DOCSLIB.ORG

Cala Records, Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cala Records, Inc CATALOGUE Autumn 2004 The London Sound 1-2 New York Legends 2-4 The Art of Stokowski 5-7 Orchestral Discovery 8 Orchestral 8-9 Chamber 9-10 Contemporary 10 Choral 10-11 Keyboard 11 Easy Listening 11 ORDERING INFORMATION Cala Records, Inc. Cala Records Ltd. PO Box 89 17 Shakespeare Gardens Stevenson, MD London N2 9LJ 21153 USA Online Ordering United Kingdom Sales and Marketing www.calarecords.com Tel. +44 (0)20 8883 7306 Baltimore, Maryland [email protected] Fax +44 (0)20 8365 3388 1-800-TRY-CALA(879-2252) Fax: (410) 653-5901 THE LONDON SOUND THE LONDON SOUND THE LONDON TROMBONE One of the most unique CD series available, The London Sound features SOUND the incredible sounds of ensembles of a type seldom heard or recorded. 16 Trombones of the Academy of St Martin in the Fields In 1993, Cala’s Artistic Director, Geoffrey Simon, decided to indulge himself BBC Symphony Orchestra in the sound of his own instrument by recording an orchestra of 40 cellos English Chamber Orchestra playing a mixture of classical and popular music, much of it especially London Sinfonietta arranged for the occasion. London Symphony Orchestra Orchestra of the Royal Opera House What started as a whim has developed into a 10-CD series, famous for its Philharmonia Orchestra combination of ear-catching arrangements written by top London arrangers CACD0108 and played by the cream of London’s orchestral, theatre and session “It’s wonderful, it’s marvellous and it’s the DDD best recording the series so far...” musicians. TT: 39:02 David Vernier, CD Review Enjoy the thrilling massed sound of these large single-instrument CREES Fanfare for Cala ensembles of London virtuosi. MANCINI Theme from The Pink Panther GERSHWIN Someone To Watch Over Me MONTEVERDI Domine Ad Adinuandum from Vespers THE LONDON CELLO SOUND BRAHMS Intermezzo 40 Cellos of the London Philharmonic JOSEPHS Galop from Eight Aphorisms Royal Philharmonic Orchestra GABRIELI Sonata Pian e Forte BBC Symphony Orchestra BARBER Adagio Philharmonia Orchestra CLAPTON/GORDON Layla “...a feat as logistically and technically WILLSON Seventy-Six Trombones (played by 76 trombones) astonishing as it is musically satisfying.” Barcode: 5015853010828 David Vernier, CD Review SAINT-SAËNS The Swan LATIN CELLO CACD0104 RACHMANINOV Vocalise 24 virtuoso Cellos DDD CASALS Sardana TT: 23:01 BALCOMBE Greensleeves Suite Barcode: 501585301042 BERNSTEIN Tonight from West Side Story “Lovers of the tango and bossa nova...will be in seventh heaven...” Classic CD Choice THE LONDON VIOLIN SOUND 48 First Violins of the London Philharmonic CACD0109 PIAZZOLLA Libertango Royal Philharmonic Orchestra DDD RODRÍGUEZ La Cumparsita Philharmonia Orchestra TT: 57:16 TRAD. El Condor Pasa “ ...for those after plushness, the Intermezzo from Barcode: GADE Jealousy Cavalleria Rusticana could hardly have had a more 667549010923 JOBIM The Girl from Ipanema voluptuous performance.” VILLA-LOBOS Modinha from Bachianas Brasileiras No.1 Cyrus Meher-Homji, Australian Record Review PIAZZOLLA Michelangelo 70 YRADIER La Paloma CACD0105 DVORÁK Songs My Mother Taught Me BONFÁ Manhã de Carnaval from Black Orpheus DDD MONTI Czárdás PORTER Begin the Beguine TT: 26:43 GESHWIN Summertime from Porgy and Bess CERVANTES Adiós a Cuba Barcode: MASCAGNI Intermezzo from Cavalleria Rusticana BERNSTEIN America from West Side Story 667549010527 KHATCHATURIAN Sabre Dance from Gayaneh SHOSTAKOVICH Romance from The Gadfly DEBUSSY The Girl with the Flaxen Hair THE LONDON DOUBLE BASS RACHMANINOV Hungarian Dance SOUND 8 Principal Double Bassists Gary Karr guest soloist THE LONDON VIOLA SOUND “Only the stereo speakers need be wary— 48 Violas of the a truly spectacular rumble is guaranteed” Academy of St. Martin in the Fields Classic CD BBC Symphony Orchestra London Philharmonic CACD0110 Orchestra of the English National Opera SAINT-SAËNS The Elephant DDD PAGANINI Moses Fantasy “Every one of these pieces is given a new TT: 66:16 dimension by its arrangement” PORTER I Love You, Samantha Barcode: Ivan March, Gramophone Magazine ELLINGTON Satin Doll 667549011029 BIZET Carmen Fantasy CACD0106 GERSHWIN It Ain’t Necessarily So from Porgy and Bess BLOCH Prayer DDD WEILL Kiddush KERN Old Man River TT: 35:48 SHOSTAKOVICH Galop from Cheryomushki SPICE GIRLS Wannabe DVORÁK Slavonic Dance in E minor RUNSWICK American Basses from Suite and Low GRAINGER Arrival Platform Humlet MAHLER Frère Jacques Fantasy RAVEL Pavane pour une Infante Défunte VAN GOENS Scherzo PROKOFIEV Waltz from War and Peace YOUMANS Tea for Two BACHARACH This Guy’s In Love With You YOUNG When I Fall In Love STRAYHORN Take the “A” Train DESMOND Take Five Barcode: 5015853010620 LENNON/MCCARTNEY When I’m 64 www.calarecords.com [email protected] UK +44 (0)208 883 7306 USA +1 410 653 5900 1 THE LONDON SOUND THE LONDON SOUND THE LONDON HORN SOUND A CELLO CHRISTMAS 32 Horn players 24 Cellos The Choir of Clare College, Cambridge “...I was stunned into submission by a plethora of virtuoso playing and excellent arrangements...” “One of the smoothest festive Cds...” Joan Gregory, musicteachers.co.uk Gramophone CACD0112 CACD055003 HORNER “Titanic” Fantasy TRAD. Introit: Once in Royal David’s City DDD DDD ROSSINI La Danza TRAD. God Rest You Merry, Gentlemen TT: 73:11 TT: 61:50 HUMPERDINCK Evening Prayer from Hansel and Gretel TRAD. Gaudete Barcode: ABREU Tico-Tico TCHAIKOVSKY Three Dances from the Nutcracker 667549011227 MOZART Rondo from Horn Concerto No.4 KIRKPATRICK Away in a Manger BERLIOZ Roman Carnival Overture PROKFIEV/TRAD. Troika/O Little Town of Bethlehem CARMICHAEL Stardust BACH/CORNELIUS The Three Kings HÄNDEL Arrival of the Queen of Sheba VARIOUS Medly: Christmas in America VAN HEUSEN Here’s That Rainy Day SCHUBERT Ave Maria GLINKA Russlan and Ludmilla Overture TRAD. Ding Dong Merrily on High WAGNER Prelude to Tristan and Isolde VARIOUS Medly: An Olde English Christmas MERCURY/QUEEN Bohemian Rhapsody BERLIN White Christmas ELLINGTON Caravan ANDERSON Sleigh Ride TRAD. We Wish You a Merry Christmas TRAD. The Coventry Carol/In Dulci Jubilo Barcode: 5015853550034 NEW YORK LEGENDS The New York Philharmonic is one of the very few orchestras in the world THE LONDON TRUMPET whose principals collectively possess the character and excellence to SOUND VOLUME ONE produce a series such as New York Legends. An "orchestral snapshot" of 27 Trumpet players this dimension has never before been undertaken. “...it is some of the best 44 minutes you will These twelve musicians are legends in their own right or legends in the ever hear—playing of a rare brilliance in all making, renowned both for their prominent work with this great orchestra its guises.” and their individual contributions to music as soloists, educators, visionary www.4barsrest.com leaders and role models on their respective instruments. The music presented by these players reflects their personal tastes and convictions as musicians and New Yorkers. In several instances, works have been composed especially for the performer. The very wide variety of CACD0113 PRIMA Sing Sing Sing music to be heard over the twelve releases embodies a dynamic spirit of DDD GARNER Misty discovery which reflects the musicians' vital involvement with today's TT: 44:06 TRAD. Jarabe Tapatio (Mexican Hat Dance) American musical life. Barcode: LENNON/MCCARTNEY Penny Lane 667549011326 CLARKE The Prince of Denmark’s March (Trumpet Voluntary) INTRODUCING MOZART Rondo alla Turca NEW YORK LEGENDS ROSSINI The Thieving Magpie Overture A sampler of the entire series, with RODRIGO En Aranjuez con tu amor recordings by (Adagio from Concierto de Aranjuez) Eugene Levinson, Joseph Alessi, SOUSA The Stars and Stripes Forever Stanley Drucker, Cynthia Phelps, Thomas Stacy, Jeanne Baxtresser, Philip Myers, Glenn Dicterow, Judith LeClair, Philip Smith, Lorne Munroe, Joseph Robinson THE LONDON TRUMPET CACD0516 TURRIN Festival Fanfare SOUND VOLUME TWO CACD0507 KOUSSEVITSKY Valse Miniature 31 Trumpet players CACD0509 EWAZEN Trombone Sonata Allegro giocoso CACD0509 POULENC Clarinet Sonata Romanza “This disc is unique; great concepts CACD0510 SCHUMANN Märchenbilder Schnell followed up by some awesome playing.” CACD0510 DEVIENNE Duo in C minor Rondo www.4barsrest.com CACD0511 BERG The Bear CACD0512 AMIROV Song of the Ashug and Nocturne CACD0508 ELKJER Tribute to J. J. Johnson CACD0513 SCHULLER Hommage à Fredrick Delius CACD0114 KORNGOLD SANDOVAL Mambo Caliente CACD0514 Much Ado About Nothing DDD Bridal Morning and Masquerade TT: 45:35 CARILLO Dos Gardenias CACD0515 RAVEL Pièce en frome de habanera Barcode: WHITFIELD/STRONG I Heard It Through The Grapevine CACD0515 REYNOLDS Fantasy Etudes Caprice 667549011425 WILLLIAMS Superman CACD0516 GERSHWIN Someone To Watch Over Me CLAYTON/CARRELL Amazing Grace CACD0517 BENJAMIN Cello Sonatina Allegro grottesco JANÁCEK Fanfare from Sinfonietta CACD0516 THOMPSON There’s A Great Day Coming ARBAN Carnival of Venice CACD0518 SAINT-SAËNS Oboe Sonata Ad libitum HÄNDEL Music for the Royal Fireworks COPLAND Hoedown from Rodeo CACD0111 DDD TT: 64:16 Barcode: 667549011126 www.calarecords.com [email protected] UK +44 (0)208 883 7306 USA +1 410 653 5900 2 NEW YORK LEGENDS NEW YORK LEGENDS EUGENE LEVINSON CYNTHIA PHELPS Principal Double Bass Principal Viola with Gina Levinson piano with Judith Gordon piano Gary Levinson violin Jeanne Baxtresser flute “...It is the depth of feeling that Levinson brings to these performances which “Phelps displays complete mastery...It is makes this disc so special.” an impressive recital, well recorded.” Susan Wulf, The Double Bassist The Strad ENESCU
Load more

Recommended publications
  • Web Poster.Qxp
    The Flute Music of Miriam Hyde 1pm Friday 11 April The Holst Room Morley College Bridget Bolliger Andrew West Bridget Bolliger Australian-Swiss flautist Bridget Bolliger was born in Sydney, where she distinguished herself early, studying under Jenny Andrews, Jane Rutter and Vernon Hill and performing the Ibert Flute Concerto with the Sydney Symphony Orchestra at the age of 15. She graduated from the Sydney Conservatorium High School and was awarded the ASCM with Merit by New South Wales Conservatorium of Music. At 18 Ms Bolliger travelled to Switzerland to study with Peter-Lukas Graf at the Basel Music Academy. She attended masterclasses with Alain Marion, Jean-Pierre Rampal and William Bennett, and played Principal Flute with the Gustav Mahler Youth Orchestra, the Schleswig Holstein Festival Orchestra and the European Community Youth Chamber Orchestra. After graduating with the prestigious Soloist’s Diploma, Ms Bolliger was appointed Principal Flute with the St Gallen Symphony Orchestra. She also appeared as Guest Principal Flute with the Basel Symphony Orchestra, Zürich Opera Orchestra and Zürich Chamber Orchestra. Ms Bolliger spent three years in Brazil as Principal Flute of the Sinfonica de São Paulo, before returning to Australia where she has played with the Sydney Symphony Orchestra, Melbourne Symphony Orchestra, The Queensland Orchestra, Australian Chamber Orchestra and the Australian Opera and Ballet Orchestra. Bridget Bolliger has appeared as concerto soloist with the St Gallen Symphony Orchestra, Basel Symphony Orchestra, Basel Radio Orchestra, Collegium Musicum Basel, Gruppo Concertistico della Svizza Italiana, Orquesta Sinfónica Simón Bolívar al Teatro Massimo (Palermo), Orquestra Sinfonica do Norte (Porto, Portugal) and the Sinfonica de São Paulo.
    [Show full text]
  • To Download the Full Archive
    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
    [Show full text]
  • Naxcat2005 ABRIDGED VERSION
    CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system.
    [Show full text]
  • 635212209424.Pdf
    - PB - Requiem ALEXANDER BORODIN (1833-1887) ALEXANDER BORODIN (St Petersburg 1833–1887) 1 Requiem for Tenor, Men’s Chorus and Orchestra (arr. Stokowski) [5.34] Alexander Borodin’s life was a never-ending attempt to 1 Requiem for Solo Tenor, Men’s Chorus reconcile the conflicting demands of a dual career as a and Orchestra Polovtsian Dances and Suite from Prince Igor for Soprano, Chorus and Orchestra [34.21] creative artist and a highly respected research chemist. Orchestrated by Leopold Stokowski 2 I. Overture [10.05] It seemed as though the only time he could ever find 3 II. Chorus of the Polovtsian Maidens [5.49] to write music was when kept away from chemistry The genesis of Borodin’s Requiem was in 1877. The 4 III. Dance of the Polovtsian Maidens [2.18] through illness; his artistic friends took to asking composer had written a little Polka, into which he had 5 IV. Polovtsian March [4.52] solicitously after his ill-health in the hope that he might incorporated a children’s theme known in Russia as 6 V. Polovtsian Dances [11.31] be composing something. With characteristic modesty Tati-tati but universally beloved as Chopsticks. In the he regarded himself merely as a musical amateur—an manner of Dargomyzhsky’s Slavonic Tarantella for 7 Nocturne from String Quartet No. 2 for Violin and Orchestra (arr. Rimsky-Korsakov) [8.15] attitude which caused considerable frustration amongst Performing with Those Who Cannot Play, the famous tune his colleague composers and others who appreciated the becomes a simple ostinato part for the second pianist.
    [Show full text]
  • Duo Sonatas and Sonatinas for Two Clarinets, Or Clarinet and Another Woodwind Instrument: an Annotated Catalog
    DUO SONATAS AND SONATINAS FOR TWO CLARINETS, OR CLARINET AND ANOTHER WOODWIND INSTRUMENT: AN ANNOTATED CATALOG D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yu-Ju Ti, M.M. ***** The Ohio State University 2009 D.M.A Document Committee: Approved by Professor James Pyne, co-Advisor Professor Alan Green, co-Advisor ___________________________ Professor James Hill Co-advisor Professor Robert Sorton ___________________________ Co-advisor Music Graduate Program Copyright by Yu-Ju Ti 2009 ABSTRACT There are few scholarly writings that exist concerning unaccompanied duet literature for the clarinet. In the late 1900s David Randall and Lowell Weiner explored the unaccompanied clarinet duets in their dissertations “A Comprehensive Performance Project in Clarinet Literature with an Essay on the Clarinet Duet From ca.1715 to ca.1825” and “The Unaccompanied Clarinet Duet Repertoire from 1825 to the Present: An Annotated Catalogue”. However, unaccompanied duets for clarinet and another woodwind instrument are seldom mentioned in the academic literature and are rarely performed. In an attempt to fill the void, this research will provide a partial survey of this category. Because of the sheer volume of the duet literature, the scope of the study will be limited to original compositions entitled Sonata or Sonatina written for a pair of woodwind instruments which include at least one clarinet. Arrangements will be cited but not discussed. All of the works will be annotated, evaluated, graded by difficulty, and comparisons will be made between those with similar style.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia.
    [Show full text]
  • Summer 2019/1 by Brian Wilson, Dan Morgan and Simon Thompson
    Second Thoughts and Short Reviews: Summer 2019/1 By Brian Wilson, Dan Morgan and Simon Thompson Reviews are by Brian Wilson unless otherwise indicated. Spring 2019/3 is here. Index: BACH Violin Concertos_Hyperion BRIDGE_Chandos collection and individual albums BUSONI Piano Concerto_Hyperion CHOPIN Piano Concertos_CFClassic de CROES Sonatas_Linn DEBUSSY Nocturnes, Printemps, etc._BIS DVOŘÁK Piano Trios Nos. 1 And 2_Alpha FALLA El Amor Brujo; Maese Pedro_Naxos_Mirare (with Fantasia Baëtica) HANDEL Handel and Porpora in London_Aparté - Handel’s Queens_Signum D’INDY Médée, etc_Naxos LISZT Piano Works_Orfeo LUTOSŁAWSKI Cello and Piano Concertos, Symphony No.4_BeArTon MAHLER Symphony No.1 (original version)_Harmonia Mundi - Das Lied von der Erde_Audite MOZART Piano Concertos Nos. 18 and 20_Nonesuch PORPORA Handel and Porpora in London_Aparté SCHUBERT Piano Sonata D960, etc._Hyperion - Die schöne Müllerin_Beulah (with SCHUMANN Dichterliebe) SCHUMANN Dichterliebe_Beulah (with SCHUBERT Müllerin) SHOSTAKOVICH Symphonies Nos. 6 and 7_DG SIBELIUS Lemminkäinen Suite_Chandos - Kullervo_Hyperion STAMITZ Oboe Concerto_Erasmus Musikprodukties (with BEER and FIALA) STANFORD Organ Works 2_Priory STRAUSS Richard EMI/Warner box set and individual releases. TABAKOV Symphony No.1, Viola Concerto_Toccata WAGNER The Essence of Wagner_Beulah Military Marches_Beulah Teatro Spirituale: Penitential music in the Chiesa Nuova in Rome around 1610 *** Teatro Spirituale: Penitential music in the Chiesa Nuova in Rome around 1610 Anon. De profundis clamavi (Ps.129) [3:45] Emilio de’ CAVALIERI (1550-1602) Sinfonia [2:04] Paolo QUAGLIATI (c.1555-1628) Satiati huomo carnale [2:50] Anon. Domine ne in furore tuo (Ps.37) [8:20] Giovanni Francesco ANERIO (1569-1630) Ritorn’al tuo pastor smarrit’agnella [3:09] Francisco Soto de LANGA (1534-1619) Come ti veggio [2:33] Giovanni de MACQUE (1550-1614) Cappriccio sopra Ré, Fa, Mi, Sol [5:25] MusicWeb International July 2019 Second Thoughts & Short Reviews: Summer 2019/1 Antonio CIFRA (c.
    [Show full text]
  • Recording Master List.Xls
    UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
    [Show full text]
  • Cohesion of Composer and Singer: the Female Singers of Poulenc
    COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers.
    [Show full text]
  • A Feminist Analysis Of
    A Feminist Analysis of Francis Poulenc’s Sonata for Oboe and Piano A thesis submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music 2006 by Margaret Jean Grant B.M, University of Georgia, 1977 M.F.A., University of Georgia, 1979 M.M., Florida State University, 1986 ABSTRACT Francis Poulenc’s final work, his Sonata for oboe and piano, is one of the standard works in the oboe repertoire. However, this beloved sonata presents many puzzles and challenges for the thoughtful performer. This thesis came about because of those puzzles and challenges. One of the most exciting and innovative directions in music scholarship has come from the feminist movement and its many influences on the way scholars look at, talk about, listen to, and perform music. Feminist music theory steps outside the bounds of traditional techniques, seeking ways to offer new kinds of music analysis that may have more value to a wider audience. This thesis begins with an overview of feminist waves, terms, and philosophies before moving to how feminism has influenced music scholarship. The second chapter explores feminist music theory, citing examples of analysis from important feminist music scholars and drawing conclusions about the nature and work of feminist music theory. The third chapter presents an analysis of Poulenc’s oboe sonata, drawing primarily upon feminist techniques but not neglecting traditional theoretical systems when appropriate. The analysis begins by discussing Poulenc’s contextuality, personal life, and musical style, and then proceeds to deconstruct the music.
    [Show full text]
  • Naxos Catalog08
    CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 116 Alphorn 116 Easter 124 Operatic 130 American Classics 116 Easy Listening 124 Operetta 132 American Jewish Music 116 Flute 125 Orchestral 132 Ballet 117 Funeral Music 125 Organ 134 Baroque 117 Glass Harmonica 126 Piano 135 Bassoon 117 Guitar 126 Russian 137 Best Of series 117 Gypsy 128 Saxophone 137 Brass 118 Harp 128 Timpani 138 British Music 118 Harpsichord 129 Trombone 138 Cello 118 Horn 129 Trumpet 138 Chamber Music 119 Light Classics 129 Tuba 138 Chill With 119 Lute 130 Very Best Of series 138 Christmas 119 Mandolin 130 Viennese 139 Cinema Classics 120 Music for Meditation 130 Viola 139 Clarinet 121 Oboe 130 Violin 139 Early Music 121 Ondes Martenot 130 Vocal and Choral 140 Wedding Music 141 Wind 142 Naxos Historical . 143 Naxos Nostalgia . 160 Naxos Jazz Legends . 161 Naxos Musicals . 163 Naxos Blues Legends . 164 Naxos Folk Legends . 164 Naxos Gospel Legends . 164 Naxos Jazz . 164 Naxos World . 165 Naxos Educational . 166 Naxos Super Audio CD . 167 Naxos DVD Audio . 167 Naxos DVD . 168 List of Naxos Distributors . 169 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2007 Catalogue $ Recording scheduled to be released before 31 March, 2008 Η Historical Recording transferred from LP † Please note that not all titles are available in all territories. Check with your local distributor for availability. Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world.
    [Show full text]
  • Library Orders - Music Composition/Electronic Music
    LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC COMPOSER PRIORITY TITLE FORMAT PUBLISHER PRICE In Collection? Babbitt, Milton A Three Compositions for Piano score Boelke-Bomart 9.50 Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 1, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 2, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 3, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 4, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 5, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 6, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Music for strings, percussion, and celesta score Boosey & Hawkes Inc. 0.00 YES Berbarian, Cathy A Stripsody : for solo voice score C.F. Peters Corp. 18.70 Berg, Alban A Violin Concerto score Warner Brothers Music Pub. 0.00 YES Berio, Luciano A Sequenza V, for trombone score Warner Brothers Music Pub. 19.95 Berio, Luciano A Sequenza VII; per oboe solo score Warner Brothers Music Pub. 15.95 Berio, Luciano A Sequenza XII : per bassoon solo score Warner Brothers Music Pub. 35.00 Berio, Luciano A Sinfonia, for eight voices and orchestra score Warner Brothers Music Pub. 125.00 Boulez, Pierre A Marteau sans maître : pour voix d'alto et 6 instruments score Warner Brothers Music Pub.
    [Show full text]