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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Bridesmaids”: a Modern Response to Patriarchy
“Bridesmaids”: A Modern Response to Patriarchy A Senior Project presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Blair Buckley © 2013 Blair Buckley Buckley 2 Table of Contents Introduction......................................................................................... 3 Bridesmaids : The Film....................................................................... 6 Rhetorical Methods............................................................................. 9 Critiquing the Artifact....................................................................... 14 Findings and Implications................................................................. 19 Areas for Future Study...................................................................... 22 Works Cited...................................................................................... 24 Buckley 3 Bridesmaids : A Modern Response to Patriarchy Introduction We see implications of our patriarchal world stamped across our society, not only in our actions, but in the endless artifacts to which we are exposed on both a conscious and subconscious basis. One outlet which constantly both reflects and enables patriarchy is our media; the movie industry in particular plays a critical role in constructing gender roles and reflecting our cultural attitudes toward patriarchy. Film and sociology scholars Stacie Furia and Denise Beilby say, -
Subculture Magazine - Alternative Music and Culture Magazine
Subculture Magazine - alternative music and culture magazine. The ultimate ...c, darkwave, synthpop, alternative and post punk music. always on the edge. User Password Sign Up | Forgot Password Thursday, Dec 08 , 2005 Devo - Live 1980 (DVD) Posted :Thu, Dec 8th, 2005 00:20:24 Devo Devo - Live 1980 (DVD) Target Video Review By : Vivien Weimar With 80s nostalgia being de rigueur these days, the time is ripe for a DEVO reunion. The reclusive new wave band usually doesn't tour much as original founder Mark Mothersbaugh has since moved on to creating commercials and soundtracks at his Los Angeles production company Mutato Muzika (that fantastically weird space-ship-looking building on Sunset Boulevard) along with the other Devo members save Jerry Casale who has been directing videos for such bands as the Foo Fighters and Soundgarden. However, this summer Devo got together and played limited dates all across the country--and this fall they released Live 1980, a full-length concert video shot at the Phoenix Theatre in Petaluma, CA on August 17, 1980. Complete with white uniforms, blue background screen and "energy domes" (don't you dare call them flower-pot hats), Devo play the hits off of their albums, Q: Are We Not Men? A: We are Devo!, Duty Now For the Future and Freedom of Choice. Twenty-one songs are featured in this 75-minute disc including the classic MTV staple "Whip It", the oft-covered "Girl U Want", and their own covers of Johnny River's classic "Secret Agent Man" and the Rolling Stones "(I Can't Get No) Satisfaction". -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
James Griffiths Director
James Griffiths Director Television 2020 MIGHTY DUCKS Series director, executive producer Writer: Steven Brill, John Goldsmith, Cathy Yuspa Producer: Disney Plus TX TBC 2020 DELILAH Director (TV Movie) Writer: Aisling Bea, Kirker Butler, Sharon Horgan Producers: Kapital Ent. and Merman TX TBC 2019 STUMPTOWN Pilot director (picked up for series), executive producer Writer: Jason Richman Producer: Elias Gertler for ABC Studios Cast: Cobie Smulders TX 25 September 2019 A MILLION LITTLE THINGS Eps 11, 13, 15, 17, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 17 January 2019 2018 WRECKED Ep 310 The Island Family Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX October 2018 A MILLION LITTLE THINGS Pilot, Ep 2, Ep 5, Ep 7, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 26 September 2018 WRECKED Ep 210 Nerd Speak Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX 22 August 2018 2017 THE MAYOR Pilot and Eps 103, 104, 106 and 110, executive producer Writer: Jeremy Bronson EP: Jamie Tarses, Scott Stuber, Dylan Clark for ABC Studios Cast: Lea Michele, Brandon Micheal Hall TX 3 October 2017 BLACK-ISH Ep 323 Liberal Arts Writers: Larry Wilmore and Kenya Barris Cast: Anthony Anderson TX 3 May 2017 2016 CHARITY CASE Pilot, Writer: Robert Padnick Producer: Scott Printz for Twentieth Century Fox Cast: Courteney Cox Produced 2015 COOPER BARRETT’S GUIDE TO SURVIVING LIFE Pilot and series director, executive -
2007-09-06.Pdf
2 BUZZ 09.06.07 daily.titan daily.titan BUZZ 09.06.07 3 BEAUTIFUL MUTANTS An artist who sees beauty his own way NERO ZERO IF YOU LIVED HERE ... The Buzz Editor: The Daily Titan 714.278.3373 LOCKED & LOADED Jennifer Caddick The Buzz Editorial 714.278.5426 [email protected] FOR MISFIRE Executive Editor: Editorial Fax 714.278.4473 AND Ian Hamilton The Buzz Advertising Director of 714.278.3373 [email protected] WE ASKED A Advertising Fax 714.278.2702 Advertising: The Buzz , a student publication, is a supplemental Stephanie Birditt insert for the Cal State Fullerton Daily Titan. It is printed MEXICAN every Thursday. The Daily Titan operates independently Assistant Director of of Associated Students, College of Communications, Advertising: CSUF administration and the CSU system. The Daily Titan Sarah Oak has functioned as a public forum since inception. Unless implied by the advertising party or otherwise stated, advertising in the Daily Titan is inserted by commercial Production: activities or ventures identified in the advertisements Jennifer Caddick themselves and not by the university. Such printing is not to be construed as written or implied sponsorship, Account Executives: endorsement or investigation of such commercial Nancy Sanchez enterprises. Juliet Roberts Copyright ©2006 Daily Titan /FX4VNNFS%SJOL1SJDFTr̾BOEPWFS 2 BUZZ 09.06.07 daily.titan daily.titan BUZZ 09.06.07 3 Fairfax District PHOTO BY CELIA CASTANON PHOTO BY CELIA CASTANON Inside Reserve vintage art and book gallery. A view of Canter’s Deli BY CELIA CASTANON at Canter’s. “And most celebrities definitely a place to find and recreate from $40 to $300, the art is actually are claustrophobic, this is not for Daily Titan Staff Writer come in around three or four in the a vintage look. -
Duncan Public Library Board of Directors Meeting Minutes June 23, 2020 Location: Duncan Public Library
Subject: Library Board Meeting Date: August 25, 2020 Time: 9:30 am Place: Zoom Meeting 1. Call to Order with flag salute and prayer. 2. Read minutes from July 28, 2020, meeting. Approval. 3. Presentation of library statistics for June. 4. Presentation of library claims for June. Approval. 5. Director’s report a. Summer reading program b. Genealogy Library c. StoryWalk d. Annual report to ODL e. Sept. Library Card Month f. DALC grant for Citizenship Corner g. After-school snack program 6. Consider a list of withdrawn items. Library staff recommends the listed books be declared surplus and be donated to the Friends of the Library for resale, and the funds be used to support the library. 7. Consider approving creation of a Student Library Card and addition of policy to policy manual. 8. Old Business 9. New Business 10. Comments a. By the library staff b. By the library board c. By the public 11. Adjourn Duncan Public Library Claims for July 1 through 31, 2020 Submitted to Library Board, August 25, 2020 01-11-521400 Materials & Supplies 20-1879 Demco......................................................................................................................... $94.94 Zigzag shelf, children’s 20-2059 Quill .......................................................................................................................... $589.93 Tissue, roll holder, paper, soap 01-11-522800 Phone/Internet 20-2222 AT&T ........................................................................................................................... $41.38 -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy. -
Nbcuniversal Officially Opens Its New Mexico Production Facility
6/23/2021 Constant Contact FOR IMMEDIATE RELEASE: June 24, 2021 FOR MEDIA INQUIRIES: Crystal B. Williams, NBCUniversal Jennifer Esquivel, NMFO (505) 469-2915 NBCUniversal Officially Opens its New Mexico Production Facility A Comedy Series for Peacock, The Universal Television Production, MacGruber to film in New Mexico SANTA FE, N.M. – Today, New Mexico Governor Michelle Lujan Grisham, Albuquerque Mayor Tim Keller, NBCUniversal executives, and other civic and industry leaders cut the ribbon on NBCUniversal’s New Mexico production facility. https://app.constantcontact.com/pages/campaigns/email-details/details/activity/0f8952c8-acae-4e58-b7b7-b73413e308b4 1/5 6/23/2021 Constant Contact "I am thrilled to formally open the NBCUniversal’s New Mexico production facility," said Governor Michelle Lujan Grisham. "Despite the pandemic, we've had one of our best and most productive years -- if not our very best year ever - - with the film and television industry. This industry has leapt back to life because they have put safety first -- and they will help our state recovery economically as we put the pandemic behind us. NBCUniversal chose New Mexico because we are good for good business. I couldn't be more excited about our growing partnership and their efforts to provide innovative workforce development and mentorship initiatives to New Mexicans in the industry." “NBCUniversal is thankful for the support of Governor Lujan Grisham, Mayor Keller, the New Mexico Legislature, and the Albuquerque City Council,” said Veronica Sullivan, SVP, Head of Global Production External Affairs, NBCUniversal. “We are proud of what we have accomplished so far through our venture with the Garcia family and look forward to growing our production profile across the state, contributing to the continued development of the talented New Mexico workforce.” “Albuquerque is on solid footing to become one of the largest high-tech and sustainable film production centers in North America,” said Mayor Tim Keller. -
Fall 2019 New RELEASES © 2019 Paramount Pictures © 2019 Columbia Pictures Industries, Inc
Fall 2019 New RELEASES © 2019 Paramount Pictures © 2019 Columbia Pictures Industries, Inc. All Rights Reserved. © 2019 Universal City Studios Productions LLLP. © Lions Entertainment, Gate © Inc. © 2019 Disney Enterprises Inc. Bros. Ent. All rights reserved. © 2019 Warner swank.com/correctional 10795 Watson Road 1.800.876.5577 St. Louis, MO 63127 MovieRATINGS GUIDE PG: R: TV-MA: Abominable .........................Page 7 American Dreamer ......... Page 19 This Is Not Berlin ............ Page 19 Addams Family, The ..........Page 5 Angel Has Fallen ................Page 8 Angry Birds Angel of Mine .................. Page 13 NR: Movie 2, The .......................Page 4 21 Bridges ........................ Page 10 Brittany Runs Arctic Dogs .........................Page 7 a Marathon ....................... Page 10 Auggie ............................... Page 13 Dora and the Lost Doctor Sleep .................... Page 10 Beautiful Day in the City of Gold .........................Page 9 Neighborhood, A ...............Page 3 Goldfinch, The ................. Page 11 Downton Abbey ............. Page 14 Blink of an Eye ................. Page 15 Good Boys ...........................Page 5 Farewell, The ................... Page 12 Cold Case Good Liar, The ................. Page 13 Hammarskjold ...................Page16 Frozen II ...............................Page 3 Honey Boy ...........................Page 6 Countdown ...................... Page 16 Lion King, The.................. Page 20 Hustlers ............................. Page 11 Coyote Lake ....................