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01. Departure - Part 2 02. Imperial feat. Freddie Gibbs 03. The WWKYA Tour (Remix) - Substantial feat. eFamm 04. Streets feat. Sean Price & Poison Pen 05. Heart feat. Tunji 06. To Be For Real 07. Tear Tracks - Cashmere The PRO 08. Still With Me (Remix) - Jermiside feat. Deacon The Villain 09. Close Your Eyes feat. Geologic of Blue Scholars, Grieves & Macklemore 10. Pit Stop 11. The Park (Blue Sky Black Death Remix) 12. Nothing To Give (Live) feat. Club Dub 13. Cocaine [Produced by J-Zone] 14. Running Wild feat. E-40 and Evidence of Dilated Peoples 15. Everywhere - Witchdoctor feat. Deacon The Villain 16. Arrival (Outro) All songs produced by Kno except 11 and 13 One of the decades most consistent independent Hip Hop groups, CunninLynguists return with Strange Journey: Volume KEY SELLING POINTS: 2. Hailing from Kentucky, the trio consisting of Kno, Deacon The • Strange Journey Volume Two features guests E-40, Evidence of Dilated Peoples, J-Zone, Tonedeff, Sean Price, Villain and Natti has built a rabid fan base with past releases Geologic of Blue Scholars, Blue Sky Black Death Grieves Southernunderground, Will Rap For Food, A Piece of Strange, and Witchdoctor of Dungeon Family • 32 City U.S. Tour Booked by The Agency Group kicks off and Dirty Acres, as well as extensive worldwide touring with the week of release hitting major markets coast to coast Raekwon of Wu-Tang Clan and Brand Nubian. Despite their • “Running Wild” will also be released as a video serviced on and off line in late October Southern roots, the group has become a key centerpiece in • Aggressive online campaign coordinated by East Coast Hip Hop conglomerate QN5. In the past two years Roundabout Marketing will cover everything from Facebook, Twitter and Myspace and of course 100s of the group has been covered by XXL Magazine, Spin, The Hip Hop sites and blogs Source, URB Magazine, XLR8R and more. Strange Journey: • Exclusive promotional content will be loaded to The Cunninlynguits YouTube channel which has seen over Volume 2 features guest appearances from platinum artist E-40 1.5 million hits and Evidence of Dilated Peoples Represented by The Agency • SoundScan highlights include - Dirty Acres - 8k RTD, Piece Of Strange -11,500 RTD, SouthernUnderground - Group, CunninLynguists embark on a month long national tour 8500 RTD, Will Rap For Food - 11,000 RTD on Nov 10 to support Strange Journey: Volume 2. ORDER CUT OFF DATE FOR THIS ITEM: OCT 13th Format: CD Cat. No: APOS 002 Label: A Piece of Strange Music Available: NOVEMBER 3rd Distributed in the USA by The Orchard, 23 E. 4th St, NY, NY 10003 • tel: 212-979-6410 • fax: 212-979-7372.

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Strange Journey Volume 2 All New Music from Cunninlynguists
DISC ONE DISC TWO 1. Intro 1. SouthernUnderground (Inst) 2. SouthernUnderground 2. The South (Inst) 3. The South 3. Love Ain't (Inst) 4. Love Ain't 4. Rain (Inst) featuring Tonedeff 5. Rain 5. Doin’ Alright (Inst) 6. Doin’ Alright 6. Old School (Inst) 7. Interlude 1 7. Seasons (Inst) 8. Old School 8. Nasty Filthy (Inst) 9. Seasons 9. Falling Down (Inst) featuring Masta Ace 10. Nasty Filthy 10. Sunrise/Sunset (Inst) featuring Supastition & 11. Appreciation (Remix) - (Inst) Cashmere The PRO 11. Falling Down 12. Dying Nation (Inst) 12. Sunrise/Sunset 13. Seasons (Remix) featuring Masta Ace 13. Interlude 2 14. Appreciation (Remix) 14. Love Ain't (Remix) featuring featuring Cashmere The PRO Tonedeff 15. Dying Nation 15. The South (Remix) 16. War 16. Karma One of the most consistent independent Hip Hop groups of the decade, Kentucky trio CunninLynguists re-release their critically acclaimed sophomore album SouthernUnderground as a two disc deluxe edition. The group, made up of Deacon The Villain, Natti and Kno, aim to make music that reminds listeners why they like Hip Hop in the first place. Backed with quality beats and rhymes, gritty sounds, witty lyrics and low ends that jump out the trunk like Rajon Rondo, the ‘Lynguists recapture the soul in southern Hip Hop, with what Spin Magazine calls “Outkast’s tragicomic poignancy”. SouthernUnderground, originally released independently in 2003, includes features from Masta Ace, Supastition and Tonedeff. Additional production from RJD2 and Domingo, goes hand-in-hand with beats from the main producer Kno, who was once described as “one of the top loop-miners east of the Mississippi” by URB Magazine.
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Hardcore Rap Cez Tvrdé Gitary Neprehliadni V Tejto Rubrike
úvod novinky rozhovory reportáže recenzie seriál graffiti médiá o nás monitoring blog forum európa b-boying klipy profil tip na album top10 čo bolo a čo bude čo robí späť ku dňom alternatívne bulvár editorial iné vyhľadávanie meno heslo registrácia prihlásiť možnosti článku uložiť ako pdf pridať na facebook pridať na twitter pridať na vybrali.sme.sk pridať na linkuj.cz seriál > tip na album 24. 01. 2014 autor: zombeat Demigodz v remixoch - hardcore rap cez tvrdé gitary neprehliadni v tejto rubrike DJ M.I. a jeho metalová verzia albumu Killmatic. AKCIA! September je posledný mesiac s letákovou akciovou ponukou. http://domyfarieb.sk DJ M.I. aka Make Illusional a jeho PRoject OxiD vydal ďalší zo svojich remixových albumov. Kto má rád starú tvorbu Limp Bizkit, Korn, k tomu tvrdý hardcore rap, ten si príde na svoje aj tu. DJ M.I. z ruského mesta Sicknature - Holandskí Dope D.O.D. Nakhodka začínal kvalitnými mash-up albumami, kde spájal rapové acapelly a hotové metalové hudby iných kontaminácia dobrými už známe americké kapiel. Časom začal robiť vlastné hudby. Používa šťavnaté skreče, gitarové sample a živo znejúce beatmi zaručená mená nechcú naprogramované bicie. V strihaní samplov by sa však mohol trochu zlepšiť. Tentoraz si na zremixovanie vybral naozaj výborný album, minuloročný Killmatic od krutej americkej zostavy Demigodz. monitoring Does your business need professional PDFs in your application or on your website? Try the PDFmyURL API! monitoring Predstavte si do hudby Limp Bizkit miesto mečivého rapu Freda Dursta, rapovať medveďov ako Apathy, Celph Titled, Esoteric, Blacastan, Motive a Ryu, zo Styles of Beyond/Fort Minor, Tento rapcore mix DJ M.I.
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Summer Edition
Page 1 April 3–9, 2018 Sinclair Softball Pg. 2 Kilauwea Volcano Pg. 3 Iconoclasts Pg. 7 Dayton Dragons Pg. 9 The Volume 41, Issue 29 Summer Edition www.sinclairclarion.com SUMMER OF LOVE 2 018 THE OFFICIAL STUDENT NEWSPAPER OF SINCLAIR COLLEGE FREE Page 2 Tartan News Summer Edition community festival that went on until 4 p.m. There was a children and youth Dayton shows its Pride section, as well as a section with family friendly entertainment with face Kali Macklin This took place from 5 p.m. to 10 p.m. painting and a bouncy house for kids to Staff Writer with beer, food trucks and performances enjoy. The east end of the festival hosted from the Dayton Gay Men’s Chorus and a car show featuring new and classic On Friday, June 1 and Saturday June The Rubi Girls. cars. 2, the city of Dayton held its annual Following this was a .5K Bar Crawl BriTe SiGnal Alliance, Sinclair’s own PRIDE festivities. from Courthouse Square which was LGBTQ+ student led club, was also The month of June is all about called the Fruit Loop, where participants in attendance with their own booth in celebrating the LGBTQ+ community. could grab a drink from all the local the square, offering stickers, buttons On June 26 of 2015, the United States bars. and information on their mission of Supreme Court legalized gay marriage. Next, the Saturday events began early celebrating diversity, and advocating for The community has been through so with a breakfast served at M.J.’s on proper treatment of LGBTQ+ students many tribulations on the road to earning Jefferson Street at 9 a.m.
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PIMP C’S HURRICANE LAST CHRIS WORDS MR
OZONE MAGAZINE MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S HURRICANE LAST CHRIS WORDS MR. COLLIPARK BUN B, TOO $HORT, SCARFACE, BIG GIPP LIL BOOSIE DAVID BANNER & LIL WAYNE REMEMBER TRILL N*GGAS DON’T DIE DON’T N*GGAS TRILL TRAPSTARZ THEIR THREE DEEP FRIEND YOUNG CASH & MIDGET MAC SOULJA BOY +OZONE WEST THE BOY BOY YOUNG MESS JANUARY 2008 ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE OZONE MAG // YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S LAST WORDS SOULJA BUN B BOY TOO $HORT CRANKIN’ IT SCARFACE ALL THE WAY BIG GIPP TO THE BANK WITH DAVID BANNER MR. COLLIPARK LIL WAYNE FONSWORTH LIL BOOSIE’S BENTLEY JEWELRY CORY MO 8BALL & FASCINATION MORE TRAPSTARZ SHARE THEIR THREE DEEP FAVORITE MEMORIES OF THE YOUNG CASH SOUTH’S & MIDGET MAC FINEST HURRICANE CHRIS +OZONE WEST THE BOY BOY YOUNG MESS ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE 8 // OZONE WEST 2 // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // 8 // OZONE MAG OZONE MAG // 0 // OZONE MAG OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden features ADVERTISING SALES // Che’ Johnson 54-59 YEAR END AWARDS PROMOTIONS DIRECTOR // Malik Abdul 76-79 REMEMBERING PIMP C MARKETING DIRECTOR // David Muhammad Sr. 22-23 RAPPERS’ NEW YEARS RESOLUTIONS LEGAL CONSULTANT // Kyle P. King, P.A. 74 DIRTY THIRTY: PIMP C’S GREATEST HITS SUBSCRIPTIONS MANAGER // Adero Dawson ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Bogan, Charlamagne the God, Chuck T, Cierra Middlebrooks, Destine Cajuste, E-Feezy, Edward Hall, Felita Knight, Jacinta Howard, Jaro Vacek, Jessica Koslow, J Lash, Jason Cordes, Jo Jo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, K.G.
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Cunninlynguists Oneirology Mp3, Flac, Wma
CunninLynguists Oneirology mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Oneirology Country: Europe Released: 2011 Style: Conscious MP3 version RAR size: 1660 mb FLAC version RAR size: 1796 mb WMA version RAR size: 1322 mb Rating: 4.7 Votes: 734 Other Formats: AA ASF WMA TTA FLAC MP2 MP4 Tracklist Hide Credits 1 Predormitum (Prologue) 4:09 Darkness (Dream On) 2 3:56 Vocals [Featuring] – Anna Wise of Sonnymoon*Written-By – A. Wise*, H. Floyd 3 Phantasmata 1:54 Hard As They Come (Act I) 4 4:17 Rap [Featuring] – Freddie GibbsWritten-By – F. Tipton Murder (Act II) 5 3:35 Rap [Featuring] – Big K.R.I.T.Written-By – J. Scott , W. Eames* 6 My Habit (I Haven't Changed) 2:01 7 Get Ignorant 4:30 Shattered Dreams 8 3:39 Vocals – Courtney Campbell Stars Shine Brightest (In The Darkest Of Night) 9 4:02 Vocals [Additional] – Rick WarrenWritten-By – R. Warren* 10 So As Not To Wake You (Interlude) 1:24 Enemies With Benefits 11 Co-producer – Blue Sky Black DeathRap [Featuring] – TonedeffWritten-By – I. Taggart*, K. 3:54 Maguire*, T. Rojas* Looking Back 12 3:14 Vocals [Featuring] – Anna Wise of Sonnymoon*Written-By – A. Wise* Dreams 13 5:03 Rap [Featuring] – BJ The Chicago Kid, TunjiWritten-By – O. Balogun Hypnopomp (Epilogue) 14 1:42 Vocals [Featuring] – Bianca FloydWritten-By – B. Floyd* 15 Embers 2:55 Credits Artwork – Lois van Baarle Design [Album] – Kontrast Guitar – Willie Eames Keyboards [Additional] – Deacon The Villain* (tracks: 4, 5, 8, 14) Layout – Kontrast Producer – Kno Scratches – DJ FlipFlop* Written-By – G.
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The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change.
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10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9
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PDF Examples
MTO 26.2 Examples: Adams, Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (Note: audio, video, and other interactive examples are only available online) https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.adams.html Example 1a. Kurtis Blow, “Basketball” (1984), verse 1, 0:25–0:35 (borrowed from Adams 2009) Example 1b. Eric B. and Rakim, “Paid in Full” (1987), 0:46–1:10 Example 3. Danger Doom, “Sofa King” (from The Mouse and the Mask, 2005), 1:12–1:48 (produced by Danger Mouse [Brian Burton]) Example 4. Repetitive beat: De La Soul, “The Grind Date” (from The Grind Date, 2005), 0:28–0:49 (produced by Dave West) Example 5a. Oscillating beat, alternating by second: A Tribe Called Quest, “Excursions“ (from The Low End Theory, 1990), 0:28–0:52 (produced by Ali Shaheed Muhammad) Example 5b. Oscillating beat, alternating by third: Aesop Rock (Ian Bavitz), “None Shall Pass” (from None Shall Pass, 2007), 0:15–0:34 (produced by Blockhead [Tony Simon]) Example 5c. Oscillating beat, alternating by fourth: People under the Stairs, “Montego Slay” (from O.S.T., 2002), 0:20–0:44 (produced by Thes One [Christopher Portugal]) Example 5d. Oscillating beat, sequential: Cunninlynguists, “Lynguistics” (from Will Rap for Food, 2001), 0:18–0:46 (produced by Kno [Ryan Wisler]) Example 5e. Oscillating beat, uneven: Migos, “Bad and Boujee,” (from Culture, 2017), 0:15–0:30 (produced by DY and Tre Pounds [Dwan Avery and Jeffrey LaCroix]) Example 6a. Expansional beat, I → iv: Atmosphere, “The Best Day” (from To All My Friends, Blood Makes the Blade Holy: The Atmosphere EP’s [sic], 2010), 2:17–2:41 (produced by Ant [Anthony Davis]) Example 6b.
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Masaryk University Faculty of Arts Department of English And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Boglárka Zagyiová The Influence of 19th Century Negro Spirituals on Contemporary American Music Bachelor's Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph.D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor, Jeffrey Alan Smith, M.A., Ph.D., for his support, helpful guidance and kind encouragement in the process of writing this thesis. Table of Contents 1. Introduction .................................................................................................... 6 2. Negro Spirituals and the Question of National Identity ...................................... 10 3. The Evolution of Spirituals .............................................................................. 15 4. Rap .............................................................................................................. 22 4.1. Rap and the African Connection ............................................................... 24 4.1.1. Recycling of Material ........................................................................ 24 4.1.2. Verbal Prowess ................................................................................ 25 4.1.3. Dance ............................................................................................. 26 4.1.4. Technology .....................................................................................
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BREAST REVENGE Egan Wins Pulitzer by M
INSIDE: 36 PAGES OF COUPONS TO SAVE YOU CASH Yo u r Neighborhood — Yo u r News® BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2011 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP/14 pages • Vol. 34, No. 16 • April 22–28, 2011 • FREE INCLUDING DUMBO DOUBLE STABBING Lucali owner to be charged along with his alleged attacker By Gary Buiso the bada-bling of the $14-mar- The Brooklyn Paper tini set . The mozzarella maestro bru- According to the Post, the tally stabbed on Smith Street last Carroll Gardens buzzes bloody altercation began when week is being charged with at- Geritano accused Iacono of trying tempted murder — just like the ex- By Gary Buiso stabbed in a vicious knife fight dissimilar. to steal his dolce tesoro, 37-year- con who put him in a hospital bed, The Brooklyn Paper with lifelong paisan Benny Ger- “Mark is not that kind of old Annette Angeloni. authorities said on Monday. Carroll Gardens rallied be- itano, 38, an ex-con with alleged desperate person who’d at- “They were fighting over the tack someone in the middle Internationally known piz- hind big shot pizzaiolo Mark mob connections. Iacono took woman,” the source said. “Benny of Smith Street on broad day- zaiolo Mark Iacono, 44, owner of Iacono this week, champion- the worst of it, but prosecutors said, ‘Stay away from Annette! said both men will now face at- light,” said John Heyer, a sixth Lucali, is now in the same sauce- ing the man — not just his She’s living with me now!’” the tempted murder charges.
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Keepin' It Real Vs. Bling-Bling
Lund University SANK01: VT-2012 Sociological Institution Author: Carolina Larnett Department of Social Anthropology Supervisor: Steven Sampson Keepin’ It Real vs. Bling-Bling: Shopping for Identity among Swedish Hip-Hoppers Graffiti mural, depicting rap legend 2Pac, in New York City http://assets.nybooks.com/media/photo/2010/12/21/Chiasson_1_jpg_630x423_crop_q85.jpg Abstract This paper describes the discourse of authenticity and the creating of identity through popular culture, using hip-hop, as a case to study. Based on data from how Swedish youth take in hip-hop through music lyrics, rapper stereotypes, the gangster rap subgenre and rap battles, it shows that including oneself into this culture can lead to changes in one’s identity and the redefinition of one’s persona. It discusses how hip-hop influence leads to youth creating their own local oppositional culture, re-constructing perceptions of authenticity and acts as guidance in the quest for an independent identity during adolescence and early adulthood. The theoretical material considering authenticity will primarily be provided by Charles Lindholm and David Boyle. Keywords: social anthropology, authenticity, identity, popular culture, hip-hop, culture, youth, community 2 List of Hip-Hop slang and terms . Battle (Rap Battle) – A contest where you orally recite rap or hip-hop lyrics back and forth between at least two individuals. The crowd decides who the better emcee is after they have battled it out for a couple of rounds. Beef – Slang for fighting someone or being aggressive. Have a grudge or starting one with another person in the Hip-Hop industry. (Beef is not what these famous niggas do on the mic.
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SUBSTANTIAL the Past Is Always Present in the Future
SUBSTANTIAL The Past Is Always Present In The Future KEY SELLING POINTS • Appreared online on MTV, DJBooth, Ebony, HipHopDX, Okayplayer, Washington City Paper, and on print in Black Beat Magazine, Blast Magazine (Japan), The Source, The Baltimore Sun • Sponsored by Ford Motor Company and ran ad’s in the US Mid Atlantic region for a campaign for the 2017 Ford Fusion • UBER licenses music from Substantial • Collaborated with former Lady Gaga producer/DJ, Chew Fu to write and perform a song for Bentley Motors • Collaborated with Gene Simmons & Bruce Kulick of KISS, Bootsy Collins, Eric Roberson, Oddisee, Nujabes, CunninLynguists, GRAMMY nominated artists Carolyn Malachi, Wayna & more • Performed with or opened for artists such as Lupe Fiasco, Slick Rick, Pharaoh Monch, Kool Herc, Rass Kass, Kindred Family Soul, Masta Ace, Sean P & others DESCRIPTION ARTIST: Substantial Intimate and laid back, this newly released contemporary hip-hop TITLE: The Past Is Always Present In The Future gem features visceral beats and cunning lyrics that enlighten and CATALOG: l-HIP064 inspire. New songs and new arrangements of earlier songs from his LABEL: HiPNOTT Records recent EPs, taking listeners on a journey through the past, present GENRE: Hip-Hop/Rap and future. The Past Is Always Present In The Future cements BARCODE: 602573297551 Substantial’s musical legacy as one of Maryland’s proudest and FORMAT: 2XLP most prolific sons. RELEASE: 6/30/2017 LIST PRICE: $24.98 / CT TPIAPITF includes production from DC producer, Oddisee, Seattle producer and 1/2 of Bop Alloy, Marcus D, Mello Music Group TRACKLISTING (Click Tracks In Blue To Preview Audio) producer, Gensu Dean, label mates The Other Guys & JSOUL, 1.
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