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SMTA Catalog Complete
The Integrated Broadway Library Index including the complete works from 34 collections: sorted by musical HL The Singer's Musical Theatre Anthology (22 vols) A The Singer's Library of Musical Theatre (8 vols) TMTC The Teen's Musical Theatre Collection (2 vols) MTAT The Musical Theatre Anthology for Teens (2 vols) Publishers: HL = Hal Leonard; A = Alfred *denotes a song absent in the revised edition Pub Voice Vol Page Song Title Musical Title HL S 4 161 He Plays the Violin 1776 HL T 4 198 Mama, Look Sharp 1776 HL B 4 180 Molasses to Rum 1776 HL S 5 246 The Girl in 14G (not from a musical) HL Duet 1 96 A Man and A Woman 110 In The Shade HL B 5 146 Gonna Be Another Hot Day 110 in the Shade HL S 2 156 Is It Really Me? 110 in the Shade A S 1 32 Is It Really Me? 110 in the Shade HL S 4 117 Love, Don't Turn Away 110 in the Shade A S 1 22 Love, Don't Turn Away 110 in the Shade HL S 1 177 Old Maid 110 in the Shade HL S 2 150 Raunchy 110 in the Shade HL S 2 159 Simple Little Things 110 in the Shade A S 1 27 Simple Little Things 110 in the Shade HL S 5 194 Take Care of This House 1600 Pennsylvania Avenue A T 2 41 Dames 42nd Street HL B 5 98 Lullaby of Broadway 42nd Street A B 1 23 Lullaby of Broadway 42nd Street HL T 3 200 Coffee (In a Cardboard Cup) 70, Girls, 70 HL Mezz 1 78 Dance: Ten, Looks: Three A Chorus Line HL T 4 30 I Can Do That A Chorus Line HL YW MTAT 120 Nothing A Chorus Line HL Mezz 3 68 Nothing A Chorus Line HL Mezz 4 70 The Music and the Mirror A Chorus Line HL Mezz 2 64 What I Did for Love A Chorus Line HL T 4 42 One More Beautiful -
Pacing Ourselves: Personal and Global Transformations, Part 1
Pacing Ourselves: Personal and Global Transformations, Part 1 Bellingham Unitarian Fellowship Sunday, March 29 Gathering Music Andrea Rackl Welcome Rev Paul Beckel Prelude Gathering Songs Gathered Here We Laugh, We Cry Chalice Lighting/Covenant Love is the spirit of this fellowship, and service gives it life. Celebrating our diversity, and joined by a quest for truth, we work for peace and honor all creation. This is our covenant. Introduction Eracism Cat McIntyre Meditation 10 Blessings Special Music Sometimes Angels Tracy Spring Message Song One More Step Offertory Song We would be one Benediction Circle ‘Round for Freedom Solo Somewhere to Begin Tracy Spring Somewhere to Begin T.R. Ritchie, sung by Tracy Spring People say to me: You gotta be crazy How can you sing in times like these Don't you read the news? Don't you know the score? How can you sing when so many others grieve? And people say to me: What kind of fool believes That songs will make a difference in the end? By way of a reply I say: A fool such as I Who sees a song as somewhere to begin A song is somewhere to begin To search for something worth believing in If changes are to come there are things that must be done And a song is somewhere to begin. ____________________________ In the second verse and chorus, replace "sing" with "dream" Likewise, in the third verse, replace with "love" Sometimes Angels © 2001 Tracy Spring 1. As long as there is hunger There are some who share their bread And as long as there is homelessness Some will work to find a bed And as long as some keep dying young Some will try to find the cure There is only so much suffering We humans can endure Chorus: Sometimes angels land among us And they live within our kindness And if heroes have to give their all Sometimes we are angels for each other when we fall… 2. -
GUILTY (Vinna)
Barry, Robin a Maurbe Gibborre GUILTY 121 (Vinna) Barrya RobinGibbov6 WOMAN IN LOVE 3:51 (Zamilovan6iena) Barrya RobinGibbov6 RUNWILD 4:06 (Oprostise od v5eho) Barrya RobinGibbov6 PROMISES 4:20 (Sliby) BarryGibb THELOVE INSIDE 5:07 (Skrytdldska) 6 BarryGibb - AlbhyGaluten WHATKIND OF FOOL 4:04 (Ktenihlup6k) 7 Barrya RobinGibbov6 LIFESTORY 4:34 (Zivotnipribdh) BarryGibb - AlbhyGaluten NEVERGIVE UP 3:41 (Nikdyse nevzddm) BarryGibb - AlbhyGaluten MAKE IT LIKEA MEMORY 7:26 (Jakovzpominka) AraniovaliAlbhy Galuten, Barry Gibb a PeterGraves BARBRASTREISANDOVA s BarryGibbem (1, 6) GeorgeTerry (1, 3, 4, 8,9), Cornell Dupree (1, 8, 9), Lee Rite- nour(4,7), Pete Carr (2,6,9) - kytara;Barry Gibb (1-3,6,7), PeteCarr (6) - akust.kytara; Richard Tee (5), PeteCarr (6) - el. kytara;Harold Cowart (1-4,6,8,9), David Hungate (7) - baskytara;Richard Tee (1, 4,6,7l,, George Bitzer (1,4,6, 7) - el.piano; Albhy Galuten (4-7), George Bitzer (5, 7, 8) - syntez6tor;Steve Gadd (1-4,6,8,9). Bernard Lupe (2,6,7), DennisBryon (7) - bici; RichardTee (8) - klavinet;Petdr Graves14,6,7,9), Russ Freeland (6, 7), MikeKatz (6,7) - tromb6n; Ken Faulk(4, 6, 7, 9), Brett Murphey(4, 6, 7, Sl, Bud Burridge(7) - trubka;NCal Bonsanti (4,'- 9); Dan Bori- santi(4, 9) - altsaxofon;Whit Sidner(4, 9) bbrytonsaxo- fon;Jerry Peel (2,3) - lesniroh; Joe.Lal6 (1 ,2,4,7, 9) - percusslon Sbg! - BarryGibb 11,3, 4,6, 7),Denise Maynelli (2, 5), Myr- na Mathews(2, 5), Marti McCall(2, 5) Hudebni reiie Karl Richardsona Don Gehman Produkce Barry Gibb, Albhy Galuten a Karl Richardson Nahr6no ve studiich Criteria, Middle Ear, Miami, Florida - Sound Labs, Hollywood, Kalifornie - Mediasound, New York Foto: Mario Casilli (Obal piewat od firmy CBS) Sleeve-noteo Antonin Matzner 1984 Odpov6dnf redaktor desky ing. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass, -
Label Chart Action Report in Qtr. Soared in '68 by MIKE GROSS NEW YORK It''s SRO at by GRAEME ANDREWS - NEW YORK - the Atlan- Cent Share and Six Titles
APRIL 5, 1969 SEVENTY -FIFTH YEAR 1.00 COIN MACHINE PAGES 45 TO 50 The International Music -Record Newsweekly U. K.'s Sales, IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 2 HOTELS SRO Atlantic Tops Billboard's Hot 100 Album Prod. -REGISTRATION TO IMIC OPEN Label Chart Action Report in Qtr. Soared in '68 By MIKE GROSS NEW YORK It''s SRO at By GRAEME ANDREWS - NEW YORK - The Atlan- cent share and six titles. Plac- ords placed second with a 5.5 the two hotels that have been tic Records label topped the ing fourth was Reprise Records per cent share and seven titles; LONDON - Britain's record booked at special conference "Hot 100" field for the first with 4.4 per cent and 10 titles; Columbia came in third with a industry hit an all -time high in rates for the International Mu- quarter of 1969 in the initial Motown Records was fifth with 5.3 per cent share and seven sales, exports and album pro- sic Industry Conference in the survey compiled by Billboard's a 4.2 per cent share and six titles; Uni placed fourth with a duction in 1968, according to Charts Department. Atlantic had titles. Rounding out the "top 4.3 and Bahamas April 20 -23. Accom- per cent share four Ministry of Technology statis- 6.8 per cent of the chart action 10" in their respective order titles, and Tamla took fifth with tics. The results show that the modations have been exhausted during the first three months of were: Epic, Stax, Atco, Colum- a 4.0 per cent share and four industry managed to ride out at the Paradise Island Hotel & the year and placed 20 titles on bia and Uni. -
How to Use This Songfinder
as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22. -
Barbranews.Comnewsletter
August 2005 Volume 1 • Issue #1 “Give Me The Truth.” Craig A. Hall, Publisher • Allison J. Waldman, Editor BarbraNews.com NewsletterNewsletter “Guilty Pleasures” On Its Way to Us! Hear Three Songs Online he look is decidely fa- miliar. The stars unmis- takably posed, both in Tthe cover photo and musically, too. Just weeks away from release, Amazon.com was the fi rst to break the cover art and song listing -- for Barbra Streisand’s 61st album, a reunion with composer Barry Gibb, called Guilty Pleasures. Amazon is also offering a unique preview of three songs from the album -- “Hide- away,” “Night of My Life” and “Without Your Love.” All you have to do is pre-order the CD, and if you have Windows Media Player, you can hear these songs. For fans who cannot wait, and I know you’re out there, go listen. The songs are wonderful and Barbra is in great voice. Her collaboration with Barry has once again produced gold, in my opinion. The track listing is as follows: 1. Come Tomorrow; 2. Stranger In A Strange Land; 3. Hideaway; 4. It’s Up To You; 5. Night Of My Life; 6. Above The Law; 7. Without Your Love; 8. All The Children; 9. Golden Dawn; 10. (Our Love) Don’t Throw It All Away; Letting Go. The CD will be a dualdisc; music on one side and DVD material on the other. Four songs will get video presentations. For even more information about the album, check out the new Guilty Pleasures website -- www.blog.columbiarecords.com/barbra. -
Score Alfred Music Publishing Co. Finn
Title: 25th Annual Putnam County Spelling Bee, The - score Author: Finn, William Publisher: Alfred Music Publishing Co. 2006 Description: Score for the musical. Title: 42nd Street - vocal selections Author: Warren, Harry Dubin, Al Publisher: Warner Bros. Publications 1980 Description: Vocal selections from the musical. Contains: About a Quarter to Nine Dames Forty-Second Street Getting Out Of Town Go Into Your Dance The Gold Digger's Song (We're In The Money) I Know Now Lullaby of Broadway Shadow Waltz Shuffle Off To Buffalo There's a Sunny Side to Every Situation Young and Healthy You're Getting To Be a Habit With Me Title: 9 to 5 - vocal selections The musical Author: Parton, Dolly Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Nine to Five Around Here Here for You I Just Might Backwoods Barbie Heart to Hart Shine Like the Sun One of the Boys 5 to 9 Change It Let Love Grow Get Out and Stay Out Title: Addams Family - vocal selections, The Author: Lippa, Andrew Publisher: Hal Leonard Publishing Corporation 2010 Description: Vocal selections from the musical. includes: When You're an Addams Pulled One Normal Night Morticia What If Waiting Just Around the Corner The Moon and Me Happy / Sad Crazier than You Let's Not Talk About Anything Else but Love In the Arms Live Before We Die The Addams Family Theme Title: Ain't Misbehavin' - vocal selections Author: Henderson, Luther Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Ain't Misbehavin (What Did I Do to Be So) Black and Blue (Get Some) Cash For Your Trash Handful of Keys Honeysuckle Rose How Ya Baby I Can't Give You Anything But Love It's a Sin To Tell A Lie I've Got A Felling I'm Falling The Jitterbug Waltz The Joint is Jumping Keepin' Out of Mischief Now The Ladies Who Sing With the Band Looking' Good But Feelin' Bad Lounging at the Waldorf Mean to Me Off-Time Squeeze Me 'Tain't Nobody's Biz-ness If I Do Title: Aladdin and Out - opera A comic opera in three acts Author: Edmonds, Fred Hewitt, Thomas J. -
Save Pdf (0.04
Columns Correspondence columns the columns correspondence HoNOS-ABI: ‘You don’t read my papers Bulletin, September 2004, 28,317-318). Whilst there may indeed be a paradigm an under-utilised anymore’: an investigation shift underway in a ‘postmodern’ direc- into the use of Barbra resource? tion, running counter to this is just as Streisand song titles in the potent a trend, which has a distinctly Consistent use of outcome measures psychiatric literature ‘modernist’ flavour. If modernism is a across specialist centres is vital to assess paradigm encouraging empirical measure- the effectiveness of interventions and As long standing fans of Barbra Streisand, ment, reductionist classification, techni- guide policy development. It is important we read with interest the papers from Drs cism, etc., then one need not look beyond to have a global yardstick to compare Cunningham and Bromley entitled ‘You one’s everyday practice to see that outcomes. However, as noted by Gilbody don’t bring me flowers anymore: an ‘modernist’ values dominate and are likely et al (2002), this often does not happen. investigation into the experience of to do so in the near future. Many of us The sequelae of brain injury are complex stigma by psychiatric in-patients’ express reservations about an emerging and rehabilitation programmes imple- (Psychiatric Bulletin, October 2004, 28, psychiatric culture permeating all areas of mented to treat brain-injured individuals 371-374). It seemed strangely familiar to training and practice, which places are multi-faceted. In response, the Health us, a case of ‘Second Time Around’.Where disproportionate emphasis on that which of the Nation Outcome Scales - Acquired had we seen that title before? In-depth can be measured, compared and tabu- Brain Injury (HoNOS-ABI) was designed research of our own curriculum vitae lated. -
SOUL KITCHEN Records, Apprenticeship Bakery Wages Allowing
Newsletter No. 14 February 2002 An Editor is only as good as his editorial team (which makes Keith really, really good) you liked, you could normally catch up on past SOUL KITCHEN records, apprenticeship bakery wages allowing. It was there I remember buying my first Tams Forty Five, 'What Kind Of Fool (Do You Think I Am)' on HMV and was immediately captured by Joseph Pope's distinctive ragged hoarse lead vocals, and the group’s rough, but tight harmonies. The original members, Joseph Pope, Charles Pope, Robert Lee Smith, and Horace Kay got together in 1952 whilst still at high school in their hometown of Atlanta, Georgia. Their formative years as The Four Dots were spent gigging around the local club/dances/high school circuit. In the late fifties Floyd 'Little Floyd' Ashton was Hello and welcome once added to the line-up. It was again to my steaming Soul around this time that the Kitchen. group changed its name to The Tams, apparently the Well, dreary January's out of name being derived from the way. There's lots of live music around the them wearing multicoloured corner, so I guess it's time to get the soulmobile tam o'shanter hats, (a high out, and get grooving. The remaining half of Sam entry to our soul hat top ten and Dave, Sam Moore. The Delicious Jean chart), for performances. Carne. The dangerously big soul sound of Tower Of Power. The legend Ike Turner. The urban 1961 saw one release on the Heritage label sound of New York blues, Michael Hill's Blues 'Vacation time'/'If Love Were Like Rivers' which Mob. -
Sammy Davis Jr . Sammy Davis Jr
154 AS/A LEVEL MUSIC STUDY GUIDE AS PRESCRIBED WORK 2017 SAMMY DAVIS JR. Sammy Davis Jr . Sammy Davis Jr. (1925–1990) spent his whole life in show business. He toured as a child entertainer with his father in the Will Mastin Trio. ocr During World War Two he joined an integrated by army unit, in which white and black soldiers served together. In his autobiographies he writes at length about encountering racism for the first time. He realised that when he was a child his father had protected him from the racist attitudes that were common at the time. Rejoining the Will Mastin Trio after the war, he endorsement developed as a versatile performer who could to sing, dance and act. He lost an eye in a serious car accident in 1954. During his recovery he was introduced to Judaism and he converted a few years later. In the 1950s and 1960s he appeared in leading roles in Broadway shows.subject Movie roles included Ocean’s 11 (1960), made with fellow members of the ‘Rat Pack’, a group of singer-actors which included Frank Sinatra and Dean Martin. Davis’s singing was influenced by Frank Sinatra’s style. From his recordings certain characteristics stand out: educationl: Davis has a warm, powerful voice, with a wide range. He is able to sustain his tone and sing sensitively and strongly. He has a very good sense of timing. He is able to judge phrasing, knowing when to delay or anticipate a phrase, or interpret a melody to suit his own vocal range.