STAR TREK in Context
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STLV17 Program Booklet.Pages
STAR TREK LAS VEGAS 2017 - SCHEDULE of EVENTS MONDAY, JULY 31ST START END EVENT LOCATION VENDORS ROOM – HOURS OF OPERATION: 2:00 PM 7:00 PM VENDORS SET-UP/VENDORS ONLY Amazon TUESDAY, AUGUST 1ST NOTE: Pre-registration is not a necessity, just a convenience! Get your credentials, wristband and schedule so you don't have to wait again during convention days. VENDORS ROOM WILL BE OPEN TOO so you can get first crack at autograph and photo op tickets as well as merchandise! PRE-REGISTRATION IS ONLY FOR FULL CONVENTION ATTENDEES WITH EITHER GOLD, CAPTAIN’S CHAIR, COPPER OR GA WEEKEND. If you miss this pre-registration time, you can come any time that Registration is open! START END EVENT LOCATION VENDORS ROOM – HOURS OF OPERATION: 9:00 AM 3:00 PM VENDORS SET-UP Amazon 6:00 PM 6:45 PM Vendors room open for GOLD ONLY Amazon 6:45 PM 7:30 PM Vendors room open for GOLD and CAPTAIN’S CHAIR ONLY Amazon 7:30 PM 8:15 PM Vendors room open for GOLD, CAPTAIN’S CHAIR and COPPER ONLY Amazon 8:15 PM 11:30 PM Vendors room open for GOLD, CAPTAIN’S CHAIR, COPPER AND GA WEEKEND ONLY Amazon REGISTRATION – HOURS OF OPERATION: 1:30 PM 3:00 PM GOLD PATRONS PRE-REGISTRATION Rotunda 3:00 PM 4:30 PM CAPTAIN’S CHAIR PATRONS PRE-REGISTRATION plus GOLD Rotunda 4:30 PM 7:00 PM COPPER PATRONS PRE-REGISTRATION plus GOLD and CAPTAIN’S CHAIR Rotunda GENERAL ADMISSION FULL WEEKEND PRE-REGISTRATION plus GOLD, CAPTAIN’S 7:00 PM 11:00 PM CHAIR & COPPER Rotunda VENDORS ROOM OPEN (Please see below times for your group’s vendor admission 6:00 PM 11:30 PM hours) Amazon !5 WEDNESDAY, AUGUST 2ND WHERE’S WHAT? CBS All-Access Stage: Brasilia 7 Main Theatre: Pavilion Photo op pick-up: Miranda 1-4 Photo ops: Miranda 5-8 Quark’s: Brasilia 1-3 Secondary Theatre: Brasilia 4-6 Ten Forward Lounge: Tropical G-H The Original Bridge Set: Palma TNG Display: Tropical E-F Vendors: Amazon *END TIMES ARE APPROXIMATE. -
Starfleet Ships of the Line
PG 01:04:2 STARFLEET TECHNIICAL ORDER AUTHENTICATED STARDATE 7505.00 FOREWORD This book probably really started somewhere in the late 1970’s. Back then, I was a little tyke interested in the ‘gee whiz’ aspects of science fiction, particularly the ships and technology shown on Star Trek while it was in syndication. To whet my appetite even more, my uncle was a ‘fictional technology’ fan as well and had a large number of ‘Starship’ books, both official and not, from the early days of Star Trek’s fandom. Needless to say, I got into them an awful lot, much to his chagrin. Of course, still as a little tyke, I was tracing the drawings from Franz Joseph’s Technical Manual and making new ship designs of my own. I didn’t know a thing about warp dynamics and all the other details now called ‘Treknology’. I simply wanted to make a lot of new ships and have fun drawing them. Since that time, there’s been a number of new Star Trek television shows, countless fan publications, role-playing games, and other odds and ends that helped flesh out the Trek universe I grew up with. And, naturally, there were more ships the fuel my imagination. (Several of those ships appear here.) So this book goes out to my uncle Mike, who was kind enough not only to put up with my getting into his cool things all the time, but for also encouraging me to dream and imagine, especially during those times I needed to look forward the most. -
Mind-Sifter Salmon Pages.Fdx
"MIND SIFTER" STAR TREK PHASE II Introduction from our screenwriter Rick Chambers: I have many great memories related to "Mind-Sifter," from the moment I was asked to create the teleplay from Shirley's magnificent story to the long hours and unflagging enthusiasm of the shoot. One memory that's especially dear to me is linked to the memorial service. While I was working on the teleplay in December 2013, my mother was dying. She was in hospice as I wrote the chapel scene and passed away as I finished the script. So the words I gave to McCoy, about the need to mourn, how it's part of life, and how we move on from grief and despair to hope, all were themes I was dealing with personally at the time. Then, when we shot the scene months later, and Jeff Bond delivered that powerful performance, I was in tears because those words were so right, so true. They resonate in the next scene, too, when Kirk makes his escape from the Klingons ; with his life seemingly about to end, he finds that window of hope, where "grace will lead me home," as the song goes at that moment he leaps through the Guardian. All of this was very meaningful for me personally -- and, I hope, meaningful for those who watch the episode. We shot all asylum shots at Ticonderoga High School. Our producer, Rob Mauro did extensive research and the architecture is period correct! TEASER FADE IN: 1 INT. ASYLUM HALLWAY--NIGHT 1 A dimly lit hallway, old and rough at the edges, a facility operating on a shoestring. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
T O N U .S .S . A
1860 - http://www.sfi.org NCC VENGER 2019 U.S.S. A U.S.S. ECEMBER D – THE OF #157 EWSLETTER N INSIDE THIS ISSUE: FFICIAL O Executive Thoughts .............................. 4 Ship’s BBS .......................................... 21 Image Gallery ................ 3, 9, 10, 17, 22 STARFLEET and Region 7 News ......... 18 Languages in the Star Trek Universe . 10 This is a Happy Place—Trekonderoga HE Membership Alley ................................. 3 2018 ..................................................... 5 T Mission Docket .................................... 25 Trekkin’ the Web ................................ 23 U.S.S. Avenger Sit-Rep ...................... 11 http://www.ussavenger.org http://www.ussavenger.org Roster Update ..................................... 25 Second Star to the Left ........................ 2 1 Second Star to the Left BY SARAH ROSENZWEIG What does it mean to be a good captain? He knew that lessons learned don’t last unless they are In fiction, let’s start with Archer. In fact, let’s go even more imparted to others. That’s how we ensure the future. basic than that. Let’s start with the idea that a good captain Let’s move to Picard. He was a different kind of captain than relies on his/her crew. You can only be an effective leader if the Kirk, and of course that was on purpose. If he was a Kirk-copy, people underneath you are effective in their jobs. That being that wouldn’t be much fun! But who is he? Unlike Kirk, Picard is said, Archer had a bold sense of adventure, to just go out and a very deductive thinker. We watch him go through a process see what was out there, despite the Vulcans telling him, “No, in almost every episode where he worked through the problem you can’t do that.” But even as he was doing that, he brought of the week. -
Infinite Diversity in Infinite Combinations: Portraits of Individuals with Disabilities in Star Trek
Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd An Article Published in TEACHING Exceptional Children Plus Volume 3, Issue 6, July 2007 Copyright © 2007 by the author. This work is licensed to the public under the Creative Commons Attribution License. Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd Abstract Weekly television series have more influence on American society than any other form of media, and with many of these series available on DVDs, television series are readily ac- cessible to most consumers. Studying television series provides a unique perspective on society’s view of individuals with disabilities and influences how teachers and peers view students with disabilities. Special education teachers can use select episodes to differenti- ate between the fact and fiction of portrayed individuals with disabilities with their stu- dents, and discuss acceptance of peers with disabilities. With its philosophy of infinite diversity in infinite combinations, Star Trek has portrayed a number of persons with dis- abilities over the last forty years. Examples of select episodes and implications for special education teachers for using Star Trek for instructional purposes through guided viewing are discussed. Keywords videotherapy, disabilities, television, bibliotherapy SUGGESTED CITATION: Shepherd, T.L. (2007). Infinite diversity in infinite combinations: Portraits of individuals with disabilities in Star Trek. TEACHING Exceptional Children Plus, 3(6) Article 1. Retrieved [date] from http://escholarship.bc.edu/education/tecplus/vol3/iss6/art1 "Families, societies, cultures -- A Reflection of Society wouldn't have evolved without com- For the last fifty years, television has passion and tolerance -- they would been a reflection of American society, but it have fallen apart without it." -- Kes to also has had a substantial impact on public the Doctor (Braga, Menosky, & attitudes. -
Vol. 1, No. 4 (Right-Click & Save!)
Volume 1 • Number 4 • December 2007 Page 2 Captain’s Log James Cawley Page 4 The DREXLER Files Interview with Doug Drexler and Max Rem Page 10 Storyboards for “In Harm’s Way” Storyboard artwork by Max Rem and Doug Drexler COVER: Celebrating the premiere of Ron Boyd’s Star Trek: New Voyages illustrated adventure, Page 15 Charles Root Interview “Measure of Success,” the cover of this issue Get to know ST:NV’s “Scotty” in his own words. sports the illustrated versions of our favorite crew. Check out the interview with Ron Boyd in Page 18 How Elvis Saved Star Trek this issue. Chapter 12 Excerpt “All Hands on Deck” by Rich Newman Contents Page Image: The Enterprise leaving Page 20 Bobby Q. Rice and Evan Fowler Interview Federation Headquarters. Models and render The final interview in a series on “Blood and Fire” by Max Rem and Doug Drexler. Page 28 Kyle on Kyle Publisher Interview with John Winston by Jay Story Star Trek: New Voyages Page 31 Leslie Hoffman Interview - Part 2 Editor by Tanveer Naseer Jeff Hayes Page 39 Lock-n-Load the new Phaser 3 Assault Rifle Copy Editors Greg Schnitzer Maurice Kessler and Carlos Pedraza Page 43 “Breaking the Sound Barrier” Ralph Miller Interview Contributing Writers by Andrew Grieb Joël Bellucci Ron Boyd Page 48 Much Ado About Hugo John Carrigan by Greg Schnitzer James Cawley Tom Donnelly Page 50 Actor and Artist Ron Boyd Andy Grieb Interview with Ron Boyd (Lt. Vincent DeSalle) Maurice Kessler Fernando Martinez Page 54 “The Measure of Success” Tanveer Naseer Star Trek: New Voyages Illustrated Adventure by -
Brain and Dualism in Star Trek
Feature 101 nature of human experience” (Hayles 245) and ignores “the importance of embodiment” (20). Brain and Dualism in Star Trek Moreover, this essay will show that in the vast majority of cases, these interactions constitute one of two events: Victor Grech a dybbuk, which, in Jewish mythology, is defined as the possession of the body by a malevolent spirit, usually that Introduction of a dead person, or outright possession by beings with IN THE PHILOSOPHIES that deal with the mind, dual- superhuman powers. The narratives then focus on coun- ism is the precept that mental phenomena are, to some termeasures that need to be undertaken in order to re- degree, non-physical and not completely dependent on store the original personality into its former body, there- the physical body, which includes the organic brain. by emulating a morality play, with good mastering evil. René Descartes (1596-1650) popularised this concept, maintaining that the mind is an immaterial and non- Narratives physical essence that gives rise to self-awareness and con- For the purposes of this essay, only sources that are ca- sciousness. Dualism can be extended to include the no- nonical to the ST gesamtkunstwerk are considered, i.e. the tion that more broadly asserts that the universe contains televisions series and the movies. two types of substances, on the one hand, the impalpable mind and consciousness and, on the other hand, com- Mind resides in brain mon matter. This is in contrast with other world-views, The certain knowledge that consciousness somehow re- such as monism, which asserts that all objects contained sides within the physical brain is acknowledged in Dan- in the universe are reducible to one reality, and pluralism iel’s “Spock’s Brain.” In this episode, the Enterprise’s Vul- which asserts that the number of truly fundamental reali- can first officer has his brain forcibly removed surgically. -
33 Inch Enterprise
Background: 33 inch Model of the Starship Enterprise Introduction The USS Enterprise from the 1960's TV series Star Trek has become an icon of our culture. The 11 foot long miniature that most often represented the Enterprise on the screen has been part of the Smithsonian's Air and Space Museum collection since 1974. What many people are often surprised to find out is that that miniature was the second model of the Enterprise to be made, and followed a smaller 33 inch (often referred to as 3 foot) miniature made about a month earlier. The first time that I became aware of the smaller miniature was in reading Stephen Whitfield's book, The Making of Star Trek (ISBN 0345340191). Over time I started noticing that images of the Enterprise I had assumed to be the 11 foot model were actually the 33 inch model. And that one of my favorite representations of the Enterprise (as a model on a table in the episode Requiem for Methuselah) was also the 33 inch model. The odd thing about the miniatures of the Enterprise is that for many years fans didn't have an accurate set of plans for the models. We had Walter (Matt) Jefferies' drawings from The Making of Star Trek, we had Franz Joseph's beautiful set of drawings in the Star Trek Blueprints (ISBN 0345258215), and Allen Everheart's drawings based on his observations of the 11 foot model on display (and eventually used by AMT/ERTL to make a model kit of the Enterprise). It wasn't until relatively recently that accurate plans became publicly available, and those were always aimed at representing the 11 foot model. -
Tracing the Cultural Influence and Linguistic Journey of 4 Mind-Related Science Fiction Words" (2020)
Wayne State University Honors College Theses Irvin D. Reid Honors College Winter 4-28-2020 Tracing the Cultural Influence and Linguistic Journey of 4 Mind- Related Science Fiction Words Hannah Rose Langsdorf Wayne State University, [email protected] Follow this and additional works at: https://digitalcommons.wayne.edu/honorstheses Part of the Linguistic Anthropology Commons Recommended Citation Langsdorf, Hannah Rose, "Tracing the Cultural Influence and Linguistic Journey of 4 Mind-Related Science Fiction Words" (2020). Honors College Theses. 62. https://digitalcommons.wayne.edu/honorstheses/62 This Open Access Honors Thesis is brought to you for free and open access by the Irvin D. Reid Honors College at DigitalCommons@WayneState. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@WayneState. Hannah Langsdorf Honors Thesis Tracing the Cultural Influence and Linguistic Journey of 4 Mind-Related Science Fiction Words Intro Science fiction is a place where fears, hopes, and ideas about the future can be expressed. These fears, hopes, and ideas often take form linguistically as new words. Many everyday scientific words have come from science fiction, including robotics, virus, deep space, and gas giant (Prucher). Popular psychology/mind related words have also come from science fiction, including empath. Others, like hive mind, did not originate in science fiction but were popularized through it. Some mind related words, like mindlink and to a lesser extent, hypnopaedia, are not as commonly known today. While we often think of science fiction as separate from us, it instead serves to magnify feelings and fears of the time. Science fiction words are uniquely positioned to be interpreted and used in a vast range of ways – that is, after all, what science fiction does: break boundaries. -
''Star Trek: the Original Series'': Season 3
''Star Trek: The Original Series'': Season 3 PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Thu, 13 Mar 2014 18:19:48 UTC Contents Articles Season Overview 1 Star Trek: The Original Series (season 3) 1 1968–69 Episodes 5 Spock's Brain 5 The Enterprise Incident 8 The Paradise Syndrome 12 And the Children Shall Lead 16 Is There in Truth No Beauty? 19 Spectre of the Gun 22 Day of the Dove 25 For the World Is Hollow and I Have Touched the Sky 28 The Tholian Web 32 Plato's Stepchildren 35 Wink of an Eye 38 The Empath 41 Elaan of Troyius 44 Whom Gods Destroy 47 Let That Be Your Last Battlefield 50 The Mark of Gideon 53 That Which Survives 56 The Lights of Zetar 58 Requiem for Methuselah 61 The Way to Eden 64 The Cloud Minders 68 The Savage Curtain 71 All Our Yesterdays 74 Turnabout Intruder 77 References Article Sources and Contributors 81 Image Sources, Licenses and Contributors 83 Article Licenses License 84 1 Season Overview Star Trek: The Original Series (season 3) Star Trek: The Original Series (season 3) Country of origin United States No. of episodes 24 Broadcast Original channel NBC Original run September 20, 1968 – June 3, 1969 Home video release DVD release Region 1 December 14, 2004 (Original) November 18, 2008 (Remastered) Region 2 December 6, 2004 (Original) April 27, 2009 (Remastered) Blu-ray Disc release Region A December 15, 2009 Region B March 22, 2010 Season chronology ← Previous Season 2 Next → — List of Star Trek: The Original Series episodes The third and final season of the original Star Trek aired Fridays at 10:00-11:00 pm (EST) on NBC from September 20, 1968 to March 14, 1969.