DOCSLIB.ORG

Keith Moon: There Is No Substitute Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Keith Moon: There Is No Substitute Free FREE KEITH MOON: THERE IS NO SUBSTITUTE PDF Ian Snowball | 208 pages | 13 Jun 2016 | OMNIBUS PRESS | 9781785581489 | English | London, United Kingdom A Tribute To Keith Moon (There Is No Substitute) by Ian Snowball The legend is often well known for outselling the truth. There are other times when the legend is the truth, but obscures another story — and Keith Moon belongs in that category. And to think he was originally going to play the bugle. When Moon was recruited by the fledgling Who in after passing an audition in a pub, no one would pretend that they knew how the dangerous, essential chemistry would develop between four of the most cohesive Keith Moon: There is No Substitute rock music would ever see. Staying dead disgracefully, more likely. He was there through eight albums and around 35 singles, unforgettable to the last beat. The entertainment from that man… the humour. I mean, looking at the audience is what the singer does, he never sees the band. But I can imagine he must have taken the piss out of me something terrible! The mind boggles. Moony could do light and shade just as easily as he could be the most exhilarating powerhouse any band ever had. Entwistle once remarked that Moon played not from side to side, but forwards. Townshend later revealed that A-list jazz drummers such as Buddy Rich and Tony Williams were also fans. He was the so-called mod who loved surf music and daft humour. It was suitably chaotic. Pete has got his writing, John has got his writing and producing, and Roger has got his farm. My interest is into filming and videoing. For all of the sense of a life cut short, he did that as no one else ever could. I saw keith moon twice with the Who in at the Seattle Coliseum when I was fourteen. My first and second rock concerts concerts. My cousin had a knack for finding out where The Who stayed at many of the concerts we attended. He became an acquaintance with Daltry. When staying in Toronto we ran into Moonie in the Hotel elevator. Invited him up to our room. Bouncing off beds and could hardly sit still. It was a fast entrance. Stayed for about 10 minutes and left just as quick. Your email address will not be published. Keith Moon: There is No Substitute my Keith Moon: There is No Substitute, email, and website in this browser for the next time I comment. Search uDiscover Music. Features Latest News. Share Tweet. Wah February 5, at am. Serious force of nature…. David February 5, at am. Kathy February Keith Moon: There is No Substitute, at pm. Leave a Reply Cancel reply Your email address will not be published. You may like. Don't Miss. “He knew no boundaries”: The Life And Legacy Of The Who’s Keith Moon Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Get A Copy. Hardcoverpages. More Details Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about There Is No Substituteplease sign up. Be the first to ask a question about There Is No Substitute. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Samantha Ashby rated it liked it Dec 15, Gander rated it it was amazing Dec 31, Apr 09, Simon Sweetman rated it it was ok. Nice idea, but very repetitive and as it goes on - and longer and longer - the list of people paying tribute becomes almost implausibly unimpressive; people - no names - start getting announced as "Lifelong Who Fans" - well, dur. And that's what the internet's for. Books are for thoughtful compiling, for curation, Keith Moon: There is No Substitute smart choices. The internet is splatterpaint. This book ends up, as nicely produced as it is and as well-meaning as it wants to be, a bit like splatterpaint. A shame. Also much as Nice idea, but very repetitive and as it goes on - and longer and longer - the list of people paying tribute becomes almost implausibly unimpressive; people - no names - start getting announced as Keith Moon: There is No Substitute Who Fans" - well, dur. Also much as everyone thought they Keith Moon: There is No Substitute something to say about Moon the Drummer, rather than just Moon the Loon, they end up saying almost exactly the same thing. Brad rated it liked it Jun 20, Brian Westervelt rated it it was amazing Jul 26, Pat Wagner rated it it was amazing Sep 15, Alan marked it as to-read Dec 19, Rowan marked it as to-read Mar 24, James Mason marked it as to-read May 11, Mark Vivian marked it as to-read Mar 18, David Czuba marked it as to-read Jun 09, Charles Kwiatkowski marked it as to-read Dec 05, Sadie marked it as to-read Jan 14, Joanna marked it Keith Moon: There is No Substitute to-read Jun 04, Mario Otero marked it as to-read Jun 21, There are no discussion topics on this book yet. Readers also enjoyed. About Ian Snowball. Ian Snowball. Books by Ian Snowball. Escape the Present with These 24 Historical Romances. You know the saying: There's no time like the present In that case, we can't Read more No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account. Keith Moon - The Who Who called him that? Remember, for example, that he was placed at No. Moon in the studio was exciting; Moon on stage was exhilarating. The first single release by The Who under that name was already more than a decade old when they played it at the Summit in Houston, Texas, on November 20, It was something very peculiar that none of us played the same way as other people, but somehow, our styles fitted together. The kit is smaller, the eyes a little wider, the antics more measured, but this is the essence of Moon aged, probably, His fills at the end of each verse are, as so often, like vocals of their own. To the introductory sounds of the sea and seagulls, The Who launch into another great moment from Quadrophenia. It was captured in front of an invited audience Keith Moon: There is No Substitute included lucky members of Pretenders, Sex Pistols and others, with Moon as magnetic as ever. The back-and-forth between Moon and Daltrey in particular, as the vocalist pauses for dramatic effect and the drummer cues him back in, is one of the most brilliant call-and-response effects in rock. Keith was Keith Moon: There is No Substitute along more to the vocal, but as well as playing for the song, he was playing for himself, too, and I really liked that. For the timekeeping duties, Moon again makes frequent use of his bass drum, playing eighth-notes of varying volumes while hammering snare notes and brief Keith Moon: There is No Substitute fills on top of them. The band covered the Mose Allison song in their early days, but it became a staple of their set in the late 60s. He had so many drums — two hi- hats, two kick drums, six or eight tom-toms — it was challenging just to get in there to get the snare drum covered. But of course. Looking for more? Discover the life and legacy Keith Moon: There is No Substitute Keith Moon. His best recorded performances were the early singles although everything he recorded except the last album was unique and brilliant. Extremely disappointed there is no mention of Dogs Pt. He even wrote the song! Greatest drum performance ever. In my humble view the finest example of live guitar, bass and drums ever and much of it improvised. Simply astonishing and massively better than anything done by any of their contempories. My Wife. An Entwhistle composition, is one of my favorite Moon drummings. Thinking WAY outside the box on this one. Just love it! Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Search uDiscover Music. Features Latest News. Share Tweet. Let us know in the comments section, below. Related Topics Bradley K Laidman February 18, at pm. Steve February 18, at pm. Martin Richards Keith Moon: There is No Substitute 19, at am. David Chamberlain February 20, at am. Howard Groopman February 21, at am. Luke Kimble February 22, at am. Who live at leads Should be on the list. A Quick One ; just mad, frenetic, perfectly timed drumming from start to finish. Leave a Reply Cancel reply Your email address will not be published. You may like. Don't Miss..
Load more

Recommended publications
  • MUSIC 262: Art/Prog Rock [Brian Ward Demonstrates a Tune on Piano
    MUSIC 262: Art/Prog Rock [Brian Ward demonstrates a tune on piano] [Brian Ward]: So around this time in rock and roll we really start to see a lot of fragmentation going on, and that’s reflected in this course. The way we have this designed is so that we can go in different directions with the music, and that’s what the music did all sort of at the same time. One of the directions is what we now call art rock and also progressive rock. Now art rock and progressive rock are terms that are used loosely. A good way to describe it is art rock is rock and roll that is influenced by classical music while progressive rock is more influenced by jazz, so- but you have different elements in varying degrees of influence and in different ways. A good illustration of that is one of the first bands that I want to talk about is The Who. Now The Who were definitely a straight down the line rock and roll band, and they started like a lot of these other British bands: imitating the blues and rhythm and blues music from the United States, but The Who were very unique. They had probably the most four individualized members of any band of all time. All four members of the band, Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon, were all very, very different people coming from different backgrounds, and that reflected in their music, and they used that to their advantage quite a bit. But with The Who I think rock star first becoming an art form in the sense that they had longer forms and they used many structures that eventually became mini-operas and they eventually made a rock opera called “Tommy.” Now when they started out they were more on the cutting edge of hard rock.
    [Show full text]
  • "The Who Sings My Generation" (Album)
    “The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone.
    [Show full text]
  • Keith Moon's Gretsch “D.R.B. Special”
    Time Capsule By Donn Bennett Keith Moon’s Gretsch “D.R.B. Special” 1970 Gretsch 14" x 5" wood shell snare drum. It’s One day, out of the blue, he called and said he identified by the chrome DRB Special badge and decided my shop was the best place for the drum “Who 1” scratched into the shell right below. so that it could be seen and appreciated by more Moon used the drum during The Who’s 1970–’71 people. A few minutes later he arrived with the world tour. He can be seen playing the drum drum and I’ve had it ever since. (with a cricket bat!) in the included photo. Ironically, the drum could have easily ended In November 1971, a new opening band up on the other side of the Atlantic. Bob Henrit, called Bell & Arc, featuring a young Alan White who owned Henrit’s Drum Shop on Wardour on drums, was added for the final leg of the Street in London during the 1970s, recalls a day tour. White and Moon became friends and when Moon showed up with a pile of snare drums Moon would regularly show up early to check in the trunk of his Bentley. Moon offered him out White’s performances. After the tour, the drums but Henrit (he now regrets) declined Moon gave White this snare. Several years them. He specifically recalled the walnut-stained later, White used the drum to record Yes’ Gretsch with the chrome DRB Special badge. 90125 and Big Generator albums. This Keith Moon snare drum is one of the ear- Fast-forward to the late 1990s when Alan liest acquisition’s in my collection and definitely White shows up in my shop selling Girl Scout one of the highlights.
    [Show full text]
  • “Quiet Please, It's a Bloody Opera”!
    UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun.
    [Show full text]
  • Guitar TAB Anthology
    Guitar TAB Anthology Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1100-7 ISBN-13: 978-1-4706-1100-2 Cover photo used by permission Album art: The Who Sings My Generation © 1965 MCA Records • A Quick One © 1966 MCA Records • The Who Sell Out © 1967 MCA Records • Tommy © 1969 MCA Records • Live at Leeds © 1970 MCA Records • Who’s Next © 1971 MCA Records • Meaty Beaty Big and Bouncy © 1971 MCA International • Quadrophenia © 1973 MCA Records • The Who by Numbers © 1975 MCA Records • Who Are You © 1978 MCA Records • Face Dances © 1981 MCA Records • It’s Hard © 1982 MCA Records CONTENTS Title Album Page 5:15 ................................... Quadrophenia ............................... 4 Baba O’Riley ........................... Who’s Next ................................ 15 Bargain ................................ Who’s Next ................................ 22 Behind Blue Eyes ....................... Who’s Next ................................ 35 Eminence Front ........................ It’s Hard ................................... 42 Happy Jack ............................ 1966 single ................................ 48 I Can See for Miles
    [Show full text]
  • Serie S. T He Early Days of R Oc K
    By Emmanuel Fromage, Vincent Camus, Quentin Bourguillault, and Corentin Bruneau. Credits :Wikipedia, (Queen, The Who) Recherche d’images Google. Dee- zer, And Ms BAARD !! Queen is the most famous group of the world. Basically composed of Brian May, Roger Taylor, Freddie Mercury, and John Deacon the group started to be known in the 1970s. That was the beginning of an incredible internationnal success. Series. TheSeries. Early days of Rock. – The Who is a group, formed in 1964. Belongs to The Times, the band sold over 100 millions records. It influenced Rock’n’Roll, and its suc- cess fastly reached America, before conquering the whole planet, and making fans all over the world. Special OffSpecial Queen. Queen is one of the most famous rock group of the world. At the beginning of the suc- cess, in the 1970s, they were a group of 4 (The name of the group was “Smile “ ). Brian May, Roger Taylor, Freddie Mercury, and then, John Deacon. They had the best com- mercial success of these last 30 years Influenced by other groups of their time, (from Progressive Rock ) Queen started to have an audience when they released the album “Queen II “ The music quickly became a success, and a music tour began in America, even though the sales of the album were not that good. Their next album, Sheer Heart Attack, made the begin to sold increase faster. Queen’s success reached Europe, (especially the United Kingdom ) and A Night At The Opera, which was the most expensive album which ever made, became gold disc. After an incredible free concert in Hyde Park, London in 1976 ( 200 000 people were attended during this event ) the album News Of The World was not well received by the listeners.
    [Show full text]
  • The W Ho De Ultiem E Rockband Loek Dekker Loek Dekker
    Loek Dekker Loek Dekker The Who De ultieme rockband Loek Dekker INHOUDSOPGAVE Voorwoord Jan Rot: Mijn generatie .................................................................................................................... 7 Proloog: The Who met Tommy in het Concertgebouw van Amsterdam, 29 september 1969 ..................................................................................................................................................................... 9 01 Alle begin is moeilijk: The Detours (1960-1963) ............................................................................... 13 02 Het mod-avontuur: The High Numbers en The Who (1964) ...........................................27 03 Een middelvinger naar de bestaande orde: My Generation (1965) ..........................45 04 Populair in Europa met singles en A Quick One (1966) .......................................................... 61 05 Is Amerika te veroveren? Murray the K, Monterey en een explosie (1967) .....75 06 The Who Sell Out brengt nog niet het grote succes (1967-1968) .................................87 07 The deaf, dumb and blind boy: Tommy (1968-1969) ...............................................................103 08 Top of the bill op Woodstock en Isle of Wight (1969) ............................................................... 115 09 Snoeihard de beste: Live at Leeds (1970) .................................................................................................129 10 Mislukking Lifehouse wordt triomf Who’s Next (1971).........................................................143
    [Show full text]
  • The Working-Class and Post-War Britain in Pete Townshend's
    Class, Youth, and Dirty Jobs: the working-class and post-war Britain in Pete Townshend’s Quadrophenia This chapter examines Pete Townshend’s Quadrophenia (1973) and the way in which it depicts continuity and change in the lives of the British working-class in the period that the album documents (1964/5), the political milieu in which it was written (1972/3), and the legacy of the concept that was depicted in the screen version directed by Franc Roddam (1978/9).1 Quadrophenia was recorded and released in a fraught period of industrial militancy in Britain that had not been witnessed since the general strike of 1926.2 The album can be ‘read’ as both a social history of an element of youth culture in the mid-1960s, but also a reflection on contemporary anxieties relating to youth, class, race, and national identity in the period 1972/3.3 Similarly, the cinematic version of Quadrophenia was conceived and directed in 1978/9 in the months prior to and after Margaret Thatcher was swept to power, ushering in a long period of Conservative politics that economically, socially, and culturally reshaped British society.4 Quadrophenia is a significant historical source for ‘reading’ these pivotal years and providing a sense of how musicians and writers were both reflecting and dramatizing a sense of ‘crisis’, ‘continuity’, and ‘change’ in working-class Britain.5 Along with the novels and films of the English ‘new wave’ and contemporary sociological examinations of working-class communities and youth culture, Quadrophenia represents a classic slice of ‘social realism’, social history, and political commentary.
    [Show full text]
  • Petra Haden in the Age of Mechanical Reproduction
    Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i2.7en Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction Marianne Tatom Letts Independent scholar [email protected] Abstract In 2005, Petra Haden released her version of The Who Sell Out, notable for the meticulousness and creativity with which she mimicked the various instruments on the album, and for the fact that she produced the project with an eight-track recorder and only her own voice. This article examines the ways in which Haden’s interpretation of the classic album elevates it into the realm of “high art” while retaining its status as a commodity within the realm of popular music. Although the Who’s original recording (1967) was one of the first concept albums, its unification comes not through a storyline or characters, as with other albums of that era, but through the foregrounding of its existence as a commodity. Radio jingles for both real and fake products are interspersed among the genuine commodities of pop songs, and the cover art features the Who in fake advertisements. Haden includes the jingles and even the cover artwork in her interpretation, but the changes she makes through generating every sound with her voice provide a level of unification that the original album does not possess. Haden’s live reinterpretation (with her band the Sellouts) casts doubt on what constitutes the “authentic” version of the album, since the current lineup of the Who (two surviving members and various supporting musicians) no longer performs the material.
    [Show full text]
  • Keith Moon Was Here
    KEITH MOON WAS HERE by TOD DAVIES & ALEX COX FIRST DRAFT, January 2001 © 2001 2 BLACK SCREEN The opening bars of "BARBARA ANN," as played by THE BEACH BOYS, are heard. FADE IN -- EXT DREAM CALIFORNIA DAY A FANTASY VERSION of MALIBU BEACH in the EARLY SIXTIES. SURFERS, bikini-clad SURFER BABES, VOLLEYBALL, WOODIES, a SKINNY BESPECTACLED FELLOW getting SAND kicked in his face. A GANG OF SPECTACULAR FOXY BIKINI CHICKS is gathered in front of an improvised stage -- on which a band is playing an impromptu surfer music gig. The band is THE BEACH BOYS. The SONG is "BARBARA ANN." CAMERA PANS across our BEACH BOYS LOOKALIKES -- all is as it should be -- till we reach the DRUMMER. The YOUNG KEITH MOON. MOON does not thrash his kit, but plays an easygoing beat. For he is, in his fantasy, a BEACH BOY. And his drum kit is ELEVATED, at the FRONT and CENTRE of the stage. KEITH I should have been a BEACH BOY. No question. I loved that music above all others. That, and the Calfornia LIFESTYLE. Sun. Sand. Surf. And SENSUALITY. What more could a fifteen year old lad from Wembley want? But 'oo did I end up with? CUT TO -- INT SAN FRANCISCO CIVIC AUDITORIUM NIGHT REAR VIEW of a DRUMMER hammering the BIGGEST DRUM KIT anyone has ever seen, on a riser on stage. This is KEITH, at 25. It's 1971. The BAND, as KEITH's drums proudly state, is THE WHO. 3 The scene plays without dialogue. We'll hear the dialogue later.
    [Show full text]
  • Anniversary of Quadrophenia
    THE WHO CELEBRATE THE 40th ANNIVERSARY OF QUADROPHENIA THE WHO CELEBRATE THE 40 th ANNIVERSARY OF QUADROPHENIA WITH THE RELEASE OF ‘QUADROPHENIA: LIVE IN LONDON’ DVD IN JUNE 2014 Filmed at Wembley Arena on July 8, 2013 In 2012/2013, The Who embarked on the Quadrophenia and More Tour , performing their landmark rock opera in its entirety, marking the 40 th anniversary of the original 1973 release of this double-album masterpiece. The critically acclaimed and highly successful tour closed at London’s Wembley Arena, with the cameras rolling, to record the closing night of this historic anniversary tour. Filmed on July 8, 2013, QUADROPHENIA: LIVE IN LONDON features The Who in peak form, performing Quadrophenia from front to back, in its entirety, plus a special set of some of their all-time greatest hits. The film captures the band’s dynamic performance in front of their hometown crowd and features blistering performances of “The Real Me,” “The Punk And The Godfather,” “Doctor Jimmy” and a powerful performance of “Love Reign O’er Me.” With HD screen backdrops, archival footage and today’s advanced technology in sound, QUADROPHENIA: LIVE IN LONDON reunites The Who with bandmates John Entwistle, for “5:15,” and Keith Moon for his signature song “Bell Boy.” In addition to their performance of Quadrophenia , the band tear through classic tracks such as “Pinball Wizard,“ “Who Are You,” “You Better You Bet,” “Baba O’Riley,” “Won’t Get Fooled Again” and “Tea & Theatre” from their 2006 release Endless Wire ,” with the intensity and power only The Who can conjure.
    [Show full text]
  • [LB504] the Committee on Natural Resources
    Transcript Prepared By the Clerk of the Legislature Transcriber's Office Natural Resources Committee March 01, 2017 [LB504] The Committee on Natural Resources met at 9:15 a.m. on Wednesday, March 1, 2017, in Room 1525 of the State Capitol, Lincoln, Nebraska, for the purpose of conducting a public hearing on LB504. Senators present: Dan Hughes, Chairperson; Bruce Bostelman, Vice Chairperson; Joni Albrecht; Suzanne Geist; Rick Kolowski; John McCollister; Dan Quick; and Lynne Walz. Senators absent: None. [LB504] SENATOR HUGHES: It's 9:15, and I think we're going to have a full day, so in an effort to get things going and wrapped up because we have events here in the Capitol this afternoon. Welcome to the Natural Resources Committee. I'm Senator Dan Hughes; I'm from Venango, Nebraska, and represent the 44th Legislative District. I serve as Chair of this committee. The committee will take up bills in the order posted. Our hearing today is your public part of the legislative process. This is your opportunity to express your position on proposed legislation before us today. The committee members might come and go during the hearing, this is just part of the process as we have bills to introduce in other committees. I ask you to abide by the following procedures to better facilitate today's proceedings. Please silence or turn off your cell phones. Please move to the front row of chairs if you're ready to testify. Introducers will make initial statements followed by proponents, opponents, and neutral testimony. Closing remarks are for the introducing senator only.
    [Show full text]