A Nonsense Antholoy
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ABSTRACT “Our Grand Narrative of Women and War”: Writing, And
ABSTRACT “Our Grand Narrative of Women and War”: Writing, and Writing Past, a Gendered Understanding of War Front and Home Front in the War Writing of Hemingway, O’Brien, Plath, and Salinger Julie Ooms, Ph.D. Mentor: Luke Ferretter, Ph.D. Scholars and theorists who discuss the relationship between gender and war agree that the divide between the war front and the home front is gendered. This boundary is also a cause of pain, of misunderstanding, and of the breakdown of community. One way that soldiers and citizens, men and women, on either side of the boundary can rebuild community and find peace after war is to think—and write—past this gendered understanding of the divide between home front and war front. In their war writing, the four authors this dissertation explores—Ernest Hemingway, Tim O’Brien, Sylvia Plath, and J.D. Salinger—display evidence of this boundary, as well as its destructive effects on persons on both sides of it. They also, in different ways, and with different levels of success, write or begin to write past this boundary and its gendered understanding of home front and war front. Through my exploration of these four authors’ work, I conclude that the war writers of the twentieth century have a problem to solve: they still write within an understanding of war that very clearly genders combatants and noncombatants, warriors and home front helpers. However, they also live and write within a historical and political era that opens up a greater possibility to think and write past this gendered understanding. -
CASS CITY CHRONICLE I
CASS CITY CHRONICLE d tTI [ • ' Ul=: ~ I I ir i H~-~_ .... VOLUME 29,' NUMBER 2. CASS CITY, MICHIGAN, FRIDAY, APRIL 20, 1934. EIGHT PAGES. ] I Prayer and offering 4-H ACHIEVEMENT DAYS. COUNCIL NAMED MAY 14-15 March, "Adoration"....H.C. Miller AS CLEAN-UP DAYS HERE LOU H A [ iS Andante, "The Old Church Or~ 50TH ANN!WR R ' gan'. ................... W. P. Chambers 4-11 achiev¢.~nen~ days will bc The Band observed in Tuscola county at the At the council meeting Monday AI iED 81RGUITJUDE"Soft Shadows Falling"..Flemming following places next week: U RISE [ OLO Y evening, the trustees set aside May i FV FLli AL [ HURI H Boys' Glee Club Mayville , Monday evening, Apr. 14 and 15 as clean-up days in Cass , ,, "March Romaine". .............F. Beyer 23, at high school. T City. Trucks will be furnished by Serenade, "The Twilight Hour" Delegates Coming Here from Millington, Tuesday afternoon the village to cart away tin cans Lapeer Attorney Fills Vacan- ..........................Francis A. Myers L. D. Randall Speaks on Ag- ~Large Numbers Attended the Apr. 24, at M. E. church. t and other rubbish which are ,to be cy Caused bY Death of The Band Fifty Parishes in Thumb Akron, Tuesday evening, April ricultural Experiment placed at a convenient spot for Banquet and Two Sunday "Go Where the Water Glideth" Judge Smith. on May 5. 2~, at community hall. Near Chesaning. loading. Ash hauling will not be ..............................................Wilson Caro, Wednesday afternoon, Apr. done b:~ the village trucks. Services. Girls' Glee Club 25, at high school auditorium. -
Audition Pack
AUDITION PACK Production details Our production of Alice in Wonderland will take place at Millers Theatre, Seefeldstrasse 225, 8008 Zürich. Production dates Saturday 2nd March 2019 at 2.30pm and 6.30pm Sunday 3rd March 2019 at 2.30pm and 6.30pm Want to audition? If you are aged between 8 and 18 you can book your audition time by signing up at www.simplytheatre.com/productions/audition Audition details Auditions for Alice in Wonderland will take place on the 8th and 9th December 2018 at Gymnos Studios, Gladbachstr. 119, 8044 Zürich. If you are selected for a CALLBACK, you will need to be available on the afternoon of Sunday 9th December. If you want to audition but cannot make these dates please let us know in advance and we may be able to help. Audition times are: Saturday 8th December Sunday 9th December Session 1: 14.45 – 15.45 Session 4: 11.00 – 12.00 Session 2: 15.55 – 16.55 Session 3: 17.00 – 18.00 Recall auditions: 13.00 – 16.00 (by invite only) Please indicate which audition slot you would like when booking your time. 1 What will I be doing in the audition process? As part of your audition, you will be asked to perform a small monologue. These monologues are listed at the end of this pack. This monologue should be memorised. When learning your monologue, remember to consider where you think your character is at the time of this monologue, who (s)he may be talking to, and what they are feeling. How can you get this information over to your audience (audition panel) through your audition? You may feel free to choose any of the monologues for your audition, as no matter what you perform at audition you will still be considered for all parts. -
Sugar-Sweetened Beverage Marketing Unveiled
SUGAR-SWEETENED BEVERAGE MARKETING UNVEILED VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 THE PRODUCT: A VARIED OFFERING TO RESPOND TO A SEGMENTED MARKET A Multidimensional Approach to Reduce the Appeal of Sugar-Sweetened Beverages This report is a central component of the project entitled “A Multidimensional Approach to Reducing the Appeal of Sugar-Sweetened Beverages (SSBs)” launched by the Association pour la santé publique du Québec (ASPQ) and the Quebec Coalition on Weight-Related Problems (Weight Coalition) as part of the 2010 Innovation Strategy of the Public Health Agency of Canada on the theme of “Achieving Healthier Weights in Canada’s Communities”. This project is based on a major pan-Canadian partnership involving: • the Réseau du sport étudiant du Québec (RSEQ) • the Fédération du sport francophone de l’Alberta (FSFA) • the Social Research and Demonstration Corporation (SRDC) • the Université Laval • the Public Health Association of BC (PHABC) • the Ontario Public Health Association (OPHA) The general aim of the project is to reduce the consumption of sugar-sweetened beverages by changing attitudes toward their use and improving the food environment by making healthy choices easier. To do so, the project takes a three-pronged approach: • The preparation of this report, which offers an analysis of the Canadian sugar-sweetened beverage market and the associated marketing strategies aimed at young people (Weight Coalition/Université Laval); • The dissemination of tools, research, knowledge and campaigns on marketing sugar-sweetened beverages (PHABC/OPHA/Weight Coalition); • The adaptation in Francophone Alberta (FSFA/RSEQ) of the Quebec project Gobes-tu ça?, encouraging young people to develop a more critical view of advertising in this industry. -
Mark Alan Smith Formatted Dissertation
Copyright by Mark Alan Smith 2019 The Dissertation Committee for Mark Alan Smith Certifies that this is the approved version of the following Dissertation: To Burn, To Howl, To Live Within the Truth: Underground Cultural Production in the U.S., U.S.S.R. and Czechoslovakia in the Post World War II Context and its Reception by Capitalist and Communist Power Structures. Committee: Thomas J. Garza, Supervisor Elizabeth Richmond-Garza Neil R. Nehring David D. Kornhaber To Burn, To Howl, To Live Within the Truth: Underground Cultural Production in the U.S., U.S.S.R. and Czechoslovakia in the Post World War II Context and its Reception by Capitalist and Communist Power Structures. by Mark Alan Smith. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2019 Dedication I would like to dedicate this work to Jesse Kelly-Landes, without whom it simply would not exist. I cannot thank you enough for your continued love and support. Acknowledgements I would like to thank my dissertation supervisor, Dr. Thomas J. Garza for all of his assistance, academically and otherwise. Additionally, I would like to thank the members of my dissertation committee, Dr. Elizabeth Richmond-Garza, Dr. Neil R. Nehring, and Dr. David D. Kornhaber for their invaluable assistance in this endeavor. Lastly, I would like to acknowledge the vital support of Dr. Veronika Tuckerová and Dr. Vladislav Beronja in contributing to the defense of my prospectus. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Rikki-Tikki-Tavi by Rudyard Kipling (From the Jungle Book)
Rikki-tikki-tavi by Rudyard Kipling (from The Jungle Book) At the hole where he went in Red-Eye called to Wrinkle-Skin. Hear what little Red-Eye saith: "Nag, come up and dance with death!" Eye to eye and head to head, (Keep the measure, Nag.) This shall end when one is dead; (At thy pleasure, Nag.) Turn for turn and twist for twist-- ( Run and hide thee, Nag.) Hah! The hooded Death has missed! (Woe betide thee, Nag!) This is the story of the great war that Rikki- him. Perhaps he isn't really dead." tikki-tavi fought single-handed, through the They took him into the house, and a big man bath-rooms of the big bungalow in Segowlee picked him up between his finger and thumb cantonment. Darzee, the Tailorbird, helped him, and said he was not dead but half choked. So and Chuchundra, the musk-rat, who never they wrapped him in cotton wool, and warmed comes out into the middle of the floor, but him over a little fire, and he opened his eyes and always creeps round by the wall, gave him sneezed. advice, but Rikki-tikki did the real fighting. "Now," said the big man (he was an Englishman He was a mongoose, rather like a little cat in his who had just moved into the bungalow), "don't fur and his tail, but quite like a weasel in his frighten him, and we'll see what he'll do." head and his habits. His eyes and the end of his restless nose were pink. -
Lewis Carroll 'The Jabberwocky'
Lewis Carroll ‘The Jabberwocky’ 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. Rudyard Kipling ‘The Way Through The Woods’ They shut the road through the woods Seventy years ago. W eather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods… But there is no road through the woods. -
Twas Brillig, and the Slithy Toves Did Gyre and Gimble in the Wabe; All Mimsy Were the Borogoves, and the Mome Raths Outgrabe
English Language Literature I - LETRAS - Prof. Daniel Derrel Santee - UFMS 2010 BRITISH By Lewis Carroll (Charles Lutwidge Dodgson) `Twas brillig, and the slithy toves One, two! One, two! And through and through Did gyre and gimble in the wabe; The vorpal blade went snicker-snack! All mimsy were the borogoves, He left it dead, and with its head And the mome raths outgrabe. He went galumphing back. `Beware the Jabberwock, my son! `And has thou slain the Jabberwock? The jaws that bite, the claws that catch! Come to my arms, my beamish boy! Beware the Jujub bird, and shun O frabjous day! Calloh! Callay! The frumious Bandersnatch!' He chortled in his joy. He took his vorpal sword in hand: `Twas brillig, and the slithy toves Long time the manxome foe he sought -- Did gyre and gimble in the wabe; So rested he by the Tumtum gree, All mimsy were the borogoves, And stood awhile in thought. And the mome raths outgrabe. And as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wook, And burbled as it came! Made More Stir Than Anything Else By Eleanor Graham "Jabberwocky", the strange nonsense poem those in Through The Looking Glass, so the transla- printed in Looking-Glass characters, made more stir tion read: "It was evening, and the smooth active than anything else in the book and some wild asser- badgers were scratching and boring holes in the hill- tions were made about its origin. The truth was, side, all unhappy were the parrots and the grave tur- however, that Dodgson had made up the first verse tles squeaked out". -
Alice's Adventures in Wonderland
digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Alice in Wonderland and Through the Looking-Glass Free Download
ALICE IN WONDERLAND AND THROUGH THE LOOKING-GLASS FREE DOWNLOAD Lewis Carroll,Sir John Tenniel,Anna South | 288 pages | 15 Nov 2009 | Pan MacMillan | 9781904633327 | English | London, United Kingdom Alice's Adventures in Wonderland & Through the Looking-Glass Retrieved May 28, Alice in Wonderland and Through the Looking-glass At length, as the Tiger-lily only went on waving about, she spoke again, in a timid voice—almost in a whisper. Characters by Lewis Carroll. There now! January 21, A classic children's fable that will always be a favorite, having sold more than million copies, and adults can be entrapped also, and benefit by the amusing satire of their foibles, which everyone has. There is no need to limit the depth in books for children, because each reader will come away with whatever they are capable of finding. By the second day, I've decided to throw out the logical and embrace lunacy for Pete's sake. Product Details About the Author. Oh yes, there is another side of the wall. Alice ran to the side of the ditch to look for him. Retrieved January 10, Production Details. Alice then travels through time with the "Chronosphere"comes across friends and enemies at different points of their lives, and embarks on a race to save the Hatter before time runs out. The poetry, while confusing and jumbled, was highly amusing. Also by Lewis Carroll. She looked at the Queen, who seemed to have suddenly wrapped herself up in wool. Bring back the pudding! We are experiencing technical difficulties. The website's critical consensus reads, " Alice Through the Looking Glass is just as visually impressive as its predecessor, but that isn't enough to cover for an underwhelming story that fails to live up to its classic characters.