Star Trek Honors Syllabus
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bachelorarbeit Saskia Sperfeld
BACHELORARBEIT Frau Saskia Sperfeld Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) 2018 Fakultät: Medien BACHELORARBEIT Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) Autorin: Frau Saskia Sperfeld Studiengang: Film und Fernsehen Seminargruppe: FF15sR1-B Erstprüfer: Prof. Peter Gottschalk Zweitprüfer: Christian Maintz, M.A. Einreichung: Braunschweig, 24.05.2018 Faculty of Media BACHELOR THESIS Developments in the Star Trek franchise as seen in “Star Trek II: The Wrath of Khan” (1982) and “Star Trek Into Darkness” (2013) author: Ms. Saskia Sperfeld course of studies: Film and Television seminar group: FF15sR1-B first examiner: Prof. Peter Gottschalk second examiner: Christian Maintz, M.A. submission: Braunschweig, 24.05.2018 Bibliografische Angaben Nachname, Vorname: Sperfeld, Saskia Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) Developments in the Star Trek franchise as seen in “Star Trek II: The Wrath of Khan” (1982) and “Star Trek Into Darkness” (2013) 53 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2018 Thema der vorliegenden Arbeit sind die Filme Star Trek II: The Wrath of Khan von 1982 und Star Trek Into Darkness von 2013. Es wird aufgezeigt welche Gemeinsamkeiten und Unterschiede die beiden, in Handlung und Figuren sehr ähnlichen, Filme aufweisen, um zu untersuchen, ob und wie sich das Star Trek Franchise weiterentwickelt hat. Zu diesem Zweck werden zunächst Filmanalysen der beiden Filme nach den Parametern Hand- lung, Erzählstruktur, Figuren und Thematiken und Kontext durchgeführt. -
“Kobayashi Maru” by DEACON/SEMINARIAN LOIS SORENSEN
“Kobayashi Maru” BY DEACON/SEMINARIAN LOIS SORENSEN As Christians, especially as Evangelical Lutherans, we say we preach the “good news”. But where is the “good news” in today’s readings (other than the psalm)? From the farmer-turned-prophet Amos, we hear how he was told to vacate the premises after he spoke truth to those who did not want to hear it. And from the writer of Mark, we get Herod’s flash-back to the beheading of the John the Baptist (after John spoke a truth that Herodias did not want to hear). Those stories sound like “cost of discipleship” messages rather than “good news” (don’t ‘cha think?) As I prepared today’s homily, I wondered if I had “missed something” about the readings, so I consulted with a few colleagues but they were all were facing the same quandary. Then I consulted with some commentaries (essays about the readings written by biblical scholars) and alas one commentator even came right out and said, “Maybe there is no good news this week”. The next thought that came to my mind was: “Kobayashi Maru”. Trust me, that is not swearing in Greek or some other language (at least, not that I am aware of) although, for a fleeting moment, I certainly wanted a “word or two” with Pastor John for giving me this particular preaching date! “Kobayashi Maru” is a nerdy way of calling something a “no-win scenario” and, if you are “into” science fiction at all, you might recognize it as a Star Trek reference. You see, every command-eligible cadet at Star Fleet Academy must take a certain training exercise in a simulator of the bridge of a starship (like the Enterprise) which part of our Sanctuary bears some resemblance to, by the way. -
James T. Kirk Spock Spock Prime Nero Christopher Pike Leonard
James T. Kirk Spock Spock Prime Nero Christopher Pike Leonard McCoy Nyota Uhura Montgomery Scott Hikaru Sulu Pavel Chekov Sarek After witnessing the destruction of his home planet, Romulus in 2387, Nero sets in place a chain of events that will permanently alter the timeline of the Star Trek Universe, leading to the creation of an alternate reality, that deviates from the Prime Reality of the Star Trek Canon. 2387 - Nero loses his wife and unborn child during the destruction of Romulus in a supernova. Witnesses the tragedy while off- planet. 2387 - Grief- stricken and seeking revenge, Nero places the blame for Romulus's demise on Ambassador Spock, who had promised to prevent the disaster. Aditionally, he blamed the Federation as a whole, who he accused of standing idle while Romulus perished. 2387 - Spock, 2387 - Nero piloting his intercepts Spock's trademark ship the escape from the Jellyfish, absorbs ensuing black hole the supernova with while in command the use of Red of the Matter, creating a technologically black hole. Before advanced Romulan he could escape, mining vessel, the Spock is Narada. The intercepted by Narada is pulled Nero, in command into the Singularity of the Romulan first. mining vessel the Narada. Both ships are pulled into the Black Hole, the Narada entering first. 2222 - Montgomery Scott is born in Scotland. Spock Prime and 2227 - Leonard the Romulans get McCoy is born in Matthew Georgia, USA, McConaughey'd Earth. 2230 - Spock is born on Vulcan to Sarek, Vulcan ambassador to Earth and Amanda Grayson, a human. Spock's birth takes place prior to Nero's time incursion, and therefore before the timelines diverge from oneanother, so this event takes place for both Spock Prime and the Spock of this timeline. -
Mind-Sifter Salmon Pages.Fdx
"MIND SIFTER" STAR TREK PHASE II Introduction from our screenwriter Rick Chambers: I have many great memories related to "Mind-Sifter," from the moment I was asked to create the teleplay from Shirley's magnificent story to the long hours and unflagging enthusiasm of the shoot. One memory that's especially dear to me is linked to the memorial service. While I was working on the teleplay in December 2013, my mother was dying. She was in hospice as I wrote the chapel scene and passed away as I finished the script. So the words I gave to McCoy, about the need to mourn, how it's part of life, and how we move on from grief and despair to hope, all were themes I was dealing with personally at the time. Then, when we shot the scene months later, and Jeff Bond delivered that powerful performance, I was in tears because those words were so right, so true. They resonate in the next scene, too, when Kirk makes his escape from the Klingons ; with his life seemingly about to end, he finds that window of hope, where "grace will lead me home," as the song goes at that moment he leaps through the Guardian. All of this was very meaningful for me personally -- and, I hope, meaningful for those who watch the episode. We shot all asylum shots at Ticonderoga High School. Our producer, Rob Mauro did extensive research and the architecture is period correct! TEASER FADE IN: 1 INT. ASYLUM HALLWAY--NIGHT 1 A dimly lit hallway, old and rough at the edges, a facility operating on a shoestring. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
Infinite Diversity in Infinite Combinations: Portraits of Individuals with Disabilities in Star Trek
Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd An Article Published in TEACHING Exceptional Children Plus Volume 3, Issue 6, July 2007 Copyright © 2007 by the author. This work is licensed to the public under the Creative Commons Attribution License. Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd Abstract Weekly television series have more influence on American society than any other form of media, and with many of these series available on DVDs, television series are readily ac- cessible to most consumers. Studying television series provides a unique perspective on society’s view of individuals with disabilities and influences how teachers and peers view students with disabilities. Special education teachers can use select episodes to differenti- ate between the fact and fiction of portrayed individuals with disabilities with their stu- dents, and discuss acceptance of peers with disabilities. With its philosophy of infinite diversity in infinite combinations, Star Trek has portrayed a number of persons with dis- abilities over the last forty years. Examples of select episodes and implications for special education teachers for using Star Trek for instructional purposes through guided viewing are discussed. Keywords videotherapy, disabilities, television, bibliotherapy SUGGESTED CITATION: Shepherd, T.L. (2007). Infinite diversity in infinite combinations: Portraits of individuals with disabilities in Star Trek. TEACHING Exceptional Children Plus, 3(6) Article 1. Retrieved [date] from http://escholarship.bc.edu/education/tecplus/vol3/iss6/art1 "Families, societies, cultures -- A Reflection of Society wouldn't have evolved without com- For the last fifty years, television has passion and tolerance -- they would been a reflection of American society, but it have fallen apart without it." -- Kes to also has had a substantial impact on public the Doctor (Braga, Menosky, & attitudes. -
STAR TREK in Context
TABLE OF CONTENTS About the Exhibition ...................................................................................................................................................2 Introduction for Educators .........................................................................................................................................2 Educational Goals .......................................................................................................................................................3 Educational Standards ................................................................................................................................................3 STAR TREK in Context .................................................................................................................................................3 Suggested Subject Area Explorations .........................................................................................................................5 Selected Exhibition Walkthrough ...............................................................................................................................7 Additional Resources ............................................................................................................................................... 11 ABOUT THE EXHIBITION Created to honor the 50th anniversary of Star Trek, a story whose themes of optimism, equality, and heroism have inspired millions of people worldwide. Star Trek presents a positive future—a -
Brain and Dualism in Star Trek
Feature 101 nature of human experience” (Hayles 245) and ignores “the importance of embodiment” (20). Brain and Dualism in Star Trek Moreover, this essay will show that in the vast majority of cases, these interactions constitute one of two events: Victor Grech a dybbuk, which, in Jewish mythology, is defined as the possession of the body by a malevolent spirit, usually that Introduction of a dead person, or outright possession by beings with IN THE PHILOSOPHIES that deal with the mind, dual- superhuman powers. The narratives then focus on coun- ism is the precept that mental phenomena are, to some termeasures that need to be undertaken in order to re- degree, non-physical and not completely dependent on store the original personality into its former body, there- the physical body, which includes the organic brain. by emulating a morality play, with good mastering evil. René Descartes (1596-1650) popularised this concept, maintaining that the mind is an immaterial and non- Narratives physical essence that gives rise to self-awareness and con- For the purposes of this essay, only sources that are ca- sciousness. Dualism can be extended to include the no- nonical to the ST gesamtkunstwerk are considered, i.e. the tion that more broadly asserts that the universe contains televisions series and the movies. two types of substances, on the one hand, the impalpable mind and consciousness and, on the other hand, com- Mind resides in brain mon matter. This is in contrast with other world-views, The certain knowledge that consciousness somehow re- such as monism, which asserts that all objects contained sides within the physical brain is acknowledged in Dan- in the universe are reducible to one reality, and pluralism iel’s “Spock’s Brain.” In this episode, the Enterprise’s Vul- which asserts that the number of truly fundamental reali- can first officer has his brain forcibly removed surgically. -
Embracing the Kobayashi Maru: Why You Should Teach Your Students to Cheat Gregory Conti and James Caroland
Embracing the Kobayashi Maru: Why You Should Teach Your Students to Cheat Gregory Conti and James Caroland Adversaries cheat. We don’t. In academic institutions around the world, students understand that they will be expelled if they violate their college’s honor code or otherwise fail to play by the institutional rules. The dissonance between how our adversaries operate and how we teach our students puts our students at a distinct disadvantage when faced with real world adversaries who inevitably do not play by the rules. Breaking through the paradigm where students self- censor their ways of thinking to a new paradigm that cultivates an effective adversary mindset is both necessary and possible. An adversary examines systems and finds weaknesses in trust relationships, human behavior, communications protocols, physical security, and system logic to find exploitable vulnerabilities. By anticipating adversary actions and reactions, ethical actors are far better prepared to build secure systems and perform both defensive and offensive activities successfully. For both the attacker and the defender a devious mind is equally as important as a beautiful mind. This article describes our experiences in helping students develop an adversary mindset by adopting the Kobayashi Maru training exercise employed in the fictional Star Trek universe. In the Kobayashi Maru exercise, Starfleet cadets were faced with a no-win scenario -- attempt to rescue the crew of a disabled civilian vessel, and be destroyed in the effort, or avoid confrontation and leave the disabled ship and its crew to be captured or destroyed. Famously, Captain Kirk won the scenario by, and this is important, stepping outside the game and altering its rules to his benefit. -
Nichelle Nichols (Lt. Uhura) Wants to Make Science of Star Trek Reality," Sun·Herald, June 4, 1977, N.P., Nichols Bio File, NASA HQ
More Than "Just Uhura" Understanding Star Trek's Lt. Uhura, Civil Rights, and Space History Margaret A. Weitekamp s the scene opens on an isolated roadhouse bar, the viewers' A first glimpse inside the establishment reveals a tall, attractive woman striding confidently toward a set of swinging doors, her profile reflected in the photographs hanging along the hallway. As she pushes through the doors, the music booms. She greets some friends at a table and heads straight for the bar, her long hair swing ing behind her, her step in time with the music. At the bar, she places a large order of drinks with alien-sounding names. Her good time with her fellow Starfleet cadets is interrupted, however, when a young man, a local, whom the viewers recognize as an inebriated James T. Kirk, starts hitting on her, trying to buy her a drink: "Her shot's on me," he directs the bartender. "Her shot's on her," she answers. 'Thanks, but no thanks." As they banter, she remains unflustered, an equal in the verbal spar ring. When Kirk asks her for her name, she replies, "It's Uhura." 22 MORE THAN " JUST UHURA" 23 The author with actress Nichelle Nichols, who gave an interview for this chapter, in the National Air and Space Museum's art gallery. "Uhura what?" "Just Uhura," she replies. Her brush-off answer is an inside joke for Star Trek fans: in the original 1960s television show, her char acter never had a first name. (Kirk's quest to learn her full name became a running joke throughout the 2009 film .) But Kirk refuses to be deterred by her rebuffs.