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Annual Report 2016 2016 Rt O Annual Rep ICOM Annual ICOM ANNUAL REPORT 2016 2016 ANNUAL REPORT 2016 ICOM AT 70 In 2016, the International Council of Museums (ICOM) cele­ brated its 70th anniversary. This milestone coincided with the 24th ICOM Triennial General Conference, held in July in Milan, Italy – a crowning moment that allowed us to assess and com­ memorate seven decades of accomplishments, dialogue on the current state of the museum and heritage landscape, and look ahead to future developments and opportunities for our field, and our network. Gathering some 3,500 participants from 129 countries for a week of encounters and dis­ cussions, networking and capacity building, ICOM Milano 2016 reinvigorated our organisa­ tion with ideas and initiatives that will lead us forward in the coming months and years, with an eye firmly fixed on ICOM’s legacy. A dense and rich publication entitled Museums, Ethics and Cultural Heritage was launched in Milan, featuring an array of contributions contextu­ alising ICOM’s vital role in the field of museum ethics over the decades. The exhibition Where ICOM from, meanwhile, retraced ICOM’s development over 70 years, highlighting members’ stories and archives and creating memories on the spot in a selfie wall that grew over the course of the conference, providing a collective snapshot of ICOM today. The 2016 General Conference was also a turning point for ICOM in other respects vital to the organisation’s life cycle and iden­ tity: a new President and a new Executive Board were elected, the new Strategic Plan for 2016­2022 was adopted, based on the principles of independence, integrity and professionalism, and a new ICOM logo was unveiled, in an effort to better reflect our mission, dynamism and diversity. 2 | | 3 2016 Our core work remained steady over the course of , how- ever. ICOM maintained and expanded its eorts to protect cultural heritage in danger: a Red List of West African Cultural KEY FIGURES Objects at Risk was published, as were German translations of the respective Red Lists for Iraq and Libya; and ICOM National Committees on all corners of the globe organised conferences and campaigns to raise awareness of illicit tracking in cultur al heritage in their dierent regions and enhance the use of exis- ting Red Lists to combat it. Capacity building activities conti- ICOM members nued in , notably with two new sessions of the ICOM International Training Centre (ITC) at the Palace Museum in Beijing, China, respectively devoted to “Current Practices in 37 140 Museum Management” (April) and “Collecting Objects, Telling Stories” (November). percentage increase e institution that unites us, the museum, has transformed over 2015 over the decades and centuries, shiing from an aesthetic and + 5,2 % educational role towards a more explicitly social role, respond- ing to the present and urgent need to enhance mutual under- new institutional standing, both within communities and across boundaries, members physical and gurative. An array of meetings, events and ini- 247 tiatives by ICOM committees last year addressed this increas- ingly active role, encompassing issues ranging from migra- tions to accessibility, community outreach and education, and number of members registrated in International Committees resonating with the ICOM Milano theme, “Museums and Cultural Landscapes”, in advocating a vision of museums that 15 781 hold responsibilities beyond their walls. members registered In a world fraught with social, political and economic tur- in International Committees moil and rife with conict, as calls for closed borders multi- ply and eyes shut tight to the plights of those seeking to cross + 8,2 % them, ICOM holds a unique and privileged position in bridging cultures, through our network of , museum profes sionals ICOM National Committees in countries, representing a veritable microcosm of our plan et. Every ICOM General Conference is a rearmation that the strength of our network lies in its diversity, and was, 115 more than ever, a year of unprecedented activity in our arena of expertise. Moving forward in and beyond, let us continue countries and territories to celebrate our accomplishments while striving to realise our represented potentials. 141 Suay Aksoy, ICOM President Peter Keller, ICOM Director General 66 %women 34men % 4 | | 5 SUMMARY 5 2016 Key figures 8 HIGHLIGHTS 2016 10 Map: International committees annual meetings in 2016 13 ICOM Milano 2016, an outstanding conference 16 70 years of international museum work celebrated 18 The global fight against the illicit trafficking of cultural goods 22 SOCIAL ROLE OF MUSEUMS 24 Map: Social role of museums 27 Social and political change in museums 28 Museums and migrations: new challenges, new missions 30 Museums: Closer to the community and more relevant than ever 32 Museums accessible to all 34 MUSEUM ETHICS, UNIVERsaL ETHICS 36 Map: Translations of the Code of Ethics for Museums 39 Museum ethics, universal ethics 42 PROFEssIONALISM: ICOM’S MOTTO 44 Map: Workshops and trainings 47 Capacity building 52 INNOVATION AND TECHNOLOGY 54 Social networks in 2016: facts & figures 57 Digital innovation: A hot topic for museums and the ICOM community 60 The ICOM network and its digital experts 63 International Museum Day 72 Key financial data for 2016 73 Breakdown of income and expenses for 2016 74 Bibliography of ICOM publications issued in 2016 6 | | 7 TS IGH L In the past 70 years ICOM members have always been frontrunners for international exchanges and dialogues with a strong “impact on the development and changes of museums worldwide. I am convinced that our values and the museum ethics we all share are a strong foundation for the role museums will play in the future IGH in all parts of the world. Hans-Martin Hinz, President of ICOM” (2010-2016) H 2016 8 | | 9 INTERNATIONAL COMMITTEES ANNUAL MEETINGS IN 2016 Milan, Italy 3 > 9 July, 2016 AVICOM CIMCIM DEMHIST ICEE ICMEMO + ICOMAM ICTOP Audiovisual Musical Instruments Historic House Museums Exhibition Exchange Memorial Museums Training of Personnel and Social Media Musical instrument Historic houses and Communicating, + Military Museums The museum professional First session: History of museums: Interpreting the interpretation connecting and innovating Army museums and landscape, 2016: Reframing multimedia in museums, the present of the cultural, social with style cultural landscapes precepts and pedagogy Second Session: and urban landscape for the contemporary CIMUSET ICFA + COMCOL ICOFOM Technological cultural culture and heritage Science and Technology GLASS Fine Arts Museology landscapes, Third Session: profession What role for science, Glass Art, collecting and the The predatory museum Internet festival of museum technology and industry Museums of glass in sense of place: an integral INTERCOM multimedia “Media Geek: ICOM CC + ICMS in cultural landscapes? the cultural landscape and integrated approach Management Cultural Heritage” Conservation + Museum towards arts, other The ethical museum CIPEG ICAMT Security CAMOC heritages and collecting Egyptology Architecture and Protection and safeguard MPR Museums of Cities Egyptological landscapes: Museum Techniques ICLM of cultural heritage time Marketing and Public Museums and cultural Museums, libraries, Museums and cultural Literary Museums of conflict Relations landscapes historical palaces and landscapes—the role Shaping cultural Making Connections: ICOMON CECA archives of the architecture landscapes: Role of writers’ Stories, People, Money and Banking Education and in development and and composers’ museums. Values, Landscapes COMCOL + ICFA Museums Cultural Action protection of cultural Literature in composers’ Collecting Developing numismatic NATHIST Museums and cultural landscape museums and music Art, collecting and landscapes: exploring Natural History landscapes, CECA in literary museums the sense of place: an ICDAD display, digitalisation, Natural history museums Activities beyond the integral and integrated Decorative Arts and Design ICMAH management and education in cultural landscapes museum walls approach towards arts, Cooperation and sharing Archaeology and History ICR UMAC CIDOC other heritages in the decorative arts Museums, territories Regional Museums University Museums Documentation and collecting and Cultural landscapes and societies Museums, landscapes, and and Collections Museums and cultural from arts and crafts COSTUME ICME horizons: Understand what University museums and landscapes to decorative arts and Costume Ethnography you have, know where you collections and cultural design Museums and cultural Curating and engaging: are, see where you’re going landscapes landscapes peoples, places and entanglements in an age of migrations 10 | | 11 ICOM MILANO 2016, AN OUTSTANDING CONFERENCE ICOM’s triennial general conference returned to Europe for its th edition this year, with an impressive gathering of high-prole speakers and almost , attendees from countries. e theme “Museums and Cultural Landscapes” was in the limelight for the conference’s seven days of exchanges, debates and networking. ICOM was honoured by the partici- pation of Dario Franceschini, the Italian Minister for Cultural Assets, Activities and Tourism in the opening ceremony, along- side Italian and international partners who praised the organi- sation’s remarkable achievements over the years. A number of notable keynote speakers presented at ICOM Milano , sharing their visions and hopes for museums and culture. Orhan Pamuk, Nobel Prize winner and founder of the Museum of Innocence in Istanbul, Turkey,
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