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Volume 70, Number 03 (March 1952) Guy Mccoy

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Volume 70, Number 03 (March 1952) Guy Mccoy Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1952 Volume 70, Number 03 (March 1952) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 70, Number 03 (March 1952)." , (1952). https://digitalcommons.gardner-webb.edu/etude/131 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. §n I/'j,j i46tu~• . Point on Piano T achin IsllI.r ,ItHl" Your roi \fter • ift) ear L.on Il.""er The In pir lion of o-r j la •• s Francis C.... ompan "in~ th B II t CIa Marp,,' Warllr.,. • udio- i ual id for th tu ic Educau Paul E. Du"tllI Hope for ivic ymphoni Elizahe'" Riller Mont, •• e :\la"ter of Melod Marian P. Fides The inlting To ers of orth men (Part : LeTTeRS T 0 THE EDITOR Articles for a long time. Mrs. Mearl Bannick Sir: Both I and my six year Wilton Ict., Iowa old boy have started piano re- cently. I found ETUDE in Veteran Subscriber OUf town library and after I had repeatedly borrowed copies, Sir: I note in your 'Letters sometimes the same copy time to the Editor' that Mattie C. after time, it dawned on me Hermes will be a subscriber for that what I really wanted were fifty years in 1950. I was fifteen my own copies to refer to when when father subscribed to the needed. ETUDE-I am now 72. I beat Your magazine seems to get her, don't I! It was then ten better every month, or at least cents. its appeal to me personally Olga J, Fisher grows. New Hyde Park, N. Y. This leg-powered dirigible, though unusual enough, The articles on pre-school was dreamed up by on inventor music, on how to practice for lIWhy Not Women in Orchestras?" adults, on music in elementary whose ideo proved improcticol. schools just hit me when I Sir: Congratulations to Mr. needed them. Raymond Paige for his fine and Bob Jones University Miriam'Miller inspiring article "Why not Wherever there is music I Women in Orchestras?"! I New York is the 'World's Most Unusual' and ot wish other musicians and edu- at its best the some time the 'World's Most Procticol.' Teacher's Roundtable cators would try to help do away with the old prejudice Sir: As a subscriber to against allowing women to play there you willfind UNUSUAL ••• A practical philosophy of lile ETUDE, I have been meaning in the major symphony orches- to write and tell you how much tras. Mr. Paige is right. Why is blended with I have missed Mr. Dumesnil, shouldn't they? This article en- tlte BALlJWIN but now, I can write how happy couraged me a great deal, since a gospel emphasis I am to find him returning! I A hush-fingers touch the keys-the first notes, .l.<) my ambition has always been clear and rna jestic," fill the concert hall. B~ .i: PRACTICAL? enjoy every word of his column an evangelistic appraach to play flute in a professional Here, indeed, is the inspired art of a master ... here, and also his French musical orchestra. indeed, is the incomparable tone of the . high academic standards background, I have subscribed to ETUDE Baldwin piano, the piano preferred by today's leading Helen MacPherson for four years and just recently concert artists. When you make your selection, reasonable scriptural discipline Worcester, Mass. renewed my subscription for make it for a lifetime of musical pleasure and satisfaction. Let the considered opinion of experts cultural development Music Section another three year period. In my opinion your magazine is be your guide. Choose the Baldwin. to troin young men and women Sir: Just received my Decem- tops in every way, except for ber issue of the ETUDE. It is the music section. You have too to meet successfully the emergencies of lile the first copy I've had since be- much piano music for one r as well as to earn a living, fore World War II, I have a thing, and you seem to ·forget piano again and so I also want- that there are other orchestral ,1 UNUSUAL? CERTAINLY. BUT PRACTICAL AS WELl! ed the ETUDE, instruments besides the violin. But why such thin paper? How about some woodwind You have to be so careful when solos and ensembles? turning a page. Miss Sally Rentschler I don't agree at-all with Ward Ann Arbor, Mich. F olsom of Tacoma, Wash. Some BOB JONES UNIVERSITY of the music in the ETUDES I An Answer to "What's Wrong with C01/51Ilt ,'our classified tele- Music Appreciation" (ETUDE- phone directory for {he name have of 1920 is beautiful-not Jan. '51) sickening. a-nd address of yonr Baldwin GREENVILLE, SOUTH CAROLINA sales repraentatiue-s-or write The piano duets are not what Sir: Mr. Guy Maier, noted The Baldwin Piano Company. they used to be. Why not some "music teacher and writer, said Dept ..E·32. Cincinnati 2, Ohio. of Sousa's grand marches or in the January 1951 ETUDE some music with more fullness' that something is "wrong with MUSIC, SPEECH. AND of tone than the duets' of recent '~;ti"~kappreciation." His con- WITHOUT ADO At COST years? tention was based on the fact A EGUlAR ACADEMIC TUITION However, 'tis a grand music that 88 of his students (out of a CAo EMY ANO JUNIOR HIGH SCHOOL IN COtlHfCTION magazine. I do not 'play for the class of 150) found Bach diffi- public not teach; but/just for cult to understand, and still THE BALDWIN PIANO COMPANY, CINCINNATJ 2, OHIO my own enjoyment, so I hope more difficult to enjoy! There- BaldWin also builds the exquisite Acrosome Spinet, Hamilton jo keep on taking the ETUDE fore he (Continued on Page 8) - Verticals and Grands, and Baldwin Electronic Organs ETUDE-MARCH 1952 1 --------~ CONCERTHALLSOCIETY---= 'INVITES YOU TO ACCEPT THIS die ....,sic IJ"'!1o.=ine BOSTON UNIVERSITY ETUDE College of Music Gpeciat fJ!IP.! PUBLISHED MONTHLY BY THEODORE PRESSER CO" PHILADELPHIA, PA, All Branches of Music IntrtJdactolJ ~Jv1' ' 'I d Adve,,',,',"g Office" Slyn Mawr, Po. Ed Hone on " and Music Education •• THIS LONG-PLAYING RECORD J nres Frands Cooke. E,liror EnleriluA Dean Warren S. freemon a [Editor, 190:-19HI) Founded 1833 by THEODORE PRESSER Coorses leoding to the degree; AA Shirley C. Jefferis. Business Manager in Mus.; B. Mus.; M.M.; M.M. Ed.l~ By GEORGE GASCOYNE Guy McCoy,Managing Editor ~O~H$4_S0'ETAIl) conjundion with the Groduate School Only $1 George Hochberg, Mu.sic Editor -M.A.: Ph.D. In conjunction with the Maurice Dunte~nil Karl W. Gehrkens Elizahelh A. Ceit Puccini: "La T osca" enna Symphony, conducted by Harold Berkley School of Educotion-M.Ed.; Ed.D. Ale>:allder ""eCurdy Nicolas Slunin"k}· Opera lovers will revel in this Otto Klemperer, has made a high- BEETHOVEN Piano Concerto No.2 111 B-flat Guy Maier splendid recording of Puccini's Yeer- round Projectl and Workshapllnclude_ ly satisfactory recording of this OR Workshop 1n Music Educotion ever-popular stage work. The cast romantic work. (Vox, 12-inch MARCH 1952 Opera Worbhop for the most part is excellent -eud disc. ) MOZART Piano Concerto No. 11111 F Vol. 70 No.3 CONTENTS Pionilts Worhhop includes Simona Dall 'Argine, so- OR prano; Nino Scattolini, tenor; and Verdi: "Luisa Miller" F":t\.TVIlES Eminent Faculty of Artists, Com. " \(;1-' Scipio Colombo, baritone, in the Another in its series of full- CHOPIN Sonata NO.2, op. 35 (witlt "Funeral Mm'clt"l , pO$,en, Scholori and Educators POINTS ON PIANO TEACHING. - . hi",), I'ljiliNJ - /Hurioll I'. Fir/n·. IU principal roles, and also Alfred length opera recordings is issued ER OF MELODY ERE is an extraordinary opportunity which we will send with the LONG-PLAY- ~T C ' 12 Maller CloHe. l,lnderlueh Itad," 0\- by Cerra-Soria with a cast that ING record described above. Simply enclose THE INSPIRATION OF DEFEAT....... 1"nll'. F,atrri. o(ml' Poell, Karl Donch, Waldemar for music lovers! \X'e will send you I :l Arthur Fiedl,r Roland Hay!\ H one dollar with the coupon. If not delighted ACCOl\IPANYING THE BALLET CLASS ... _. M'Jrj!.ON" Wo,A,n!lP does full justice to this Verdi your choice of one of these delightful. r~· II Krentt, Harald Proglhoff, Walter with the record, return it in five days and AUDIO-VISUAL AIDS FOR THE MUSIC EDUc'ATOH. ,",1111 E. Dllffipld Alb,rt Spalding score. As is the case with its cordings, the Beethoven and Mozart brilh- your dollar will be cheerfully refunded. YOUR VOICE AFTER FIFTY YEARS? . ..... IA·O,j ftntlllt>r 1.-; Berry, and Hans Breitschopf. AI'- nmly performed hy Artur Balsam and the lr. other opera releases, a complete Concert Hall Orchestra, and the Chopin by BACH AND BERNIE _ . .. Cl,/jU SIIIJrI,ln. For illlormofion. e.a/c/ogue. ifIulllQI~ geo Quadri conducts the Orchestra Ii" - - 343 17 the famous Chopin interpreter, Robert MUSIC FROM AN UNSTRUNG VIOLIN ...
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