Save Pdf (0.04

Total Page:16

File Type:pdf, Size:1020Kb

Save Pdf (0.04 Columns Correspondence columns the columns correspondence HoNOS-ABI: ‘You don’t read my papers Bulletin, September 2004, 28,317-318). Whilst there may indeed be a paradigm an under-utilised anymore’: an investigation shift underway in a ‘postmodern’ direc- into the use of Barbra resource? tion, running counter to this is just as Streisand song titles in the potent a trend, which has a distinctly Consistent use of outcome measures psychiatric literature ‘modernist’ flavour. If modernism is a across specialist centres is vital to assess paradigm encouraging empirical measure- the effectiveness of interventions and As long standing fans of Barbra Streisand, ment, reductionist classification, techni- guide policy development. It is important we read with interest the papers from Drs cism, etc., then one need not look beyond to have a global yardstick to compare Cunningham and Bromley entitled ‘You one’s everyday practice to see that outcomes. However, as noted by Gilbody don’t bring me flowers anymore: an ‘modernist’ values dominate and are likely et al (2002), this often does not happen. investigation into the experience of to do so in the near future. Many of us The sequelae of brain injury are complex stigma by psychiatric in-patients’ express reservations about an emerging and rehabilitation programmes imple- (Psychiatric Bulletin, October 2004, 28, psychiatric culture permeating all areas of mented to treat brain-injured individuals 371-374). It seemed strangely familiar to training and practice, which places are multi-faceted. In response, the Health us, a case of ‘Second Time Around’.Where disproportionate emphasis on that which of the Nation Outcome Scales - Acquired had we seen that title before? In-depth can be measured, compared and tabu- Brain Injury (HoNOS-ABI) was designed research of our own curriculum vitae lated. CPD points, star ratings, crude and introduced in 1999. Courtenay (2002) provided the answer - we had already performance indicators such as ‘bed proposed that the under-utilisation of published a paper on the same subject occupancy days’, requirements for judge- outcome measures resulted from lack of with the same title (Weiner et al,1999). ments about risk to be denoted in training and limited availability. The So could this be our first citation? Sadly discrete categories such as H M or L are HoNOS-ABI has been made widely not. What we thought was an ‘Evergreen’ but a few examples of the ‘symbols’ of this available in the UK. paper had failed to register in Drs culture. In order to evaluate the use and Cunningham and Bromleys’ ‘Memory’.We Secondly, some branches of psychiatry application of the scale nationally, we were initially upset, it was indeed a ‘Cryin’ will be resistant to accommodating the distributed a questionnaire by e-mail to Time’.‘What Kind of Fool’ are they, to postmodern model, which holds knowl- consultant psychiatrists at twenty major have ignored our efforts? But on reflec- edge to be tentative and partial, and brain injury units across the UK. There was tion we decided that there should be ‘No replaces absolute truth claims with ‘rela- a 35% response rate; one of the respon- More Tears’. Provided that the Bulletin tive’ or ‘pluralistic’ truth. The challenge dents used a specialised HoNOS-ABI publishes this letter and gives us our cita- for psychiatry to tolerate ambiguity is designed for children and another two tion, we can go back to ‘The Way We more likely to be met at the non-coer- employed the scale regularly. None of the Were’.We can then all agree to a mora- cive end of the spectrum than at the others used the scale as part of routine torium on the use of Streisand titles in the criminal justice interface. The criminal clinical practice, and perhaps the lack of psychiatric literature, in which case it will justice system relies much more on response from others indicates the same. be ‘Happy Days are Here Again’. absolute or dogmatic assertions and There appears to be a large hiatus encourages suppression of ambiguity in between the discussion of outcome WEINER, A.,WESSELY, S. & LEWIS, G. (1999) ‘Youdon’t psychiatric judgements around risk, bringme flowers anymore’:ananalysis of gift giving to measures in research literature and the dangerousness and diagnoses. Whilst medical and psychiatric inpatients. Social Psychiatry & application of scales in routine clinical Psychiatric Epidemiology, 34,136-140. this is perhaps understandable given practice. Could it be that different scales that such judgements lead to very are utilised across centres? The clinical *Simon Wessely Institute of Psychiatry,Weston unambiguous disposals, the notion of a effectiveness of outcome measures can Education Centre, Cutcombe Rd, London truly postmodern psychiatry remains only be maximised if they are all SE5 9RJ, Glyn Lewis University of Bristol, illusory. standardised across the nation. Andrew Weiner University of Bristol COURTENAY, K. P. (2002) Use of outcome measures LAUGHARNE, R. (2004) Psychiatry in the future.The by psychiatrists. BritishJournal of Psychiatry, 180, next15 years: postmodern challenges and 551. opportunities for psychiatry. Psychiatric Bulletin, 28, GILBODY, S. M., HOUSE, A. O. & SHELDON,T.A. (2002) 317-318. Outcome research in mental health. British Journal of Psychiatry, 181,8-16. C. Marke Lishman Brain Injury Unit, Postmodern psychiatry: Tony B. Benning Locum Consultant Psychiatrist, *E. Leigh Lishman Brain Injury Unit,The Maudsley an illusion? Haringey Dual Service, Maple Unit, Q1Block, Hospital, Denmark Hill, London SE5 8AZ, UK, St Ann’s Hospital, St Ann’s Road,Tottenham N15 3DT e-mail: [email protected], S. Fleminger I read with interest Laugharne’s article and HaringeyAssertive OutreachTeam (East Lishman Brain Injury Unit about postmodern psychiatry (Psychiatric Sector) 35.
Recommended publications
  • SMTA Catalog Complete
    The Integrated Broadway Library Index including the complete works from 34 collections: sorted by musical HL The Singer's Musical Theatre Anthology (22 vols) A The Singer's Library of Musical Theatre (8 vols) TMTC The Teen's Musical Theatre Collection (2 vols) MTAT The Musical Theatre Anthology for Teens (2 vols) Publishers: HL = Hal Leonard; A = Alfred *denotes a song absent in the revised edition Pub Voice Vol Page Song Title Musical Title HL S 4 161 He Plays the Violin 1776 HL T 4 198 Mama, Look Sharp 1776 HL B 4 180 Molasses to Rum 1776 HL S 5 246 The Girl in 14G (not from a musical) HL Duet 1 96 A Man and A Woman 110 In The Shade HL B 5 146 Gonna Be Another Hot Day 110 in the Shade HL S 2 156 Is It Really Me? 110 in the Shade A S 1 32 Is It Really Me? 110 in the Shade HL S 4 117 Love, Don't Turn Away 110 in the Shade A S 1 22 Love, Don't Turn Away 110 in the Shade HL S 1 177 Old Maid 110 in the Shade HL S 2 150 Raunchy 110 in the Shade HL S 2 159 Simple Little Things 110 in the Shade A S 1 27 Simple Little Things 110 in the Shade HL S 5 194 Take Care of This House 1600 Pennsylvania Avenue A T 2 41 Dames 42nd Street HL B 5 98 Lullaby of Broadway 42nd Street A B 1 23 Lullaby of Broadway 42nd Street HL T 3 200 Coffee (In a Cardboard Cup) 70, Girls, 70 HL Mezz 1 78 Dance: Ten, Looks: Three A Chorus Line HL T 4 30 I Can Do That A Chorus Line HL YW MTAT 120 Nothing A Chorus Line HL Mezz 3 68 Nothing A Chorus Line HL Mezz 4 70 The Music and the Mirror A Chorus Line HL Mezz 2 64 What I Did for Love A Chorus Line HL T 4 42 One More Beautiful
    [Show full text]
  • Pacing Ourselves: Personal and Global Transformations, Part 1
    Pacing Ourselves: Personal and Global Transformations, Part 1 Bellingham Unitarian Fellowship Sunday, March 29 Gathering Music Andrea Rackl Welcome Rev Paul Beckel Prelude Gathering Songs Gathered Here We Laugh, We Cry Chalice Lighting/Covenant Love is the spirit of this fellowship, and service gives it life. Celebrating our diversity, and joined by a quest for truth, we work for peace and honor all creation. This is our covenant. Introduction Eracism Cat McIntyre Meditation 10 Blessings Special Music Sometimes Angels Tracy Spring Message Song One More Step Offertory Song We would be one Benediction Circle ‘Round for Freedom Solo Somewhere to Begin Tracy Spring Somewhere to Begin T.R. Ritchie, sung by Tracy Spring People say to me: You gotta be crazy How can you sing in times like these Don't you read the news? Don't you know the score? How can you sing when so many others grieve? And people say to me: What kind of fool believes That songs will make a difference in the end? By way of a reply I say: A fool such as I Who sees a song as somewhere to begin A song is somewhere to begin To search for something worth believing in If changes are to come there are things that must be done And a song is somewhere to begin. ____________________________ In the second verse and chorus, replace "sing" with "dream" Likewise, in the third verse, replace with "love" Sometimes Angels © 2001 Tracy Spring 1. As long as there is hunger There are some who share their bread And as long as there is homelessness Some will work to find a bed And as long as some keep dying young Some will try to find the cure There is only so much suffering We humans can endure Chorus: Sometimes angels land among us And they live within our kindness And if heroes have to give their all Sometimes we are angels for each other when we fall… 2.
    [Show full text]
  • GUILTY (Vinna)
    Barry, Robin a Maurbe Gibborre GUILTY 121 (Vinna) Barrya RobinGibbov6 WOMAN IN LOVE 3:51 (Zamilovan6iena) Barrya RobinGibbov6 RUNWILD 4:06 (Oprostise od v5eho) Barrya RobinGibbov6 PROMISES 4:20 (Sliby) BarryGibb THELOVE INSIDE 5:07 (Skrytdldska) 6 BarryGibb - AlbhyGaluten WHATKIND OF FOOL 4:04 (Ktenihlup6k) 7 Barrya RobinGibbov6 LIFESTORY 4:34 (Zivotnipribdh) BarryGibb - AlbhyGaluten NEVERGIVE UP 3:41 (Nikdyse nevzddm) BarryGibb - AlbhyGaluten MAKE IT LIKEA MEMORY 7:26 (Jakovzpominka) AraniovaliAlbhy Galuten, Barry Gibb a PeterGraves BARBRASTREISANDOVA s BarryGibbem (1, 6) GeorgeTerry (1, 3, 4, 8,9), Cornell Dupree (1, 8, 9), Lee Rite- nour(4,7), Pete Carr (2,6,9) - kytara;Barry Gibb (1-3,6,7), PeteCarr (6) - akust.kytara; Richard Tee (5), PeteCarr (6) - el. kytara;Harold Cowart (1-4,6,8,9), David Hungate (7) - baskytara;Richard Tee (1, 4,6,7l,, George Bitzer (1,4,6, 7) - el.piano; Albhy Galuten (4-7), George Bitzer (5, 7, 8) - syntez6tor;Steve Gadd (1-4,6,8,9). Bernard Lupe (2,6,7), DennisBryon (7) - bici; RichardTee (8) - klavinet;Petdr Graves14,6,7,9), Russ Freeland (6, 7), MikeKatz (6,7) - tromb6n; Ken Faulk(4, 6, 7, 9), Brett Murphey(4, 6, 7, Sl, Bud Burridge(7) - trubka;NCal Bonsanti (4,'- 9); Dan Bori- santi(4, 9) - altsaxofon;Whit Sidner(4, 9) bbrytonsaxo- fon;Jerry Peel (2,3) - lesniroh; Joe.Lal6 (1 ,2,4,7, 9) - percusslon Sbg! - BarryGibb 11,3, 4,6, 7),Denise Maynelli (2, 5), Myr- na Mathews(2, 5), Marti McCall(2, 5) Hudebni reiie Karl Richardsona Don Gehman Produkce Barry Gibb, Albhy Galuten a Karl Richardson Nahr6no ve studiich Criteria, Middle Ear, Miami, Florida - Sound Labs, Hollywood, Kalifornie - Mediasound, New York Foto: Mario Casilli (Obal piewat od firmy CBS) Sleeve-noteo Antonin Matzner 1984 Odpov6dnf redaktor desky ing.
    [Show full text]
  • Songs by Artist
    Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.
    [Show full text]
  • SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
    THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass,
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Barbranews.Comnewsletter
    August 2005 Volume 1 • Issue #1 “Give Me The Truth.” Craig A. Hall, Publisher • Allison J. Waldman, Editor BarbraNews.com NewsletterNewsletter “Guilty Pleasures” On Its Way to Us! Hear Three Songs Online he look is decidely fa- miliar. The stars unmis- takably posed, both in Tthe cover photo and musically, too. Just weeks away from release, Amazon.com was the fi rst to break the cover art and song listing -- for Barbra Streisand’s 61st album, a reunion with composer Barry Gibb, called Guilty Pleasures. Amazon is also offering a unique preview of three songs from the album -- “Hide- away,” “Night of My Life” and “Without Your Love.” All you have to do is pre-order the CD, and if you have Windows Media Player, you can hear these songs. For fans who cannot wait, and I know you’re out there, go listen. The songs are wonderful and Barbra is in great voice. Her collaboration with Barry has once again produced gold, in my opinion. The track listing is as follows: 1. Come Tomorrow; 2. Stranger In A Strange Land; 3. Hideaway; 4. It’s Up To You; 5. Night Of My Life; 6. Above The Law; 7. Without Your Love; 8. All The Children; 9. Golden Dawn; 10. (Our Love) Don’t Throw It All Away; Letting Go. The CD will be a dualdisc; music on one side and DVD material on the other. Four songs will get video presentations. For even more information about the album, check out the new Guilty Pleasures website -- www.blog.columbiarecords.com/barbra.
    [Show full text]
  • Score Alfred Music Publishing Co. Finn
    Title: 25th Annual Putnam County Spelling Bee, The - score Author: Finn, William Publisher: Alfred Music Publishing Co. 2006 Description: Score for the musical. Title: 42nd Street - vocal selections Author: Warren, Harry Dubin, Al Publisher: Warner Bros. Publications 1980 Description: Vocal selections from the musical. Contains: About a Quarter to Nine Dames Forty-Second Street Getting Out Of Town Go Into Your Dance The Gold Digger's Song (We're In The Money) I Know Now Lullaby of Broadway Shadow Waltz Shuffle Off To Buffalo There's a Sunny Side to Every Situation Young and Healthy You're Getting To Be a Habit With Me Title: 9 to 5 - vocal selections The musical Author: Parton, Dolly Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Nine to Five Around Here Here for You I Just Might Backwoods Barbie Heart to Hart Shine Like the Sun One of the Boys 5 to 9 Change It Let Love Grow Get Out and Stay Out Title: Addams Family - vocal selections, The Author: Lippa, Andrew Publisher: Hal Leonard Publishing Corporation 2010 Description: Vocal selections from the musical. includes: When You're an Addams Pulled One Normal Night Morticia What If Waiting Just Around the Corner The Moon and Me Happy / Sad Crazier than You Let's Not Talk About Anything Else but Love In the Arms Live Before We Die The Addams Family Theme Title: Ain't Misbehavin' - vocal selections Author: Henderson, Luther Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Ain't Misbehavin (What Did I Do to Be So) Black and Blue (Get Some) Cash For Your Trash Handful of Keys Honeysuckle Rose How Ya Baby I Can't Give You Anything But Love It's a Sin To Tell A Lie I've Got A Felling I'm Falling The Jitterbug Waltz The Joint is Jumping Keepin' Out of Mischief Now The Ladies Who Sing With the Band Looking' Good But Feelin' Bad Lounging at the Waldorf Mean to Me Off-Time Squeeze Me 'Tain't Nobody's Biz-ness If I Do Title: Aladdin and Out - opera A comic opera in three acts Author: Edmonds, Fred Hewitt, Thomas J.
    [Show full text]
  • Sammy Davis Jr . Sammy Davis Jr
    154 AS/A LEVEL MUSIC STUDY GUIDE AS PRESCRIBED WORK 2017 SAMMY DAVIS JR. Sammy Davis Jr . Sammy Davis Jr. (1925–1990) spent his whole life in show business. He toured as a child entertainer with his father in the Will Mastin Trio. ocr During World War Two he joined an integrated by army unit, in which white and black soldiers served together. In his autobiographies he writes at length about encountering racism for the first time. He realised that when he was a child his father had protected him from the racist attitudes that were common at the time. Rejoining the Will Mastin Trio after the war, he endorsement developed as a versatile performer who could to sing, dance and act. He lost an eye in a serious car accident in 1954. During his recovery he was introduced to Judaism and he converted a few years later. In the 1950s and 1960s he appeared in leading roles in Broadway shows.subject Movie roles included Ocean’s 11 (1960), made with fellow members of the ‘Rat Pack’, a group of singer-actors which included Frank Sinatra and Dean Martin. Davis’s singing was influenced by Frank Sinatra’s style. From his recordings certain characteristics stand out: educationl: Davis has a warm, powerful voice, with a wide range. He is able to sustain his tone and sing sensitively and strongly. He has a very good sense of timing. He is able to judge phrasing, knowing when to delay or anticipate a phrase, or interpret a melody to suit his own vocal range.
    [Show full text]
  • John Leo Horgan's Song List
    John Leo Horgan’s Song List Pop Selection To make you feel my love / Adele Someone like you / Adele Alejandro / Lady Ga Ga Empire state of mind Part 2 / Alicia Keys When you say nothing at all / Ronan Keating Right Here waiting / Richard Marx Clocks / Coldplay Fix you / Coldplay Don’t stop belivin’ / Journey Open arms / Journey A million love songs / Take That Back for good / Take That Angels / Robbie Williams Home / Michael Buble Everything / Michael Buble Haven’t met you yet / Michael Buble Moondance / Michael Buble Have I told you lately / Rod Stewart The Climb / Miley Cyrus Hero / Enrique Iglesias I will always love you / Whitney Houston Promise me / Beverley Craven Don’t look back in anger / Oasis Love is all around / Wet Wet Wet How deep is your love / Bee Gees Mama Mia / ABBA Thank you for the music / ABBA Slipping through my fingers / ABBA She’s always a Woman / Billy Joel Pianoman / Billy Joel Lullaby (Goodnight my angel) / Billy Joel Your song / Elton John Sorry seems to be the hardest word / Elton John Daniel / Elton John Philadelphia freedom / Elton John Don’t let the Sun go down on me / Elton John Can you feel the love tonight / Elton John I just called to say I love you / Stevie Wonder Lately / Stevie Wonder Bohemian Rhapsody / Queen We are the Champions / Queen Mandy / Barry Manilow Songbird / Fleetwood Mac Landslide / Fleetwood Mac Don’t stop / Fleetwood Mac Gypsy / Fleetwood Mac Sweet Caroline / Neil Diamond Hello Again / Neil Diamond September Morn / Neil Diamond You Don’t Bring Me flowers / Neil Diamond Love on the
    [Show full text]
  • RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999
    RCA Discography Part 12 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999 LPM/LSP 3700 – Norma Jean Sings Porter Wagoner – Norma Jean [1967] Dooley/Eat, Drink And Be Merry/Country Music Has Gone To Town/Misery Loves Company/Company's Comin'/I've Enjoyed As Much Of This As I Can Stand/Howdy Neighbor, Howdy/I Just Came To Smell The Flowers/A Satisfied Mind/If Jesus Came To Your House/Your Old Love Letters/I Thought I Heard You Calling My Name LPM/LSP 3701 – It Ain’t necessarily Square – Homer and Jethro [1967] Call Me/Lil' Darlin'/Broadway/More/Cute/Liza/The Shadow Of Your Smile/The Sweetest Sounds/Shiny Stockings/Satin Doll/Take The "A" Train LPM/LSP 3702 – Spinout (Soundtrack) – Elvis Presley [1966] Stop, Look And Listen/Adam And Evil/All That I Am/Never Say Yes/Am I Ready/Beach Shack/Spinout/Smorgasbord/I'll Be Back/Tomorrow Is A Long Time/Down In The Alley/I'll Remember You LPM/LSP 3703 – In Gospel Country – Statesmen Quartet [1967] Brighten The Corner Where You Are/Give Me Light/When You've Really Met The Lord/Just Over In The Glory-Land/Grace For Every Need/That Silver-Haired Daddy Of Mine/Where The Milk And Honey Flow/In Jesus' Name, I Will/Watching You/No More/Heaven Is Where You Belong/I Told My Lord LPM/LSP 3704 – Woman, Let Me Sing You a Song – Vernon Oxford [1967] Watermelon Time In Georgia/Woman, Let Me Sing You A Song/Field Of Flowers/Stone By Stone/Let's Take A Cold Shower/Hide/Baby Sister/Goin' Home/Behind Every Good Man There's A Woman/Roll
    [Show full text]
  • Songs by Artist
    Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun
    [Show full text]