By Geoff Chapple Colin Mccoll Principal Partner Principal Funder WELCOME Artistic Director

Total Page:16

File Type:pdf, Size:1020Kb

By Geoff Chapple Colin Mccoll Principal Partner Principal Funder WELCOME Artistic Director by Geoff Chapple Colin McColl Principal Partner Principal Funder WELCOME Artistic Director These days penguins are everywhere – selling potato chips, frozen Theatre is an ephemeral business. Once a production has completed foods, chains of cafés and tourist destinations. The shelves of its three or four week run – it is usually dismantled and never souvenir shops are stocked with the little fluffy things; they are seen again. Hatch however marks a new direction for Auckland Core Funders even winning Oscars. Theatre Company by making our productions accessible to a wider audience. After its Auckland season Hatch will tour to the Festival of In the 19th century the Southern Ocean was densely populated Colour, Wanaka, Dunedin and a Southland tour to Balclutha, Gore, with penguins and intrepid Victorian entrepreneur Joseph Hatch Invercargill and Riverton to follow. Hatch then plays Christchurch, saw the possibilities of harnessing this natural resource to advance Nelson and Tauranga Festivals – and a proposed tour to smaller employment and industry in Southland. Yet while other less populous theatres in the Greater Auckland region. There has also been interest species of native birds were being wiped out; while the kauri forests from Australian festivals. Major Supporters of Northland were being decimated; while whaling on a huge scale in the Southern Ocean went unchecked; and while ethnic cleansing of Big thanks to Geoff for uncovering this bizarre chapter of New Zealand’s Tasmania’s aboriginal population was nearing completion - writers, history and to Stuart Devenie for bringing Hatch so vividly to life politicians and scientists from around the world went into uproar with his usual consummate skill, intellectual rigour and good humour. over Hatch’s Macquarie Island steaming works. Hatch felt he didn’t deserve the interference and attacks on his character that his business My thanks too to my design team, Denise Hosty and Tony Rabbit for seemed to attract. When his licence to Macquarie Island was revoked their commitment to the project. Media Partners he took himself off on lecture tours throughout New Zealand and Tasmania to clear his name and garner public support for his right In May we present The Next Stage season of new work. This is an to run his business. He was a persuasive public speaker – he’d been integral part of Auckland Theatre Company’s work in developing new Mayor of Invercargill and a Member of Parliament - and his audiences scripts, such as Hatch. It is an opportunity to see work in progress, apparently often voted in his favour! to hear writers and directors talk about the work and to offer your feedback. Our next main stage production is Roger Hall’s new comedy It’s been a great journey discovering Hatch and his world through Who Wants to be 100? (Anyone Who’s 99). Supporting Partners Geoff Chapple’s robust new play, and we are proud to be presenting the world premiere season as part of Auckland Festival AK07. The Enjoy! play has been workshopped over the last year by the Auckland Theatre Company Literary Unit - and my thanks to Geoff, Stuart Devenie, Ian Mune, Roy Ward and all who have assisted that process. AIR NEW ZEALAND / AUCKLAND ART GALLERY TOI O TÃMAKI / BDO SPICERS / CANON / THE HYPERFACTORY / ILLY MAIDMENT THEATRE / NBR / SKYCITY THEATRE / THE CASTLE TRUST / THE GREAT CATERING COMPANY MACQUARIE ISLAND Macquarie Island (34 km long x 5 km wide) lies in the Southern Ocean, 1,500 km south-east of Tasmania and approximately halfway between New Zealand and the Antarctic continent. The island is the exposed crest of the undersea Macquarie Ridge, raised to its present position where the Indo-Australian tectonic plate by Geoff Chapple meets the Pacific plate. It is a site of major geo-conservation significance, being the only place on earth where rocks from the Cast Joseph Hatch Stuart Devenie earth’s mantle (6 km below the ocean floor) are being actively exposed above sea-level. These unique exposures include excellent Creative examples of pillow basalts and other extrusive rocks. On 3 Direction Colin McColl Set and Lighting Design Tony Rabbit December 1997, Macquarie Island was listed as a World Heritage Costume Design Denise Hosty AV Design Tony Rabbit and Geoff Chapple Area. Macquarie Island is a site of outstanding international Production geological significance. Production Manager Robyn Tearle Technical Manager Bonnie Burrill Sound System Design James MacKenzie Senior Stage Manager Aileen Robertson AV Operator Adam Gardiner Lighting and Sound Operator Matthew Lamb Set Construction 2CONSTRUCT Costume Construction The Costume Studio Beard Construction Wig FX Properties Master Bec Ehlers Front of House Manager Karen Meibush Tour Tour Manager Adam Gardiner Operator Matthew Lamb Pre Planning Tour Management Nicola Blackman Hatch or the Plight of the Penguins is the second Auckland Theatre Company production for 2007. This production was first performed at the Hopetoun Alpha on March 15, 2007. Hatch or The Plight of the Penguinsis approximately 65 minutes long (without interval). Please remember to switch off all mobile Proud to be the selected caterers for Proud to be the selected wines of phones, pagers and watch alarms. Auckland Theatre Company Auckland Theatre Company Macquarie Island IN PursuiT OF THE Good oil by Geoff Chapple Joseph Hatch was one of New Zealand’s most tenacious entrepreneurs. He set up the southernmost steaming works in the world - at began to drill the Invercargill Fire Brigade. He shifted to Riverton Macquarie Island - and the penguin oil his gangs produced there for a time as postmaster, with a sideline running sealing cutters, brought significant wealth to New Zealand. Hatch was also a very then moved back to Invercargill and pursued his druggist trade. colourful politician. Yet his history remains obscure, and his grave He was a restless chemist, continuing to develop other industries - unusually for so prominent a citizen - remains nameless. It has around animal extracts of fat and bone - he once bought a never had an identifying headstone. stranded whale for £30 - and poisons to control pests. In these same years he expanded the reach of his ships from cutters to Hatch was born in London in 1837 and educated there. He schooners. He became a member of Invercargill’s Athenaeum and shipped to Melbourne where he was apprenticed as a druggist, liquor licensing committee, a councillor, and a champion of town before emigrating to New Zealand in 1862. That was the year he gas, clean water and trams. In 1877 he was elected mayor. first saw Macquarie Island and was struck by the “multitudes of penguins and sea elephants” on the shoreline. That vision stayed The local hall and the debating chamber were Hatch’s natural with him through decades. As the son of a London Alderman, milieu. He was a silver-tongued speaker who could mount strong Hatch was naturally drawn to civic affairs. Immediately on arriving arguments, ridicule his opposition, and sway crowds. That talent, at Invercargill he helped organise the Chamber of Commerce, and and his firm views on advancing the colony, saw him elected to Parliament in 1884 as member for Invercargill. Hatch was for rendering down sea elephants, but had abandoned the trade as immediately nominated as second speaker for the Opposition in uneconomic. Hatch, fresh from his parliamentary defeat revived the Address and Reply debate - an indication that amongst the the industry. He continued to render down sea elephants, but his various independent MPs who made up the Opposition his great advance was to develop the technology beyond trypots to rhetorical skills were already acknowledged. With such skills, digesters, and to begin rendering down penguins. Hatch might have made a considerable political impact - a future Minister of the Crown, perhaps even a Prime Minister - but his The experiment was at first unsuccessful - the penguin oil decayed parliamentary career ended suddenly in scandal. In 1887, the and burst the barrels, but by improving filtering on the island, and sealing population around New Zealand and its sub-Antarctic refining in his mainland factories Hatch produced a pure product islands was judged sufficiently precarious that the Government that found a ready market around the world as batching oil - used used its power to close the sealing season. When Hatch’s ship for the spinning process of hard fibre cordage. Hatch expanded his Awarua left Bluff on July 5 that year, it was ostensibly headed only plant to five separate stations around Macquarie, and developed a for the legal sealing grounds around Tasmania. Yet on July 9 it capacity finally to render down 200,000 birds a year. reached New Zealand’s Auckland Island. No-one should have known about that visit, for the island was usually uninhabited, but The opposition to this industry built only slowly over 30 years. At the Awarua was unlucky enough to encounter on Auckland Island first the goings-on at Macquarie Island were simply beyond any eight survivors of a wrecked barque, the Derry Castle. They raised law or jurisdiction. Then Tasmania asserted ownership, but was a hullabaloo of welcome, and the Awarua skipper reluctantly took happy to license Hatch’s activities - Hobart was, after all, a whaling them off to Australia. and sealing town. But after the Great War the Antarctic explorers He toured halls both in New Zealand and Australia to put his side his business to slaughter annually vast numbers of the island began to publicly criticise Hatch’s industry and the call to close of the case. He illustrated these lectures with slides of Macquarie population.” News of the castaways arrival at Melbourne - with its obvious him down was taken up by well-known figures of the day. It put and sought the crowd’s agreement, by formal resolution at every implication that the Awarua had intended poaching seals from Hatch at the centre of what was the first truly international meeting, for correction of “misstatements” about his methods, and Hatch fought hard for his business and his reputation, but the Auckland Island - broke just as the 1887 election got underway.
Recommended publications
  • Written by Andy Baird, Education Officer, TMAG © Tasmanian
    EDUCATION KIT Written by Andy Baird, Education Officer, TMAG 1 © Tasmanian Museum and Art Gallery 2006 CONTENTS Introduction The exhibition Background information Earliest Perceptions The Southern Ocean Wildlife in Motion Diorama The sub-Antarctic islands Antarctica: The continent of Ice Humans in the Antarctic region: why people go there Theatrette featuring Frank Hurley’s stereoscopic photography Humans in the Antarctic region: how people live there Teacher’s notes & exhibition guides Teacher’s notes Quick Guide to program suitability Exhibition Guides and programs offered by TMAG, including Curriculum focus, Key Learning Outcomes, Key Ideas, Museum and Classroom Activities 5 key themes: 1 Life in the Freezer: A day in the life of Antarctic animals 2 Apples in Antarctica: Humans in the ice box polar innovation in how people live and work in the region 3 From Whaling to Wilderness? The changing values of natural resource management in the region 4 Climate Change: Messages from the Frozen Continent 5 Underwater Wonderland: Biodiversity in the Southern Ocean Conundrum sheets, self-guided tours on diverse themes Resources • Floor map of exhibition • Overall map of region • Earliest perceptions map • Diagram of bathymetry of Southern Ocean • Captain Cook Sheet, The Mercury Newspaper • Whale Media Archive • Web of Life diagram • Southern Ocean Biomass • Shelter in Antarctica • Wind chill chart • Engine of the oceans: ocean circulation • Under the ice: cross section through Antarctica • Joseph Hatch product labels Visiting TMAG Education visit guidelines, booking procedures page 2 EDUCATION KIT Introduction The following material has been developed by the Education section of the Tasmanian Museum and Art Gallery to support the exhibition Islands to Ice: The Great Southern Ocean and Antarctica.
    [Show full text]
  • Catálogo 29 Fancine
    1 2 3 4 5 Índice PRESENTACIÓN................................................................................... 10 COMITÉ DE DIRECCIÓN Y DE SELECCIÓN DE CORTOS.......................... 12 7 INSTITUCIONES COLABORADORAS...................................................... 13 ORGANIZACIÓN.................................................................................. 14 JURADO OFICIAL................................................................................. 18 JURADO JOVEN................................................................................... 22 ACTIVIDADES PARALELAS.................................................................... 26 LARGOMETRAJES A CONCURSO.......................................................... 32 Bacurau............................................................................................... 33 Color Out of Space............................................................................... 34 Come to Daddy.................................................................................... 35 Darlin’................................................................................................. 36 Deerskin.............................................................................................. 37 Koko-di Koko-da.................................................................................. 38 Little Joe.............................................................................................. 39 The Golden Glove...............................................................................
    [Show full text]
  • The One Story and the Four Ways of Telling
    The One Story and the Four Ways of Telling: The relationship between New Zealand literary autobiography and spiritual autobiography. A thesis submitted in partial fulfilment of the requirements for the Degree of Masters of Arts in English in the University of Canterbury DEPARTMENT OF ENGLISH UN!VEf,SITY OF c,wrrnmnw By CHRISTCHURCH, N.Z. Emily Jane Faith University of Canterbury 2001 ACKNOWLEDGEMENTS I would like to thank everyone who has given various forms of support during this two­ year production. Thanks especially to my Mum and Dad and my brother Nick, Dylan, my friends, and my office-mates in Room 320. Somewhere between lunch, afternoon tea, and the gym, it finally got done! A special mention is due to my supervisor Patrick Evans for his faith in me throughout. The first part of my title is based on Lawrence Jones' a1iicle 'The One Story, the Two Ways of Telling, and the Three Perspectives', in Ariel 16:4 (October 1985): 127-50. CONTENTS Abst1·act ................................................................................................................... 1 Introduction ........................................................................................................... 2 I. A brief history of a brief history: New Zealand literary autobiography (and biography) ................................................................................ 2 II. The aims and procedures of this thesis ................................................... 9 III. Spiritual autobiography: the epiphany .................................................
    [Show full text]
  • The Robert Burns Fellowship 2020
    THE ROBERT BURNS FELLOWSHIP 2020 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously.
    [Show full text]
  • Katherine Mansfield Menton Fellowship Application Form 2019
    The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis.
    [Show full text]
  • Dissertation
    DISSERTATION Titel der Dissertation „‘Kiwi’ Masculinities in New Zealand Short Stories“ Verfasserin MMag. phil. Maria Hinterkörner angestrebter akademischer Grad Doktorin der Philosophie (Dr. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt : A 092 343 Dissertationsgebiet lt. Studienblatt: Anglistik und Amerikanistik Betreuerin: Univ.-Prof. Mag. Dr. Astrid Fellner [i] ACKNOWLEDGEMENTS “‘[New Zealand] is not quite the moon, but after the moon it is the farthest place in the world,’” said Sir Karl Popper (as quoted in KING 2003: 415), Austrian-New Zea- land-British philosopher; and ‘off the edge of the world’ in unlikely Kawakawa is where Friedensreich Hundertwasser built a colourful public toilet after having abandoned Austria for the sheep-crowded archipelago in the South Pacific. Little did I know about New Zealand as a country, as a people, as a nation and – above all – about how to pen a doctoral dissertation when I set out on this scien- tific journey a little while ago. At a very early stage of my doctoral endeavours, I knew my inquisitiveness could not be satisfied with the holdings at the University of Vienna, Austria, a country on the opposite side of the earth of the country’s lit- erature that I had chosen as subject of investigation. I was lucky enough to call Aotearoa/New Zealand my home for six months in 2009 – a sojourn that proved most fecund to my work, provided me with an abundance of motivation, and left me awe-inspired by the country’s inhabitants – scholars, fishermen, tattooists – its natural beauty and its rich and colourful culture. I was able to spend most of my time in the immense libraries of New Zealand’s universities and in conversation with scholars and authors who so very openly supported my work and provided answers where clarity had yet been missing.
    [Show full text]
  • Dan Davin Re-Visited
    40 Roads Around Home: Dan Davin Re-visited Denis Lenihan ‘And isn’t history art?’ ‘An inferior form of fiction.’ Dan Davin: The Sullen Bell, p 112 In 1996, Oxford University Press published Keith Ovenden’s A Fighting Withdrawal: The Life of Dan Davin, Writer, Soldier, Publisher. It is a substantial work of nearly 500 pages, including five pages of acknowledgements and 52 pages of notes, and was nearly four years in the making. In the preface, Ovenden makes the somewhat startling admission that ‘I believed I knew [Davin] well’ but after completing the research for the book ‘I discovered that I had not really known him at all, and that the figure whose life I can now document and describe in great detail remains baffingly remote’. In a separate piece, I hope to try and show why Ovenden found Davin retreating into the distance. Here I am more concerned with the bricks and mortar rather than the finished structure. Despite the considerable numbers of people to whom Ovenden spoke about Davin, and the wealth of written material from which he quotes, there is a good deal of evidence in the book that Ovenden has an imperfect grasp of many matters of fact, particularly about Davin’s early years until he left New Zealand for Oxford in 1936. The earliest of these is the detail of Davin’s birth. According to Ovenden, Davin ‘was born in his parents’ bed at Makarewa on Monday 1 September 1913’. Davin’s own entry in the 1956 New Zealand Who’s Who records that he was born in Invercargill.
    [Show full text]
  • Our Finest Illustrated Non-Fiction Award
    Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each.
    [Show full text]
  • This Online Version of the Thesis Uses Different Fonts from the Printed Version Held in Griffith University Library, and the Pagination Is Slightly Different
    NOTE: This online version of the thesis uses different fonts from the printed version held in Griffith University Library, and the pagination is slightly different. The content is otherwise exactly the same. Journeys into a Third Space A study of how theatre enables us to interpret the emergent space between cultures Janinka Greenwood M.A., Dip Ed, Dip Tchg, Dip TESL This thesis is submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 1999 Statement This work has not been previously submitted for a degree or diploma in any university, To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. Janinka Greenwood 17 December 1999 Acknowledgments Thanks are due to a number of people who have given me support and encouragement in completing this thesis. Firstly I am very grateful for the sustained encouragement and scholarly challenges given by my principal supervisor Associate Professor John O’Toole and also by my co-supervisor Dr Philip Taylor. I appreciate not only their breadth of knowledge in the field of drama, but also their courageous entry into a territory of cultural differences and their insistence that I make explicit cultural concepts that I had previously taken for granted. I am grateful also to Professor Ranginui Walker who, at a stage of the research when I felt the distance between Australia and New Zealand, consented to “look over my shoulder”. Secondly, my sincere thanks go to all those who shared information, ideas and enthusiasms with me during the interviews that are reported in this thesis and to the student teachers who explored with me the drama project that forms the final stage of the study.
    [Show full text]
  • NZ Gazette 1876
    This sampler file contains various sample pages from the product. Sample pages will often include: the title page, an index, and other pages of interest. This sample is fully searchable (read Search Tips) but is not FASTFIND enabled. To view more samplers click here www.gould.com.au www.archivecdbooks.com.au · The widest range of Australian, English, · Over 1600 rare Australian and New Zealand Irish, Scottish and European resources books on fully searchable CD-ROM · 11000 products to help with your research · Over 3000 worldwide · A complete range of Genealogy software · Including: Government and Police 5000 data CDs from numerous countries gazettes, Electoral Rolls, Post Office and Specialist Directories, War records, Regional Subscribe to our weekly email newsletter histories etc. FOLLOW US ON TWITTER AND FACEBOOK www.unlockthepast.com.au · Promoting History, Genealogy and Heritage in Australia and New Zealand · A major events resource · regional and major roadshows, seminars, conferences, expos · A major go-to site for resources www.familyphotobook.com.au · free information and content, www.worldvitalrecords.com.au newsletters and blogs, speaker · Free software download to create biographies, topic details · 50 million Australasian records professional looking personal photo books, · Includes a team of expert speakers, writers, · 1 billion records world wide calendars and more organisations and commercial partners · low subscriptions · FREE content daily and some permanently This sampler file includes the title page and various sample pages from this volume. This file is fully searchable (read search tips page) but is not FASTFIND enabled New Zealand Gazette 1876 Ref. NZ0110-1876 ISBN: 978 1 921315 21 3 This book was kindly loaned to Archive CD Books Australia by the University of Queensland Library http://www.library.uq.edu.au Navigating this CD To view the contents of this CD use the bookmarks and Adobe Reader’s forward and back buttons to browse through the pages.
    [Show full text]
  • Invercargill CITY COUNCIL
    Invercargill CITY COUNCIL NOTICE OF MEETING Notice is hereby given of the Meeting of the Invercargill City Council to be held in the Council Chamber, First Floor, Civic Administration Building, 101 Esk Street, Invercargill on Tuesday 28 October 2014 at 4.00 pm His Worship the Mayor Mr T R Shadbolt JP Cr DJ Ludlow (Deputy Mayor) CrR LAbbott Cr RR Amundsen Cr KF Arnold Cr N D Boniface Cr A G Dennis Cr I L Esler Cr PW Kett CrG D Lewis Cr I R Pottinger Cr G J Sycamore Cr LS Thomas EIRWEN HARRIS MANAGER, SECRETARIAL SERVICES AGENDA Page 1. APOLOGIES 2. PUBLIC FORUM 2.1 MENTAL HEALTH SYSTEMS IN SOUTHLAND Michelle Bennie will be in attendance to speak to this Item. 2.2 DEVELOPMENT OF A SOUTHLAND HERITAGE STRATEGY Anna Coleman, Consultant for Heritage Southland will be in attendance to speak to this Item. 3. REPORT OF THE INVERCARGILL YOUTH COUNCIL 3.1 YOUTH ANNUAL REPORT 8 Appendix 1 9 3.2 YOUTH COUNCIL LEADERSHIP SURVEY 8 4. MINUTES OF THE MEETING OF COUNCIL HELD ON 11 23 SEPTEMBER 2014 5. MINUTES OF THE EXTRAORDINARY MEETING OF COUNCIL 19 HELD ON 20 OCTOBER 2014 6. MINUTES OF THE EXTRAORDINARY MEETING OF COUNCIL HELD ON 21 OCTOBER 2014 To be circulated separately. 7. MINUTES OF THE MEETING OF THE BLUFF COMMUNITY 29 BOARD HELD ON 6 OCTOBER 2014 8. MINUTES OF COMMITTEES 8.1 COMMUNITY SERVICES COMMITTEE 13 OCTOBER 2014 37 8.2 REGULATORY SERVICES COMMITTEE 14 OCTOBER 2014 43 8.3 FINANCE AND POLICY COMMITTEE 21 OCTOBER 2014 To be circulated separately.
    [Show full text]
  • Board of Governors : Chairman: R
    Incorporated 1877 Opened 188I Inve reargill l Herbert Street Board of Governors : Chairman: R. M.STRANG, Esq. MRS J. N. ARMOUR. J. T. CARSWELL, Esq. JOHN GILKISON, Esq. F. G. STEVENSON, Esq. HIS WORSHIP THE MAYOR OF INVERCARGILL (John Miller, Esq.) Secretary and Treasurer : MR H. T. THOMPSON, Education Office, Tay Street, Invercargill. Rector: G. H. UTTLEY, M.A., D.Sc. (N.Z.), F.G.S. (London). Assistant Masters : J. L. CAMERON, M.A. A. R. DUNLOP, M.A. H. W. SLATER, M.A. B.Sc. R. D. THOMPSON, M.A., M.Sc. J. S. McGRATH, B.A, A.G. HARRINGTON, M.Sc. A. S. HOGG, M.Sc. A. H. ROBINS, B.A. A. J. DEAKER, M.A. J.C. BRAITHWAITE, :a.A. J. FLANNERY W. S. ALLAN, B.Agr.Sc. (to Oct. 1st). H. DREES, M.A. E. S. HOBSON, B.Sc. (Relieving). Gymnastics : ' Singing: J. PAGE. H. KENNEDY BLACK, F.T.C.L., L.R.S.M. Dancing: ALEX. SUTHERLAND. School Officer R. LEPPER. -� Officers, School 1935.- Editorials PREFECTS: 1935 Retrospect. L. Jones (Head), G. M. Thomson, C. H. Baird, C. W. War�urton, S. Taylor, I. E. Wilson, J. 0. Macpherson, P. E. Hazledme. in LIBRARY: Schools in the British system have come primarily to recognize char­ M. J. Chaplin (Head Librarian), L. M. �o�·nwell, E. G. F. Furby, P. J. L. McNamara, V. B. de la Perrelle, N. F. G1lk1son, D. W. Crowley, R. D. Fogo. acter development as their most important sphere. We believe that work to have been successfully continued. Our football record has been one of SOUTHLANDIAN: mixed success; cricket, definitely successful, while other outdoor activities The Prefects; Form VI.
    [Show full text]