Kerry Adams Hapner SUBJECT: 2021 CORNERSTONE of the DATE
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Dance Department Consultants
Dance Department Consultants Lisa Alfieri Ballo Ms. Ballo - Consultant in Ballet - trained on full scholarship at the Pennsylvania Ballet under Lupe Serrano and at the San Francisco Ballet and Cleveland Ballet schools. Her professional career includes dancing with Sandra Organ Dance Company, Fort Worth- Dallas Ballet and prior to that with Cleveland - San Jose Ballet where she rose to principal dancer during her ten year stay. She has also danced as a principal guest artist nationally as well as internationally. As a teacher, she has taught in schools for the Cleveland Ballet, Ballet Arkansas, Twin City Ballet and the Houston Ballet Academy. Recently, she was Ballet Mistress for the Houston Repertoire Ballet's senior company and is currently teaching at the Hope Center. Lauren Bay Consultant in modern dance, ballet and tap dance. Ms. Perrone holds a BFA in Modern Dance Pedagogy from the University of Oklahoma where she studied with Mary Margaret Holt, Denise Vale and Austin Hartel. She is a 2000 HSPVA Dance graduate and a native Houstonian where she began her dance training with Paula Sloan and performed with The Texas Tap Ensemble. After college she also studied in New York City with Mark Morris, the Limon Dance Company, Nicole Wolcott, and Julian Barnett, among others. Her professional credits include: Houston Grand Opera's Aida; Galveston Island Musicals' My Fair Lady, America the Beautiful, and Hello Dolly. She has toured nationally as the dance captain of Mame and internationally to France and Paraguay with the Modern Repertory Dance Theater. Her New York City credits include the Jeff Rebudal Dance Company, Murray Hill Productions, and Lance Cruze Performance Group. -
Raising the Barre: the Geographic, Financial, and Economic Trends of Nonprofit Dance Companies
Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Research Division Report #44 RESEARCH DIVISION REPORT #44 1 COVER PHOTO Hubbard Street Dance Chicago’s production of Jim Vincent’s counter/part. (Photo by Todd Rosenberg) Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Foreword by Douglas C. Sonntag Edited by Bonnie Nichols Contributions by Janelle Ott and Don Ball Research Division Report #44 This report was produced by the National Endowment for the Arts Research Division Tom Bradshaw, Director Acknowledgements The NEA Research Division would like to thank Kelly Barsdate (National Assembly of State Arts Agencies), Thomas Pollak (National Center on Charitable Statistics), and John Munger (Dance/USA) for their contributions and counsel; and Stephanie Colman (former division assistant with the NEA Dance Department) for her database assistance. August 2003 Library of Congress Cataloging-in-Publication Data Smith, Thomas M., 1969- Raising the barre: the geographic, financial, and economic trends of nonprofit dance companies: a study by Thomas M. Smith; foreword by Douglas C. Sonntag; edited by Bonnie Nichols; contributions by Janelle Ott and Don Ball. p. cm. -- (Research Division report; #44) 1. Dance companies--Economic aspects--United States. 2. Nonprofit organizations--Economic aspects--United States. 3. National Endowment for the Arts. I. Nichols, Bonnie. II. Ott, Janelle. III. Ball, Don, 1964- -
Student Ballet 4 PLUS! This Link Contains All of the Information You Need to Register for 2016–2017 at Princeton Ballet School
301 North Harrison Street, Princeton, N.J. 08540 phone: (609)921-7758 fax: (609)921-3249 Photo: Horst Frankenberger Horst Photo: From the Director’s Desk Welcome to Student Ballet 4 PLUS! This link contains all of the information you need to register for 2016–2017 at Princeton Ballet School. Please be sure to read through each of these elements as you prepare to register; there is new information you will want to be aware of. Table of contents: • Student Ballet 4 PLUS information • Class schedule • Fees and registration information • Registration form • Student uniform order form (Giselle of Princeton) » Orders received after July 15 may not be available in time for the start of classes (more detailed information can be found on the order form) • Princeton Ballet School Handbook » Includes uniform requirements » Includes school calendar • Directions to our studios • Link to 2016 Summer Adult Open Enrollment brochure (located at the end of class schedules) • American Repertory Ballet Juniors audition (June 22) and membership information 301 North Harrison Street, Princeton, N.J. 08540 phone: (609)921-7758 fax: (609)921-3249 ARBW Junior Audition Information Dear dancer, If you’ve ever wondered how we get our thrilling productions up on the stage in such a way as to keep everyone talking about them for days; if you’ve ever wondered why people keep saying “it’s so professional”; if you’ve ever wondered how our dancers get this done — come and try for a chance to find out! We haven’t time to bask in the glow of our school show, Swan Lake: the American Repertory Ballet Workshop Juniors audition is just around the corner! We invite you to come audition for the opportunity to join this special group of dancers who comprise ARBW Jr, our entry level performing company. -
Grew up in New Jersey and Studied Ballet at a Young Age with the New Jersey Ballet School
Patricia Brown: grew up in New Jersey and studied ballet at a young age with the New Jersey Ballet School. As a teenager, Patricia was awarded full scholarships to the American Ballet Theatre School and the Joffrey Ballet School. Ms. Brown has danced professionally with the New Jersey Ballet Company, Joffrey II Ballet Company, Cleveland Ballet (soloist), the Elliot Feld Ballet, and the Joffrey Ballet Company (soloist). She has worked with many well-known choreographers such as Agnes DeMille, Anthony Tudor, Gerald Arpino, Elliot Feld, Paul Taylor, Laura Dean, and Dennis Nahat. Ms. Brown has served as principal teacher for trainee programs at the Milwaukee Ballet School, Joffrey Ballet School, Harrisburg Ballet School, Nashville Ballet School, The Dance Center, and the Mill Ballet School. She has taught company classes for Joffrey II Ballet, the Elliot Feld Ballet, Nashville Ballet, Harrisburg Ballet, Brandywine Ballet Theatre, the Roxey Ballet, and she has served as Ballet Mistress for the Pennsylvania Ballet. Ms. Brown has choreographed ballets performed at Joffrey Ballet workshop, Milwaukee Ballet workshop, Harrisburg Ballet Company, Brandywine Ballet Theater, the Roxey Ballet and for the international competition at Avery Fisher Hall in New York. Patricia has been asked to join the faculty of the Joffrey School in New York City and commutes weekly to teach class. Val Gontcharov: In 1974 at the age of 11 Val successfully competed against 40 other applicants for the one opening in the Kieu Ballet School. After graduation in 1982, five different companies offered him positions, but he chose the Donetsk Ballet to be closer to his parents' home. -
Competition Schedule
Sunday, April 14th, 2019 John R. Armstrong Performing Arts Center 24600 F.V. Pankow Building Clinton Township, MI 48036 ~Dedicated to the Memory of the Cecchetti Council of America Charter Board~ It is with great respect and admiration that we remember our Charter Board. Their dedication and love of the Cecchetti method lives on in every CCA member. Jack Bickle Olga Fricker Sylvia Hamer Marjorie Hassard Gertrude Edwards-Jory Leona Lucas Jane Caryl Miller Chula (Harriet) Morrow Phyllis Peterson-Thorne Enid Ricardeau Virgiline Simmons Theodore Smith Competition Schedule Please be advised this is a live competition and the schedule may shift. Dancers need to be prepared to dance sooner or later than the time listed below. 8:30am Building opens/Check-in Begins Teachers must check in dancers in at the registration desk upon arrival. Check in will be one hour prior to the start of each category. Doors open at 8:30am. 9:15-9:30am Junior Contemporary Open Stage 9:30-10:15am Junior Contemporary Competition 10:15-10:30am Senior Contemporary Open Stage 10:30-11:45am Senior Contemporary Competition 11:45-12:15pm Break 12:15-12:30pm Junior Classical Open Stage 12:30-1:30pm Junior Classical Competition 1:30-1:45pm Senior Classical Open Stage 1:45-3:15pm Senior Classical Competition 3:15-3:30pm Break 3:30-4:15pm Ensemble Competition 4:15-5:00pm Deliberation 5:00pm Awards Ceremony 1 Participating Studios Dear Participants, Parents and Teachers, Welcome to the first Cecchetti Classical Ballet Competition! We are thrilled that you are taking part in this competition and hope that you will learn from each other and the feedback that you receive. -
2.08 Summer Workshop PRINT
MARY BETH CABANA Founding Artistic Director MARY BETH CABANA, Founding Artistic Director, has been a Principal Dancer with In Cooperation with Cleveland Ballet, Ballet Oklahoma, Arizona Dance Theatre, and San Diego Ballet. She began her professional career at the age of 14 with Pittsburgh Ballet Theatre and graduated from the National The University of Arizona School of Dance Academy of Dance where she was a full scholarship student and member of the National Academy Ballet. She has performed extensively in the United States and has toured Europe performing in a wide variety of roles by such noted choreographers as Balanchine, Tudor, DeMille, Joos, Forsythe, Fokine, Petipa, and Nahat to name just a few. 29th Annual Ms. Cabana has been on the faculties of the School of Cleveland Ballet, Ballet Arts-Carnegie Hall, Dance Concepts-NYC and was the Principal Instructor and Administrator for Arizona Dance Theatre (Ballet Arizona). She has guest taught for Kiev Ukraine Ballet and Palace of Pioneers in SUMMER DANCE the former Soviet Union, in France and Mexico and continues to guest teach throughout the United States. She has also directed summer intensive programs for Ballet Pacifica in Irvine, California (under the direction of Ethan Stiefel). As a choreographer, she has produced numerous original works for Ballet Tucson and has staged dances for Arizona Opera Company, Arizona WORKSHOP 2014 Theatre Company, Yuma Ballet Theatre, Blue Lake Fine Arts Camp, Ohio Ballet, and Burklyn Ballet Theatre. Since beginning in 1986, she has been responsible for the establishment of four professional training institutions in Southern Arizona including studios in Tucson and Nogales and branch programs in Patagonia and Sierra Vista. -
Feld Ballets/NY
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Feld Ballets/NY WEDNESDAY & THURSDAY, APRIL 4 & 5, 1990, AT 8:00 P.M. POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN The Company Lynn Aaron Nina Goldman Scott Rink Mucuy Bolles Patrice Hemsworth Joseph Rodgers David M. Cohen Terace E. Jones Jennita Russo Allison Wade Cooper Joseph Marshall James Sewell Geralyn DelCorso Priscila Mesquita Elizabeth Simonson Judith Denman Buffy Miller Lisa Street Darren Gibson Jeffrey Neeck Joan Tsao PETER LONGIARU, Company Pianist ALLEN LEE HUGHES, Resident Lighting Designer CORA CAHAN, Executive Director PETER HAUSER, Production Manager Feld Ballets/NY wishes to thank the following supporters who have helped to make these performances possible: Lila Wallace Reader's Digest Fund Mary Flagler Gary Charitable Trust Live Music for Opera and Dance; Robert Sterling Clark Foundation Inc.; The Eleanor Naylor Dana Charitable Trust; The Horace W. Goldsmith Foundation; The Andrew W. Mellon Foundation; National Corporate Fund for Dance, Inc.; The Scherman Foundation, Inc.; Joan C. Schwartz Philanthropic Fund; the Emma A. Sheafer Charitable Trust; and The Shubert Organization. Cameras and recording devices are not allowed in the auditorium. This project is supported by the Michigan Council for the Arts, and by Arts Midwest members and friends in partnership with the National Endowment for the Arts. The University Musical Society is an Equal Opportunity Employer and provides services without regard to race, color, religion, national origin, age, sex, or handicap. 38th and 39th Concerts of the lllth Season Nineteenth Annual Choice Series PROGRAM Wednesday, April 4 CONTRA POSE (1990) Choreography: Eliot Feld Music: C. -
Celebra Ting 32 Years of Excellence, Quality & Joy!
BALLET ARTS OPEN DIVISION BALLET TUCSON & JOY! EXCELLENCE, QUALITY YEARS OF 32 CELEBRATING 2017 – 2018 Tucson Official School of Ballet Arizona School of Dance Training The Professional __________________________________________ www.balletartstucson.com (520) 623-3373 AZ 85716 TUCSON, TUCSON BLVD. 200 S. (Ballet Class Levels) (Ages are approximate and placement is based on ability.) PRE-BALLET: The Nutcracker BALLET 1: BALLET 2: Open c s auditions for Ballet Tucson performances of Phantom of the Opera and The Nutcracker are: BALLET 3: Saturday, August 19 & 26 and Saturday, September 9 Auditions for BT2 ( ) are: Friday, August 18 & 25 BALLET 4: Ballet Tucson American Ballet Theatre REGISTRATION FORM New York City Ballet Gus Giordano National Ballet School, Toronto Boston Ballet School of American Ballet Ballet West BALLET 5: Oregon Ballet Theatre Aspen/Santa Fe Ballet San Francisco Ballet The Kirov Academy Milwaukee Ballet Hartford Ballet Harid Conservatory Houston Ballet BALLET 6: Pacific Northwest Ballet Sarasota Ballet Cleveland Ballet Alvin Ailey Dance Theatre of Harlem Ballet Florida Pennsylvania Ballet Dayton Ballet BALLET 7 & 8: Disney Tokyo Ohio Ballet North Carolina School of the Arts Oakland Ballet Alabama Ballet Dutch National Ballet Louisville Ballet Washington Ballet Radio City Rockettes Joffrey Ballet PROFESSIONAL DIVISION TRAINEE TRACK (By audition/invitation only) TEEN/ADULT DIVISION Phantom of the Opera TEEN/ADULT BEGINNING BALLET/JAZZ: The Nutcracker TEEN/ADULT INTERMEDIATE & ADVANCED BALLET/JAZZ: All class placement is determined by the instructor and Artistic Director. JAZZ/TAP CLASS DESCRIPTIONS CLASS RATES RECOMMENDED STUDY FALL-WINTER-SPRING 2017 2018 Phantom of the Opera The Nutcracker non-refundable The Nutcracker Phantom of the Opera ENROLLMENT/TUITION POLICIES MONTHLY PAYMENT PLAN ACTUAL COST must CLASSES/MONTH TUITION PRE-BALLET PER CLASS Footprints at the Fox The Nutcracker THERE ARE NO EXCEPTIONS CONCERNING THESE POLICIES. -
BECK CENTER EDUCATION FACULTY Edward P
BECK CENTER EDUCATION FACULTY Edward P. Gallagher, MT-BC – Director of Education 216.521.2540 x12 | [email protected] Ed holds a Bachelor of Music in Music Therapy from Cleveland State University and a graduate certificate in nonprofit management from the University of North Carolina at Greensboro. Founded Beck Center’s Creative Arts Therapies program in 1994. He is co-chair of the Ohio Music Therapy Task Force and has been appointed to serve on the Ohio Arts Council’s Artists with Disabilities Access Program. He is Past President of the Cleveland Arts Education Consortium as well as the Great Lakes Region of the American Music Therapy Association (GLRAMTA) and the Association of Ohio Music Therapists (AOMT). He received the GLR-AMTA 2007 Service Award, the AOMT Past President’s Award in 2012 and has been inducted into the Ohio State Fair Hall of Fame. He has been recognized by the City of Lakewood for bringing the healing power of music to the community. He is also Director of Operations for the All-Ohio State Fair Band and Youth Choir, two organizations featuring the talents of 400 talented high school instrumentalists and vocalists which are comprised of students from throughout the state. DANCE EDUCATION Melanie Szucs – Associate Director of Dance Education 216.521.2540 x26 | [email protected] Melanie has been an instructor in jazz and ballet for over 30 years and serves as the director and choreographer of the Beck Center Dance Workshop. In her early years, she was named Miss Dance Michigan and performed as a soloist with Dance Detroit; she studied with George Zorich and on full scholarship with the School of Cleveland Ballet. -
Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9
Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9 GINGER THATCHER, former principal dancer of the Cleveland Ballet and former soloist of the Lar Lubovitch Dance Company, and PHILLIP BROOMHEAD, former principal dancer of the Royal Ballet and the Houston Ballet, will members of the faculty for the Goh Ballet Academy's Summer Program in Vancouver, Canada from July 7-August 9, 2014. GINGER THATCHER began her professional dance career as an apprentice with the Houston Ballet. She later joined the Cincinnati Ballet and in 1981 joined the Cleveland Ballet, rising to the rank of principal dancer. Ms. Thatcher's repertoire with the Cleveland Ballet included principal roles in ballets by George Balanchine (Agon, Concerto Barocco, The Four Temperaments, Serenade, Theme and Variations), Dennis Nahat (Brahms Quintet, Cannonade, Celebration and Ode, Contra Concerti, In Concert, In Studio D, Ontongeny, Pas de Dix, Quicksilver, Slavonic and Hungarian Dances, Some Times, Summerscape, Wu T'ai Shih), Murray Louis (By George), Daniel Levans (Concert Waltzes), Louis Falco (Escargot), Leonide Massine (Gaite Parisienne), David Lichine (Graduation Ball), Kurt Joos (The Green Table), Antony Tudor (Lilac Garden), Ian Horvath (Ozone Hour, Piano Man), Agnes de Mille (Rodeo, Three Virgins And A Devil), and Jose Limon (The Moor's Pavane, There Is A Time). Ms. Thatcher has also received acclaim for her performances in classical pieces such as Don Quixote Pas de Deux, The Nutcracker, Bluebird Pas de Deux, and the Prelude in Fokine's Les Sylphides. From 1991-93 Ms. Thatcher danced with the Lar Lubovitch Dance Company and danced roles in American Gesture, Concerto 622, Symphonie Concertante, and Waiting For The Sunshine. -
Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world. -
Virtual Performance Available from May 21St Through
Virtual Performance Available from May 21st through June 5th thez.org BALLET VIRGINIA SUZANNE LOWNSBURY JANINA MICHALSKI Co-Artistic Director Co-Artistic Director Choreographer Choreographer LYDIA ROBERTS COCO LISA MCCARTY Resident Choreographer Children’s Program Director Marketing Director COMPANY DANCERS Rebecca Ailstock, Gianna Coco, Colin Jacob, Jackson Kettell, Julia Stewart, Casey Shepard, Leah Upchurch, Hayley-Ann Vasco w it h BALLET VIRGINIA II members Delia Allen, Ema Amuial, Kaylee Bejarano, Aimee FitzPatrick, Lauryn Hedelund, Oliva Levy, Charlotte Mann, Iana Niknezhad, Sofia Romulo, Katherine Shillito, Leah Trimble and BVII Apprentices: Marlee Brown, Sydney Caggiano, Cora Metzfield, Gabriella Miyares, Mary Schmidt ACADEMY FACULTY Suzanne Lownsbury, Janina Michalski, Lydia Roberts Coco, Lisa McCarty, Patricia Sorrell, Hannah Whelton, Colin Jacob, Rebecca Ailstock, Julia Stewart, Casey Shepard, Leah Upchurch, Delia Allen, Charlotte Mann, Emily Kodolitsch, Hayley-Ann Vasco, Jackson Kettell PRODUCTION ADMINISTRATIVE STAFF Production Manager: David Latham Ballet Mistress: Hannah Whelton Wardrobe: Mershonda Berry and Judy Building Manager: Rett Hansel Fortier Front Desk Staff: Gianna Coco, Karen Shillito Set Design: Rett Hansel Volunteer Coordinator: Karen Shillito Photography: Hayley-Ann Vasco Performance photography by Angela Douglas Photography BALLET VIRGINIA 700 West 21st Street in Norfolk and 4314 Virginia Beach Blvd. in Virginia Beach BOARD OF DIRECTORS Harry J. Brown, Esquire—Board Chair, Alperin Law Office, Legal Counsel Grace Atkinson—Community-at-Large Jane Bray—former Dean of the Darden College of Education at ODU Patrick Francis—NATO Suzanne Lownsbury—Ballet Virginia Co-Artistic Director Janina Michalski—Ballet Virginia Co-Artistic Director Page Miyares—Atkinson Realty Amy Sokol—WHRO Vice President of Finance Lisa McCarty—Board Secretary Board Advisors: Lorraine Graves and Patricia Sorrell We thank our board members for their continued support and contributions.