Carlo Rosselli LIBERAL SOCIALISM
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Book Reviews
italian culture, Vol. xxxii No. 2, September 2014, 138–60 Book Reviews Fictions of Appetite: Alimentary Discourses in Italian Modernist Literature. By Enrico Cesaretti. Pp. vii + 272. Oxford: Peter Lang. 2013. Aside from a few, notable examples, such as Gian-Paolo Biasin’s I sapori della modernità (1991), gastro-criticism is a fairly new multi-disciplinary approach to literature that incorpo- rates literary studies, anthropology, sociology, semiotics and history to explore cultural production. Enrico Cesaretti’s gastro-critical approach to Italian Modernism brings together articles previously published; but here they are revised in order to read early twentieth century Italian writers and texts from a new perspective. The four chapters explore both well-known and nearly forgotten texts by authors such as F. T. Marinetti, Aldo Palazzeschi, Paola Masino, Massimo Bontempelli, and Luigi Pirandello through the common thematic of food, eating, depravation and hunger. Cesaretti notes that “virtually every major twentieth-century Western intellectual from Freud onward, has refl ected on the multiple cultural roles and implications of food and eating” (3). Modernism brought renewed focus on the body, so the trope of food, or lack thereof, becomes an important semiotic concern for writers of the period. Cesaretti’s selection of authors and texts stems from a chronological closeness more so than a great stylistic affi nity, and he is conscious of trying to unite his authors under the umbrella of the term Modernism, which, as he notes, has been problematic in Italian literary critical circles. For Cesaretti, these fi ve authors all emphasize food, hunger, and related tropes in their works because of historical reality (food shortages in Italy during the interwar years among others) and because of Modernism’s emphasis on the body and its functions. -
The Corporatism of Fascist Italy Between Words and Reality
CORPORATIVISMO HISTÓRICO NO BRASIL E NA EUROPA http://dx.doi.org/10.15448/1980-864X.2016.2.22336 The corporatism of Fascist Italy between words and reality O corporativismo da Itália fascista entre palavras e realidade El corporativismo de la Italia fascista entre las palabras y la realidad Alessio Gagliardi* Translated by Sergio Knipe Abstract: It is common knowledge that State intervention in Italy in the Twenties and the Thirties developed outside of corporative institutions. The history of Fascist corporatism, however, is not only an unsuccessful story. Despite the failure of the “corporatist revolution” and “Fascist third way”, Fascist corporatism since the mid- Twenties helped the progressive development of a new political system to regulate relationship between State and private interests. The paper examines not only the institutional framework (the systems of formal laws, regulations, and procedures, and informal norms) but also their acts and real activities. It dwells upon internal debates, political and institutional importance acquired by corporative institutions in Fascist regime and behaviours of entrepreneurial organizations and labour unions. In this way, the paper aims to point out the “real” consequences of Fascist corporatism, different from the ideological ones. Keywords: corporatism; Fascism; Italy Resumo: É de conhecimento geral que intervenções estatais na Itália nas décadas de 1920 e 1930 se desenvolveram fora de instituições corporativas. A história do corporativismo fascista, no entanto, não é totalmente sem sucessos. Apesar da falha da “revolução corporativista” e da “terceira via fascista”, o corporativismo fascista, desde meados dos anos 1920, ajudou no desenvolvimento progressivo de um novo sistema político para regular a relação entre o Estado e interesses privados. -
Il Fuoruscitismo Italiano Dal 1922 Al 1943 (*)
IL FUORUSCITISMO ITALIANO DAL 1922 AL 1943 (*) Possiamo organicamente dividere l’emigrazione politica, uno de gli aspetti più rilevanti della storia italiana durante i primi anni del regime fascista, in tre grandi periodi (1). Durante il primo, che va dal 1922 al 1924, tale esodo può apparire motivato da considerazioni economiche, proprio come era avvenuto per molti decenni; tuttavia, anche in questo periodo iniziale, in cui il fascismo non aveva ancora assunto il suo carattere dittatoriale, vi erano motivi politici che face vano capolino nella emigrazione. A migliaia di italiani che, senza un particolare interesse politico, avevano cercato lavoro sui mercati di Francia, Svizzera e Belgio, presto si aggiunsero numerosi altri la voratori, di idee socialiste od anarchiche, che avevano preso parte (1) Le seguenti statistiche possono dare un’idea delle variazioni nell’emigra zione. E’ impossibile, naturalmente, stabilire quanti emigrati fossero spinti prin cipalmente da motivi politici e quanti da considerazioni economiche. Le cifre sono prese dall’« Annuario Statistico italiano », Istituto centrale di Statistica, 1944-48, Serie V (Roma, 1949), I, 49. Anno Emigrazione verso Emigrazione verso Emigraz. ve la Francia l’Europa (Francia compr.) Paesi non Euro 1921 44.782 84.328 116.963 1922 99.464 155.554 125.716 1923 167.982 205.273 184.684 1924 201.715 239.088 125.282 1925 145.529 177.558 101.873 1926 111.252 139.900 122.496 1927 52.784 86.247 132.687 1928 49.351 79.173 70.794 1929 51.001 88.054 61.777 1930 167.209 220.985 59.112 1931 74.115 125.079 40.781 1932 33.516 58.545 24.803 1933 35.745 60.736 22.328 1934 20.725 42.296 26.165 1935 11.666 30.579 26.829 1936 9.614 21.682 19.828 1937 14.717 29.670 30.275 1938 10.551 71.848 27.99-* 1939 2.015 56.625 16.198 L’articolo è qui pubblicato per cortese concessione del « Journal of Central European Affairs » (University of Colorado, Boulder, Colorado) che l’ha pubbli cato il 1 aprile 1952 (voi. -
Etta for Lille Sent
PROVISIONAL VERSION, PLEASE DO NOT QUOTE Elena Laurenzi and Manuela Mosca Harriet Lathrop Dunham – Etta de Viti de Marco (1864-1939) An American activist in liberal Italy Introduction Much has been written about the thought of the Italian economist and parliamentarian Antonio de Viti de Marco, from both the economic and the political points of view1. Nothing is known however about his wife, the American Harriet Lathrop Dunham, or Etta de Viti de Marco as she was called in Italy. This article reconstructs her thought and works in the context of the political battles that marked in Italy the so-called liberal era2. 1. From America to Italy Harriet Lathrop Dunham was born on the first of April 1864 in New York. Her parents were James Harvey Dunham3 and Harriet Winslow Lathrop4. Her mother died when she was 15. Her father, the owner of the Manhattan corporation James H. Dunham & Co.5, was on the board of directors of the Central National Bank of the City of New York6. On his death, she received a large inheritance, the management of which she often discussed in letters to her four sisters, all younger than her. They were Episcopalians7, well educated8, studied pianoforte with maestro Paderewski9, and had their portraits painted by the American artist Singer Sargent10. Active in social life and in philanthropy, they loved Europe, especially England, where they went to stay for long periods. We know little else of Etta’s life prior to her arrival in Italy; her future sister-in-law Carolina, Antonio’s sister, wrote that when her brother met her in Rome, she was in Italy “for pleasure – and not for the first time”11. -
Consensus for Mussolini? Popular Opinion in the Province of Venice (1922-1943)
UNIVERSITY OF BIRMINGHAM SCHOOL OF HISTORY AND CULTURES Department of History PhD in Modern History Consensus for Mussolini? Popular opinion in the Province of Venice (1922-1943) Supervisor: Prof. Sabine Lee Student: Marco Tiozzo Fasiolo ACADEMIC YEAR 2016-2017 2 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Declaration I certify that the thesis I have presented for examination for the PhD degree of the University of Birmingham is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of my words. 3 Abstract The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society. -
Poetry and the Visual in 1950S and 1960S Italian Experimental Writers
The Photographic Eye: Poetry and the Visual in 1950s and 1960s Italian Experimental Writers Elena Carletti Faculty of Arts and Social Sciences The University of Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2020 This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. I acknowledge that this thesis has been read and proofread by Dr. Nina Seja. I acknowledge that parts of the analysis on Amelia Rosselli, contained in Chapter Four, have been used in the following publication: Carletti, Elena. “Photography and ‘Spazi metrici.’” In Deconstructing the Model in 20th and 20st-Century Italian Experimental Writings, edited by Beppe Cavatorta and Federica Santini, 82– 101. Newcastle upon Tyne: Cambridge Scholars Publishing, 2019. Abstract This PhD thesis argues that, in the 1950s and 1960s, several Italian experimental writers developed photographic and cinematic modes of writing with the aim to innovate poetic form and content. By adopting an interdisciplinary framework, which intersects literary studies with visual and intermedial studies, this thesis analyses the works of Antonio Porta, Amelia Rosselli, and Edoardo Sanguineti. These authors were particularly sensitive to photographic and cinematic media, which inspired their poetics. Antonio Porta’s poetry, for instance, develops in dialogue with the photographic culture of the time, and makes references to the photographs of crime news. -
Portrait of Italian Jewish Life (1800S – 1930S) Edited by Tullia Catalan, Cristiana Facchini Issue N
Portrait of Italian Jewish Life (1800s – 1930s) edited by Tullia Catalan, Cristiana Facchini Issue n. 8, November 2015 QUEST N. 8 - FOCUS QUEST. Issues in Contemporary Jewish History Journal of Fondazione CDEC Editors Michele Sarfatti (Fondazione CDEC, managing editor), Elissa Bemporad (Queens College of the City University of New York), Tullia Catalan (Università di Trieste), Cristiana Facchini (Università Alma Mater, Bologna; Max Weber Kolleg, Erfurt), Marcella Simoni (Università Ca’ Foscari, Venezia), Guri Schwarz (Università di Pisa), Ulrich Wyrwa (Zentrum für Antisemitismusforschung, Berlin). Editorial Assistant Laura Brazzo (Fondazione CDEC) Book Review Editor Dario Miccoli (Università Cà Foscari, Venezia) Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università di Genova), David Cesarani z.l. (Royal Holloway College, London), Roberto Della Rocca (DEC, Roma), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università La Sapienza di Roma), François Guesnet (University College London), Alessandro Guetta (INALCO, Paris), Stefano Jesurum (Corriere della Sera, Milano), András Kovács (Central European University, Budapest), Fabio Levi (Università degli Studi di Torino), Simon Levis Sullam (Università Ca’ -
A Most Dangerous Family the Rossellis and the Fight Against Mussolini 1St Edition Pdf, Epub, Ebook
A MOST DANGEROUS FAMILY THE ROSSELLIS AND THE FIGHT AGAINST MUSSOLINI 1ST EDITION PDF, EPUB, EBOOK Caroline Moorehead | 9780062308306 | | | | | A Most Dangerous Family The Rossellis and the Fight Against Mussolini 1st edition PDF Book The book started with her being the star of the story, but as her sons become more involved with politics her thoughts and actions become less visible. Amelia had a lonely and tough childhood, resulting in austerity and intellectual inquiry becoming a hallmark of her life. I had a university chair: I was forced to give it up. There are urgent, important lessons that we need to learn from the Rosselli's mistakes as well, if we wish to make "Never Again" a reality and not merely a slogan. Fascist thugs may have broken into the family house, terrifying the servants, smashing precious porcelain and hurling the broken remnants of a piano out into the street. This story of Carlo and Nello Rosselli, leaders and heroes of the Italian anti-fascist movement, does more than simply tell us about their remarkable and too short lives. Poor Nello. As many as half of the soldiers were illiterate. At about one quarter of the book the author is in fact still in the introduction. In retaliation, many of the anti-fascists were arrested and imprisoned; others left the country to escape a similar fate. For their role in helping the socialist leader, Turati, to escape Italy, they soon found themselves exiled to desolate penal islands off the coast of Sicily. It is too full of historical documents, too full of details that taken separately almost seem random or distracting but when read all together it paints an incredible expansive portrait of what life was like for this family during the time period. -
Transnational Anarchism Against Fascisms: Subaltern Geopolitics and Spaces of Exile in Camillo Berneri’S Work Federico Ferretti
Transnational Anarchism Against Fascisms: subaltern geopolitics and spaces of exile in Camillo Berneri’s work Federico Ferretti To cite this version: Federico Ferretti. Transnational Anarchism Against Fascisms: subaltern geopolitics and spaces of exile in Camillo Berneri’s work. eds. D. Featherstone, N. Copsey and K. Brasken. Anti-Fascism in a Global Perspective, Routledge, pp.176-196, 2020, 10.4324/9780429058356-9. hal-03030097 HAL Id: hal-03030097 https://hal.archives-ouvertes.fr/hal-03030097 Submitted on 29 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Transnational anarchism against fascisms: Subaltern geopolitics and spaces of exile in Camillo Berneri’s work Federico Ferretti UCD School of Geography [email protected] This paper addresses the life and works of transnational anarchist and antifascist Camillo Berneri (1897–1937) drawing upon Berneri’s writings, never translated into English with few exceptions, and on the abundant documentation available in his archives, especially the Archivio Berneri-Chessa in Reggio Emilia (mostly published in Italy now). Berneri is an author relatively well-known in Italian scholarship, and these archives were explored by many Italian historians: in this paper, I extend this literature by discussing for the first time Berneri’s works and trajectories through spatial lenses, together with their possible contributions to international scholarship in the fields of critical, radical and subaltern geopolitics. -
Archivi Di Giustizia E Libertà
ISTITUTO STORICO DELLA RESISTENZA IN TOSCANA Archivi di Giustizia e libertà Revisione e integrazioni a cura di Marta Bonsanti Novembre 2013 1915 – 2012 Storia. Il movimento politico di Giustizia e Libertà è fondato a Parigi nel 1929 da Carlo Rosselli ed altri emigrati antifascisti. Si pone come organizzazione rivoluzionaria che riunisce repubblicani di sinistra, liberali e socialisti nella lotta per la libertà, la repubblica, la giustizia sociale. Fanno parte del gruppo fondatore, oltre a Carlo Rosselli, Emilio Lussu, Alberto Tarchiani, Alberto Cianca, Fausto Nitti. E' diretta da un comitato centrale con sede nella capitale francese, mentre in Italia si formano vari gruppi diffusi soprattutto nelle grandi città del Nord, con epicentro a Milano, che mantengono il collegamento con il gruppo di Parigi. Fin dall'inizio GL presenta al suo interno posizioni politiche diverse. Carlo Rosselli, autore di Socialismo liberale, mira a una sintesi tra una democrazia pluralistica e repubblicana e un socialismo d'intonazione laburista; i punti principali del suo programma sono la rivoluzione, la repubblica e una costituzione sociale in cui, accanto alla socializzazione di alcuni settori-chiave dell'economia, si mantenga la piccola e media proprietà e si sviluppino le autonomie locali. Il nucleo torinese di GL, composto da Aldo Garosci, Carlo Levi e Mario Andreis, sulla scia di Piero Gobetti, è molto vicino alle problematiche del movimento operaio; il nucleo milanese, rappresentato da Alberto Tarchiani e Riccardo Bauer, è invece su posizioni di matrice liberale, così come il fiorentino Ernesto Rossi che con Nello Traquandi e Piero Calamandrei ha partecipato all'esperienza salveminiana del «Non Mollare»; i seguaci pugliesi di Tommaso Fiore, sostenitori di Gaetano Salvemini nella battaglia meridionalista, subiscono inizialmente una forte influenza crociana e in seguito aderiscono alla revisione critica liberalsocialista compiuta da Guido Calogero. -
Carte Italiane
UCLA Carte Italiane Title Amelia Rosselli: poesia e guerra Permalink https://escholarship.org/uc/item/53b2z7b2 Journal Carte Italiane, 2(2-3) ISSN 0737-9412 Author Re, Lucia Publication Date 2007 DOI 10.5070/C922-3011333 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Amelia Rosselli: poesia e guerra Prof. Lucili Re University of Califoriìia, Los Angeles Gennaio 2007 Guerra mortale, eterna, o fato itide^^tìo, Teco il prode <^uerre<i(iia, Di cedere itiesperto (Leopardi, Bruto minore) I. Figlia del secolo sanguinoso. Il primo libro di poesie di Amelia Rosselli, Variazioni belliche, pubblicato nel 1964 e scritto nel periodo dell'apice della neoavanguardia in Italia, costituisce un esempio luminoso di come sperimentare con il linguaggio e riflettere sui molti significati della guerra e della violenza senza i com- piacimenti che sfigurano l'opera dei poeti cosiddetti novissimi. Amelia Rosselli è una grande poetessa sperimentale e d'avanguardia, la cui opera dimostra la fallacia dell'affermazione di Dacia Maraini secondo la quale lo sperimentalismo in poesia è un gioco di potere maschile e una fac- cenda da uomini, mentre le donne devono tenersi vicine ai contenuti, e usare un linguaggio trasparente e facilmente decifrabile.' Rosselli inscrisse la propria vita e la propria esperienza di donna nella sua opera poetica, senza però indulgere all'autobiografismo o al confessionalismo, e facendo del linguaggio stesso il luogo di interrogazione della propria esistenza in rapporto al contesto storico, sociale e culturale in cui si trovò a vivere.- Profondamente radicata nello specifico contesto storico- culturale e nell'esperienza autobiografica, e specificamente fenuninile, la meditazione poetica della Rosselli sulla guerra assume tuttavia una profondità e uno spessore che rendono la sua opera paragonabile alle fondamentali riflessioni sulla guerra di autrici e pensatrici quali Virginia Woolf, Simone Weil, Elsa Morante e Maria Zambrano.^ Amelia Rosselli nacque a Parigi il 28 marzo del 1930. -
Repressed Memory and Traumatic History in Alberto Moravia's 'The
Repressed memory and traumatic history in Alberto Moravia’s 'The Woman of Rome' Book or Report Section Accepted Version Leavitt, C. (2018) Repressed memory and traumatic history in Alberto Moravia’s 'The Woman of Rome'. In: Sambuco, P. (ed.) Transmissions of Memory: Echoes, Traumas and Nostalgia in Post-World War II Italian Culture. Rowman and LittleField, New Jersey, USA, pp. 39-54. ISBN 9781683931430 Available at http://centaur.reading.ac.uk/74248/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Rowman and LittleField All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Chapter 2 Repressed Memory and Traumatic History in Alberto Moravia’s The Woman of Rome Charles L. Leavitt IV Alberto Moravia traced the origin of The Woman of Rome (La Romana, 1948) to a memory. Although he started to write the novel in late 1946, that is to say, he located the project’s true beginning a decade earlier, in 1936, in a fateful encounter on the streets of Rome. “I found myself in Largo Tritone with Leo Longanesi, after a typically boring evening in Rome, and all of a sudden I saw a woman who seemed to be a streetwalker,” he recounted to his biographer, Alain Elkann.