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GUILTY (Vinna)

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GUILTY (Vinna) Barry, Robin a Maurbe Gibborre GUILTY 121 (Vinna) Barrya RobinGibbov6 WOMAN IN LOVE 3:51 (Zamilovan6iena) Barrya RobinGibbov6 RUNWILD 4:06 (Oprostise od v5eho) Barrya RobinGibbov6 PROMISES 4:20 (Sliby) BarryGibb THELOVE INSIDE 5:07 (Skrytdldska) 6 BarryGibb - AlbhyGaluten WHATKIND OF FOOL 4:04 (Ktenihlup6k) 7 Barrya RobinGibbov6 LIFESTORY 4:34 (Zivotnipribdh) BarryGibb - AlbhyGaluten NEVERGIVE UP 3:41 (Nikdyse nevzddm) BarryGibb - AlbhyGaluten MAKE IT LIKEA MEMORY 7:26 (Jakovzpominka) AraniovaliAlbhy Galuten, Barry Gibb a PeterGraves BARBRASTREISANDOVA s BarryGibbem (1, 6) GeorgeTerry (1, 3, 4, 8,9), Cornell Dupree (1, 8, 9), Lee Rite- nour(4,7), Pete Carr (2,6,9) - kytara;Barry Gibb (1-3,6,7), PeteCarr (6) - akust.kytara; Richard Tee (5), PeteCarr (6) - el. kytara;Harold Cowart (1-4,6,8,9), David Hungate (7) - baskytara;Richard Tee (1, 4,6,7l,, George Bitzer (1,4,6, 7) - el.piano; Albhy Galuten (4-7), George Bitzer (5, 7, 8) - syntez6tor;Steve Gadd (1-4,6,8,9). Bernard Lupe (2,6,7), DennisBryon (7) - bici; RichardTee (8) - klavinet;Petdr Graves14,6,7,9), Russ Freeland (6, 7), MikeKatz (6,7) - tromb6n; Ken Faulk(4, 6, 7, 9), Brett Murphey(4, 6, 7, Sl, Bud Burridge(7) - trubka;NCal Bonsanti (4,'- 9); Dan Bori- santi(4, 9) - altsaxofon;Whit Sidner(4, 9) bbrytonsaxo- fon;Jerry Peel (2,3) - lesniroh; Joe.Lal6 (1 ,2,4,7, 9) - percusslon Sbg! - BarryGibb 11,3, 4,6, 7),Denise Maynelli (2, 5), Myr- na Mathews(2, 5), Marti McCall(2, 5) Hudebni reiie Karl Richardsona Don Gehman Produkce Barry Gibb, Albhy Galuten a Karl Richardson Nahr6no ve studiich Criteria, Middle Ear, Miami, Florida - Sound Labs, Hollywood, Kalifornie - Mediasound, New York Foto: Mario Casilli (Obal piewat od firmy CBS) Sleeve-noteo Antonin Matzner 1984 Odpov6dnf redaktor desky ing. Miroslav Cernf distributedinczechoslovakia ff 3.1?filriXare tm? SvEt ji nejdiive poznal z filmov6ho pl6tna v sladkoboln6m iivotopisn6m pii- b€hu n6kdejSihvdzdy Ziegfeldouich Follies Fanny Briceov6 Funny Girl.To se psal rok 1968 a Streisandovd za tuto roli obdriela poprv6 legend6rni soiku Oscara, kterou ji Americk6 filmovii akademie udElila za nejlepSi iensk'i he- reckf vrikon. Ze stejn6ho rodu byla i jeji ndsledujici role Sarmantni dohazo- vadky Dolly Leviov6,v nii se o rok pozd6ji objevila ve filmov6 verzi Hermano- va muzik6lu Hello, Dolly! Potom v5ak piiSla jeji Katie Moroskyovd, charakte- rov6 i citov6 sloiit6 hrdinka Pollackovypozoruhodn6 filmov6 kroniky z obdobi maccarthysmu Takovi jsme byli (The Way We Were,/. Streisandov6 zde nad- miru piesv6ddiv6 dok6zala,Ze jeji hereck6 rispEchyzdaleka nejsou jenom qi- sledkemobsazov5ni do roli st6le jednoho a t6hoi typu. V roce 1976pak zno- vu piekvapila sv6 piiznivce zcela odliSnou podobou, kdyi v nov6 verzi pied- tim jii n6kolikr6te zfilmovan6ho piib6hu A Star ls Born ztdlesnila v Esther: Hoffmanov6 vych6zejici rockovou hv6zdu (mimochodem v te dob6 ji bylo ui dtyiiatiicet let). O tom, jak odliSn6a 6asto navz5jem protich0dn6 jsou jeji po- doby, se naposled mohli piesv6ddit ti, kteii Streisandovou potkali v rozdep'y'- ien6m klukovsk6mri6esu b6hem nat5denifilmov6ho piepisu autobiografic- k'ich povidek nositele Nobelovy ceny lsaaca BasheviseSingera, jehoZ exteri- 6ry vznikaly z v6t5i dbsti v deskoslovensku. Diivno piedtim, neZ se se Streisandovousezn6mili filmovi diviici, stal se d0v6rn6zndmfm jeji hlas.Nebudeme asi dalekood pravdy,kdyi iekneme,Ze prdv6 tomuto hlasu a zpisobu, jak ho ovl6dri,vd66i Barbra za svou kari6ru piedev5im.Diky n6mu si od sam6ho pod6tkusv6 profesiondlnidrdhy mohla dovolit zpivat prakticky cokoli. Pravddpodobn6bychom jen st6ii hledali jinou zp6vadku,kterii by svou stylovou viestrannosti a reperto6rovou Siii byla srov- nateln5se Streisandovou.Stejnd jako se v minulosti osv6ddilav klasick6m brodwaysk6m reperto5ru (odtud pochSzelav6t5i 6iist skladeb na prvnim su- praphonsk6malbu Streisandov6z roku 1970),zasdhla pozddji 0sp65n6 t6m6i do kaid6 oblasti, kterii priivE h,irbalasvdtovou sc6nou popul6rni hudby. V po- slednichletech pronikladokonce i do iebiidk0 s hudbou countrya iadou dis- kot6kornichhitrj ziskala obdiv tak6 nejmladSi posluchadsk6generace. Album GUILTY(VINNA) z roku 1980piineslo piekvapiv6spojeni Streisan- dov6 s v0d6im interpretem a skladatelemlegend6rnich Bee Gees Barrym Gibbem. Rozmnoiil tak gal6rii slavn'y'chduet zp6va6ky s osobnostmi takov6- ho kalibru jako Louis Armstrong, Kris Kristofferson,Neil Diamond, Donna Summerovd6i StevieWonder. N6kdej5ispoluautor a zp6v6kskladeb Massa- chusetts, To Love Somebody, Words a dal5ich,jejichi popularita ve sve dob6 sout6Zilas oblibou pisni Beatles,se po letech do6asn6horozchodu mateisk6 skupinya piechodn6ho hled6niocitl na sklonkusedmdes6dch let znovu na vrislunisv6tov6 populSrni hudby zejm6naz6sluhou pisni z filmov6ho bestsel- leru Horeika sobotni noci (Saturday Night Fever). Z tohoto d0vodu byl Gibb vybrdn za partnera Streisandov6 nejenom jako zp6viik, ale ziejmE piedev5im jako autor v6echdeviti skladebalba, kter6 nakonecspolu s dvojiciAlbhy Ga- luten - Karl Richardson (zniime je ze spolupr6ce na nov'ich deskiich Bee Gees)tak6 produkoval,nadto zde hraje na kytaru a zpiv6 i doprovodn6 hlasy. PEveckrichdispozic Streisandov6 a jejich vry'razov'y'chschopnosti je zde W- uiito v hudb6, kter6 namistodramaticky vzletnri'ch vyzndni hrdinek muzik5lo- vich piib6hri piin5Sispi5e klid, uvoln6nia dobrou pohodu. Touto n6ladouje prostoupen hned vstupni titulni duet Streisandov6 s Gibbem s lehkrim piide- chem latinsk6 rytmiky, piipominajici obdobn6 civilni atmosf6ru, jako sv6ho 6asu bossa novy dvojice Astrud Gilbertov6 - Antonio Carlos Jobim. Na ne- vtirav6m kouzlu nahr6vek alba se rovnocennrim dilem podileji n6padit6 Gib- bovy melodie, zp6v Streisandov6 i pr0zra6n6aranim6, exponujici nad osmin- kouim doprovodem bicich skv6l6ho Steva Gadda kiehk6 akordy akustick'ich kytar, zvoniv€ elektrick6 piano, nad'ichan6 vokdly divdiho tria i samotn6ho Barryho, to vie d0myslnE svdzan6 Sirokodech'imi oblouky smy6c0. Jin'imi slovy - album Guilty je namichdno ze stejnrich piimEsi, s nimii pracuji 6aro- d6jov6 disco soundu, anii by v5ak, byf jen na okamiik, sklouzlo do jeho hu- deQniho primitivismu a virczove monot6nnosti. Jak ul bylo iedeno, zp6vadkasama zde svou pov6stnou p6veckou virtuozi- tou prezentuje stiidm6ji neUna swch starSich nahr6vk6ch. Namisto vypjat6- ho expresiva a hlasov.ich kouzel pouze sem tam nen6padn6 piipomene, ie toho umi mnohem, mnohem vice. Jestliie se tedy dobrri pohoda, dfchajici z kaid6ho taktu alba Guilty pienese i do va6ich domov0. je tim piedev5im vi n na BarbraStreisandov6. .
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