–1833 New Braunfels area, Texas Black walnut Sheet: 19 x 23 15/16 (48.3 x 60.8) Monterey, as Seen from a House-top in the Stoke-on-Trent, Staffordshire, England Gift of the William Hill Land & Cattle The Bayou Bend Collection, gift of Main Plaza, from the Army Portfolio, Porcelain Company in honor of Michael K. Brown Edward R. Allen III and Randy Allen 1847 Each: 4 3/16 x 2 1/4 (10.6 x 5.7) diam. B.2006.2 in honor of Christopher Sarofim at Lithograph The Bayou Bend Collection, gift of Top right: “One Great Night in November, 2005” Image: 13 x 18 11/16 (33 x 47.5) William J. Hill Attributed to Bakewell, Page, and Bakewell or Boston Glass Manufactory B.2005.18.3 Sheet: 18 15/16 x 24 (48.1 x 61) B.2005.20.1,.2 Celery Vase, 1812–27 The Bayou Bend Collection, gift of Pittsburgh, Pennsylvania, or South Boston, Allyson and Steve Cook and the following Massachusetts Colorless lead glass West Point graduates: William J. Bowen The Bayou Bend Collection, museum pur- (1945), Dwight E. Beach (1959), William chase with funds provided by the Marian F. Murdy (1964), Randall M. Pais (1967), and Speros Martel Early Americana Accessions Endowment Fund honoring Thomas E. White (1967), Robert R. Ivany William S. Kilroy, Sr. (1969), Robert S. Frank (1970), James B. B.2006.7

90 Accessions

Manufactured by John R. Wendt, Unknown Maker John Smart, English, 1743–1811 Unknown Artist, possibly Scottish American, 1826–1907, active in Cup and Saucer, c. 1820–63 Arthur Freeman, 1771 Patch Box with Portrait of a Woman, c. 1780 New York 1862–71 Staffordshire, England Watercolor on ivory, 15k yellow gold, Watercolor on ivory, gilt-copper, Fish Set, 1862–71 Lead-glazed earthenware 9k rose gold, pearls, hair, and glass and glass New York, New York Cup: 2 1/4 x 3 1/2 (5.7 x 8.9) diam. 1 7/8 x 1 5/16 (4.8 x 3.3) .A, patch box: 4 x 1 7/8 x 1/2 Silver Saucer: 1 3/16 x 5 1/2 (3 x 14) 2005.1587 (10.2 x 4.8 x 1.3) .1, knife: 2 5/8 x 12 5/8 (6.7 x 32.1) The Bayou Bend Collection, gift of .B, original fitted case: 4 3/8 x 2 ? x 1 .2, fork: 2 3/4 x 10 1/4 (7 x 26) Jas A. Gundry E. E. Kaufer, possibly American (11.2 x 5.7 x 2.5) The Bayou Bend Collection, gift of B.2006.6.1,.2 Portrait of a Boy, c. 1890 2005.1594.A,.B Dr. William P. Hood, Jr. Watercolor on ivory, 10k yellow gold, B.2005.21.1,.2 Attributed to Bakewell, Page, and and glass Unknown English Artist Bakewell, American, active 1813–27 4 7/8 x 3 1/2 (12.4 x 8.9) Portrait of a Boy, c. 1820–30 Attributed to the shop of Johann Michael or Boston Glass Manufactory 2005.1588 Watercolor on ivory, gilt, and glass Jahn, American, b. Pomerania, 1816–1883 active 1812–27 2 7/8 x 2 1/16 (7.3 x 5.2) Side Chair, 1845–60 Celery Vase, 1812–27 In the manner of Louis François Aubry, 2005.1595 New Braunfels, Texas Pittsburgh, Pennsylvania, or South French, 1767–1851 Black walnut Boston, Massachusetts Box with Portrait of a Woman, Unknown English Artist 33 1/2 x 18 1/2 x 18 1/2 (85.1 x 47 x 47) Colorless lead glass c. 1890–1920 Portrait of a Boy, c. 1820–30 Gift of the William Hill Land & Cattle 9 3/4 x 5 1/2 (24.8 x 14) Watercolor on ivory, metal, and glass Watercolor on ivory, gilt, and glass Company in honor of Michael K. Brown The Bayou Bend Collection, museum 1 1/4 x 3 1/8 (3.2 x 7.9) 2 7/8 x 2 1/16 (7.3 x 5.2) B.2006.1 purchase with funds provided by the 2005.1589 2005.1596 Marian and Speros Martel Early American Americana Accessions Endowment Sir William Charles Ross, English, Unknown English Artist Music Stand, 1845–60 Fund honoring William S. Kilroy, Sr. 1794–1860 Ring with Portrait of King Charles I, c. 1650 New Braunfels area, Texas B.2006.7 The Honorable Susan Cavendish, 1844 Enamel on gold, 18k yellow gold, Black walnut Watercolor on ivory and glass Open: 43 1/4 x 17 7/8 x 19 5/8 4 3/8 x 3 11/16 (11.1 x 9.4) 7/8 x 9/16 x 7/8 (2.2 x 1.4 x 2.2) (109.9 x 45.4 x 49.8) Rienzi Caroline Holland, c. 1840 2005.1597 Closed: 43 1/4 x 17 7/8 x 15 Watercolor on ivory, gilt, velvet, silk, (109.9 x 45.4 x 38.1) Unknown French Maker and glass Unknown Irish Artist Gift of the William Hill Land & Cattle Bowl, 1820–40 4 x 3 3/8 (10.2 x 8.6) Box with Portrait of a Boy, c. 1790 Company in honor of Michael K. Brown Soft-paste porcelain 2005.1590, 2005.1621 Sepia on ivory, 18k yellow gold, hair, B.2006.2 4 x 10 x 6 (10.2 x 25.4 x 15.2) and glass The Rienzi Collection, gift of Unknown Artist, possibly Austrian 1 1/4 x 3 x 3 (3.2 x 7.6 x 7.6) Unknown Maker Nancy B. Negley Portrait of a Woman, c. 1900 2005.1598 Set of Six Ale Glasses, 1810–20 2005.1207 Watercolor on ivory, tortoiseshell, brass, English or American and glass Unknown Italian Artist Glass The following portrait miniatures 3 1/2 x 2 3/4 (8.9 x 7) Portrait of a Girl, c. 1810 Each: 6 1/2 x 2 3/4 (16.5 x 7) diam. and memorial jewelry are from the 2005.1591 Watercolor on ivory, gilt, and glass The Bayou Bend Collection, gift of Rienzi Collection, bequest of 2 3/8 x 1 7/8 (6 x 4.8) Richard Fluhr in memory of Caroline A. Ross: William Egley, English, 1798–1870 2005.1599 Jack McGregor The Infant Son of the Viscountess Enfield, B.2006.3.1–.6 Unknown English Artist 1850 Possibly Steven Taylor, English, active Portrait of a Boy, c. 1810 Watercolor on ivory, 15k yellow gold, 1806–1812 American Watercolor on ivory, 15k rose gold, hair, and glass Frances Elizabeth Eyre, c. 1800 Pair of Cloak Pegs, 1790–1820 enamel, and glass 3 x 2 1/16 (7.6 x 5.2) Watercolor on ivory, gilt, and paste Enamel on brass 2 3/4 x 2 3/8 (7 x 6) Portrait of a Boy, 1833 gemstones Each: 2 7/8 x 2 (7.3 x 5.1) 2005.1584 Watercolor on ivory, gilt, and glass 2 3/4 x 2 3/8 (7 x 6) The Bayou Bend Collection, gift of 1 15/16 x 1 5/8 (4.9 x 4.1) 2005.1600 Settler’s Hardware and Susan Neptune Richard Cosway, English, 1742–1821 2005.1592, 2005.1637 B.2006.4.1,.2 Portrait of a Woman, c. 1785 Simon-Jacques Rochard, French, Watercolor on ivory, 9k rose gold, seed William Gold 1788–1872 Isaac Broome, American, 1836–1922 pearls, enamel, and glass Portrait of a Girl, c. 1890–1910 Gertrude Anne Barnardiston Yates, 1853 Manufactured by Ott and Brewer, 3 1/4 x 2 1/4 (8.3 x 5.7) Watercolor on ivory, metal, and glass Watercolor on ivory, leather, and glass American, 1863–1893 2005.1585 3 3/8 (8.6) diam. 4 1/8 x 3 1/2 x 3/4 (10.5 x 8.9 x 1.9) Bust of Benjamin Franklin, 1876 2005.1593 2005.1601 Trenton, New Jersey Attributed to George Engleheart, Parian English, 1752–1829 8 1/4 x 5 7/8 x 4 1/4 (21 x 14.9 x 10.8) Portrait of a Child, c. 1780 The Bayou Bend Collection, museum Watercolor on ivory, 18k rose gold, purchase with funds provided by the silver, garnets, and glass Ima Hogg Ceramic Circle 1 5/8 x 1 3/8 (4.1 x 3.5) B.2006.5 2005.1586 91 Accessions

Unknown French Artist James Nixon, English, 1741–1812 Johns, Belgian, active 1795–1822 Unknown Artist Mme de Saint Just, née Godart d’Aucourt, Portrait of Two Sisters, c. 1795 Portrait of a Man, c. 1800 Portrait of a Woman, c. 1830 c. 1880–1920 Watercolor on ivory, 12k rose gold, Watercolor on ivory, 18k yellow gold, Watercolor on ivory, velvet, and glass Watercolor on ivory, hair, base metal, guilloche enamel, seed pearls, hair, hair, and glass 3 1/8 x 2 9/16 (7.9 x 6.5) and glass and glass 3 7/8 x 2 3/4 (9.8 x 7) 2005.1630 4 5/8 x 2 1/4 (11.7 x 5.7) 3 1/4 x 2 3/4 (8.3 x 7) 2005.1620 2005.1602 Portrait of a Boy, c. 1810–20 Adam Buck, Irish, 1759–1833 Watercolor on ivory, 18k yellow gold, J. T. Mitchell, English, active 1798–1830 Portrait of a Woman, 1805 R. Fortin, French, active London, silver, diamonds, and glass Elizabeth Mary and Augustus William Watercolor on ivory, gilt, and glass 1791–1794 3 1/2 x 2 3/4 (8.9 x 7) Hillary, 1803 3 1/8 x 2 3/4 (7.9 x 7) Portrait of a Woman, 1791 2005.1611, 2005.1616 Watercolor on ivory, 9k rose gold, 2005.1631 Watercolor on ivory, base metal, 18k paper, and glass yellow gold, cut steel, hair, and glass Richard Schwager, Austrian, 1822–1880 4 x 2 3/4 (10.2 x 7) Mrs. Moses B. Russell, American, 3 7/8 x 3 (9.8 x 7.6) Portrait of a Child, 1865 2005.1622 1809–1854 2005.1603 Watercolor on ivory, gilt, fabric, Portrait of a Girl, c. 1845 and glass Unknown Artist Watercolor on ivory, gilt, and glass Edward Greene Malbone, American, 4 1/4 x 3 1/4 (10.8 x 8.3) Portrait of a Woman, c. 1880–1910 2 7/8 x 2 (7.3 x 5.1) 1777–1807 2005.1612 Watercolor on ivory, gilt, and glass Portrait of a Girl, c. 1840 Mary Gould Almy, c. 1797–1800 4 3/4 x 3 5/16 (12.1 x 8.4) Watercolor on ivory, gilt, and glass Watercolor on ivory, 18k yellow gold, Unknown Scottish Artist 2005.1623 3 x 2 (7.6 x 5.1) and glass Prince James Francis Edward Stuart 2005.1632, 2005.1636 2 7/8 x 2 1/4 (7.3 x 5.7) (The Old Pretender), c. 1703 Unknown Artist 2005.1604 India ink on vellum, graphite, rock Portrait of a Woman, c. 1905 Unknown American Artist crystal, and silver Watercolor on ivory, gold, silver, yellow Portrait of a Girl, c. 1840 Charles Hénard, French, 1757–c. 1812 2 7/8 x 2 1/16 (7.3 x 5.2) paste gems, hair, pearls, and glass Watercolor on ivory, gilt, and glass Portrait of a Woman, 1798 2005.1613 3 1/4 x 2 7/8 (8.3 x 7.3) 2 1/4 x 1 7/8 (5.7 x 4.8) Watercolor on ivory, gilt, and glass 2005.1624 2005.1633 4 x 3 1/2 (10.2 x 8.9) Unknown Italian Artist 2005.1605 Portrait of a Family, 1809 Unknown English Artist In the manner of Richard Cosway, Watercolor on ivory, wood, and glass Portrait of a Mother and Child, 1790–1810 English, 1742–1821 Unknown English Artist 4 1/8 x 3 3/4 (10.5 x 9.5) Watercolor on ivory, gilt, and glass Portrait of a Man, c. 1880 Portrait of a Girl, c. 1800 2005.1614 3 1/2 x 2 3/8 (8.9 x 6) Paper and wood Watercolor on ivory, leather, and glass 2005.1625 3 1/8 x 2 1/2 (7.9 x 6.4) 2 3/8 x 2 1/8 (6 x 5.4) Thomas Hazelhurst, English, 2005.1634 2005.1606 c. 1740–c. 1821 Henry Pierce Bone, English, 1779–1855 Portrait of a Woman, c. 1800 Frederick Joseph Landgrave of Hesse, Unknown American Artist Unknown English Artist Watercolor on ivory, 9k rose gold, hair, Hambourg, 1838 Portrait of an Infant, c. 1840 King George V, c. 1911 and glass Enamel on metal and ormolu Watercolor on ivory, gilt, and glass Watercolor on ivory, gilt, and glass 3 1/2 x 2 3/8 (8.9 x 6) 3 x 2 3/8 (7.6 x 6) 2 x 2 9/16 (5.1 x 6.5) 3 1/8 x 3 1/4 (7.9 x 8.3) 2005.1615 2005.1626 2005.1635 2005.1607 Unknown American Artist Unknown English Artist Unknown German Artist Unknown English Artist Charles Le Brown, c. 1840 Portrait of a Boy, c. 1865–80 Portrait of an Infant, c. 1875 Portraits of Two Women, c. 1820 Watercolor on ivory Watercolor on ivory, gilt, and glass Enamel on porcelain and gilt Watercolor on ivory, 12k rose gold, 2 3/4 x 2 1/4 (7 x 5.7) 3 5/8 x 3 (9.2 x 7.6) 1 7/8 x 1 1/2 (4.8 x 3.8) and glass 2005.1617 2005.1627 2005.1638 3 1/2 x 2 1/2 (8.9 x 6.4) 2005.1608.A,.B Andrew Plimer, English, 1763–1837 Henry Bone, English, 1755–1834 Attributed to Thomas Hull, English, Portrait of a Woman, c. 1785 H.R.H. the Prince Regent, later George IV, active 1775–1827 Ignazio Pio Vittoriano Campana, Watercolor on ivory, 9k rose gold, hair, c. 1818 Portrait of a Woman, c. 1820 Italian, 1744–1786 embossed metallic foil, and glass Enamel on ivory, 9k rose gold, enamel, Watercolor on ivory, 10k yellow gold, Portrait of a Woman, c. 1775 3 x 2 1/2 (7.6 x 6.4) embossed metallic foil, and glass hair, and glass Watercolor on ivory, ormolu, and glass 2005.1618 3 1/4 x 2 3/8 (8.3 x 6) 3 1/8 x 2 1/8 (7.9 x 5.4) 4 5/8 x 4 3/4 (11.7 x 12.1) 2005.1628 2005.1639 2005.1609 Attributed to Charles Hénard, French, 1757–c. 1812 Attributed to Richard Cosway, English, Attributed to J. T. Beaumont, English, Unknown French Artist Box with Portrait of a Woman, c. 1785 1742–1821 1774–1841 Portrait of a Woman, c. 1780–90 Watercolor on ivory, gilt, tortoiseshell, Portrait of a Mother and Daughter, c. 1775 Portrait of a Man, c. 1795 Watercolor on ivory, gilt, hair, and glass and glass Watercolor on ivory, 9k rose gold, hair, Watercolor on ivory, 10k rose gold, seed 1 3/4 x 1 11/16 (4.4 x 4.3) 7/8 x 3 1/4 (2.2 x 8.3) and glass pearls, hair, guilloche enamel, and glass 2005.1610 2005.1619 3 1/2 x 2 1/4 (8.9 x 5.7) 3 1/2 x 2 3/8 (8.9 x 6) 2005.1629 2005.1640 92 Accessions

Unknown Artist Unknown Artist Portrait of a Woman, c. 1900–1920 Portrait of a Woman, 19th century Watercolor on ivory, 9k rose gold, hair, Watercolor on ivory, gilt, and glass seed pearls, enamel, and glass 2 1/2 x 2 1/2 (6.4 x 6.4) 3 3/8 x 2 1/4 (8.6 x 5.7) 2005.1650 2005.1641 Unknown Artist Unknown Artist Brooch with Portrait of a Girl, c. 1830 Portrait of a Man, c. 1850 Watercolor on ivory, 18k yellow gold, Ivory, gilt, hair, seed pearls, and glass mother-of-pearl, and glass 2 1/4 x 2 (5.7 x 5.1) 3 1/2 x 2 1/8 (8.9 x 5.4) 2005.1642 2005.1651

Unknown English Artist George Engleheart, English, 1752–1829 Portrait of a Nurse, c. 1840 Portrait of a Man, c. 1775 Watercolor on ivory, gilt, and glass Watercolor on ivory, 10k rose gold, 2 7/8 x 2 (7.3 x 5.1) pearls, and glass 2005.1643 1 1/2 x 1 1/4 (3.8 x 3.2) 2005.1652 Jean Baptiste Isabey, French, 1767–1855 Napoleon Bonaparte, c. 1804 Unknown Irish Artist Watercolor on ivory, 18k yellow gold, Portrait of a Man, c. 1790 wood, and glass Watercolor on ivory, gilt, hair, and glass 2 5/8 x 1 9/16 (6.7 x 4) 2 3/4 x 1 3/4 (7 x 4.4) 2005.1644 2005.1653

Unknown Irish Artist Unknown English Artist Portrait of a Man, c. 1800 Portrait of a Man, c. 1810–20 Watercolor on ivory, 10k yellow gold, Watercolor on ivory, 10k rose gold, hair, and glass pearls, hair, metallic embossed foil, 3 3/4 x 2 1/2 (9.5 x 6.4) and opaline glass 2005.1645 3 1/4 x 2 1/4 (8.3 x 5.7) 2005.1654 Attributed to Sampson Towgood Roche, Irish, 1759–1847 W. H. Portrait of a Man, c. 1785–90 Brooch with Portrait of a Man, c. 1840 Watercolor on ivory, 10k yellow gold, Watercolor on ivory, 14k yellow gold, Joseph Lee, English, 1780–1859 hair, and glass hair, and glass After Sir William Charles Ross, 3 3/16 x 2 7/16 (8.1 x 6.2) 3 x 2 1/2 (7.6 x 6.4) English, 1794–1860 2005.1646 2005.1655 Brooch with Portrait of Queen Victoria, 1837 Enamel on metal, 14k yellow gold, Unknown Artist Penelope Carwardine, English, and glass Brooch with Portrait of an Infant, c. 1730–1801 2 1/4 x 1 15/16 (5.7 x 4.9) c. 1880–1950 Portrait of a Boy, 1760 2005.1658 Enamel on porcelain, and 18k yellow gold Watercolor on ivory and 18k yellow gold 1 1/2 x 1 5/8 (3.8 x 4.1) 2 x 1 3/8 (5.1 x 3.5) Unknown Artist 2005.1647 2005.1656 Portrait of a Man, c. 1810 Watercolor on ivory, 18k yellow gold, Unknown French Artist Attributed to Anthony Stewart, pearls, hair, embossed metallic foil, Portrait of a Woman, c. 1819 English, 1773–1846 and opaline glass Watercolor on ivory, 18k yellow gold, Brooch with Portrait of a Girl, c. 1840 3 1/4 x 2 (8.3 x 5.1) hair, and glass Watercolor on ivory, enamel, 14k yellow 2005.1659 3 1/8 x 2 1/2 (7.9 x 6.4) gold, and glass 2005.1648 2 x 1 3/4 (5.1 x 4.4) Unknown Artist In the manner of Thomas Johnson 2005.1657 Portrait of a Woman, c. 1820 Pair of Torchères, c. 1760 Watercolor on ivory, gilt, and glass Spruce and gilt Nathaniel Jocelyn, American, 1796–1881 The Rienzi Collection, museum purchase Portrait of a Man, c. 1825 3 x 2 1/16 (7.6 x 5.2) with funds provided by the Rienzi Society Watercolor on ivory, 18k gold on copper, 2005.1660 2006.38.1,.2 hair, and glass 3 3/8 x 2 1/4 (8.6 x 5.7) 2005.1649

93 Accessions

LeFoire, French Attributed to Paul Prieur, French, Unknown English Artist Unknown Artist Ring with Portrait of a Woman, c. 1784–90 1620–1683 Portrait of a Girl, c. 1790 Portrait of a Woman, c. 1900 Watercolor on ivory, 12k rose gold, Brooch with Portrait of a Man, Watercolor on ivory Print on glass and glass 17th century 2 3/8 x 2 (6 x 5.1) 1 7/8 x 1 1/2 (4.8 x 3.8) 3 1/8 x 2 9/16 (7.9 x 6.5) Enamel on gold, 12k rose gold, and glass 2005.1677 2005.1686 2005.1661 1/4 x 15/16 (.6 x 2.4) diam. 2005.1669 Unknown Artist Unknown Artist, possibly American François Gerard Fontallard After an engraving by T. Goutière, Portrait of a Woman, c. 1870 Portrait Miniature Bracelet, Susan Unknown Artist, possibly French French Enamel on porcelain Murray, 1826 Brooch with Portrait of a Woman, The Empress Josephine, 20th century 2 1/2 x 1 7/8 (6.4 x 4.8) Watercolor on ivory, 12k rose gold, hair, 19th century Enamel on ivory (?) 2005.1687 and glass Watercolor on ivory, 18k yellow gold, 2 3/4 x 2 3/4 (7 x 7) 1 11/16 x 7 1/4 x 1 3/8 (4.3 x 18.4 x 3.6) brass, and glass 2005.1678 Unknown Artist 2005.1662 1/4 x 11/16 (.6 x 1.7) diam. Portrait of a Boy, c. 1880 2005.1670 Unknown French Artist Watercolor on paper Unknown English Artist After an engraving by Paul Delaroche, 2 5/8 x 2 1/8 (6.7 x 5.4) Bracelet with Portrait of Joseph Foster Unknown Artist French, 1797–1856 2005.1688 Barham, 19th century Brooch, c. 1780–95 Napoleon Bonaparte, 20th century Watercolor on ivory, 18k yellow gold, Printed silk ribbon, 10k yellow gold, Enamel on ivory (?) Lucretia Anne Turner, possibly English and glass metal, hair, and glass 2 3/4 x 2 3/4 (7 x 7) Lucy Anne Maria Johnson, 1833 Image: 1 1/2 x 1 1/8 (3.8 x 2.9) 1 1/8 x 3/4 (2.9 x 1.9) 2005.1679 Watercolor on ivory Bracelet: 2 1/2 x 2 3/4 x 2 1/8 (6.4 x 7 x 5.4) 2005.1671 3 3/4 x 3 1/8 (9.5 x 7.9) 2005.1663 Unknown Artist 2005.1689 Unknown Artist, possibly American After a painting by Marguerite Gérard, Unknown English Artist Wa t c h Fo b, c. 1860–70 French, 1761–1837 William Gwynn, active 1807–1817 Brooch with Portrait of a Woman, c. 1850 Watercolor on ivory, 10k yellow gold, Portrait of a Couple, c. 1900 Portrait of a Man, 19th century Watercolor on ivory, 14k yellow gold, and glass Watercolor on ivory, gilt, and glass Watercolor on ivory and glass 1 5/8 x 1 (4.1 x 2.5) 2 5/8 x 2 5/8 (6.7 x 6.7) 4 1/4 x 3 1/4 (10.8 x 8.3) 2 3/8 x 2 1/16 (6 x 5.2) 2005.1672 2005.1680 2005.1690 2005.1664 Unknown English Artist Unknown Scottish Artist G. Claudet, French John Donaldson, Scottish, 1737–1801 Brooch, c. 1780 Portrait of a Brother and Sister, c. 1840 Portrait of a Woman, 1832 Brooch with Portrait of a Woman, c. 1795 Watercolor on ivory, gilt, and glass Watercolor on ivory, 10k yellow gold, Watercolor on ivory Watercolor on ivory, 10k yellow gold, 1 5/8 x 1 (4.1 x 2.5) fabric, and glass 3 1/2 x 2 3/4 (8.9 x 7) hair, and glass 2005.1673 3 3/8 x 2 3/8 (8.6 x 6) 2005.1691 2 3/8 x 1 7/8 (6 x 4.8) 2005.1681 2005.1665 Unknown Artist Grandbarbe, French Ring with Portrait of Mary Queen of Scots, Unknown English Artist Portrait of a Man, 1845 Unknown Artist 19th century Portrait of a Girl, 19th century Watercolor on ivory Ring with Portrait of Napoleon Bonaparte Watercolor on ivory, 10k and 14k yellow Watercolor on ivory, gilt, and glass 4 1/4 x 3 (10.8 x 7.6) Watercolor on ivory, enamel, 10k yellow gold, and glass 2 1/4 x 2 3/16 (5.7 x 5.6) 2005.1692 gold, and glass 7/8 x 3/4 x 7/8 (2.2 x 1.9 x 2.2) 2005.1682 1 1/8 x 1 x 1 (2.9 x 2.5 x 2.5) 2005.1674 Unknown Swiss Artist 2005.1666 Unknown Artist Portrait of Two Children, c. 1830 Unknown Artist, possibly American Possibly Anne Loisiana v. Beyvegh, c. 1880 Watercolor on ivory Unknown English Artist Ring with Portrait of a Child, c. 1790 Watercolor on ivory, enamel, gilt, 3 x 4 1/2 (7.6 x 11.4) Ring with Portrait of a Woman, c. 1780–90 Watercolor on ivory, 10k rose gold, and and glass 2005.1693 Watercolor on ivory, 18k rose gold, glass 3 1/8 x 2 1/2 (7.9 x 6.4) and glass 1 1/2 x 7/8 x 1 (3.8 x 2.2 x 2.5) 2005.1683 Unknown Artist 7/8 x 7/8 x 7/8 (2.2 x 2.2 x 2.2) 2005.1675 Portrait of a Girl, c. 1820 2005.1667 Unknown Artist Watercolor on ivory Unknown Artist Portrait of a Girl, c. 1820 3 1/8 x 2 9/16 (7.9 x 6.5) Unknown Artist Pair of Cuff Buttons with Portraits of a Watercolor on ivory, gilt-copper, wood, 2005.1694 Watch Key with Portrait of a Man, c. 1810 Child, c. 1860 and glass Watercolor on ivory (?), enamel, 18k Enamel on porcelain and 18k yellow 2 1/8 x 2 1/8 (5.4 x 5.4) Unknown English Artist rose gold, gold leaf, hair, and glass gold 2005.1684 The Evered Children (?), c. 1800 1 x 1/2 x 1/4 (2.5 x 1.3 x 0.6) Each: 7/8 x 3/4 x 3/8 (2.2 x 1.9 x 1) Watercolor on ivory, ormolu, and glass 2005.1668 2005.1676.1,.2 Unknown American Artist 4 1/8 x 3 1/2 (10.5 x 8.9) Portrait of a Girl, c. 1830 2005.1695 Watercolor on ivory 2 1/2 x 2 (6.4 x 5.1) 2005.1685 94 Accessions

Unknown English Artist Unknown Artist Portrait of Three Children, c. 1820 Earrings with Portraits of a Woman, 20th Watercolor on ivory, ormolu, and glass century 6 5/8 x 5 (16.8 x 12.7) Watercolor on ivory (?), 14k yellow gold, 2005.1696 and glass Each: 1 1/4 x 3/4 x 1/2 (3.2 x 1.9 x 1.3) Unknown English Artist 2005.1705.A,.B Brooch, c. 1850 Sepia on ivory, gilt, hair, plastic, and glass Unknown Artist 2 1/4 x 2 (5.7 x 5.1) Portrait of a Woman, 20th century 2005.1697 Paper 5 3/4 x 5 (14.6 x 12.7) Unknown English Artist 2005.1706 Brooch with Portrait of King George III, c. 1770 Unknown Artist Watercolor on ivory, 9k rose gold over Portrait of a Woman, 20th century copper, and glass Paper 1 5/8 x 1 (4.1 x 2.5) 5 3/4 x 5 (14.6 x 12.7) 2005.1698 2005.1707

Unknown French Artist Unknown Artist Stickpin with Portrait of a Man, c. 1780 Portrait of a Woman, 20th century Watercolor on ivory, 23k gold, hair, Paper and glass 6 7/8 x 6 1/4 (17.5 x 15.9) 3 1/8 x 5/8 x 2 (7.9 x 1.6 x 5.1) 2005.1708 2005.1699 Unknown Artist Unknown English Artist Unknown English Artist Portrait of a Woman, 20th century Portrait of a Girl, 19th century Stickpin with Portrait of King George III, Paper Watercolor on alabaster c. 1770 6 7/8 x 6 1/4 (17.5 x 15.9) 5 1/8 x 4 1/4 (13 x 10.8) Watercolor on card, 9k rose gold, 2005.1709 2005.1715 and glass 3/4 x 3/4 x 3 1/4 (1.9 x 1.9 x 8.3) Unknown English Artist Unknown American Artist 2005.1700 Portrait of a Boy, 19th century Portrait of a Man, c. 1820 Watercolor on ivory Watercolor on ivory John Miers, English, c. 1758–1821 4 x 3 1/4 (10.2 x 8.3) 3 7/8 x 3 (9.8 x 7.6) Brooch with Portrait of a Man, c. 1795 2005.1710 2005.1716.1 Watercolor on ivory, 9k rose gold, and hair Unknown Artist, possibly American Unknown American Artist 1 3/4 x 1 3/8 (4.4 x 3.5) Portrait of a Boy, c. 1880 Portrait of a Woman, c. 1820 Pendant with Portrait of a Man, c. 1795 Watercolor on paper Watercolor on ivory Watercolor on ivory, 9k rose gold, 3 7/8 x 3 5/8 (9.8 x 9.2) 3 3/4 x 3 (9.5 x 7.6) pearls, hair, and glass 2005.1711 2005.1716.2 1 1/4 x 1 (3.2 x 2.5) 2005.1701, 2005.1702 Unknown English Artist Unknown Maker Portrait of a Girl, 20th century Brooch, c. 1780 William Douglas, Scottish, 1780–1832 Porcelain and mahogany Watercolor on ivory, 10k rose gold, Portrait of a Child, c. 1820 4 1/4 x 5 1/4 (10.8 x 13.3) and glass Attributed to William Parker Watercolor on ivory, ormolu, velvet, 2005.1712 1 11/16 x 1 1/8 (4.3 x 2.9) Pair of Candlesticks, c. 1785 2005.1717 Glass and ormolu metal, and glass The Rienzi Collection, gift of Mr. and 6 1/2 x 5 1/8 (16.5 x 13) Unknown English Artist Mrs. Harris Masterson III, by exchange, 2005.1703 Portrait of a Boy, 20th century Unknown Maker with additional gifts in memory of Mr. and Mrs. James A. Elkins, Jr. from Isla and Porcelain and mahogany Snuffbox, c. 1800 Tommy Reckling, Mrs. James Anderson, Jr., Unknown English Artist 4 1/4 x 5 1/4 (10.8 x 13.3) Watercolor on glass, tortoiseshell, Jas A. Gundry, Mr. and Mrs. David Portrait of Allegorical Figures, c. 1789 2005.1713 gilt-copper, and composite material Beveridge, Mr. and Mrs. Meredith Long, Susan G. Baker, Carol C. and A. Leslie Sepia on ivory, 9k yellow gold, hair, 1 x 3 1/8 (2.5 x 7.9) diam. Ballard, Jr., Mrs. Thomas W. Blake, flora, and glass Unknown English Artist 2005.1718.A,.B Rosslyn and Marshall Crawford, Mrs. Harold Stream, Jr., Mrs. Jean William 5 1/8 x 3 1/8 (13 x 7.9) Portrait of a Girl, 19th century Brown, Mr. and Mrs. Thomas W. Burke, 2005.1704 Watercolor on alabaster Jr., Alfredo and Celina Hellmund Brener, 5 1/8 x 4 1/4 (13 x 10.8) Walter C. English, Fran Fauntleroy, Mr. and Mrs. Wayne Wickman, Mr. and Mrs. 2005.1714 M.S. Stude, and Mr. and Mrs. Thomas Dunn 2006.374.1,.2 95 Accessions

Unknown Maker Unknown Maker Unknown Maker Unknown American Maker Ring, c. 1790 Brooch, c. 1790–1810 Brooch, c. 1840–50 Pendant, c. 1780 Sepia on ivory, 10k yellow gold, enamel, Sepia on ivory and 9k rose gold Whiteglass, hair, 9k rose gold, enamel, Sepia on ivory, hair, seed pearls, 10k hair, and glass 3/8 x 1 3/8 (1 x 3.5) diam. and glass rose gold, and glass 1 1/4 x 3/4 x 7/8 (3.2 x 1.9 x 2.2) 2005.1729 1 5/8 x 1 7/8 x 1/2 (4.1 x 4.8 x 1.3) 1 5/16 x 3/4 x 3/8 (3.3 x 1.9 x 1) 2005.1719 2005.1738 2005.1746 Unknown English Maker Unknown Maker Brooch, c. 1780 Unknown Maker Unknown Maker Brooch, c. 1790 Sepia on ivory, 10k rose gold, and glass Pendant, 1794 Brooch, c. 1780 Sepia on ivory, 10k rose gold, hair, 1 7/8 x 1 1/4 x 1/4 (4.8 x 3.2 x .6) Hair, enamel, 10k yellow gold, enamel, Sepia on ivory, 18k yellow gold, hair, and glass 2005.1730 and glass seed pearls, and glass 1 5/16 x 3/4 x 3/8 (3.3 x 1.9 x 1) 1 7/8 x 1 5/8 x 1/4 (4.8 x 4.1 x .6) 1 5/16 x 3/4 x 3/8 (3.3 x 1.9 x 1) 2005.1720 Unknown Maker 2005.1739.A,.B 2005.1747 Portrait of a Mother and Child, c. 1810–20 Unknown Maker Watercolor on ivory, gilt-copper, Unknown Maker Unknown Maker Stickpin, c. 1780 and glass Portrait of a Woman, c. 1800–1810 Pin/Pendant, c. 1790 Sepia on ivory, 10k rose gold, and glass 4 1/4 x 3 3/16 x 3/8 (10.8 x 8.1 x 1) Watercolor on ivory, 9k rose gold, Sepia on ivory, 12k rose gold, seed 1 x 1/2 x 3/8 (2.5 x 1.3 x 1) 2005.1731 pearls, hair, mother-of-pearl, glass pearls, and glass 2005.1721 beads, and glass 1 1/2 x 15/16 x 1/4 (3.8 x 2.4 x .6) Unknown Maker 2 11/16 x 2 1/16 x 3/8 (6.8 x 5.2 x 1) 2005.1748 Unknown Maker Pendant, c. 1850 2005.1740.A,.B Brooch, c. 1790 Sepia on mother-of-pearl, hair, photo- Schinetterling, Dutch Sepia on ivory, 10k rose gold, hair, graph, 12k yellow gold, and glass Unknown Maker, possibly French Pendant, 1802 and glass 2 1/2 x 1 5/8 x 1/4 (6.4 x 4.1 x .6) Portrait of a Man, c. 1810 Hair on ivory, paper, 10k yellow gold, 1 1/8 x 13/16 x 1/4 (2.9 x 2.1 x 0.6) 2005.1732.A,.B Watercolor on ivory, watercolor on and glass 2005.1722 vellum, gilt, and glass 1/4 x 2 1/2 (.6 x 6.4) diam. William Grimaldi, English, 1751–1830 2 7/8 x 2 1/16 x 1/4 (7.3 x 5.2 x .6) 2005.1749 Unknown Maker Portrait of Two Sisters, c. 1795 2005.1741.A,.B Stickpin, c. 1790 Watercolor on ivory, hair, seed pearls, Unknown Maker Sepia on ivory, 10k rose gold, enamel, 9k rose gold, and glass Unknown Maker “Halley’s Comet” Stickpin, c. 1835 and glass 4 x 2 13/16 x 1/2 (10.2 x 7.1 x 1.3) Brooch, c. 1800 Hair, 12k rose gold, enamel, and glass 3 x 3/4 x 1/4 (7.6 x 1.9 x 0.6) 2005.1733.A,.B Sepia on ivory, hair, enamel, 10k rose 1 1/4 x 11/16 x 1/4 (3.2 x 1.7 x .6) 2005.1723 gold, and glass 2005.1750 Unknown Maker 2 7/8 x 2 1/2 x 3/8 (7.3 x 6.4 x 1) Unknown French Maker Pendant, c. 1800 2005.1742 Unknown French Maker Stickpin, c. 1810 Watercolor on ivory, hair, split pearls, Plaque, 1881 Watercolor on ivory, base metal, silver, 9k rose gold, and glass Unknown English Maker Hair on ivory and glass 2 1/2 x 2 x 1/4 (6.4 x 5.1 x .6) Brooch/Pendant, 1836 2 1/2 (6.4) diam. 3 7/8 x 7/8 x 1/4 (9.8 x 2.2 x 0.6) 2005.1734 Watercolor (?) on ivory, 9k rose gold, 2005.1751 2005.1724 hair, enamel, and glass Unknown Maker 2 15/16 x 2 1/8 x 1/4 (7.5 x 5.4 x .6) Unknown French Maker Unknown Maker Brooch, c. 1785–1800 2005.1743 Plaque, c. 1880 Brooch, c. 1790 Sepia on ivory, hair, 18k yellow gold, Hair on ivory and 12k yellow gold Watercolor on ivory, 9k rose gold, enamel, and glass Unknown Maker 2 7/8 x 2 1/4 (7.3 x 5.7) and glass 1 1/8 x 3/4 x 1/8 (2.9 x 1.9 x .3) Pin, c. 1810 2005.1752 1 3/4 x 1 1/8 x 1/4 (4.4 x 2.9 x .6) 2005.1735 Watercolor on ivory, gilt, seed pearls, 2005.1725 enamel, and glass Unknown Maker Unknown Maker 1 1/16 x 1 11/16 x 3/8 (2.7 x 4.3 x 1) Brooch, 1843 Unknown Maker Locket, 1785 2005.1744 Gold, enamel, and hair Locket, c. 1800–1810 Sepia on ivory, gilt, hair, and glass 1 1/4 x 1 x 1/4 (3.2 x 2.5 x .6) Watercolor on ivory, gilt-copper, 1 3/8 x 7/8 x 3/16 (3.5 x 2.2 x .5) Unknown Maker 2005.1753 and glass 2005.1736 Pendant, c. 1780 1 7/8 x 1 1/4 x 1/4 (4.8 x 3.2 x .6) Sepia and watercolor on ivory, Unknown Maker 2005.1726 Unknown Maker gilt-copper, enamel, hair, and glass Pendant, 1776 Pendant, c. 1800 2 1/2 x 2 1/4 x 1/4 (6.4 x 5.7 x .6) 14k rose gold, paint, hair, and glass Unknown Maker Watercolor on ivory, enamel, hair, gilt, 2005.1745 7/8 x 11/16 x 1/8 (2.2 x 1.7 x .3) Double-sided Ring with Portraits of a silk, and glass 2005.1754 Man and Woman, c. 1750–70 2 x 1 3/16 x 1/8 (5.1 x 3 x .3) Watercolor on ivory, 18k rose gold, 2005.1737 and glass 3/4 x 3/4 x 7/8 (1.9 x 1.9 x 2.2) 2005.1727.A,.B 96 Accessions

Unknown Maker Unknown Maker Unknown English Maker Unknown Maker Ring, c.1790 Ring, 1787 Ring, 1891 Brooch, c. 1800–1810 Watercolor on ivory, 13k rose gold, Sepia on ivory, 9k rose gold, hair, 12k yellow gold, enamel, pearls, hair Sepia on ivory, 18k yellow gold, hair, pearls, and paste gemstones and glass 3/8 x 3/4 x 7/8 (1 x 1.9 x 2.2) and glass 1 1/8 x 3/4 x 1 (2.9 x 1.9 x 2.5) 1 1/8 x 3/4 x 7/8 (2.9 x 1.9 x 2.2) 2005.1773 3/8 x 1 1/8 x 3/8 (1 x 2.9 x 1) 2005.1755 2005.1764 2005.1782 Unknown Maker Unknown Maker Unknown Maker Ring, 1812 Unknown Maker Ring, 1782 Ring, 1807 9k rose gold, hair, paste gemstones, Pin/Pendant, 1818 Sepia on ivory, 14k rose gold, hair, 12k rose gold, enamel, hair, and glass and glass 10k rose gold, hair, paste gemstones, and glass 1/2 x 3/4 x 7/8 (1.3 x 1.9 x 2.2) 1/2 x 7/8 x 3/4 (1.3 x 2.2 x 1.9) and glass 1 1/16 x 3/4 x 1 (2.7 x 1.9 x 2.5) 2005.1765 2005.1774 7/8 x 7/8 x 1/8 (2.2 x 2.2 x .3) 2005.1756 2005.1783 Unknown Maker Unknown Maker Unknown Maker Brooch, 1863 Ring, 1790 Unknown Maker Brooch, c. 1860 Hairwork on ivory, 12k yellow gold, Sepia on ivory, 12k rose gold, and glass Brooch, c. 1865 Gilt-copper, enamel, and hair and glass 1 x 5/8 x 7/8 (2.5 x 1.6 x 2.2) 12k yellow gold, pearls, paste gemstones, 3/8 x 1 1/4 (1 x 3.2) diam. 2 1/4 x 2 7/8 x 3/8 (5.7 x 7.3 x 1) 2005.1775 embossed paper, and glass 2005.1757 2005.1766 3/8 x 1 1/4 (1 x 3.2) diam. Unknown Maker 2005.1784 Unknown Maker Unknown Maker Ring, 1789 Brooch, 1842 Pin, 1840 Sepia on ivory, 10k rose gold, hair, Unknown Maker White glass, embossed metallic foil, 12k yellow gold, enamel, pearls, and glass Ring, 1780 12k yellow gold, guilloche enamel, split paste gemstones, hair, and glass 1 1/4 x 3/4 x 15/16 (3.2 x 1.9 x 2.4) Sepia on ivory, 14k rose gold, hair, pearls, and hair 3/4 x 1 x 1/4 (1.9 x 2.5 x .6) 2005.1776 and glass 2 5/8 x 1 7/8 x 1/2 (6.7 x 4.8 x 1.3) 2005.1767 1 x 3/4 x 7/8 (2.5 x 1.9 x 2.2) 2005.1758 Unknown Maker 2005.1785 Unknown Maker Stickpin, 1782 Unknown Maker Stickpin, c. 1790 Sepia on ivory, 15k rose gold, hair, Unknown Maker Pin, c. 1865 Sepia on ivory, 12k yellow gold, hair, and glass Stickpin, c. 1800 Hair, paste gemstones, 12k yellow gold, and glass 3 3/8 x 11/16 x 3/8 (8.6 x 1.7 x 1) Sepia on ivory, 9k rose gold, hair, and glass 3 3/8 x 5/8 x 1/4 (8.6 x 1.6 x .6) 2005.1777 and glass 7/8 x 5/8 x 1/8 (2.2 x 1.6 x .3) 2005.1768 2 1/8 x 5/8 x 1/4 (5.3 x 1.6 x .6) 2005.1759 Unknown Maker 2005.1786 Unknown Maker Pin, 1786 Unknown Maker Pin/Pendant, c. 1780 Sepia on ivory, 9k rose gold, diamonds, Unknown Maker Ring, c. 1880 Sepia on ivory, 9k rose gold, hair, and glass Brooch, 1805 .A, ring: 14k yellow gold, and hair paste gemstones, hair, and glass 1 3/16 x 3/4 x 1/4 (3 x 1.9 x .6) Hair, seed pearls, 10k rose gold, 3/8 x 7/8 (1 x 2.2) 1 1/2 x 1 x 1/4 (3.8 x 2.5 x .6) 2005.1778 and glass .B, box: leather and cloth 2005.1769 1 x 5/8 x 1/8 (2.5 x 1.6 x .3) 1 3/8 x 1 3/16 (3.5 x 3) diam. Unknown Maker 2005.1787 2005.1760.A,.B Unknown Maker Brooch, c. 1800 Brooch, 1829 Sepia on ivory, 10k rose gold, and glass Unknown Maker Unknown Maker 14k yellow gold, enamel, seed pearls, 1/4 x 1 1/4 (.6 x 3.2) diam. Stickpin, c. 1880 Ring, 1865 hair, and glass 2005.1779 Hair on ivory, 10k yellow gold, paint, 9k yellow gold, glass or stone, 1 1/4 x 1 3/4 x 3/8 (3.2 x 4.4 x 1) glass bead, and glass and hair 2005.1770 Unknown Maker 2 3/8 x 7/16 x 1/4 (6.1 x 1.1 x .6) 7/8 x 3/4 x 1/4 (2.2 x 1.9 x .6) Ring, 1803 2005.1788 2005.1761 Unknown Maker 12k yellow gold, hair, enamel, and glass Ring, 1784 1/2 x 7/8 x 1 (1.3 x 2.2 x 2.5) Unknown Maker Unknown Maker Hair on ivory, 14k rose gold, 2005.1780 Brooch, 1785 Ring, 1787 and diamonds Sepia on ivory, 14k yellow gold, hair, 12k rose gold, enamel, hair, and glass 1 x 5/8 x 3/4 (2.5 x 1.6 x 1.9) Unknown Maker and glass 1 1/4 x 3/4 x 7/8 (3.2 x 1.9 x 2.2) 2005.1771 Ring, 1792 1 1/2 x 7/8 x 1/4 (3.8 x 2.2 x .6) 2005.1762 Ivory, 9k rose gold, hair, paint, 2005.1789 Unknown Maker and glass Unknown Maker Pin, c. 1810–20 1 1/8 x 3/4 x 7/8 (2.9 x 1.9 x 2.2) Unknown Maker Ring, 1826 12k rose gold, enamel, hair, and glass 2005.1781 Ring, 1821 Gold, 9k rose gold, hair, and glass 3/4 x 5/8 x 1/8 (1.9 x 1.6 x .3) Enamel, 18k yellow gold, hair, and glass 1 1/4 x 7/8 x 7/8 (3.2 x 2.2 x 2.2) 2005.1772 5/8 x 3/4 x 15/16 (1.6 x 1.9 x 2.4) 2005.1763 2005.1790

97 Accessions

Unknown Maker Unknown Maker Unknown Maker Unknown Maker Ring, 1913 Ring, 1789 Brooch, 1858 Brooch, 1853 9k rose gold and hair Watercolor on ivory, 12k rose gold, Enamel, 10k yellow gold, pearls, hair, White glass, 9k yellow gold, pearls, 1/4 x 3/4 (.6 x 1.9) diam. and glass and glass hair, and glass 2005.1791 1 1/4 x 3/4 x 7/8 (3.2 x 1.9 x 2.2) 1 3/4 x 2 1/8 x 7/8 (4.4 x 5.4 x 2.2) 2 1/16 x 2 3/8 x 1/2 (5.2 x 6 x 1.3) 2005.1799 2005.1808 2005.1817 Unknown Maker Ring, 1769 Unknown Maker Unknown Maker Unknown Maker Hairwork on ivory, enamel, 18k yellow Brooch, 1833 Brooch, c. 1840 Ring, 1881 gold, and glass Enamel, 12k yellow gold, hair, and glass Enamel, 12k yellow gold, pearls, fabric, 15k yellow gold (?) and hair 1/2 x 7/16 x 3/4 (1.3 x 1.1 x 1.9) diam. 1 1/8 x 7/8 x 1/4 (2.9 x 2.2 x .6) and glass 3/8 x 7/8 (1 x 2.2) diam. 2005.1792 2005.1800 3/4 x 7/8 x 1/4 (1.9 x 2.2 x .6) 2005.1818 2005.1809 Unknown Maker Unknown Maker Unknown Maker Ring, 1794 Brooch, 1867 Unknown Maker Brooch, 1851 Blue glass, pearls, 12k yellow gold, Enamel, 10k yellow gold, hair, and glass Brooch, c. 1800 Enamel, 18k yellow gold, base metal, hair, and glass 1 3/8 x 1 9/16 x 1/4 (3.5 x 4 x .6) Enamel, 14k yellow gold, pearls, fabric, hair, and glass 1 3/16 x 3/4 x 1 (3 x 1.9 x 2.5) 2005.1801 and glass 1 3/8 x 1 5/8 x 3/4 (3.5 x 4.1 x 1.9) 2005.1793 7/8 x 5/8 x 1/4 (2.2 x 1.6 x .6) 2005.1819 Unknown Maker 2005.1810 Marcellin, French Clasp, c. 1790 Unknown Maker Plaque, c. 1880 Watercolor on ivory, 10k rose gold, Unknown Maker Brooch, c. 1860 Watercolor and hairwork on glass, gilt, guilloche enamel, pearl, velvet, hair, Plaque, c. 1880 Enamel, 9k yellow gold, agate, fabric, wood, and glass and glass Sepia on ivory, hair, gilt, wood, and glass and glass .A, Plaque: 3 5/8 x 3 (9.2 x 7.6) 1 1/8 x 7/8 x 1/4 (2.9 x 2.2 x .6) 2 1/2 (6.4) diam. 3/4 x 1 3/8 (1.9 x 3.5) diam. .B, Frame (Original to piece): 2005.1802 2005.1811 2005.1820 6 7/16 x 5 11/16 x 5/8 (16.4 x 14.4 x 1.6) 2005.1794 Unknown Maker Unknown Maker Unknown Maker Clasp, c. 1790 Pendant/Brooch, c. 1870 Brooch, c. 1860 Unknown Maker Watercolor on ivory, 10k rose gold, Bakelite, 14k and 9k yellow gold, pearls, Enamel, 10k gold, pearl, hair, and glass Ring, 1771 guilloche enamel, pearl, velvet, hair, fabric, and glass 1 1/4 x 1 1/2 x 1/2 (3.2 x 3.8 x 1.3) Enamel, 18k yellow gold, pearls, hair, and glass 2 x 1 3/4 x 1/4 (5.1 x 4.4 x .6) 2005.1821 and glass 1 1/8 x 7/8 x 3/16 (2.9 x 2.2 x .5) 2005.1812 5/8 x 9/16 x 3/4 (1.6 x 1.4 x 1.9) diam. 2005.1803 Unknown Maker 2005.1795 Unknown Maker Stickpin, c.1790 Unknown Maker Brooch, c. 1860 Porcelain and 12k rose gold Unknown Maker Pendant with Portrait of a Woman, Enamel, 18k and 12k yellow gold, base 2 1/2 x 5/8 x 1/8 (6.4 x 1.6 x .3) Ring, c.1790 c. 1780–90 metal, fabric, and glass 2005.1822 Sepia on ivory, 9k rose gold, hair, Watercolor and sepia on ivory, 1 1/4 x 1 3/8 x 3/8 (3.2 x 3.5 x 1) and glass 14k yellow gold, hair, and glass 2005.1813 Unknown Maker 1 x 7/16 x 3/4 (2.5 x 1.1 x 1.9) 2 x 1 1/8 x 1/4 (5.1 x 2.9 x .6) Hairpin/Pendant, c. 1880 2005.1796 2005.1804 Unknown English Maker Enamel, 18k yellow gold, mother-of-pearl, Brooch, c. 1850 hair, and glass Unknown English Maker Unknown Maker Enamel, 12k yellow gold, hair, paste 3/8 x 1 3/16 (1 x 3) diam. Ring, 1791 Pendant, c. 1750 gemstones, and glass 2005.1823 Enamel, diamonds, 12k rose gold, hair, Sepia on ivory, gold, hair, and glass 3/8 x 1 1/2 (1 x 3.8) diam. and glass 1 3/4 x 1 1/4 x 1/8 (4.4 x 3.2 x .3) 2005.1814 Unknown Maker .A, ring: 1 1/4 x 3/4 x 1 (3.2 x 1.9 x 2.5) 2005.1805 Brooch, c. 1880 .B, original box: 1 1/4 x 1 5/8 x 1 (3.2 x Unknown Maker Enamel, 9k gold, agate, fabric, 4.1 x 2.5) Unknown Maker Brooch, c. 1840 base metal, and glass 2005.1797.A,.B Brooch, c. 1790 Enamel, gold, fabric, and glass 1 1/4 x 1 5/8 x 3/4 (3.2 x 4.1 x 1.9) Watercolor on ivory, 9k yellow gold, 1 1/4 x 1 1/2 x 3/8 (3.2 x 3.8 x 1) 2005.1824 Unknown Maker and glass 2005.1815 Ring, 1792 1 1/2 x 7/8 x 1/4 (3.8 x 2.2 x .6) Unknown Maker Enamel, seed pearls, 9k rose gold, hair, 2005.1806 Unknown Maker Brooch, c. 1860–70 and glass Brooch, c. 1850 Enamel, gold, and embossed paper 1 1/4 x 3/4 x 1 (3.2 x 1.9 x 2.5) Unknown Maker Enamel, 12k yellow gold, pearls, 1 1/2 x 1 1/8 x 1/4 (3.8 x 2.9 x .6) 2005.1798 “Lover’s Eye” Brooch, 1785 diamonds, hair, fabric, and glass 2005.1825 Watercolor on ivory, paste gemstones, 1 1/4 x 1 1/2 x 3/8 (3.2 x 3.8 x 1) 12k rose gold, and glass 2005.1816 1 x 1 1/2 x 1/4 (2.5 x 3.8 x .6) 2005.1807 98 Accessions

Unknown Maker Unknown English Maker Stickpin, 1870s Suite of Glassware, c. 1820 Enamel, 12k yellow gold, hair, and glass Glass 2 7/8 x 7/16 x 1/4 (7.4 x 1.1 x .6) .1,.2, carafes (each): 8 1/4 x 4 1/4 2005.1826 (21 x 10.8) diam. .3,.4, decanters with stoppers (each): Unknown Maker 10 1/4 x 4 1/4 (26 x 10.8) Ring, 1870s .5–.15, goblets (each): 5 x 3 1/2 Enamel, 10k rose gold, mother-of-pearl, (12.7 x 8.9) diam. hair, and glass The Rienzi Collection, gift of Mr. and 7/8 x 3/4 x 1 (2.2 x 1.9 x 2.5) Mrs. Harris Masterson III, by exchange, 2005.1827 with additional gifts from Rienzi docents and friends, Shirley Hopkins; Unknown Maker Carol Ballard; James Deegan; Mr. and “Memento Mori” Brooch, c. 1720 Mrs. Sherman Glass, Jr.; John Matlage Enamel, 22k yellow gold, fabric, and Robert Weinberger in memory of and glass Gary Hall; Natalie Ann Gallagher; 3/4 x 7/8 x 1/4 (1.9 x 2.2 x .6) Dr. and Mrs. William C. Heird; 2005.1828 Nancy Guest; Mr. and Mrs. David D. Bynum; Lucy Jo Currie; Mary M. Hoekel; * * * Dr. Jed Lee Howard, M.D., in memory of Thelma Sheff Lipsitz; Gail Rosenthal; In the manner of Thomas Johnson, Margaret B. Ascherl; Sue Bleakie; English, 1714–c. 1778 Mary Ellen Carey; Jan Diesel; Dr. and Pair of Torchères, c. 1760 Mrs. Byron P. York; Jeanne L. Neu; Spruce and gilt Janet Pickell; Julia D. Allison; Each: 45 (114.3) Bernadine Miller; Mr. and Mrs. The Rienzi Collection, museum C. L. Stubblefield; Martha M. Loftin; and purchase with funds provided by the funds provided by ExxonMobil, IBM, and Rienzi Society Newfield Exploration Company 2006.38.1,.2 2006.390.1–.15

Attributed to William Parker, English, active c. 1762–1784 Pair of Candlesticks, c. 1785 Glass and ormolu Each: 24 1/2 x 12 x 10 (62.2 x 30.5 x 25.4) The Rienzi Collection, gift of Mr. and Mrs. Harris Masterson III, by exchange, with additional gifts in memory of Mr. and Mrs. James A. Elkins, Jr. from Isla and Tommy Reckling, Mrs. James Anderson, Jr., Jas A. Gundry, Mr. and Mrs. David Beveridge, Mr. and Mrs. Meredith Long, Susan G. Baker, Carol C. and A. Leslie Ballard, Jr., Mrs. Thomas W. Blake, Rosslyn and Marshall Crawford, Mrs. Harold Stream, Jr., Mrs. Jean William Brown, Mr. and Mrs. Thomas W. Burke, Jr., Alfredo and Celina Hellmund Brener, Walter C. English, Fran Fauntleroy, Mr. and Mrs. Wayne Wickman, Mr. and Mrs. M. S. Stude, and Mr. and Mrs. Thomas Dunn Adam Buck 2006.374.1,.2 Portrait of a Woman, 1805 Watercolor on ivory, gilt, and glass The Rienzi Collection, bequest of Caroline A. Ross 2005.1631

99

Education Department

Education at the Museum of Fine Arts, Houston, is a lively mix of projects large and small—from a group tour for eager third graders to the three-year development of a Web site for teachers, from a classical music concert to an internship program for college students, from a workshop that shows parents how to make art at home with their children to a scholarly symposium featuring speakers from around the world. All of these activities help museum visitors, as well as participants in the museum’s off-site activities, to make meaningful connections with works of art, to learn about and to enjoy art, and to feel welcome and comfortable at the MFAH. The statistics on pages 104–5 say it all. Guided by the dedicated teamwork of the Education Trustee Committee and its chairman, Kathryn Ketelsen, the MFAH education department plans and implements hundreds of programs that serve tens of thousands of people every year. The education department, which grew significantly in fiscal year 2005–6, now comprises twenty full-time employees whose areas of specialization are organized into five divisions. Public Programs staff presented 179 lectures, symposia, performances, readings, classes, and sketching workshops for adults. Family and Community Programs staff organized 321 activities at the museum and throughout Houston and Harris County, including Creation Station art workshops, Family Days, Parent Workshops, Summer Art Camps, and Summer Mural Projects. Museum educa- tors in the Programs for Teachers division developed 42 workshops for teachers, wrote resource mate- rials on works of art for all of these programs, and managed the Kinder Foundation Teacher Resource Center, a free lending library with 1,677 slide, video, poster, CD, and computer programs on world art. Student Programs staff created more than 50 programs for middle, high-school, and college students and managed the education department’s partnership with organizations in Beeville, Texas. Docent and Tour Program staff was responsible for selecting, recruiting, training, and supporting the museum’s 233 volunteer docents. These dedicated volunteers serve as the teaching corps for the museum, and in 2005–6, they introduced more than forty thousand people to art at the MFAH.

Student Programs have made a major contribution to the museum and to the education department. In 1990, the MFAH began a paid summer internship program for college undergraduates. The goal was to encourage students to consider careers in art museums, in particular, and in the arts, in general. The program, also designed to provide important additional support to museum staff, has grown from three students in the inaugural year to eleven students in the summer of 2005. In 2005–6, four former interns worked in the education department, and one was hired to begin work in August 2006. Monica Garza, a 1993 intern, who is currently head of education at the San Diego Museum of Contemporary Art, will become the museum’s associate education director, effective August 2006. Other activities in the student programs area, led by manager George Ramirez, include an eleven-year partnership with the photography program in the Magnet School of Communications at Jack Yates High School. This innovative program has resulted in an annual exhibition of student photography, Eye on Third Ward. This model inspired a new partnership in 2005–6 with the Arts and Communications Academy at Waltrip High School that focused on the exhibition Basquiat. The students and their art teacher, Rebecca Bass, visited the museum five times to see the exhibition, to learn about Basquiat, and to explore printmaking processes. Students then created their own prints combining words and images. The exhibition Impressions of Basquiat in the MFAH’s Kinder Children have the opportunity to sketch Foundation Teacher Resource Center Gallery presented the works created by these young artists. original works of art at the museum through a variety of family programs. An important resource for teens, young adults, and all audiences for learning about the Basquiat exhibition was Street to Studio: The Art of Jean Michel Basquiat, a Web site developed by educators at the Brooklyn Museum and the Museum of Contemporary Art in Los Angeles, and by George Ramirez. This Web site won two MUSE awards from the Media and Technology Standing Professional Committee of the American Association of Museums, including the Jim Blackaby Ingenuity Award.

100 Education Department

A major accomplishment of the Family and Community Programs team was creating an interactive learning area for the exhibition Gee’s Bend: The Architecture of the Quilt. Sarah Williams-House and Lindsey Smith worked with exhibition curator Alvia Wardlaw and exhibit designer Bill Cochrane to create a welcoming space. To encourage visitors to learn more about quilts, quilting, and family and society in the American South, a reading area was filled with books for children and adults. To reinforce the importance of color and pattern in the Gee’s Bend quilts, the space was designed so that visitors could create their own quilt designs. Area artists and students worked in the center to assist visitors. The library exhibition Playful, Sleek, and Bold: Modern Designs for Living showcased innovative objects from the museum’s decorative arts collection at six branches in the Houston and Harris County library systems. At five city parks, children working with area artists created beautiful murals that depict the significant people, places, and landmarks in their community, the children’s own personal connections with the neighborhood, and images or designs inspired by art on view at the museum. This ten-year partnership with the City of Houston Parks and Recreation Department has resulted in an amazing collection of forty-six murals in neighborhoods all around the city. Summer Art Camps, a partnership with the Harris County Public Library, introduced children to great art and children’s literature. These one-week art camps are led by MFAH teaching artists. Children read and discuss a book and related works of art on view at the MFAH, then create their own works of art inspired by this pairing of a book and objects. The summer 2005 camps focused on the exhibition Baseball As America, and the 2006 camps explored the Gee’s Bend quilts. In a workshop at the museum, parents Staff working on Programs for Teachers completed two major publications projects in 2005–6. learn how to make art with their children. MFAH educators and publications department staff designed a new, updated edition of the two Learning Through Art at the Museum of Fine Arts, Houston curriculum kits, which will be published in fall 2006. The resource curriculum uses works in the MFAH collection for interdisciplinary lessons in art, language arts, social studies, science, and math; it has been the foundation of the MFAH’s work with elementary teachers for more than a decade.

101 Education Department

The education department will offer in-depth resources for teachers online in the fall of 2006, thanks to the completion of Teaching with Art, a three-year initiative funded by the Institute for Museums and Library Services. Dr. Victoria Ramirez, school programs manager, led a team that developed the Web site, which focuses on thirty-two key works in the MFAH collection, each accompanied by a detailed visual analysis and a lesson plan. Another section presents art by students created as part of the lesson plans. A third part of the site provides online information and activi- ties to prepare teachers and their students for tours at the MFAH. Visit this important new resource for educators at www.mfah.org/twa. In 2005–6, in response to overwhelming demand, we doubled the number of teacher workshops to fourteen and offered online registration. Five hundred and thirty-nine teachers attended twenty Learning Through Art at the MFAH teacher workshops. For the Hearst Foundation Evenings for Educators program on Basquiat, high-school art teachers were invited to bring their students with them to learn about the exhibition. This new twist on one of the department’s signature programs has opened the door for exciting new opportunities for the future. The Kinder Foundation Teacher Resource Center served teachers throughout Houston and the region through its free loans of slide, video, CD, and poster programs on art. Exhibitions of art by HISD students at Sylvan Rodriguez Elementary School and Waltrip High School showcased important museum-school partnerships. In recognition of her innovative work at the MFAH, Dr. Ramirez was named Western Region Art Museum Educator of the year by the National Art Education Association.

Programs for Adults continued to offer exciting and incredibly diverse offerings of lectures by noted scholars and artists. From rock ’n’ roll photography to Roman portrait busts, from Sangama temples of Southern India to photographs of King Ranch, from the lure of ancient ruins to the art of Thornton Dial to a celebration of the twentieth anniversary of the Cullen Sculpture Garden, museum lectures entertained and informed thousands of people. Linking the performing and the visual arts is an important means by which Public Programs Manager Margaret Mims and her staff create partner- ships with other organizations in the city and attract new audiences. The 2005–6 performances ranged from works by Beethoven to New Orleans jazz. Of special note was the Walking Concert: Musical Pictures at an Exhibition: Choral Conversations with the Museum of Fine Arts, Houston, presented by CANTARE Houston. This group of singers took visitors on an inspired tour of the European col- lection, stopping at selected paintings and singing music from the appropriate country and time period. Thanks to a major grant from the Wallace Foundation that supports Gateway to Art/De Puertas al Arte, the department developed programs to introduce audiences to modern and contemporary Latin American and Latino art. Audiences had the opportunity to hear photographer Adriana Groisman and installation artists Regina Silveira from Brazil and Graciela Sacco from Argentina talk about their works. For the exhibitions Indelible Images (trafficking between life and death) and Bringing Shadows to Light: Contemporary Argentine Photography, a rich array of programs explored issues of identity, death, war, and politics. Looking back, I am always inspired by the origins of the education department. Education at the MFAH began in 1900, with a group of women who taught art in the public schools using reproductions of great works of art. This tradition continues with the MFAH’s Docent and ExxonMobil School Tour Programs. School groups are the major focus of the docent program, and Storytime Tours for our youngest pupils, pre-K through second-grade students, grew by 10 percent, thanks in large part to the great promotion of the tours on the HISD Web site. A new publication, See and Sketch, funded by the Museum Guild, was distributed to all elementary students touring the museum in 2005–6.

102 Education Department

During the past year, Kilby Hoskins, docent and tour program manager, and her staff focused on building adult audiences for museum tours. New drop-in tours for adults included Art History 101 tours on Thursday evenings, which explored the European collection from the late Middle Ages to the early twentieth century. Spotlight Tours focusing on a single work of art or one gallery provided a short but lively introduction to the art on view. Your Turn to Speak gave lecture audiences a chance to talk about the focus exhibition in the galleries after a lecture. Lunchtime tours developed from the success of the noon drop-in tours. With this more varied offering, attendance at drop-in adult tours increased by 80 percent. All of these successes are made possible by the education department’s generous funders and by our community partner organizations. Each year, many agencies, corporations, foundations, and indi- viduals make donations that are expressions of strongly held beliefs in the value of the visual arts, the importance of service to the residents of Houston and Harris County, and the educational mission of the Museum of Fine Arts, Houston. Community partners—libraries, schools, parks, social service agencies, cultural organizations, arts groups, and many more—provide the museum with important links to new audiences and to sites throughout Houston, Harris County, and farther afield. As a result, the MFAH is able to develop programs that support the museum as “A Place for All People.”

Beth B. Schneider W. T. and Louise J. Moran Education Director

Above: Creation Station helps children experiment with a variety of media to produce their own works of art.

Top left: Kids get creative at the MFAH’s art camps, conducted at libraries throughout the community.

103 Museum Programs Total Attendance 952,121 Community Outreach Programs 728,606

Programs for Adults 32,790 68 Lectures and Symposiums 12,571 9 Concerts and Performances 1,636 11 Artful Thursdays 2,373 6 Elderhostel Programs 199 2 Continuing Studies Courses 100 45 Programs and Events funded by the Wallace Foundation 7,105 11 Community Networking Mixers 9 Issues Forums 4 Artist Talks 5 Film Screenings/Festivals 8 Latin American Art 101 Talks 5 Lectures 3 Performances and Concerts 13 Adult Sketching in the Galleries 13 Adult Sketching in the Galleries 176 Docent-guided Tours 7,777 Museum Docent Training Program 233 10 Staff Tours 253 15 Speakers’ Bureau Lectures 367

Programs for Families and Children 30,489 Gee’s Bend: The Architecture of the Quilt Family Center 6,733 73 Creation Stations at the museum 5,603 16 Home School Workshops 754 19 Off-site Creation Stations 386 47 Family Sketching in the Galleries 2,381 Above: During teacher workshops, docents lead 8 Family Days 8,004 educators on tours of the museum’s galleries. 135 Parent Workshops at area schools and libraries 2,069

Top right: 6 Community Festivals and Events 2,497 MFAH interns in the interactive learning 5 Summer Mural Projects with Houston Parks and Recreation Department 163 area for the exhibition Gee’s Bend: The Architecture of the Quilt. 12 Summer Art Camps with Harris County Public Library 581 Sunday and Summer Storytime Drop-in Tours 1,318

104 Education Department

Programs for Teachers 316,267

Kinder Foundation Teacher Resource Center (KFTRC) 116,568 516 KFTRC Borrowers 1,462 Program Orders 1,677 Programs available for free loan

Programs for Teachers 8 Hearst Foundation Evenings for Educators teachers reached 1,275 students reached 118,382 20 Learning Through Art at the Museum of Fine Arts, Houston, Workshops teachers reached 539 students reached 28,298 14 Teacher Workshops teachers reached 539 students reached 50,666

Programs for Students 49,612 Docent-guided Tours for 336 schools 26,707 Self-guided Tours and Audio Tours for 218 schools 11,836 Storytime Tours for 39 schools 3,328 High School Academic Decathlon Programs for 20 schools 257 23 Screening America Media Literacy Programs 2,488 2 High School Photography Workshops 30 Summer Internships for College Students 11 5 Art of Observation Courses 150 Career Day presentation at schools 450 Programs for Students, Beeville ISD 4,150 Students creating art for MFAH exhibitions 205 Eye on Third Ward: Yates Magnet School Photography Art Space at East Region HISD Art Space at Love Elementary Art Space at Luby’s Cafeteria KFTRC The Museum as Model KFTRC Impressions of Basquiat

Education Department Exhibitions 522,963 Eye on Third Ward: Yates Magnet School Photography 100,548 Art Space, Community Exhibitions of Student Art East Region HISD Gallery and at Luby’s Cafeteria and Love Elementary School 154,327 2 KFTRC Exhibitions The Museum as Model and Impressions of Basquiat 18,000 2 Library Exhibitions at 6 branches and Programs 250,088

105

Conservation Department

As the MFAH conservation department approaches its tenth anniversary, there is much to celebrate. A total of 774 works of art were treated in fiscal year 2005–6, a statistic that includes 172 conservation treatments of works scheduled for exhibitions organized by the MFAH. An additional 5,439 works of art were examined for museum records, accessions, exhibitions, and loans. The conservation department also fabricated new housing for 685 works, so as to better preserve them in storage, and provided technical support for thirty-six traveling exhibitions. The department now has staff who are specialists in the conservation of paintings, sculpture, decorative arts objects and furniture, photography, and works on paper. Eighty paintings were conserved and eight paintings were examined and documented this past fiscal year. Of particular note is the treatment of Franz Kline’s Orange and Black Wall, one of the master- pieces from the Bequest of Caroline Wiess Law. Conservation of a second masterpiece from the same bequest, Circus by Joan Miró, is near completion. An important grisaille painting by Frederic Remington, The Return of Gomez to Havana, was cleaned for the exhibition Frederic Remington: Selections from the Hogg Brothers Collection, organized by the MFAH for the Beeville Art Museum. Conservation was a major component of another exhibition, Hélio Oiticica: The Body of Color. Everyone in the department contributed to this project, above all the painting conservators. Thirty-six works by Oiticica were cleaned and stabilized during the fiscal year. With the establishment of a new laboratory for the conservation of objects and sculpture, the conservation staff was able to examine fifty-six artworks and to provide treatment for 324 works. The conservation of antiquities was a major focus for the sculpture conservation staff. Work on the newly acquired, monumental second-century Roman sarcophagus was completed, and the Portrait Head of Plautilla was conserved and displayed in the exhibition Reading the Roman Portrait Bust. A white-ground Lekythos, a gift from Annette Finnigan in the 1930s, was among the antiquities that have been recov- ered. Selected European and American sculptures, such as Infant Satyrs, c. 1750–75, by Clodion, and Faith, c. 1868, by Hiram Powers, were cleaned and stabilized. The initial conservation of The General Bonaparte on Horseback, c. 1864–66, by Antoine-Louis Barye, has prompted further investigation into the conservation history of the work and the presentation of Barye’s plaster casts. More than fifty Pre-Columbian gold objects from the Glassell Collection received care, including new mounts, which will improve the presentation of this treasured collection. Preparation for the twentieth anniversary of the Lillie and Hugh Roy Cullen Sculpture Garden on April 5, 2006, included a thor- ough maintenance of the garden’s twenty-nine sculptures. In addition, a grant from Save America’s Treasures enabled the conservation of 116 southwestern American Indian pots, a gift of Ima Hogg. In the field of decorative arts, 132 works were conserved this year, and 609 were examined. The MFAH initiated a collaborative research project with the Philadelphia Museum of Art, which has led to the reinterpretation of the upholstery format in furniture designed by Benjamin Henry Latrobe. The upholstery on the two Latrobe chairs in the Bayou Bend Collection will soon conform to the new findings. In the Rienzi Collection, twenty-nine pieces of furniture were examined and the wood identified to inform a forthcoming catalogue of collection highlights. Staff members also completed a detailed survey of the Helen Williams Drutt Collection and stored 421 of its jewelry objects in specially tailored acid-free boxes to better preserve them. In the wake of hurricanes Katrina and Rita, department members surveyed sites—including the Stark House in Orange, Texas, which is a model for hurricane preparedness—to learn new ways of protecting Bayou Bend and Rienzi and their decorative arts holdings in the event of natural disasters. Thirty-five photographs were conserved and 4,200 prints were examined as part of the Institute of Museum and Library Services (IMLS) detailed survey of photography in the MFAH collection. A pres- entation of a new database for conservation records, created specifically to address the survey, was

106 Conservation Department

enthusiastically received at the annual meeting of the American Institute of Conservation. In addition, 438 photographs were exam- ined in response to requests from seven of the museum’s curatorial departments. The case and plate of a daguerreotype of Margaret Lea Houston received extensive conservation before it was exhibited at Bayou Bend. Works by Fernando Gutiérrez and Aldo Sessa were treated for the exhibition Bringing Shadows to Light: Contemporary Argentine Photography, and conservation of the Target Collection of American Photography was begun in preparation for a major trav- eling exhibition in 2007. In 2005–6, seventy-one works on paper were conserved, and 128 were examined. Another grant provided by Save America’s Treasures funded the treatment of thirty-four Remington watercolors and southwestern American Indian gouache paintings from the Hogg Family Bequest. Treatment was also performed on more than thirty works on paper for two exhibi- tions organized by the MFAH, Joseph Havel: A Decade of Sculpture 1996 –2006 and Singular Multiples: The Peter Blum Edition Archive, 1980 –1994. The conservation department now has a permanent staff of seven conservators and two conservation technicians. In addition, grants from the IMLS and Save America’s Treasures are funding positions for a part-time conservator, three conservation technicians, and a conservation preparator for a two-year period. During the last year, the department’s operations were enhanced by the presence of two junior staff members, Lisa Duncan and Ariel O’Connor, and summer intern Gwen Stewart. The staff increase has led the department toward fuller integration with other MFAH departments and activities. These staff members have been active both within the museum as well as in the broader community. As part of a new partnership with Rice University, the museum’s conservators taught a course, The Chemistry of Art, with Dr. Kenton Whitmire, chair of the Department of Chemistry. This part- nership permits conservation department staff to access the state-of-the-art analytical services and equipment available at the university. Conservators also made presentations about the conservation of works in the Latin American, Beck, Photography, Bayou Bend, and Rienzi collections at a number of MFAH Trustee meetings as well as at conservation meetings and symposia. The coming year will mark the tenth anniversary of the conservation department. We are grateful to museum director Peter C. Marzio, the Board of Trustees, and the many others who have contributed to the development of the department.

Wynne H. Phelan Conservation Director

Conservation technician Bert Samples at work on the conservation treatment of a painting for Hélio Oiticica: The Body of Color.

107 Film Department

The summer began with a Summer Cinémathèque series featuring restored prints of film classics, such as Jacques Tati’s Playtime, Jean-Luc Godard’s Masculine, Feminine, the film-noir favorite Kiss Me Deadly, and David Lean’s epic Lawrence of Arabia. The Baseball As America exhibition served as a backdrop to the summer film series Out of Left Field: Great Baseball Movies You May Have Missed, which featured two programs of speakers accompanied by clip reels of baseball history. September hosted the sold-out premiere of the environmental documentary The End of Suburbia: Oil Depletion and the Collapse of the American Dream, introduced by MFAH Trustee and Film Committee member Matthew R. Simmons, who is featured in the film. Another autumn sellout premiere was The Power of Nightmares, the BBC documentary on the politics of fear, featuring remarks by British filmmaker Adam Curtis. October kicked off Movies Houstonians Love, a series highlighting local celebrities’ favorite films. Houston Comets superstar Cynthia Cooper presented The Shawshank Redemption, Dr. Denton Cooley introduced Catch-22, Mayor Bill White chose The Last Picture Show, and Alley Theatre resident Annalee Jeffries picked Barbarella. The popular “Silent Film Concert” series premiered in November with Houston’s Two Star Symphony accompanying Unseen Cinema, a group of avant-garde classics. A second concert in February featured Austin musicians performing their original score to the Harold Lloyd comedy The Freshman. The museum’s first-ever midnight movies were featured in conjunction with the late-night Starbucks Total programs 208 Music Series accompanying the Basquiat exhibition. The Beats of Basquiat featured iconic 1980s-themed Total attendance 22,243 movies such as Purple Rain, Xanadu, and Sixteen Candles. February brought another successful film series showcasing the work of William Wyler. Three of the filmmaker’s daughters introduced audiences to Roman Holiday, The Little Foxes, and Ben-Hur. Additional titles by the prolific Wyler were featured throughout the month. The second annual Jewish Film Festival took place in March in collaboration with the Jewish Community Center. More than a thousand filmgoers saw new Jewish-themed films from France, Germany, Israel, and Spain. April brought the first annual Latin Wave film festival, featuring parties and receptions, and exciting premieres of films from Argentina, Brazil, Colombia, Mexico, and Venezuela. The films’ representatives attended the weekend’s festivities. Richard Peña, director of the New York Film Festival and the Film Society of Lincoln Center, moderated a bilingual panel discussion titled Latin American Cinema Now! May and June highlighted the career of French actress Isabelle Huppert with a ten-film series and an accompanying exhibition of seventeen portrait photographs. MFAH Films celebrated its twentieth anniversary as an archive and distributor of film and video by Robert Frank, the internationally renowned photographer and filmmaker. This year marked screenings at the New York Video Festival, Kino Xenix in Zurich, and the Yamagata International Documentary Film Festival in Tokyo, as well as at venues across the United States. The Museum of Fine Arts, Houston, once again served as a producer for the thirtieth anniversary of The Territory, the longest running showcase of independent film and video on public television in Left to right: Melanie Wyler, Judy Sheldon, the United States. The program is made available to all Texas PBS stations through HoustonPBS. curator Marian Luntz, and Catherine Wyler at the opening of the William Wyler film series. Marian Luntz Curator Film and Video

108 Publications Department

Bayou Bend Gardens: A Southern Oasis. By This fiscal year witnessed the expansion of the museum’s publishing program. The museum was David B. Warren. Published by the Museum of Fine Arts, Houston, in association with privileged to work with the best in the art book business, including leading authors, prominent Scala Publishers. 122 pages. graphic designers, top-quality printers from around the globe, and prestigious international publishers. Best in Show: The Dog in Art from the Renaissance to Today. By Edgar Peters In 2005–6, the MFAH published seven books. Bowron, Peter Sutton, Robert Rosenblum, William Secord, and Carolyn Rose Rebbert. The publications department worked closely with the museum’s International Center for the Arts of Published by the Museum of Fine Arts, Houston, in association with Yale University the Americas to edit, design, and produce scholarly bilingual publications. The exhibition catalogue Press. 160 pages. Gego: Entre la transparencia y lo invisible/Gego: Between Transparency and the Invisible was published to Gego: Entre la transparencia y lo invisible/ Gego: Between Transparency and the Invisible. critical acclaim and will enter its second printing. Another publication, Sabiduras y otros textos de By Mari Carmen Ramírez, with Catherine Gego/Sabiduras and Other Texts by Gego, was named one of the best scholarly illustrated publications de Zegher, Robert Storr, and Josefina Manrique. Published by the Museum of of 2005–6 by the Association of American University Presses, and was designated as one of the fifty Fine Arts, Houston, and Malba-Colección Costantini, Museo de Arte Latinoamericano best designed books in 2005 by the American Institute of Graphic Arts. de Buenos Aires, and distributed by Yale University Press. 256 pages. The museum’s bilingual Web site, www.mfah.org and www.mfah.org/spanish, continued to provide Joseph Havel: A Decade of Sculpture stimulating content about MFAH exhibitions and programs. New interactive features, such as podcasts 1996 –2006. By Peter Doroshenko, with Alison de Lima Greene, Amelia Jones, and with MFAH curators, were developed to enrich the online experience. The number of Web-site visits Howard Singerman. Published by the Museum of Fine Arts, Houston, in associa- increased to 2,050,379 this year. Another facet of the museum’s publishing program is the production tion with Scala Publishers. 172 pages. of collateral materials, which average five hundred pieces per year. Isamu Noguchi: A Sculpture for Sculpture, The Lillie and Hugh Roy Cullen Sculpture Garden. By Alison de Lima Greene, with Valerie J. Fletcher and Marc Treib. Published by the Museum of Fine Arts, Diane Lovejoy Houston. 168 pages. Publications Director Singular Multiples: The Peter Blum Edition Archive, 1980 –1994. By Barry Walker et al. Published by the Museum of Fine Arts, Houston, and distributed by Yale University Press. 408 pages. Two Women Look West: Photographs of King Ranch by Helen C. Kleberg and Toni Frissell. By Marisa C. Sánchez. Published by the Museum of Fine Arts, Houston. 64 pages.

109 Museum Collectors

Museum Collectors provide broad-based support for the museum’s acquisition program while encour- aging interest in collecting art by its members. Since its founding in 1979, the Museum Collectors have purchased 96 works of art for the MFAH that are currently valued at more than $1.9 million. The season began in September with a cocktail reception and two tours: one of the exhibition The Splendor of Ruins in French Landscape Painting, 1630 –1800, led by Edgar Peters Bowron, the Audrey Jones Beck Curator of European Art, and the other of the Sarah Campbell Blaffer Collection, led by James Clifton, director of the Blaffer Foundation. In October, Museum Collectors had the rare opportunity to visit the Menil House, the former home of John and Dominique de Menil. Elsian Cozens and Matthew Drutt of the Menil Collection discussed the history of the Philip Johnson-designed house and the collection. The program was followed by a reception at the home of Museum Collectors Susu and Robert P. Ross. In November, Alvia J. Wardlaw, MFAH curator of modern and contemporary art, led a tour of the exhibition Thornton Dial in the 21st Century, followed by a reception at the home of Mrs. Stephanie Smither, where Museum Collectors viewed her superb collection of folk and outsider art. In January, the Collectors enjoyed the program “Pearls at Every Price.” Objects from the current art market priced at $1,000, $2,500, and $5,000 were presented by Brad Bucher for modern and contem- porary art; by Clint Willour for photography; and by Christine Starkman, MFAH curator of Asian art. In February, Frances Marzio, curator of the Glassell Collections, gave a private tour of the muse- um’s Annette Finnigan Collection of ancient art. The home of Mary Frances Couper, which showcases a collection of eighteenth- and nineteenth-century paintings and decorative arts, was the setting of the March meeting. In April, Emily Ballew Neff, curator of American painting and sculpture, led a tour of the exhibition Encouraging American Genius: Master Paintings from the Corcoran Gallery of Art. A bonus event was held in May, when Dr. Jennifer Chi lectured on “Baldrics, Beards, and Breast-Plates: The Male Portrait Bust in the Roman Imperial Period,” followed by a reception and viewing of the exhibition Reading the Roman Portrait Bust. At the annual May meeting, MFAH curators presented a variety of objects from national and inter- national markets. The Museum Collectors voted to purchase an elegant Egyptian falcon-headed coffin with a corn mummy. The Museum Collectors board members were Terry A. Brown, Brad Bucher, Michael W. Dale, Ellena P. Dickerson, Deborah Dunkum, Cecily E. Horton, George B. Kelly, Katherine L. Kohlmeyer, Nancy Martin, William McNamara, Cindy Moore, Susan Ross, Donna Scott, and Clinton T. Willour. The board is grateful for the guidance and assistance of Karen Bremer Vetter, chief administrator, exhibitions and curatorial affairs; and Anna Jordan, administrative assistant. We also wish to thank the museum’s curators, who have generously shared their time and expertise.

Ellena P. Dickerson President Museum Collectors

110 African American Art Advisory Association

The African American Art Advisory Association, known as Five-A, is a support organization established to cultivate and strengthen ties between the African American community and the Museum of Fine Arts, Houston. Five-A also seeks to expand the museum’s permanent collection of African and African American art. The 2005–6 season of Five-A began with the annual membership drive in August. In September, Five-A members were treated to a preview lecture of Thornton Dial in the 21st Century; a private tour of this exhibition was held in October. In November, Five-A hosted an artist talk featuring Elizabeth Shelton. Another artist talk, this time featuring George Smith, was held in February. The 2006 Citywide Exhibition of Emerging African American Artists celebrated its tenth year. Each February, the Citywide Exhibition gives lesser-known and/or young African American artists the opportunity to display their works to a larger, more diverse audience. This year’s exhibition featured the work of seventeen local artists at seven Houston venues and was juried by the artist group Otebenga Jones. The group celebrated the opening of the exhibition with a reception at the Gite Gallery. Elvira Clayton was awarded the jury prize. The Ninth Annual Five-A Public Lecture, held in March, featured Dr. Andrea Barnwell, Ph.D. For five days, Five-A members volunteered as tour guides and hosts/hostesses for the quilters of Gee’s Bend and their families, who traveled from Alabama to Houston for the opening of Gee’s Bend: The Architecture of the Quilt. Among the highlights was a lovely brunch at the home of MFAH Trustee Gerald Smith and his wife, Anita, both of whom are Five-A members; and a farewell dinner at the University Museum of Texas Southern University. In June, the Five-A Annual Gala was held as a tribute to the women of Gee’s Bend. This year’s Five-A Executive Board members were Merinda Watkins-Martin, president; Dr. Alvia J. Wardlaw, curator of modern and contemporary art; and Ebony McFarland, curatorial assistant and Five-A liaison.

Merinda Watkins-Martin President African American Art Advisory Association

111 Photo Forum

Photo Forum is an organization for museum members interested in photography as a fine art. The group has a dual purpose: to increase knowledge about collecting, connoisseurship, and the history of photography and to support the museum’s growing collection of contemporary photography. Now in its seventeenth year, Photo Forum has been responsible for the acquisition of approximately three hundred photographs for the museum’s collection. This year’s programs included a special tour of the Houston Center for Photography’s auction, led by Anne Wilkes Tucker, the Gus and Lyndall Wortham Curator of Photography at the MFAH, and Clinton T. Willour; a private tour of Mike and Mickey Marvins’s photography collection; a lecture by photographer James Balog; a special evening with Brad Townsend to view the MFAH exhibition Turning Light into Silver; and a special preview screening of Michael Almereyda’s film William Eggleston in the Real World. Also this year, contemporary photographers Dave Anderson, Misty Keasler, and Anderson Wrangle were invited to the annual photographers panel, a favorite program among members. This fiscal year, Photo Forum acquired eighteen photographs by Anderson & Low, James Balog, Naia Del Castillo, Jeff R. Dunas, Todd Hido, Owen Kanzler, Simon Norfolk, and Byrd Williams I, II, III, and IV. The Photo Forum board members were Louis Smith, president; Carol Andrews, vice president; Steve Laedtke, second vice president; Mary Boyce, secretary, and Morris Weiner, treasurer.

Louis Smith President Design Council Photo Forum

The Design Council is an organization for museum members interested in twentieth- and twenty- first-century design, craft, and architecture. Through the Council’s diverse programs, members learn about decorative arts and design and the important role that artworks play in contemporary life. The Design Council also supports the museum’s growing permanent collection of decorative arts and design through the provision of acquisition funds. At the first meeting in September, Design Council members discussed the MFAH design collection and toured an exhibition of recent accessions, led by curator Cindi Strauss. October’s meeting was a tour of Andrea Zittel: Critical Space, an exhibition at the Contemporary Arts Museum, led by CAM curator Valerie Cassel Oliver. November offered a visit to Houston’s innovative new gallery building, 4411 Montrose, with in-depth tours of the exhibitions at Joan Wich & Co., Barbara Davis Gallery, Anya Tish Gallery, and Peel. In February, members were invited to view the extraordinary home and collection of architect William Stern. At the annual May meeting, the Design Council enjoyed a reception and voted to acquire two works for the museum’s collection: Aqua Poesy V (2005), a silver vase by the Japanese artist Hiroshi Suzuki, and Hiroshi Suzuki, Aqua Poesy V, 2005, fine Prototype UFO Lamp (1975) by Verner Panton. The group’s final meeting of the year was an exhibition silver, museum purchase with funds provided by the Design Council, 2006, tour of Gee’s Bend: The Architecture of the Quilt in June, with MFAH curator Alvia Wardlaw. 2006.285. The Design Council board members were Anne Breux, Sally Joyce, Leonard Lane, and Jose Solis. Cindi Strauss served as curatorial liaison. Cindi Strauss Curator Modern and Contemporary Decorative Arts and Design

112 The Garden Club of Houston

In 2005–6, The Garden Club of Houston (GCH) continued its long-standing association with the Museum of Fine Arts, Houston—an association that began in 1924. The GCH provided funds for the ongoing maintenance of the Alice Pratt Brown Garden and the Caroline Wiess Law Building’s south lawn, including seasonal plantings in the three large urns. The MFAH Project Chairman was Mrs. William P. Conner. Gwendolyn H. Goffe, associate director, finance and administration, over- saw the implementation with Thompson + Hanson, Inc. Mrs. J. C. Brewster, Sr., flower arrangement chairman, was responsible for creating large flower arrangements for the major exhibition openings. Jon Naylor, MFAH special events director, provided direction for the installations. During the Garden Club of America’s Zone IX Meeting in April, which was hosted by The Garden Club of Houston, the MFAH offered visiting delegates an opportunity to go behind the scenes for a private viewing of garden, landscape, and flower photography with Anne Wilkes Tucker, the Gus and Lyndall Wortham Curator of Photography at the MFAH. Following the viewing, participants enjoyed refreshments served in the museum’s beautiful Cullen Sculpture Garden. The Nancy Stallworth Thomas Horticulture Lecture, a gift from the Thomas family and sponsored by The Garden Club of Houston, was held in conjunction with the GCA Zone IX Meeting in the Brown Auditorium Theater. The free lecture was open to the public and featured Fredrick R. Spicer, Jr., executive director of Birmingham Botanical Gardens. Mrs. William S. Hayes served as chairman. The GCA Zone IX Conservation Lecture, featuring urban ecologist Melissa Keeley, followed the lecture. Mr. Naylor served again as the museum’s liaison. GCH funding of and involvement in the restoration and development of the Rienzi gardens continued. Katherine S. Howe, director, met monthly with Project Chairman Mrs. Paul S. Francis and the Rienzi Garden Subcommittee. Serving as The Garden Club of Houston representatives were Mrs. Reece B. Anderson, Mrs. Preston M. Bolton, Mrs. Charles B. Cooper, Mrs. Harry H. Cullen, Mrs. D. Michael Dalton, Mrs. James H. Davis, Ms. Susan C. Garwood, Mrs. Thomas R. Kelsey, Mrs. Randy Lozmack, Mrs. Preston Moore, Jr., Mrs. Robert A. Stacy, Mrs. M. S. Stude, Mrs. Charles W. Tate, Mrs. Sellers J. Thomas, and Mrs. David J. Weaver. Two guest speakers, Mrs. Richard P. Keeton and Bart Brechter, Bayou Bend Gardens curator, led a discussion of philosophies regarding historic garden preservation. Mrs. Howe prepared an honorary and memorial gift report recognizing gifts from GCH members. Since 1998 GCH and individual members have given six trees and $14,690 to enhance the Rienzi garden. The Rienzi Garden Endowment Fund continues to grow, and GCH Trustees held their annual meeting in June. The Trustees for GCH are Mrs. Dalton, Mrs. Paul S. Francis, Mrs. Kelsey, Mrs. Nick Rasmussen, and Mrs. Stude. The completion of Phase II of the Bulb/Lily Garden was overseen by the Rienzi Garden Subcommittee. GCH members decorated Rienzi for the holidays and participated in work days, planting five thousand bulbs for a beautiful display of flowers blooming from January through May. Two bulb workshops were open to the public in January. Mrs. Davis harvested amaryllis seeds, which the GCH donated to a Family Day at Rienzi. Mrs. Anderson installed signage for the Bulb Garden, identifying the botanical, family, Members of The Garden Club of Houston volunteered at a bulb planting demonstra- and common names of the plants. tion at Rienzi. The club provides essential funding of the restoration and development of Rienzi’s historic gardens. This fiscal year, The Garden Club of Houston contributed $37,600 to the MFAH.

Mrs. D. Michael Dalton President The Garden Club of Houston

113 International Center for the Arts of the Americas

As the research wing of the Latin American art department, the International Center for the Arts of the Americas is dedicated to researching and educating audiences on the diverse artistic production of Latin Americans and Latinos, which includes artists from Mexico, Central and South America, the Caribbean, and Latinos in the United States. Through the Center’s initiatives, the MFAH seeks to transform the understanding of Latin American and Latino visual arts while opening new avenues of intercultural dialogue and exchange. A significant portion of the ICAA’s efforts during 2005–6 was devoted to the organization and implementation of the Documents of 20th-Century Latin American and Latino Art: A Digital Archive and Publications Project. Under the direction of a twelve-member Editorial Board, this multiyear undertaking addresses the endemic lag in the field of Latin American and Latino art history, research, and teaching by providing access to writings by artists, artistic groups, critics, and curators from the region. Project sponsors include the J. Paul Getty Trust, the Bruce T. Halle Family Foundation, the Rockefeller Foundation, and the Wortham Foundation, Inc. During the period covered by this report, five- to six-member research teams at the ICAA’s partner institutions of CURARE, Mexico City; Universidad de Playa Ancha, Valparaíso, Chile; and Fundación Espigas, Buenos Aires, Argentina, continued to recover and scan documents from artists in their respective countries. In September 2005, the Latino art component of the ICAA Documents Project began with the incorporation of two U.S.-based teams housed at the Chicano Studies Research Center, University of California at Los Angeles, and at the Institute for Latino Studies, University of Notre Dame, South Bend, Indiana. The UCLA team is responsible for the national Latino art documents recovery effort that encompasses Chicano, Puerto Rican, Nuyorican, Cuban- American, and Dominican artists. Hence, this team integrates consultants affiliated with Hunter College, C.U.N.Y., New York; the University of Puerto Rico Museum in Río Piedras, Puerto Rico; Florida International University, Miami; and William Patterson University, New Jersey. The Notre Dame team is scouting midwestern states for documentation related to Latino artists who were born in or immigrated to this region. In March 2006, the FAPESP São Paulo team in charge of the Brazilian section of the ICAA Documents Project began their operations, increasing the number of active project teams to seven. During this same period, the ICAA Houston team, in charge of project administration and coordination, continued to advance numerous initiatives, including the launching of ICAA News, an e-newsletter detailing the Center’s activities and programs. The ICAA also organized the Second Annual ICAA Documents Project Conference, held in November and attended by thirty project participants and staff members. In January 2006, María Gaztambide, doctoral candidate in art history, Tulane University, joined the ICAA staff as research coordinator. By June 2006, approximately one thousand document records had been incorporated into the project’s database. In addition to the ICAA Documents Project, the ICAA continued its partnership with the Projeto Hélio Oiticica in Rio de Janeiro. This partnership is aimed at documenting, conserving, and exhibiting the work of Brazilian avant-garde artist Hélio Oiticica. The ICAA director and research coordinator, working with Wynne Phelan, the MFAH’s conservation director, continued to make strides in both the organization of the artist’s catalogue raisonné and of the exhibition Hélio Oiticica: The Body of Color and its accompanying publication. During the period covered by this report, Oiticica’s innovative Bólides series was fully restored, photographed, and documented, thus laying the groundwork for the first book of the seven-volume catalogue raisonné of his oeuvre. Other series that underwent restoration included the Série Branca and the Nuclei. The Body of Color catalogue promises to be the definitive exploration of Oiticica’s career to date and will incorporate documents by Oiticica that were translated from Portuguese into English for the first time.

114 International Center for the Arts of the Americas

In 2005–6, the ICAA staff also assisted in the organization of programs and publications related to several exhibitions presented by the Latin American art department. These included Brought to Light: Recent Acquisitions in Latin American Art (August 13, 2005– January 2, 2006); Indelible Images (trafficking between life and death) (November 5, 2005–April 23, 2006); and Xul Solar: Visions and Revelations (January 29–April 16, 2006). The latter was organized by MALBA-Colección Costantini in Buenos Aires and presented at the MFAH as part of a standing collaboration and exchange agreement between the institutions. In exchange, the MFAH exhibition Gego, Between Transparency and the Invisible was presented at MALBA from March through May 2006. The ICAA and MALBA published a 256-page fully illustrated bilingual catalogue with texts by ICAA director and exhibition curator Mari Carmen Ramírez, and collaborators Robert Storr, Catherine de Zegher, and Josefina Manrique.

Mari Carmen Ramírez Wortham Curator of Latin American Art and Director, International Center for the Arts of the Americas

115 Sarah Campbell Blaffer Foundation

In 1964, Sarah Campbell Blaffer established a foundation for religious, charitable, and educational purposes. Since that time, the Sarah Campbell Blaffer Foundation has supported a wide variety of institutions through monetary grants. In 1971, its trustees, including Mrs. Blaffer, decided to focus more of the foundation’s resources on acquiring works of art that would be made available to people throughout Texas through a “museum without walls.” The Sarah Campbell Blaffer Foundation now maintains, exhibits, and continues to develop a collection of more than 150 Old Master and modern paintings, as well as several hundred works on paper. Prior to 2000, the foundation had never occupied its own permanent exhi- bition space. However, as the result of an agreement with the MFAH, the finest works in the Blaffer Foundation’s collection continue to be exhibited in five dedicated galleries in the Audrey Jones Beck Building. In 2005–6, the Blaffer Foundation furthered its program of exhibiting works of art at museums in Texas and elsewhere. Within Texas, exhibitions of Blaffer works were held at the South Texas Sarah Campbell Blaffer Institute for Arts in Corpus Christi and the Ellen Noël Art Museum in Odessa. A Portrait of the Foundation Artist, 1525–1825: Prints from the Collection of the Sarah Campbell Blaffer Foundation, an exhibition co- Board of Trustees organized with the MFAH, traveled to the Ellen Noël Art Museum and the Herbert F. Johnson Museum of Art in Ithaca, New York. In addition, the foundation’s painting by François Desportes, Mr. Charles W. Hall Still Life with Dog and Game, was displayed at the Bruce Museum of Arts and Science in Greenwich, President Connecticut, as part of Best in Show: The Dog in Art from the Renaissance to Today, an exhibition that Mr. Edward Joseph Hudson, Jr. the MFAH and the Bruce Museum co-organized. Aelbert Cuyp’s Horsemen before Ubbergen Castle was Vice-President and Secretary included in the exhibition Time and Transformation in Seventeenth-Century Dutch Art at the Ringling Ms. Anne D. Owen Museum of Art in Sarasota and the Speed Art Museum in Louisville. Vice-President and Treasurer In 2005, the Blaffer Foundation acquired Philippe-Jacques de Loutherbourg’s Landscape with Hermit, Mr. Robert Lee Hudson 1798. This picturesque scene enriches the foundation’s collection of British landscapes and comple- Vice-President ments its works by Carle van Loo, with whom Loutherbourg studied, and Philips Wouwerman, Mr. James Owen Coleman whose paintings inspired him. Trustee The staff of the Blaffer Foundation is grateful to the foundation’s Board of Trustees for its continuing guidance. We would also like to thank MFAH staff members, especially in the conservation, registrar, publications, and preparations departments, who lend their expertise to the advancement of the foundation’s art programs.

James Clifton Director Sarah Campbell Blaffer Foundation Philippe-Jacques de Loutherbourg, Landscape with Hermit, 1798, oil on canvas, Sarah Campbell Blaffer Foundation.

116 Bayou Bend Collection and Gardens

Mother Nature played a featured role at Bayou Bend this year—opening as the star of a drama named Hurricane Rita, and closing as the backdrop for a jazz concert. Bayou Bend Gardens: A Southern Oasis, by Director Emeritus David B. Warren, was published in March, and the Harris County Tree Registry recorded Bayou Bend with the most Champion Trees. The gardens audio tour was inaugurated during Azalea Trail, and with the Houston Arboretum and Nature Center we hosted an Azalea seminar sponsored by McDugald-Steele. Bayou Bend was featured on the PBS series Antiques Roadshow, which took viewers on a highlight tour of the house. A few objects temporarily left the house on special assignment. The Metropolitan Museum of Art featured our bureau table and pair of side chairs in their exhibition John Townsend: Newport Cabinetmaker. The Lux porcelain plate was on view in Minnesota and Louisiana for Currents of Change: Art and Life along the Mississippi River, 1850 –1861. Bayou Bend books were featured in a Hirsch Library exhibition of nineteenth-century cabinetmakers’ books, including a rare example that was acquired for Bayou Bend by Mr. and Mrs. Joe M. Green, Jr. Hurricane Rita impacted a loan exhi- bition, From Where I Sit, A Unique View of Seating Furniture from Private Collections and Bayou Bend. The 2005 Theta Charity Antiques Show at the George R. Brown Convention Center was the planned venue. Just days before its start, the show was canceled so that the building could be used for hurri- cane relief. The Museum of Fine Arts, Houston, gladly came to the assistance of its longtime friends and provided space for the exhibition, as well as for the Antiques Show benefit events and lectures. More than 2,500 Bayou Bend objects stayed home, and they were joined by thirteen new accessions, including the Army Portfolio, an important set of five lithographs recording the 1847 Mexican War, acquired with the help of many friends. Made about twenty years earlier is a rare Celery Vase, pur- chased thanks to the Martel Early Americana Accessions Endowment Fund honoring William S. Kilroy, Sr. A later rarity of great beauty is the neo-Grec silver Fish Set made in New York, donated by Dr. William P. Hood, Jr. The collection’s finest piece of early Texas silver, a cup by Samuel Bell of San Antonio, was given this year by Alice C. Simkins in memory of her aunt and uncle, Alice and Mike Hogg. Another Texas treasure is the black walnut Music Stand, donated by William Hill Land & Cattle Company in honor of Curator Michael K. Brown’s twenty-fifth anniversary at Bayou Bend. Many gifts were designated for accessions funding, including contributions from the Theta Charity Antiques Show, Houston Junior Woman’s Club, The Brown Foundation, Inc., and from individuals honoring Mr. Brown’s twenty-five years at the MFAH. Two endowment funds estab- lished this year will support Bayou Bend acquisitions: the Lora Jean Kilroy Accessions Endowment and the Pamela and David Ott American Art Accessions Endowment, and Carolyn Frost Keenan generously pledged to significantly increase the W. H. Keenan Family Endowment for Bayou Bend over the next few years. Conservation work proceeded at a steady pace, including maintenance of the garden sculptures. Research by conservator Steven Pine on the Latrobe side chairs in Chillman Parlor will result in a unique historical treatment: swags of fabric draped below the seat rails with cushions complementing the swags. The parlor was enhanced by a carpet installation that reproduces a c. 1815 pattern in the archives of English manufacturer Woodward Grosvenor, recorded as having shipped carpeting to Samuel Bell, Cup, c. 1854, San Antonio, America at this time. The Texas Room also underwent change. The gift from the Hill Land & Cattle Texas, silver, the Bayou Bend Collection, gift of Alice C. Simkins in memory of Company cited above is on display, along with nine other mid-nineteenth-century Texas pieces lent Alice and Mike Hogg, B.2005.16. from Mr. Hill’s own collection. These beautifully crafted works enhance the room’s interpretation, which previously included only a few examples of Texas furniture. Although not visible, another change at Bayou Bend benefited all of the interiors: under Building Engineer O. B. Dyer’s careful watch, old valves that regulate heating and cooling were replaced, and a computerized system now continuously monitors temperature and humidity.

117 Bayou Bend Collection and Gardens

Any discussion of the outside or inside of Bayou Bend this year must reference the preparations made to protect the collection from Hurricane Rita. The first task was to secure and enhance the protection provided by the house: exterior shutters were closed and secured, plywood was placed at vulnerable locations, roof gutters cleaned, and garden furniture and other exterior items were stored or secured in place. Sandbags were located wherever water pene- tration was a concern, and the generator was readied. Bayou Bend personnel, assisted by conservation and preparations staff, relocat- ed, stored, or protected most of the over 2,500 objects in the house. Four staff members stayed in the house during the hurricane to monitor conditions and to be on hand in case of water or other damage. Except for debris, Bayou Bend survived undamaged. We felt great relief, knowing what could have happened—Gardens Bayou Bend Collection and Gardens Curator Bart Brechter went to New Orleans after Hurricane Katrina to consult with the staff of Longue Vue, a house museum that suffered extensive damage, including saltwater and sewage flooding and a nearly 90 percent loss of plant material. Although Bayou Bend was closed a few days due to the threat of a hurricane, the rest of the year it remained open and accessible, hosting a wide range of educational and public programs. With great intellect and enthusiasm, our docents shared the collection with more than ten thousand school- children and adults. The free Family Days—one Sunday a month from September through May— were well attended, and two months of these programs received special sponsorship from AIG American General and the Americana Foundation. Summer History Camp, funded by Houston Junior Woman’s Club, immersed twenty-one eighth-grade students in early American culture dur- ing a two-week period. A joint program with Rienzi, “Getting Your Just Desserts,” included an eighteenth-century desserts-themed lecture in Bayou Bend’s Drawing Room, followed by dessert at Rienzi. The Yuletide exhibition That’s Entertainment was wonderfully interpreted by Education Director Kathleen O’Connor and the docents, and the Candlelight Tour nights were especially festive. Recognizing the success of the Candlelight Tours, we introduced several evening programs this year. May saw the first of a free evening concert series presented by Houston jazz radio station 95.7 FM The Wave. More than nine hundred people attended, the vast majority crossing our bridge for the first time. Many museum departments helped us further our efforts to share Bayou Bend with an ever-growing audience and to become a more active member of the community. Increased marketing, publicity, and special events, Web-site upgrades, and new rack cards, coupons, and retail products were helped by the addition of prominent signage installed at the Memorial Drive and Westcott Street entrance to the house and gardens. Many people who had lived in Houston for years visited us for the first time after seeing the sign. Bayou Bend could not continue its tradition of excellence without the support of many friends. A Moment in History, the school outreach project funded by a grant from the Americana Foundation, came to fruition this year; in 120 classroom visits, the Americana-sponsored intern used objects to bring eighteenth-century American culture to life for thousands of students. Other important education programming was made possible with major support from the Susan Vaughn Foundation; Houston Junior Woman’s Club; the Frill Foundation; the Hamill Foundation; Mrs. Nancy Glanville Jewell and Mr. George H. Jewell; McDugald-Steele Landscape Architects; and with promotional support from Houston Public Radio KUHF 88.7 FM. The Annual Fund Drive raised a record amount, thanks to chairmen Les Ballard, Sharon Dies, and Susie Glasscock. Every gift was deeply appreciated. Our special thanks go to Mr. John Douglas Arnold; the John P. McGovern Foundation; the Neva and Wesley West

118 Bayou Bend Collection and Gardens

Foundation; Mr. and Mrs. Les Ballard; the McLean Foundation; and to the hosts of our Founder’s parties, Charles and Judy Tate and Jeffery and Mindy Hildebrand. Major conservation grants were received from the George and Mary Josephine Hamman Foundation; Mr. Charles Butt; the Elva Johnston Foundation; and Dr. and Mrs. F. R. Lummis, Jr. River Oaks Garden Club and the Bayou Bend Gardens Endowment once again provided significant financial support for the gardens. Several donors helped with acquisitions; their names appear in the accessions section (see pages 89–91). Docents made many contributions to the Bayou Bend Docents Accessions Endowment Fund. The Edward H. Andrews Foundation provided continuing support. April’s weekend of benefit events was a magnificent mix of festivities, friends, and financial support. Amegy Bank of Texas again took the lead as Premier Underwriter; its continuing commitment and extraordinary support are deeply appreciated. The Cocktail Party went “Down on the Bayou,” and was a cool breeze, thanks to the support of Major Underwriters and chairmen Lisa and Will Mathis. Bayou Bend was transformed into an “Enchanted Forest” for the Children’s Party, thanks to chairmen Candace Canion Dickerson and Merritt McReynolds Marinelli. The grand finale, the Garden Party, was a spectacular success, due especially to chairmen Lacy Crain and Nancy Gordon, who established two new traditions, an Underwriter Party and a Raffle. Special thanks to Lacy and Joe Galloway for hosting the party, and to Continental Airlines, the Ritz-Carlton Hotels of Boston, and Woodlake Travel for the raffle gifts. Major Underwriter support came from the Crain Foundation and Mr. and Mrs. Thomas L. Carter/ Blackstone Minerals Corporation L.P. The party’s butterfly theme was beauti- fully realized by McDugald-Steele Landscape Architects. Throughout the weekend, City Kitchen provided wonderful food and service. The successes and accomplishments at Bayou Bend are possible because of the dedication, support, and guidance of many. I wish every name could be listed, but space does not permit me to recognize each and every one of you. Those of you reading this report who do not see your name, please know that the important part that you played this year is much appreciated. Individuals who volunteered for leadership roles include Mrs. Tucker Blaine, Bayou Bend Docent Organization; Mrs. J. Huey O’Toole, Bayou Bend Docent Auxiliary; Mrs. Stephen Shomette, Houston Junior Woman’s Club; Mrs. William Edmond Penland, Jr., River Oaks Garden Club; Mrs. Campbell Montgomery Lange, Bayou Bend Gardens Committee; Mrs. Charles R. Gregg, Bayou Bend Gardens Endowment; and Mrs. Stephen C. Cook, Bayou Bend Gardens Advisory Committee. I am grateful to the Trustees of the Museum of Fine Arts, Houston, and the members of the Bayou Bend Committee for their guidance and support. Special appreciation is extended to Mrs. David A. Ott and Mrs. Nancy O’Connor Abendshein for having served one more year as committee chairman and cochairman, respectively, despite their already extraordinary four years of service in these positions. This report is focused on the past year, but it is written with mounting anticipation of the coming one —2007, the fiftieth anniversary of Miss Hogg’s gift of Bayou Bend to the MFAH. We are excited about the golden opportunity not only to honor her memory but also to realize her vision for the property at Memorial Drive and Westcott with a visitor and education building that will strengthen and widen Bayou Bend’s bridge to America’s heritage.

Bonnie A. Campbell Director Bayou Bend Collection and Gardens

119 Bayou Bend Collection and Gardens

Bayou Bend Committee Bayou Bend Programs Total Attendance 36,668

Mrs. David A. Ott Mrs. Royce G. Imhoff II Programs for Adults 7,511 Chairman Mrs. Joseph D. Jamail Bayou Bend Docent Program 199 Mrs. Thomas G. Jameson Drop-in Tours 1,596 Mrs. Nancy O’Connor Abendshein Mrs. Daniel R. Japhet Friends of Bayou Bend Lecture Series 470 Cochairman Mrs. Nancy Glanville Jewell Group Tours 1,099 Mrs. Lenoir Moody Josey Reserved Tours 2,833 Mrs. James Anderson, Jr. Ms. Carolyn Frost Keenan Speakers’ Bureau Lectures 1,133 Mr. Clayton Baird Mrs. James L. Ketelsen Best of Bayou Bend Tours 44 Mr. A. L. Ballard Mrs. William S. Kilroy Docent Leadership Committee Lecture 65 Mrs. W. Tucker Blaine, Jr. Mrs. Campbell M. Lange Docent Leadership Committee Trip 37 Mrs. Robert S. Bloss Mrs. Frederick R. Lummis, Jr. Joint Bayou Bend/Rienzi Event 35 Mrs. John F. Bookout III Mrs. Rodney H. Margolis Mrs. Celina Hellmund Brener Mrs. Jon R. Marinelli Programs for Families and Children 17,361 Ms. Jacqueline Baly Chaumette Mrs. William N. Mathis Audio Tours 3,549 Mrs. Stephen C. Cook Mr. Thomas V. McMahan Family Days 5,461 Mrs. Lacy Crain Mrs. Richard Mithoff, Jr. Azaela Trail 5,622 Mrs. James W. Crownover Mr. Dee S. Osborne Spring Open House 958 Mrs. Harry H. Cullen Mrs. William E. Penland, Jr. Yuletide Open House 1,006 Mrs. Craig A. Dickerson Mrs. Corbin J. Robertson, Jr. Other Open House 765 Mrs. Joseph C. Dilg Mrs. Stephen Shomette Mrs. Sheldon R. Erikson Ms. Alice C. Simkins Programs for Teachers and Students 8,216 Mrs. Andrew Fossler Mrs. J. Abbott Sprague HISD Tours 344 Mr. Morris E. Foster Mrs. Stuart West Stedman Non-HISD Tours 1,514 Mrs. Deborah Gibson Mrs. Nicholas L. Swyka Summer History Camp 21 Mrs. Melbern Glasscock Mrs. J. Taft Symonds Teacher Workshops teachers reached 28 Mrs. James C. Gordon Mr. Jonathan M. Thomas Teacher Workshops students reached 6,309 Mrs. Joe M. Green, Jr. Mr. David Underwood Mrs. Charles R. Gregg Mrs. James D. Weaver III Outreach Programs 3,580 Mrs. Jeffery Hildebrand Mrs. W. Temple Webber, Jr. Bayou City Art Festival 1,280 Mrs. John Randall Holstead Mrs. Margaret Alkek Williams “A Moment in History” Program 2,300 Mrs. Cecily Horton Mrs. Wallace S. Wilson Mr. Ronald Huebsch

120 River Oaks Garden Club

River Oaks Garden Club members, along with Bayou Bend Director Bonnie Campbell and Bayou Bend Gardens Curator Bart Brechter, have enjoyed another successful year at Bayou Bend. Bayou Bend Gardens is one of the first formal gardens in the country to use organics. Due to the hard work of many, the gardens are beautiful and thriving—of this we are very proud. Bayou Bend Gardens Chairmen and the garden club Provisionals hosted the second annual garden history and tour for the Bayou Bend docents in February. In March the house docents gave their personalized tours of Bayou Bend for the garden club members. Both groups find this time together at Bayou Bend to be fun and informative. From September until the middle of May, garden club members weeded and planted in the gardens and grew and propagated plants in the Bayou Bend greenhouse. In the months prior to the 71st annual Azalea Trail, they spent many days preparing the gardens. In February the weather was unseasonably warm, which made the azaleas bloom prematurely. To slow this process, Mr. Brechter and his crew iced the azalea beds. Local television stations interviewed Mr. Brechter about his crew’s work. The icing achieved the desired result of slowing the blooms. This was the first year that the trail was held on a single three-day weekend in March instead of on two consecutive weekends. This new format was well received and proved to be very successful. Bayou Bend Gardens Endowment generously funded a self-guided audio tour of the gardens that will replace the guided tours that were given by River Oaks Garden Club members. The audio tours were available to garden visitors for the first time during the Azalea Trail. These tours were met with great reviews. Some people said that the audio tours made the gardens come to life, as if Miss Hogg were speaking to them. We thank Ms. Campbell and Allyson Cook, former Bayou Bend Gardens Advisory Committee Chairman, who were largely responsible for the creation of the audio tour. This summer, as part of her significant efforts to increase the public’s awareness of Bayou Bend, Ms. Campbell initiated a series of Smooth Jazz on the Bayou concerts on the Diana Garden terrace. Overflow crowds came to the gardens for delightful evenings of jazz entertainment. It is very reward- ing for all of us to have more people know about and to experience the beauty of the gardens. Mr. Brechter continues to speak at various conferences in Texas and to attend horticulture meetings and seminars around the country. He is a wonderful ambassador for the gardens. Through his travels he increases awareness of the beauty and historical significance of the gardens. Mr. Brechter has been searching for some varieties of camellias that are no longer in existence at Bayou Bend. He has had success in acquiring cuttings from private collections and gardens in Alabama, Georgia, and Louisiana. The River Oaks Garden Club was honored to receive the 2005 Beautification Award from Keep Houston Beautiful for our ongoing efforts of beautification and stewardship at Bayou Bend Gardens. It is such a privilege for the garden club to keep Miss Hogg’s spirit alive by continuing her vision and by caring for her magnificent gardens. It is a labor we love.

Cynthia Lange, Ann Schramm, and Sarah Eilers Bayou Bend Gardens Chairmen for the River Oaks Garden Club

121 Rienzi

The 2005–6 year proved to be the kind of year that MFAH trustees, volunteers, and staff always hope to achieve. Rienzi welcomed 18,266 visitors. Attendance increased, programs were well attended, the collection was enhanced by some notable purchases and the gift of a fine collection, generous supporters continued to help Rienzi accomplish special projects, a new garden was opened, and Rienzi’s first book, commemorating its tenth anniversary, was begun. While Rienzi was closed in August for repairs and housekeeping, as it is every year, a North Texas State University Library School grad- uate student used this opportunity to investigate 2,500 Masterson family books that have been on bookshelves, in cabinets, or in stor- age at Rienzi since 1997. Kathryn Jones has discovered that the Mastersons owned some very interesting and rare literary works, as well as autographed books, local histories, and other subcollections. Rienzi Committee These books offer a fresh look at Rienzi and its founders, Carroll and Harris Masterson. Mrs. Chaille C. Kelly Certainly the drama of the year was associated with Hurricane Rita’s expected landfall in Houston, Chairman projected for September 23. MFAH and Rienzi staff prepared the house for the major storm, and Mrs. T. R. Reckling III three staff members remained in the residence to protect it from damage. Fortunately, the house and its Chairman Emerita gardens did not suffer. Staff members learned a great deal from this experience and have modified Mrs. Isaac Arnold Rienzi’s hurricane preparation plans accordingly. Mrs. A. Leslie Ballard October marked the formal beginning of an exceptionally busy year for Rienzi’s education department, Mrs. Paul F. Barnhart Mrs. Alfredo Brener coordinated by Education Manager Danielle Stephens, under the leadership of Education Subcommittee Mrs. Thomas W. Burke, Jr. Chairman Herman Stude. In October, the Sterling Set, a group of young supporters interested in Mrs. Marshall H. Crawford European art, held the first of its four meetings. The group was ably led by chairmen Harry and Mrs. Harry H. Cullen Kathy Masterson and Herman and Aliyya Stude. Mrs. D. Michael Dalton Mrs. John P. Fauntleroy Also in October, Early Music Southwest, a Baroque music ensemble, gave the first of its five concerts Mrs. Linda K. Finger this year, all of which sold out. The group’s popularity has prompted Rienzi to offer a new Patron’s Pass Mrs. Jim Flores subscription to the series. In addition, musicians affiliated with Houston Public Radio KUHF 88.7 FM Mrs. Paul Francis performed at two well-attended evening concerts. Mrs. John B. Goodman Dr. George S. Heyer, Jr. The distinguished English furniture scholar Simon Jervis delivered Rienzi’s annual lecture in October, Mrs. James L. Ketelsen and Rienzi’s first new docent class in two and a half years began its training program. Rienzi’s annual Mrs. Rodney H. Margolis social skills class, held for at-risk middle-school students and funded with proceeds from the Sterling Mr. Harris Masterson IV Mr. George M. Masterson Set, also commenced in October. This year, Rienzi partnered with Communities in Schools and Mrs. J. Luke McConn Klentzman Intermediate School to present this popular class. Mrs. William E. Penland, Jr. Hardworking members of The Garden Club of Houston decorated Rienzi for the holiday season. Sir Michael Perry Mrs. Stephen M. Reckling The garlands and wreaths outside and the three Christmas trees indoors made Rienzi look especially Mrs. Thomas R. Reckling IV festive when President and Mrs. George H. W. Bush and their staff were welcomed for lunch. Mr. James S. Reckling Mrs. John B. Reckling December was also notable for the very fine gift of the Caroline A. Ross Collection of 146 portrait Mrs. Harold Stream miniatures and 100 examples of mourning jewelry made primarily in England and on the Continent Mr. Herman L. Stude between the mid-eighteenth and the late nineteenth centuries. Mrs. M. S. Stude Mrs. Charles W. Tate In January, the Rienzi Society held its annual event to purchase art for Rienzi’s collection. A record Mrs. Michael C. Wilde turnout of ninety-seven members raised an unprecedented $251,388 for Rienzi. Society members Mrs. Wallace S. Wilson purchased an important pair of mid-eighteenth-century English gilded torchères. Carol and Les Ballard chaired this most successful event. Mrs. Ballard, who in June completed her eighth year as

122 Rienzi

chairman of the Rienzi Collections Subcommittee, also chaired the subcommittee that identified and Opposite page: Rienzi approved the torchères for the Rienzi Society’s purchase. Two additional important acquisitions were made this year: a pair of English candelabra, given in memory of Mr. and Mrs. James A. Elkins, Jr., and a suite of English Regency glassware, funded by Rienzi’s docents and friends. The Garden Subcommittee, chaired by Debby Francis and comprised of members of The Garden Club of Houston, continued to provide expert leadership. After two years of work, with funds pro- vided by The Garden Club of Houston and The Brown Foundation, Inc., Phase II of the Bulb Garden opened in time for the 71st annual Azalea Trail. Boasting 5,000 bulbs in bloom, most of them planted by Garden Club members, the garden appealed immensely to the 3,653 people who took part in the Trail. River Oaks Garden Club members Isla Reckling, Patti Burke, Maria Burke Butler Horwitz, Kay Rice, Leigh Bonner, Susan Peterson, and Molly Lottridge served as Azalea Trail house chairmen at Rienzi. Flower chairman Marilyn Lummis and her talented committee created the arrangements for the interior. Later in March, Rienzi was featured on another home tour, Houses on Rienzi Programs the Bayou, organized by the Rice Design Alliance. Over two days, 799 people visited Rienzi to Total Attendance 13,210 observe the delicate balance that exists between Buffalo Bayou and the adjoining residences and gar- Community Outreach dens such as those of Rienzi’s. Programs 1,280 Bayou City Arts Festival 1,280 Rienzi held its annual spring party in March, cochaired by Marjorie and Marshall Crawford and Ria and Jay Henderson. Nearly two hundred guests partied on the terrace and poolside as they enjoyed a Programs for Adults 5,095 Creole menu and listened to a Cajun band. Group Tours 400 Guided Tours 1,605 Rienzi settled into a more normal routine in April. The Garden Club of Houston held a luncheon MFAH Docent for the attendees of the Garden Club of America’s Zone IX meeting. The luncheon was soon followed Leadership Tour 36 by Family Day at Rienzi, funded by the Sterling-Turner Foundation and attended by 328 people, Rice Design Alliance Home Tour 799 then a docent trip to Cincinnati, and Twilight Tours in May, which have been growing more popular Twilight Tours 300 each year. Also in May, Rienzi and Bayou Bend jointly offered a bonus event to some of their generous Garden Visits 885 supporters. After hearing a lecture at Bayou Bend on English table and tea settings, given by well-known MFAH Docent English decorative-arts scholar Peter Brown, the group moved to Rienzi to view a small exhibition Leadership Committee Trip 37 of teaware in its collection and to enjoy afternoon tea, including treats prepared from eighteenth- MFAH Docent Leadership century recipes. Symposium 65 Rienzi Docent Program 47 Two foundations have been particularly generous to Rienzi this year. A gift from The Brown Rienzi Docent Meetings 282 Foundation, Inc., supported Rienzi’s operations, and gifts from the Sterling-Turner Foundation funded Rienzi Musical Concerts 237 the correction of some of the problems identified in Rienzi’s 2003 conservation assessment, the Family Rienzi KUHF Concerts 104 Rienzi Public Lecture 132 Day, and preliminary research for Rienzi’s tenth-anniversary book. The Sterling-Turner Foundation Rienzi Special Lecture 30 also funded fellowships for graduate students working in Rienzi’s library and conducting research Rienzi Speakers’ Bureau 68 on its collection. Rienzi Sterling Set 68 The Rienzi Committee, and especially its two splendid leaders, Chairman Chaille Kelly and Chairman Programs for Emerita Isla Reckling, helped Rienzi in numerous ways. My special thanks go to them and also to The Families and Children 4,384 Azalea Trail 3,653 Garden Club of Houston members, who both advised Rienzi and worked in Rienzi’s gardens, and to Family Day 328 Rienzi’s and the museum’s hardworking staff. It is this latter group, comprising individuals working Storytime Tours 37 together as a team, that has ushered Rienzi so successfully through this year and has helped Rienzi Sunday Drop-in Tours 366 advance its mission in every way. Programs for Teachers and Students 2,451 Mythology Tours 44 Katherine S. Howe Social Skills Class 20 Director Teachers’ Worksh op Rienzi teachers reached 7 students reached 2,380

123 The Glassell School of Art

The Glassell School of Art offers a variety of classes, workshops, and educational opportunities for students diverse in age, interest, experience, and need. Highlights from this year’s programming exemplify both the magnitude of our offerings and our commit- ment to providing the highest quality of educational experiences. The Studio School of the Glassell School of Art offers courses in art history and studio art to adults. Since 1996, students have been able to take these courses for undergraduate credit through the University of St. Thomas (UST). Enrollment was high this year, with 2,553 students over three semesters, including 149 students from UST. Eight UST students received their B.A. degree in studio art: Kathleen Alvarado, Marisa Garza, Kathryn Knight, Anissa Kubiak, Cody Ledvina, Naomi Mesa, and Monica Wasiak. The Glassell School of Art, Studio School Students were able to showcase their talents in the Annual Juried Student Exhibition that opened in the Laura Lee Blanton Gallery in May. The exhibition included a solo exhibit by this year’s certificate student, Ann Henaff. The strength of this year’s exhibition demonstrates the growing sophistication of the Studio School advanced students. Suzanne Manns is the Studio School and Art History Program Faculty Chair. ACT Glassell (Advanced Curriculum for Teens), an exciting new Community Bridge Program founded and directed by Valerie Loupe Olsen, associate director of special projects, targets advanced art students. High-school students selected for ACT Glassell are offered a full scholarship through their senior year. Eight artists and two critical writers participate in the Core Residency Program, a nine-month post- graduate program renewable for a second term upon successful completion of the first year. Artists and writers are provided studio or office space in the Glassell School building, a stipend, and access to all school equipment and facilities. Residents also have borrowing privileges at the museum’s Hirsch Library and at Rice University’s Fondren Library. A distinguished roster of artists, critics, curators, and art historians is invited each year to lecture and conduct studio visits. Held in the Eleanor and Frank Freed Auditorium, the lectures are free and open to the public. This year’s visitors are listed on page 127. In March, the Core artists mounted an exhibition of their work at the Glassell School, which was accompanied by a catalogue that documented the artists’ production over the course of the year and included essays contributed by the critical studies residents. The 2006 Core Artists in Residence exhibition was well received. Mary Leclère, associate director of the Core Program, super- vised the critical studies residents and coordinated the visiting artists’ and critics’ lecture series. The Junior School offers year-round art classes and workshops for children ages 4 through 18. This year’s enrollment reached 4,131, including 276 students receiving tuition scholarships. Some of these scholarships were awarded in recognition of talent through programs such as the sketching competition; others were based on need, thus ensuring that young people throughout the community have access to art education. Works by students in the Junior School and in the Outreach Program were displayed in a series of exhibitions in the Norma R. Ory Gallery at the Junior School. The excellence of these art- works reflects the creativity of the artists, as well as the talent and professionalism of the Junior School faculty. Norma Jane Dolcater is the dean of the Junior School. The Discovery Through Art Program, the Community Outreach Program, and Project Grad extend the reach of the Glassell School to new and underserved audiences outside of the museum campus. Discovery Through Art works with area schools, bringing 900 fifth graders to the museum to view art,

124 The Glassell School of Art

and then to the Junior School to create a project based on their museum visit. For many participants, this is their first visit to a museum and a rare opportunity to experience art. The Outreach Program provides free off-campus art opportunities to people unable to attend classes at the Glassell School. This program reaches 1,100 students at six sites, including hospitals and locations such as Nehemiah Neighborhood Center and Ronald McDonald House. Project Grad serves low-income students in first through fourth grades who gather to look at and discuss art during a five-week class. These classes afford children an opportunity to become familiar with the museum, to ask questions, to begin building an art vocabulary, and to work with a professional artist. This year, Project Grad reached eighty-eight students. The exhibition program in the Laura Lee Blanton Gallery focuses on artists’ projects, giving students an opportunity to interact with professional artists. While demonstrating the school’s commitment to contemporary artistic practice, these projects become a focal point for educational activities each semester. This year’s exhibitions were Restless: Interaction of Core Program Artists and Houston Artists in the Early 1990s, curated by Ms. Olsen; and Andrea Bowers: Letters to an Army of Three and the 2006 Core Artists in Residence, curated by Ms. Leclère. Catalogues accompanied the exhibitions, presenting a survey of each artist’s career. The Upstairs Project Space promoted four short experimental exhibitions: Wesley Heiss: Suburban, curated by Angela Fraleigh; Uta Kogelsberger: Dark Light, curated by Francesca Fuchs; A Parliament of Owls, curated by Jeff M. Ward; and Take One, curated by Domenick Ammirati. In 2005–6 the Glassell School received generous financial support from individuals, foundations, and corporations. The Annual Fund Drive, chaired by Mrs. Sara Dodd-Spickelmier, exceeded its goal by raising $178,540. The Annual Benefit and Art Auction, “Club Glassell,” was chaired by Mrs. Laurence C. Burns, Jr., Ms. Karol Kreymer, and Mrs. Nena Duncan Marsh, and raised $239,830. The Core Program surpassed its fund-raising goal, and Studio School Exhibitions and the Junior School/Outreach Programs continued to receive strong support. I would like to thank the members of the Glassell School Committee for their leadership and enthu- siastic support of the school. I also wish to acknowledge the School Committee and Executive Committee cochairmen, Ms. Roxanne Decyk and Mr. Jacque Passino, and the subcommittee chair- men, Mrs. Diana Brown, Studio School; Mr. Brad Bucher and Ms. Cecily Horton, Core Program; and Mrs. Timothy Unger, Junior School/Outreach and Discovery. I would especially like to thank Mr. and Mrs. Alfred C. Glassell, Jr., for their constant encouragement. Their unwavering commitment and leadership inspires and encourages all of us at the Glassell School to strive for the highest stan- dards in our diverse educational programming.

Joseph Havel Director The Glassell School of Art

125 The Glassell School of Art

Glassell School Committee Total Attendance 8,772 Outreach Program Ms. Roxanne Decyk Ms. Jean Karotkin Enrollment Total 2,088 Mr. Jacque Passino Mrs. Jeanne Klein Studio and Junior School Cochairmen Ms. Karol Kreymer Enrollment Total 6,684 Ms. Susan Kutzner Mr. Mark W. Albers Ms. Cathy A. Lamboley Studio School Total 2,553 Mrs. Andrew M. Alexander Mr. Marshal Lightman Summer 377 Mrs. W. Douglas Ankenman, Jr. Ms. Victoria Lightman Fall 1,070 Ms. Toni Beauchamp Ms. Diane Marks Spring 1,106 Mrs. Robert F. Bland, Jr. Mr. Lester Alan Marks Mrs. Eddy Blanton Mrs. Nena Duncan Marsh Junior School Total 4,131 Mrs. Jack S. Blanton, Jr. Ms. Gail Merel Summer 2,374 Ms. Cari Broderson Mrs. Adam Newar Fall 789 Ms. Diana H. Brown Mrs. Stephen D. Newton Spring 968 Mr. Brad Bucher Mrs. Scott Nyquist Mrs. Laurence C. Burns, Jr. Mr. John S. Orton Robert J. Card, M.D. Dr. Waverly Peakes Mrs. Elizabeth Carruth Mr. William Pryor The Core Artist-in-Residence Program Ms. Terrie Caskey Mrs. Karen Pulaski Mrs. Bobby Smith Cohn Mr. Howard Robinson Sasha Dela Mrs. B. Walter Crain III Mr. Sean Rudolph M.F.A., California College of the Arts, 2005 Mrs. Leslie Barry Davidson Mrs. Peter A. Ruman B.F.A., Minneapolis College of Art and Design, Ms. Jan Diesel Mr. James E. Sanders 2000 Mrs. Sara Paschall Dodd-Spickelmier Mr. Stephen Smith Ms. Jeaneane Booth Duncan Mrs. David Sobotka Jonathan Durham Mrs. Alfred H. Ebert, Jr. Dr. Alton Steiner M.F.A., University of California – Los Angeles, Mr. Richard Finger Mrs. Harry Susman School of Arts and Architecture, 2000 Mrs. Rosibel Garcia-Ramirez Ms. Cynthia Toles B.A., University of Virginia – Charlottesville, Mrs. James E. Gebhart, Jr. Mrs. Timothy J. Unger 1997 Mrs. David Gerger Mrs. Paul Elliott VanHook Mr. Alfred C. Glassell, Jr. Mrs. Max P. Watson Gilad Efrat Ms. Curry Glassell Mrs. Katherine R. Weiner M.F.A., Hebrew University and Bezalel Academy Mr. Samuel F. Gorman Mr. Herbert C. Wells of Art and Design, Jerusalem, 2003 Ms. Joanne L. Graf Ms. Marcy Taub Wessel B.F.A., Bezalel Academy of Art and Design, Ms. Cecily E. Horton Mrs. R. Scott Ziegler Jerusalem, 1995 Ms. Kerry F. Inman Mrs. Dunham F. Jewett Leslie Hewitt MF.A., Yale University, 2004 B.F.A., The Cooper Union, 2000

Philip Maysles M.F.A., California Institute of Art, 2005 B.A., Brown University, 2002

Michael Jones McKean M.F.A. Alfred University, 2002 B.F.A. Marywood University, 2000

Demetrius Oliver M.F.A. University of Pennsylvania, 2004 B.F.A. Rhode Island School of Design, 1998

Carl Suddath M.F.A. School of the Art Institute of Chicago, 2004 B.F.A., Florida State University, 1999

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The Core Critical Studies Program Community Outreach Program Scholarships and Awards

Domenick Ammirati Generous funding was provided by The Hamill Studio School M.F.A., Brooklyn College, 1999 Foundation, Houston Endowment Inc., M. D. Alice Janvier Morrill Memorial Scholarship 1 B.A., Swarthmore College, 1993 Anderson Foundation, Texas Commission on Ary Stillman 2 the Arts, the Carruth Foundation, Van Kampen Audrey Jones Beck 1 Jeff M. Ward Investments, ENI Petroleum Company, and Bill Dennard Memorial Scholarship 1 M.F.A., School of the Art Institute of Chicago, 2002 the Strake Foundation. Carol Crow Memorial Scholarship 4 B.F.A., Ringling School of Art and Design, 1999 Frank Freed Memorial Scholarship 6 Discovery Through Art Helen Orman Memorial Scholarship 1 Enrollment: 900 students Holiday Sale Scholarship 11 Joe Palmer Memorial Scholarship 1 Art Classes for Children at Hospitals Visiting Artists and Critics Richard A. Meyers Memorial Scholarship 1 and Medical Facilities Robert Lober Memorial Scholarship 3 Ronald McDonald House Rhea Anastas Glenn Ligon Ruth Pershing Uhler Memorial Scholarship 2 Enrollment: 350 students per year Frances Colpitt Daniel Joseph Van McFarland Memorial Scholarship 2 Andrea Fraser Martinez Shriners’ Hospital for Crippled Children Michelle Grabner Helen Molesworth Enrollment: 450 students per year Junior School Amelia Jones Howard Singerman Foley’s (Swatch Watch) 11 Kellie Jones Franklin Sirmans Classes for Children with Hearing Gulf Oil 9 Impairments K.A. Foreman Sutton Elementary School (HISD) Endowed Memorial Scholarship 6 T. H. Rogers Special School (HISD) Katy Lynch Davidson Cummings Enrollment: 180 students per year Memorial Scholarship 45 Marcita Drouet Link Memorial Scholarship 56 Nehemiah Neighborhood Center Norma R. Ory Endowed Scholarship 59 Enrollment: 120 students per year R. C. Fish Foundation 22 Saturday Endowed High School Scholarship 42 Project GRAD Special Contribution 20 Enrollment: 88 students per year Texas Children’s Hospital 7

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Development Department

In 2005–6, the many successes in development were the result of commitment and hard work by members of the Board of Trustees, chaired by Isabel B. Wilson, and the Development Committee, chaired by Mrs. Judy L. Allen. The generous support of individuals, foundations, corporations, and government agencies totaled $187,069,000 for operations, accessions, and special projects. On behalf of the Board of Trustees, we honor all of those donors who made this achievement possible.

Annual Drives Funds raised through annual drives are an essential portion of each year’s operating budget. This year, three separate drives raised a total of $2,447,237 for the museum, Bayou Bend Collection and Gardens, and the Glassell School of Art. The institution is indebted to the individuals who give their time and resources to help raise unrestricted funds for daily operations. We give special thanks to Mr. and Mrs. Alfred C. Glassell, Jr., whose challenge grant matched gifts to the annual fund drive for the Glassell School of Art.

Benefits and Support Organizations Every year, special events at the museum raise vital funds for both accessions and the operating budget. The MFAH organized twelve benefit events for this fiscal year. The 2005 Grand Gala Ball and the 2006 Nordstrom Designer Preview together raised $1,257,455. The 2006 Glassell School of Art Benefit and Art Auction raised $239,830. Three benefits at Bayou Bend raised $485,640. Additional benefits included a sporting clays invitational and a spring party at Rienzi, which collectively raised $152,043. One Great Night in November 2005 and the Five-A Spring Soirée raised $891,105 for accessions. Twelve museum support groups provided a total of $724,854 for accessions, education, and the operating budget. These organizations are chaired by dedicated people who care deeply for our institution, and we wish to thank them for an outstanding job. For a list of all MFAH annual drives, benefits, and support groups, please see pages 130–31.

Individual Gifts Individuals make important contributions to every museum activity, including exhibitions, educa- tion and outreach programs, conservation projects, and accessions. For extraordinarily generous gifts, we thank the Estate of Caroline Wiess Law; the Estate of Audrey Jones Beck; Lee and Joe Jamail; Mr. Fayez Sarofim; Louisa Stude Sarofim; Mr. and Mrs. Meredith J. Long; Nancy and Rich Kinder; Sue and Lester Smith; Anne and Albert Chao; and Isabel B. and Wallace S. Wilson.

Foundation Support This year, 184 foundations provided $7,362,929 for operations, accessions, and special projects. Houston foundations are exceptional in their giving, and we extend a special thank-you to The Brown Foundation, Inc.; the Cullen Foundation; The Wortham Foundation, Inc.; and Houston Endowment Inc. We also extend our appreciation to the Hamill Foundation; Sterling-Turner Foundation; the Neva and Wesley West Foundation; the Favrot Fund; the Scurlock Foundation; and the Mary Kathryn Lynch Kurtz Charitable Lead Trust.

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Corporate Contributions The support of the corporate community is key to the success of the museum. This year, corporate groups provided $2,174,871. Particular thanks go to ExxonMobil; Target; Wells Fargo; Compass Bank; Shell Oil Company; Starbucks Coffee Company; Landry’s Restaurants, Inc.; Ernst & Young LLP; Fulbright & Jaworski, L.L.P.; and Deloitte & Touche LLP.

Civic and Government Grants Funds from various civic and government organizations constitute a portion of the operating budget. This year, the museum received a total of $1,111,421 in grants from these local, state, and national groups. Our appreciation is extended especially to the City of Houston; Theta Charity Antiques Show; River Oaks Garden Club; Houston Junior Woman’s Club; the National Endowment for the Arts; and The Garden Club of Houston.

Non-Cash Contributions Every year the museum receives valuable support from donors who provide indispensable in-kind services to the institution. We especially recognize Vinson & Elkins, L.L.P., for donating consistent and extraordinary legal service and Continental Airlines for donating airfare for museum adminis- trators as well as supporting exhibitions and special events. Additionally, we would like to thank City Kitchen for donating remarkable cuisine and food service.

Volunteers Our volunteers are perhaps the most impressive endorsement of the museum. They give of their time and service to enable the institution to better serve the community. This year, more than 1,100 volunteers worked over 30,000 recorded hours. According to guidelines established by the Points of Light Foundation, this support is worth more than $541,000. Volunteers give vital support to all areas of the museum, including membership, education, and visitor services. We wish to pay special tribute to the Guild, the museum’s volunteer leadership organization. In 2005, the Guild was 462 members strong and provided constant immeasurable support.

Paul Johnson Associate Director, Development and Membership

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Annual Drives Fine Art of Shooting: A Sporting Clays Invitational March 4, 2006, at American Shooting Centers Funds raised by the annual drives, benefits, and support Chairmen: Henry J. N. Taub II and organizations listed in this section are total gross proceeds. Henry Taub “Cowboy” Wessel Raised: $123,443 for general operating support 2005 Museum Annual Fund Drive A Place for All People African American Art Advisory Association Chairman: Mr. H. John Riley, Jr. (Five-A) Gala Major Gifts Chairman: Mrs. John F. Bookout III A Tribute to the Women of Gee’s Bend Foundation Chairman: Mrs. Ann Trammell June 2, 2006, in the Audrey Jones Beck Building Gallery Chairmen: Mrs. Elyse Lanier and Honorary Chairman: Jane Fonda Mrs. Courtney Sarofim Chairmen: Stephanie K. Smither and Gallery Membership: 228 Merinda Watkins-Martin Raised: $1,966,443 Raised: $33,850 for accessions 2005–2006 Bayou Bend Annual Fund Drive Rienzi Spring Party Houston’s Home for America’s Treasures March 29, 2006, at Rienzi Committee Chairmen: Mrs. David A. Ott and Chairmen: Marjorie and Marshall Crawford and Mrs. Nancy O’Connor Abendshein Ria and Jay Henderson Founders Chairman: Mr. A. L. Ballard Raised: $28,600 for Rienzi special projects Friends Chairman: Mrs. Melbern Glasscock Docent Chairman: Mrs. Sharon G. Dies Bayou Bend Cocktail Party Raised: $302,254 Down on the Bayou April 21, 2006, in the Diana Garden at Bayou Bend 2005–2006 Glassell School of Art Annual Chairmen: Lisa and Will Mathis Fund Drive Raised: $53,915 for Bayou Bend general operating Chairman: Sara Paschall Dodd-Spickelmier support Raised: $178,540 Bayou Bend Children’s Party Benefits Bayou Bend’s Enchanted Forest April 22, 2006, in the Bayou Bend Gardens 2005 Grand Gala Ball Chairmen: Candace Canion Dickerson and A Mythical Garden Merritt McReynolds Marinelli October 7, 2005, in the Caroline Wiess Law Building Raised: $37,260 for Bayou Bend general operating Chairmen: Mrs. Harry H. Cullen, Jr., and support Mrs. Peter K. Jameson Raised: $1,106,565 for general operating support Bayou Bend Garden Party April 23, 2006, in the Diana Garden at Bayou Bend One Great Night in November, 2005 Chairmen: Mrs. Lacy Crain and Mrs. James C. Gordon November 9, 2005, in the Caroline Wiess Law Building Raised: $394,465 for Bayou Bend general operating Chairmen: Thomas A. Roupe and support Christopher B. Sarofim Raised: $857,255 for accessions The Glassell School of Art Benefit and Art Auction Club Glassell Grand Gala Ball Fashion Show May 5, 2006, in the Glassell School of Art and Featuring Carlos Miele Cullen Sculpture Garden December 7, 2005, in the Caroline Wiess Law Building Chairmen: Cindy Burns, Karol Kreymer, and Chairmen: Katherine Cullen McCord and Nena Duncan Marsh Leslie Sprague Raised: $239,830 for Glassell School general operating Raised: $78,290 for general operating support support

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Support Organizations Museum Collectors President: Ellena P. Dickerson African American Art Advisory Association Membership: 166 (Five-A) Raised: $77,600 for accessions President: Merinda Watkins-Martin Membership: 17 Photo Forum Raised: $2,100 for accessions President: Louis Smith Membership: 95 Design Council Raised: $33,350 for the Photography Department Membership: 75 Raised: $17,890 for the Decorative Arts Department The Rienzi Society Chairmen: Mr. and Mrs. A. L. Ballard Film Buffs Membership: 82 Membership: 175 Raised: $251,388 for accessions Raised: $15,410 for the Film Department Rienzi Sterling Set Friends of Asian Art Chairmen: Mr. and Mrs. Herman Luis Stude and Membership: 14 Mr. and Mrs. Harris Masterson IV Raised: $48,500 for accessions Membership: 15 Raised: $18,050 for Rienzi education programs The Garden Club of Houston Representative: Mrs. Leslye L. Weaver River Oaks Garden Club Donated: $37,600 to maintain the gardens at the Representative: Mrs. William E. Penland, Jr. museum, Rienzi, and the Cullen Sculpture Garden; Donated: $61,211 to maintain the gardens at to provide floral decoration; and to decorate the Bayou Bend interior of Rienzi for the holidays

The Guild President: Mrs. Cynthia S. Cook Membership: 462 Raised: $19,755 for museum support

The Junior League of Houston, Inc. Representative: Julia DeWalch Donated: $5,000 and 20 docents and volunteers for museum tours and a summer story hour for children ages six to twelve

Latin Maecenas Chairmen: John C. Moriniere and Allison Ayers Members: 30 Raised: $137,000 for accessions

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2005 Grand Gala Ball: (left to right) Miss Kelly Jameson, One Great Night in November, 2005: (left to right) Meredith J. Long, Mr. and Mrs. Peter K. Jameson, and Mr. and Mrs. Harry H. Cullen, Jr. MFAH Chairman Emeritus Alfred C. Glassell, Jr., and Fayez Sarofim. Mrs. Jameson and Mrs. Cullen were the 2005 Grand Gala Ball Chairmen. One Great Night in November, 2005: (left to right) Chairmen 2006 Five-A Gala: (left to right) Chairmen Stephanie K. Smither and Christopher B. Sarofim (left) and MFAH Trustee Thomas A. Roupe. Merinda Watkins-Martin, and MFAH Director Peter C. Marzio.

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2005 Grand Gala Ball Fashion Show: (left to right) MFAH Life Trustee Top center: 2006 Nordstrom Designer Preview: Jana Fant (left) and Cornelia Long and Grand Gala Ball Chairman Gretchen L. Jameson. MFAH Trustee and event chairman Martha Long Lipsitz. 2005 Grand Gala Ball Fashion Show: Chairmen Kathy McCord (left) Top right: 2006 Nordstrom Designer Preview: MFAH Trustee and Leslie Sprague. Celina Hellmund Brener. 2006 Fine Art of Shooting: A Sporting Clays Invitational: (left to right) MFAH Trustee Courtney Lanier Sarofim, chairman Henry J. N. Taub II, and Bayou Bend Committee member Lindsay Cohn Holstead.

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20th Anniversary Celebration for the Lillie and Hugh Roy Cullen Opening of the exhibition Gee’s Bend: The Architecture of the Quilt: Sculpture Garden: (left to right) Roy H. Cullen, MFAH Chairman of (left to right) Artist Louisiana Bendolph, MFAH curator Alvia Wardlaw, the Board Isabel B. Wilson, and MFAH Director Peter C. Marzio. and artist Mary Lee Bendolph. 2006 Glassell School of Art Benefit and Art Auction: (left to right) 2006 Rienzi Spring Party: (left to right) Chairmen Marjorie and Chairmen and Glassell School Committee members Nena Duncan Marshall Crawford and Ria Henderson. Mrs. Crawford serves on the Marsh, Karol Kreymer, and Cindy Burns. Rienzi Committee.

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2006 Bayou Bend Garden Party: (left to right) Bayou Bend Committee 2006 Bayou Bend Cocktail Party: Chairmen Will and Lisa Mathis. Chairman and MFAH Trustee Pam Ott, MFAH associate director, Mr. Mathis is an MFAH Trustee, and Mrs. Mathis is a Bayou Bend development and membership, Paul Johnson; and MFAH Life Trustee Committee member. and Bayou Bend Committee member Jeanie Kilroy. 2006 Bayou Bend Cocktail Party: Chairmen and Bayou Bend 2006 Bayou Bend Garden Party: (left to right) Joe Galloway, chairmen Committee members Candace Canion Dickerson (left) and Merritt and Bayou Bend Committee members Mrs. Lacy Crain and Mrs. James McReynolds Marinelli. C. Gordon; James C. Gordon.

135 Development

Contributions to the Museum The Eleanor and Frank Freed Foundation The Mundy Family Foundation Mr. and Mrs. Harry H. Cullen, Jr. of Fine Arts, Houston; Bayou Fulbright & Jaworski L.L.P. The Nimoy Foundation Mr. and Mrs. Roy H. Cullen Bend Collection and Gardens; Mr. Robin C. Gibbs Maconda B. O’Connor Mrs. LaVerl Daily the Glassell School of Art; and Mr. and Mrs. Alfred C. Glassell, Jr. Pam and David Ott Linnet and Mike Deily Rienzi Mr. and Mrs. H. Lee Godfrey Palmetto Partners, Ltd. The Raymond Dickson Foundation Marjorie G. Horning Cynthia and Tony Petrello Duke Energy $1,000,000+ Houston Junior Woman’s Club Mr. Ernesto Poma Jeaneane B. Duncan The Brown Foundation, Inc. Dr. and Mrs. Ira J. Jackson Karen and Eric Pulaski Mr. and Mrs. John H. Duncan, Sr. The Estate of Audrey Jones Beck Mrs. William S. Kilroy Isla and Thomas R. Reckling III Mr. and Mrs. Ralph Eads The Cullen Foundation Korean American Association of Houston The Rockwell Fund, Inc. Mr. John R. Eckel, Jr. Lee and Joe Jamail Landry’s Restaurants, Inc. Mr. and Mrs. Don A. Sanders Encore Bank The Estate of Caroline Wiess Law Mr. James Edward Maloney Ms. Alice C. Simkins Jana and Richard Fant The National Endowment for the Arts Mrs. Wilhelmina R. Smith Mrs. Linda K. Finger $100,000–$999,999 The Nightingale Code Foundation Sotheby’s Foley’s Department Stores Anne and Albert Chao River Oaks Garden Club Ann G. Trammell and C. Eugene Carlton Mr. and Mrs. Russell M. Frankel Christie’s Shell Oil Company Foundation Susan Vaughan Foundation The Frill Foundation The City of Houston The Vivian L. Smith Foundation The Windgate Charitable Foundation Mr. and Mrs. Tom Glanville Continental Airlines Starbucks Coffee Company Marie and Bill Wise Mr. Alfred C. Glassell III The Estate of Robin Curtis Theta Charity Antiques Show Goldman, Sachs & Co. ExxonMobil Andy Warhol Foundation $10,000–$24,999 Carroll and John Goodman The Favrot Fund Wells Fargo AIM Investments Samuel F. Gorman The Bruce T. Halle Family Foundation Chinhui and Edward Allen Mr. Eduardo Carlos Gruneisen The Hamill Foundation $25,000–$49,999 Mrs. Nancy C. Allen Mr. Jas A. Gundry Frank J. Hevrdejs Joan and Stanford Alexander M. D. Anderson Foundation The George and Mary Josephine Houston Endowment Inc. Altria Group Mrs. James Anderson, Jr. Hamman Foundation Lynne and Joe Hudson Amegy Bank of Texas Arte BA Mr. and Mrs. Bryant Hanley, Jr. Ellsworth Kelly Foundation, Inc. Mr. John Douglas Arnold AXA Financial, Inc. William E. and Natoma Pyle Harvey Nancy and Rich Kinder Mr. and Mrs. A. L. Ballard The Joe Barnhart Foundation Charitable Trust The Mary Kathryn Lynch Kurtz The Bookout Family Foundation Mr. and Mrs. Frank T. Barr Mr. Marc Smith Herzstein Charitable Lead Trust Mr. and Mrs. Alfredo Brener Nona and Richard Barrett Mr. and Mrs. Jeffery D. Hildebrand Mr. and Mrs. Meredith J. Long The Carruth Foundation, Inc. Mr. and Mrs. Gerard Beaudoin Hobby Family Foundation Dr. and Mrs. John P. McGovern Gracie and Bob Cavnar Richard Bebermeyer and Mr. and Mrs. Ronald E. Huebsch Sara and Bill Morgan Chubb Group of Insurance Companies Randolph Tibbits Mr. and Mrs. Peter K. Jameson The New York Community Trust— The Coneway Family Foundation Black Stone Minerals Company, L.P. Mr. and Mrs. Daniel R. Japhet Wallace Special Projects Fund Cooper Industries Sarah Campbell Blaffer Foundation Mrs. Elva Josey Johnston Mr. Fayez Sarofim Franci and James Crane Mrs. Thomas W. Blake Mr. and Mrs. Lenoir Moody Josey II Louisa Stude Sarofim Deutsche Bank Blanton and Wareing Families Fund Lucille R. Joy Charitable Remainder Trust Scurlock Foundation The Lillian H. & C. W. Duncan Mr. and Mrs. Jack S. Blanton, Jr. Lehman Brothers Sue and Lester Smith Foundation The Boeing Company Linn, Thurber, Arnold & Skrabanek LLP Sterling-Turner Foundation Mr. and Mrs. Harold Farb Mr. and Mrs. Daniel A. Breen Mr. and Mrs. Melvin Allard Lipsitz III Ta rget Jerry and Nanette Finger Foundation Anne S. and Peter H. Brown Mr. and Mrs. William W. Lloyd Judy and Charles Tate The Linda and Ronny Finger Foundation Mr. and Mrs. Laurence C. Burns, Jr. Dr. and Mrs. F. R. Lummis, Jr. Vinson & Elkins L.L.P. Garcia 360 Mrs. R. P. Bushman, Jr. Mr. and Mrs. William R. Lummis Neva and Wesley West Foundation The Garden Club of Houston Mrs. Barbara Butler Mr. Lester Marks Isabel B. and Wallace S. Wilson Mr. and Mrs. David M. Grimes II Cameron International Corp. Dr. and Mrs. Peter C. Marzio The Wortham Foundation, Inc. Cecily E. Horton Campbell, Harrison & Dagley, L.L.P. Mr. and Mrs. William N. Mathis Mr. and Mrs. Robert M. Jenney Dr. and Mrs. Luis T. Campos Katherine and Joseph McCord $50,000–$99,999 Nancy Glanville Jewell and The P. and C. Carroll Foundation The Merrin Gallery, Inc. Leslie and Brad Bucher George H. Jewell Mr. and Mrs. Thomas L. Carter, Jr. The Meyer Levy Charitable Foundation Mr. Charles Butt JPMorgan Chase Bettie Cartwright and Colin Kennedy Steven and Sheila Miller Foundation The Gordon and Mary Cain Foundation Samuel H. Kress Foundation CITGO Petroleum Corporation Mr. and Mrs. Richard Mithoff, Jr. Compass Bank Karol Kreymer and Robert Card, M.D. The Robert and Jane Cizik Foundation Mr. and Mrs. John C. Moriniere Rose and Harry Cullen Luther King Capital Management Robert L. or Jean Clarke Mr. and Mrs. Lucian L. Morrison Deloitte & Touche LLP Mr. and Mrs. Rodney H. Margolis Family Foundation Mr. W. Burt Nelson Sara Paschall Dodd-Spickelmier and The Estate of Edward B. Mayo Jennifer and Scott Clearman Nicholson Construction Keith Spickelmier The Robert and Janice McNair Clicquot, Inc. Mr. and Mrs. Dee S. Osborne Mr. and Mrs. W. McComb Dunwoody Foundation Mrs. Bobby Smith Cohn Alvin and Lucy Owsley Foundation Ernst & Young LLP Merrill Lynch & Co. ConocoPhillips The Powell Foundation The William Stamps Farish Fund Morgan Stanley Mr. and Mrs. Michael Cosgrove Pride International Management Company Cherie and Jim Flores Joan Morgenstern The Crain Foundation Randall’s Food Markets The Fondren Foundation Mosbacher Foundation, Inc. Mrs. Lacy Crain Mr. Frank Ribelin

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Robertson & Anschutz, P.C. The Lois Chiles Foundation Kendall/Heaton Associates, Inc. Ms. Anne Schell Beth Robertson Mr. and Mrs. Fielding L. Cocke Kathryn and Jim Ketelsen Mr. and Mrs. Park Shaper Minnette and Jerome Robinson Coker Foundation Anne L. Kinder The Helmle Shaw Foundation Mr. and Mrs. Robert P. Ross, Jr. Crady, Jewett & McCulley Mr. and Mrs. James P. Landers Mr. and Mrs. Charles E. Sheedy Mr. Thomas A. Roupe Mr. and Mrs. James W. Crownover Larry S. Davis & Associates The Julia and Albert Smith Foundation The Arch and Stella Rowan Foundation, Inc. Christy and Lou Cushman Stephanie and Ed Larsen Pauline and Stephen Smith Scaler Foundation, Inc. Mr. Michael W. Dale LD Systems Mr. and Mrs. Reginald R. Smith Mr. and Mrs. Richard P. Schissler, Jr. John Blodgett Davis Endowment Jan and J. Venn Leeds Foundation Mrs. John H. Smither Helen and Charles Schwab Mr. and Mrs. Platt W. Davis III Mr. and Mrs. Kevin J. Lilly Karen and David Sobotka Ms. Carey C. Shuart Roxanne Decyk and Lew Watts Mr. and Mrs. John H. Lindsey Mr. and Mrs. J. Abbott Sprague Sicardi Gallery Denman/Newman Foundation Locke Liddell & Sapp LLP Mr. and Mrs. M. S. Stude Stanford Group Company Mr. Ugo di Portanova Dr. and Mrs. Ninan T. Mathew Mr. and Mrs. Harry Susman Janet Swikard and Joe Davis Mr. and Mrs. Charles W. Duncan, Jr. Mr. and Mrs. Jerry McCleskey Mr. and Mrs. J. Taft Symonds Taub Foundation Mr. and Mrs. W. G. Dunkum III Mr. and Mrs. J. Luke McConn III Mr. and Mrs. Leonard C. Tallerine, Jr. Texas Commission on the Arts Kay and Al Ebert McDugald-Steele Landscape Architects Mr. and Mrs. James B. Tennant Mr. and Mrs. Champion T. Traylor, III Charles Jago Elder Foundation, Inc. Mr. and Mrs. William K. McGee, Jr. Mr. and Mrs. Alvin L. Thomas UBS Leslie Elkins and Shannon Sasser The McLean Foundation Thompson + Hanson, Inc. Mr. and Mrs. David M. Underwood Mr. and Mrs. Sheldon R. Erikson Ms. Patricia B. McMahon Mr. Tas C. Thornhill, Jr. Mr. and Mrs. Timothy J. Unger The Felvis Foundation Memorial Hermann Healthcare System Mr. and Mrs. James E. Thorp Mr. and Mrs. W. Temple Webber, Jr. H. Fort Flowers Foundation, Inc. Methodist Hospital Dale M. Tingleaf Abe and Rae Weingarten Fund Mr. and Mrs. Andrew M. Fossler Mitsui & Company, USA Mr. Mark L. Tompkins Ms. Joan Hohlt Wich Friedman Grossman Family Foundation The MK2 Foundation Shirley and David Toomim Mrs. Margaret Alkek Williams Mr. and Mrs. Michael Gamson Carl Moore and Bert Melnick Ms. Anne W. Tucker Cyvia and Melvyn Wolff Mr. and Mrs. R. L. Gerry III Mr. and Mrs. Ben Morris Mr. and Mrs. Brad Tucker Mr. and Mrs. Gene M. Woodfin Mr. and Mrs. Sherman Glass, Jr. Ms. M. B. Morris Mr. and Mrs. Robert B. Tudor III John L. Wortham & Son, L.P. Mr. and Mrs. Melbern G. Glasscock Mr. and Mrs. Seth Irwin Morris Dr. Theodore S. Tusa, Jr. W. S. Bellows Construction Ms. Curry Glassell The Mundy Companies UHY Advisors Mr. and Mrs. Michael S. Zilkha Meg Goodman and Michael Bonini Celia and Jay Munisteri University of Houston Mr. and Mrs. James C. Gordon Mr. and Mrs. R. Nelson Murray, Jr. Mr. and Mrs. Leon J. Vasek $5,000–$9,999 Mary and Tony Gracely Mr. Robert N. Murray Mr. and Mrs. David J. Weaver Mr. and Mrs. Mark B. Abendshein Mr. Shawn A. Gross Ms. Anned Muse Mrs. Katherine F. Weiner The Academy of Motion Picture Arts Mr. and Mrs. Joseph A. Hafner, Jr. Mr. and Mrs. John L. Nau III Mr. and Mrs. William F. Whitfield and Sciences The Robert E. Hansen Family Foundation Peter Norton Family Foundation Mr. Clinton T. Willour Carmen and Leland Ackerley Mr. and Mrs. James B. Harrison The Edward & Helen Oppenheimer Mr. and Mrs. Bert F. Winston, Jr. Gail and Louis Adler Mr. John P. Havens Foundation Mr. and Mrs. John H. Young Sofia Adrogue and Sten Gustafson Mr. and Mrs. William R. Haynes Otter Island Foundation AIG American General Mr. and Mrs. William C. Helms Mr. Steven Parker $2,500 - $4,999 Judy and Robert Allen Dr. George S. Heyer, Jr. Pamela and Jacque Passino Morrie and Rolaine Abramson American Institute of Architects Houston Mr. William J. Hill Mr. and Mrs. Grier P. Patton Family Foundation Anchorage Foundation of Texas Janet and Paul Hobby Drs. Usha and Kumara Peddamatam Accenture LLP Mr. and Mrs. W. Douglas Ankenman, Jr. Mr. and Mrs. Robert M. Hopson III Mrs. Mary Ann Pete Barbara and Roy Adams Aramco Services Company Carrie and Howard Horne Mr. and Mrs. George Peterkin, Jr. Mary and Bernardino Arocha Mr. and Mrs. Isaac Arnold, Jr. Houston Chronicle Mr. and Mrs. Bill Porter Art Alliance for Contemporary Glass Art Colony Association Houston Public Radio KUHF 88.7 FM PPG Industries Mr. Jim F. Avant Marcia Backus and Mike Hood Ms. Elizabeth Howard PricewaterhouseCoopers LLP David Aylsworth and Paul Forsythe Mr. and Mrs. Sundaresan Bala IBM Corporation Patti and Steve Raben Mr. and Mrs. James A. Baker III Mr. and Mrs. George Ball Ima Hogg Ceramic Circle Dr. and Mrs. A. P. Raghuthaman Beverly and John Berry Toni and Jeff Beauchamp Mr. Daniel M. Ives Mr. and Mrs. Gerald Rauch Ms. Marilyn M. Biles Susan Kathleen Black Foundation, Inc. Mr. J. Dahr Jamail III Mr. M. Allen Reagan, Jr. Mr. and Mrs. W. Tucker Blaine, Jr. Mrs. Carolyn B. Brady Mr. Thomas G. Jameson Macy and Harry Reasoner Mrs. David C. Bland, Jr. Milton R. Brown Family Foundation Mr. and Mrs. Steven B. Jenkins Mr. and Mrs. Thomas R. Reckling IV Mr. and Mrs. Eddy S. Blanton Ms. Terry Ann Brown Jewish Family and Children’s Services Rice University Mr. and Mrs. John R. Blocker, Jr. Budweiser/Silver Eagle Distributors John Daugherty Realtors Mr. and Mrs. Corbin J. Robertson, Jr. BP Foundation The George & Anne Butler Foundation Mr. and Mrs. A. Clark Johnson Mr. and Mrs. Paul Rogge Mr. and Mrs. James L. Britton III Dr. and Mrs. William T. Butler Mr. and Mrs. Jack G. Jones Mrs. Henry K. Roos Diana and Steve Brown Despo and David Caldwell Mrs. Donna Josey Milton D. Rosenau, Jr., and Ellen R. Gritz Mr. and Mrs. H. Fletcher Brown Mrs. Lynne Campbell Junior League of Houston, Inc. Sean Rudolph and Brad Blume Mrs. Kathleen Brown Mr. and Mrs. Bruce Cartwright The Joan and Marvin Kaplan Foundation Nancy and Clive Runnells Mr. and Mrs. Thomas W. Burke, Jr. The Center For Craft, Creativity & Design Mr. and Mrs. Thomas J. Keefe Mrs. C. A. Russell Clare Casademont and Michael Metz CFP Foundation Ms. Carolyn Frost Keenan Mr. and Mrs. Pat R. Rutherford, Jr. Caseta Mr. and Mrs. Robert H. Chaney Mr. and Mrs. George B. Kelly Mr. Steven W. Sanders Michael and Rebecca Cemo Foundation

137 Development

ChevronTexaco Kelli Kickerillo Mr. and Mrs. Douglas Schnitzer Mr. Ben M. Anderson Mr. and Mrs. Marshall Crawford Robert W. & Pearl Wallis Knox Mr. and Mrs. Milton Scott Mr. and Mrs. William J. Anderson, Jr. Mr. and Mrs. Sanford W. Criner, Jr. Foundation Mr. and Mrs. Arthur Seeligson III Andrews Kurth LLP Mr. and Mrs. Sam G. Croom, Jr. Janice and Bert Lahr Raquel and Andrew Segal Fund Ms. Shayna S. Andrews Mr. and Mrs. Holcombe Crosswell Ashley and Peter Larkin Stanley Singer Revocable Trust Ms. Geraldine Aramanda Cultural Arts Council of Mr. William F. Lassiter Mr. Paul Smead Mr. Greg Archer Houston/Harris County Melanie Lawson and John Guess Mr. Steven J. Snook Arkansas Open MRI LLC Renee and Benjamin Danziger Mr. Theodore Lee Barbara and Tom Solis Mr. and Mrs. Daniel C. Arnold David Lackey Antiques Ann Lents and J. David Heaney II Celina and Jason Stabell Mr. Keiji Asakura The Carl and Phyllis Detering Foundation Mrs. Margaret H. Ley Ms. Charlotte H. Stafford Mrs. Mary Beth Aspromonte The Diehl Family Charitable Fund Ms. Jeanne Closuit Long Emily and Alton Steiner Mr. and Mrs. Evans S. Attwell Ms. Jan M. Diesel Mr. and Mrs. Francisco A. Lorenzo Strake Foundation Milton and Sally Avery Arts Mr. and Mrs. Joseph C. Dilg Penny and Paul Loyd, Jr. Stumpf, Craddock, Massey & Foundation, Inc. Mr. and Mrs. Frank Dixon, Jr. The Lubrizol Foundation Farrimond, PC Mr. and Mrs. Ray B. Bailey Col. and Mrs. John Jay Douglass Mr. and Mrs. I. W. Marks Dr. and Mrs. Peter Sullivan Mr. Clayton D. Baird Bruce and Pamela Earthman Foundation Mr. and Mrs. J. S. Marks Mr. Louis H. Tenenbaum Baker Botts L.L.P. Professor Roger Eichhorn Mr. and Mrs. James C. Marrow Mrs. Robert J. Terry Mrs. Betty Rogers Baker Eni Petroleum Ms. Christine L. Mattsson and Kelley and Harper Trammell Fund Mr. Don Ballard Mr. Edwin A. Eubanks Mr. John F. McHale Trotter Education Foundation The James & Alvina Bartos Balog Mr. and Mrs. John W. Fain Mr. and Mrs. Jack H. Mayfield, Jr. The Trull Foundation Foundation, Inc. Aubrey and Sylvia Farb Philanthropic Fund Mr. and Mrs. Alexander K. McLanahan Mr. and Mrs. James G. Ulmer Mr. Alfredo Balvanera Mr. and Mrs. Bernard H. Feldman Mr. and Mrs. Thomas V. McMahan University of St. Thomas Mrs. Mark Barineau The Tilman & Paige Fertitta Ms. Cecilia E. McMaster Mr. J. C. Uriarte Ms. Sue Barnum Family Foundation The Don and Colletta McMillian Variable Annuity Life Insurance Co. Mr. and Mrs. Carl E. Bass Fleming Endowment Foundation Vaughan Nelson Investment Mr. and Mrs. Thomas Bates Ms. Julia M. Flowers Mrs. Sue H. McMurrey Management L.P. Mr. Allen J. Becker FMC Corporation Mr. and Mrs. John A. McRae Ms. Renee G. Wallace Andrea and Rick Behrend Jeff Fort and Marion Barthelme Dr. and Mrs. G. Walter McReynolds Mr. and Mrs. Ralph Wallingford Mr. and Mrs. Chester B. Benge, Jr. Consulat Général de France à Houston The Arnold & Suzanne Miller Foundation Benjamin and Joy Warren Mrs. Sonya Bernhardt Mr. and Mrs. Robert Frank Dr. and Mrs. Miguel Miro-Quesada Philanthropic Fund Mr. and Mrs. David M. Beveridge Galveston Arts Center, Inc. Ms. M. Susan Neptune Mr. and Mrs. Richard W. Weekley Mrs. John T. Biggers Susan Garwood and George Peterkin III Adam and Evi Newar Philanthropic Fund The Diana & Conrad Weil, Jr. Ambassador and Mrs. Teel Bivins The Julius and Suzan Glickman Mr. and Mrs. Charles G. Nickson Charitable Foundation Mr. and Mrs. Robert T. Blakely III Charitable Fund Mr. and Mrs. John S. Orton Dr. and Mrs. Stuart Weil Dr. and Mrs. Michael A. Bloome Mr. and Mrs. Julius Glickman Ms. Marilyn Oshman Mr. and Mrs. Morris A. Weiner Dr. and Mrs. Robert S. Bloss Ms. Harriett S. Goodman Oxus Energy, LLC Mr. Herbert C. Wells Mr. and Mrs. W. David Blunk, Jr. Mrs. Aileen B. Gordon Bonnie and James Painter Mr. Philip Werner The Boardman Family Foundation Mr. David Greenberg Par Avion Mr. and Mrs. Tom Wessel Mr. and Mrs. John F. Bookout, Jr. Mr. Stephen E. Hamilton Mr. James Harlan Paschall Ivis and Alan Westheimer Mr. and Mrs. Giorgio Borlenghi Eddie Harris and Charles Sanders Past Era Antique Jewelry Mrs. Sara E. White Mr. and Mrs. J. Murry Bowden Mr. and Mrs. William C. Harvin Mr. and Mrs. William E. Penland, Jr. Mr. and Mrs. Walter L. Williams Jack and Annis Bowen Foundation Mr. Mark Fehrs Haukohl Dr. and Mrs. David F. Peterson Ms. Susan Rinehart Willis Billye J. Bowman Dr. Mark J. Hausknecht Mr. and Mrs. Stephen M. Pitt Mr. and Mrs. J. Cooke Wilson, Jr. Mr. and Mrs. John Bradshaw Diana and Russell Hawkins Mr. and Mrs. Joseph H. Pyne Mr. and Mrs. Mathew Wolf Allison M. Brandt Foundation Haynes Whaley Associates, Inc. R. R. Williams & Associates, Inc. Mr. and Mrs. R. W. Wortham III Mr. and Mrs. Daniel A. Breen III The Henley Foundation Mrs. Eliza Lovett Randall Mr. and Mrs. Oscar S. Wyatt, Jr. Ms. Karey Bresenham Maria and Pablo Henning Mr. and Mrs. Risher Randall, Jr. Erla and Harry Zuber Fund Raymond and Susan Brochstein Mr. and Mrs. R. T. Herrin, Jr. Randolph-Macon Woman’s College Foundation Mr. and Mrs. Thomas A. Hill Mr. and Mrs. Hugh Ray $1,000–$2,499 Mr. and Mrs. Travis C. Broesche Mrs. Artie Lee Hinds Mr. and Mrs. William E. Reaves A McCain Company LLC The Estate of Molly Kay Brooks Mr. and Mrs. J. Randall Holstead Regions Financial Corporation Myles and Sylvia Aaronson Mr. and Mrs. Richard L. Brooks Mrs. Nora Howard Mrs. Barbara Riddell Philanthropic Fund Mr. and Mrs. Fred C. Brunk, Jr. Terry Huffington and Ralph Dittman John Roberson and John Blackmon Mr. and Mrs. Paul S. Ache, Jr. Ms. Tina L. Buikat Ms. Leng Hunter Mr. and Mrs. Grady Roberts Mrs. Betty T. Adkins Mr. and Mrs. J. Cade Burks Ilex Foundation Mr. and Mrs. John A. Robins Mr. Thomas R. Ajamie Mr. and Mrs. Harry W. Burrow Mr. and Mrs. Royce G. Imhoff II Mr. and Mrs. Howard Robinson Mr. Mark Albers Dr. and Mrs. Sam Byington Kerry Inman and Denby Auble Charles and Nathalie Roff Mrs. Julie B. Alexander Mr. and Mrs. James Walker Cain Mr. and Mrs. Philip J. John Rotasa Foundation Mr. and Mrs. Randolph F. Allen Mrs. Mary Cain Kaeske Law Firm Mr. Ronald R. Rounsaville Ms. Sandra K. Allen Janet and Richard Caldwell Mrs. Chaille C. Kelly Dr. Paula J. Runte All-Pro Marketing, Inc. Steven Callahan and Margaret Waisman Mr. and Mrs. I. C. Kerridge, Jr. Samuels Foundation The Americana Foundation Mr. and Mrs. J. Rodney Canion

138 Development

Mr. and Mrs. Michael D. Cannon Mrs. Ann N. Finkelstein High Plains Gas Systems, Inc. Mr. and Mrs. Greg Looser Ms. Kathleen A. Canty Mr. and Mrs. John C. Fitch The Margaret Mellon Hitchcock Mr. and Mrs. Gabriel Lopez-Berestein Mr. and Mrs. H. E. Carrico Carol and Dave Fleming Foundation Cathy and Alex Lopez-Negrete Mr. Frank N. Carroll, Jr. Mr. and Mrs. George Fleming Ms. Cynthia G. Holliday Mr. and Mrs. James P. Loucks Dr. Camille G. Cash Kathleen and Charles Flournoy Mr. Ned S. Holmes, Jr. Ellen Luby and Sterling Minor Heather and William Castle Mr. and Mrs. George R. Fluke Steppie and Robert Holsclaw Luca Luca Pam and Barent Cater Mr. Edward Folse Mr. and Mrs. Scott Holstead Mr. and Mrs. Ransom C. Lummis CenterPoint Energy Mr. and Mrs. Thomas W. Ford, Jr. Mrs. Shirley Hopkins T. C. Lupton, Jr. Family Foundation Cynthia Chapman and Michael Caddell Mrs. Sharon K. Fortmeyer-Selan Mr. and Mrs. Richard A. Hosley II Mach Family Fund Mr. David F. Chapman Mr. and Mrs. John Blake Fosseen Demaris and C. M. Hudspeth The Joan and Howard Maisel Mr. Pat D. Chaudhury Mr. and Mrs. Morris E. Foster Huffington Foundation Philanthropic Fund Dr. and Mrs. Chi Si Choi Dr. and Mrs. O. H. Frazier Mr. and Mrs. David C. Hull, Jr. Mrs. Catherine C. Malone Mr. and Mrs. Bobby T. Clark Frost Interests, Ltd., L.L.P. Mr. and Mrs. Ralph T. Hull Ms. Diane Marks Mr. and Mrs. Lester Eugene Clark, Jr. Gainer, Donnelly & Desrochers, LLP Maryann and Scott Ingersoll Mrs. Jo Nell Marsh Mr. and Mrs. Larry F. Cochran The Honorable Sylvia R. Garcia James H. Glanville Company Brenda and Edward Martin Mr. and Mrs. Jack Collier Mr. George B. Geary Mrs. Argentina James Nancy and Rob Martin Mr. and Mrs. Richard Coselli Patricia and Jim Gebhart JBA Houston Foundation, Inc. Mr. and Mrs. Michael H. Marvins Ms. Charlotte Cosgrove Heidi and David Gerger JEM Foundation Mrs. Sandra C. Mason Mr. and Mrs. David P. Cotellesse Gabriela and Gary Gerhart Mary B. and James K. Jennings Mr. Craig Massey Mr. John P. Courtney Ms. Jana Giammalva Charitable Foundation Mr. Craig L. Massey Mrs. Ann Cox Mrs. Deborah S. Gibson Jill and Dunham Jewett Mr. Peter H. Masson Mr. and Mrs. B. Walter Crain III Glenn Family Fund John E. Parkerson & Company, Inc. Mr. and Mrs. Harris Masterson IV Mr. and Mrs. Jack D. Crawford Louise and Larry Glenn Jenny and Mark Johnson Mr. and Mrs. William E. Matthews Mr. Michael S. Crawford Mr. and Mrs. Morris Glesby Mr. Paul Johnson The Estate of Albert Maverick III Jewel B. Crosswell Trust Mrs. Dolores Goble Mr. and Mrs. Raleigh W. Johnson, Jr. Dr. and Mrs. Malcolm L. Mazow Mr. and Mrs. Allen H. Crosswell Mr. and Mrs. William J. Goldberg Mr. and Mrs. John F. Joity The McAlester Fuel Company Mr. and Mrs. H. Markley Crosswell III Mr. and Mrs. Richard A. Goldman Ann and Arthur Jones Mrs. Gundula McCandless Mr. and Mrs. Gary T. Crum Mr. and Mrs. Nicolas Gonzalez Mr. and Mrs. Frank G. Jones Mr. and Mrs. James W. McCartney Curran Holdings, Inc. Dr. and Mrs. Alfred S. Goodman Drs. Blair and Rita Justice Mr. and Mrs. Robert McClain Mr. and Mrs. John D. Curtin III Mr. Ben C. Goolsby, Jr. Charitable Gift Fund Laurence McCullough and Mr. and Mrs. John L. Dagley Gorman’s Uniform Rental, Inc. Mr. and Mrs. Jonathan Kagen Linda Quintanilla Dancie Perugini Ware Public Relations Mr. and Mrs. H. William Gottfried III Mrs. Carolyn J. Keating Mrs. Beverly Turner McDonald Mr. and Mrs. Jamal H. Daniel Ms. Patsy M. Graham Dr. and Mrs. Michael J. Keating Mr. and Mrs. Andrew McFarland Mr. and Mrs. Jeremy S. Davis Grasso Production Management, Inc. Mr. and Mrs. Richard P. Keeton Ms. Laura J. McMahon Decision Information Resources, Inc. Mrs. Joe M. Green, Jr. Mr. and Mrs. Neil E. Kelley Mr. and Mrs. William B. McNamara Dr. and Mrs. William L. Decker Mr. and Mrs. Charles R. Gregg Wendy and Mavis Kelsey, Jr. Fund Ms. Alice R. McPherson, M.D. Mr. Lewis Stanley Deen Mr. Charles N. Grichar Dr. Mavis P. Kelsey, Sr. Gail Merel and Chris Dack Denver Integrated Imaging LLC Mrs. Meredith B. Griffis Kempner Fund Mr. and Mrs. Peter S. Meyer Diagnostic MRI Central, LLC Dr. and Mrs. Edward Gripon Diane and Donald Kendall Dr. and Mrs. Wayne L. Miller, Jr. Mrs. Ellena P. Dickerson Dr. and Mrs. Stuart Grossman Mr. and Mrs. William D. Kendall Mrs. William E. Mitch Debra and Michael Dishberger Mr. Robert Gulley Tamsen and Tom Kiehnhoff Elizabeth and Jerry Mitchell Mr. Lee Doggett Ms. Janet Gurwitch Mr. and Mrs. Allan C. King Mr. and Mrs. Michael S. Moehlman Miss Donna Donelson Mr. and Mrs. Charles W. Hall Mr. and Mrs. V. Scott Kneese Moody Gallery, Inc. Mr. Mark J. Drury Ms. Claudia Hallowell The Carla Knobloch Fund Ms. Elizabeth C. Moody Mr. Edward A. Dumont Mr. and Mrs. Peter G. Ham Ms. Katherine L. Kohlmeyer Mr. and Mrs. Jess R. Moore Kathleen and Burdett Dunbar Dr. and Mrs. Carlos R. Hamilton, Jr. Mr. and Mrs. Geoffrey C. Koslov Mr. and Mrs. Preston Moore, Jr. Mr. and Mrs. Pat T. Dyer Mr. and Mrs. Henry R. Hamman Cathy and Len Kowitz Mr. and Mrs. Robert L. Moore Mr. and Mrs. S. Stacy Eastland Ms. Heidi Hanna Mr. David Kreml The W. T. and Louise J. Moran Dr. Michael K. Eklund Mr. David B. Harberg Ms. Catherine A. Lamboley Foundation El Paso Corporation Ms. Marion S. Hargrove Mr. and Mrs. B. John Lange III Michael and Patti Morgan Mr. and Mrs. James A. Elkins III Mr. and Mrs. Clay Harmon Dr. and Mrs. Campbell M. Lange Philanthropic Fund Mr. John A. Evatz Mr. and Mrs. Dan J. Harrison III Mr. and Mrs. J. Edmund Langwith, Jr. Sarah Morian and Michael Clark Mrs. Dorothy J. Evershade Ms. Francesca F. Harrison Lanier Operating Foundation Mr. and Mrs. S. Reed Morian Janice and James Falick Mr. and Mrs. Robert W. Harvey Mr. Joseph T. Lee Mr. and Mrs. Stewart Morris, Sr. Dr. Carolyn Farb Heimbinder Family Foundation The Lester Foundation Inc. Mr. William J. Mossay Mrs. Elizabeth S. Farish Mr. and Mrs. Ronald W. Henriksen Sherri S. Levin, M.D. Mr. Wiley L. Mossy, Jr. Mrs. Sidney Faust Mr. Danny A. Hernaez Velva G. and H. Fred Levine Mrs. Nancy Brown Negley Ms. Carolyn G. Fay Carola and John Herrin Joe Levit Family Foundation New Life Ventures, Inc. Elizabeth and James Ferrell Mr. and Mrs. Frank Herzog Victoria and Marshal Lightman Mr. and Mrs. Stephen D. Newton Mr. John L. Fichter Mr. David L. Hieronymus Ms. Nancy Littlejohn NIC Phillips Light Design Mr. Richard B. Finger Mr. and Mrs. James D. Higgason Mr. Kevin Longino Sandra and William W. Nicholson

139 Development

Mrs. John P. Noel, Jr. Mr. and Mrs. Christopher B. Sarofim Mr. and Mrs. W. Temple Webber III North Denver Integrated Imaging LLC Dr. and Mrs. Michele Sartori Ms. Alexandra Weems Northern Trust Bank of Texas Mr. and Mrs. John G. Saucier The Leon & Sandra Weiner Foundation Mr. and Mrs. Scott Nyquist Mr. and Mrs. Henry Sauer, Jr. Drs. Angel and Jochewed Werch Dr. Susan M. O’Brien Marc Schindler and Daucie Shefman Mr. Geoffrey C. Westergaard Ms. Doris J. O’Connor Mr. and Mrs. Andrew C. Schirrmeister Westside Open MRI & Mr. Ralph S. O’Connor Ms. Jennifer Schlief Diagnostic Center LLC Ms. Alisa Erin O’Leary Jane and Dick Schmitt Mr. and Mrs. William M. Wheless III Mr. and Mrs. Chris Ordway Beth and Michael Schneider Mr. and Mrs. Gilbert R. Whitaker Mrs. Hanni S. Orton Mr. and Mrs. Howard K. Schramm David White and Alan Austin Mr. and Mrs. Chris O’Sullivan Mr. and Mrs. Robert H. Schwartz Jill Whitten and Robert Proctor, Jr. Mr. and Mrs. Jose M. Oti, Jr. Mr. Bradford Glenn Scott, M.D. The Wiggins Revocable Trust Mr. James F. Ott Mrs. Ketria B. Scott Mrs. Melanie S. Wiggins Jane and Kenneth Owen Ms. Rose M. Scott Mr. Charles A. Williams JoAnn and William Owens Mr. Joseph Seivertson Mr. and Mrs. Curtis C. Williams III Mr. and Mrs. Steven Owsley Shadywood Foundation Wilson Architectural Group, Inc. Frances and Walter Pagel Sarah and Robert Shaw Ms. Joanne G. Wilson Parkway Investments/Texas Mr. and Mrs. William L. Shepherd Mr. and Mrs. Robert S. Winter Mr. and Mrs. John S. Parsley Mr. and Mrs. Gary B. Skakun Mr. Robert Wolfe Payne Foundation Mr. and Mrs. Louis Skidmore, Jr. Charlotte and Morgan Womack Dr. Waverly Peakes Mr. and Mrs. Thomas E. Smith Mr. and Mrs. Scott Wood Mrs. Gary Pearson South Denver Integrated Imaging, LLC Mr. and Mrs. George M. Woodman Dr. and Mrs. Richard Pesikoff Sports @ The B.U.S. Mr. and Mrs. Herman Wright, Jr. Sarah and David Pesikoff Mr. and Mrs. Joel Staff Rowena Young and Myron Steves, Jr. Mr. Gary R. Peterson Mrs. Elizabeth C. Starkey Kay and Fred Zeidman Phillips Advertising, Inc. Mr. and Mrs. Stuart W. Stedman Christopher Pichler and Maya Ishiwata Ms. Yvonne Stern Every effort was made to ensure that Mr. and Mrs. Michael J. Plank Keith and Mattie Stevenson Foundation the information published in this Mrs. Fletcher S. Pratt Mr. and Mrs. Douglass M. Stewart report is accurate and reflects the Pro Consulting Services, Inc. Mr. and Mrs. Stanford C. Stratton requests of individual donors. If any Prometheus Charitable Trust Mr. and Mrs. John R. Strawn, Jr. errors or omissions have occurred, please Mr. and Mrs. Leland Putterman Mr. Thomas A. Sullivan notify the development department at Que Milagro Susman Family Foundation the Museum of Fine Arts, Houston. Mr. Bradley Louis Radoff Ms. Mary Lou Swift Dr. and Mrs. David C. Randall Mr. and Mrs. Nicholas L. Swyka Mr. and Mrs. Edward Randall III Mr. Henry J. N. Taub II Mr. and Mrs. Michael Ray Tenet Healthcare Foundation The RBS Greenwich Capital Foundation Thirteen Stars Michael Richker and Vicky Pravda Terri and Raymond Thomas Mr. and Mrs. James L. Robertson Thompson and Knight Foundation Russ and Leslie Robinson Dr. and Mrs. John F. Thrash Rocky Mountain Orthotic & Ms. Cynthia A. Toles Prosthetic Center LLC Transocean Inc. Mr. and Mrs. J. Hugh Roff, Jr. Mr. and Mrs. John A. Turner Ms. Regina J. Rogers Mr. Stephen C. Van Dalen Ms. Carolyn Rose Laurie and Allan Van Fleet Mr. George B. Ross Dr. and Mrs. Lieven J. Van Riet Mr. Mark A. Ross Vega Energy Mr. and Mrs. Matthew P. Rotan Laura and Tony Visage Mr. Scott Rozzell Mr. and Mrs. Jan Vogel Brenda and Mansel Rubenstein Connie and John Wallace Mr. and Mrs. Jerry Rubenstein Mr. and Mrs. James L. Wallace The Catherine B. Rubey Mr. and Mrs. B. Cooper Walls Charitable Gift Fund Mr. and Mrs. J. R. Walsh The Karen E. Rubey Charitable Gift Fund Walter P. Moore and Associates Mr. and Mrs. John L. Russell Dr. and Mrs. J. Anthony Walter Ms. Kamala Sachidanandan Mrs. J. Philip Wandel Diane and Seymour Sacks David B. Watson and Joan Marshak Lidiya and Jerry Sadler Waverly Court Associates Mr. and Mrs. Robert B. Sale, Jr. Mr. and Mrs. Peter M. Way Mrs. Kim Orsak Sanchez Mr. and Mrs. James D. Weaver Mr. and Mrs. Ron Sandberg The Webber Foundation 140 Independent Auditors’ Report

To the Board of Trustees of The Museum of Fine Arts, Houston Houston, Texas

We have audited the accompanying statement of financial position of The Museum of Fine Arts, Houston (the “Museum”) as of June 30, 2006, and the related statements of activities, functional expenses and cash flows for the year then ended. These financial statements are the responsibility of the Museum’s man- agement. Our responsibility is to express an opinion on these financial statements based on our audit.The prior year summarized comparative information has been derived from the Museum’s 2005 financial statements and, in our report dated December 2, 2005, we expressed an unqualified opinion on those financial statements.

We conducted our audit in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes consideration of internal control over financial reporting as a basis for designing audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the Museum’s internal control over financial reporting. Accordingly, we express no such opinion. An audit also includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, as well as evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion.

In our opinion, such financial statements present fairly, in all material respects, the financial position of the Museum as of June 30, 2006, and the changes in its net assets and its cash flows for the year then ended in conformity with accounting principles generally accepted in the United States of America.

The financial statements include certain prior-year summarized comparative information in total but not by net asset class. Such information does not include sufficient detail to constitute a presentation in conformity with accounting principles generally accepted in the United States of America. Accord- ingly, such information should be read in conjunction with the Museum’s financial statements for the year ended June 30, 2005, from which the summarized information was derived.

Houston, Texas April 17, 2007

141 Independent Auditors’ Report

The Museum of Fine Arts, Houston Statement of Financial Position, June 30, 2006 (With Comparative Totals for June 30, 2005)

(Dollars in thousands) 2006 2005

Assets Temporarily restricted cash and cash equivalents $ 644 $ 1,910 Receivables: Pledges 4,724 7,124 Grants 655 386 Accounts 9,925 9,664 Interest 12,336 7,692 Total receivables 27,640 24,866 Inventory 1,179 1,503 Prepaid expenses 844 1,281 Investments 936,884 762,394 Property—net 103,221 105,903 Other assets 11,119 3,152 Total $1,081,531 $901,009

Liabilities and Net Assets Liabilities: Accounts payable and accrued liabilities $ 8,175 $ 6,365 Deferred revenue 4,869 5,074 Total liabilities 13,044 11,439 Commitments (Note 7) - - Net assets: Unrestricted 201,312 228,431 Temporarily restricted 249,365 193,308 Permanently restricted 617,810 467,831 Total net assets 1,068,487 889,570 Total $1,081,531 $901,009

See notes to financial statements.

143 Independent Auditors’ Report

The Museum of Fine Arts, Houston Statement of Activities for the Year Ended June 30, 2006 (With Comparative Totals for June 30, 2005) Temporarily Permanently 2006 2005 (Dollars in thousands) Unrestricted Restricted Restricted Total Total

Public Support and Revenues: Public support: Contributions $ 31,727 $ 3,195 $ 149,979 $ 184,901 $209,677 Government grants 919 - - 919 576 Museum Gala Ball 1,114 135 - 1,249 954 Total public support 33,760 3,330 149,979 187,069 211,207 Revenues: Realized and unrealized investment income—net (1,919) 71,194 - 69,275 77,751 Auxiliary activities 3,170 - - 3,170 2,969 Memberships 2,152 7 - 2,159 1,979 School tuition 1,327 254 - 1,581 1,371 Admissions, tours, and lectures 680 - - 680 630 Other 1,305 123 - 1,428 883 Total revenues 6,715 71,578 - 78,293 85,583 Net assets released from restrictions for satisfaction of program activities 18,851 (18,851) - - - Total public support, revenues, and net assets released from restriction 59,326 56,057 149,979 265,362 296,790

Expenses: Program services: Collection 41,804 - - 41,804 40,507 Exhibitions 9,869 - - 9,869 9,426 Education and public programs 7,970 - - 7,970 7,105 Glassell School 2,521 - - 2,521 2,557 Bayou Bend 2,036 - - 2,036 1,898 Rienzi 943 - - 943 1,015 Membership activities 1,919 - - 1,919 1,710 Total program services 67,062 - - 67,062 64,218 Supporting services: Management and general 8,386 - - 8,386 6,858 Auxiliary activities 3,603 - - 3,603 3,542 Fund-raising 2,877 - - 2,877 2,171 Total supporting services 14,866 - - 14,866 12,571 Depreciation 4,517 - - 4,517 4,450 Total expenses 86,445 - - 86,445 81,239

Change in Net Assets (27,119) 56,057 149,979 178,917 215,551 Net assets: Beginning of year 228,431 193,308 467,831 889,570 674,019 End of year $ 201,312 $249,365 $ 617,810 $1,068,487 $ 889,570

See notes to financial statements.

144 Independent Auditors’ Report

The Museum of Fine Arts, Houston Statement of Cash Flows for the Year Ended June 30, 2006 (With Comparative Totals for June 30, 2005)

(Dollars in thousands) 2006 2005

Cash Flows from Operating Activities: Change in net assets $ 178,917 $ 215,551 Adjustments to reconcile change in net assets to net cash used in operating activities: Depreciation 4,517 4,450 Gains on sale of investments (74,019) (17,096) Loss on sale of property—net - 32 Net unrealized depreciation (appreciation) on investments 34,324 (39,021) Contributions restricted by donors (153,309 ) (177,137) Increase in receivables (2,774 ) (3,742) Decrease (increase) in inventory 324 (234) Decrease (increase) in prepaid expenses 437 (272) Increase (decrease) in liabilities 1,605 (4,874) Net cash used in operating activities (9,978) (22,343)

Cash Flows Used in Investing Activities: Purchases of property (1,835) (175) Purchases of investments (542,157) (328,586) Proceeds from the sale of investments 407,362 167,074 Decrease in temporarily restricted cash and cash equivalents 1,266 3,985 Proceeds from the sale of property - 1 (Increase) decrease in other assets (7,967) 2,907 Net cash used in investing activities (143,331) (154,794)

Cash Flows Provided by Financing Activities— Contributions restricted by donors 153,309 177,137

Net Change in Cash and Cash Equivalents - - Cash and Cash Equivalents—Beginning of Year -- Cash and Cash Equivalents—End of Year $ - $ -

See notes to financial statements.

145 Independent Auditors’ Report

The Museum of Fine Arts, Houston Statement of Functional Expenses for the Year Ended June 30, 2006 (With Comparative Totals for June 30, 2005) (Dollars in thousands) Program Services Education and Public Glassell Bayou Membership Area Collection Exhibitions Programs School Bend Rienzi Activities Total Salaries $ 3,186 $ 2,643 $ 3,067 $ 1,427 $ 936 $ 294 $ 407 $ 11,960 Employee benefits 495 483 512 254 174 58 68 2,044 Payroll taxes 230 193 226 103 70 22 30 874

Total 3,911 3,319 3,805 1,784 1,180 374 505 14,878

Accessions 36,000 ------36,000 Professional fees 332 1,188 652 10 6 - 26 2,214 Investment counseling fees ------Occupancy 651 1,301 598 193 166 182 246 3,337 Promotion 1 7 35 1,338 17 55 9 467 1,938 Programs and previews - 781 172 71 209 86 116 1,435 Postage and shipping 128 975 70 29 3 2 101 1,308 Supplies 166 600 165 149 41 11 8 1,140 Printing and publications 17 634 435 104 128 8 101 1,427 Insurance 237 407 87 34 37 24 3 829 Contract services 95 155 173 56 134 96 285 994 Cost of goods sold - - 17 - 4 - - 21 Travel 138 211 187 14 9 15 9 583 Repairs and maintenance 77 202 61 4 27 124 2 497 Museum Gala Ball and benefits ------Miscellaneous - 1 24 48 21 3 45 142 Communications 1 3 - 6 13 8 5 36 Library - - 153 - - - - 153 Photography 31 53 27 - 2 1 - 114 Dues and subscriptions 3 4 6 2 1 - - 16

Total $ 41,804 $ 9,869 $ 7,970 $ 2,521 $ 2,036 $ 943 $ 1,919 $ 67,062

See notes to financial statements.

Notes to Financial State- from which the summarized informa- Permanently Restricted Resources— the Permanently Restricted Endowment ments for the Year Ended tion was derived. Net assets that are subject to donor- Accounts are allocated among tem- June 30, 2006 Use of Estimates—The preparation of imposed stipulations that they be main- porarily restricted and unrestricted (Dollars in thousands) financial statements in conformity with tained permanently by the Museum. Operating and Accessions Accounts accounting principles generally accepted in Generally, the donors of these assets permit based on their respective weighted aver- 1. Summary of Significant the United States of America requires the Museum to use all or part of the age number of investment units. Pursuant Accounting Policies management to make estimates and income earned on these assets. to a policy adopted by the Board of The financial statements of the Museum assumptions that affect the reported Pledges Receivable—Pledges receiv- Trustees, an amount equal to 4.5% of the of Fine Arts, Houston (the “Museum”) amounts of assets and liabilities and dis- able are presented at the net present market value of operating endowment have been prepared on the accrual basis closure of contingent assets and liabilities at value of future cash flows discounted at accounts and 5.5% of the market value of accounting. The significant accounting the date of the financial statements and the five-year T-bill rate. of accessions endowment accounts pre- policies followed by the Museum, which the reported amounts of revenues and Interest Receivable—Interest receiv- dominantly averaged over a 12 quarter is a Texas not-for-profit organization, are expenses during the reporting period. Actu- able includes accrued interest and future period is budgeted to support operations described below. al results could differ from these estimates. endowment earnings committed to cur- and to purchase works of art, respectively. Summarized Financial Information Unrestricted Resources—Net assets rent accessions. Property—Property is recorded at cost for the Year Ended June 30, 2005— not restricted by donor-imposed stipu- Inventory—Inventory is valued at the or the estimated fair value at the date of The financial statements include certain lations that may be designated for spe- lower of cost (moving weighted-average the gift. The Museum reports gifts of prior-year summarized comparative cific purposes by action of the Board of method) or market. land, buildings, and equipment as unre- information in total but not by net asset Trustees. Investments and Income Allocation— stricted support unless explicit donor class. Such information does not include Temporarily Restricted Resources— The Museum records investments in stipulations specify how the donated sufficient detail to constitute a presenta- Net assets resulting from contributions marketable equity and debt securities at assets must be used. Gifts of long-lived tion in conformity with accounting prin- and other inflows of assets whose use by fair value with gains and losses included assets with explicit restrictions that ciples generally accepted in the United the Museum is limited by donor-imposed in the statement of activities. specify how the assets are to be used and States of America. Accordingly, such stipulations that either expire by passage The income from investments, net of gifts of cash or other assets that must be information should be read in conjunc- of time or can be fulfilled and removed realized investment gains on investment used to acquire long-lived assets are tion with the Museum’s financial state- by actions of the Museum pursuant to transactions, and appreciation/deprecia- reported as temporarily restricted sup- ments for the year ended June 30, 2005, these stipulations. tion in market value of investments in port. Absent explicit donor stipulations 146 Independent Auditors’ Report

Total Expenses Total Expenses Before Before Supporting Services Depreciation Depreciation for the Year for the Year Management Auxiliary Fund- Ended Ended and General Activities Raising Total June 30, 2006 June 30, 2005 $ 2,843 $ 969 $ 1,341 $ 5,153 $ 17,113 $ 15,259 886 151 195 1,232 3,276 2,765 221 70 87 378 1,252 1,111

3,950 1,190 1,623 6,763 21,641 19,135

- - - - 36,000 36,188 391 277 130 798 3,012 2,392 1,954 - - 1,954 1,954 1,280 233 200 142 575 3,912 3,442 91 9 45 145 2,083 1,978 110 335 133 578 2,013 1,834 99 37 24 160 1,468 1,734 293 326 27 646 1,786 1,585 114 10 55 179 1,606 1,266 120 33 8 161 990 1,018 198 166 100 464 1,458 1,464 - 937 - 937 958 909 164 14 124 302 885 589 219 24 5 248 745 584 - - 374 374 374 496 178 39 58 275 417 329 177 1 2 180 216 186 - - - - 153 154 2 2 1 5 119 116 93 3 26 122 138 110

$ 8,386 $ 3,603 $ 2,877 $ 14,866 $ 81,928 $ 76,789

about how long these long-lived assets Art Collection—With approximately assets are transferred from temporarily nance, operation, and security of building must be maintained, the Museum 53,915 works, the Museum’s permanent restricted net assets to unrestricted net facilities are allocated based on the esti- reports expirations of donor restrictions collection of world art spans 6,000 years assets upon satisfaction of donor mated use of the facilities. when the donated or acquired long-lived and six continents. The Museum acquires restrictions. Federal Income Taxes—The Museum assets are placed in service; if insignificant, its art collection through purchases or by Revenue Recognition—The Museum is exempt from federal income taxes gifts of long-lived assets are expensed gifts. The cost of all art objects purchased, records contributions received, including under the provisions of Section 501(c)(3) when received. together with the value of art objects unconditional promises to give, as rev- of the Internal Revenue Code. Accord- Depreciation is computed using obtained by gift (for which the Museum enues in the period received at their fair ingly, there is no provision for federal primarily the straight-line method over receives a reasonable estimate), is reported value. income taxes included in the financial 30 years for buildings and capital as a part of collection expense. In accor- The Museum classifies net assets, statements. improvements and 5 to 10 years for dance with policies followed by many art expenses, revenues, and gains/losses as equipment, furniture and fixtures. museums, no value has been assigned in either permanently restricted, temporar- Deferred Revenue—Deferred revenue the statement of financial position to the ily restricted or unrestricted. represents advance rentals related to the Museum’s art collection. Donated Services—Donated services expansion of the Museum and is being rec- Purchases for the art collection were that create or enhance non-financial ognized using the straight-line method $30,824 for the year ended June 30, 2006. assets or require specialized skills are rec- over the 30 year lease term. The value of art objects obtained by ognized as revenues and corresponding Statement of Cash Flows—The state- gifts is reported as contributions and expenses. Donated services that do not ment of cash flows is presented using the collection expense in the statement of meet the above conditions are not recog- indirect method. The Museum considers activities and totaled $5,176 for the year nized. In the year ended June 30, 2006, all highly liquid investments with ended June 30, 2006. the Museum received donated legal serv- maturities of three months or less when Gifts of cash or other property ices valued at $138. purchased to be cash equivalents. Short- restricted by donors for the purchase of Allocation of Functional Expenses— term investments that are managed items for the art collection are recog- Expenses are allocated to the various within the Museum’s pool of investments nized as temporarily restricted revenue programs and supporting services based are excluded from cash equivalents as until acquisitions are made in accor- on the ultimate use of the product or they represent investing activities. dance with the terms of the gifts. Net services. Expenses related to mainte- 147 Independent Auditors’ Report

2. Investments Investments by type as of June 30, 2006 were as follows: Unrealized Market Appreciation Cost Value (Depreciation) Equities and alternatives $ 543,585 $ 766,810 $ 223,225 Income oriented investments 130,139 128,788 (1,351)

Short-term and miscellaneous assets 41,286 41,286 - Total $ 715,010 $ 936,884 $ (221,874)

Investments are stated at fair value and, if available, quoted market prices are used to value such investments. Unrealized appreciation or depreciation is recognized within the statement of activities currently. Accumulated unrealized appreciation of investments consists of unrealized gains and losses of $221,874 for the year ended June 30, 2006.

Net realized and unrealized investment income for the year ended June 30, 2006 is comprised of the following:

Interest and dividend income $ 29,580 Realized gains on sales of securities 74,019 Unrealized appreciation of investments (34,324) Total $ 69,275

The Museum has committed $45,000 of its investments for the purchase of a limited partnership interest in a venture capital fund. As of June 30, 2006, the total amount funded was $9,250. Subsequent to June 30, 2006, the Museum funded an additional $4,250.

The Museum is named as a beneficiary of the estate of Caroline Wiess Law and received $147,382 for Law Endowments in 2006, the last major distribution from the estate.

Subsequent to June 30, 2006, the Museum made additional commitments of $178,500 to investment managers in various asset classes.

148 The allocation of investments held by the Museum to the various endowment, operations, accessions, and plant accounts at June 30, 2006 were as follows: Operations Endowment Investment Accounts— Cost MarketValue Museum: The Caroline Wiess Law Endowment $ 338,343 $ 359,986 Brown Foundation Maintenance Endowment 38,919 95,584 Alice Pratt Brown, “Brown Wing” Endowment 8,069 23,688 The General and Mrs. Maurice Hirsch Library Endowment 9,701 16,041 Permanent Endowment 3,904 14,459 Jesse H. and Mary Gibbs Jones Exhibition Endowment 3,132 6,756 Robert A. Welch—Works of Art Restoration Endowment 1,779 4,176 The Wortham Foundation Audrey Jones Beck Building Endowment 4,349 3,790 Gus and Lyndall Wortham Curatorial Chair Endowment 1,308 2,821 W. T. and Louise J. Moran Education Director Endowment 2,864 2,774 Cullinan Wing Endowment 665 2,143 The Caroline Wiess Law Education Endowment 1,593 1,783 Latin American and Latino Art Curator Endowment 1,545 1,383 The Carol Crow Photography Conservator Chair Endowment 1,584 1,520 Fayez Shalaby Sarofim and Meredith J. Long Endowment Fund for Exhibitions 1,052 913 William Randolph Hearst Educational Outreach Endowment 578 812 Harry C. Wiess Memorial Endowment 230 750 National Endowment for the Humanities—Education Endowment 648 651 The Fondren Foundation Education Endowment 547 481 B.M.C. Software, Inc. Education Endowment 539 459 Lila Wallace-Reader’s Digest Fund Education Endowment 573 442 Shell Companies Exhibition Endowment 117 252 National Endowment for the Arts—Planning and Stabilization 327 244 The Margaret Cooke Skidmore Endowed Exhibition Fund 236 224 Frank and Eleanor Freed Lecture Series Endowment 147 201 The Virginia and Ira Jackson Lecture on Prints and Drawings Endowment 191 157 Underwood Annual Gift Endowment 76 133 Alice Pratt Brown Garden Endowment 42 91 Favrot Education Endowment Fund 106 79 Houston Antiques Dealers Association Endowment 52 60 Garden Endowment 24 51 Ralph S. O’Connor Statue Maintenance Endowment 33 28 Total—Museum 423,273 542,932 Bayou Bend Collection and Gardens: Bayou Bend Trust Endowment 4,192 10,524 Bayou Bend Endowments 3,712 7,538 David B. Warren Symposium Endowment 279 254 Total—Bayou Bend Collection and Gardens 8,183 18,316 Glassell School of Art: Glassell School Endowments 2,167 4,410 Glassell Scholarship Endowments 1,894 2,499 Glassell School Special Endowment 1 1 Total—Glassell School of Art 4,062 6,910 Rienzi: The Carroll Sterling and Harris Masterson III Endowment 6,097 9,286 The Caroline Wiess Law Endowment 5,876 7,848 Total—Rienzi 11,973 17,134 Total Investments Within Operations Endowment 447,491 585,292 Accessions Endowment Investment Accounts: Caroline Wiess Law Accessions Endowment 218,205 233,605 Brown Foundation Accessions Endowment 15,310 38,102 Alice Pratt Brown Museum Endowment 12,176 35,228 Agnes Cullen Arnold Endowment 5,862 19,624 Director’s Accessions Endowment 2,999 11,136 Audrey Jones Beck Accessions Endowment 9,359 8,533 Alvin S. Romansky Print Accessions Endowment 1,200 2,023 Long American Art Endowment 300 889 S. I. Morris Photography Endowment 317 659 W. H. Keenan Family Endowment Fund 363 316 The Marjorie G. and Evan C. Horning Print Fund 126 284 Jack R. McGregor Endowment Fund for Glass 275 233 Marian and Speros Martel Early Americana Accessions Endowment Fund Honoring William S. Kilroy 155 124 Elizabeth S. and Marjorie G. Horning Asian Art Accessions Endowment Fund 105 102 Mundy Photography Department Endowment 105 79 The Ann Gordon Trammell American Art Endowment Fund 57 59 Decorative Arts Accessions Endowment Fund 52 55 Lora Jean Kilroy Accessions Endowment 56 54 Bayou Bend Docent Organization Endowment Fund 51 45 Marjorie and Evan Horning Endowment for Decorative Arts 36 34 The Pamela and David Ott American Art Endowment 26 25 Alice C. Simkins Drawing Endowment Fund 25 24 Photography Endowment 9 9 Total Investments Within Accessions Endowment 267,169 351,242 Total Investments Within Operations, Accessions, and Plant Accounts 350 350 Total Investments $ 715,010 $ 936,884

149 Independent Auditors’ Report

3. Pledges Receivable 5. Pension Plan As of June 30, 2006, the Museum had unconditional pledges receivable of $4,785. The Museum has a money purchase, defined contribution pension plan covering Pledges receivable, net represents the present value of future cash flows, discounted substantially all of its full time employees. The plan provides for employee contri- at the average five year treasury bill rate (5.07% at June 30, 2006), are as follows: butions of up to 100% of compensation, up to the maximum dollar limit which is set by the Internal Revenue Service, and employer contributions of 5% of the Due within 1 year $ 4,080 employee’s compensation. Museum contributions are fully vested to a participant Due within 2–5 years 704 after one year of continued employment. The Museum’s policy is to currently fund Due after 5 years 1 accrued pension cost. The total pension expense for the year ended June 30, 2006, Total 4,785 was $487, which is included as part of employee benefits expense. As of June 30, Less present value discount (61) 2006, the Museum has a funded deferred compensation agreement for senior staff Pledges receivable—net $ 4,724 in the amount of $413.

4. Property 6. Related Party Transactions At June 30, 2006, property consisted of the following: The Museum Bylaws incorporates a conflicts of interest policy. The purpose of this Article is to protect the Museum’s interest when it is contemplating a trans- Land $ 14,180 action or arrangement that might benefit the private interest of a member of its Buildings and capital improvements 127,124 Board of Trustees, officer, director, or associate director of the Museum or a voting Equipment, furniture and fixtures 14,599 member of a committee with board delegated powers. A person who has a financial Total 155,903 interest may have a conflict of interest only if the Board of Trustees or appropriate Less accumulated depreciation (52,682) committee decides that a conflict of interest exists. All members of the board, Total $ 103,221 professional staff, and committee consultants complete the conflict of interest document when joining the institution and/or annually and/or when changes occur. A member of the board had a financial interest, not considered a conflict of interest, of $1,275 for FY06.

The Museum and its Director participate in a life insurance program insuring the life of the Director. The program provides the Museum with a substantial key man death benefit in the event of the Director’s death while employed at the Museum. In the event the Director leaves the Museum’s employment, the Museum is entitled to recover its premiums from the cash surrender value of the policy. As of June 30, 2006, the cash surrender value of the life insurance policy inuring to the Museum’s benefit is included, along with other policies owned by the Museum, in other assets. The amount of premiums paid to date is $2,551.

Other assets at June 30, 2006, also include a mortgage note receivable of $68 from the Museum’s Director secured by his personal residence.

150 Independent Auditors’ Report

7. Commitments The Museum has various non-cancelable operating lease commitments and com- mitments to purchase art outstanding at June 30, 2006, payable as follows:

Fiscal Year 2007 $ 3,842 2008 3,842 2009 3,737 2010 2

Rental expense under these leases for the year ended June 30, 2006 was $183.

8. Net Assets Temporarily and permanently restricted net assets at June 30, 2006 were restricted for the following uses: Temporarily Permanently Restricted Restricted Operations and Operations Endowment $ 123,746 $ 386,818 Accessions and Accession Endowment 121,412 230,992 Plant 4,207 - Total $ 249,365 $ 617,810

Included in operations and accession endowments are various contributions and other inflows of assets that are maintained in donor accounts which are restricted by donor-imposed stipulations to be used, or income from such assets to be used, for various operations and accession activities of the Museum, including activities of Bayou Bend Collection and Gardens, Glassell School of Art and Rienzi. Included in plant accounts are various pledges received that are temporarily restricted to be used by the Museum for various plant activities.

151

Staff of the Museum of Fine Arts, Houston

The Museum of Fine Arts, Angela Camarillo, Public Programs Holly M. Dickerson, Executive Assistant, Gwendolyn H. Goffe, Associate Director, Houston Coordinator Rienzi and Decorative Arts Finance and Administration Bernard Gamboa Canlas, Console Monitor, Alfredo Cruz Diego, Sr., Operations Jason Alan Goldstein, Assistant to the Peter C. Marzio, Director Night Engineer, 2nd Grade Education Director Benedicto M. Capalad, Sr., Security Officer Beatrice M. Diehl, Lawridge Housekeeper Liliana L Gomez, Custodian Jonathan P. Carfagno, School Programs Jacob L. Diehl, Ranch Worker Ramon Galvan Gomez, Assistant for Museum of Art Coordinator Philip J. Diehl, Ranch Worker Community Outreach and Administration, Alice Carmona, Security Officer Katherine A. Dishman, Bookkeeper Film & Video Peter M. Aguila, Security Officer Minerva G. Carmona, Administrative Mai Tuyet Do, Accountant Regina V. Gomez, Security Officer, Night Kathleen L. Alexander, Box Office Clerk Assistant, Registrar Tony Domingo, Mail Services Technician Patricia Ann Gonzales, Administrative Jorge H. Alfaro, Custodian Martha J. Carr, Visitor Services Attendant Florin Dragan, Chief Engineer Assistant, Office Services Monique Anderson, Visitor Services Reginald O. Carter, Senior Accountant and Thomas R. DuBrock, Photographer Alison de Lima Greene, Curator, Attendant Payroll Supervisor Lisa M. Duncan, IMLS Conservation Contemporary Art and Special Projects Joseph C. Anderson, Jr., Security Officer, Roger G. Cary, Assistant Security Director Technician Henry L. Griffin, Building Operations Night Jose A. Casallo, Security Officer Maria T. Duran, Custodian Director Terry H. Andrews, Preparator Guadalupe Cavazos, Security Officer Jack Eby, Exhibition Design Director MariAlice Grimes, Manager, Audio-Visual Victor T. Arcilla, Security Officer Candelario Cervantez, Development Elizabeth A. Edwards, Senior Graphic Andrew Groocock, Manager, Inventory Jill E. Aremband, Office Services Director Associate Designer and Receiving Erlinda T. Ares, Security Officer Luis E. Charles, Custodian G. Clifford Edwards, Administrative Jonathan R. Groom, Matting and Framing Ana Maria Argueta, Custodian Patricia Clark-Faenger, Development Assistant, Modern and Contemporary Art, Technician Sheila D. Armsworth, Human Resources Associate American Painting and Sculpture,and Bridget L Guidry, Console Monitor Director Michael Clements, Donor Services Associate Prints and Drawings Luis A. Gutierrez, Security Supervisor Dilbag S. Aujla, Security Officer James Clifton, Curator, Renaissance and William G. Elliott, Development Research Rocky Ernest Haggard, Help Desk Dr. Helga K. Aurisch, Associate Curator of Baroque Painting Analyst Technician European Art William T. Cochrane, Exhibition Designer Genevieve L. Ernst, Office Manager, Theresa Ann Hammer, Console Monitor Michelle Avina, Associate Graphic Designer, Sorin Ion Coman, Apprentice Operations Building & Grounds Joel W. Hamner, Apprentice Operations Marketing Engineer Maria Escobar, Custodian Engineer David Aylsworth, Collections Registrar Diana M. Cortez, Visitor Services SanJuana G. Espinoza, Visitor Services Jung Won Han, Korean Translator Stefan Baciu, Apprentice Operations Engineer Attendant Attendant Margo Kelly Handwerker, Curatorial Jack Bailey, Apprentice Operations Engineer Virgilio A. Cortez, Security Officer, Night Daniel N. Estrada, Matting and Framing Assistant, for Modern and Contemporary Julie Bakke, Chief Registrar Elsie Corteza, Security Officer Technician Art and Prints & Drawings Sylvia F. Banay, Security Officer Jennifer D. Counts, Sales Assistant Anselmo Estrada, Jr., Apprentice Suzanne Wagner Harrison, Manager, Ciro Bangs, Apprentice Operations Engineer Kathleen B. Crain, Exhibitions Registrar Operations Engineer MFAH Stores Jessica Brooke Barclay, Matting and Jennifer McStay Cronin, Museum Jonathan W. Evans, Reference Librarian Teresa R. Harson, Administrative Assistant, Framing Manager Administrator Richard G Fagerburg, Security Officer European Art Felipe U. Barredo, Jr., Security Officer Leslie Cronin, Senior Development Writer Larry D. Farr, Operations Engineer, Phyllis A. Hastings, Associate Registrar, Shemon S. Bar-Tal, Network Administrator Michael A. Crowder, Preparator 1st Grade New Accessions Kenneth J. Beasley, Senior Preparator Margaret Dale Culbertson, Library Susan B. Farrell, Human Resources Richard A. Hayes, Security Officer Tobin B. Becker, Associate Preparator Director Representative Jesus Hernandez-Herrera, Director of Nathan J. Behan, Console Monitor, Night Clarkie Cummings, Accounting Clerk, Emilia I. Ferrer, Security Officer Individual Giving Kristina Cramer Bergeron, Assistant Accounts Payable Lynn M. Feuerbach, Assistant Public Norma Michelle Hernandez, Data Entry Director of Membership Chelsea Diane Dacus, Curatorial Assistant, Relations Director Clerk Chick Bianchi, Production Specialist The Glassell Collections Phenon G. Finley-Smiley, Manager of Anissa Herrera, Visitor Services Teofilo D. Bidayan, Security Officer Rose E. Daly, IMLS Conservation Graphics Administrator Bernard G. Bonnet, Book Buyer Preparator Margaret Crocker Ford, Technical Services Maria Herrera, Custodian Meredith Borders, Administrative Geoffrey J. Dare, Assistant Registrar, Librarian JoAnne Herrington, Donor Database Assistant, Director’s Office Incoming Loans Erika R. Franek, Assistant Registrar, Manager Sherry L. Bownes, Security Supervisor Jonathan L. Davies, Associate Preparator Outgoing Loans Brian D. Hill, Audio-Visual Technician Edgar Peters Bowron, The Audrey Jones Jose M. Davila, Custodian Martha K. French, Security Officer Deborah J. Hilscher, Console Monitor, Beck Curator of European Art Pauline C. Davis, Security Officer Joanna W. Fu, Development Associate Night Larry Bradley, Security Officer, Night Linda W. Dello Stritto, Product Celestino Garcia, Operations Engineer, Willard R. Hine, Jr., Security Officer Heather E. Brand, Editor Development Coordinator 2nd Grade Richard Hinson, Preparations Manager, Ivory Brown, Console Monitor Louis V. Demandante, Security Officer Ines C. Garcia, Custodian Packing & Storage Christi D. Bruecher, School Programs Cadido Dusaban Dequito, Security Officer Silvia Y. Garcia, Custodian Geoff E. Hippenstiel, Security Officer Assistant Claire D. Derham, Visitor Services Jennifer R. Garza, Director of Membership Marlene R. Hoffheiser, Office Manager, Vince A. Bruno, Assistant, Inventory and Attendant Juan Manuel Garza, Operations Engineer, Security Receiving André C. Deshotels, Special Events 2nd Grade Emily Kathryn Hoops, Associate Graphic Lemuel C. D. Bulawin, Console Monitor Coordinator—Internal Events Maria C. Gaztambide, ICAA Research Designer Keelin Marie Burrows, Student Programs Andrea di Bagno Guidi, Chief Paintings Coordinator Kilby D. Hoskins, Docent and Tour Assistant/Drutt Intern Conservator Jennifer R. Gilleon, Tour Scheduler Programs Manager Beatrice C. Cadelinia, Security Officer Arabella di Bagno Guidi, Development Jane C. Gillies, Objects and Sculpture Robert E. Howard, Security Officer, Night Joe Calderon, Operations Engineer, 1st Grade Special Events Coordinator Conservator Thomas Eugene Howard, Security Officer 152 Staff of the Museum of Fine Arts, Houston

Katherine S. Howe, Director, Rienzi and Pablito C. Magpantay, Security Officer Audrey G. L. Onishi, Visitor Services Maria Rosales, Custodian Curator, Decorative Arts Maybelline Mallory, Visitor Services Attendant Holly A. Ross, Security Officer, Night Laura D. Howitt, Cash Receipts Clerk Attendant Narciso Orellana-Sorto, Custodian Lisa L. Roys, KFTRC Coordinator Wei Yu Hsu, Data Entry Clerk Christine Waller Manca, Assistant Mariano Orquia, Security Officer Antonio Rubio, Senior Preparator Andrew T. Huang, Associate Director, Publications Director Tennessee Cline Ott, Development Teresita V. Ruiz, Console Monitor Marketing and Public Relations Ella H. Manuel, Visitor Services Coordinator Lucian T. Salajan, Senior Production Richard Hudgins, Lighting Technician Attendant Basilio P. Paningbatan, Security Officer Technician Bradley N. Huffer, Sales Assistant Guillermo S. Manuel, Jr., Security Officer Ledis Catalina Parada, Security Officer Bertram E. Samples, Conservation Bibiana O. Ilome, Security Officer Kristi J. Marchand, Membership Services Teresa Carole Pavlik, Human Resources Technician, Paintings Dionne S. Jackson, Development Associate Coordinator Assistant Marisa C. Sanchez, Curatorial Assistant, Elisabeth W. Jackson, Box Office Clerk Gustavo Marin, Security Officer Maricela Pena, Sales Assistant Photography Louis Jackson, Jr., Security Officer, Night Helvetia M. Martell, ICAA Documents Juan Pablo Pereira, Custodian Diane Sandberg, Cataloging Assistant Roslyn Jacobs, Security Officer Project Director and Chief Bibliographer Andrew J. Perez, Assistant Security Julius P. Santos, Security Officer Kathleen V. Jameson, Director of Program Elizabeth A. Martinez, Sales Assistant Director Maria P. Santos, Security Officer Support Frances Marzio, Curator, The Glassell Guillermo R. Perez, Apprentice Operations Adrienne Saxe, Executive Assistant, Wesley Jefferson, Lighting Technician Collections and Assistant to Chairman of Engineer Marketing and Public Relations Alice M. Jenkins, Library Associate the Board Rita G. Perez, Cashier Beth B. Schneider, W. T. and Louise J. Sandy Jimenez, Security Officer Kenneth W. Mazzu, Senior Preparator Victoriano Perez, Custodian Moran Education Director Virginia De Perio Jimenez, Security Officer Tausheli T. McClure, Office Services Robert Ole Petersen, Preparator Jennifer Schneider, Help Desk Manager Paul A. Johnson, Associate Director, Technician Wynne H. Phelan, Conservation Director Kemper A. Schultz, Administrative Development and Membership Jennifer McCormack, Visitor Services Christina Pierce, Help Desk Supervisor Assistant, Publications and Graphics Sammie Y. Johnson, Security Officer Attendant Michael J. Pierce, Chief Engineer Heather L. Schweikhardt, Assistant Daniel W. Jones, Custodian Margaret Claire McKee, Image Library Steven L. Pine, Decorative Arts Conservator Registrar, Inventory Control Eric M. Jones, Assistant, Inventory and Associate Celestino T. Poliquit, Security Officer Amy L. Scott, Assistant Archivist Receiving Meredith McMillan, Docent & Tour Mary John Pothanikat, Console Monitor, Sarah J. Shipley, Archives Assistant Anna E. Jordan, Administrative Assistant, Programs Assistant Night Flora J. Siaotong, Security Officer Curatorial Kerri Ann Menchaca, Library Assistant Heather M. Pray, Marketing Manager Ildefonso Silva, Apprentice Operations Ralph A. Kaethner, Audio-Visual Will Michels, Digital Imaging Assisant Joi Maria Probus, Volunteer Services Engineer Technician Margaret A. Mims, Public Programs Director Melinda Simms, Assistant Registrar, Chuck Kehoe, Director of Development Manager Gabriela Petriciolet Pulido, Education and Incoming Loans Research and Operations Isadore Miranda, Facilities Coordinator, Community Programs Assistant Suzanne K. Sippel, Sales Assistant Kathy L. Kelley, Grants Manager Rosine Amy M. Purvis, Senior Development Officer Lili Kaneem Smith, Conservation Technician Natalie Keng, Security Officer Maria D. Montano, Building Services & Director of Annual Giving Lindsey Scott Smith, Family Programs Michael Kennaugh, Preparations Manager, Assistant Manuel Valdez Querido, Security Officer Coordinator Installations Rosalinda Montes, Security Officer Macario M. Quilapquilap, Security Officer Patricia M. Smith, Retail Operations Marchell King, Controller Damien Deshon Montgomery, Security Ana Ramirez, Custodian Director Donna Kleist, Image Library Assistant Officer George A. Ramirez, Jr., Student Programs Claudia Rebecca Solis, Promotions Manager Toshiaki Koseki, Carol Crow Conservator Sonia E. Montoya, Assistant, Latin Manager Hector R. Solis, Library Associate of Photography American Art and ICAA Mari Carmen Ramirez, The Wortham Joselito Yap Solis, Security Officer Cristina N. Lafuente, Administrative Brian C. Morales, Help Desk Technician Curator of Latin American Art Joe R. Sordia, Security Officer, Night Assistant, Contemporary Art and Rogelio Morales, Housekeeping Supervisor Victoria Lynn Ramirez, School Programs Fred C. Southard, Operations Engineer, Decorative Arts David B. Mosier, Assistant Security Manager 1st Grade Tammy D. Largent, Director of Donor Director Mark E. Randle, Security Supervisor Catherine A. Southwick, Assistant to the Services Joyce E. Mumphord, Console Monitor Kevin M. Rapp, Security Supervisor Registrar, Photography and Special Projects Nubia V. Larin, Visitor Services Attendant Dionesia P. Narvios, Visitor Services Rodolfo Carrasco Recio, Security Officer Andrew P. Spies, Parking Facility Manager Kelly Erin Laskosky, Special Projects Editor Attendant Adlene M. Rehfeld, Security Officer Aurora Dawn St. Andrassy, Security Officer Maite Martinez Leal, Associate Paintings Francisco G. Narvios, Security Officer Florente V. Respicio, Security Officer Lou Ellen Stansell, Development Special Conservator Jessie G. Narvios, Security Officer Kellee T. Ridgeway, Human Resources Events Manager Cheryl L. Lee, Network Security Jon W. Naylor, Special Events Director Coordinator Christine D. Starkman, Curator, Asian Art Administrator Emily Ballew Neff, Curator, American James A. Rightmire, Assistant Chief Donald R. Starns, Jr., Exhibit Technician Lonnie Lew, Assistant Controller Painting and Sculpture Engineer Marcia K. Stein, Photographic Services Cato Lockett, Security Officer Robert James Newcomb, Visitor Services René O. Rivera, Operations Assistant Manager Michelle C. Louring, Security Officer, Night Attendant Stella B. Rivera, Accounting Clerk, Payroll Danielle Marie Stephens, Docent and Tour Diane P. Lovejoy, Publications Director Aneta Niculae, Security Officer Janice Patrice Robinson, Security Officer Programs Coordinator Jennifer I. Lozano, Membership Coordinator Liviu Niculae, Operations Engineer, Bernie L. Rodriguez, Operations Engineer, Frances Carter Stephens, Public Relations Minnie Lugo, Accounting Clerk, General 3rd Grade 2nd Grade Director Edward Lukasek, Catalog Librarian Valeria Niculae, Security Officer Blanch A. Rodriguez, Administrative Tracy Stephenson, Assistant Curator, Film Adelina S. Lumanog, Security Officer Sylvia Noriega, Housekeeping Manager Receptionist and Video Marian J. Luntz, Curator, Film and Video Bart W. Nunn, Box Office Clerk Laura Lee Rodriguez, Mail Services William B. Stephenson, Security Officer Shirley Lynch, Security Officer John M. Obsta, Assistant Registrar, Technician Martha D. Stewart, Sales Assistant Anacoreta M. Macapagal, Security Officer Incoming Loans Maria I. Rodriguez, Security Officer, Night Jennifer Lynn Stoeck, Donor Database Leticia B. Magno, Security Officer Rosa E. Olvera, Custodian Stephanie R. Rogers, Staff Accountant Coordinator 153 Staff of the Museum of Fine Arts, Houston

Vaska V. Stoeva, Security Officer Azuredee Webb, Development Associate Bayou Bend Collection Sally K. White, Executive Assistant, Margaret L. Stone, Information Technology David J. Webb, Security Director and Gardens Bayou Bend Collection and Gardens Director Kaylin Haverstock Weber, Curatorial Cornelious K Worsham, Security Officer, Cindi K. Strauss, Curator, Modern and Assistant, Pre-1940 American Painting Bonnie A. Campbell, Director Bayou Bend Contemporary Decorative Arts and Design and Sculpture David W. Yates, Security Officer, Lorraine A. Stuart, Archives Director Bernadette A. Weidenhof, Visitor Services Bayou Bend Amy Elizabeth Sullivan, Library Director Bart W. Brechter, Curator, Bayou Bend Assistant, Acquisitions Jeffrey A. Welch, Special Events Assistant Gardens Esmar S. Sullivan, Administrative Director Michael K. Brown, Curator, Bayou Bend Assistant, Conservation Linda M. Wells, Website Editor Collection Chin Tan, Works on Paper Conservation Jill M. Weston, Administrative Assistant, Eva M. Campbell, Security Officer, Technician Special Events Bayou Bend Vicente Isabelo Chiong Tan, Security Kristen L. Wetzel, Curatorial Assistant, Eduardo A. Castañeda, Gardener Officer Modern and Contemporary Decorative Raymundo A. Castañeda, Gardener M’Kina Tapscott, Curatorial Assistant, Arts & Design and Bayou Bend O. B. Dyer, Building Engineer and Security Modern and Contemporary Art Lynn Wexler, Library Assistant Director, Bayou Bend Andres M. Tarol, Security Officer Sara Hensleigh Wheeler, Public Programs John M. Fournier, Security Officer, Anne Rita Taylor, Senior Benefits Assistant Bayou Bend Administrator Megan A. Whitenton, Public Relations Lilia Gonzalez-Alvarado, Security Officer, Horace N. Thomas, Security Officer Assistant Bayou Bend Rover Reginald L. Thomas, Visitor Services Linda A. Wilhelm, Associate Registrar, Said A. Ibrahim, Weekend Exhibition Guard Attendant Collections Lavinia Rose Marie Ignat, To u r Egward D. Thomas, II, Security Officer Doug Willard, Sales Assistant Coordinator, Bayou Bend David C Thompson, Database Cheryl A. Williams, Security Officer, Night Joan L. Jirousek, Weekend Exhibition Guard Administrator Nevelyn K. Williams, Security Manager, Sharon L. Lahey, Administrative Assistant, Robin R. Thompson, Night Bayou Bend Receptionist/Administrative Assistant, Sarah C. Williams House, Senior Donna Lane, Weekend Receptionist, Curatorial Coordinator, Community and Family Bayou Bend Luz G. Tibus, Security Officer Programs Armandina A. Lara, Custodian, Bianca Marie Tikal, Research Assistant, Daniel L. Williamson, Security Supervisor Bayou Bend ICAA Willam C. Wood, Apprentice Operations Joseph Anthony Milillo, Education Ernesto Araneta Tolibas, Security Officer Engineer Assistant, Bayou Bend Andrea Elaine Trahan, Security Officer, Wayne Wright, Console Monitor, Night Firdes Nurkan-Tubbs, Security Officer, Night Mary M. Wylie, Security Officer, Night Bayou Bend Frances Elizabeth Trahan, Mountmaker Rodolfo Alcoyer Yap, Security Officer, Ruben Obregon, Custodian, Bayou Bend Anne Wilkes Tucker, The Gus and Lyndall Night Kathleen B. O’Connor, Education Wortham Curator of Photography Janet Young, Associate Graphic Designer Director, Bayou Bend Ramon DY. UY, Security Officer Winnie Macklin Youngblood, Executive Bethoven D. Orda, Security Officer, Leon J. Vasek, Ranch Manager Assistant, Director’s Office Bayou Bend Juan L. Vasquez, Custodian Gordon W. Zingery, Sr., Console Monitor Katherine Rose Orsak, Weekend Exhibition Eryn Vaughn, Teacher Resource Center Del D. Zogg, Manager, Works on Paper Guard Assistant Study Center Sarah E. Pesin, Program Coordinator, Karen Bremer Vetter, Chief Administrator, Bayou Bend Exhibitions and Curatorial Jerry W. Pettey, Security Officer, Gilbert Rene Vicario, Assistant Curator, Bayou Bend Latin American Art and ICAA Latino Steven L. Pine, Decorative Arts Conservator Coordinator Francisco E. Reyes, Jr., Security Officer, Miladin Vidojevic, Operations Engineer, Bayou Bend 3rd Grade Lottie M. Riddle, Security Officer, Barbarah H. Viles, Retail Administrator Bayou Bend Leonila Mamaclay Villacorte, Security Officer Rafael R. Ruiz, Gardener Lissa M. Villamin, Sales Assistant Gerardo Ruiz-Martinez, Gardener Olga Vivanco, Custodian Kenneth Sherman, Weekend Exhibition William R. Voss, Sales Assistant Guard Paula Waldon, Cashier Dorothy E. Taylor, Receptionist, Bayou Bend Barry Walker, Curator, Modern and Bridget L. Thompson-Mathis, Security Contemporary Art & Prints & Drawings Officer, Bayou Bend Carol Walker, Public Relations Associate Mitchell Washington, Security Officer, Craig Walker, Security Officer Bayou Bend Console Rose Marie Walker, Security Officer Kristen L. Wetzel, Curatorial Assistant, Alvia J. Wardlaw, Curator of Modern and Modern and Contemporary Decorative Arts Contemporary Art & Design and Bayou Bend 154 Staff of the Museum of Fine Arts, Houston

Rienzi The Glassell School of Art Michael S. Mittag, Instructor Demetrius Devon Oliver, Core Resident Valerie Loupe Olsen, Associate Director, Katherine S. Howe, Director Joseph G. Havel, Director Glassell Special Projects Patrick M. Palmer, Instructor Jeanine Perdue, Assistant Registrar Cheryl L Collins, Security Officer, Rienzi Amy Elizabeth Salge-Ailor, Instructor Andrea Perez, Weekend Receptionist, Junior Holly M. Dickerson, Executive Assistant, Domenick L. Ammirati, Core Resident School Rienzi and Decorative Arts Ronald S. Armfield, Maintenance Assistant Pamela Perez, Administrative Assistant and Christine A. Gervais, Assistant Curator, Alix India Banham, Receptionist, Junior Registrar, Junior School Rienzi and Decorative Arts School Valerie Perez, Junior Aide Joseph Alfred Hall, Security Officer, Rienzi Amy S. Blakemore, Instructor Elena Lopez Poirot, Instructor Johnnie Mae Powell, Security Officer, Rienzi Jerry E. Bluitt, Maintenance Assistant Brian Edward Portman, Instructor Ricardo L. Rodriguez, Facilities David E. Brauer, Instructor Cruz Pulido, Maintenance Assistant Coordinator/3rd Grade Engineer, Rienzi Katherine F. Coleman, Instructor Emily C. Rensink, Instructor Amy D. Stephenson, Tour Coordinator/ Charlotte F. Cosgrove, Instructor Donald R. Ridenhour, Security Officer Office Assistant Andrew Dawson, Administrative Assistant, Mary Ellen Rouen, Instructor Glassell School of Art Elena Sandu, Facilities Manager, School Sasha Dela, Core Resident Mark K. Schatz, Instructor Sharon A. Dennard, Instructor Erica Lynn Singler, Instructor Michael R. Doga, Instructor Emily A. Smith, Security Officer Norma J. Dolcater, Dean, Junior School Carlton Zachary Suddath II, Core Resident Jonathan A. Durham, Core Resident Rita TheBerge, Registrar and Bursar of Christian Eckart, Instructor The Glassell School of Art Gilad Efrat, Core Resident Robert Shane Tidmore, Instructor Noel F. Foreman, Instructor C. Arthur Turner, Instructor Barbara Klinke Franklet, Instructor Merrill E. Turner, Instructor Cheryl Fritsche, Executive Assistant, School Barbara Judge Van Hook, Instructor Fracesca A. Fuchs, Instructor Carol A. Vuchetich, Instructor David A. Fulton, Instructor Jeffrey M. Ward, Core Resident Judy Carol Gaddis, Instructor Georgia M. Weigel, Instructor Duncan N. Ganley, Instructor Michelle Lyn White, Instructor Donna Garoh, Instructor Hilary L. Wilder, Instructor Esther L. Guillory-Kyle, Receptionist and Richard Williams, Instructor Office Assistant Yasuko K. Wolaver, Instructor Katherine A. Hall, Instructor Joseph Wooten, Instructor Jan Harrell, Instructor Sandra P. Zilker, Instructor Janet Hassinger, Instructor Mary H. Hawkins, Instructor Linda J. Hayward, Instructor Michele Heater, Instructor M. Eugene Hester, Instructor Leslie M. Hewitt, Core Resident James T. Hill, Instructor Ryan James Holland, Junior Aide Terrell James, Instructor Sally I. Jobe, Security Officer Michelle E. Kitson, Junior Aide Mary K. Leclère, Associate Director, Glassell Core Program Suzanne M. Manns, Studio School and Art History Faculty Chair Stephanie A Martz, Instructor Arielle Isabelle Masson, Instructor Casey Elizabeth May, Junior Aide Philip E. Maysles, Core Resident Cara R. McCormack, Program Assistant, the Core Program Daryl D. McCracken, Instructor Michael Jones McKean, Instructor Maureen Claire McNamara, Instructor David Christopher Medina, Instructor 155 Museum hours: Photography and Copyright Credits p. 49 (both images): © Estate of Grant Tuesday and Wednesday, Wood/Licensed by VAGA, New York, N.Y. 10:00 a.m. to 5:00 p.m. Unless noted below, photographs are by p. 51: © Jasper Johns/Licensed by VAGA, Thursday, 10:00 a.m. to 9:00 p.m. Thomas R. DuBrock, MFAH Department of New York, N.Y. Friday and Saturday, Photographic Services. Certain illustrations p. 55: © Maripol 10:00 a.m. to 7:00 p.m. are covered by claims to copyright listed by p. 59: © James Balog Sunday, 12:15 to 7:00 p.m. page number below. p. 65: © Estate of Larry Burrows The Lillie and Hugh Roy Cullen p. 67: © Alan Finkel Sculpture Garden is open every day, p. 2: © Estate of Leon Polk Smith/Licensed p. 69: © Timothy Greenfield-Sanders 9:00 a.m. to 10:00 p.m. by VAGA, New York, N.Y. p. 71: © Estate of Diane Arbus p. 3: © 2007 Artists Rights Society (ARS), p. 73: © Ray K. Metzker The Museum of Fine Arts, Houston New York/BEGAP, Madrid p. 85: © Olga de Amaral Annual Report 2005–2006 p. 14: © Estate of Elsie Driggs p. 112: © Hiroshi Suzuki is mailed to all Supporting-level and p. 15 (right): © The Brett Weston Archive p. 132 (bottom left): Photograph by above members of the museum. p. 16 (all images): © Estate of Jim Love George Ramirez p. 17: © Estate of William Edmondson p. 133 (top center and top right): © 2007 The Museum of Fine Arts, Houston pp. 18–19: © 2007 Estate of Arshile Photographs by Phyllis Hand 1001 Bissonnet Gorky/Artist Rights Society (ARS), p. 134 (top left and bottom right): Houston, Texas 77005 New York/ADAGP, Paris Photographs by George Ramirez 713-639-7300 p. 20 (right): © 2007 Estate of László p. 135 (all images): Photographs by www.mfah.org Moholy-Nagy/Artists Rights Society Gittings Photography (ARS), New York pp. 158–59: Photograph by Printed in the United States of America p. 21: © Pat Steir Sarah Williams-House pp. 22–23: © Sean Scully pp. 24–25: © Sherrie Levine and Joost van Oss; installation view at Paula Cooper Gallery, New York, photograph by Tom Powel p. 26: © Marcos Raya p. 27: © Beatriz González p. 38: © Thornton Dial, Sr. p. 39: © Estate of Felix Gonzalez-Torres p. 40 (left): © Joseph Havel p. 40 (right): Photograph by Stephen Pitkin, Pitkin Studio, Rockford, Illinois p. 41 (middle): © 1992 The Estate of Jean-Michel Basquiat/Artists Rights Society (ARS), New York p. 41 (bottom): © Fundación Pan Klub, Museo Xul Solar p. 42 (right): © John Szarkowski p. 43: © Sherrie Levine p. 44: © Scott Barber p. 47: © Dylan Stone p. 48: © Ewan Gibbs

156 158 The Lillie and Hugh Roy Cullen Sculpture Garden celebrated its twentieth anniversary in 2006. Alexander Calder’s The Crab is one of the artworks featured.

159

˙Th µ˙ µ˙ The Museum of Fine Arts, Houston Annual Report 2005–2006 M e useu fF of m in A e

Thank You r s H ts,

The Museum of Fine Arts, Houston, ous to is deeply grateful to everyone n who contributed to the success of 2005–2006. A na eot2005–2006 Report nnual