DOCSLIB.ORG

1934-12-01 [P B-12]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1934-12-01 [P B-12] ® AMUSEMENTS. AMUSEMENTS. Is Vehicle “OUR DAILY __ Story Setit at iOOO-l2 Tolstoy Popular Players in New Paramount Film BREAD” IS TOMY 202 40 5.CO.HO 10 For Anna Sten, a New Star RATHER SAD j.AKEs VA6M EY In Hit Latest Comtdy \ THE ST. LOUIS KID But Picture at Columbia ^Resurrection, as \Ve Live Again, However, EDDIE PEABODY *o»,„ Turns Out With Acts^, Seems to Be Dominated by Frederic March. Every- at End. 'ST. LOUIS KID* CAN ALSO BE SEEN tOVOPROW, MON & 7'JES AT THE AMBASSADOR Garbo, in "The Painted Veil, Held Over. body Happy “Our Daily Bread,” the latest King BV E. dr S. MELCHER. | Vidor production, which has been h admitted that Sam Goldwyn made s for the IS now pretty generally brought to Loew Columbia f Now and up to Dec. 3-4:30 P M. it himself to teach Anna Sten Monday, no mistake when he took upon current week, is by no means the You will find that Miss Sten takes her rightful English. choicest of film fare. While it is im- in the cinema sun in “We Live Again.” the 1934 Goldwyn IT place bued with a commendable intent to “Resurrection.” now at Loews Fox. «Ps WAGON WHEELS version of Tolstoy's playing dramatize the earthy origins of the 11.00 12»2.40-4»6 ■ W j beautiful and And she is bad when 20-8,lMS5 Miss Sten is both good. only rye in that great national institution, thp scrint calls for her to be. ham-on-rye, less pretentious and more for all Miss Sten's and you won t do is to bawl out loud the Yet ability, realistic stories have often been told Shown to had Up 1 for all Frederic March’s worth (.it's way perhaps you expected. of the seed that springeth into crops Dec. 3 Special I for * Monday, Dfc, probably his picture at that) and * * * and the man behind the plow. uf-^ s° Rouben Mamoulian s careful direction, Mr. Vidor wrote, directed and pro- Gala Performance 8:30 o’clock III fxciusivt I f musical CERDE GROFE (pronounced Gro- and for Mr. Newman’s score, 1 duced a tale of a group of depression and his assisted Nina Koshetz singing, and that mid- fay) orchestra, derelicts who cast their lot together by a smooth and attractive songbird, night Easter service which was done in the fertile agricultural area of the FLIRTATION I Live Betty Barthelle, head the Fox stage with the greatest care. "We Middle West, swapping a stone- '■gjpw / show' this week. Mr. Grofe is the Again” seems to us to lack that defi- mason’s skill for the shoemaker's art, WALK I emotional man who wrote that "Grand Canyon [xp[diii0s / nite spark, that definite living without money, tilling their B’os. Putur# a Suite.” which you've heard Maj. surge which you expect with such fields with man power. Composed HI SEARCH Fqr / Bowes on his programs, Continuous story as Resurrection.” play Sunday chiefly of lower middle class artisans And Shown Daily SAftTA and which is an interesting and vital jjl1 CLA(JS" Mr. Mamoulian chops up his scenes I whose wobbly aptitude for survival bit of American music. Mr. Grofe Thereafter so often, slides his camera from rich had made them easy prey to hard "On the from as also I J to and back with such plays Trail,” it. —p—JL poor again times, this community constituted a the "Mardi Gras" movement from his before can to I speed, that you begin combination of the theorist’s heaven J. Pe'm'tttd Suite.” which comes as Smoking accumulate either smiles or tears, you "Mississippi and the property lover’s hell. finale to the bill. Mtt-25e are off on another tangent. splendid The army of misfits chose fofr their 'i. Other acts this week include* Grace It is this speed, and perhaps his leader a stalwart young man named fr9 25c O 40C Dufaye. an amazingly agile dancer, p£ij interest in details, that makes the film John, espoused to an equivocally plus Eddie Stuart, and Dot, Don and not quite so good as it should have named lass, Mary. These were vir- Teddy; the Funnyboners, popular been—or rather, as you expected it tually the only young people in the w* radio celebrities, whose antics are I 4 p m. would be The struggle between the shanty town, but so earnest were NATIONAL ^ Constitution Hall. Tomorrow, received the audience, and | classes which so on happily by Eve. H.tc to * preyed Tolstoy’s they that the bursting of ripe plants HI 1 .*20 RUSSIAN Joe Phillips and Madeline Kileen. Matinee Today. I mind is certainly no longer a novelty, from the soil enraptured them even occasional comedians. 8.Tc to * *. ;o MALE the audience is bound to be more as the 1 apd kicking gong around might —a Phil Lampkin’s overture, dedicated THE THEATRE GUILD CHORUS interested in the human reactions and have enchanted a more sophisticated — Presents :o "Love," is his best for reasons the love affair between the peasant couple. vhich Mr. knows ■ girl and the prince than in the long Lampkin probably When the bedraggled hopefuls of letter than any one else. tirades against social injustice. planned economy were threatened 1 VALLEY FORGE Whatever else the film does, it gives * * * * with disaster because they lacked cash By ANDERSON I' j Seat, *1.10, S1.6S. *2.20. Mm. ! a MAXWELL^ Freddie March one of the best roles pending harvest, among them was H Dor .ft'% < Droop's >. 1300 G; N A. 7154 of his career and one in which he I f~’ARBO remains at the Palace in revealed a noble convict who sacri- 'J ^ Constitution Hall. Next Tues* 4:40 outdoes himself. His later scenes are "The Painted Veil.” a film of ficed himself to the law in order that PHILIP MERIVALE Cary Grant and Myrna Loy have the leading roles In "Wings in the Dark,” a Paramount picture, which AND A BRILLIANT CAST at toings-on in those tropics w'hich no- his friends of the fields might col- H especially noteworthy, particularly is bring completed in Hollywood. It will have an early showing at a local theater. that moment when he is making up lod.v knows so well as Somerset lect a reward upon his head and with his mind to go to Siberia and the past Maugham. This may not be Miss the cash buy groceries. In contrast Xiollnist comes back at him in magnificent Jarbos best picture, but you'll find to this sentimental deed, a city-brazen BURTON HOLMES World-Famous blond AMERICA’S FOREMOST TRAVELER *1.65. *2.20. $2.75, S3.3«. However bad we have :hat in its early she is a new called Sally drifted into the St. retrospect. may stages Sunday at Mrs. Dorsev’s, 1300 G Mr. March in "The Barretts tnd of community and employed her wiles in nrn o thought devastating person—the peer Newest Picture Talks Twice Constitution Hall next Sun., Dec. 0, the seduction of farmer John and AFTERNOON 3 of Wimpole Street" (and we were in til lady sirens of the screen. While Cagney’s UtU. L 4:00 p. m the of local ^ the minority with this opinion), so he story breaks in half and runs its general disruption morale. ALL OVER COLORFUL ^ First Time at Popular Price*? justly opposite do we think him in course more or less downhill after its Had there not been a terrible drought on the land at the time the citizens • "We Live Again.” lursting up it is well worth seeing just Is Entertainment High Spot ] • might have been sufficiently busy to Mr. March and Miss Sten and occa- lor its early career, and for Miss Gar- SPAIN 1 RACHMANINOFF overlook evil In their sional flashes of Mamoulian genius 10's smile, which is the best available. Sally's ways. f—--—:-1 Russian Pianist-Composer SSK Seats *1.10 to *2.2li: Mrs. Oorsev’s idleness and brooding over the blast- I owns and L 111 e a— make this a film which you will prob- George Brent and Herbert Marshall bureau. Droop's. ISM G: NA. 7151 ing sun, however, resented her, — — ably want to see. You know' the ire excellent foils. When Garbo hasn’t This Time Jimmy Is a Truck Driver and He they Cathedrals Castles ^ they sneered at John and — story—it is long and it is dreary. But tot one. she has the other—which altogether Ruins Senoritas—Bull- 1 lost heart. it has its moments. The only thing should make the film better Turns Out to Be a First-Class ■ — Toreadors—All than it is. Also fights Needless to say, John escaped the the Movement anu Color fatal in time to contrive a hand- Comedian—Earle Bill Is Good. spell 'of Stage some scheme, and his fol- ^ Spain• GAYETY BURLESK ITALIAN PLAYERS irrigation lowers joined him in one of the oddest Starting This Sunday ditch-digging projects ever accom- Troupers is the hero of Scout and musical rolled Demand Matinee AT BELASCO THEATER Pert James Cagney Boy genius plished by the hand of man. t If you’ve EXTRA te | at Warner into one. has be to the "The St. Louis Kid.” good garner ever dug a ditch you will understand 11 SUNDAY ncf* O AT this week. A ago aurels amid such competition. He is Glimpses of Stage Folk Tomorrow Evening's Entertain- Bros.’ Earle year just how quaint the method is.) I NIGHT ULU.
Load more

Recommended publications
  • Mitchell Brothers – Vaudeville and Western
    Vaudeville and the Last Encore By Marlene Mitchell February, 1992 William Mitchell, his wife Pearl Mitchell, and John Mitchell 1 Vaudeville and the Last Encore By Marlene Mitchell February, 1992 Vaudeville was a favorite pastime for individuals seeking clean entertainment during the early part of the 20th century. The era of vaudeville was relatively short because of the creation of new technology. Vaudeville began around 1881 and began to fade in the early 1930s.1 The term vaudeville originated in France.2 It is thought that the term vaudeville was from “Old French vaudevire, short for chanson du Vaux de Vire, which meant popular satirical songs that were composed and presented during the 15th century in the valleys or vaux near the French town of Vire in the province of Normandy.”3 How did vaudeville begin? What was vaude- ville’s purpose and what caused its eventual collapse? This paper addresses the phenomenon of vaudeville — its rise, its stable but short lifetime, and its demise. Vaudeville was an outgrowth of the Industrial Revolution, which provided jobs for peo- ple and put money in their pockets.4 Because of increased incomes, individuals began to desire and seek clean, family entertainment.5 This desire was first satisfied by Tony Pastor, who is known as the “father of vaudeville.”6 In 1881 Pastor opened “Tony Pastor’s New Fourteenth Street Theatre” and began offering what he called variety entertainment.7 Later B. F. Keith, who is called the “founder of vaudeville,” opened a theater in Boston and expanded on Pastor’s original variety concept.8 Keith was the first to use the term “vaudeville” when he opened his theater in Boston in 1894.9 Keith later joined with E.
    [Show full text]
  • Wanted-A Slogaf ~ ( Sl'c P:IJ.:L"•J)
    Vol. XXI OCTOBER,1928 No. 4 :\. S. B \ Ri...1, , · ( Dirwtur) l .\1111, .\ ! " · 1101 1, (ha · 111,;;TR, Sau Pnlro . l "ali 10111::1 Wanted-A Slogaf ~ ( Sl'c p:IJ.:l"•J) / 20 Centa Per Copy PUILUH!O IT ff . P. ODELL COMPANY ! 2.00 Per Yea r COPYf.lCHT 19:zl- ALL RICUTS IU!Sf.11.\'EO INTE UD Al IECOND Cl.AU MATTH JUNE 9, 1909, AT nt .l POST OFF1C! AT BOITOS. •u suc 11u11rr n. c suu AC1 nF . , ,u c 11 }, 1 87 0 Th, CRESCF.NDO TH E 1:-.GF.XUF.s, for mcrl)' with Zie gfe ld Folli es, Mu sic Renn .· (Co urt rsy <1{ r1 •9fl Co,} SOUTI-IERXM ELODYB o \ 'S (Co urlrs,, of Gihso11 Co.) L A:-.DF.:-.'IIERGERS RA:""J n BAxn, 1\·rl.:asic, Pa. J OH N AASON , Nonvc gian Giant JERR Y RI CHARDS L EON W ARREN fe:itur ed with Harold Lloyd National Broadcastin g-Co. Popular banjoist at Yale U niversity (Co urltS}' Sou th tr11 Calif. A1usir C o.) (Co urt uy of U 'urli tr.rr Co.) PL!A S! MllN T ION Tl, , CRESCENDO WHEW WRITIN G TO AOVEIITISl!lS October , 1928 Th, CRESCENDO ( 1 J The tunes you have been waiting for "FEIST" Popular Hits No. 8 for FRETTED INSTRUMENTS .,) MANDOLIN HAWAilAN GUITAR TENOR-BANJO SOLO Solo and arcomflani,ru nt So1;,,a::,~!~f°'o with r19ular 9uilar acc. in ont bool PRICE $1.00 PRICE $1.00 PRICE $ 1.00 [> Playable as Solos, Duets or any combination of the abov e part s <I CONTENTS My Ohio Home Ramona Chiquita A II parts art in the You 're a Real Sweetheart Th u e books art for same ity, so they can Baby Your Mother sale only i n U .
    [Show full text]
  • EDDIE LANG – the FORMATIVE YEARS, 1902-1925 by Nick Dellow
    167 Eddie Lang Part One_Layout 1 05/09/2013 12:07 Page 1 EDDIE LANG – THE FORMATIVE YEARS, 1902-1925 By Nick Dellow Jazz musicians who live short lives often leave the deepest impressions. There is something about their immutable youth, echoed through the sound of distant recordings, that encapsulates the spirit of jazz. One thinks of Bix and Bubber, Murray and Teschemacher, and Lang and Christian. Of these, guitarist Eddie Lang left the largest recorded testament, spanning jazz, blues and popular music generally. Whether his guitar was imparting a rich chordal support for other instrumentalists, driving jazz and dance bands with rhythmic propulsion, or providing a sensitive backing for a variety of singers, Lang’s influence was pervasive. Django Reinhardt once said that Eddie Lang helped him to find his own way in music. Like his contemporary Bix Beiderbecke, Lang’s defining role as a musician was acknowledged early on in his career, and has been venerated ever since. As is often the case with musicians who are prolific, there are gaps in our knowledge. This article attempts to address some of these, with particular attention being paid to Lang’s early career. In the second part of the article the Mound City Blue Blowers’ visit to London in 1925 is discussed in detail, and possible recordings that Lang made during the band’s engagement at the Piccadilly Hotel are outlined and assessed. More generally, Lang’s importance as a guitarist is set in context against the background of the guitar’s role in early jazz and dance music.
    [Show full text]
  • A Portrait of Glenn Miller
    A PORTRAIT OF GLENN MILLER Alton Glenn Miller (1904-1944) Produced by: DENNIS M. SPRAGG Updated April 2018 1 Alton Glenn Miller, 1904-1944 Produced by Dennis M. Spragg, with commentary from the GMA George T. Simon (1912-2001) Collection and Papers, Edward F. Polic Papers and Christopher Way Collection. Foreword By Harry Lillis “Bing” Crosby (1904-1977) “As the years go by, I am increasingly grateful that I was a tiny part of the era of the great swing bands. This was the golden age of popular music for me. They were all great, but I have to think that the Glenn Miller band was the greatest. Unlike so many of the others, Glenn was not a virtuoso instrumental soloist. And so instead of his horn he did it with great personnel and innovative harmonic experiments producing a sound that was his and his alone. Glenn employed a harmonization that was new and vastly different. If I even attempted a description of what he did, I would be immediately adrift. I think it was the way he voiced his instruments. It was just beautiful. And when you heard the sound, it was recognizable and memorable. It was just Glenn Miller. Glenn as a person was just as memorable. He was a very good personal friend, from the early days on, ever since he performed on some of the records I made with the Dorsey Brothers Orchestra during the early stages of my career. During World War II we were united for the last time, when I sang in London with his great AAF Orchestra.
    [Show full text]
  • Journal of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Yn~E1izer Pu1 ~ -~Ohjre01pinel Organ Equo1
    JOURNAl OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1yn~e1izer pu1 ~ -~ohJre01pinel organ equo1... ~e newe;I woy lo mo <.emu1ic ~romWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in souud. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced dip.pason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-872 WURLilzER® The Wurlitzer Company, DeKalb, Illinois 60115. hOHthe "·ay cover- Photo ... Top row, left to right - newly elected President Erwin Young; Man of the Year, "Stu" Green; Past President Stillman Rice.
    [Show full text]
  • The Irish Tenor Banjo by Don Meade
    The Irish Tenor Banjo by Don Meade The tenor banjo is only about a century old and Early banjos were not standardized instruments was not widely played in Ireland before the but typically had a soundbox made from a dried 1960s. Until recently, in fact, the instrument had gourd with one end cut off. A small drumhead a fairly poor reputation among traditional music made from the skin of a raccoon, groundhog or cognoscenti. Times (and banjo players) have other animal was tied or tacked in place over this changed, however, and the oft-maligned opening. The neck was fretless, sometimes little “bodhrán on a stick” is now one of the most more than a stick thrust through the gourd body. popular “traditional” instruments in Irish music. Strings might be made from braided horse hair, According to banjo virtuoso Mick Moloney, thread, gut, hemp or any other tough fiber. Irish banjo maker Tom Cussen’s contact list of Unlike African lutes, on which the strings are Irish tenor players now includes some 7,000 attached to sliding tuning rings set around the names! There are now more people playing Irish neck, American banjos were, from an early point dance music on the tenor banjo than are using in their evolution, tuned with violin-style pegs. the instrument for anything else. Before going into details of Irish banjo style, a bit of a history The banjo in its classic form has a short, high- lesson is required to explain this development. pitched string (“chanterelle”) that terminates at a peg on the side of the neck, as well as several African Roots full-length strings.
    [Show full text]
  • Banjo Newsletter Contents Index: Volumes I–XL; Nov. 1973–Oct. 2013
    This is a highly selective index of features, articles and tablatures that have appeared in Banjo Newsletter Contents Index: Banjo Newsletter since its introduction in November 1973, up through October 2006. The bold type listings after the date indicate a Volumes I–XL; Nov. 1973–Oct. 2013 feature or lead article that was highlighted by a cover illustration. (But not always; sometimes Volume 1 18 April 1975 – Orpheum #2 Peg-Head Pattern; there was no matching illustration, and some 1 Nov. 1973 – Start-Up of Banjo NewsLetter; 5-String Rock-Type Lick; 5th String Capo (Re-visited); Pull The Dobro?; First Five Frets Fretless?; TAB: Bristol Steam issues had no distinct feature.) Thus this index Plug Earl; TABS: Liberty; Irish Spring; Over The Wa- Convention Blues terfall; Sunflower Dance; Shelby Rock; Roanoke; I’ll is selective and arbitrary, but hopefuly useful. 2 Dec. 1973 – Pickers & Their Identities; Richelieu Fly Away Columns that have appeared on a regular Mute; Banjo Picker’s Dream; TAB: Santa Claus 19 May 1975 – BILL EMERSON; Old Time Ban- basis (Back-Up, Scruggs Center, Beginner’s 3 Jan. 1974 – Zither Banjo; Neck Truss-Rod; Banjo jos; G Minor Down-Hill Progression; D Tuning Lick; Corner, Chorducopia, Old-Time, Melodic Sounds; Triplets; TAB: Arkansas Traveler Clawhammer, Arrangement Development, 4 Feb. 1974— Gibson Banjo Information (Tom Mor- Bridge Experiments (plastic); Stutzman’s Place; Wey- Clinch Mountain Banjo, Reno Banjo, Shop gan – 1); Banjo Bridge Info; Dillard Style Runs; TAB: mann Peg-Head Pattern; TABS: Flop-Eared Mule; West Talk, etc.) are not always listed, but their Arab Bounce Fork Girls; Old Time Religion; Cuckoo’s Nest; 5 March 1974 – More Dillard Runs; Gibson Banjo column titles are usually listed.
    [Show full text]
  • At Ónalyc Ap7ql5gy
    inteT, C K p,SEwill b c By ic art. adtast at bYec ónalyC ap7Ql5gY viewed, 1` WeekY, p°et SudaY bt, www.americanradiohistory.com M1B "DEMI -TASSE REVUE" 7:30 P. M. MONDAYS - NBC STATIONS PETER B. KYNE -one of the world's best known writers; author of such popular works as "Cappy Ricks," "The Go - Getter," "Kindred of the Dust," etc. Mr. Kyne entertains with fascinating and intensely human "After Dinner Stories." TES FIO -RITO -and his nationally famous M J B orchestra share the spotlight on this outstanding program. A celebrated composer, Mr. Fio -Rito is the author of "Three on a Match," "No, No, Nora," "Laugh, Clown, Laugh," and other popular song hits. America's only "Safety -Sealed" Coffee www.americanradiohistory.com BROADCAST LOS ANGELES NEW YORK R. J. Birch Co. 846 S. Broadway Edwin F. Ripley E 118 East K L 28th Street Los Angeles WE The Leading Radio Guide of the Pacific Coast New York City A. J. Vol. XII, No. 17 URBAIN, Editor and Publisher 726 Pacific Building, San Francisco, Calif. April 22, 1933 Public Participation Programs THE magnitude and significance of the press as is friendly. Speaking for the great forces and movements are seldom representative radio apparent audience of the West, to the generation that gives BROADCAST WEEKLY pledges a generous and them origin or direction. This does not, sympathetic response to such a policy. however, absolve a people from its righteous Public participation responsibility for programs offer an- the proper current progress other means of bringing the audience into of such forces or their practical application closer harmony and to the solution more friendly relation- of existing problems.
    [Show full text]
  • Give Me the Banjo: Lesson Plan
    Give Me the Banjo: Lesson Plan Created by: Dan McDowell, Educational Consultant Shaun Clarke, Project Manager Marc Fields, Producer/Director IV. 4-String Swing Cynthia Sayer: 4-String Swing - http://www.pbs.org/arts/work/06_4_string_swing_cynthia_sayer/ While the 5-string banjo now enjoys more popularity among today’s banjo players, there was a time when the 4-string banjo was more popular. In the early 1920s, the 4-string banjo provided the crucial pulse for most jazz bands. In the jazz setting, the 4-string banjo was used rhythmically. But the heyday of the 4-string banjo was short-lived, as many jazz bands started to replace banjos with amplified guitars in the 1930s. There are two different types of 4-string banjos: the tenor and the plectrum. The tenor banjo was introduced as an improvement on previous banjos because it was louder (which was important in big vaudeville theaters and the new dance bands and orchestras), with a shorter neck. Lacking the fifth string -- the shorter thumb or drone string -- the tenor banjo had the same tuning as both a mandolin and a violin, making it easier for musicians familiar with those instruments to pick up. This gave the tenor banjo the flexibility to play in many different musical keys, an advantage in orchestras. The plectrum banjo has a similar construction to the 5-string, minus the fifth string, and is usually tuned the same. The plectrum banjo, as indicated by the name, is normally played with a pick. Plectrum players liked to use more chords in their playing, and the fifth string interfered with their ability to play chords.
    [Show full text]
  • July 17 to 20, 2016 Banjo, Capitol, Cowboy Museum
    FROM VICKI & DON AIRBNB MIDTOWN PERFECT SPOT FOR WORK & PLAY AT “THE SIEBER” 1300 NORTH HUDSON AVE OKLAHOMA CITY, OK DAILY DATA REPORT (VOLUME 2016, EDITION - JULY) DATA FOR: Sunday, JULY 17, 2016 through Wednesday, JULY 20, 2016 888888888888888888888888 SUNDAY 17TH JULY “THE SIEBER” MIDTOWN PERFECT SPOT FOR WORK & PLAY 1300 NORTH HUDSON AVE OKLAHOMA CITY, OK 88888888888888 What a terrible thing to wake up to this morning.. another “Blue Killings” in Baton Rouge.. How very sad.. This is eight in two weeks.. GOD and his wisdom and leadership are needed more now; than ever... WE TOOK IT KIND OF EASY THIS MORNING.. LISTENED TO SOME NEWS.. HAD A GOOD DINNER THAT VICKI MADE AND THEN WE LEFT TO GO TO BRICKTOWN AREA TO THE “AMERICAN BANJO MUSEUM” .... WE LEARNED ABOUT THIS FACILITY AT TOWER GROVE PARK CONCERT IN SAINT LOUIS IN 2014.. THE EXECUTIVE DIRECTOR OF THE AMERICAN BANJO MUSEUM, MR. JOHNNY BAIER, WAS THE BANJO PLAYER AND HE ADVERTISED IT FULLY. WE DECIDED RIGHT THEN, IF AND WHEN WE ARE IN OKC AGAIN, WE WILL VISIT THIS MUSEUM. SO TODAY WE DID IT... THE AMERICAN BANJO MUSEUM Containing more Banjo instruments on public display than any other collection in the world, the American Banjo Museum is a thoroughly modern facility devoted to a historically analog instrument. Considered as one of America's native instruments from African slave culture in the mid-1600s when the instrument was invented using gourds and animal skins, the banjo has been considered an integral part of American music for hundreds of years. This rich history is on display at the museum which features over 300 banjos ranging from handmade folk instruments, to tightly calibrated concert banjos.
    [Show full text]
  • The Life, Death and Revival of the Banjo
    By-Law Meeting: April 2017 Tuesday, April 11th, 2017 Vol. 77 No. 4 @ 1:00 pm Membership Meeting: Tuesday, May 9th, 2017 @ 1:00 pm The Life, Death and Revival of the Banjo See Pages 10-11 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2017-2019 Terryl Jares President Leo Murphy Vice-President Leo Murphy Terryl Jares B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS Robert Bauchens Bob Lizik Update on Pension Fund Meeting Rich Daniels Janice MacDonald Rich Musical History Translates to New Kind of Shop Class Frank Donaldson Charles Schuchat For those of you who were not able to attend the AFM – EPF meeting on March Jeff Handley 8th, here is a brief summary of the meeting. Our AFM President, Ray Hair chaired a Back in February I visited the old Austin High School at 231 N not only by their teachers but also visiting professionals; mentors CONTRACT DEPARTMENT Pine in Chicago. This is the school where the legendary Austin High who can share first hand knowledge gained from their panel of Fund representatives which included Fund trustees (both union and employer), Leo Murphy – Vice-President Gang (of musicians) formed. Bud Freeman, the McPartland brothers professional experiences. Fund administrators, a Fund investment advisor, a Fund actuary and Fund lawyers. A Nancy Van Aacken are the names that easily come to my mind. Those musicians and While mouthpieces are the programs current product, the skills presentation was given which centered on assets (contributions and investments) and ASSISTANTS TO THE others in that group went on to work with many bands and groups that are learned can be applied to a wide variety of applications.
    [Show full text]
  • Aa002344.Pdf (7.097Mb)
    The Natio egionnaire Dedicated to the the Firing Line m Vol. 12 Indianapolis, Indiana, May 6, 1916 TRUMAN SIGNS BILL THAT GIVES VETERANS BETTER PRIORITY IN BUYING WAR SURPLUS Little Time Is Left to Secure OMAHA POST 1 HAS First Real Break in Getting 20,000 MEMBERS Omaha Post No. 1, the largest Needed Supplies Is Provided Passage of Veteran Legislation post in the world for some years, has now stepped out in front Legionnaires Asked lo Urge Congress to Act Now on of many departments with the Great Legislative Victory for The American Legion announcement that it now has Critical Measures, in Advance of reached a post membership of Places Veterans Priority Ahead of AH Summer Adjournment 20,000. Congatulations lo the Nebras- Except Federal Government Legionnaires throughout the nation are urged by the Na- ka post that leads the world tional Legislative Committee to keep pressing forward in behalf been been pouring in on officers Washington, D. C.—President Truman, on May 3, signed the of pending legislation upon which work was interrupted in of the post since the announce- American Legion proposed war surplus bill (S. 17T>7; to ad- ment. There are 12 departments Washington by the Kaster recess. in continental United States vance the priority of war veterans to a position immediately "The American Legion does not have too much time between which have fewer members than after the Federal government, and thereby made it law. This now and the date that. Congress adjourns for the summer", says Omaha Post 1, and none of the marked one oC the greatest legislative victories in recent Ameri- John Thomas Taylor, national legislative director, "and we must foreign departments have that can Legion history.
    [Show full text]