Activating Empathy in Children HM Podcast
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Bruce Elliot
An Interview with Bruce Elliot at his home in Van Buren, Missouri 02 April 1998 interviewed by Will Sarvis Oral History Program The State Historical Society of Missouri © 1998 Collection C3966 Missouri Environment a.c. 21 NOTICE 1) This material is protected by copyright law (Title 17, U.S. Code). It may not be cited without acknowledgment to The Oral History Program of the State Historical Society of Missouri and the Western Historical Manuscript Collection, a Joint Collection of the University of Missouri and the State Historical Society of Missouri. Citations should include: [name of interviewee], [name of the interviewer], [date and place of interview], [audio recording or transcript], and [where it can be found, for example, The Oral History Program of the State Historical Society of Missouri, Missouri Environment Oral History Project]. 2) Reproductions of this transcript are available for reference use only and cannot be reproduced or published in any form (including digital formats) without written permission from the Western Historical Manuscript Collection. 3) Use of information or quotations from any Missouri Environment Oral History Project transcript indicates agreement to indemnify and hold harmless the University of Missouri, the State Historical Society of Missouri, their officers, employees, and agents, and the interviewee from and against all claims and actions arising out of the use of this material. For further information, contact: Western Historical Manuscript Collection 23 Ellis Library University of Missouri Columbia, MO 65201-5149 PREFACE Mr. Bruce F. Elliott was born on July 2, 1909. He began his Forest Service career in Michigan during the Depression era. -
You Are Listening to the Weight Loss for Busy Physicians Podcast with Katrina Ubell, M.D., Episode Number 81
Katrina Ubell: You are listening to the Weight Loss for Busy Physicians podcast with Katrina Ubell, M.D., episode number 81. Welcome to Weight Loss for Busy Physicians, the podcast where busy doctors like you get the practical solutions and support you need to permanently lose the weight so you can feel better and have the life you want. If you're looking to overcome your stress eating and exhaustion and move into freedom around food, you're in the right place. What's up, what's up? Hey friend, welcome back. Got another really great coaching call for you. Today, the person I'm coaching, her name is Nikki. She is a pediatric critical care physician. I spent some time coaching her on being busy and being tired all the time. I mean, who can relate, raise your hand. For sure, I think every single one of us. This was really just a fantastic call. We really dug into fatigue and dug into the whole indulgence of telling ourselves we're busy all the time, and how that actually makes us less efficient, which was so impactful. I hope that this is just as helpful for you as it was for Nikki. Definitely have a listen to this one. Now, if you are somebody who's like, "How did I miss out on this free coaching opportunity to be able to be coached by you for free," well, I sent this out to my email list. If you are not on my email list, then you should be. I know if you're anything like me, once the, they call it the out-tro, that last little clip that always plays at the end of the podcast, you don't listen to it, right? You're like, eh, whatever. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Copyright Protected
Contents Preface to the First Edition ..................... 13 Preface 2018 ............................... 15 Introduction: What’s So Great about Heaven? ....... 19 Part One: What Will Heaven Be Like? Chapter 1: Who Are We in Heaven? .............. 47 Chapter 2: What Will We Do in Heaven? .......... 76 Chapter 3: Where Is Heaven and What Is It Like? .. 103 Part Two: Will Heaven Be Home? Chapter 4: Why Don’t We Fit on Earth? .......... 133 Chapter 5: Heaven Has Our Heart’s Desire ....... 159 Chapter 6: Heaven: The Home of Love ........... 186 Chapter 7: At Home with Our King ............. 215 Part Three: The Journey Home Chapter 8: Getting Ready for Heaven ............ 247 Chapter 9: Homeward Bound .................. 276 Epilogue ................................. 295 Notes .................................... 298 Copyright protected 9780310353058_Heaven_int_SC.indd 11 7/26/18 2:03 PM Copyright protected 9780310353058_Heaven_int_SC.indd 12 7/26/18 2:03 PM Preface to the First Edition t’s odd to express appreciation to a wheelchair, but I do. Almost Ithirty years of quadriplegia, and almost as many studying God’s Word, have deepened my gratitude to God for these bolts and bars. The chair has shown me the way Home by heart. Great writers and thinkers have helped guide my heart toward heaven. Over the years, I have scoured bookshelves for every essay, sermon, or commentary written by C. S. Lewis and Jona- than Edwards, from Bishop J. C. Ryle to contemporaries like Peter Kreeft and John MacArthur. Of course, when I want to reflect on a more poetic view of heaven, I always brush the dust off old favorites like George MacDonald and Madame Jeanne Guyon. -
1 Franz Kafka (1883-1924) the Metamorphosis (1915)
1 Franz Kafka (1883-1924) The Metamorphosis (1915) Translated by Ian Johnston, Malaspina University-College I One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that, in his bed, he had been changed into a monstrous vermin. He lay on his armour-hard back and saw, as he lifted his head up a little, his brown, arched abdomen divided up into rigid bow-like sections. From this height the blanket, just about ready to slide off completely, could hardly stay in place. His numerous legs, pitifully thin in comparison to the rest of his circumference, flickered helplessly before his eyes. “What’s happened to me,” he thought. It was no dream. His room, a proper room for a human being, only somewhat too small, lay quietly between the four well-known walls. Above the table, on which an unpacked collection of sample cloth goods was spread out—Samsa was a travelling salesman—hung the picture which he had cut out of an illustrated magazine a little while ago and set in a pretty gilt frame. It was a picture of a woman with a fur hat and a fur boa. She sat erect there, lifting up in the direction of the viewer a solid fur muff into which her entire forearm had disappeared. Gregor’s glance then turned to the window. The dreary weather—the rain drops were falling audibly down on the metal window ledge—made him quite melancholy. “Why don’t I keep sleeping for a little while longer and forget all this foolishness,” he thought. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Progressive House: from Underground to the Big Room
PROGRESSIVE HOUSE: FROM UNDERGROUND TO THE BIG ROOM A Bachelor thesis written by Sonja Hamhuis. Student number 5658829 Study Ba. Musicology Course year 2017-2018 Semester 1 Faculty Humanities Supervisor dr. Michiel Kamp Date 22-01-2017 ABSTRACT The electronic dance industry consists of many different subgenres. All of them have their own history and have developed over time, causing uncertainties about the actual definition of these subgenres. Among those is progressive house, a British genre by origin, that has evolved in stages over the past twenty-five years and eventually gained popularity with the masses. Within the field of musicology, these processes have not yet been covered. Therefore, this research provides insights in the historical process of the defining and popularisation of progressive house music. By examining interviews, media articles and academic literature, and supported by case studies on Leftfield’s ‘Not Forgotten’ en the Swedish House Mafia’s ‘One (Your Name)’, it hypothesizes that there is a connection between the musical changes in progressive house music and its popularisation. The results also show that the defining of progressive house music has been - and is - an extensive process fuelled by center collectivities and gatekeepers like fan communities, media, record labels, and artists. Moreover, it suggests that the same center collectivities and gatekeepers, along with the on-going influences of digitalisation, played a part in the popularisation of the previously named genres. Altogether, this thesis aims to open doors for future research on genre defining processes and electronic dance music culture. i TABLE OF CONTENTS Introduction ............................................................................................................... 1 Chapter 1 - On the defining of genre ....................................................................... -
Fighting the Ultra Rare Erdheim-Chester Disease
Fighting the Ultra Rare Erdheim-Chester Disease February 14, 2016 Revised edition 8/2/20 Not too long ago I was talking to Pastor about coming up with a way in which we could help the Arvada Colorado church body come closer together. The thought came to me that we could start sharing our testimony of how we come to follow Christ. What I would like to do is share with you a faith journey that has taken me from Northern New England all the way across America and brought me here to Arvada, Colorado. To do this right I need to give you a little background on myself. My life, like so many others, started with two people who came together hoping to create a better future for themselves. My parents, Robert and Martha Gallick, met in the city of Pittsburgh in 1942. My father was a welder for as long as I knew him, working for Edgar Thomson U.S. Steel Corp. My mother was a devoted house wife to her husband, and mother to six children. It’s hard for me to speak about my father's background because he never would share with us kids about his growing years. I only know of some things of his background through my mother; how he grew up in a Polish family that was extremely poor. His involvement in World War II came along. This plus the ugly past of growing up under stress, broke my father’s emotions and left him scarred with battle fatigue and depression. For these reasons my father was only able to work his job as a welder, then he came home and self-medicated with alcohol. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Sample Poem Book
The Lord is My Shepherd; I shall not Our Father which art in want. He maketh me to lie down in green heaven, Hallowed be thy I’d like the memory of me pastures; He leadeth me beside the still name. Thy kingdom come. To be a happy one, waters. He restoreth my soul. He leadeth I’d like to leave an afterglow me in the path of righteousness for His Thy will be done in earth, as it Of smiles when day is done. name’s sake. Yea, though I walk through is in heaven. Give us this day I’d like to leave an echo the valley of the shadow of death, I will Whispering softly down the ways, fear no evil; for Thou art with me; Thy our daily bread. And forgive Of happy times and laughing times rod and Thy staff they comfort me. Thou us our debts, as we forgive And bright and sunny days. preparest a table before me in the our debtors. And lead us not I’d like the tears of those who grieve presence of mine enemies. Thou To dry before the sun anointest my head with oil; my cup into temptation, but deliver us Of happy memories that I leave behind, runneth over. Surely goodness and from evil: For Thine is the When the day is done. mercy shall follow me all the days of my life; and I will dwell in the house of the kingdom, and the power, and -Helen Lowrie Marshall Lord forever. the glory, for ever.