SCREENING KIT Screening Agreement
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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Il Mio Amico NANUK Pb. Definitivo
in collaborazione con MEDUSA FILM Presenta IL MIO AMICO NANUK (Midnight Sun) in associazione con HYDE PARK INTERNATIONAL IMAGE NATION MERCED MEDIA PARTNERS MEDIABIZ CAPITAL MEDUSA FILM MEDIASET PREMIUM SEVILLE PICTURES REGIA ROGER SPOTTISWOODE sequenze artiche REGIA BRANDO QUILICI Una produzione MEDIA-MAX / BQ PRODUCTIONS / ORIGINAL PICTURES / ROB HEYDON PRODUCTIONS Con la partecipazione di Telefilm Canada Northern Ontario Heritage Fund Corporation Manitoba Film & Music Shaw Rocket Fund Ontario Media Development Corporation Film riconosciuto di interesse culturale con contributo del Ministero dei beni e delle attività culturali e del Turismo – Direzione Generale per il Cinema – MIBACT Il libro che ha ispirato questo film è edito in Italia da Sperling & Kupfer Con DAKOTA GOYO GORAN VISNJIC BRIDGET MOYNAHAN Ed il cucciolo NANUK Distribuzione www.medusa.it 2014 · CANADA/ITALIA · 98 MINUTI· 1.85 · COLOUR - USCITA: 13 NOVEMBRE 2014 GLI ATTORI Dakota Goyo: Luke Mercier Goran Visnjic: Muktuk Bridget Moynahan: Madison Mercier Peter MacNeill: Albert Speck Kendra Leigh Timmins: Abbie Mercier Linda Kash: Zia Rita Michelle Thrush: Eta Imajyn Cardinal: Nuvua Nanuk:Pezoo I REALIZZATORI Regia Roger Spottiswoode Sequenze artiche Regia Brando Quilici Sceneggiatura Hugh Hudson e Bart Gavigan Soggetto Brando Quilici Riprese naturalistiche Doug Allan Produttori Karine Martin Brando Quilici Rob Heydon Kim Todd Produttori esecutivi Ashok Amritraj Mark Slone Raj Brinder Singh Kevin Frakes Stuart Brown Jean-Francois Doray Elyse Boulet Marc Charette Iohann Martin Direttore della Fotografia Peter Wunstorf Addetto al Montaggio Pia Di Ciaula Musiche Lawrence Schragge Scenografia Eric Fraser Costumi Nicoletta Massone IL MIO AMICO NANUK (Midnight Sun) SINOSSI BREVE “Il mio amico Nanuk” è unʼappassionante avventura nelle sconfinate, bellissime ma ostili terre dellʼArtico Canadese. -
EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different. -
New Terrors, Emerging Trends and the Future of Japanese Horror
Chapter Six: New Terrors, Emerging Trends and the Future of Japanese Horror Repetition, Innovation, and ‘J-Horror’ Anthologies The following pages constitute not only this book’s final chapter, but its conclusion as well. I adopt this structural and rhetorical manoeuvre for two reasons. Firstly, the arguments advanced in this chapter provide a critical assessment of the state of the horror genre in Japanese cinema at the time of this writing. As a result, this chapter examines not only the rise of a self-reflexive tendency within recent works of Japanese horror film, but also explores how visual and narratological redundancy may compromise the effectiveness of future creations, transforming motifs into clichés and, quite possibly, reducing the tradition’s potential as an avenue for cultural critique and aesthetic intervention. As one might suspect, the promise of quick economic gain – motivated both by the genre’s popularity in Western markets, as well as by the cinematic tradition’s contribution to what James Udden calls a ‘pan-[east-]Asian’ film style (2005: para 5) – inform the fevered perpetuation of predictable shinrei mono eiga (‘ghost films’). Secondly, by examining the emergence of several visually inventive and intellectually sophisticated films by some of Japanese horror cinema’s most accomplished practitioners, this chapter proposes that the creative fires spawned by the explosion of Japanese horror in the 1990s are far from extinguished. As close readings 172 Nightmare Japan of works like Ochiai Masayuki’s Infection (Kansen, 2004), Tsuruta Norio’s Premonition (Yogen, 2004), Shimizu Takashi’s Marebito (2004), and Tsukamoto Shinya’s Vital (2004) variably reveal, the future of Japanese horror cinema may be very bright indeed. -
Al Cinema Dal 9 Novembre 2016
Presenta Un film di Roger Spottiswoode Con Luke Treadaway e Ruta Gedmintas Tratto dall’omonimo bestseller in libreria il 18 ottobre con un’edizione speciale Sperling&Kupfer AL CINEMA DAL 9 NOVEMBRE 2016 Durata: 102 minuti Ufficio stampa film Ornato Comunicazione Via Flaminia, 954 00191 Roma Tel. + 39 06.3341017 + 39 06.33213374 [email protected] CAST TECNICO Regia Roger Spottiswoode Produttori Adam Rolston Sceneggiatura Tim John CAST ARTISTICO Luke Treadway James Bowen Bob Bob Ruta Gedmintas Betty Joanne Froggatt Val Anthony Head Jack Bowen Basato sul bestseller internazionale, “A street cat named Bob”, A SPASSO CON BOB è una commovente e incoraggiante storia vera, una di quelle storie che ti fanno sentire bene dentro. SINOSSI BREVE Quando James Bowen trova davanti alla porta del suo alloggio popolare un gatto rosso, rannicchiato in un angolo, indifeso e ferito, non immagina quanto la sua vita stia per cambiare. James, ventisette anni, non ha un lavoro né una famiglia su cui contare. Vive alla giornata per le vie di Londra, e raccoglie qualche spicciolo suonando la chitarra davanti a Covent Garden e nelle stazioni della metropolitana. L'ultima cosa di cui ha bisogno è un animale domestico. Eppure non resiste a quella palla di pelo, che subito battezza Bob. Pian piano James riesce a farlo guarire, e a quel punto lascia il gatto libero di andare per la sua strada, convinto di non rivederlo più. Ma Bob è di tutt'altro avviso: per nulla al mondo intende separarsi dal suo nuovo amico e lo segue ovunque. Instancabile. Finché a James non rimane che arrendersi. -
Tomorrow Never Dies
Tomorrow Never Dies Svensk premiärtitel: Tomorrow Never Dies Videotitel i Sverige: Tomorrow Never Dies Produktionsuppgifter: Produktionsland: Storbritannien, USA Distributör i Sverige (35 mm): United International Pictures AB Svenska Filminstitutet Distributör i Sverige (hyrvideo) (fysisk): Warner Home Video Sweden AB Distributör i Sverige (köpvideo): Warner Home Video Sweden AB Produktionsbolag: Eon Productions Ltd. United Artists Pictures Inc. Danjaq Inc. Förlaga: Titel: James Bond (Fiktiva personer) Skapade av: Ian Fleming Manus: Bruce Feirstein Producent: Michael G. Wilson Barbara Broccoli Foto: Robert Elswit Musik: David Arnold Produktionsdesign: Allan Cameron Klippning: Dominique Fortin Michel Arcand Regi: Roger Spottiswoode Bildformat: Scope (2,35:1) Färgsystem: Färg Ljudsystem: Dolby Stereo Spectral Recording Censur: 135.071 Datum: 1997-12-10 Aldersgräns: Tillåten från 15 år Längd: 3267meter Sverigepremiär: 1997-12-19 BioPalatset Göteborg Sverige 119 minuter 1997-12-19 Filmstaden Göteborg Sverige 119 minuter 1997-12-19 Palladium Göteborg Sverige 119 minuter 1997-12-19 BioPalatset Malmö Sverige 119 minuter 1997-12-19 DownTown Malmö Sverige 119 minuter 1997-12-19 Royal Malmö Sverige 119 minuter 1997-12-19 BioPalatset 1 Stockholm Sverige 119 minuter 1997-12-19 Filmstaden Sergel Stockholm Sverige 119 minuter 1997-12-19 Filmstaden Söder Stockholm Sverige 119 minuter 1997-12-19 Rigoletto 1 Stockholm Sverige 119 minuter TV-visning: 2000-12-10 TV3 Sverige 114 minuter 2002-01-28 TV3 Sverige 114 minuter Videorelease: 1998-05 Sverige 114 -
Gerry Gavigan 1St Assistant Director
Gerry Gavigan 1st Assistant Director Credits include: THE RHYTHM SECTION Director: Reed Morano Action Mystery Thriller Producers: Barbara Broccoli, Michael G Wilson Additional Photography Featuring: Blake Lively, Jude Law, Sterling K Brown Production Co: Babieka / Eon Productions / Paramount Pictures ANGEL HAS FALLEN Director: Vic Armstrong Action Thriller Producers: Gerard Butler, Mark Gill, Matt O’Toole Action Unit Alan Siegel, Les Weldon Featuring: Gerard Butler, Morgan Freeman, Piper Perabo Production Co: CB Films / Eclectic Pictures / G-BASE / Millennium Films A STREET CAT NAMED BOB Director: Roger Spottiswoode Drama Producer: Adam Rolston Featuring: Ruta Gedmintas, Luke Treadaway Production Co: Shooting Script Films GUILT Director: Gary Fleder Crime Thriller Exec Producers: Steve McPherson, Nichole Millard, Kathryn Price Featuring: Katrina Law, Daisy Head, Billy Zane Production Co: Lionsgate / ABC FALLEN Director: Scott Hicks Romantic Fantasy Thriller Producers: Mark Ciardi, Gordon Gray, Bill Johnson Featuring: Addison Timlin, Joely Richardson, Jeremy Irvine Production Co: Lotus Entertainment / Mayjem Pictures MALEFICENT Director: Robert Stromberg Adventure Fantasy Thriller Producers: Don Hahn, Joe Roth Additional Photography Featuring: Angelina Jolie, Elle Fanning, Brenton Thwaites Production Co: MPC / Roth Films / Walt Disney MIDNIGHT SUN Director: Roger Spottiswoode Adventure Drama Producers: Rob Heydon, Karine Martin, Brando Quilici, Kim Todd Featuring: Bridget Moynahan, Dakota Goyo, Goran Visnjic Production Co: Hyde Park Entertainment/Original -
Cinematic Representations of Eleanor Roosevelt
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-16-2015 Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt Angela Beauchamp Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the American Film Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Beauchamp, Angela, "Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt" (2015). MALS Final Projects, 1995-2019. 98. https://creativematter.skidmore.edu/mals_stu_schol/98 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Suffering Saint, Asexual Victorian Woman, Or Queer Icon? Cinematic Representations of Eleanor Roosevelt By Angela Beauchamp FINAL PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LIBERAL STUDIES SKIDMORE COLLEGE April 2015 Advisors: Thomas Lewis and Nina Fonoroff Suffering Saint, Asexual Victorian Woman, or Queer Icon? Cinematic Representations of Eleanor Roosevelt Skidmore College MALS Thesis Angela Beauchamp 4-13-2015 2 Contents lntroduction .................................................................................................................................................. -
New on Video &
New On Video & DVD The Little Rascals: The Complete Collection The hunt for those seemingly countless Little Rascals releases is over. For the first time ever, all 80 of Hal Roach's original 1929-1938 classic shorts featuring Buckwheat, Spanky, Alphalpha, and the rest of Our Gang--from the era before Roach sold the rights to MGM--are available here in one package. Included among this complete collection of uncut, remastered, and restored episodes are numerous contributions of various types from noted film historians, an addi- tional 10 silent shorts from Hal Roach's personal library, several documentaries including a look at racism as it pertains to the show, a special "where are they now" update featuring some of the surviving cast members, and much more. Disc1 includes the following episodes: "Small Talk," "Railroadin'," "Lazy Days," "Boxing Gloves," "Bouncing Babies," "Moan and Groan, Inc.," "Shivering Shakespeare," "The First Seven Years," "When the Wind Blows" and "Bear Shooters." Disc 2 includes the following episodes: "A Tough Winter," "Pups is Pups," "Teacher's Pet," "School's Out," "Helping Grandma," "Love Business," "Little Daddy," "Bargain Days," "Fly My Kite" and "Big Ears." Disc 3 includes the following episodes: "Shiver My Timbers," "Dog is Dogs," "Readin' and Writin'," "Free Eats," "Choo Choo," "Spanky," "The Pooch," "Hook and Ladder," "Free Wheeling" and "Birthday Blues." Disc 4 includes the following episodes: "Lad an' a Lamp," "Fish Hooky," "Forgotten Babies," "The Kid from Borneo," "Mush and Milk," "Bedtime Worries," -
Feminism and the Horror Film 1974-1996 Robert Mehls a Thesis
In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996 Robert Mehls A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirements for the degree of Master of the Arts Department of Art History 2015 i This Thesis Entitled: In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996 Written By Robert Mehls has been approved for the Department of Art History _________________________ Melinda Barlow _________________________ Ernesto Acevedo-Muñoz _________________________ Paul Gordon Date: 11/18/2015 The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii Abstract Mehls, Robert (M.A. Art History) In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996 Thesis Directed by Associate Professor Melinda Barlow Horror films, like any cultural product, are a result of their time and place in the world. The traditional reading of horror films focuses primarily on the negative treatment of women. However, there are some moments of resistance that allow for a strong female representation. As the horror film is a genre that targets primarily the youth market, some of these women step beyond the traditional cannon fodder and emerge as feminist role models. Over time the ways and means by which women stepped out of the shadows in the horror genre changed. These changes can in part be traced to the larger societal movements of their era, including Second and Third Wave Feminism. -
Proquest Dissertations
RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UMI Number: 3430304 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3430304 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Approved as to style and content by: ^aJftLtfv^ *3 tu.^r TrsAAO^p P, M&^< David Lavery Martha Hixon Chair of Committee Reader Cyt^-jCc^ C. U*-<?LC<^7 Wt^vA AJ^-i Linda Badley Tom Strawman Reader Department Chair (^odfrCtau/ Dr. Michael D. Allen Dean of Graduate Studies August 2010 Major Subject: English RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Major Subject: English DEDICATION Completing this journey would not be possible without the love and support of my family and friends. -
Download the Word Farm 2010 Program
Class Schedule Word Farm Bios Friday, January 29 Allison Anders Allison Anders is a Los Angeles-based independent filmmaker. In 1995 she was the recipient of a MacArthur 9:30 Coffee “genius grant” and in 2002 she won a George Foster Peabody Award for distinguished achievement and meri- torious service for her semi-autobiographical filmThings Behind the Sun. From the release of her acclaimed first 10:00-12:30 Session I Tom Lazarus Allison Anders feature, Border Radio (1989; co-written and co-directed with Kurt Voss) through the recent critical and popular success of Things Behind the Sun, Anders has established a body of work that is innovative in its visual and Before Page One Writing from Experience sound style and marked by ensemble acting and strong women characters. Her films as writer-director also include Gas Food Lodging (1992), Mi Vida Loca (1993), Grace of My Heart (1996), and Sugar Town (1999; co-directed 12:30-1:30 Lunch (Chinese) with Kurt Voss). Anders’ films have premiered at the Cannes International Film Festival and at the prestigious Sundance Film Festival, and retrospective of her work have been held in Thessaloniki, Greece; Sheffield, Eng- 1:30-4:00 Session II Daniel Petrie Cheri Steinkellner land; and at the Karlovy Vary Film Festival in the Czech Republic. At UCSB she teaches courses including rock What to Think About Writing the Musical ‘n’ roll films, autobiographic writing, and music supervision. Before You Start Jane Espenson Saturday January 30 Jane Espenson has been a television writer for the last seventeen years. She has been on the writing staff of 9:00 Coffee shows including Ellen, Gilmore Girls, The O.C., and Tru Calling, and wrote a freelance episode of Star Trek: Deep Space Nine.