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Broadcasting Jan 30
The Fifth Estate Broadcasting Jan 30 ;wzD w xoor>roc -a £ Gl3 I - m cn NJ rrr D r 4' N N ON OLD IN 101 MARK NOW...FOR SEPTEMBER 0 1984 LIONHEART TELEVISION INTERNATIONAL .5 ERIE S COMPANY EXTRAORDINARY 4 OFF-NETWORK PRODUCTIONS NOW AVAILABLE FOR SYNDICATION THE VOYAGE OF CHARLES DARWIN 7 ONE -HOURS about Darwin's incredible journey of adventure and discovery aboard the H.M.S. Beagle -to South America and the Galapagos Islands. THE LONG SEARCH 13 ONE -HOURS about the world's great religions - filmed on a 150,000 -mile global journey from the Protestant churches of Indianapolis to the Zen monasteries of Japan. Host: Ronald Eyre. CONNECTIONS 10 ONE -HOURS about how apparently unrelated events, people and situations have come together in the thousands of years of history to produce social and technological changes in today's complex world. Host: James Burke. THE SHOCK OF THE NEW 8 ONE -HOURS. A provocative view of 20th Century art-which takes up the story of the visual arts where Kenneth Clark's 'Civilisation' left off. Host/Writer /Presenter: Robert Hughes, Art Critic/Time Magazine. .yvri t bIONHEAR`i TELEVISION INTERNATIONAL 40 WEST 57 STREET NEW PORN, N.T. 10019. 1212) 541-7342 ATLANTA (404) 873.5101 ONE OF THE PUBLIC MEDIA INC. COMPANIES The Entertainment Industry is moving to the (The West Coast of Manhattan.) . There's a classic building in Manhat- in mid -Manhattan. l p G 1 tan that's just made for the special WEST COAST STUDIOS offers needs your business, if you are a of ° huge 40,000 square foot floors in large company in Entertainment, . -
I'kaai Party Where the Two Families Meet "Ft "Copsand CONSULT OUR LISTINGS for LAST MINUTE Tv Coiwuum Mc
14-T- HE CAROLINA TIMES SAT., JULY 28, 1979 ; REFLECTIONS SWORD OF JUSTICE The n 0 - CJ BASEBALL Atlanta Braveava . woundedJackColerelleeonHec- Houston Astros tor to finish the lob of proving that O WILD KINGDOM a corrupt police commissioner w: 7:00 and the mob that 'owns' him were THIEVES LIKE US for of an N FOOTBALL responsible the slaying O 60 Tampa Bay Buccaneers va Wa- honest cop. (Repeat; mina.) A backwoods MOVIE -- fugitive and young, shington Redskins HBO (SUSPENSE) girl fall in love in Mississippi during MASTERPIECE THEATRE 'I. "Capricorn One" Elliott Gould, O Karen Black. A stumbles the Depression, in 'Thieves Like Claudius' 'Reign of Terror' Tiber- reporter Us,' directed by Robert Altman ius' haathe onto the acoop of the century-man'- s palace guard emperor to Mars and Keith Carradine (pic- cut off from the outside first space flight starring totally 15 tured) and Shelley Ouvall, premier-in- g world - at Sejanus' order. So how wasahoaxl(RatedPG)(2hra., on television Aug. 4, on 'The can Antonia possibly warn mins.) CBS 10:30 Saturday Night Movies.' RESURRECTION mins.) O GOSPEL Based on the Edward Anderson GD BLACK REFLECTIONS novel that also inspired the earlier N FOOTBALL SOAP FACTORY 11:00 'They Live By Night,' the movie 8 tells the love of Bowie n LAWRENCE WELK SHOW OOOOnews tragic story CJ HEE HAW Conway Twltty. gd odd couple who has HIGH (Carradine), escaped Dave and Sugar, Grandpa, CI 12 O'CLOCK from a prison work farm, and Ramona and Aliaa Jones. (60 CJ SECOND CITY TV Keechie (Miss Duvall), the mins.) V 11:15 uneducated young innocent he CJ M SEARCH OF OO ABC NEWS meets. -
Transformers Franchise, and Redefines What It Means to Be a Hero
Paramount Pictures Presents In Association with Hasbro A Don Murphy/Tom DeSanto / di Bonaventura Pictures / Ian Bryce Production A Michael Bay Film Executive Produced by Steven Spielberg Michael Bay Brian Goldner Mark Vahradian Produced by Lorenzo di Bonaventura, p.g.a. Tom DeSanto Don Murphy Ian Bryce, p.g.a. Story by Akiva Goldsman and Art Marcum & Matt Holloway & Ken Nolan Screenplay by Art Marcum & Matt Holloway & Ken Nolan Directed by Michael Bay Cast: Mark Wahlberg, Josh Duhamel, Anthony Hopkins, Laura Haddock, Jerrod Carmichael, Isabela Moner, Santiago Cabrera Synopsis: The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Anthony Hopkins); and an Oxford Professor (Laura Haddock). There comes a moment in everyone’s life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours. TRANSFORMERS: THE LAST KNIGHT is in theatres [local date], 2017 TRANSFORMERS: THE LAST KNIGHT has been rated [local rating]. ABOUT THE CAST MARK WAHLBERG (“Cade Yeager”) earned both Academy Award® and Golden Globe® nominations for his standout work in the family boxing film The Fighter and Martin Scorsese’s acclaimed drama The Departed. -
Magilla Gorilla Episode Guide
Magilla gorilla episode guide Continue Magilla GorillaThe Magilla Gorilla Show characterFirst appearanceThe big gameSyov HannaJosef BarberaVoed Allan Melvin (1964-1994)Maurice Lamarche (Harvey Birdman, Attorney) Frank Welker (Scooby-Dao and Guess Who?) Jim Cummings (Jellystone!, 2020-present) In the Universe informationSpeciesWestern lowland gorillaGenderMale Magilla Magilla Gorilla is a fictional gorilla and star of the Magilla Gorilla Show Hannah-Barbera, which aired from 1964 to 1965. Also Brazilian boxer Adilson Rodriguez named himself Magilla after the cartoon. The description of the character Magill Gorilla (voiced by Allan Melvin) - anthropomorphic gorilla, who spends his time languishing in the window of the pet store Melvin Peebles, eating bananas and draining the finances of the businessman. Peebles (voiced by Howard Morris and then Dock Messik) significantly reduced the price of Magilla, but Magilla was invariably bought only for a short time, usually by some thieves who needed a gorilla to break into a bank or an advertising agency, looking for a mascot for their new product. Customers always end up returning Magilla, forcing Peebles to return their money. Magilla often finished episodes with his catchphrase We'll Try Again next week. Many of Hannah-Barbera's animal characters were dressed in human accessories; Magilla Gorilla wore a bow tie, suspender shorts and an unfinished derby hat. The only client really interested in getting trouble-prone Magigly was a little girl named Ogi (voiced by Gene Vander Phil and the uttering of Oh Gee!). During the theme of the cartoon song, We have a gorilla for sale, she asks, hopefully, how much is this gorilla in the window? (turn to the old standard, (How much) Is The Dog in the window?), but she's never been able to convince her parents to let her keep Magilla. -
Our Local Is Growing, and Has Been Doing So Steadily for the Past Few Years
ANIMATION GUILD AND AFFILIATED ELECTRONIC AND GRAPHIC ARTS Los Angeles, California, September 2020 Vol. 49, No9 Our Local is growing, and has been doing so steadily for the past few years. We’ve got almost 6000 active, dues paying members on the books right now, and the majority are busier than ever as the animation sector does the heavy lifting in an entertainment industry that has been devastated by a global pandemic. But it’s not easy to keep in touch while we’re all working from home. When we don’t see each other at the studios, we miss out on casual chats in the break area and quick greetings in the halls. We forget that we’re not the only ones struggling to keep a normal schedule when there are emails coming in at all hours and kids that need attention whether we’re busy at work or not. And because we’re apart, the community feeling we experience when we’re working together seems very far away. That makes it more important than ever for all of us to fi nd new ways to stay in touch and keep our Animation Guild community strong and connected. Most of us have taken part in video conference calls for BUILDING COMMUNITY ONLINE (continued on page 3) IN THIS ISSUE Building Community Online .............................................. 1 From the President ......................................................... 4 People of Color Committee ................................................ 5 From the Business Representative ......................................... 6 Field Rep Corner: Political Coordinator Edition .......................... 8 From the Executive Board ............................................... 12 Member Perspective: Helping Members Stay Active .................. 14 Weingarten Rights/Around the Watercooler ........................... -
Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected]
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 1-1-2016 Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the American Film Studies Commons, and the Film and Media Studies Commons Citation Information Hall, Kenneth Estes. 2016. Mountain Men on Film. Studies in the Western. Vol.24 97-119. http://www.westernforschungszentrum.de/ This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Mountain Men on Film Copyright Statement This document was published with permission from the journal. It was originally published in the Studies in the Western. This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/596 Peter Bischoff 53 Warshow, Robert. "Movie Chronicle: The Western." Partisan Re- view, 21 (1954), 190-203. (Quoted from reference number 33) Mountain Men on Film 54 Webb, Walter Prescott. The Great Plains. Boston: Ginn and Kenneth E. Hall Company, 1931. 55 West, Ray B. , Jr., ed. Rocky Mountain Reader. New York: E.P. Dutton, 1946. 56 Westbrook, Max. "The Authentic Western." Western American Literatu,e, 13 (Fall 1978), 213-25. 57 The Western Literature Association (sponsored by). A Literary History of the American West. Fort Worth: Texas Christian University Press, 1987. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
Ripll After Single-Day Strike
Copunuters Accept Strike's Inconvenience SEE STORY BELOW Rain Likely Cool with occasional rain like, THEMLY FINAL ly today, tonight and tomor- row. Clearing Sunday. Red Bank, Freehold I Long Branch 7 EDITION Bionmouth County's Home Newspaper tor 92 Years VOL. 93, NO. 118 RE» BANK, N. J., FRIDAY, DECEMBER 11, 1970 28 PAGES TEN CENTS Ripll After Single-Day Strike WASHINGTON (AP) -ffhe It was only the third nation- posed pay hikes was just AFL-CIO Brotherhood of Hail- out the rest of the settlement side wants to go back to Con- The 13.5 per cent immediate other AFL-CIO labor organl- nation's train's thundered wide rail strike in half a cen- eight months ago, in a, special way Clerks, said his 200,000' peacefully. gress. I'm certainly hope- pay hike imposed by Congress zations involved in the dispute down the tracks again today ury. law to avert a threatened na- union members were return-^ . Settlement Seen ful," Dennis said as wage was part of a three-year, 37 will be free to strike' again after railroad workers ended The end of the walkouO tionwide rail strike by four ing to work under threats of "These conferences will talks resumed shortly after per cent package of wage in- March 1 if there Is no final a 24-hbur strike under orders made unnecessary White rail shopcraft unions. fines and jail sentences, but lead to a settlement of the is- the strike was called off creases offered by the rail in- settlement by then, unless from Congress, federal courts House priorities for moving Dennis, president of the expressed hope for working sues* We don't think' either last night. -
Movie Suggestions for 55 and Older: #4 (141) After the Ball
Movie Suggestions for 55 and older: #4 (141) After The Ball - Comedy - Female fashion designer who has strikes against her because father sells knockoffs, gives up and tries to work her way up in the family business with legitimate designes of her own. Lots of obstacles from stepmother’s daughters. {The} Alamo - Western - John Wayne, Richard Widmark, Laurence Harvey, Richard Boone, Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O’Brien, Chill Wills, Ken Curtis, Carlos Arru , Jester Hairston, Joseph Calleia. 185 men stood against 7,000 at the Alamo. It was filmed close to the site of the actual battle. Alive - Adventure - Ethan Hawke, Vincent Spano, James Newton Howard, et al. Based on a true story. Rugby players live through a plane crash in the Andes Mountains. When they realize the rescue isn’t coming, they figure ways to stay alive. Overcoming huge odds against their survival, this is about courage in the face of desolation, other disasters, and the limits of human courage and endurance. Rated “R”. {The} American Friend - Suspense - Dennis Hopper, Bruno Ganz, Lisa Kreuzer, Gerard Blain, Nicholas Ray, Samuel Fuller, Peter Lilienthal, Daniel Schmid, Jean Eustache, Sandy Whitelaw, Lou Castel. An American sociopath art dealer (forged paintings) sells in Germany. He meets an idealistic art restorer who is dying. The two work together so the German man’s family can get funds. This is considered a worldwide cult film. Amongst White Clouds - 294.3 AMO - Buddhist, Hermit Masters of China’s Zhongnan Mountains. Winner of many awards. “An unforgettable journey into the hidden tradition of China’s Buddhist hermit monks. -
Survivors' Recount Fiery Last Moments of KA
JJNIV1:KS1l'I' OF HAWAll UBRJUl arianas %rietYr;~ Micronesia's Leading Newspaper Since 1972 ~ ews Boria.. slams Gov.· Tenorio's status overtures: oto public' By Zaldy Dandan that happening. dependent Northern Marianas. make it clear to Congress that his "But we're adults, and we Variety News Staff Most of the local residents "It's his personal opinion, and "request" for an independent or a should sit down, negotiate and try ONLY the people of the CNMI would prefer that the CNMI re it should stay that way-it is not freely associated state status is his to arrive at a compromise." can ask the United States to grant main in political union with the the opinion of a majority of the (Tenorio) opinion alone. In a media conference Wednes independence to the Northern Unites States, Borja said, react people," Borja, who is running Borja, at the same, reiterated day, Tenorio said if the Clinton Marianas, and Lt. Gov. Jesus C. ing to Gov. Froilan C. Tenorio's against Tenorio, said. that CNMI should pursue nego administration continues to insist Borja yesterday said he can't see statement Wednesday on an in- The governor, he added, shou Id tiations with the Clinton adminis on the federalization of the tration through the Covenant Sec CNMI's immigration and mini tion 902 talks. mum wage policies, he would ask "We should state our position Congress to grant independence in a reasonable and cogent man or a "freely associated state" sta ner," he said. tus to the Northern Marianas. Tenorio' s "attitude," Borja said, He said the CNMI will survive "is, 'If you make me angry I'll being independent, but not with take the marbles and go home.' Continued on page 54 Survivors' recount fiery last moments of KA 801 By JU-YEON KIM it went down in a heavy rain , AGANA, Guam (AP) - A Ko storm on approach to the air rean Air jetliner shook viole!1tly port. -
Norman Maurer Papers, 1976-1983 PASC.0086
http://oac.cdlib.org/findaid/ark:/13030/c84x5f61 No online items Finding Aid for the Norman Maurer papers, 1976-1983 PASC.0086 Finding aid prepared by Processed by Arts Library Special Collections staff, pre-1999; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Finding Aid for the Norman PASC.0086 1 Maurer papers, 1976-1983 PASC.0086 Title: Norman Maurer papers Identifier/Call Number: PASC.0086 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 18.0 linear feet(43 boxes) Date: 1976-1983 Abstract: Norman Maurer was writer, film director and producer, and also worked for many years in television animation for Hanna Barbera and ABC, writing and editing. The collection consists of scripts, photocopies of storyboards, and outlines for children's animated television programs including, The Adventures of Goldie Gold (1981), Dingbat and the creeps (1980), Fangface (1979), Heathcliff (1979-81), Marmaduke (1981), Mork and Mindy (1980-82), Plastic family (1980-81), Richie Rich (1979-81), Scooby and Scrappy Doo (1980-81), Super friends (1980-81), and Thundarr the barbarian (1979-81). Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. creator: Maurer, Joan Howard creator: Maurer, Norman, 1926-1986 Restrictions on Access STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection.