Guide to the Dorothy Shaver Papers
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Costume Institute Records, 1937-2008
Costume Institute Records, 1937-2008 Finding aid prepared by Arielle Dorlester, Celia Hartmann, and Julie Le Processing of this collection was funded by a generous grant from the Leon Levy Foundation This finding aid was generated using Archivists' Toolkit on August 02, 2017 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Costume Institute Records, 1937-2008 Table of Contents Summary Information .......................................................................................................3 Historical note..................................................................................................................... 4 Scope and Contents note.....................................................................................................6 Administrative Information .............................................................................................. 6 Related Materials .............................................................................................................. 7 Controlled Access Headings............................................................................................... 7 Collection Inventory............................................................................................................9 Series I. Collection Management..................................................................................9 Series II. Curators' and Administrators' Files............................................................ -
Successfulwomena007740mbp.Pdf
123315 920.7 T23s 1O96973 Taves Successful women and how they attained success SUCCESSFUL WOMEN SUCCESS'lOTWOMEN How They Attained Success By Isabella Taves YORK, 1943 . P. Dutton and Company, Inc. t 2943, by'E. P. Dutton & Co., Inc. d$j, j&ghts Reserved. Printed in U.S.A. FIRST EDITION H No part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in con- nection with a review written for inclusion in magazine or newspaper or radio broadcast. S. A. JACOBS, THE GOLDEN EAGLE PRESS MOUNT VERNON, N. Y. CONTENTS PAGE Introduction: Successful Women 1 1 Radio Mary Margaret McBride, Columnist 1 7 PHOTO FACING PAGE 32 Bourke- Margaret White, Photographer 32 PHOTO FACING PAGE 32 Helen Actress Hayes, jo PHOTO FACING PAGE 33 Katharine Cornell, Actress 50 PHOTO FACING PAGE 48 i i Cornelia Otis Skinner, Actress & Writer 69 PHOTO FACING PAGE 49 Mary Roberts Rinehart, Writer 79 PHOTO FACING PAGE 96 Writer Kathleen Norris, 79 PHOTO FACING PAGE 96 Margaret Mitchell, Writer 79 PHOTO FACING PAGE 97 . Mary Ellen Chase, Writer 79 PHOTO FACING PAGE 97 Anne Hummert, Radio Executive 96 PHOTO FACING PAGE 112 Jane Crusinberry, Script Writer 96 PHOTO FACING PAGE 112 Valentina, Dress Designer 1 1 5 PHOTO FACING PAGE 113 V go&tents PAGE " Designer . 115 Ugri%:Q*m* "' . I I PHOTO FACING PAGE 1 1 3 Sally Victor, Millinery Designer 133 PHOTO FACING PAGE l6o Dorothy Shaver, Retail Executive 1 4 1 PHOTO FACING PAGE l6l Sara Pennoyer, Retail Executive 141 PHOTO FACING PAGE l6l Gladys Swarthout, Singer 1 60 PHOTO FACING PAGE 49 Ruby Ross Wood, Decorator 1 7 5 PHOTO FACING PAGE IO*O Louise Taylor Davis, Ad Executive 1 88 PHOTO FACING PAGE 176 Katherine Grimm, Secretary^. -
Fashion Group International, 1928-1997
St. John's University St. John's Scholar Theses and Dissertations 2020 The Business of Fashion: Fashion Group International, 1928-1997 Larissa Marie Knopp Follow this and additional works at: https://scholar.stjohns.edu/theses_dissertations THE BUSINESS OF FASHION: FASHION GROUP INTERNATIONAL, 1928-1997 A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY to the faculty of the DEPARTMENT OF HISTORY of ST. JOHN’S COLLEGE OF LIBERAL ARTS AND SCIENCES at ST. JOHN’S UNIVERSITY New York by Larissa Knopp Date Submitted: 4/20/2020 Date Approved: 4/21/2020 Larissa Knopp Lara Vapnek ©Copyright by Larissa Knopp 2020 All Rights Reserved ABSTRACT THE BUSINESS OF FASHION: FASHION GROUP INTERNATIONAL, 1928-1997 Larissa Knopp In 1931 a group of women formed an organization that would serve as a clearing house for American fashion and as a support group for women professionals in the fashion industry. Members included Dorothy Shaver, Edith Head, and Eleanor Roosevelt, as well as other well-known professionals. Fashion Group soon grew into an international organization that helped launch careers in every area of the industry. Fashion Group International helped women create space for themselves in the upper echelons of the fashion world. Through a careful examination of archival documents, including letters, meeting minutes, newsletters, and speeches, this thesis shows how Fashion Group International helped women achieve professional success in the fashion industry. This dissertation looks at the women who held positions of power in the fashion industry after 1930 and it traces how they helped other women achieve similar positions. -
"It Is a Profession That Is New, Unlimited and Rich!": the Promotion of the American Fashion Designer in the 1930S Sheryl Ann Farnan Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2005 "It is a profession that is new, unlimited and rich!": the promotion of the American fashion designer in the 1930s Sheryl Ann Farnan Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Studies Commons, Art and Design Commons, Film and Media Studies Commons, Mass Communication Commons, and the United States History Commons Recommended Citation Farnan, Sheryl Ann, ""It is a profession that is new, unlimited and rich!": the promotion of the American fashion designer in the 1930s " (2005). Retrospective Theses and Dissertations. 1235. https://lib.dr.iastate.edu/rtd/1235 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. NOTE TO USERS This reproduction is the best copy available. ® UMI "It is a profession that is new, unlimited and rich!" The promotion of the American fashion designer in the 1930s by Sheryl Ann Faman A dissertation submitted to the graduate Acuity in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Textiles and Clothing Program of Study Committee: Jane Farrell Beck, Major Professor Jean Parsons, Major Professor Ann Marie Fiore AmyBix Leland Poague Tanya Zanish-Belcher Iowa State University Ames, Iowa 2005 Copyright © Sheryl Ann Faman, 2005. AH rights reserved. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustratioDS and photographs, print bleedthrough, substandard margins, and in^roper aligmnent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlq>s. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photogr^hs mchided in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Beil & Howell Inlormation Company 300 North 2eeb Road. Ann Arbor. Ml48106-1346 USA 313,'761-4700 800,'521-0600 PROMOTING AMERICAN FASHION 1940 THROUGH 1945: FROM UNDERSTUDY TO STAR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sandra Stansbery Buckland, B.A., M.A. -
The Style Stakes: Fashion, Sportswear and Horseracing in Interwar America
The Style Stakes: Fashion, Sportswear and Horseracing In Interwar America Alison Goodrum Department of Apparel Hollings Faculty Manchester Metropolitan University Righton Building, Cavendish Street Manchester M15 6BG England Tel: +44(0)161 247 2631 Email: [email protected] Acknowledgements This work was supported by the National Sporting Library & Museum, Virginia, under the John H Daniels Fellowship programme; and the Bard Graduate Center, New York City, under the Visiting Fellows programme. My grateful and warmest thanks to both. The Style Stakes: Fashion, Sportswear and Horseracing In Interwar America Abstract Despite an acknowledgement that, historically, the relationship between horseracing, women and fashion was important, existing literature provides little detail on the actual clothes that women wore as race-goers. The aim of this article is to add missing depth on the clothing of fashionable women at horseraces, focusing on the United States during the interwar period. In so doing, the discussion extends understandings of the history, and the material culture, of sporting spectatorship more generally. The article also introduces original work on the male spectator and his race-going wardrobe. Climatic considerations to do with dressing appropriately for the great outdoors are discussed along with other influential factors on spectator dress such as contemporary fashion journalism and photography. The industry supplying fashion consumers was in transition at this time also and New York acquired prominence as a centre for a new mode of sporty, all-American, fashion that was termed ‘sportswear’. As well as dealing with the clothes and the individuals who wore them, then, 1 the article tells the story of the broader socio-economic conditions of American fashion, sport and sportswear that formed – and informed - their wearing. -
Libby Payne, Fashion Designer for “Mrs
BEHIND THE LABELS: LIBBY PAYNE, FASHION DESIGNER FOR “MRS. MAIN STREET AMERICA” A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Caroline A. Surrarrer May, 2016 Thesis written by Caroline A. Surrarrer B.A., The University of Akron, 2009 M.A., Kent State University, 2016 Approved by ________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School and Thesis Advisor ________________________________________ Jean Druesedow, Committee Member ________________________________________ Dr. Pamela Grimm, Committee Member ________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________ Dr. Christine Havice, Director, The School of Art ________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts ©Caroline A. Surrarrer TABLE OF CONTENTS Page LIST OF FIGURES………………………………………………………………………………6 LIST OF TABLES……………………………………………………………………….............7 LIST OF APPENDICES…………………………………………………………………………8 ACKNOWLEDGMENTS………………………………………………………………………..9 CHAPTER I. INTRODUCTION…………………………………………………………………..14 -Purpose……………………………………………………………………………..14 -Definition of Terms………………………………………………………………...17 II. LITERATURE REVIEW…………………………………………………………...19 -Introduction………………………………………………………………………...19 -Market Segmentation -
Copyrighted Material
CHAPTER ONE Scarlett O ’ Hara and the p ost - b ellum New Look First, because the mythology of woman has changed: in the novel, in fi lms, woman is less and less the femme fatale, no longer the destroyer of men; she can no longer be essentialised, stopped from existing or made into a precious and dangerous object; she has rejoined the human race. Roland Barthes, Jardin des Arts , 1961 Millions of women watch movies and fantasize; gazing at stars acting as seductive style guides. We depend on Hollywood, alone in the Fashion fi rmament, to keep our imaginings alive, and its allure persists. Big screen Fashion legends infl uence the way women want to look: Joan Crawford in Mildred Pierce , Bette Davis in The Great Lie , Lauren Bacall in To Have and Have Not, Audrey Hepburn in Roman Holiday, Kirsten Dunce in Marie Antoinette. Through these and other compelling moving image texts, we see ourselves as business gurus, sex goddesses, queens, criminals, mothers, beats, wives and lovers. These roles, and the way stars appear in them, pick up on the mesmerizing model set in motion by Vivien Leigh as Scarlett O ’ Hara in Gone with the Wind. This is the movie which began Hollywood ’ s love affair with Fashion and estab- lished a pre - postCOPYRIGHTED - Feminist ambience which MATERIAL became a potent marketing force. Roland Barthes, recognizing how fi lm was playing its part in changing the way women were seen, and saw themselves, wrote of women as wearers of jewels as status symbols. Gone with the Wind is a model for his idea, a paradigm for his hypothesis. -
Characteristics of Signature Bonnie Cashin Designs1)
pISSN 2233-9051 International Journal of Costume and Fashion eISSN 2288-7490 Vol. 15 No. 1, June 2015, pp. 51-74 Characteristics of Characteristics of Signature Bonnie Cashin Signature Bonnie Cashin Designs Designs1) Injoo Kim* ․ Seung A Lee ․ George F. Sarofeen Associate Professor, Fashion Design Program, School of Design, (DAAP), University of Cincinnati, USA* Visiting Scholar, Fashion Design Program, School of Design, (DAAP), University of Cincinnati, USA Assistant Professor, Fashion Design Program, School of Design, (DAAP), University of Cincinnati, USA (Received March 17, 2015; Revised June 3, 2015; Accepted June 22, 2015) Abstract The purpose of this exploratory research is to study Cashin’s fashion philosophy and to draw her design characteristics through analysis of her work. As a result of this research, 76 garment pieces were selected from the 180 Bonnie Cashin collections at the University of Cincinnati to document and evaluate. The final selection includes: sixteen jackets, fifteen skirts, five pants, five tops, seven dresses, twenty five coats, and three capes. Bonnie Cashin specialized in practical and functional; yet innovative designs such as leather trimmed tweed Jackets/coats, canvas raincoats, suede leather coats, and ponchos. Her trademark elements include toggle closures, oversized pockets, her Noh coats, tweed suits, canvas raincoats, fringed suede dresses, funnel neck pullovers, jersey dresses, and ponchos. She emphasized function and comfort and she believed that a good design must also be practical. The examination of these 76 pieces from the University of Cincinnati’s private Bonnie Cashin Collection brings to light Bonnie Cashin’s creative design and what she represented in the development of American fashion design in the 20th century. -
The Life, Rise, and Success of Dorothy Shaver
FORGOTTEN FIRST LADY: THE LIFE, RISE, AND SUCCESS OF DOROTHY SHAVER, PRESIDENT OF LORD & TAYLOR DEPARTMENT STORE, AND AMERICA’S “FIRST LADY OF RETAILING” by SANDRA LEE BRAUN A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Mass Communication in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA Copyright Sandra Lee Braun 2009 ALL RIGHTS RESERVED ABSTRACT In 1945, Lord & Taylor Department Store, a $35 million company, and one of New York’s premier retailers, elected Dorothy Shaver president, making her the first female elected to a large US corporation. Shaver rose through the corporate ranks as a communications executive. She was first Head of the store’s Comparison Shopping Bureau in 1924, was then elected to its board of directors in 1927, became a vice president in 1931, a first vice president in 1937, and then was elected president in 1945. She served in this capacity until her sudden death in 1959. Her innovations in publicity, promotions, merchandising, and advertising brought her to the attention of management, other retailers, and industry leaders in the United States and abroad. She popularized many trends that form the basis of fashion and fashion retailing as it is known today. This study provides a biographical account of her life, documents her rise through the corporate ranks, and discusses her accomplishments. It also discusses keys to her success, important influences in her life, her leadership style, and gender effects on leadership. iii DEDICATION This dissertation is dedicated to every woman who has, whether knowingly or unknowingly, suffered an inequity, disparity, or injustice, simply because she was a woman. -
"Jimmie" Booth Collection
Guide to the Virginia "Jimmie" Booth collection NMAH.AC.0729 Anne Jones and Vanessa Broussard-Simmons 2003 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1936-1999, undated..................................................... 4 Series 2: Hillandale Handweavers, 1949-1997, undated......................................... 5 Series 3: Lord & Taylor Country Clothes Shop, 1950s-1960s, undated................... 6 Series 4: Irish Materials, 1958-1999, undated ....................................................... -
1 Clothing, Fashion, and Society
This Page Intentionally Left Blank www.Transactionpub.com Preface iii Transaction Publishers New Brunswick (U.S.A.) and London (U.K.) iv Designing Clothes Copyright © 2008 by Transaction Publishers, New Brunswick, New Jersey. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to Transaction Publishers, Rutgers—The State University of New Jersey, 35 Berrue Circle, Piscataway, New Jersey 08854-8042. www.transactionpub.com This book is printed on acid-free paper that meets the American National Standard for Permanence of Paper for Printed Library Materials. Library of Congress Catalog Number: 2007020871 ISBN: 978-1-4128-0903-0 Printed in the United States of America Library of Congress Cataloging-in-Publication Data Manlow, Veronica. Designing clothes: culture and organization of the fashion industry / Veronica Manlow. p. cm. Includes bibliographical references and index. ISBN 978-1-4128-0903-0 (E-Book) 1. Clothing trade. 2. Fashion design. 3. Clothing trade— Case studies. 4. Fashion design—Case studies. I. Title. HD9940.A2M36 2007 338.4'7687—dc22 2007020871 Preface v Contents Preface vii Part I—The Fashion Industry 1. Clothing, Fashion, and Society 3 2. The Emergence of the Fashion Industry 35 3. The Fashion Designer 93 4. Leadership in the Fashion Industry 129 5. Organizational Culture in the Fashion Industry 161 Part II—Tommy Hilfi ger USA, Inc.: A Case Study 6.