How Female K-Pop Idols Suffer Gender Inequality and on Feb
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Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 K-POP 2,290 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 K-POP 2,290 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 K-POP 1,296 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 K-POP 1,296 https://tower.jp/item/4825256 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 K-POP 648 https://tower.jp/item/4825260 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 K-POP 648 https://tower.jp/item/4825259 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 K-POP 1,204 https://tower.jp/item/4415939 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 K-POP 1,204 https://tower.jp/item/4415954 100% (Korea) How to cry (ミヌ盤) <初回限定盤>(LTD) TS1P5005 K-POP 602 https://tower.jp/item/4415958 100% (Korea) How to cry (ロクヒョン盤) <初回限定盤>(LTD) TS1P5006 K-POP 602 https://tower.jp/item/4415970 100% (Korea) How to cry (ジョンファン盤) <初回限定盤>(LTD) TS1P5007 K-POP 602 https://tower.jp/item/4415972 100% (Korea) How to cry (チャンヨン盤) <初回限定盤>(LTD) TS1P5008 K-POP 602 https://tower.jp/item/4415974 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 K-POP 602 https://tower.jp/item/4415976 100% (Korea) Song for you (A) OKCK5011 K-POP 1,204 https://tower.jp/item/4655024 100% (Korea) Song for you (B) OKCK5012 K-POP 1,204 https://tower.jp/item/4655026 100% (Korea) Song for you (C) OKCK5013 K-POP 1,204 https://tower.jp/item/4655027 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 K-POP 602 https://tower.jp/item/4655029 100% (Korea) -
The Oxford Democrat
The Oxford Democrat. 1898. NUMBER 48. ΥΟΙ.ΓΜΚ 65. SOUTH PARIS, MAINE, TUESDAY, NOVEMBER 29, Witt toe Μία sir? Doe· It If iu nue un- "Ah," cried be, "I hare no money!" CHAPTER IV. βmets," uyrano. * or to ad- ford ml. kin* a! dieguat you? ν VTKARNS. «Ill confer far by writing I Ragneneau, paatry I■ here assembled." wholesome to or It· too Blubbing, s be pot All tbe coûtent» of Bat eye· aw all the My ootnpany AMONG THE FARMERS. vance the amount and kind of exhibit· cook·, patron of poati and playwright·, you proportions thoagh Cyrano'· at hi· «id Carbon de Cutei Jaloux. "Cy- «rill communica- De Ur^e?" tbe buffet bis aervice. soene. bat am thought filled mind Attorney & Counselor, they make. All such had circnlated among them, telling them to the if you Bergerac nut take them from never rano, pre«-tit ooant, 91 be addreaaed to J. J. Cryano "No, no!" tbe bore, "it is "I could yon, —Knxam· Would she con»·* MAINS. tion· should Fry, from Um play by Hmd lottHd. them of Um bargain of Cyrano de Ber- gasped " NORWAY, exhibit cf io (act. Heaven obild," he Mid, "no keen la our Uaaoou Woo Id tbe «low minutes never dis* pieaae. Portland, Main·. A large waa ■nail, quite minute^ de Bergerac bon gerac. _ _ >;n!nir- (Un k Bull'lln# U ex· 8avinieu-Gyrano But fear of out- lb* CumstKifetoac* oa tiMtui ιο|>ι· a poultry food· and other a of me!" pride. hurting you themselves by? He wbiled away ajjrtcuitara. «applies (a Perigord in Um year 1620 and died "He haa got bat· Montflenry, belp (To be couUeu*l.j to aottrltad. -
URL 100% (Korea)
アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価(税抜) URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 CD K-POP 1,603 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 CD K-POP 1,603 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 Single K-POP 907 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 Single K-POP 907 https://tower.jp/item/4825256 100% (Korea) Summer Night <通常盤C> OKCK5022 Single K-POP 602 https://tower.jp/item/4732096 100% (Korea) Summer Night <通常盤B> OKCK5021 Single K-POP 602 https://tower.jp/item/4732095 100% (Korea) Song for you メンバー別ジャケット盤 (チャンヨン)(LTD) OKCK5017 Single K-POP 301 https://tower.jp/item/4655033 100% (Korea) Summer Night <通常盤A> OKCK5020 Single K-POP 602 https://tower.jp/item/4732093 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 Single K-POP 454 https://tower.jp/item/4825259 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 Single K-POP 454 https://tower.jp/item/4825260 100% (Korea) Song for you メンバー別ジャケット盤 (ジョンファン)(LTD) OKCK5016 Single K-POP 301 https://tower.jp/item/4655032 100% (Korea) Song for you メンバー別ジャケット盤 (ヒョクジン)(LTD) OKCK5018 Single K-POP 301 https://tower.jp/item/4655034 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 Single K-POP 843 https://tower.jp/item/4415939 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 Single K-POP 421 https://tower.jp/item/4415976 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 Single K-POP 301 https://tower.jp/item/4655029 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 Single K-POP 843 https://tower.jp/item/4415954 -
Block B Album Download Block B Members Profile
block b album download Block B Members Profile. Block B (블락비) currently consists of: Zico, Taeil, B-Bomb, Jaehyo, U-Kwon, Kyung, and P.O . Leader Zico left the company on November 23, 2018, however according to Seven Seasons , the future of the band as a 7-members band is still under discussion. The band debuted on April 13, 2011, under Stardom Entertainment. In 2013, they left their agency and signed with Seven Seasons, a subsidiary label to KQ Entertainment. Block B Fandom Name: BBC (Block B Club) Block B Official Fan Color: Black and Yellow Stripes. Block B Official Accounts: Twitter: @blockb_official Facebook: BlockBOfficial Instagram: @blockb_official_ Fan cafe: BB-Club. Block B Members Profile: Zico Stage Name: Zico (지코) Birth Name: Woo Ji Ho (우지호) Position: Leader, Main Rapper, Vocalist, Face of the Group Birthday: September 14, 1992 Zodiac Sign: Virgo Birthplace: Seoul, South Korea Height: 181 cm (5’11”) Weight: 65 kg (143 lbs) Blood Type: O Twitter: @ZICO92 Instagram: @woozico0914. Zico Facts: – He was born in Mapo, Seoul, South Korea. – He has an older brother, Woo Taewoon, who was a former member of idol group Speed. – He was a Vocal Performance major at Seoul Music High School. – Zico studied at the Dong-Ah Institute of Media and Arts University (between 2013 -2015). – Specialties: Freestyle rap, composing, weaving melody lines. – He auditioned for S.M. Entertainment as a teenager. – He joined Stardom Entertainment in 2009. – Zico lived abroad in Japan for three years. – On November 7, 2014, Zico released his official solo debut single entitled “Tough Cookie” featuring the rapper Don Mills – He, along with Kyung have produced all of Block B’s albums. -
Roots and Routes 188
Fendler / Roots and Routes 188 ROOTS AND ROUTES Hip-Hop from South Korea Ute Fendler University of Bayreuth [email protected] Abstract With the growing success of hip-hop in South Korea, the discussions about the authenticity of this genre increase and create cleavages between the mainstream and the underground rappers. The paper intends to analyze three examples of the contemporary music scene that are representative of different positions. Taking Simon Frith’s work on popular music as a means to construct identity, the paper suggests questioning the concept of authenticity (“roots”) and proposes instead conceiving hip-hop in South Korea as a movement at the crossroads (“routes”) of various influences and practices. Keywords Authenticity, Identity, Music videos, Performance, R&B, Rap About the Author Ute Fendler is chair of romance cultural and comparative cultural studies at the University of Bayreuth (Germany). Her research interests include intermedial and intercultural phenomenon, popular culture, migration, iconographies, music video, and performance. Kritika Kultura 29 (2017): –213 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Fendler / Roots and Routes 189 In the ongoing process of reaching out to global markets, pop music in South Korea undergoes fast changes, mainly under the influence of US-American and Western European markets, as literature on K-pop highlights (Choi and Maliangkay). John Lie dealt with the question of K-pop as music positioned between different influences: K-pop is symptomatic of the cultural transformation of South Korea: at once the almost complete repudiation of traditional cultures—both Confucian and folk—and the repeated rhetorical stress on the continuities between the past and the present: the nearly empty signifier that is South Korean cultural-national identity. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Imagens E Sons Da Coreia Do Sul Em Espaços Transnacionais
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisinos (Universidade do Vale do Rio dos Sinos): SEER Unisinos Ciências Sociais Unisinos 54(3):294-304, setembro/dezembro 2018 Unisinos - doi: 10.4013/csu.2018.54.3.02 Imagens e sons da Coreia do Sul em espaços transnacionais Images and sounds of South Korea in transnational spaces Luã Ferreira Leal1 [email protected] Resumo O artigo põe em evidência a relação entre órgãos estatais, empresas de entretenimento e conglomerados industriais na promoção de imagens da Coreia do Sul como país que conjuga modernidade e tradição. Entre a redemocratização, no final da década de 1980, e o mandato de Park Geun-Hye, iniciado em 2013 e encerrado em 2017, após processo de impeachment, o país investiu para se posicionar como ajustado às condições da globali- zação a partir de projetos de estímulo à produção cultural, ao turismo e à realização de megaeventos esportivos. A proposta é analisar a construção de paisagens imaginadas sobre a Coreia do Sul como forma de compreender a nova geografia dos espaços trans- nacionais. Palavras-chave: globalização, indústrias culturais, Estado-nação. Abstract The article focuses the relationship between state agencies, entertainment companies, and industrial conglomerates in promoting South Korea’s images as a country that com- bines modernity and tradition. Between the re-democratization in the late 1980s and the mandate of Park Geun-Hye, started in 2013 and finished in 2017, after the impeachment process, the country invested in positioning itself as adjusted to the conditions of globali- zation with projects that stimulated cultural production, tourism, and accomplishment of sports mega-events. -
Gender Discrimination in the K-Pop Industry
Journal of International Women's Studies Volume 22 Issue 7 Gendering the Labor Market: Women’s Article 2 Struggles in the Global Labor Force July 2021 Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Liz Jonas Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Jonas, Liz (2021). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry. Journal of International Women's Studies, 22(7), 3-18. Available at: https://vc.bridgew.edu/jiws/vol22/iss7/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry By Liz Jonas1 Abstract This paper explores the ways in which the idol industry portrays male and female bodies through the comparison of idol groups and the dominant ways in which they are marketed to the public. A key difference is the absence or presence of agency. Whereas boy group content may market towards the female gaze, their content is crafted by a largely male creative staff or the idols themselves, affording the idols agency over their choices or placing them in power holding positions. Contrasted, girl groups are marketed towards the male gaze, by a largely male creative staff and with less idols participating. -
Colorado Journal of Asian Studies, Volume 5, Issue 1
COLORADO JOURNAL OF ASIAN STUDIES Volume 5, Issue 1 (Summer 2016) 1. Comparative Cultural Trauma: Post-Traumatic Processing of the Chinese Cultural Revolution and the Cambodian Revolution Carla Ho 10. Internet Culture in South Korea: Changes in Social Interactions and the Well-Being of Citizens Monica Mikkelsen 21. Relationality in Female Hindu Renunciation as Told through the Life Story of Swāmī Amritanandā Gīdī Morgan Sweeney 47. Operating in the Shadow of Nationalism: Egyptian Feminism in the Early Twentieth Century Jordan Witt 60. The Appeal of K-pop: International Appeal and Online Fan Behavior Zesha Vang Colorado Journal of Asian Studies Volume 5, Issue 1 (Summer 2016) Center for Asian Studies University of Colorado Boulder Page i 1424 Broadway, Boulder, CO 80309 Colorado Journal of Asian Studies Volume 5, Issue 1 (Summer 2016) The Colorado Journal of Asian Studies is an undergraduate journal published by the Center for Asian Studies at the University of Colorado at Boulder. Each year we highlight outstanding theses from our graduating seniors in the Asian Studies major. EXECUTIVE BOARD AY 2016-2017 Tim Oakes, Director Carla Jones, Interim Director, Spring (Anthropology, Southeast Asia) Colleen Berry (Associate Director/Instructor) Aun Ali (Religious Studies, West Asia/Middle East) Chris Hammons (Anthropology, Indonesia) Sungyun Lim (History, Korea, East Asia Terry Kleeman (Asian Languages & Civilizations, China, Daoism) RoBert McNown (Economics) Meg Moritz (College of Media Communication and Information) Ex-Officio Larry Bell (Office of International Education) Manuel Laguna (Leeds School of Business) Xiang Li (University Libraries, East Asia-China) Adam LisBon (University Libraries, East Asia-Japan, Korea) Lynn Parisi (Teaching about East Asia) Danielle Rocheleau Salaz (CAS Executive Director) CURRICULUM COMMITTEE AY 2016-2017 Colleen Berry, Chair Aun Ali (Religious Studies, West Asia/Middle East) Jackson Barnett (Student Representative) Kathryn GoldfarB (Anthropology, East Asia-Japan) Terry Kleeman (AL&L; Religious Studies.