Rehabilitation Robotics
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Datav Is Ual Is at Io Nmob Il Etheoryentrepeneurusa B
50 mm 105 mm 5 105 mm 50 mm ENTREPENEUR AUDIOVISUAL DATA VISUALISATION USABILITY ANIMATION MAPPING MOBILE CODE COMMUNICATION THEORY SOUND EXPERIENCE HYBRID GAMES SOCIAL MEDIA CROSS MEDIA VISUAL ARTS HARDWARE PAGINA CODE CODE SOUND SOUND GAMES HYBRID GAMES HYBRID MOBILE MOBILE THEORY THEORY PAGINA MAPPING MAPPING USABILITY USABILITY HARDWARE HARDWARE ANIMATION ANIMATION EXPERIENCE EXPERIENCE VISUAL ARTS VISUAL ARTS ENTREPENEUR ENTREPENEUR AUDIOVISUAL AUDIOVISUAL CROSS MEDIA CROSS MEDIA SOCIAL MEDIA SOCIAL MEDIA COMMUNICATION COMMUNICATION DATA VISUALISATION DATA VISUALISATION 68 ZWETS, ALWIN ZEVENDEI, LORENA 67 6 6 WIELHEESEN, JEROEN WIELEN, MARTIJN VAN DER 6 5 6 4 VRIJHOEF, DIEDERIK VORMER, ROB DE 6 3 62 VISSER, SJOUKE VIJLBRIEF, NATALIE 61 6 0 VERSTRATEN, EDWIN VERSCHOORE, LISET 59 58 VELDEN, HENK VAN DER Walew Digitally signed by VEENSTRA, EGBERT 57 5 6 TIMMER, JELTE Walewijn den Boer DN: cn=Walewijn den Boer, o=Glorius van de Ven, ou, ijn den email=walewijn@gloriusvan deven.nl, c=NL Date: 2010.09.06 18:43:16 Boer +02'00' TERHORST, BASTIAAN 5 5 5 4 TAHAPARY, BREE STOLWIJK, XANDER 53 52 STEEN, PIEN VAN DER SEGURA GELINK, GISELLE 51 5 0 SEGAAR, WENDY SCHMITZ, SONJA-VANESSA 49 4 8 SCHIPPER, CASPER SCHIET, NORALY 47 4 6 SCHEPERS, ANOUK SAVIC, SELENA 4 5 4 4 SAMPIMON, DAVID REE, MAURICE VAN DE 4 3 42 PETRONIA, RAMSES NOORDENNE, AMANDA VAN 41 4 0 NOOIJ, KIM NIEZEN, ELBERT 39 3 8 MASTRIGT, ERIK VAN MAN, PHILIP 37 3 6 KUIPERS, GERBEN KOUWENBERG, RUUD 35 3 4 KLOOTWIJK, WOUTER KERSTEN, MARTIJN 33 32 KEMPEN, DANIELLE KANNO, HIDEKI 31 3 0 JONG, ESTHER DE JONG, COEN 29 28 JANSSEN, SIEBE HURK, RIAN VAN DEN 27 26 HOOGENDOORN, DANNY HOLTZ, STEF 25 2 4 HOEK, K ASPER VAN HEEGEN, NIEK 23 2 2 HEBING, ROB HATUSUPY, GORDON 21 2 0 HALTIWANGER, JOHN GROOTOONK, ELEANOR KATHLEEN 19 18 GERRITSEN, SEP GARRET, BRIAN 17 16 GARCÍA MORENO-TORRES, CARLOS EIJK, MERLIJN VAN 15 14 DAVELAAR, PATRICK BOZ ZI, NICOLA 13 12 BOER, RAOUL DE BERGEN, BAS VAN 11 10 BEEKUM, INGE VAN BARENDREGT, ROSALIE 9 8 ASDONK, JAN VAN DER The HOT100 is Virtueel Platform's Programme special e-culture* talent program. -
Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation
Loyola of Los Angeles Entertainment Law Review Volume 25 Number 2 Article 1 3-1-2005 What's Wrong with This Picture - Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation Joel Anderson Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Joel Anderson, What's Wrong with This Picture - Dead Or Alive: Protecting Actors in the Age of Virtual Reanimation, 25 Loy. L.A. Ent. L. Rev. 155 (2005). Available at: https://digitalcommons.lmu.edu/elr/vol25/iss2/1 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. WHAT'S WRONG WITH THIS PICTURE? DEAD OR ALIVE: PROTECTING ACTORS IN THE AGE OF VIRTUAL REANIMATION I. INTRODUCTION On Sunday, September 19, 2004, the movie Sky Captain and the World of Tomorrow1 ("Sky Captain") opened number one at the box office, taking in a total of sixteen million dollars for the weekend.2 The opening was notable not because of the relatively modest box office total, but because this stylish, almost totally computer-generated movie includes scenes performed by Sir Laurence Olivier, a celebrity actor who has been dead since 1989.3 While audiences are used to seeing living actors placed alongside dead celebrities in films, 4 commercials, 5 and music videos, 6 Sky Captain marks the first time a dead actor's reanimated clone7 performs completely original scenes-scenes the actor never performed when he or she was alive.8 Sky Captain showcases the latest step in the technological push toward what some call the "holy grail" 9 of reanimation-"virtual 1. -
Animation Production Directory Winter 2002
Animation Industry Database GLOBAL aidb.com ANIMATION PRODUCTION DIRECTORY WINTER 2002 An Animation World Network Publication awn.com GLOBAL ANIMATIONPRODUCTION DIRECTORY WINTER 2002 GLOBAL ANIMATIONPRODUCTION DIRECTORY WINTER 2002 WE ARE PLEASED TO WELCOME YOU TO ENJOY AWN’S INAUGURAL publication of the AIDB Directories. This three-part animation industry directory offers a resource to professionals that has never before been available. Derived from AWN’s exclusive online Animation Industry Database (www.AIDB.com), these new downloadable publications are Animation Industry Database designed to provide AWN readers with valuable information on animation, www.aidb.com visual effects, gaming and related companies from around the world. The AIDB is the most comprehensive, searchable and easy to use resource of its Animation World Network kind. Over 4,000 companies from 80 countries are represented within these www.awn.com directories, featuring companies that sell products, provide services and AWN, Inc. possess creative expertise across more than 100 business and production 6525 Sunset Blvd. categories. Garden Suite 10 AWN has just published the Winter 2002 edition of the following printable Los Angeles, CA 90028 United States PDF directories. Follow the links below to download these directories for [T] 323 606-4200 free. [F] 323 466-6619 [email protected] > GLOBAL ANIMATION BUSINESS DIRECTORY www.awn.com > GLOBAL ANIMATION HARDWARE&SOFTWARE DIRECTORY PUBLISHING > GLOBAL ANIMATION PRODUCTION DIRECTORY PRESIDENT Ron Diamond The on-line AIDB grows everyday as more and more people update CHIEF OPERATING OFFICER their company profiles. Inclusion, access and use of the AIDB is provided Dan Sarto free of charge. Participating companies edit their own descriptive profiles, so the information stays up-to-date and accurate. -
Copyright Law
Copyright Law Copyright Law eleventh edition Craig Joyce Founding Director, Institute for Intellectual Property & Information Law, and Hunton Andrews Kurth Professor of Law University of Houston Law Center Tyler Ochoa Professor of Law High Tech Law Institute Santa Clara University School of Law Michael Carroll Professor of Law and Faculty Director Program on Information Justice and Intellectual Property American University Washington College of Law Carolina Academic Press Durham, North Carolina Copyright © 2020 Carolina Academic Press, LLC All Rights Reserved ISBN: 978-1-5310-1825-2 e-ISBN: 978-1-5310-1826-9 LCCN: 2019951410 Carolina Academic Press, LLC 700 Kent Street Durham, NC 27701 Telephone (919) 489-7486 Fax (919) 493-5668 www . caplaw . com Printed in the United States of Amer i ca For Will (30), Matt (27) and Molly (ageless), and for my parents, whose memory I cherish In memory of my mother, Rosanne, and for Karin, Marisa, Erik, and Elizabeth For Kristy, Madeleine, and Vivian The Statute of Anne, 8 Anne, ch. 19 (1710) The Statute of Anne When Anne was Queen of England, Parliament passed An Act . [M]en of let- ters and booksellers [had begun] to complain loudly of the evils of piracy. It was in answer to these appeals that the [Act of] 8 Anne., c. 19, became a law, in 1710. This was the first En glish statute distinctly affirming copyright and providing for its protection. It was entitled “An Act for the Encouragement of Learning by vesting the copies of printed books in the authors or purchasers of such copies during the times -
Tilburg University De Efteling Als 'Verteller' Van Sprookjes Hover, M.E.J
Tilburg University De Efteling als 'verteller' van sprookjes Hover, M.E.J. Publication date: 2013 Document Version Publisher's PDF, also known as Version of record Link to publication in Tilburg University Research Portal Citation for published version (APA): Hover, M. E. J. (2013). De Efteling als 'verteller' van sprookjes. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. sep. 2021 De Efteling als ‘Verteller’ van Sprookjes Proefschrift ter verkrijging van de graad van doctor aan Tilburg University, op gezag van de rector magnificus, prof. dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op woensdag 13 februari 2013 om 14.15 uur door Monique Elisabeth Jacqueline Hover, geboren op 7 mei 1961 te Weert Promotores: Prof. dr. A. de Ruijter Prof.