In a Uvic Minute: Concert of Miniatures Music by Uvic School of Music Alumni Selected from a Call for Scores
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1Er Février 2015 — 15 H Salle De Concert Bourgie Prixopus.Qc.Ca
e 18 GALA1er février 2015 — 15 h Salle de concert Bourgie prixOpus.qc.ca LE CONSEIL QUÉBÉCOIS DE LA MUSIQUE VOUS SOUHAITE LA BIENVENUE À LA DIX-HUITIÈME ÉDITION DU GALA DES PRIX OPUS 14 h : accueil 15 h : remise des prix 17 h 30 : réception à la Galerie des bronzes, pavillon Michal et Renata Hornstein du Musée des beaux-arts de Montréal Écoutez l’émission spéciale consacrée au dix-huitième gala des prix Opus, animée par Katerine Verebely le lundi 2 février 2015 à 20 h sur les ondes d’ICI Musique (100,7 FM à Montréal) dans le cadre des Soirées classiques. Réalisation : Michèle Patry La Fondation Arte Musica offre ses félicitations à tous les finalistes et aux lauréats des prix Opus de l’an 18. La Fondation est fière de contribuer à l’excellence du milieu musical québécois par la production et la diffusion de concerts et d’activités éducatives, à la croisée des arts. Au nom de toute l’équipe du Musée des beaux-arts de Montréal et de la Fondation Arte Musica, je vous souhaite un excellent gala ! Isolde Lagacé Directrice générale et artistique sallebourgie.ca 514-285-2000 # 4 Soyez les bienvenus à cette 18e édition du gala des prix Opus. Votre fête de la musique. Un événement devenu incontournable au fil des ans ! Le gala des prix Opus est l’occasion annuelle de célébrer l’excellence du travail des interprètes, compositeurs, créateurs, auteurs et diffuseurs. Tout au long de la saison 2013-2014, ces artistes ont mis leur talent, leur créativité et leur ténacité au service de la musique de concert. -
Proceedings-Print.Pdf ISSN: 2175-6759 ISBN: 978-85-76694-75-5
Edited by: Flávio Luiz Schiavoni Rodrigo Schramm José Eduardo Fornari Novo Junior Leandro Lesqueves Costalonga ISSN 2175-6759 Ficha catalográfica elaborada pelo Setor de Processamento Técnico da Divisão de Biblioteca da UFSJ Simpósio Brasileiro de Computação Musical (15. : 2015 : Campinas, SP) Anais [recurso eletrônico] do 15º Simpósio Brasileiro de Computação Musical = 15th Brazilian Symposium on Computer Music (SBCM), 23 a 25 de novembro de 2015, Campinas, SP / editado por Flávio Luiz Schiavoni ... [et al.]. – Campinas: UNICAMP, 2015. Disponível em: http://compmus.ime.usp.br/sbcm2015/files/proceedings-print.pdf ISSN: 2175-6759 ISBN: 978-85-76694-75-5 1. Música por computador. 2. Arte e tecnologia. 3. Multimídia (Arte). I. Schiavoni, Flávio Luiz (Ed.). II. Título. CDU: 78:004 SBCM 2015 is organized by University of Campinas (UNICAMP) President: Jos´eTadeu Jorge Vice President for University Coordination: Alvaro´ Penteado Cr´osta Vice President for Research (PRP): Gl´aucia Maria Pastore Coordination of Interdisciplinary Centers (COCEN) Coordinator: Jurandir Zullo Junior Interdisciplinary Center for Studies on Sound Communication (NICS) Coordinator: Adriana do Nascimento Ara´ujo Mendes Art Institute, Department of Music Director: Fernando Augusto de Almeida Hashimoto Chief of the Department: Leandro Barsalini Coordinator of Graduate Studies in Music: Alexandre Zamith Almeida Coordinator of Undergraduate Studies in Music: Paulo J. Siqueira Tin´e Production Center Staff (Ceprod) Visual programming: Ivan Avelar Promotion Brazilian Computer -
Dossier Ensemble Paramirabo
Mot du directeur artistique Le mandat artistique de l’organisme Ensemble Paramirabo est de se présenter comme une voix pour la diffusion de la musique d’aujourd’hui et pour la promotion des compositeurs émergents. Ses membres travaillent de façon à faciliter l’accessibilité et la compréhension de la musique contemporaine auprès de tous les publics et de tous les milieux et se consacrent à la redynamisation du concert grâce à une programmation inédite. L’organisme ne se limite pas à un répertoire strict. Il touche autant à des œuvres de répertoire qu’à la musique actuelle qu’elle soit écrite, improvisée ou électroacoustique. Il fait appel à des musiciens et des artistes de la relève montréalaise afin de concrétiser ses projets et de combler les postes dus aux exigences instrumentales des œuvres présentées. La programmation reflète ce désir d’élargir les horizons et les expériences des auditeurs de nos concerts en favorisant la nouveauté, l’expérimentation et le risque. Nous avons un penchant pour les programmes qui tournent autour d’un thème ou qui offrent plusieurs points de vue divergents sur un même concept. Nous aimons également présenter des projets en collaborations avec des artistes issus d’autres domaines d’art qui amènent de nouvelles explorations et découvertes, citons en exemple les programmes cabarets ou théâtrales tel que nos productions THE CRAZIES! ou À chaque ventre son monstre (gagnant du Prix Opus - Création de l’année 2018). Dans les dernières années, nous avons fait un effort majeur pour créer des projets artistiques qui agissent comme un pont culturel avec des milieux différents. -
Download the TSO Commissions History
Commissions Première Composer Title They do not shimmer like the dry grasses on the hills, or January 16, 2019 Emilie LeBel the leaves on the trees March 10, 2018 Gary Kulesha Double Concerto January 25, 2018 John Estacio Trumpet Concerto [co-commission] In Excelsis Gloria (After the Huron Carol): Sesquie for December 12, 2017 John McPherson Canada’s 150th [co-commmission] The Talk of the Town: Sesquie for Canada’s 150th December 6, 2017 Andrew Ager [co-commission] December 5, 2017 Laura Pettigrew Dòchas: Sesquie for Canada’s 150th [co-commission] November 25, 2017 Abigail Richardson-Schulte Sesquie for Canada’s 150th (interim title) [co-commission] Just Keep Paddling: Sesquie for Canada’s 150th November 23, 2017 Tobin Stokes [co-commission] November 11, 2017 Jordan Pal Sesquie for Canada’s 150th (interim title) [co-commission] November 9, 2017 Julien Bilodeau Sesquie for Canada’s 150th (interim title) [co-commission] November 3, 2017 Daniel Janke Small Song: Sesquie for Canada’s 150th [co-commission] October 21, 2017 Nicolas Gilbert UP!: Sesquie for Canada’s 150th [co-commission] Howard Shore/text by October 19, 2017 New Work for Mezzo-soprano and Orchestra Elizabeth Cottnoir October 19, 2017 John Abram Start: Sesquie for Canada’s 150th [co-commission] October 7, 2017 Eliot Britton Adizokan October 7, 2017 Carmen Braden Blood Echo: Sesquie for Canada’s 150th [co-commission] October 3, 2017 Darren Fung Toboggan!: Sesquie for Canada’s 150th [co-commission] Buzzer Beater: Sesquie for Canada’s 150th September 28, 2017 Jared Miller [co-commission] -
Jules Léger Prize | Prix Jules-Léger
Jules Léger Prize | Prix Jules-Léger Year/Année Laureates/Lauréats 2020 Kelly-Marie Murphy (Ottawa, ON) Coffee Will be Served in the Living Room (2018) 2019 Alec Hall (New York, NY) Vertigo (2018) 2018 Brian Current (Toronto, ON) Shout, Sisyphus, Flock 2017 Gabriel Turgeon-Dharmoo (Montréal, QC) Wanmansho 2016 Cassandra Miller (Victoria, BC) About Bach 2015 2015 Pierre Tremblay (Huddersfield, UK) Les pâleurs de la lune (2013-14) 2014 Thierry Tidrow (Ottawa, ON) Au fond du Cloître humide 2013 Nicole Lizée (Lachine, QC) White Label Experiment 2012 Zosha Di Castri (New York, NY) Cortège 2011 Cassandra Miller (Montréal, QC) Bel Canto 2010 Justin Christensen (Langley, BC) The Failures of Marsyas 2009 Jimmie LeBlanc (Brossard, QC) L’Espace intérieur du monde 2008 Analia Llugdar (Montréal, QC) Que sommes-nous 2007 Chris Paul Harman (Montréal, QC) Postludio a rovescio 2006 James Rolfe (Toronto, ON) raW 2005 Linda Catlin Smith (Toronto, ON) Garland 2004 Patrick Saint-Denis (Charlebourg, QC) Les dits de Victoire 2003 Éric Morin (Québec, QC) D’un château l’autre 2002 Yannick Plamondon, (Québec, QC) Autoportrait sur Times Square 2001 Chris Paul Harman (Toronto, ON) Amerika Canada Council for the Arts | Conseil des arts du Canada 1-800-263-5588 | canadacouncil.ca | conseildesarts.ca 2000 André Ristic (Montréal, QC) Catalogue 1 (bombes occidentales) 1999 Alexina Louie (Toronto, ON) Nightfall 1998 Michael Oesterle (Montréal, QC) Reprise 1997 Omar Daniel (Toronto, ON) Zwei Lieder nach Rilke 1996 Christos Hatzis (Toronto, ON) Erotikos Logos 1995 John Burke (Toronto, ON) String Quartet 1994 Peter Paul Koprowski (London, ON) Woodwind Quintet 1993 Bruce Mather (Montréal, QC) YQUEM 1992 John Rea (Outremont, QC) Objets perdus 1991 Donald Steven (Montréal, QC) In the Land of Pure Delight 1989 Peter Paul Koprowski (London, ON) Sonnet for Laura 1988 Michael Colgrass (Toronto, ON) Strangers: Irreconcilable Variations for Clarinet, Viola and Piano 1987 Denys Bouliane (Montréal, QC) À propos.. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
OTHER MINDS 14 a Festival of New Music
OTHER MINDSA festival of new music 14 GUEST COMPOSERS: MICHAEL HARRISON • DOBROMIŁA JASKOT • BEN JOHNSTON • CATHERINE LAMB • CHICO MELLO • JOHN SCHNEIDER • LINDA CATLIN SMITH • BENT SØRENSEN • CHINARY UNG MARCH 5 - 7, 2009 7PM PANEL DISCUSSIONS / 8PM CONCERTS JEWISH COMMUNITY CENTER OF SAN FRANCISCO CHARLES AMIRKHANIAN ARTISTIC DIRECTOR • ADAM FONG ASSOCIATE DIRECTOR Revelationary New Music www.radiOM.org The Djerassi Resident Artists Program is a proud co-sponsor of Other Minds Festival 14 The Mission of the Djerassi Resident Artists Program is to support and enhance the creativity of artists by providing uninterrupted time for work, reflection, and collegial interaction in a setting of great natural beauty, and to preserve the land upon which the Program is situated. The Djerassi Program annually welcomes the Other Minds Festival composers for a five-day residency for collegial interaction and preparation prior to their concert performances in San Francisco. Now celebrating its 30th Anniversary, the Djerassi Program has hosted 1800 artists of every discipline worldwide since its founding in 1979. Small, diverse groups of artists convene for one-month residencies at our rural ranch where studio space, housing, meals and staff support are provided free of charge. Information and application materials may be obtained at www.djerassi.org. The Djerassi Program is a non-profit 501 (C) (3) organization that relies on contributions from individuals and phil- anthropic organizations for its operations. Yield to Whim We welcome your support! by -
August 14–18, 2018 Presented by the Earle Brown Music Foundation Charitable Trust the Dimenna Center for Classical Music | 450 W 37Th Street, New York, NY Contents
TIME:SPANS 2018 Mary Flagler Cary Hall is located at the DiMenna Center for Classical Music, 450 W 37th St, New York, NY 10018 Individual tickets: $20 / $10 (student discount) : brownpapertickets.com/event/3445666 TIME SPANS Festival pass: 5 concerts | $50 brownpapertickets.com/event/3445216 Presented by The Earle Brown Music Foundation Charitable Trust 2018 earle-brown.org timespans.org The following artworks are reproduced in this brochure with permission, as follows. Frontispiece: Hiroshi Sugimoto, Paramount Theater, Newark, “On the Beach,” 2015. Courtesy Sugimoto Studio, NY. Page 14–15: Rirkrit Tiravanija, Untitled 2008–2011 (the map of the land of feeling). Installation view of the exhibition, Print/Out, February 19–May 14, 2012. Digital Image ©MoMA/Licensed by SCALA/ Art Resource, NY. Page 25: ©Ellsworth Kelly, Brushstrokes Cut into Forty-Nine Squares and Arranged by Chance, 1951. Cut-and-pasted paper and ink, 13 ¾ x 14 inches. Purchased with funds given by Agnes Gund. Digital Image © MoMA/Licensed by SCALA/Art Resource, NY. Page 28: ©Ellsworth Kelly, Broadway, 1958. Oil on canvas, 78 x 69 ½ inches. Presented by E. J. Power through the Friends of the Tate Gallery, 1962. ©Tate, London/Art Resource, NY. A Contemporary Music Festival August 14–18, 2018 Presented by The Earle Brown Music Foundation Charitable Trust The DiMenna Center for Classical Music | 450 W 37th Street, New York, NY Contents 4 Introduction 6 August 14, 2018, at 8 pm Bozzini Quartet Cassandra Miller, Linda Catlin Smith Mary Flagler Cary Hall 10 August 15, 2018, at -
An Evening of Music and Laughter
An Evening of Music and Laughter featuring the North American debut of baritone diva Marguerita Peeverovich with Professor Johannes Ambrosius Kellermeister and a host of Music Alumni Saturday, September 11, 2004 at 8:00 pm ,T Arts Building ConviKation ® Hall University of Alberta DEPARTMENT OF MUSIC m Program Part One Mistress (?) of Ceremonies Alexandra Munn From The Short-Tempered Clavier P D Q Bach Prelude and Fugue in: (1807-1742?) C Minor C Major G Major G Minor D Minor John Butler/Alexandra Munn, piano Owed To The Mizsteak R. 2004a Jan Randall (World premiere) (b. 1952) William Damur,fl ute Don Ross, clarinet Russell Whitehead, trumpet From Notebook for Betty-Sue Bach P D Q Bach Allemande Left Traumerie Two-Part Contraption Alexandra Munn Three Uncharacteristic Pieces Peter Schickele (For B-Flat Trumpet and Piano) (b. 1935) 1. Dance of Uncertain National Origin 2. Valse Enigmatique 3. Young Man Going West Russell Whitehead, trumpet John Butler, piano The Art of the Ground Round (S. 1.19/lb.) P D Q Bach For Three Baritones and Discontinue Frottola Swingers Rob Clark, Jonathan Ayres and Michael Kurschat, baritones Toscha Turner, double bass Prepared by Leonard Ratzlaff Intermission (Ten minutes) Translations Heidenroslein/Little Heath Rose Part Two Master (?) of Ceremonies (Goethe) Professor Johannes Ambrosius Kellermeister A lad saw a little rose growing. Little red rose on the heath; Four Folk-song Upsettings P D Q Bach It was as young and fair as the moming. (edited, but not gussied-up, by Professor Peter Schickele) He ran quickly to have a close look at it. -
2020 E-Gré Program
43rd Annual Eckhardt-Gramatté National Music Competition for the performance of Canadian and contemporary music Voice September 19 to 20, 2020 #egréNEW2020 Hosted from the School of Music Brandon University Brandon, MB, Canada 43rd Eckhardt-Gramatté National Music Competition Non-profit charity organization BN#118892165MC0001 Voice — September 19-20, 2020 Our Distinguished Patrons Larry N. Maguire, MP Brandon-Souris Cathy Cox, Minister, Manitoba Sport, Culture and Heritage Honourable Rick Chrest, Mayor, City of Brandon Board of Directors President Dr. John Rice Vice-President Prof. Greg Gatien Treasurer Mrs. Cathy Redfern Artistic Director Prof. Megumi Masaki Members Dr. Kenneth Nichols Mr. Everett Hopfner Mr. Jeff Fawcett Mrs. Barb Kaspick Dr. Joe Stouffer Ms. Kendra Maxon Lifetime Members Mr. Robert Blair, Saskatoon, SK Dr. Lawrence Jones, Brandon, MB Mrs. Mary Louise Perkins, Brandon, MB Mrs. Merry Rae, Victoria, BC Mr. David C. Wilson, Brandon, MB Administrative Officer Mr. Aren Teerhuis 2020 ECKHARDT-GRAMATTÉ NATIONAL MUSIC COMPETITION PROGRAMME All events take place on Live Stream, from CST Saturday, September 19, 2020 Final Recitals (Live Streamed) 9:00-10:00 am SARAH PARKIN, soprano with pianist Ben Smith 10:30-11:30 am JAYNE HAMMOND, soprano with pianist Lisa Rumpel 12:30-1:30 pm JENNIFER ROUTHIER, mezzo with pianist Natasha Fransblow 2:00-3:00 pm VIRGINIE MONGEAU, soprano with pianist Jesse Plessis 4:00-5:00 pm REBECCA GRAY, soprano with pianist Cheryl Duvall 5:30-6:30 pm BRITTANY RAE, soprano with pianist Jesse Plessis Sunday, September 20th, 2020 10:00-11:00 am AWARDS CEREMONY Eckhardt-Gramatté National Music Competition The Eckhardt-Gramatté Competition for the performance of Canadian and contemporary music is a memorial to composer, pianist, and violinist S. -
La Création Musicale À Montréal De 1966 À 2006 Vue Par Ses Institutions
Collection dirigée par Sophie Stévance La collection Recherches en musique souhaite rassembler la diversité de la recherche en musique – nous sommes tous et toutes des chercheurs ayant comme objet d’étude la musique, quelles que soient les disciplines et les approches adoptées pour mieux la comprendre : musicologie, pédagogie musicale, éducation musicale, histoire de la musique, ethnomusicologie, sociologie de la musique, philosophie de la musique, psychologie, etc. Comité scientifique Serge Lacasse, Francis Dubé, Jean-Philippe Desprès, Ariane Couture, Nicolas Darbon, Valerie Peters, Paul-André Dubois, Monique Desroches Titre paru : Stévance, Sophie (dir.), Serge Lacasse (dir.), Martin Desjardins (dir.), Pour une éthique partagée de la recherche-création en milieu universitaire, 2018. La création musicale à Montréal de 1966 à 2006 vue par ses institutions III La création musicale à Montréal de 1966 à 2006 vue par ses institutions ARIANE COUTURE Nous remercions le Conseil des arts du Canada de son soutien. We acknowledge the support of the Canada Council for the Arts. Les Presses de l’Université Laval reçoivent chaque année du Conseil des Arts du Canada et de la Société de développement des entreprises culturelles du Québec une aide financière pour l’ensemble de leur programme de publication. Illustration de couverture : Odile Côté-Rousseau, Désir, 2016, acrylique sur toile, 30 × 40 pouces, Québec, https://www.odile-rousseau-artiste.com/ Maquette de couverture : Laurie Patry Mise en pages : Danielle Motard ISBN papier : 978-2-7637-4656-2 ISBN pdf : 9782763746579 © Les Presses de l’Université Laval Tous droits réservés. Imprimé au Canada Dépôt légal 4e trimestre 2019 Les Presses de l’Université Laval www.pulaval.com Toute reproduction ou diffusion en tout ou en partie de ce livre par quelque moyen que ce soit est interdite sans l’autorisation écrite des Presses de l’Université Laval. -
Spring/Summer 2020 Journal Ejournal ACWC/AFCC Spring/ Summer 2020
Spring/Summer 2020 Journal eJournal ACWC/AFCC Spring/ Summer 2020 Table of Contents 3 Notes from the Chair Carol Ann Weaver 6 From the Editor Fiona Evison 8 ACWC / AFCC Anniversary Celebrations Diane Berry 10 Special Report: Composers in the Time of a Pandemic 19 Creativity and Routines: Survival Strategies in Anno Covid Xenia Pestova Bennett 22 My Journey from Film Distributor to Librettist Sharon Singer 26 Tribute: Rebekah Cummings – A Retrospective Irene Markoff 31 Interview: A Special Concert Postponed Christie Morrison 36 A Newly Imagined Piano Eve Egoyan 40 New Member Profiles 42 New Canadian Opera: Chinatown 44 International Alliance of Women in Music Report Diane Berry 50 Member Opportunities and News All writers in the Journal are ACWC members, unless otherwise indicated. 2 eJournal ACWC/AFCC Spring/ Summer 2020 Notes from the Chair Surround-Sound: Listening to our World During the Pandemic Carol Ann Weaver These days during the coronavirus pandemic with schedules blown apart, priorities refocused (or unfocused), musical activities altered or abolished, scored compositions for ensemble music becoming a thing of the recent past or distant future, funds drying up, dreams being put on hold, we begin to wonder about our existence as composers. Virtual ensembles fill our screens with dozens of performers playing music together, distantly (and possibly, moistly!) Multi-tracking our music into segments of larger virtual composites has become an exciting musical option. But what about our real-time, non-virtual music? What is our way forward? How do we find ways to hear and present a wider spectrum of sounds, which exist around us in our physical world? During the spring, I am spending countless hours recording resident and migrating birds, local frogs and toads, rhythmic dripping of water in a spout, all manner of natural sounds in my environment.