DOCSLIB.ORG

Datav Is Ual Is at Io Nmob Il Etheoryentrepeneurusa B

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Datav Is Ual Is at Io Nmob Il Etheoryentrepeneurusa B 50 mm 105 mm 5 105 mm 50 mm ENTREPENEUR AUDIOVISUAL DATA VISUALISATION USABILITY ANIMATION MAPPING MOBILE CODE COMMUNICATION THEORY SOUND EXPERIENCE HYBRID GAMES SOCIAL MEDIA CROSS MEDIA VISUAL ARTS HARDWARE PAGINA CODE CODE SOUND SOUND GAMES HYBRID GAMES HYBRID MOBILE MOBILE THEORY THEORY PAGINA MAPPING MAPPING USABILITY USABILITY HARDWARE HARDWARE ANIMATION ANIMATION EXPERIENCE EXPERIENCE VISUAL ARTS VISUAL ARTS ENTREPENEUR ENTREPENEUR AUDIOVISUAL AUDIOVISUAL CROSS MEDIA CROSS MEDIA SOCIAL MEDIA SOCIAL MEDIA COMMUNICATION COMMUNICATION DATA VISUALISATION DATA VISUALISATION 68 ZWETS, ALWIN ZEVENDEI, LORENA 67 6 6 WIELHEESEN, JEROEN WIELEN, MARTIJN VAN DER 6 5 6 4 VRIJHOEF, DIEDERIK VORMER, ROB DE 6 3 62 VISSER, SJOUKE VIJLBRIEF, NATALIE 61 6 0 VERSTRATEN, EDWIN VERSCHOORE, LISET 59 58 VELDEN, HENK VAN DER Walew Digitally signed by VEENSTRA, EGBERT 57 5 6 TIMMER, JELTE Walewijn den Boer DN: cn=Walewijn den Boer, o=Glorius van de Ven, ou, ijn den email=walewijn@gloriusvan deven.nl, c=NL Date: 2010.09.06 18:43:16 Boer +02'00' TERHORST, BASTIAAN 5 5 5 4 TAHAPARY, BREE STOLWIJK, XANDER 53 52 STEEN, PIEN VAN DER SEGURA GELINK, GISELLE 51 5 0 SEGAAR, WENDY SCHMITZ, SONJA-VANESSA 49 4 8 SCHIPPER, CASPER SCHIET, NORALY 47 4 6 SCHEPERS, ANOUK SAVIC, SELENA 4 5 4 4 SAMPIMON, DAVID REE, MAURICE VAN DE 4 3 42 PETRONIA, RAMSES NOORDENNE, AMANDA VAN 41 4 0 NOOIJ, KIM NIEZEN, ELBERT 39 3 8 MASTRIGT, ERIK VAN MAN, PHILIP 37 3 6 KUIPERS, GERBEN KOUWENBERG, RUUD 35 3 4 KLOOTWIJK, WOUTER KERSTEN, MARTIJN 33 32 KEMPEN, DANIELLE KANNO, HIDEKI 31 3 0 JONG, ESTHER DE JONG, COEN 29 28 JANSSEN, SIEBE HURK, RIAN VAN DEN 27 26 HOOGENDOORN, DANNY HOLTZ, STEF 25 2 4 HOEK, K ASPER VAN HEEGEN, NIEK 23 2 2 HEBING, ROB HATUSUPY, GORDON 21 2 0 HALTIWANGER, JOHN GROOTOONK, ELEANOR KATHLEEN 19 18 GERRITSEN, SEP GARRET, BRIAN 17 16 GARCÍA MORENO-TORRES, CARLOS EIJK, MERLIJN VAN 15 14 DAVELAAR, PATRICK BOZ ZI, NICOLA 13 12 BOER, RAOUL DE BERGEN, BAS VAN 11 10 BEEKUM, INGE VAN BARENDREGT, ROSALIE 9 8 ASDONK, JAN VAN DER The HOT100 is Virtueel Platform's Programme special e-culture* talent program. What will we be doing at the PICNIC festival? In the morning For third year in a row, this event we kick off with a gathering of the entire HOT100 group, is being held at the fantastic with talks by outstanding speakers from the PICNIC program. PICNIC festival. We will meet and mingle with several of our interesting guests The HOT100 programme kills (at during lunch. In the afternoon we will have seven parallel least) two birds with one stone: it workshops that will investigate stimulating questions posed brings together and highlights the by Dutch cultural organisations from diverse backgrounds: crème de la crème of Dutch art acad- emies, universities and universities • NIMk, backed up by Culture Vortex, want to distribute of applied science in the fields of their unique collection of media- video- and net art design, arts, theory, communication online and are looking for ways to do that sustainably. or development skills. We believe • NLArchitects is looking for speculative scenarios for that these highly promising alumni, mixed public space events five years in the future. from all corners of the Netherlands, • NRC & Nanette Hoogslag will join the HOT100 to explore are the next generation of ground- the future of the newspaper illustration. breaking e-cultural practitioners. • Arts Holland / UitBuro are investigating smart ways to The HOT100 day also serves to develop cultural profiles for foreigners visiting the connect this upcoming generation Netherlands. with more established organisations • The City of Eindhoven and Philips Design are looking and institutions associated with the for scenarios and applications for responsive public field of e-culture. In the afternoon lighting systems seven e-cultural design challenges • SetUp Utrecht invites the HOT100 to outline a couple will be presented to the HOT100 by of ideal knowledge-sharing spaces of the near future, seven illustrious organisations – to based on different combinations of parameters. serve as case studies in seven pres- • Urban Park Laboratory wants to develop scenarios for sure cooker workshops. augmented public park experiences. How to be hot We will present the ideas and proposals that result from the Virtueel Platform asks all Dutch ed- workshops to the PICNIC audience, after which we will go for ucational institutions with relevant a drink with the people who would really like to meet the e-cultural curricula to hand-pick HOT100. The day will end with a BANG! at the PICNIC party. their most promising 2010 alumni. These are the HOT100, minus those Outcome who did not make the deadline, those Virtueel Platform hopes the HOT100 participants will to- who are out of the country, and gether enrich the creative landscape in the Netherlands. those who did not make it through the We have high expectations of their fresh but informed per- second selection process we had to spectives on current techno-cultural developments. We look conduct because several institutions forward to the ideas and solutions that will result from proposed too many of their alumni – the seven workshops and are certain that the cultural sector we have to be fair, of course. will truly benefit from the input of this group of bright young people who are from the only generation to be born, And what an exciting group it is! grow up and bloom in synch with the digital media ecology. Many of them have wide and varied skills: applied, artistic, entrepre- * In the practice of Virtueel Platform, e-culture includes the fairly recent disciplines of interaction design, game design, media and electronic arts and social media communication neurial, and theoretical. Some have as well as new digitally informed artefacts and processes from more traditional cultural already made a name for themselves disciplines such as architecture, film, performing arts, etc. with high-profile projects. Many of DATA VISUALISATION them have started their own thriving businesses. They all introduce them- COMMUNICATION SOCIAL MEDIA selves,CROSS MEDIA their background and their AUDIOVISUAL ENTREPENEUR VISUAL ARTS EXPERIENCE skills in this bookletANIMATION – with handy HARDWARE USABILITY tags, so you can easilyMAPPING find the THEORY MOBILE HYBRID GAMES person you are looking for. SOUND CODE HARDWARE VISUAL ARTS CROSS MEDIA DATA VISUALISATION SOCIAL MEDIA GAMES HYBRID EXPERIENCE SOUND THEORY COMMUNICATION CODE MOBILE MAPPING ANIMATION USABILITY AUDIOVISUAL ENTREPENEUR Amsterdam-based Virtueel Platform is The PICNIC name represents every- the sector institute for e-culture. thing it strives to be. It is a gath- We promote and strengthen the e- ering of friends old and new, where culture sector in the Netherlands everyone brings something to the ta- and abroad. ble. People from diverse backgrounds come to exchange ideas and insights In the practice of Virtueel Plat- Virtueel Platform is also at: Picnic is also at: in an informal, social atmosphere. form, e-culture has at its heart It is a chance to try new things and the fairly recent disciplines of expose yourself to ideas beyond your interaction design, game design, area of expertise. Share, discuss, media and electronic arts, social collaborate and leave with a new per- media communication, and other forms RSS feed_ RSS feed_ spective on what is possible. of born-digital culture. It also http://virtueelplatform.nl/#2481 http://www.picnicnetwork.org/ includes practices from more tradi- feed/atom/5905 PICNIC is about innovative ideas for tional cultural disciplines such as business and society. It is an an- architecture, film, performing arts, nual three-day festival that blurs etc., which are deeply influenced by the lines between creativity, sci- the adoption of digital techniques. Twitter_ Twitter_ ence, technology and business to ex- http://twitter.com/virtueelp http://twitter.com/picnicfestival plore new solutions in the spirit Virtueel Platform seeks to track, of co-creation. Curious minds eager document and enrich the cross-pol- to exchange their knowledge, ideas lination between society and emerg- and skills gather at PICNIC, making ing new media practices. We provide it the place to create the future – support and advice to all organisa- Flickr_ Flickr_ together. tions and businesses seeking to use http://www.flickr.com/photos/v-p http://www.flickr.com/photos/ e-culture as a creative spark for crossmediaweek The world around us is changing fast, progress. but not all the changes are posi- tive. We are facing the biggest natu- We believe e-culture can make es- ral, social and economic challenges sential contributions to social and Netvibes_ FriendFeed_ our world has ever seen. PICNIC '10 economic innovation. By informing, http://www.netvibes.com/ http://friendfeed.com/picnicnetwork is ready to make a difference – not facilitating and organising activi- virtueelplatform#Virtueel_Platform just with words, but with actions! So ties that bring together people from roll up your sleeves and Redesign the different sectors, we hope to promote World at PICNIC '10. and inspire knowledge exchange. In particular we strive to stimulate Delicious_ Vimeo_ PICNIC ’10 takes place from 22 to 24 the dialogue about new developments http://delicious.com/virtueelplatform http://www.vimeo.com/channels/ September at the Westergasfabriek in between e-culture makers and policy- picnictvchannel Amsterdam. www.picnicnetwork.org makers, as well as between cultural organisations themselves. After all, it’s all about interconnectivity... Facebook_ LinkedIn_ Virtueel Platform is an independent http://www.facebook.com/ http://www.linkedin.com/groups? foundation subsidised by the Dutch virtueelplatform gid=150580 Ministry of Education, Culture and Sciences. Youtube_ Facebook_ www.youtube.com/ http://www.facebook.com/ virtueelplatform picnicfestival 9 0 9 0 Jan van deR Rosaline 8 0 asdonk BaRendRegt 8 0 email_ jan@janvanderasdonk.com email_ rosalinebarendregt@gmail.com 70 website_ www.janvanderasdonk.com website_ www.linkedin.com/in/rosalinebarendregt 70 i develop innovative prodUcts that Usability is my middle name.
Load more
Loading...
Loading...
Loading...
Loading...
Loading...

32 pages remaining, click to load more.

Recommended publications
  • Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation
    Loyola of Los Angeles Entertainment Law Review Volume 25 Number 2 Article 1 3-1-2005 What's Wrong with This Picture - Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation Joel Anderson Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Joel Anderson, What's Wrong with This Picture - Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation, 25 Loy. L.A. Ent. L. Rev. 155 (2005). Available at: https://digitalcommons.lmu.edu/elr/vol25/iss2/1 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact digitalcommons@lmu.edu. WHAT'S WRONG WITH THIS PICTURE? DEAD OR ALIVE: PROTECTING ACTORS IN THE AGE OF VIRTUAL REANIMATION I. INTRODUCTION On Sunday, September 19, 2004, the movie Sky Captain and the World of Tomorrow1 ("Sky Captain") opened number one at the box office, taking in a total of sixteen million dollars for the weekend.2 The opening was notable not because of the relatively modest box office total, but because this stylish, almost totally computer-generated movie includes scenes performed by Sir Laurence Olivier, a celebrity actor who has been dead since 1989.3 While audiences are used to seeing living actors placed alongside dead celebrities in films, 4 commercials, 5 and music videos, 6 Sky Captain marks the first time a dead actor's reanimated clone7 performs completely original scenes-scenes the actor never performed when he or she was alive.8 Sky Captain showcases the latest step in the technological push toward what some call the "holy grail" 9 of reanimation-"virtual 1.
    [Show full text]
  • Animation Production Directory Winter 2002
    Animation Industry Database GLOBAL aidb.com ANIMATION PRODUCTION DIRECTORY WINTER 2002 An Animation World Network Publication awn.com GLOBAL ANIMATIONPRODUCTION DIRECTORY WINTER 2002 GLOBAL ANIMATIONPRODUCTION DIRECTORY WINTER 2002 WE ARE PLEASED TO WELCOME YOU TO ENJOY AWN’S INAUGURAL publication of the AIDB Directories. This three-part animation industry directory offers a resource to professionals that has never before been available. Derived from AWN’s exclusive online Animation Industry Database (www.AIDB.com), these new downloadable publications are Animation Industry Database designed to provide AWN readers with valuable information on animation, www.aidb.com visual effects, gaming and related companies from around the world. The AIDB is the most comprehensive, searchable and easy to use resource of its Animation World Network kind. Over 4,000 companies from 80 countries are represented within these www.awn.com directories, featuring companies that sell products, provide services and AWN, Inc. possess creative expertise across more than 100 business and production 6525 Sunset Blvd. categories. Garden Suite 10 AWN has just published the Winter 2002 edition of the following printable Los Angeles, CA 90028 United States PDF directories. Follow the links below to download these directories for [T] 323 606-4200 free. [F] 323 466-6619 info@awn.com > GLOBAL ANIMATION BUSINESS DIRECTORY www.awn.com > GLOBAL ANIMATION HARDWARE&SOFTWARE DIRECTORY PUBLISHING > GLOBAL ANIMATION PRODUCTION DIRECTORY PRESIDENT Ron Diamond The on-line AIDB grows everyday as more and more people update CHIEF OPERATING OFFICER their company profiles. Inclusion, access and use of the AIDB is provided Dan Sarto free of charge. Participating companies edit their own descriptive profiles, so the information stays up-to-date and accurate.
    [Show full text]
  • Rehabilitation Robotics
    Rehabilitation Robotics Rehabilitation Robotics Edited by Sashi S Kommu I-Tech Education and Publishing IV Published by I-Tech Education and Publishing I-Tech Education and Publishing Vienna Austria Abstracting and non-profit use of the material is permitted with credit to the source. Statements and opinions expressed in the chapters are these of the individual contributors and not necessarily those of the editors or publisher. No responsibility is accepted for the accuracy of information contained in the published articles. Publisher assumes no responsibility liability for any damage or injury to persons or property arising out of the use of any materials, instructions, methods or ideas contained inside. After this work has been published by the I-Tech Education and Publishing, authors have the right to repub- lish it, in whole or part, in any publication of which they are an author or editor, and the make other personal use of the work. © 2007 I-Tech Education and Publishing www.ars-journal.com Additional copies can be obtained from: publication@ars-journal.com First published August 2007 Printed in Croatia A catalogue record for this book is available from the Austrian Library. Rehabilitation Robotics, Edited by Sashi S Kommu p. cm. ISBN 978-3-902613-01-1 1. Rehabilitation Robotics. 2. Applications. I. Sashi S Kommu V Preface The coupling of several areas of the medical field with recent advances in robotic systems has seen a paradigm shift in our approach to selected sectors of medical care, especially over the last decade. Rehabilitation medicine is one such area. The development of advanced robotic systems has ushered with it an exponential number of trials and experiments aimed at optimising restoration of quality of life to those who are physically debilitated.
    [Show full text]
  • Copyright Law
    Copyright Law Copyright Law eleventh edition Craig Joyce Founding Director, Institute for Intellectual Property & Information Law, and Hunton Andrews Kurth Professor of Law University of Houston Law Center Tyler Ochoa Professor of Law High Tech Law Institute Santa Clara University School of Law Michael Carroll Professor of Law and Faculty Director Program on Information Justice and Intellectual Property American University Washington College of Law Carolina Academic Press Durham, North Carolina Copyright © 2020 Carolina Academic Press, LLC All Rights Reserved ISBN: 978-1-5310-1825-2 e-ISBN: 978-1-5310-1826-9 LCCN: 2019951410 Carolina Academic Press, LLC 700 Kent Street Durham, NC 27701 Telephone (919) 489-7486 Fax (919) 493-5668 www . caplaw . com Printed in the United States of Amer i ca For Will (30), Matt (27) and Molly (ageless), and for my parents, whose memory I cherish In memory of my mother, Rosanne, and for Karin, Marisa, Erik, and Elizabeth For Kristy, Madeleine, and Vivian The Statute of Anne, 8 Anne, ch. 19 (1710) The Statute of Anne When Anne was Queen of England, Parliament passed An Act . ​[M]en of let- ters and booksellers [had begun] to complain loudly of the evils of piracy. ​It was in answer to these appeals that the [Act of] 8 Anne., c. 19, became a law, in 1710. This was the first En glish statute distinctly affirming copyright and providing for its protection. It was entitled “An Act for the Encouragement of Learning by vesting the copies of printed books in the authors or purchasers of such copies during the times
    [Show full text]
  • Tilburg University De Efteling Als 'Verteller' Van Sprookjes Hover, M.E.J
    Tilburg University De Efteling als 'verteller' van sprookjes Hover, M.E.J. Publication date: 2013 Document Version Publisher's PDF, also known as Version of record Link to publication in Tilburg University Research Portal Citation for published version (APA): Hover, M. E. J. (2013). De Efteling als 'verteller' van sprookjes. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. sep. 2021 De Efteling als ‘Verteller’ van Sprookjes Proefschrift ter verkrijging van de graad van doctor aan Tilburg University, op gezag van de rector magnificus, prof. dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op woensdag 13 februari 2013 om 14.15 uur door Monique Elisabeth Jacqueline Hover, geboren op 7 mei 1961 te Weert Promotores: Prof. dr. A. de Ruijter Prof.
    [Show full text]